SXSW 2024 promises to kick up the coolness factor with more content than ever. This year films from every genre and corner of the world assemble to provide festival audiences thrills and chills, laughter and loss, mysteries and mayhem. Cinephiles look to SXSW for cool, creative, and wow films they can discuss all year. The 2024 edition will not disappoint. Here is a list of films we’re keeping our eyes on.
DICKWEED
Two people got kidnapped. One man lost his dick. No-one got any money. This heist-gone-horribly-wrong led one Newport Beach detective on an international manhunt for the most twisted criminal he’d ever hunted. In 2012, Michael, a local weed dispensary owner, got home from work and plopped down on the sofa like any other weeknight. Three hours later he was zip-tied and eating dirt as three men tried to beat him into admitting where he’d buried the million dollars. And he would have gladly told them rather than endure what happened next. The only problem was, he hadn’t buried a million dollars, and after they tortured him and left him to die, he still had no idea who these men were.
I know. This sounds more like a mockumentary than a real-life occurrence. I had to go back and check twice to make sure I was reading the category correctly. SXSW 2024 documentary Dickweed delivers one of the most insane true-crime stories you will ever witness. Twists and turns and utterly unbelievable, this mysterious case will bewilder and entertain. Jonathan Ignatius Green does not disappoint. Get ready to tell everyone about this film, and be prepared for them to think you’re making it all up.
Director/Writer: Jonathan Ignatius Green (The Pez Outlaw, Social Animals)
Producers: David Ricksecker, Jefferis Gray
Executive Producers: Amy Bandlien Storkel, Bryan Storkel
Running Time: 90 minutes
Film Screenings
ADRIANNE AND THE CASTLE
Inventive and whimsical, Adrianne & The Castle is a true story of great love and loss. Alan St-George is a mascot-maker and artist in rural Illinois who hand-made an ornate and elaborate castle with his late wife Adrianne. Since her death in 2006 he continues to put the finishing touches on Havencrest Castle, which stands as a “temple” dedicated to their transcendent love.
In one of the most stunning love stories ever told, director Shannon Walsh introduces us to a couple like no other, whose fairytale relationship lives on in an extraordinary mansion.
Director: Shannon Walsh (The Gig Is Up, Illusions Of Control)
Producer: Ina Fichman (Fire of Love, The Oslo Diaries)
Running Time: 86 mins
Film Screenings
TIMESTALKER
“Timestalker” follows hapless heroine Agnes through time as she repeatedly falls for the wrong guy, dies a grim death, gets reincarnated a century later, before meeting him again and starting the cycle anew. It is one story told over many periods, all with the messy thrills and spills that come with daring to follow your heart. Or maybe your loins…
Agnes’ only hope in avoiding this violent fate is by finally reaching spiritual enlightenment; but how can she ever wise up when she’s destined to be a fool for love? Some lessons are just too hard to learn in one lifetime.
As a self-proclaimed Whovian, you had me at time-hopping. But a unique twist on angsty love is one of the many reasons why audiences come to SXSW 2024. This genre obliterating narratives promises to be one of the year’s best. And if you aren’t already familiar with Alice Lowe, boy are you in for a treat.
Directed by: Alice Lowe
Written by: Alice Lowe
Staring: Alice Lowe, Jacob Anderson, Aneurin Barnard, Tanya Reynolds, Nick Frost
Film Screenings
9:45pm—11:21pm
AUDREY
Ronnie Lipsick (Jackie Van Beek), a former soap star and self-proclaimed Mother of the Year, gave up her acting career 18 years ago due to an unplanned pregnancy. Now she runs a suburban performing arts school, with a husband who has lost his zest for life, a youngest daughter(Hannah Diviney) who appears indifferent, and an ungrateful eldest daughter whom Ronnie (Josephine Blazier) tried to mold into the success she always wanted. When Audrey falls into a coma after an accident, Ronnie takes on her daughter’s identity, getting a second chance at the life she always desired.
Darkly funny and in three distinct acts of wackiness, AUDREY is everything you want it to be and way more.
Director:
Natalie Bailey
Screenwriter:
Lou Sanz
Principal Cast:
Jackie Van Beek, Josephine Blazier, Hannah Diviney, Jeremy Lindsay Taylor
Film Screenings
RESYNATOR
In unearthing the Resynator, the revolutionary synthesizer her late father invented in the 1970s, filmmaker Alison Tavel not only revives his mission to share it with the world, she unexpectedly forges a deep bond with the father she never got the chance to know. What starts as a curious resurrection of her dad’s invention soon becomes an insatiable, globe-trotting quest to unearth an authentic portrait of a man she never met. Featuring Peter Gabriel, Fred Armisen, Gotye, Grace Potter and more.
Director:
Alison Tavel
Principal Cast:
Alison Tavel, Grace Potter, Peter Gabriel, Jon Anderson, Fred Armisen, Money Mark, Gotye, Mike Gordon, Brian Kehew, Christian Castagno
Film Screenings
Resynator at Alamo Lamar 4
Mar 10, 2024
6:00pm—7:36pm
Resynator at Rollins Theatre at The Long Center
Mar 13, 2024
6:00pm—7:36pm
Resynator at Satellite Venue: AFS Cinema
Mar 16, 2024
12:00pm—1:36pm
MALTA
Set in Bogotá, this captivating female character study narrates the story of a young Colombian woman who dreams of escaping her suffocating urban reality and traveling the world. However, an unexpected relationship with an unlikely man will make her question her true motives for leaving.
A quiet purpose-seeking film with relatable themes is all you need to know about Malta. It will hit you no matter your personal background.
Director:
Natalia Santa
Principal Cast:
Estefanía Piñeres, Patricia Tamayo, Emmanuel Restrepo, Diego Cremonesi, Ángela Rodríguez, Edwin Riveros, Tonatiuh Ramírez , Raúl Cuellar
Film Screenings
Mar 9, 2024
2:15pm—3:52pm
Malta at Violet Crown Cinema 3
Mar 9, 2024
2:45pm—4:22pm
Malta at Violet Crown Cinema 2
Mar 11, 2024
3:15pm—4:52pm
Malta at Violet Crown Cinema 4
Mar 11, 2024
3:45pm—5:22pm
Malta at Alamo Lamar 8
Mar 14, 2024
9:45pm—11:22pm
Authentically hilarious, audiences get to know Nellie through a series of sexual romps, engagement parties, weddings, baby showers, and pregnancy panic stories. The inundation of opinions and horror stories sounds familiar to me. I got pregnant at 35 and 36, so, naturally, I was deemed a “geriatric.” The combination of rage and fear was no joke. Leah McKendrick nails the ups and downs of that stage of life. It’s an existential crisis that you only truly understand if you’ve experienced it firsthand.
Timoner gets a completely unfiltered look inside the magic and mayhem in 7 years of behind-the-scenes footage. It’s a competition between the vibrant, often cocky, argumentative, drug-fueled, genuinely talented musician behavior of BJM versus the chill, business-minded, trustworthy, equally gifted Dandys. Each band pushes the other to greatness with contrasting tactics. Ondi’s handheld freestyle way of shooting is immersive and tangible. With the rapid-fire editing and narration from Joel Gion and Courtney Taylor, you’re entirely entertained. Huge personalities clash, eccentricities push people’s buttons, and childhood trauma rears its ugly head. 
George Basil plays Dave, the construction foreman, with a life-affirming kindness. One of his lines perfectly sums up the film’s heart, hitting you square in the chest, “We’re just friends walking each other home.” Hollowell is outstanding as Gloria. Her comic timing is the stuff of the gods, but she also delivers authentic depth. She is a star.
Kate Jean Hollowell is a multi-hyphenate director, comedian and musician, who honed her humor, storytelling and visual style by making her own music videos, showcased at SXSW in 2022 and 2023, as well as her short film Are They Smiling?, which premiered at the 2020 Portland Film Festival and won several awards. Taking on narrative, Kate has managed to find a unique voice that balances humor and heart through all her work. Finding ways to insert unexpected musical numbers in everything she does is a trademark all her own.
The documentary follows Tina Cordova as she advocates for herself and her fellow “downwinders.” Downwinders are innocent bystanders who may have suffered negative health effects from the Trinity test – the 1945 detonation of a newly developed nuclear weapon in New Mexico.
The anecdotes from the immediate aftermath of the nuclear test are truly horrifying. One particularly striking recounting involves children playing with what they thought was “warm snow, but may have actually been nuclear fallout. Still more disturbing is the potential generational effects of the test. There are recounts of stillbirths, of children born without eyes, and of widespread cases of cancer across the affected communities. Cordova herself is a thyroid cancer survivor, the 4th generation in her family to have cancer since the test in 1945.
We witness the tragic evolution of Curtis’ extended family through intimate sit-downs with family members, sharing their darkest secrets without a moment of hesitation. Their goal is equal parts redemption and cathartic confession. Some family members try harder than others, though the dark thoughts never leave. Religion lands somewhere between true belief and crutch. Mostly, the latter. 
Thoughtful closeups and the hauntingly beautiful score create heartwrenching transitions. Moyer and Toensing try to offer moments of childhood levity featuring Curtis and his siblings playing with poppers, water guns, and video games, but lurking in the background is the reality of parents severely impaired by drugs. Inheritance breaks your heart. A six-year journey down a rabbit hole of repeated histories. Is Curtis the best bet to break the cycle? One can only hope.
DIG! XX
Coming home for the holidays is always wrought with complex emotions. Directors Caroline Keene and Dan Kennedy give audiences much to ponder in MERRY GOOD ENOUGH. A film about familial chaos across generations, this enjoyable small-town film is sure to strike a chord this holiday season.
Joel Murray is George, the absent but immensely excitable father figure. Writer-director Caroline Keene drops early hints of his toxic masculinity, and Murray eases into the skin of a pretty loathsome man. Daniel Desmarais plays Tim. His sardonic wit meshes perfectly with this cast of fantastic misfits. Comfort Clinton is Cynthia. She is uptight and controlling. Clinton owns the role with her evident daddy issues and needs for approval. 
Sawyer Spielberg is charming as neighbor Sam. His chemistry with Levine is magic, which makes sense since they’ve been married since 2018. Susan Gallagher‘s performance is spectacular. Keene’s script nails the mother of adult children vibe with running errands, asking if we’ve eaten, awkwardly using technology, grabbing coffee, and the overly stocked fridge. Gallagher captivates with her vulnerability. Raye Levine gives Lucy a tangible relatability. She’s funny, a little lost, and yet entirely grounded.
At the heart of MERRY GOOD ENOUGH, this script delves into unresolved childhood trauma, emotional isolation, mental health, and forgiveness. It’s a breezy watch about finding bliss and connection in the imperfect.
Lila Schmitz brings audiences the magic of West Ireland through the melodies of the locals and the emotional pull of a tune. THE JOB OF SONGS is a toe-tapping, viscerally joyous film. 
Filmmaker Henya Brodbeker turns the camera on her, her husband, and their young autistic son, Ari. Through years of filming, we witness the evolution of relationships in her Orthodox community, her marriage, and with herself. This is one family’s story about belonging. 
Anyone who follows my career as a film journalist knows I’m a Mom of a young autistic son. I talk about his diagnosis and navigating the complexities of existing in a primarily neurotypical environment. We are lucky in the grand scheme of ASD possibilities. Our son’s cognitive abilities are off the charts. He is loving, funny, friendly, and would not hurt a fly. Dealing with public meltdowns, particularly if those around you do not know or understand, can be a crushing, demoralizing, tear-filled experience. Nothing is easy. It’s undeniably isolating. It’s the outside world we fear most. THE THREE OF US is irrefutable proof of how equal opportunity changes the lives of families. 
2nd Annual Dances With Films – NYC 
As of today’s Halloween launch day, the platform will feature over thirty titles, including those from indie distributors Oscilloscope, Dark Star, Dark Sky, Dekanalog, Utopia, Yellow Veil Pictures, and others. Titles include Jane Schoenbrun’s 
The look of the film is dreamy. Moody indoor shots juxtaposed with lush Swiss landscapes create a visually sumptuous experience. 
Emilia Jones plays Margot, a college student and movie theatre concession girl who goes on a date with an older patron who may or may not be a murderer. Based on Kristen Roupenian‘s 2017 viral short story in The New Yorker, director Susanna Fogel skillfully weaves a dark tale that every woman has lived.
Emilia Jones (
The script also comedically highlights how far women go to remain appealing, how we placate for acceptance, the self-deprecating behavior, and the blatant shunning of red flags. There is a sex scene that is truly something to behold. It is the most cringeworthy, amusing, icky, relatable thing any woman can watch. It accurately captures the constant fear of existing as a woman. The relentless anxiety, the people pleasing, and the patriarchal pressure from every direction, CAT PERSON nails each aspect with humor and truth in fiction.
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