Tag Archives: Realm of Satan

Sundance 2024 review: Cheeky documentary ‘REALM OF SATAN’ gives the middle finger to haters.

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REALM OF SATAN

Realm Of SatanFilmmaker Scott Cummings brings Sundance 2024 audiences into the everyday lives of Satanists. The Church of Satan boasts innumerable followers around the world. REALM OF SATAN introduces us to members from all backgrounds in this part experimental, part cinema verité documentary that both challenges and pokes fun at any preconceived notions we may have had in the past.

As a forced Catholic from birth to age sixteen, my parents exposed me to some of the wackiest ideological notions simply because their parents had done the same to them. Anyone who knows me well has heard the story of my 8th-grade religion class epiphany. My teacher, in trying to explain that sin has levels of severity, touched upon homosexuality. I could not believe what I was hearing. I could not possibly be correct. In a class of 18 students, I stood upon my chair and asked, “So you’re telling me that if I told my mother that I was gay, it would be the equivalent of me telling her I had murdered someone?! That’s it. I’m out.” A quote from the Satanist text says all you need to know; “I favor the just and curse the rotten.” With a focus on individualism, it all sounds good to me.

REALM OF SATAN features strategically placed, in-your-face scenes but also mundane ones. It does not give a shit what you think. The tongue-in-cheek approach to some of the moments feels like curated bait for Christofascist audiences, which, as a liberal who embraces witchcraft, these choices are simply delicious fodder. You have to laugh.

Aside from some stereotypical wardrobe choices and a pentagram here and there, the subjects in the film could believe in anything or nothing at all. Their text is no more shocking than that of every other sect of religion. Have you read The Bible? The glorious theatricality of some rituals and eclectic decor create beautifully gothic tableaus that mesmerize, particularly for a self-proclaimed “Spooky Girl” like me. The visual trickery is fun as hell. The final camera sweep will look familiar to fans of Tales From The Crypt, right down to the gate squeak. It’s a clever touch. In all, REALM OF SATAN isn’t trying to convert anyone. It’s simply giving audiences a peek behind the curtain to dispel misinformation but with dramatic flair.

Credits

  • DIRECTOR(S)

    SCOTT CUMMINGS

  • SCREENWRITER

    SCOTT CUMMINGS

  • PRODUCERS

    CAITLIN MAE BURKE

    PACHO VELEZ

    MOLLY GANDOUR

  • EXECUTIVE PRODUCERS

    JOE POLETTO

    SAM ROSEME

    CATHY TANKOSIC

  • CINEMATOGRAPHER

    GERALD KERKLETZ

  • PRINCIPAL CAST

    PETER GILMORE

    PEGGY NADRAMIA

    BLANCHE BARTON

  • CO-PRODUCERS

    ELIZA HITTMAN

    GERALD KERKLETZ

    ASHER LEVINTHAL

    JACK A. LIECHTUNG

    GABRIEL MERKIN

  • YEAR

    2024

  • CATEGORY

    FEATURE

  • COUNTRY

    UNITED STATES

  • LANGUAGE

    ENGLISH, SPANISH, GERMAN, SWEDISH

  • RUN TIME

    80 MIN

  • COMPANY

    VITAL EXISTENCE LLC

    For more info on Sundance 2024 click here!

     

    Festival Dates: Thu, Jan 18, 2024, 2:45 PM – Sun, Jan 28, 2024

     

    Stay tuned for more Sundance 2024 coverage, and don’t forget to head to Unseen Films for even more! For past Sundance reviews click here.
     

Sundance 2024 preview: A film for everyone at the festival’s 40th Edition.

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The Sundance Film Festival has launched the careers of indie film directors, writers, and actors now for 40 years. Back with in-person and online screening opportunities, this year’s iteration boasts new and bold storytelling from every genre. Here are a handful of films we’ll track in 2024.

 

For more information and tickets to Sundance 2024, click here! Be on the lookout for shared coverage with our good friend, Steve Kopian, at Unseen Films. To see all of his reviews and what he’s looking forward to this year, head over to his home base.

(World Cinema Dramatic Competition)
SUJO

S till from the Sundance film SUJO
When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

A movie about time and trauma, this beautifully acted and hauntingly written film from the directors of Identifying Features will be sure to captivate audiences. 

This film contains strobe effects.
Available in person. Also available online for the public (January 25–28)

40th Edition Celebration Screenings And Events

DIG! XX

DIG! XX tracks the tumultuous rise of two talented musicians, Anton Newcombe, leader of the Brian Jonestown Massacre, and Courtney Taylor, leader of the Dandy Warhols, and dissects their star-crossed friendship and bitter rivalry. Through their loves and obsessions, gigs and recordings, arrests and death threats, uppers and downers, and ultimately to their chance at a piece of the profit-driven music business, they stage a self-proclaimed revolution in the music industry.

DIG! premiered at the 2004 Sundance Film Festival in the U.S. Documentary Competition, where it ultimately won the Grand Jury Prize in the documentary category. DIG! XX, which will premiere at the upcoming Festival, is not only a digitally enhanced, remixed, and remastered version of DIG!, but also a special 20th anniversary new edit of the film culled from footage shot over seven years, and brought to you by the original sibling team, Ondi and David Timoner.

*Digitally enhanced and featuring new footage

(Premieres)

And So It Begins

Amidst the traditional pomp and circumstance of Filipino elections, a quirky people’s movement rises to defend the nation against deepening threats to truth and democracy. In a collective act of joy as a form of resistance, hope flickers against the backdrop of increasing autocracy.

Available in person. Also available online for the public (January 25–28)

(World Cinema Documentary Competition)

Eternal You

Startups are using AI to create avatars that allow relatives to talk with their loved ones after they have died. An exploration of a profound human desire and the consequences of turning the dream of immortality into a product.

“I wanted to see if he was okay,” explains Christi, one of the users of Project December. With this innovative software, users can communicate with a virtual version of the deceased through a chatbot that simulates the dead person’s conversation patterns. Hers was an attempt to check on her first love. Others may simply miss someone, seek permission to move on, or want to rid themselves of guilt.

At this point, I think we’ve all seen the app that turns photos into moving images. The idea feels equally sentimental and disturbing. Eternal You takes this tech further, begging the question, “How far are we willing to go to feel connected to those we’ve lost, and how might that affect our brains?” 

Available in person. Also available online for the public (January 25–28)

World Cinema Documentary Competition

A New Kind of Wilderness

In a forest in Norway, a family lives an isolated lifestyle in an attempt to be wild and free, but a tragic event changes everything, and they are forced to adjust to modern society.

Silje Evensmo Jacobsen mixes home movies and a carefully intimate approach to the Payne family, whose isolated existence gets shaken up quite suddenly. This beautiful portrait of connection and resilience in the face of grief will touch your heart.

Available in person. Also available online for the public (January 25–28)

(NEXT)

REALM OF SATAN

An experiential portrait depicting Satanists in both the every day and in the extraordinary as they fight to preserve their lifestyle: magic, mystery, and misanthropy.

Filmmaker Scott Cummings is no stranger to Sundance, having edited many highly acclaimed festival premieres over the past decade, including Never Rarely Sometimes Always, Monsters and Men, and Wendy.

When I tell you that you aren’t ready for this doc, I mean it in the best way possible. Created to ruffle feathers and dispel right-wing hypocrisy, Scott Cummings titillates with gorgeous framing and a touch of tongue-in-cheek magical realism. 

This film contains graphic sexual content. Audiences must be 18 or older.

Available in person. Also available online for the public (January 25–28)

(Premieres)

My Old Ass

Maisy Stella and Aubrey Plaza in Sundance film MY OLD ASS

Maisy Stella and Aubrey Plaza in the Sundance film MY OLD ASS

The summer before college, bright-yet-irreverent Elliott comes face-to-face with her older self during a mushroom trip. The encounter spurs a funny and heartfelt journey of self-discovery and first love as Elliott prepares to leave her childhood home.

The concept alone should get your butt into a seat, but filmmaker Megan Park casting Aubrey Plaza is chef’s kiss in indie cinema.

(Midnight)

I Saw the TV Glow

Justice Smith and Brigette Lundy-Paine in I SAW THE TV GLOW

Justice Smith and Brigette Lundy-Paine in I SAW THE TV GLOW

Teenager Owen is just trying to make it through life in the suburbs when his classmate introduces him to a mysterious late-night TV show — a vision of a supernatural world beneath their own. In the pale glow of the television, Owen’s view of reality begins to crack.

Writer-director Jane Schoenbrun’s We’re All Going to the World’s Fair (2021 Sundance Film Festival) gave us one of the coolest genre-bending films with a breakout performance from star Anna Cobb. I cannot wait to see how this one twists my sanity and senses. 

This film contains violence and gore.

This film contains strobe effects.

Sundace Film Festival 2024 Black and White logoTo find out more information on all things Sundance 2024, head to https://festival.sundance.org/