NYJFF 2023 capsule review: ‘SHTTL’ is already one of the year’s best films.

SHTTL

Written and directed by Ady Walter, SHTTL takes place in a secluded imaginary Yiddish Ukrainian village on June 21st, 1941. The audience thinks they are watching a film about small-town politics. In actuality, SHTTL highlights a real moment in history. New York Jewish Film Festival 2023 is lucky to have such an extraordinary piece of cinema to share with audiences.

Cinematographer Vladimir Ivanov captures the film in one single take. A technical wonder, SHTTL pulls a visual bait and switch made famous in The Wizard of Oz. In this instance, the use of color distinguishes the past and present. This device is emotionally consuming and undeniably dazzling.

This enormous cast gives us some of the most gut-wrenching performances of the year. Keep in my the film is entirely in Yiddish. Do not let this scare you aware! Star Moshe Lobel starred in the critically-acclaimed Off-Broadway Yiddish version of “Fiddler On The Roof.” As Mendele, Lobel carries you in his pocket in this captivating tale of religious ideology, family, love, and loss. Boasting an ending that will have your heart in your throat, SHTTL is a gem. It is a film that deserves a viewing on the loftiest screen available. This film left me breathless.


SHTTL
Ady Walter
Ukraine/France, 2022, 114 min.
Yiddish and Ukrainian with English subtitles
U.S. Premiere

Monday, January 16, 5:30pm
Tuesday, January 17, 1pm


NYJFF 2023

THE 32nd ANNUAL 
NEW YORK JEWISH FILM FESTIVAL,
 PRESENTED 
JANUARY 12-23, 2023


 

DUNGEONS & DRAGONS: HONOR AMONG THIEVES TO OPEN SXSW 2023!

SOUTH BY SOUTHWEST ANNOUNCES OPENING NIGHT FILM, COMPETITIONS, AND SELECT FILM & TV PROGRAM TITLESDUNGEONS & DRAGONS: HONOR AMONG THIEVES TO OPEN FEST



Austin, Texas, – South by Southwest® (SXSW®) Conference and Festivals (March 10-19, 2023) announced the Opening Night film, Feature and Short Competitions, Midnighters, select titles from other categories, and XR Experience for the 30th edition of the SXSW Film & TV Festival. The rest of the lineup will be announced in early February. SXSW Film & TV will open with Paramount Pictures and eOne’s Dungeons and Dragons: Honor Among Thieves, directed and co-written by Jonathan Goldstein and John Francis Daley. In the film a charming thief and a band of unlikely adventurers embark on an epic quest to retrieve a lost relic, but things go dangerously awry when they run afoul of the wrong people. The movie brings the rich world and playful spirit of the legendary roleplaying game to the big screen in a hilarious and action-packed adventure starring Chris Pine, Michelle Rodriguez, Regé-Jean Page, Justice Smith, Sophia Lillis, Chloe Coleman, Daisy Head, and Hugh Grant.

“We are thrilled to announce the first wave of our incredible lineup for SXSW 2023,” said Claudette Godfrey, VP Film & TV. “It’s an amazing collection of films, TV series and XR experiences that promise to inspire, entertain and challenge our audiences. We’re also proud to open with Dungeons and Dragons: Honor Among Thieves, a raucous and engaging fantasy adventure, and look forward to welcoming everyone to Austin in March for what promises to be an unforgettable event.”

SXSW draws thousands of fans, film and television creators, press, and industry leaders to immerse themselves in the smartest, most innovative and entertaining new films, TV and XR projects of the year, as well as giving access to hundreds of Conference Sessions, Music and Comedy Showcases, Creative Industry Exhibitions, Mentoring, Meetups and Special Events that define the cross-industry event. The 2023 Film & TV Festival will be in-person only.

Feature films in the SXSW 2023 lineup screen in the following categories: Headliners; Narrative Feature Competition presented by Panavision; Documentary Feature Competition; Narrative Spotlight; Documentary Spotlight; Visions; Midnighters; Global presented by MUBI; 24 Beats Per Second; Festival Favorites, and Special Screenings. The TV program consists of TV Premieres, TV Spotlight, and the Independent TV Pilot Competition. The SXSW 2023 Shorts Film Program presented by IMDbPro will present seven competitive sections. XR Experience Competition, XR Spotlight and XR Special Events programming round out the Film & TV Festival program. All Categories with the exception of Special Screenings and TV Spotlight will be eligible for section-specific Audience Awards.

Global, Visions, 24 Beats, Festival Favorites and additional titles across all other sections will be announced in early February.


HEADLINERS
Big names, big talent: Headliners bring star power to SXSW, featuring red carpet premieres and gala film events with major and rising names in cinema.

Dungeons & Dragons: Honor Among Thieves
Directors: Jonathan Goldstein, John Francis Daley, Producers: Jeremy Latcham, Brian Goldner, Nick Meyer, Screenwriters: Jonathan Goldstein, John Francis Daley, Michael Gilio
A charming thief and a band of unlikely adventurers undertake an epic heist to retrieve a lost relic, but things go dangerously awry when they run afoul of the wrong people. Cast List: Chris Pine, Michelle Rodriguez, Regé-Jean Page, Justice Smith, Sophia Lillis, Chloe Coleman, Daisy Head and Hugh Grant (Opening Night World Premiere)

Evil Dead Rise
Director/Screenwriter: Lee Cronin, Producer: Rob Tapert
Evil Dead Rise tells a twisted tale of two estranged sisters, played by Sutherland and Sullivan, whose reunion is cut short by the rise of flesh-possessing demons, thrusting them into a primal battle for survival as they face the most nightmarish version of family imaginable. Executive Producers include Sam Raimi and Bruce Campbell. Cast List: Lily Sullivan, Alyssa Sutherland, Morgan Davies, Gabrielle Echols, Nell Fisher

Problemista
Director/Screenwriter: Julio Torres, Producers: Emma Stone, Dave McCary, Ali Herting
Alejandro (Torres) is an aspiring toy designer from El Salvador, struggling to bring his unusual ideas to life in New York City. As time on his work visa runs out, a job assisting an erratic art-world outcast (Swinton) becomes his only hope to stay in the country and realize his dream. From writer/director Julio Torres comes a surreal adventure through the equally treacherous worlds of New York City and the U.S. Immigration system. Cast List: Julio Torres, Tilda Swinton, RZA (World Premiere)

Flamin’ Hot
Director: Eva Longoria, Producer: DeVon Franklin, Screenwriters: Linda Yvette Chávez, Lewis Colick
Flamin’ Hot is the story of Richard Montañez, the Frito Lay janitor who channeled his Mexican American heritage and upbringing to turn Flamin’ Hot Cheetos into a snack that disrupted the food industry and became a global phenomenon. Cast List: Jesse Garcia, Annie Gonzalez, Dennis Haysbert, Emilio Rivera, Tony Shalhoub, Matt Walsh, Pepe Serna, Bobby Soto, Jimmy Gonzales, Brice Gonzalez (World Premiere)


NARRATIVE FEATURE COMPETITION Presented by Panavision
Panavision, the global provider of optics, cameras, and end-to-end services that power the creative vision of filmmakers, is sponsoring the Narrative Feature Competition. Eight world premieres, and eight unique ways to celebrate the art of storytelling.

I Used To Be Funny (Canada)
Director/Screenwriter: Ally Pankiw, Producers: James Weyman, Jason Aita, Breann Smordin
Sam, a stand-up comedian struggling with PTSD, weighs whether or not to join the search for Brooke, a missing teenage girl she used to nanny. Cast List: Rachel Sennott, Olga Petsa, Jason Jones, Sabrina Jalees, Caleb Hearon, Ennis Esmer, Dani Kind (World Premiere)

Late Bloomers
Director: Lisa Steen, Producers: Alexandra Barreto, Taylor Feltner, Sam Bisbee, Screenwriter: Anna Greenfield
An aimless 28-year-old Brooklynite lands in the hospital after drunkenly breaking her hip being stupid. An encounter with a cranky elderly Polish woman who speaks no English leads to a job caring for her. Neither likes it, but it’s time to grow up. Cast List: Karen Gillan, Margaret Sophie Stein, Jermaine Fowler, Kevin Nealon, Talia Balsam (World Premiere)

Mustache
Director/Screenwriter: Imran J. Khan, Producers: Christina Won, Jessica Sittig, Christopher Storer, Tyson Bidner
It’s the mid-90s and 13-year-old Pakistani-American Ilyas is forced out of his cushy Islamic private school and thrown into public school with non-Muslim kids, all while suffering daily through life with his inescapable pre-pubescent Mustache. Cast List: Atharva Verma, Rizwan Manji, Alicia Silverstone, Hasan Minhaj, Meesha Shafi, Ayana Manji (World Premiere)

Parachute
Director: Brittany Snow, Producers: Jordan Yale Levine, Jordan Beckerman, Brittany Snow, Lizzie Shapiro, Screenwriters: Brittany Snow, Becca Gleason
Riley is determined to recover from her addictions to food and body image when she soon falls for another addiction, Ethan. Cast List: Courtney Eaton, Thomas Mann, Francesca Reale, Gina Rodriguez, Joel McHale, Scott Mescudi, Dave Bautista, Jennifer Westfeldt, Kathryn Gallagher, Chrissie Fit, Kelley Jakle (World Premiere)

Pure O
Director/Screenwriter: Dillon Tucker, Producers: Ricky Fosheim, Dillon Tucker, Ray Lee
A young screenwriter/musician grapples with Pure O, a lesser-known form of OCD, while juggling his recent engagement and his day job at a high end Malibu drug rehab. Inspired by the filmmaker’s own personal true story. Cast List: Daniel Dorr, Hope Lauren, Landry Bender, Jeff Baker, Candice Renee, Breon Gorman, Tim Landfield, Isaac Nippert, Devon Martinez, Clint James (World Premiere)

Raging Grace (United Kingdom)
Director/Screenwriter: Paris Zarcilla, Producer: Chi Thai
A bold coming-of-rage story where Joy, a Filipino immigrant, and her daughter Grace encounter a darkness that threatens all they have worked for. Cast List: Maxine Eigenman, Leanne Best, David Hayman (World Premiere)

Scrambled
Director/Screenwriter: Leah McKendrick, Producers: Gillian Bohrer, Jonathan Levine, Brett Haley, Amanda Mortimer
A broke, single millennial unleashes an existential shitstorm when she freezes her eggs. Cast List: Leah McKendrick, Ego Nwodim, Andrew Santino, Clancy Brown, Laura Ceron, Yvonne Strahovski, June Diane Raphael, Adam Rodriguez, Brett Dier, Sterling Sulieman (World Premiere)

Story Ave
Director: Aristotle Torres, Producers: Lizzie Shapiro, Datari Turner, Jamie Foxx, Aristotle Torres, Screenwriters: Bonsu Thompson, Aristotle Torres
After running away from home, a teenage graffiti artist holds up an unsuspecting MTA worker in a robbery gone right that changes their lives forever. Cast List: Asante Blackk, Luis Guzmán, Alex Hibbert, Melvin Gregg, Coral Peña, Cassandra Freeman, Hassan Johnson (World Premiere)




DOCUMENTARY FEATURE COMPETITION
Eight world premieres: Eight non-fiction stories that demonstrate integrity, energy and unique voices.

Angel Applicant
Director/Screenwriter: Ken August Meyer, Producers: Ken A. Meyer, Jason Roark
A sick man discovers empathetic wisdom on how to cope with his deadly autoimmune disease within the colorful expressive works of the late Swiss-German modern artist, Paul Klee. (World Premiere)

Another Body (United Kingdom, U.S.)
Directors: Sophie Compton, Reuben Hamlyn, Producers: Elizabeth Woodward, Sophie Compton, Reuben Hamlyn, Screenwriters: Sophie Compton, Reuben Hamlyn, Isabel Freeman
Another Body follows a college student after she discovers deepfakes of herself circulating online. (World Premiere)

Geoff McFetridge: Drawing a Life
Director/Producer: Dan Covert, Screenwriters: Erik Auli, Dan Covert, Amy Dempsey, Tara Rose Stromberg
What defines a life? The iconic work of artist Geoff McFetridge is everywhere. But this film is more than a primer on his career—it’s about the choices we confront in trying to lead meaningful lives, and how we use our most precious resource: time. (World Premiere)

Join or Die
Directors/Producers/Screenwriters: Rebecca Davis, Pete Davis
A film about why you should join a club—and why the fate of America may depend on it. Follow the story of America’s civic unraveling through the work of Robert Putnam, whose legendary Bowling Alone findings light a path out of our democracy’s crisis. (World Premiere)

Pay Or Die
Directors: Rachael Dyer, Scott Ruderman, Producers: Rachael Dyer, Scott Ruderman, Yael Melamede
3 American families are on the receiving end of a ransom note. Their journeys reflect how lives are being threatened and taken by the soaring price of insulin, and reveal the harrowing reality of life with illness in the richest country in the world. (World Premiere)

Queendom (France, U.S.)
Director: Agniia Galdanova, Producers: Igor Myakotin, Agniia Galdanova
Gena, a queer artist from a small town in Russia, dresses in otherworldly costumes and protests the government on the streets of Moscow. She stages radical performances in public, which becomes a new form of art and activism – and puts her life in danger. (World Premiere)

Riders on the Storm (Austria)
Directors/Producers: Jason Motlagh, Mark Oltmanns
A young horseman battling to make his name and keep a family tradition alive in the ancient sport of buzkashi learns that fame is a gift and a curse as the Taliban take control of Afghanistan and threaten his life. (World Premiere)

You Were My First Boyfriend
Directors: Cecilia Aldarondo, Sarah Enid Hagey, Producer: Ines Hofmann Kanna
In this high school reunion movie turned inside out, filmmaker Cecilia Aldarondo relives her tortured adolescence, wondering if she remembered it all wrong. (World Premiere)



NARRATIVE SPOTLIGHT
High profile narrative features receiving their World, International, North American, or U.S. premieres at SXSW.

Bloody Hell (Canada)
Director/Screenwriter: Molly McGlynn, Producers: Jennifer Weiss, Liane Cunje
A teenage girl gets diagnosed with a reproductive condition that upends her plans to have sex and propels her into exploring unusual methods to have a sex life, challenging her relationships with everyone in her life, but most importantly, herself. Cast List: Maddie Ziegler, Emily Hampshire, Djouliet Amara, Ki Griffin, D’Pharaoh Woon-A-Tai (World Premiere)

Deadland
Director: Lance Larson, Producers: Elizabeth Avellan, Bob Bastarache, Jas Shelton, Lance Larson, Tara Pirnia, Chris Wilks, Screenwriters: Lance Larson, Jas Shelton
A U.S. Border Patrol Agent tries to apprehend the ghost of his father, a grave decision that will haunt him forever. Cast List: Roberto Urbina, McCaul Lombardi, Julieth Restrepo, Kendall Rae, Luis Chavez, Julio Cesar Cedillo, Manuel Uriza, Chris Mulkey (World Premiere)

Down Low
Director: Rightor Doyle, Producers: Ashley Fox, Lucas Wiesendanger, Ross Katz, Screenwriters: Phoebe Fisher, Lukas Gage
Down Low is an outrageous comedy about one wild night, a deeply repressed man, the twink who gives him a happy ending, and all the lives they ruin along the way. Cast List: Zachary Quinto, Lukas Gage, Simon Rex, Sebastian Arroyo, Christopher Reed Brown, Audra McDonald, Judith Light (World Premiere)

Frybread Face and Me
Director/Screenwriter: Billy Luther, Producer: Chad Burris
An 11-year-old city boy is sent to his grandmother’s ranch on the Navajo reservation against his will. He is introduced to a new way of life, and an unexpected guest teaches him the importance of family, tradition, and what it means to be a man. Cast List: Kier Tallman, Charly Hogan, Martin Seinsmeir, Kahara Hodges, Ryan Begay, Sarah Natani (World Premiere)

If You Were the Last
Director: Kristian Mercado, Producers: Andrew Miano, Dan Balgoyen, Britta Rowings, Dennis Masel, Gabrielle Nadig, Jessamine Burgum, Kara Durrett, Jon Levin, Sean Woods, Screenwriter: Angela Bourassa
Adrift in their broken-down space shuttle with little hope of rescue, a male and female astronaut argue over whether they’re better off spending their remaining days as friends or something more. Cast List: Anthony Mackie, Zoë Chao, Natalie Morales, Geoff Stults (World Premiere)

Self Reliance
Director/Screenwriter: Jake Johnson, Producers: Jake Johnson, Ali Bell, Joe Hardesty
Given the opportunity to participate in a life or death reality game show, one man discovers there’s a lot to live for. Cast List: Jake Johnson, Anna Kendrick, Andy Samberg, Natalie Morales, Christopher Lloyd, Wayne Brady, GaTa, Emily Hampshire, Mary Holland, Boban Marjanović (World Premiere)

Upon Entry (Spain)
Directors/Screenwriters: Alejandro Rojas, Juan Sebastián Vásquez, Producers: Carles Torras, Carlos Juárez, Xosé Zapata, Sergio Adrià, Alba Sotorra
Upon their arrival at Newark’s airport with their approved residence visas, Diego and Elena are unexpectedly held and subjected to an interrogation by border agents who attempt to discover whether the couple may have something to hide. Cast List: Alberto Ammann, Bruna Cusí, Ben Temple, Laura Gómez (North American Premiere)



DOCUMENTARY SPOTLIGHT
Shining a light on new documentary features receiving their World, International, North American or U.S. premieres at SXSW.

A Disturbance in the Force
Directors: Jeremy Coon, Steve Kozak, Producers: Jeremy Coon, Steve Kozak, Kyle Newman
Travel back to a galaxy far, far away—the infamous Star Wars Holiday Special. Dive into the mystery of how it happened and why 45 years later it has become, much to the chagrin of George Lucas, the ultimate cult classic among Star Wars fans. (World Premiere)

The Arc of Oblivion
Director: Ian Cheney, Producers: Meredith Desalazar, Manette Pottle, Rebecca Taylor
The Arc of Oblivion illuminates the strange world of archives, record-keeping, and memory through a filmmaker’s quixotic quest to build an ark in Maine. (World Premiere)

Being Mary Tyler Moore
Director: James Adolphus, Producers: Lena Waithe, Debra Martin Chase, Ben Selkow, Rishi Rajani, Andrew C. Coles, Laura Gardner
Being Mary Tyler Moore explores Mary’s vanguard career, who, as an actor, performer, and advocate, revolutionized the portrayal of women in media, redefined their roles in show business, and inspired generations to dream big and make it on their own. (World Premiere)

Confessions of a Good Samaritan
Director: Penny Lane, Producer: Gabriel Sedgwick
Director Penny Lane’s decision to become a “Good Samaritan” by giving one of her kidneys to a stranger turns into a funny and moving personal quest to understand the nature of altruism. (World Premiere)

Great Photo, Lovely Life
Directors: Amanda Mustard, Rachel Beth Anderson, Producers: Amanda Mustard, Rachel Beth Anderson, Luke Malone, Screenwriters: Amanda Mustard, Rachel Beth Anderson, Tyler H. Walk, Josef Beeby
A photojournalist turns her lens on the decades of sexual abuse her family and community experienced at the hands of her grandfather in this unflinching portrait of intergenerational trauma, family secrets, and redemption. (World Premiere)

The Herricanes
Director: Olivia Kuan, Producers: James Lee Hernandez, Brian Lazarte, Lisa France, James Short, Olivia Kuan, Justin Baldoni, Andrew Calof
The Houston Herricanes were a women’s full-tackle football team from the 1970’s whose fight to play the game continues to resonate with female athletes today. (World Premiere)

The Lady Bird Diaries
Director: Dawn Porter, Producers: Kim Reynolds, Dawn Porter
From award-winning filmmaker Dawn Porter comes The Lady Bird Diaries, a groundbreaking documentary film that uses Lady Bird’s audio diaries to tell the story of one of the most influential and least understood First Ladies in history. (World Premiere)

Last Stop Larrimah
Director: Thomas Tancred, Producers: Sean Bradley, Rebecca Saunders
Nestled deep in the Australian Outback is the town of Larrimah and its 11 eccentric residents. When one of them mysteriously disappears into thin air, the remaining residents become suspects and a long history of infighting is unveiled. (World Premiere)

The New Americans: Gaming a Revolution
Director/Screenwriter: Ondi Timoner, Producers: Ondi Timoner, David Turner
The New Americans is a visceral, meme-driven journey at the intersection of finance, media, and extremism, which uncovers the connection between the Gamestop squeeze and the Jan 6th Insurrection and reveals explosive possibilities of our digital future. (World Premiere)

Periodical
Director: Lina Lyte Plioplyte, Producer: Pegah Farrahmand
Periodical is an eye-opening documentary that examines science, politics, and mystery of the menstrual cycle, through the experiences of doctors, athletes, movie stars, journalists, activists, and everyday people. (World Premiere)

Who I Am Not (Romania)
Director/Screenwriter: Tünde Skovrán, Producers: Andrei Zinca
There is male, there is female, and then there is I. Born male and female within one single body, a beauty queen and a male-presenting activist break the intersex taboo through a personal and intimate exploration of truth, faith, and belonging. (North American Premiere)



MIDNIGHTERS
Scary, funny, sexy, controversial – eight provocative after-dark features for night owls and the terminally curious.

Aberrance (Mongolia)
Director: Baatar Batsukh, Producers: Trevor Doye, Alexa Khan, Angarag Meguun, Screenwriters: Baatar Batsukh, Byambasuren Ganbat
An estranged couple takes a retreat in the woods. Foreboding neighbors, frivolous friends, and dark unseen forces lead to a shocking conclusion. Cast List: Erkhembayar Ganbat, Selenge Chadraabal, Yalalt Namsrai, Oyundary Jamsranjav, Sukhee Ariunbyamba, Bayarsanaa Batchuluun, Badamtsetseg Batmunkh (North American Premiere)

Brooklyn 45
Director/Screenwriter: Ted Geoghegan, Producers: Seth Caplan, Michael Paszt, Pasha Patriki, Sarah Sharp
In the months following World War II, five old military friends are talked into an impromptu séance, which brings to troubling light each of their haunted pasts. Cast List: Anne Ramsay, Ron E. Rains, Jeremy Holm, Larry Fessenden, Ezra Buzzington, Kristina Klebe (World Premiere)

It Lives Inside
Director: Bishal Dutta, Producers: Raymond Mansfield, Sean McKittrick, Screenwriters: Bishal Dutta, Ashish Mehta
An Indian-American teenager struggling with her cultural identity has a falling out with her former best friend and, in the process, unwittingly releases a demonic entity that grows stronger by feeding on her loneliness. Cast List: Megan Suri, Neeru Bajwa, Mohana Krishnan, Betty Gabriel, Vik Sahay (World Premiere)

Late Night With the Devil (Australia, United Arab Emirates)
Directors/Screenwriters: Colin Cairnes, Cameron Cairnes, Producers: Derek Dauchy, Steven Schneider, Roy Lee, Adam White, Mat Govoni
A live television broadcast of a popular late night talk show in 1977 goes horribly wrong during a demonstration of demonic possession, unleashing evil into the nation’s living rooms. Cast List: David Dastmalchian (World Premiere)

Monolith (Australia)
Director: Matt Vesely, Producer: Bettina Hamilton, Screenwriter: Lucy Campbell
All you have to do is listen. A disgraced journalist turns to podcasting to try and rebuild her career – but her rush to generate headlines soon uncovers a strange artifact, an alien conspiracy, and the lies at the heart of her own story. Cast List: Lily Sullivan (International Premiere)

Talk To Me (Australia)
Directors: Danny Philippou, Michael Philippou, Producers: Samantha Jennings, Kristina Ceyton, Screenwriters: Danny Philippou, Bill Hinzman
Lonely teenager Mia gets hooked on the thrills of conjuring spirits through a ceramic hand, but when she is confronted by a soul claiming to be her dead mother, she unleashes a plague of supernatural forces. Cast List: Sophie Wilde, Miranda Otto, Alexandra Jensen, Joe Bird, Otis Dhanji, Zoe Terakes, Chris Alosio (Texas Premiere)

The Wrath of Becky
Directors/Screenwriters: Matthew Angel, Suzanne Coote, Producers: Raphael Margules, JD Lifshitz, Tracy Rosenblum, Russell Posternak, Chadd Harbold
After living off the grid for two years, Becky finds herself going toe to toe against Darryl, the leader of a fascist organization, on the eve of an organized attack. Cast List: Lulu Wilson, Seann William Scott, Matt Angel, Courtney Gains, Aaron Della Villa, Michael Sirow, Denise Burse-Fernandez, Jill Larson, Kate Siegel (World Premiere)




TV PROGRAM

TV PREMIERES
Presenting world premieres of prestige serials slated for release.

I’m A Virgo
Showrunner/Director/Screenwriter: Boots Riley, Producers: Boots Riley, Michael Ellenberg, Lindsey Springer, Tze Chun, Jharrel Jerome
This is a fantastical coming-of-age joyride about a 13ft-tall young Black man who lives in Oakland, CA. It’s called I’m A Virgo. The series stars Jharrel Jerome, Brett Gray, Kara Young, Allius Barnes, Olivia Washington, Walton Goggins, Mike Epps, and Carmen Ejogo.
(World Premiere)

Mrs. Davis
Showrunner: Tara Hernandez, Directors: Owen Harris, Alethea Jones, Screenwriters/Producers: Tara Hernandez, Damon Lindelof
Mrs. Davis is the world’s most powerful Artificial Intelligence. Simone is the nun devoted to destroying Her. Who ya got? Cast List: Betty Gilpin, Jake McDorman, Andy McQueen (World Premiere)

Slip
Showrunner/Director/Screenwriter: Zoe Lister-Jones, Producers: Zoe Lister-Jones, Ro Donnelly, Dakota Johnson, Katie O’Connell-Marsh, David Fortier, Ivan Schneeberg
Restless inside a marriage that totally works, Slip follows Mae through a fantastical journey of parallel universes as she enters new relationships, trying to find her way back to her partner, and ultimately, herself. Cast List: Zoe Lister-Jones, Tymika Tafari, Whitmer Thomas, Amar Chadha-Patel, Emily Hampshire (World Premiere)



TV SPOTLIGHT
Presenting world premieres of new seasons of prestige series.

Blindspotting Season 2 Premiere
Showrunner/Director: Rafael Casal, Producers: Rafael Casal, Daveed Diggs, Jess Wu Calder, Keith Calder, Emily Gerson Saines, Ken Lee, Tim Palen
Ashley was nipping at the heels of a middle-class life in Oakland until Miles, her partner and father of their son, was suddenly incarcerated, forcing her to move in with his mother and sister as she attempts to navigate the chaos of her life while trying to be a fun mom for her son…with mixed results. Cast List: Jasmine Cephas Jones, Helen Hunt, Benjamin Earl Turner, Atticus Woodward, Jaylen Barron, Candace Nicholas-Lippman, Rafael Casal, Margo Hall, April Absynth, Lance Holloway (World Premiere)



INDEPENDENT TV PILOT COMPETITION
A pilot showcase introducing fresh work from bright new talent, many with an eye towards finding production, completion funds, or a release platform.

A Guide To Not Dying Completely Alone
Showrunner/Screenwriter: Kevin Yee, Director: Yen Tan, Producer: Bekah Sturm
After a near death experience, a queer Asian writer decides to change his life for the better and chronicles his journey in a book. Cast List: Kevin Yee, Brittani Nichols, Alex MacNicoll, Betsy Struxness, Paul Wong (World Premiere)

Chuchi & Adaliz
Showrunner: Ashley Soto Paniagua, Directors: Dani Adaliz, Lance Cameron Holloway, Screenwriters: Ashley Soto Paniagua, Dani Adaliz, Jocelli Paniagua, Producers: Jocelli Paniagua, Heidi Williamson
After losing her job for insider trading, Adaliz moves in with her childhood bestie Chuchi who teaches her how to be poor. Cast List: Ashley Soto Paniagua, Dani Adaliz, Andrea Bashe, Kathryn Peters, Jocelli Paniagua, Selorm Kploanyi, Dariany Santana, Jeremy Habig, Jullian Farris (World Premiere)

Grown
Showrunner/Director/Screenwriter: Jocko Sims, Producers: Jocko Sims, Christophers Santiago, Chaz Hazlitt, Andrew Zolot
After sneaking into a strip club, 14 year old Rogelio, learns a few hard lessons about being man — all thanks to the aid of his older sister Chelly. Cast List: Josiah Gabriel, Giovanni Cristoff, Tristan-Lee Edwards, Angela Mejia-Loggia, Eliza Ramos, Kevin Rodriguez, Nixon Cesar (World Premiere)

Harbor Island
Showrunner/Director/Screenwriter: Calvin Lee Reeder, Producers: Carlos A.F. Lopez, Megan Leonard
A dad joke comic wanders the industrial zone at night. Cast List: Josh Fadem, Sidney Jayne Hunt, Matt Olsen (World Premiere)

Marvin? (Netherlands)
Showrunners/Screenwriters: Anton van der Linden, George Gottl, Director: Anton van der Linden, Producers: Anton van der Linden, Daan Geuke
Two young friends struggling to get ahead in life stumble onto a magical fridge that literally makes their dreams come true and soon learn that their shiny materialistic world is not what they expected. Cast List: Cameron Tharma, Sarah Rose, Sven Ironside, Jay Reaper, Cendy Barlag (World Premiere)

Metal Man
Showrunner: Tomas Pais, Directors: Laurel Parmet, Tomas Pais, Screenwriters: John Patton Ford, Tomas Pais, Laurel Parmet, Producer: Kaelan Housewright
A heavy metal handyman gets called to fix a tub but gets pulled into the drama/life of his customer and must handle more than he signed up for. Cast List: Tomas Pais, Lily Du, Andrew Walke, Da’Vone McDonald, David Massil (World Premiere)

Notarize Me
Director: Erika Rankin, Screenwriters/Producers: Erika Rankin, Brigitte Valdez
BFFs and mobile notary publics, Jackie and Louise, find themselves in intimate situations with wacky strangers as important legal documents get signed. Cast List: Brigitte Valdez, Erika Rankin, Sarah Cornell, Harley Tarlitz (Texas Premiere)



SHORTS PROGRAM Presented by IMDbPro

IMDbPro, the essential resource for entertainment industry professionals, is sponsoring the lineup of short films across six competitive sections. The SXSW 2023 Shorts Film Program presented by IMDbPro will include a selection of original, well-crafted films that take advantage of the short form and exemplify distinctive and genuine storytelling. The membership-based IMDbPro service empowers entertainment professionals with information and tools designed to help them achieve success throughout their career and is a service of IMDb, the world’s most popular and authoritative source for information on movies, TV shows and celebrities.


NARRATIVE SHORTS COMPETITION
A selection of original, well-crafted films that take advantage of the short form and exemplify distinctive and genuine storytelling.

Breaking Fast with a Coca Cola
Director/Screenwriter: Amy Omar, Producers: Karine Benzaria, Jordan Hart, Amy Omar
After growing up in the secular households of their Turkish immigrant parents in the Midwest, Özlem and Ada are desperate to celebrate a tradition of their own. For the first time, they embark on a day of fasting and a night of feasting for Ramadan. (World Premiere)

The Breakthrough
Director/Screenwriter: Daniel Sinclair, Producers: Kate Chamuris, Valerie Steinberg
Jane and Teddy are on the brink of divorce – but when their marital problems come to a sticking point, they have an unexpected breakthrough. (World Premiere)

Closing Dynasty
Director/Screenwriter: Lloyd Lee Choi, Producers: Jon Hsu, Lloyd Lee Choi
On a school day, a 7 year-old hustles strangers for money on the streets of New York City. (North American Premiere)

Deliver Me
Director/Screenwriter: Joecar Hanna-Zhang, Producers: Noam Argov, Jorge Sistos, Joecar Hanna-Zhang
A billionaire’s long-awaited delivery threatens to upend his already tense relationship with his identical husband, who is having an identity crisis of his own. (World Premiere)

Endless Sea
Director/Screenwriter: Sam Shainberg, Producer: Rachel Walden
Carol begins a normal day only to find out that her heart medication has doubled in price. Afraid, but not without hope, she sets out to find a solution, but her journey doesn’t lead to salvation, only a desperate act of revolution. (Texas Premiere)

The Family Circus
Director/Screenwriter: Andrew Fitzgerald, Producer: Josh Cohen
A Vietnamese-American family’s plan to cover up a drunk driving accident begins to unravel as their emotional baggage spills out in front of the police. (Texas Premiere)

Flores del Otro Patio (Colombia, Switzerland)
Director: Jorge Cadena, Screenwriters: Jorge Cadena, Li Aparicio Candama, Producers: Yan Decoppet, Gabriela Bussmann
In north Colombia, a group of queer activists use extravagant performative actions to denounce the disastrous exploitation by the country’s largest coal mine. (International Premiere)

Fuck Me, Richard (Australia, U.S.)
Directors: Lucy McKendrick, Charles Polinger, Screenwriter: Lucy McKendrick, Producers: Jenna Grossano, Lucy McKendrick, Charlie Polinger
Recovering from a broken leg, a romance-obsessed loner finds herself swept up in a passionate long-distance love affair. Richard is perfect in every way, except that he may be a scammer. (World Premiere)

Graveyard of Horses (China)
Director/Screenwriter: Xiaoxuan Jiang, Producer: Zhulin Mo
A frigid winter on the Mongolian steppe, an untimely snowstorm led a pregnant herder and her 8-year-old daughter to places they’ve never been. (North American Premiere)

I Probably Shouldn’t Be Telling You This
Director/Screenwriter: Emma Weinswig, Producers: Emma Weinswig, Will Noyce
When an oversharing, compulsive-lying e-girl is caught in the web of her own lies on her (secretly) favorite podcast, she must finally get off her bullshit. (World Premiere)

It Turns Blue (Iran)
Director/Screenwriter: Shadi Karamroudi, Producers: Shadi Karamroudi, Mehran Noori, Mina Dreki, Theodora Valentis
Pari covers up domestic violence when her brother beats up his 3-year-old daughter. (World Premiere)

The Key (Belgium, France, Palestine, State of)
Director/Screenwriter: Rakan Mayasi, Producers: Frank Barat, Rakan Mayasi, François de Villers, Laura Jumel, Nadine Naous, Patrizia Roletti
An Israeli family’s equilibrium gradually disintegrates as a mysterious sound is heard every evening at the door of their apartment. (North American Premiere)

Leonetty
Director/Screenwriter: Logan Jackson, Producer: Dante Sims
No longer able to live with his mother, young Leonetty is sent to live with his aging grandmother. (World Premiere)

Les Battues (The Fading) (Canada)
Director/Screenwriter: Rafaël Beauchamp, Producer: Léonie Hurtubise
In a small Quebec village, three hunters take possession of the tragedy of a young mother to put their own verdict on it. (World Premiere)

Never Fuggedaboutit
Director/Screenwriter: Dustin Waldman, Producers: Dustin Waldman, Nicholas Nazmi, Sariel Hana Friedman
Amid the high anxiety of post-9/11 NYC, a struggling post-production house is hired to remove a shot of the Twin Towers from the intro to a hit TV show. (World Premiere)

Rest Stop
Director/Screenwriter: Crystal Kayiza, Producers: Jalena Keane-Lee, Brit Fryer
On a bus ride from New York to Oklahoma, Meyi, a young Ugandan-American girl, realizes her place in the world through her mother’s ambitious effort to reunite their family. (Texas Premiere)

Scotty’s Vag
Director/Screenwriter: Chaconne Martin-Berkowicz, Producers: Cailin Lobb-Rabe, Chaconne Martin-Berkowicz, Gia Rigoli, Vero Kompalic
The night of a sorority hazing event, a college freshman learns just how far she’s willing to go to impress an older girl. (World Premiere)

Sisters of the Rotation (Lebanon)
Directors: Michel Zarazir, Gaby Zarazir, Screenwriters: The Zarazir Brothers, Producer: Madame Le Tapis
At the Sisters of the Rotation’s convent, the Earth doesn’t spin by itself. (North American Premiere)

Slick Talk
Directors: Courtney Loo, David Karp, Screenwriter: Courtney Loo, Producer: Katie Mykrantz
Feeling the pressure of an important meeting with a potential music manager, Kiki struggles with her identity as an outsider in the Chinese-American community, a culture vulture in the hip-hop world, and a potential sellout for mainstream success. (World Premiere)

Take Me Home
Director/Screenwriter: Liz Sargent, Producer: Minos Papas
After their mother’s death, an intellectually disabled woman and her estranged sister must learn to communicate in order to move forward. (Texas Premiere)



DOCUMENTARY SHORTS COMPETITION
Slices of life from across the documentary spectrum.

Ball People
Director: Scott Lazer, Producer: Tripp Kramer, Talia Cohen
Behind the scenes of the US Open Ball Crew tryouts. (World Premiere)

Birdsong (United Kingdom)
Directors: Omi Zola Gupta, Sparsh Ahuja, Producers: Sparsh Ahuja, Omi Zola Gupta, Dorn Bouttasing
Birdsong is an intimate portrait of the dying whistled language of the Hmong people in northern Laos. (International Premiere)

The Bus (Spain)
Director: Sandra Reina, Screenwriters: Sandra Reina, Fran Menchón, Producer: Valérie Delpierre
This is a round-trip bus ride, which takes passengers on Friday mornings towards the weekend, and picks them up on Sunday afternoons to take them back to the place where they came from. (World Premiere)

The Dads
Director/Screenwriter: Luchina Fisher, Producers: Shan Shan Tam, Luchina Fisher
When five fathers of trans kids join Dennis Shepard, the father of slain gay college student Matthew Shepard, for a weekend fishing trip in rural Oklahoma, they find common purpose across races, generations, and experiences. (World Premiere)

El Bastón (Colombia, U.S.)
Director: Nemo Allen, Producers: Nemo Allen, Aditi Natasha Kini, Hanna Wallis, Juan Blanco García
Two filmmakers, one mother and one son, find answers and strength as they document the struggles of Colombia’s Indigenous Nasa, decades apart. (Texas Premiere)

Margie Soudek’s Salt and Pepper Shakers
Director: Meredith Moore, Producer: Jonna McKone
An artist and VFX instructor connects with her aging grandmother, Margie, in a documentary short on collecting, artmaking, and obsessiveness as a way to enhance our realities. (Texas Premiere)

Mother of the Dawn
Director: Janell Shirtcliff, Screenwriters: Angie Simms, Tommy Savas, Producer: Tommy Savas
In the early 1950s in a remote corner of Brazil, a female truck driver named Tia Neiva started having visions of extraterrestrial spirits; shortly after, she began to gain a following called Vale do Amanhecer (Valley of the Dawn). (World Premiere)

Nǎi Nai & Wài Pó (Grandma & Grandma)
Director: Sean Wang, Producers: Sean Wang, Sam Davis
Nǎi Nai (奶奶) is my grandma. Wài Pó (外婆) is also my grandma. Together, they are my grandmas. Meet my grandmas. (World Premiere)

Puffling (United Kingdom)
Director: Jessica Bishopp, Producers: Alice Hughes, Gannesh Rajah, Ada Benjamínsdóttir
On a remote Icelandic island, teenagers Birta and Selma take it upon themselves to counteract society’s harmful impact on nature, exchanging night-time parties for nocturnal puffin rescues in a coming-of-age story for young adults and puffins alike. (World Premiere)

Roger J. Carter: Rebel Revolutionary
Director: Justin Fairweather, Producers: Zachary Kingham-Seagle, Johnny Starke
Roger J. Carter: Rebel Revolutionary follows the Chicago portrait artist as he creates staggering images of black revolutionaries using hundreds of toy soldiers, representing the wars the marginalized face as they dismantle an established system. (World Premiere)

Suddenly TV (Qatar)
Director/Producer: Roopa Gogineni
A group of young Sudanese create an imaginary television station at a besieged sit-in. Interviewing protestors from around the country, they confront the violence of the regime and conjure a new Sudan. (North American Premiere)

Where the Sun Always Shines (United Kingdom)
Director: Rosie Baldwin, Producer: Lucy Draper
The residents of a quintessential but neglected British seaside town grapple with research suggesting that their home could disappear within their lifetimes due to the climate crisis. (World Premiere)



ANIMATED SHORTS COMPETITION
An assortment of stories told using traditional animation, computer-generated effects, stop-motion, and everything in between.

A Tiny Man (France)
Directors: Aude David, Mikaël Gaudin, Screenwriters: Mikaël Gaudin, Aude David, Producer: Jérôme Blesson
With a delicately penciled animation style, A Tiny Man tells a moral tale of nefarious schemes gone awry. As a husband faces the consequences of his actions, he perhaps begins to realize that maybe size does in fact matter. (Texas Premiere)

Ashkasha (Argentina, Spain)
Director/Screenwriter/Producer: Lara Maltz
Ashkasha is a living being guided by curiosity. This causes her to lose her head and get trapped in the depths, where she is submerged on a discovery journey. (US Premiere)

Beyond The Fringe (Spain)
Directors: Han Tang, Costanza Baj, Screenwriter/Producer: Han Tang
A story about a little paper figure’s journey of finding the strength to leave its home, the notebook where it was born, to explore the great world beyond. (World Premiere)

Christopher at Sea (France, United Kingdom, U.S.)
Director: Tom CJ Brown, Screenwriters: Tom CJ Brown, Laure Desmazières, Producers: Emmanuel-Alain Raynal, Pierre Baussaron, Amanda Miller, Hanna Stolarski, Nick Read, Emily-Jane Brown
Christopher goes to sea. (Texas Premiere)

The Debutante (United Kingdom)
Director/Screenwriter: Elizabeth Hobbs, Producer: Abigail Addison
A spirited young woman persuades a hyena from London Zoo to take her place at a dinner dance being held in her honour. (Texas Premiere)

Ice Merchants (Portugal)
Director/Screenwriter: João Gonzalez, Producers: Bruno Caetano, Michaël Proença
Every day, a father and his son jump with a parachute from their vertiginous cold house, attached to a cliff, to go to the village on the ground far away where they sell the ice they produce daily. (Texas Premiere)

Remove Hind Legs Before Consumption (Switzerland)
Directors: Lukas Wind, Finn Meisner, Leslie Herzig, Producer: Gerd Gockell
In an insect food farm, one lucky cricket survives its certain death. (International Premiere)

Sandwich Cat (Spain)
Director/Screenwriter: David Fidalgo, Producers: Daniel Rodriguez, Laura Doval
David lives alone with his kitty, Sandwich Cat. It seemed like an ordinary day, but an unexpected visit will lead him to a crucial reflection to humanity. (International Premiere)

Spring Roll Dream (United Kingdom)
Director: Mai Vu, Screenwriter: Chloe White, Producer: Thijme Grol
Linh is a Vietnamese single mother who’s successfully forged a life for herself and her son in America. But she is confronted with the past and culture she left behind and the question of where it belongs in her family’s new life. (Texas Premiere)

Sprout
Director/Screenwriter/Producer: Zora Kovac
After an agoraphobic scientist accidentally creates a baby-like plant creature, their connection threatens to upend his reclusive way of life. (World Premiere)



MIDNIGHT SHORTS COMPETITION
Bite-sized bits for all of your sex, gore, and hilarity cravings.

Dead Enders
Directors: Fidel Ruiz-Healy, Tyler Walker, Screenwriters: Fidel Ruiz-Healy, Tyler Walker, Jordan Michael Blake, Conor Murphy, Producers: Raven Jenson, Amanda Crown, Gregory Barnes, Conor Murphy, Nico Alvo, Jordan Michael Blake, Eduardo Ruiz-Healy
A disaffected gas station clerk finds out why they call it the “graveyard shift” after oil drillers set loose an ancient race of mind-controlling parasites.(World Premiere)

Every House is Haunted
Director/Screenwriter: Bryce McGuire, Producer: Isaiah Smallman
A struggling couple moves into a haunted house… on purpose. (World Premiere)

The Flute (Ireland, U.S.)
Director: Nick Roney, Screenwriters: Nick Roney, Ed Leer, Producers: Brendan Garrett, Ryland Burns
Fleeing a long-term relationship, a young man seeks refuge with his best friends. After discovering their strange instruments, he’ll learn the bachelor lifestyle is not as sweet as it sounds. (World Premiere)

Kodama
Director/Screenwriter: Brian M Tang, Producers: Penny Lin, Brendan Bennett, Norrie Palmer, Brian M Tang
Arthur, a member of an elite SWAT Samurai team, embarks on a rescue mission into the spirit world in order to recover his father from vengeful Japanese Yokai spirits. (World Premiere)

The Mundanes
Directors/Screenwriters: Nicole Daddona, Adam Wilder, Producers: Eric Hendricks, Nicole Daddona, Adam Wilder
Get to know the Mundanes, a faceless suburban family with an unusual appetite. (World Premiere)

Pennies from Heaven
Director: Sandy Honig, Screenwriters: Sandy Honig, Annabel Meschke, Sabina Meschke, Producer: Jake Honig
Pennies from Heaven is a short comedy about two eccentric twin sisters who stumble upon a pickup truck full of pennies and follow the adventure wherever it takes them. (World Premiere)

Pussy Love (Germany)
Director/Screenwriter/Producer: Linda Krauss
Hey Puss! Still playing hard to get? Let me be your pussycat. (World Premiere)

Run
Director/Screenwriter: Alex Prager, Producers: Vincent Landay, Alex Prager, Lisa Lou Ziven
Run celebrates the absurdity of being alive today.

Vibrator Girl
Director: Kara Strait, Screenwriters: Morgane Ciot, Zoe Mintz, Producers: Morgane Ciot, Zoe Mintz
A young woman suffers the eerie consequences of her compulsive vibrator use. (World Premiere)

We Forgot About The Zombies
Director/Screenwriter: Chris McInroy, Producers: Kris Phipps, Jarrod Yerkes, Stacey Bell
Two dudes think they found the cure for zombie bites. (Texas Premiere)

You’re Not Home (Ireland)
Director/Screenwriter: Derek Ugochukwu, Producer: Gregory Burrowes
When an ominous mould appears in their room, two African brothers seeking asylum are faced with a dark entity lurking within their direct provision centre. (Texas Premiere)



TEXAS SHORTS COMPETITION
An offshoot of our regular shorts program, composed of work shot in, about, or somehow relating to the Lone Star state.

Breaking Silence
Directors: Amy Bench, Annie Silverstein, Producers: Monique Walton, Amy Bench
A portrait of a Deaf activist and his formerly incarcerated daughter who build new bonds through their experiences in the criminal justice system. (Texas Premiere)

Call Me Mommy
Directors: Haley Alea Erickson, Taylor Washington, Screenwriter: Haley Alea Erickson, Producers: Brittany Reeber, David Tenczar
A pedantic mother-to-be hires a stranger to role-play as her unborn daughter. (World Premiere)

Dressed
Director/Screenwriter: Bethiael Alemayoh, Producer: Noam Argov
A former bride-to-be attempts to sell her wedding dress. (World Premiere)

Exit 238
Director/Producer: Henry Davis
In the fall in Austin, TX, the extraordinary roosting display of the Purple Martin attracts people of many walks of life to the Capital Plaza shopping center. (Texas Premiere)

Eyestring (Argentina, U.S.)
Director: Javier Devitt, Screenwriters: Javier Devitt, Alena Chinault, Producer: Alena Chinault
With a mysterious string growing from her eye and questionable advice from a hotline service, Veronica is led on a strange quest for answers. (World Premiere)

Funny Face
Director: Jude Hope Harris, Screenwriters: Krista Fatka, Jude Hope Harris, Producers: Genevieve Jones, Nick Vitale
When country singer Randy travels to take care of his sister Sophie as she recovers from facial feminization surgery, he meets her girlfriend, Morgan, for the first time. The three bond over family history, love, and an extremely chaotic home nurse. (World Premiere)

La Cosecha
Director: Samuel Díaz Fernández, Screenwriters: Ái Vuong, Samuel Díaz Fernández, Producer: Ái Vuong
As one of many residents who lack access to fresh food in Austin, Nolvia Castillo takes the driver’s seat and distributes vegetables to her neighbors. When filmmaker Ai Vuong rides along, they speak the language of immigrants: memories of food. (World Premiere)

When You Left Me On That Boulevard
Director/Screenwriter: Kayla Abuda Galang, Producers: Alifya Ali, Kayla Abuda Galang, David Oconer, Udoy Rahim, Samantha Skinner
Teenager Ly and her cousins get high before a boisterous family Thanksgiving at their auntie’s house in southeast San Diego in 2006. (Texas Premiere)

Wüm
Director/Screenwriter: Anna Margaret Hollyman, Producers: David Hartstein, Seana Flanagan, Shelby Hadden
Bennett, a nonbinary new parent, joins a Mommy Group called Wüm. What is supposed to be a supportive space turns into a Hipster-Stepford-Wife nightmare with Bennett being smothered in the middle of white lady “wokeness.” (World Premiere)



MUSIC VIDEO COMPETITION
A range of classic, innovative, and stylish work showcasing the scope of music video culture.

alt-J – ‘The Actor’ (United Kingdom) / Director: Saskia Dixie

Amanda Sum – ‘Different Than Before’ (Canada) / Director/Screenwriter: Mayumi Yoshida

Arlo McKinley – ‘Stealing Dark from the Night Sky’ / Director: Matt Reynolds

Ben Abraham – ‘If I Didn’t Love You’ / Director: Jillian Bell

Diplo feat Miguel – ‘Don’t Forget My Love’ / Director: Kinopravda, Screenwriters: Viktor Horvath, Zoltan Aprily

Doechii – ‘Crazy’ / Director: C Prinz

Drew Ashby – ‘Her’ / Directors: Chris Scholar, Bevin Brown

Kuba Kawalec – ‘I Died’ (Poland) / Director/Screenwriter: Zuzanna Plisz

Little Simz – ‘Point and Kill’ (United Kingdom) / Director: Ebeneza Blanche

Mac Miller – ‘Colors and Shapes’ / Director: Sam Mason

Michael Kiwanuka – ‘ Beautiful Life’ / Director: Phillip Youmans

Mick Jenkins – ‘Truffles ‘ (United Kingdom, U.S.) / Director: Andre Muir

Mothermary – ‘Coming for You Remix’ / Directors/Screenwriters: Larena Danielle Winn, Elyse Winn

Number One Popstar – ‘Dance Away the Pain’ / Director/Screenwriter: Kate Hollowell

Pearl Derringer – ‘Little Baby (feat. Margo Price)’ / Director: Kimberly Stuckwisch, Screenwriters: Pearl Derringer, Kimberly Stuckwisch

Pranav Bhasin, Rohini Maiti – ‘Screaming on the Fly’ (India) / Director/Screenwriter: Pranav Bhasin

Residente – ‘This is Not America ft. Ibeyi’ / Director: Gregory Ohrel

S+C+A+R+R – ‘Never Give Up’ (France) / Director: Jack Antoine Charlot

Yeah Yeah Yeahs – ‘Wolf’ / Director: Allie Avital

Zolita – ‘Somebody I F*cked Once’ / Director/Screenwriter: Zolita



XR EXPERIENCE

The immersive arts are redefining how we experience the world around us. The projects presented in our XR Experience Competition, XR Experience Spotlight, and XR Experience Special Event sections emphasize storytelling, ingenuity, and also showcase how artists of all types are embracing this new medium.

XR Experience Competition
World Premieres of exciting immersive work.

Aespa VR Concert at Kwangya (Republic of Korea, U.S.)
Director: Soo-man Lee, Producer: Junyoung Park
“Aespa’s first concert at Kwangya, the artists’ virtual existence coexisting with the future.” – SM Culture Universe. (World Premiere)

Body of Mine VR
Director/Producer/Screenwriter: Cameron Kostopoulos
Experience gender dysphoria and trans identity with Body of Mine VR, an intimate experience that takes you inside the body of another gender. (World Premiere)

Consensus Gentium (United Kingdom)
Director/Screenwriter: Karen Palmer, Producers: Tom Millen, Thalia Mavros, Jackson Lapsley Scott, Tuyet Huynh
Consensus Gentium is an emotionally responsive film app designed to be experienced on a mobile phone. Set in a near future of surveillance and bias AI that watches you back. (World Premiere)

The District VR (Germany)
Directors: Dennis Lisk, Ioulia Isserlis, Max Sacker, Producers: Dennis Lisk, Fabian Vogelsteller, Ioulia Isserlis
Welcome to The District VR, a music-driven 3D world full of vibrant games and virtual live entertainment. Put on a VR headset and dive into a virtual twin of Berlin. Be the DJ, use provided equipment, and mix music live in front of a virtual crowd. (World Premiere)

El Beat (Colombia)
Directors: Irene Lema, Sergio Bromberg, Producers: Rafael Ospino, Irene Lema, Screenwriter: Irene Lema
El Beat is a cross-platform experience (interactive film and VR), telling the story of Benkos Biohó, enslaved African and founder of the first free town in the Americas. It is a tribute to the African diaspora and the Black Power of Latin America. (World Premiere)

Find WiiLii – Ep.1 The Gate-Crasher (Republic of Korea)
Directors: Mina Hyeon, Sooyoung Choe, Producer: Sohee Kim, Screenwriters: Sooyoung Choe, Mina Hyeon
On the first day as a newcomer at the Teleportation Service Company IIOIIG, the ordinary mission flows unexpectedly, meeting a stranger. (World Premiere)

Forager: Immersive Multi-sensory Experience (Canada, U.S.)
Directors: Winslow Porter, Elie Zananiri, Producers: Winslow Porter, Casta Zhu, Screenwriters: Winslow Porter, Elie Zananiri, Adam Lerman, Daniel Perlin
In this immersive, multi-sensory experience guests will experience the complete life-cycle of mushrooms. Starting as a spore floating to the forest floor, you become an integral part of this essential, live-giving process. (World Premiere)

Fresh Memories: The Look (Czechia, Ukraine)
Directors/Screenwriters: Ondřej Moravec, Volodymyr Kolbasa, Producers: Ondřej Moravec, Robin Pultera
Look into the eyes of Ukrainian people whose home has been taken away by war. (World Premiere)

The Invited (United Kingdom)
Directors: Davy McGuire, Kristin McGuire, Producers: Davy McGuire, Nesta Nelson, Dan Tucker, Screenwriters: Ben Steiger-Levine, Richard Hurford
The Invited reimagines the gothic story of Dracula in a solitary séance in which a handcrafted fine art pop-up book comes to life with vivid augmented reality animations to serve as a conduit for Dracula’s curse to re-enter the modern world. (World Premiere)

Jailbirds- The Eye of the Artist (Belgium, France)
Director/Screenwriter: Thomas Villepoux, Producers: Griselda Gonzalez Gentile, Francois Klein
Jailbirds takes place in a modern hell prison ruled by a vicious Chief Warden. But in this living nightmare, one guy, Felix, is always happy. It enrages the Chief Warden who will do everything he can to discover Felix’s secret. (World Premiere)

JFK Memento (France, U.S.)
Director: Chloé Rochereuil, Producer: Victor Agulhon
JFK Memento is a VR documentary chronicling JFK’s assassination. Narrated by the last living witnesses of the events, it explores the defining moments of the investigation as archive photos and films remastered in 3D come to life in the historic sites. (World Premiere)

Once a Glacier
Director/Screenwriter: Jiabao Li
Once a Glacier is a VR film about a girl and her relationship with a glacier. As the girl grows older, the piece of ice is threatened. The viewer is taken on a journey through her seemingly futile efforts to protect what was once an entire glacier. (World Premiere)

Rockets, by Pillow (Brazil)
Director/Producer/Screenwriter: Lucas Rizzotto
The world’s first VR narrative designed for lying down in bed. Control a brave little rocket named Crimson through a number of mind-bending puzzles as you attempt to save the Universe from a terrible evil you set free. (World Premiere)

Stay Alive, My Son (Chapters 1 & 2) (Greece, U.S.)
Director/Producer/Screenwriter: Victoria Bousis
Stay Alive, My Son takes players on a fantastical, interactive, and powerful journey through the mind and heart of Pin Yathay as he relives a tragic past and loss of his son during the Cambodian genocide, but eventually finds his salvation and heals. (World Premiere)

Whipped Cream “The Dark” (Canada)
Directors: Caroline Cecil (aka Whipped Cream), Will Selviz, Producer: Brenda Medina Carmona, Screenwriter: Caroline Cecil
The Dark, featuring Monstercat artists Whipped Cream, Jasiah, and Crimson Child, presents a VR experience that blends EDM and opera music with photorealistic holographic performances in an emotion-oriented story about a toxic relationship. (World Premiere)



XR Experience Spotlight
Shining a spotlight on acclaimed immersive projects.

Behind The Dish (France, U.S.)
Director: Chloé Rochereuil, Producers: Victor Agulhon, Jonathan Gleit
Behind the Dish is a virtual reality docu-series that dives into the world of gastronomy. Through three 10-minute episodes in 360° film, meet extraordinary women chefs revolutionizing the food industry and watch their cuisine in super-sized macro 3D.

Eggscape (Argentina)
Director: German Heller, Producers: German Heller, Lucila Trobbiani, Screenwriters: German Heller, Federico Heller, Jorge Tereso
An MR experience about terrified little eggs struggling to stay alive in a world full of enemies. Play in an unprecedented way with the physical world, and build your own adventure with friends mixing the digital with the real. (North American Premiere)

The Eye and I Vol. I (Taiwan)
Directors: Hsin-Chien Huang, Jean-Michel Jarre, Producer: Hsiao-Yue Tsao, Screenwriter: Hsin-Chien Huang
The Eye and I is a VR experience that illuminates the surveillance crisis with music from legendary electronic musician Jean-Michel Jarre and visuals from award-winning VR director Hsin-Chien Huang. (International Premiere)

Figural Bodies (United Kingdom)
Directors: Clarice Hilton, Neal Coghlan, Producers: Susanna Dye, Kat Hawkins
Figural Bodies challenges and reimagines the normative and ableist ways the body is understood and represented through immersive technology. This dance mocap performance explores fantastical interaction and embodiment beyond the humanoid avatar form (World Premiere)

In Pursuit Of Repetitive Beats (United Kingdom)
Director/Screenwriter: Darren Emerson, Producers: Ashley Cowan, Dan Tucker
A multi-sensory joyride into the heart of a revolution in dance. Grab your friends and plug into a virtual reality adventure that transports you into the early days of the Acid House movement. Share in an experience that shaped a generation. (North American Premiere)

Lou (Canada)
Directors: Martine Asselin, Annick Daigneault, Producers: John Hamilton, Sebastien Gros, Screenwriters: Annick Daigneault, Martine Asselin, Louis-François Archambault-Therrien
Experience the world with the sensitivity of a person with autism. (U.S. Premiere)

Mrs Benz (United Kingdom)
Director: Eloise Singer, Producer: Siobhan McDonnell, Screenwriters: Eloise Singer, Jedidjah Noomen
Travel back in time to 1886 with Bertha Benz and discover how her journey changed the course of history. (North American Premiere)

Shib the Metaverse
Directors: Marcie Jastrow, Sherri Cuono, Producer: Brandie Konopasek
The Metaverse is the culmination of our history as a community, virtually displayed, in a layer of beautiful visuals that showcase our innovation and unity with a place to truly call home. (World Premiere)

Spring Odyssey (France)
Director: Elise Morin, Producer: Lucid Realities, Screenwriter: Sabrina Calvo
Tangible, material sculptures await the digital in the exhibition space. The display invites a reversal of our apprehension of the relationship between reality and the digital by completing the gaps of one and the other. (International Premiere)

Temporal World: A Haptisonic Virtual Reality Memory World (Germany)
Director/Producer: Chloé Lee
Temporal World is a haptisonic VR experience inspired by the artist’s memories in a place where she has no personal history. Visitors explore and shape a landscape that is as fragmented and fickle as memory itself while wearing a custom haptic coat. (International Premiere)

UnEarthed (United Kingdom)
Director: Jamie Davies, Producer: Jennifer Mortimer, Screenwriters: Jamie Davies, Phil Porter
UnEarthed is a spectacular interactive adventure into the natural world, inspiring people to respect, protect, and restore our planet’s biodiversity, through impactful learning and entertainment. (North American Premiere)

You Destroy. We Create. (Germany)
Directors/Producers: Felix Gaedtke, Gayatri Parameswaran
Witness how Ukrainian art and culture have become targets of the ongoing war, and meet the inspiring people on the frontlines protecting it.

Yuki MR (Brazil)
Director: Kako, Producer: Lia Pinheiro, Screenwriters: Kako, Flavio Mattos, Lia Pinheiro, Marcelo Nery
Yuki MR is an upbeat mix of bullet-hell in Mixed Reality! Take your favorite toy in your hand to defeat evil creatures in a multidimensional universe. (Texas Premiere)



XR Experience Special Events

Neo-Wulin: The Era of Black Ark (China)
Director/Screenwriter: Guanyu, Producers: Chenchenchen, Bingbing Wang
Neo-Wulin is the first virtual performance series IP in China created by the OXYZ3 team.
Each musician will have a unique music world that combines performance, exhibition, and social interaction, and can be constantly extended. (International Premiere)



COMPETITION AWARDS
The Narrative Feature Competition, the Documentary Feature Competition, Poster Design, and Special Awards will be announced on Tuesday, March 14 along with all the Short Film Program winners, which are eligible for Jury Awards within their respective screening categories. All film categories, except Special Screenings and TV Spotlight, will be eligible for category-specific Audience Awards, which will be certified by the accounting firm of Maxwell Locke & Ritter and announced via sxsw.com the following week.

SXSW is proud to be an official qualifying festival for the Academy Awards® Short Film competition. Winners of our Best Animated, Best Narrative and Best Documentary Short Film categories become eligible for Academy of Motion Picture Arts and Sciences awards (Oscars). Any British Short Film or British Short Animation that screens at SXSW is eligible for BAFTA nomination. Films are also eligible for the Independent Spirit Awards, more information on eligibility here.

In addition to film festival screenings, registrants also have access to the full range of content available during SXSW including Conference Keynotes, Featured Speakers, Mentor Sessions, Networking Meet Ups, Music Showcases, Comedy Festival Showcases, Exhibitions and Professional Development. For more information on everything SXSW Online has to offer, please visit sxsw.com.

About SXSW Film Festival
Now in its 30th year, SXSW Film & TV Festival brings together creatives of all stripes over nine days to experience a diverse lineup and access to the SXSW Music and Comedy Festivals plus SXSW Conference sessions with visionaries from all corners of the entertainment, media, and technology industries.

About SXSW
SXSW dedicates itself to helping creative people achieve their goals. Founded in 1987 in Austin, Texas, SXSW is best known for its conference and festivals that celebrate the convergence of tech, film, music, education, and culture. An essential destination for global professionals, the annual March event features sessions, music and comedy showcases, film screenings, exhibitions, professional development and a variety of networking opportunities. SXSW proves that the most unexpected discoveries happen when diverse topics and people come together. SXSW 2023 will take place March 10 – 19, 2023. For more information, please visit sxsw.com. To register for the event, please visit sxsw.com/attend.

SXSW 2023 is sponsored by White Claw, Volkswagen, Itaú, and The Austin Chronicle


Review: Based on one of the greatest warriors in history, ‘MEDIEVAL’ is yet another star vehicle for Ben Foster.

MEDIEVAL

 ARRIVES ON DIGITAL OCTOBER 25th AND ON DVD & BLU-RAY DECEMBER 6th

Synopsis: Ben Foster (Hell or High Water) and Academy Award® Winner Michael Caine* (The Cider House Rules) star in the action-packed historical epic inspired by the true story of daring mercenary leader Jan Žižka, one of greatest warriors in history. After the death of its emperor, the Holy Roman Empire plummets into chaos while corrupt kings battle for control of the empty throne. To battle the tyranny and greed of those clawing for power, Jan must lead a rebel army in this sweeping saga of war and betrayal.


1402 and politics and religion clash in the new historical epic Medieval. This wickedly violent retelling of arguably the greatest warrior to ever live, Jan Žižka. With Europe in turmoil and freedom at stake, one man leads a rebel army against all odds.

Michael Caine gives a memorable performance even if his screen time is brief. Matthew Goode is positively vile. He is slyly punchable, and if that’s not an endorsement, I don’t know what is. Sophie Lowe, who I adored in Blow The Man Down, holds her own against the predominantly male cast. Her chemistry with Foster feels natural. I found myself pulled into their dynamic more and more.

I met Ben Foster when we both attended Interlochen Arts Camp in Michigan in 1994. Within minutes, I knew he’d be a star. Few actors can disappear into a character. Foster is unstoppable in his pursuit to perfect his craft. In Medieval, he possesses compelling and quiet strength as Žižka. Foster makes everything look effortless, from the fight choreography to the passionate drama. He is magnificent. If you need further proof that he’s the leading man you’ve been waiting for, look no further than Medieval.

The film boasts massive and elaborate fight sequences. The cinematography is beautiful, and the score is luscious. Overall the film is reminiscent of Robin Hood: Prince of Thieves (1991), and I mean that as a compliment. It deserves the best-quality screen you can find. The script is a lot. Keep your ears sharp to keep track of the ever-evolving chaos. MEDIEVAL is undeniably entertaining at every turn. If for no other reason than to witness a masterclass in acting from Ben Foster. He earns and then demands your full attention.


 Official Trailer:

On Digital October 25th and On DVD & Blu-ray December 6th

 

Website: www.medieval.film

Instagram: https://www.instagram.com/medievalmovieus/

Facebook: https://www.facebook.com/Medieval-Movie-109224965060431

Twitter: https://twitter.com/theavenue_film

Starring:                                              

Ben Foster, Sophie Lowe, Til Schweiger, Matthew Goode and Michael Caine*

Written and Directed By:                     

Petr Jákl

Story By:                                             

Peter Bok & Petr Jákl Sr.

Based on the previous screenplay by:  

Marek Dobeš and Michal Petruš

  

*2000/Best Actor in a Supporting Role/The Cider House Rules

‘ACADEMY AWARD®’ is the registered trademark and service mark of the Academy of Motion Picture Arts and Sciences


Genre:                                                 

Action

Run Time:                                            

125 minutes

Rating:                                                

Rated R for strong and grisly violent content throughout, and some nudity.

Distributor:                                         

Paramount Pictures


NYFF60 review: ‘SHE SAID’ is retraumatizing and revitalizing. It’s a must-see.

SHE SAID

Sex, lies, power, and scandal, SHE SAID wowed audiences into silence at NYFF60. We all think we know the story behind the takedown of Harvey Weinstein. This new film, based on the explosive investigative reporting from New York Times journalists Jodi Kantor and Megan Twohey, gives us an inside look at the delicate process of relationship building and the truth. She Said is directed by Maria Schrader, with a screenplay from Rebecca Lenkiewicz based on the 2019 book by Kantor and Twohey of the same name. The film depicts two colleagues coming from two different places in their personal life; Kantor, the mother of three children, and Twohey enduring PPD after the birth of her first child. The film opens brilliantly, with Twohey addressing the infamous Access Hollywood tape. We all know what happened after that, and any sane human can agree it was a disaster for women and the entire world. Once payouts for sexual allegations became a headline, and after the firing of Bill O’Reilly, the NYT floor was abuzz with thinking. How far does this problem go?

The legwork done by these women is mindblowing. The all-hours phone calls, the messages, the threats, and the intimate and honest way they approached anyone connected with Miramax and The Weinstein Company. The film conveys the emotional exhaustion of it all. Story after story of similar allegations and subsequent NDAs sucker punch you, over and over. As these cases now play out in real-time, it is fascinating to witness how to reach a victim and what compels an enabler. One particular detail I found interesting was Weinstein’s obsession with whether the team had spoken to Gwenyth Paltrow. It comes up three to four times at Harvey’s behest. I am dying to know what that story entails because it was clear from the voice reenactments Harvey feared her in a way he did not fear others. Seeing Ashley Judd play herself was undeniably powerful. I can only imagine the feelings of catharsis that must come with that decision. 

Andre Braugher as NTY executive editor Dean Baquet gives a standout performance. He is a no-nonsense fighter, and the entire audience loved him. Braugher represents what every female employer needs in their corner daily. He is spectacular. Jennifer Ehle is heartbreaking as Laura Madden, one of the first women to agree to go on the record. Samantha Morton is an absolute ass-kicker playing Zelda Perkins, who handed over the negotiations from her NDA. She brings the fiery energy that skewers Miramax.

Carey Mulligan and Zoe Kazan play Megan Twohey and Jodi Kantor, respectively. Chasing down uncooperative leads and racing against Ronan Farrow, while balancing personal turmoil and home life, Mulligan and Kazan perfectly balance one another. Mulligan brings a similar edge that we saw in Promising Young Woman. Do not for a minute think this is a one-note performance. Never doubt Carey Mulligan’s ability to be soft and vulnerable. Kazan plays Kantor with an elegant passion and determination to reveal the truth. Together, they support one another from scene to scene. Some of my favorite moments occurred when only the two of them played opposite one another. While these were generally brief, believe it or not, they were magnetic together. I would watch seven more films about Twohey and Kantor’s work as long as Mulligan and Kazan do them justice. 

Ultimately, SHE SAID is both retraumatizing and revitalizing. The work continues. We can thank two brave and tirelessly devoted women for letting us into a world we did not want to admit ruled supreme for far too long. SHE SAID will undoubtedly be on everyone’s lips as we keep our fingers crossed that men like Harvey Weinstein, and anyone who enabled his behavior, are held accountable. Survivors demand it, and allies demand it. Something has got to give. Let the dominoes fall, and let them rot in jail.

She Said – Only In Theaters November 18.

Social Handles

Facebook: https://www.facebook.com/shesaidfilm

Twitter: https://twitter.com/shesaidfilm

Instagram: https://www.instagram.com/shesaidfilm

Website: https://www.shesaidmovie.com

#SheSaidMovie


 

Beginning this Friday, both in-person in NYC and virtually, The 15th Annual Imagine Science Film Festival is ready to blow your mind.

15th Annual Imagine Science Film Festival
(October 14-21)


Alejandro Loayza Grisi’s Utama opens the festival
with a gala screening at the Museum of the Moving Image


Spotlight screenings include Godard’s classic
Alphaville, Ali Cherri’s The Dam (Le Barrage),
Jacqueline Mills’ Geographies of Solitude,
and Signe Baumane’s My Love Affair with Marriage



This year’s festival is overflowing with cool. Here are a few of the films we’ve previously covered. 

My Love Affair With Marriage

Fire of Love

Maika: The Girl from Another Galaxy 

Of Medicine and Miracles

For more information on this year’s edition, continue below!

 

New York City’s Imagine Science Film Festival
announced the lineup of films and events for the hybrid presentation of its 15 th edition, taking
place October 14-21. Screenings will kick off with the Opening Night presentation of Alejandro
Loayza Grisi’s Utama, and Spotlight Features including a special presentation of Jean-Luc
Godard’s classic Alphaville: The Strange Adventure of Lemmy Caution, Ali Cherri’s The
Dam (Le Barrage), Jacquelyn Mills’ Geographies of Solitude, and Signe Baumane’s My Love
Affair with Marriage. Read More →

NYFF60 review: James Gray’s most personal film, ‘Armageddon Time’ is a relevant and searing character study.

ARMAGEDDON TIME

Writer-director James Gray brings his childhood to life in NYFF60’s feature Armageddon Time. The story centers on twelve-year-old Paul, his familial chaos entering sixth grade, and the global backdrop of 1980 running up to Reagan’s election.

In the press conference that followed the screening, Gray explained the complexity of telling what he described as a “ghost story.” His production design team worked off Gray’s memories; what his china looked like, how his father was always concerned with lights being left on, leading to the actors being lit from adjacent rooms. He admits to telling an honest story, one in which he showed himself as the shithead he was at that age. While I’m not satisfied the film has the climax it needed, it’s Gray’s genuine portrayal of his characters that will stick in my gut.

Sir Anthony Hopkins plays Paul’s grandfather, Aaron. Hopkins nails the role with charm and grace. He is a crucial moral compass for Paul but is also part of the broader problem. Gray explains how this microcosm of one family is just as relevant today, stating that one can be oppressed and still be an oppressor. This idea is never more true as we watch Paul begin to understand white privilege while simultaneously wrestling with his desire to be an artist and feeling unsupported, behavioral acting out, and the subsequent physical discipline.

I asked the cast to discuss their approach to the several physically confrontational scenes in the film. Anne Hathaway plays Paul’s mother, Esther. She shared the importance of building a safe environment while portraying violence. Once trust existed between the cast and crew, it was easier to go to a darker place because they cared for each other like family. Jeremy Strong plays Paul’s father, Irving, a contradictory man who has typical dorky dad moments but also possesses a violent temper. He acknowledged that he and young lead Banks Repeta had a safe word. Jaylin Webb, who is extraordinary as Johnny, discussed his excitement with his work in perfect child actor form, sharing that he and his fellow actors would frequently check in on his comfort level.

Let me explain why the cast’s explanations became of great significance. The most successful aspect of Gray’s script is the nuance in character building. These are not sugar-coated versions of people, but characters in volatile times, racially and economically. Their flaws are exponentially recognizable, regardless of the year. Armageddon Time could be happening right now. The cynical nature of history and generational trauma will have audiences’ hearts in their throats, shaking their heads in shame for much of the film. Therein lies the film’s strongest achievement.

  • James Gray
  • 2022
  • U.S.
  • 114 minutes

Showtimes

WEDNESDAY, OCTOBER 12

6:00 PM

Standby Only

THURSDAY, OCTOBER 13

9:00 PM

Buy Tickets

VIEW MORE SHOWTIMES 

Review: ‘MK Ultra’ is a Dark Moody Dreamscape  


Mind control. CIA operatives. Clandestine government operations. MK Ultra has it all in this slow-burning thriller written and directed by former intelligence officer Joseph Sorrentino. The film artfully explores a real CIA program that ran illegal human experiments on American citizens on the fringes of 1960s society. Hoping to discover a way to weaken individuals during interrogations, the CIA administered a range of drugs like LSD, hoping to find a way to secure confessions through brainwashing and psychological torture. Are these MK Ultra experiences cutting-edge science? Or needless unethical torture? Where is the line? Who gets to make the call? 

 Highly stylized and set in a moody mid-century dreamscape, the filmmakers tell an intriguing story that raises questions of medical ethics, informed consent, and the responsibility of a government to its citizens. Notably, the film weaves fascinating facts about the program into the darkly compelling narrative through a series of voiceover explainers that may have felt choppy or disjointed with a less skilled hand. Here, the background and context of the program within US history are spliced in seamlessly through beautiful cinematography and creative accents that keep the film from coming off as merely a documentary. Impactful performance across the board– and by Jen Richards in particular– raise the stakes to a startling crescendo in its final act.

Cinedigm To Release The Mind-Bending Thriller,
MK ULTRA
In Theaters & On Demand October 7

 Starring Anson Mount, Jaime Ray Newman, Jason Patric, Jen Richards
Alon Aboutboul and David Jensen
Written and Directed by Ex-Intelligence Officer Joseph Sorrentino


Based on the infamous CIA drug experiments from the early 1960s, this psychological thriller follows a brilliant psychiatrist (Anson Mount) who unknowingly becomes entangled with a dangerous government entity fixated on mind control.

Under Project MK Ultra, the CIA ran an illegal human experimentation program intended to develop procedures and identify drugs such as LSD that could be used in interrogations to weaken individuals and force confessions through brainwashing and psychological torture.


Review: Writer-director Valerie Buhagiar brings the enchanting tale of ‘CARMEN’ to life with help from Natascha McElhone.

CARMEN

In a small Mediterranean village, Carmen has looked after her brother, the local priest, for her entire life. When the Church abandons Carmen, she is mistaken for the new priest. Carmen begins to see the world, and herself, in a new light.


A tongue-in-cheek story of sacrifice and reward inspired by actual events, CARMEN finds Natascha McElhone recapturing the youth she lost to familial duty and heartache. After a life spent taking care of her brother, the local priest in Malta, his death pushes Carmen, quite literally, out the door.

Carmen’s years of demure nature allow her to become a ghost, eavesdropping on the townsfolk that ignored her. With the unlikely help of a pigeon, Carmen takes control of the very church that kicked her to the curb, fooling the locals for personal entertainment. But, her mischievous advice from the confessional booth changes everything.

Natascha McElhone is elegant and effortlessly charming. CARMEN is essentially a later coming-of-age tale. McElhone’s wide-eyed exploration of life is enchanting, funny, and honest. Shot on the beautiful island of Malta, which if you’ve never been, I suggest you visit. The script’s structure utilizes flashbacks of Carmen’s elusive backstory. Writer-director Valerie Buhagiar brings unbridled joy and hidden complexity to audiences. CARMEN is a delight.


CARMEN will be released in the US Theatrically in major cities and on VOD in the US and Canada on Friday, September 23.

Director: Valerie Buhagiar

Starring: Natascha McElhone, Michaela Farrugia, Steven Love.

 

Theaters include:

NEW YORK – Cinema Village

LOS ANGELES – Laemmle Monica

With exclusive engagements in Chicago, Detroit, San Francisco (Bay Area), Columbus and more.

 

VOD Platforms include:

US: Apple TV/iTunes, Amazon, Google Play, Vudu, XFinity Cable, and more.


 

Based on a true story about CIA mind-control experiments, see the trailer for ‘MK ULTRA,’ coming to theaters and On Demand October 7th.

MK ULTRA

Based on the infamous CIA drug experiments from the early 1960s, this psychological thriller follows a brilliant psychiatrist (Anson Mount) who unknowingly becomes entangled with a dangerous government entity fixated on mind control.

Under Project MK Ultra, the CIA ran an illegal human experimentation program intended to develop procedures and identify drugs such as LSD that could be used in interrogations to weaken individuals and force confessions through brainwashing and psychological torture.

Starring Anson Mount, Jaime Ray Newman, Jason Patric, Jen Richards
Alon Aboutboul and David Jensen

Written and Directed by Ex-Intelligence Officer Joseph Sorrentino

Cinedigm To Release The Mind-Bending Thriller,
MK ULTRA
In Theaters & On Demand October 7 


Review: ‘THE SILENT TWINS’ is an imaginative interpretation of The Gibbons’ sisters haunting history.

THE SILENT TWINS

The real-life story of twin sisters June and Jennifer Gibbons continuously confounds psychologists and curious onlookers alike. As young girls from Barbados whose father transferred for work, they were the only Black family in their Wales neighborhood. The girls experienced insurmountable isolation and bullying. As a result, they turned inward, refusing to speak to anyone other than each other, and exhibited succinct behavior, almost catatonic at times. With each passing year, The Gibbons sisters enigmatic relationship wreaked havoc on their families, communities, and each other. The Silent Twins creatively illustrate their experiences. Theirs is a story that baffles the world.

The only time they spoke aloud was in their bedroom, as they created magnificent plays, poems, and short stories. The Silent Twins utilizes mixed media stop motion animation to illustrate the girls’ elaborate writing. When you hear their diary entries, you soon realize their astonishing level of intellect.

Following their dismissal from school, the girls enter a specialized education program (which later proved useless), followed by separate residential schools. June struggles to adjust due to the separation, becoming despondent. Once reunited, things regress to the status quo in their childhood bedroom for the next few years.

The dynamic between the two is clear; Jennifer exerts all power over June. Adolescent jealousy brings a new level of vengeful animosity to Jennifer and June’s relationship. Jennifer’s infatuation with an influential bad boy brings drugs and pyromania into their lives. The consequences of these behaviors lead them to their eleven-year admission to Broadmoor Hospital. The publication of June’s book further drives their competitive nature.

*SPOILER ALERT* If you’d like to stay in the dark about the story, skip the following paragraph!!

The Gibbons made a pact in childhood stating that if one of them died, the other should begin to speak and live a “normal life.” On the day of their release from Broadmoor, Jennifer passes away in the transport van. While the circumstances did not sit well with anyone, her autopsy would later reveal a case of undiagnosed myocarditis. Rather than sink into grief, the death of Jennifer frees June from a lifelong emotional and physical prison.

** Continue below…

Performances from Letitia Wright and Tamara Larance will blow you away. Their vocal specificity is imperative to understanding the real-life twins’ dialect and speech patterns. Their volatile chemistry jumps off the screen. Each actress has their time to shine.

Prior knowledge of this bizarre case proved to be a blessing and a curse. A few things felt stylistically superfluous, especially a runtime of nearly 2 hours. I almost wish this haunting tale were a touch more straightforward. The stop-motion sequences are such a powerful device that the added songs and whimsical choreography appear overkill. I’m unsure if The Silent Twins works as a whole. Perhaps, a viewer with zero previous understanding of The Gibbons’ strange existence might come to a different conclusion. If you fall into that category, I recommend going into the film blind. Either way, director Agnieszka Smoczynska displays a unique vision of two mind-boggling women.


Silence was their bond. Imagination set them free.

Letitia Wright and Tamara Lawrance star in #TheSilentTwins, only in theaters September 16.


A version of this review first appeared on AWFJ.org. To read more insights from the amazing women in the alliance, click here!


 

Film lovers unite! TIFF 2022 is upon us. Here’s what we’re excited to see. #TIFF22

TORONTO INTERNATIONAL FILM FESTIVAL 2022 has arrived! This year there is a little bit (or a lot) for everyone, from In Conversation With Taylor Swift and a screening of All Too Well: The Short Film on 35mm, Viola Davis in The Woman King, to the Midnight Madness world premiere of Weird: The Al Yankovic Story. TIFF never disappoints and this year, in its 47th edition, the stars come out to entertain the masses. With so many options, here are a few titles we’re keeping our eyes on.


CHARCOAL (PLATFORM SECTION–WORLD PREMIERE)

Brazil, 2022. In a remote area in São Paulo’s countryside, a rural family who lives beside a charcoal factory accepts a proposal to host a mysterious foreigner. The home soon becomes a hideout as the so-called guest happens to be a highly wanted drug lord. The mother, her husband and child will have to learn how to share the same roof with this stranger, while keeping up appearances of an unchanged peasant routine.

Writer-director Carolina Markowicz has had many of her short films play the festival. This will be her feature debut and I cannot wait to experience her storytelling in long form.


BONES OF CROWS (Contemporary World Cinema, World Premiere)

 

Unfolding over 100 years, BONES OF CROWS is a feature film told through the eyes of Cree Matriarch Aline Spears as she survives a childhood in Canada’s residential school system to continue her family’s generational fight in the face of systemic starvation, racism, and sexual abuse.

We’re all aware by now of the horror stories of the children forced to live in Canada’s residential schools. So much so that the Pope apologized for the abuse the children endured after innumerable graves were discovered on the former grounds. Bones of Crows is a vastly important story.

*This program contains scenes that may distress some viewers, especially those who have experienced harm, abuse, violence, and/or intergenerational trauma due to colonial practices.

Support is available 24 hours a day for anyone affected by their experience at residential schools and for those who may be triggered by content dealing with residential schools, child abuse, emotional trauma, and racism. The national Indian Residential Schools Crisis Line is available at 1-866-925-4419.


BROTHER (Special Presentations, World Premiere)
Propelled by the pulsing beats of Toronto’s early hip hop scene, BROTHER is the story of Francis (Aaron Pierre) and Michael (Lamar Johnson), sons of Caribbean immigrants maturing into young men. Director Clement Virgo expertly tackles themes of masculinity, identity and family as a mystery unfolds during the sweltering summer of 1991, and escalating tensions set off a series of events that change the course of the brothers’ lives forever.

Writer-director Clement Virgo brings TIFF audiences a tale more relevant today than ever. A study in grief, Brother is bound to impact viewers is a visceral manner.


DALÍLAND (Gala Presentation, World Premiere, **Closing Night**)
Mary Harron’s DALÍLAND is both a coming of age story and a searing, funny and sympathetic portrait of crisis in the late life of one of the greatest artists of the 20th century. Experienced through the eyes of young gallery assistant James Linton (Christopher Briney) as he is invited into a glamorous new world, audiences will uncover the true Dalí (Sir Ben Kingsley) – the complex, flawed, and deeply human man behind the brilliant paintings, wild theatrics, and iconic mustache and explore his especially tempestuous relationship with Gala (Barbara Sukowa), his wife and muse.\

Sir Ben Kingsley releases Dali from an enigmatic caricature and humanizes the genius, his life, and his work.


THE PEOPLE’S JOKER (Midnight Madness, World Premiere)
After years numbing herself with irony and an inhalant called Smylex, an unfunny aspiring clown grapples with gender identity, first love, and old foes all while founding an illegal comedy theater in Gotham City. It’s a queer coming-of-age Joker Origin story. Completely unlicensed by DC and Warner Brothers. Starring and directed by Vera Drew (“Beef House,” “Who Is America”) and featuring the work of 200 independent artists on three separate continents, all made during a global pandemic!

A queer coming-of-age satire and multi-media extravaganza, this mashup of fandoms I never knew I needed.


MY SAILOR, MY LOVE (Contemporary World Cinema, World Premiere)
MY SAILOR, MY LOVE is a heart-warming drama on timeless love and forgiveness. Howard (James Cosmo) is a retired sailor and widower, his daughter Grace (Catherine Walker) hires a caregiver Annie (Bríd Brennan). Reclusive and stubborn, Howard rejects Annie’s company, but eventually opens his heart and gives final love a chance.

A raw and compelling family drama, My Sailor, My Love is teeming with complexity and outstanding performances.


THE WOMAN KING  (World Premiere — Gala Presentations)

Synopsis: The Woman King is the remarkable story of the Agojie, the all-female unit of warriors who protected the African Kingdom of Dahomey in the 1800s with skills and a fierceness unlike anything the world has ever seen. Inspired by true events, The Woman King follows the emotionally epic journey of General Nanisca (Oscar®-winner Viola Davis) as she trains the next generation of recruits and readies them for battle against an enemy determined to destroy their way of life. Some things are worth fighting for…

Listen, if you tell me that Viola Davis is starring in a film, my butt is in a seat. Based on a true story? Well, that’s solidly in Davis’ wheelhouse, but really what isn’t? This is one highly anticipated film already.


ALLELUJAH (SPECIAL PRESENTATIONS)

This glorious reunion of Oscar winner Judi Dench and director Richard Eyre (Notes on a Scandal) is a spirited homage to the idiosyncrasies of old age and the noble fortitude of health-care workers everywhere. Adapted by Heidi Thomas from Alan Bennett’s stage play, Allelujah assembles a stunning ensemble of veteran British actors, including Jennifer Saunders, David Bradley, and Derek Jacobi.

There is every chance this will be an absolute crowd pleaser. The premise alone has me making up scenarios in my head of pure shenanigans. With a hell of a cast, Allelujah cannot go wrong.


FIXATION (Contemporary World Cinema)

Maddie Hasson (Malignant) plays a young woman committed to an unorthodox institution by a pair of enigmatic doctors (Genesis Rodriguez and Stephen McHattie).

Another feature debut from a female filmmaker, Mercedes Bryce Morgan brings to life an ambitious physiological thriller that will mesmerize with wild production design. I don’t think any of us are ready for such treatment. (pun intended)


LIVING (CONTEMPORARY WORLD CINEMA)

In this exquisitely realized remake of Akira Kurosawa’s 1952 film Ikiru, director Oliver Hermanus teams with Nobel- and Booker Prize–winning author Kazuo Ishiguro to renew a classic. LIVING is the story of an ordinary man, reduced by years of oppressive office routine to a shadow existence, who at the eleventh hour makes a supreme effort to turn his dull life into something wonderful – into one he can say has been lived to the full

The magnificent Bill Nighy helms this film about humanity and mortality. With Mothering Sunday vets, cinematographer Jamie Ramsay and production designer Helen Scott, Living will undoubtedly be a feast for the eyes.

THE LOST KING (SPECIAL PRESENTATIONS)

Synopsis: In the archaeological find of a century, the remains of King Richard III — presumed scattered over 500 years ago — were discovered beneath a parking lot in Leicester in 2012. The search had been conceived and motivated by an amateur historian, Philippa Langley, whose passion and unrelenting research were met with skepticism. THE LOST KING is the inspiring true story of a woman who refused to be ignored and who took on Britain’s most eminent historians, forcing them to rethink the legacy of one of the most controversial kings in England’s history. A tale of discovery, obsession, and stolen glory (both then and now), THE LOST KING is a magical adventure illuminated by one woman’s growing sense of purpose.

My husband and I are history nerds. We’ve seen the documentary of this very story and it was nothing short of fascinating. For those who may not know the vile things said about King Richard III, it’s rather shocking. Sally Hawkins is the perfect choice to capture Philippa Langley‘s determined journey to uncover the truth.

MOVING ON (GALA PRESENTATIONS)

Synopsis: Jane Fonda and Lily Tomlin star in this fusion of audacious comedy and bracing drama about estranged pals who are reunited when a beloved mutual friend dies, leaving her widower the target of a revenge plan.

Perhaps some of the most notable chemistry we’ve seen between two women in years bounds off the screen when Lily Tomlin and Jane Fonda work together. These two powerhouse ladies bring heart and humor to a story much more complex than at first sight. TIFF audiences are bound to cheer for Moving On.


ARISTOTLE AND DANTE DISCOVER THE SECRETS OF THE UNIVERSE (Discovery)

Based on the book by Benjamin Alire Sáenz, two teenage Mexican-American loners in 1987 El Paso explore a new, unusual friendship and the difficult road to self-discovery.

Another female director’s feature debut (in case anyone is counting and cheering along with me), Aristotle and Dante Discover the Secrets of the Universe is more than a queer coming-of-age story. You’d never guess Max Pelayo and Reese Gonzales were first-time leads. Lin-Manuel Miranda joins a powerhouse team of producers after narrating Sáenz‘s audiobook in 2013 and then reading writer-director Aitch Alberto’s screenplay. He knows a little something about quality writing, so his seal of approval is huge.


TIFF 2022 runs from September 8th to the 18th.

For more information on the fest, visit tiff.net


Review: Based on a harrowing true story, ‘Breaking’ showcases John Boyega in an award-worthy performance.

BREAKING

*A version of this review originally appeared on AWFJ.org. To see more of their coverage of Breaking click here!*


Director Abi Damaris Corbin brings to life the true story of Brian Brown-Easley. John Boyega plays the real-life ex-Marine who, in a last-ditch effort to get the money the VA owes him, threatens to blow up a Wells Fargo with two female managers inside with him. Breaking is an intense thriller that keeps your heart in your throat from beginning to end. It is one of the most extraordinary stories of principle I’ve ever seen.

Performances across the board are magnificent. The women in the film elevate the complexities. Connie Britton is Lisa Larson, a news producer with whom Easley speaks in great detail. Like all of her roles, she is a solid addition to the cast. Olivia Washington plays Cassandra Easley, Brian’s ex-wife. A woman in an unthinkable crisis attempting to protect their daughter, Kiah, Washington is fantastic.

Selenis Leyva plays bank teller Rosa Diaz. She is the audience. Her fear is palpable. Coming from her role on Orange is the New Black, Leyva swaps prison sass for an entirely different brand of vulnerability. Nicole Beharie is a grounding force in Breaking. Her calm strength reminds you to take a breath between scenes. Her arc is breathtaking.

In one of his final roles, Michael Kenneth Williams plays Sargent Eli Bernard, the police negotiator. Williams’ relatable nature is of utmost importance. His chemistry with Boyega is imperative.

John Boyega presents the audience with a masterclass of human desperation. Each beat screams off the screen, even in his silence. This man has clear signs of PTSD, but his sincerity and circumstance have you rooting for him. The emotional nuance blew me away as Boyega is simultaneously patient and commanding. This performance deserves every award possible. You cannot ignore it.

Abi Damaris Corbin and cowriter Kwame Kwei-Armah understood the stakes in telling this story with urgency and respect. The social commentary about this country’s despicable treatment of our veterans could not be louder. Breaking is a story of one man’s dignity, but it is also an undeniable megaphone for tens of thousands of men and women being placed on the back burner every day. The system is disgraceful. Shockingly, these incidents aren’t more frequent.

Equally as relevant is that this story did not need to play out this way. Beharie’s character speaks directly to this issue, asking Easley how long she has to keep her son away from the news stories. Suspects of color are never treated the same way as white individuals. Breaking is yet another glaring example of racism. The final minutes of the film will rattle your soul.


In Theaters August 26th, 2022

 

Review: ‘1982’ is a cinematic wonder.

Visually stunning cinematography heightens the emotional stronghold of 1982. The film is unusually relevant as the war in Ukraine threatens the everyday lives of children and adults in the region. As news of the Lebanon war is a constant din in the film, elementary school children navigate love, exam anxiety, friendship, and all that encompasses those complex feelings. 

Mohamad Dalli plays Wissam with genuine star quality. His performance feels effortless as he attempts to confess his love for classmate Joanna. Miscommunications lead to natural hurt feelings and aggression toward his best friend and scene partner Ghassan Maalouf. The two boys have brilliant chemistry. Add on the object of Wissam’s affection in actress Gia Madi. Their energy is movie magic. 

1982 keeps you on the edge of your seat, heart in your throat from beginning to end. The harrowing juxtaposition of war deliberately creeps up on you. All eyes are on the skies as teachers and students notice the increased activity of planes and then smoke. The intense sense of dread is consuming. All while these kids are just trying to be kids. The film speaks to the resiliency of children. There are many parallels for American audiences, as school shootings fill parents and students with dread. The script has a universality that will touch every single viewer. It might seem like an unusual suggestion, but I believe this is a film that can be and should be, watched with the entire family. With a final touch of much-needed, childlike whimsey, 1982 is a glorious cinematic triumph. 


The award-winning Lebanese film “1982” which is opening exclusively in select theaters beginning June 10th in New York (at the Quad Cinema), followed by Los Angeles (at Laemmle Royal & other locations) on June 24th. The film will then expand into additional theaters nationwide throughout the summer.

About the filmmakerOualid Mouaness is an award winning Lebanese-American writer, director and producer. Liberian born to Lebanese parents, Mouaness grew up between Beirut and Monrovia. His work traverses narrative and documentary feature films, music films, music videos and commercials. Mouaness has produced nine feature length films (docs & narratives): notably, the indie film “Kitchen Privileges” (SXSW 2000) that he co-produced and edited, the acclaimed documentary ‘RIZE’ (Sundance 2005) which was shortlisted for the Oscars in 2006, as well as the South African LAIFF Audience-award-winning documentary “I Am Thalente” (2015), and most recently the experiential documentary “Max Richter’s Sleep” (2020) that had its world premiere at IDFA 2019 and its North American premiere at Sundance 2020. His short film “The Rifle, The Jackal, The Wolf and the Boy” was shortlisted for the Oscars in 2017. His straddling of life in diaspora with a window into life in Lebanon brings a heightened understanding and nuance to his work. He’s a Sundance Institute Fellow and has called Los Angeles home for over two decades. He completed his undergraduate studies in Journalism and Theatre in Beirut and holds an MFA in Film from the Florida State University College of Motion Picture Arts. “1982” is Oualid’s directorial feature film debut.

Topic series review: ‘DECEIT’- a story of a real-life honey trap brings the drama.

DECEIT Official Synopsis:

Five months on from the brutal murder of Rachel Nickell on Wimbledon Common and the Met Police are still no closer to capturing the man they’re convinced is responsible. First identified through a television appeal, the evidence is stacked against Colin Stagg. The media feed a national obsession, covering every detail of the case and demanding justice. The police are determined to catch the man who, in their eyes, is guilty before he kills again. In desperation, the relatively young detective inspector leading the case, engages the nation’s most famous criminal profiler to devise a bold undercover operation which will see an attractive, young female officer start a relationship with Colin Stagg.


As each episode begins, the filmmakers behind the miniseries DECEIT make it abundantly clear that the show involved a plethora of research. In 1992, a woman named Rachel Nickell was brutally murdered in front of her two-year-old son. Police believed they found the guilty party based on an expert forensic profiler. After bringing top undercover officer Sadie Byrne into the mix, they devise an elaborate operation to obtain a confession. 

The series’ four episodes appear to jump in time as Sadie studies Colin’s interrogation tapes. She draws him into her web first with letters, then phone calls. DECEIT’s intrigue is relentless. It’s a fresh perspective from the typical detective plotlines involving female officers. The danger feels heightened. 

Eddie Marsan plays profiler Paul Britton with an unsettling intensity. His scenes with Algar are tense. Sion Young is Colin Stagg. He is both frightening and pathetic, creating a skin-crawling effect. 

Niamh Algar is captivating as a fictionalized version of a real-life undercover officer. It’s like meta method acting, watching her prepare for a role within a role. The deeper she gets into the character of Lizzie, the further she spirals. Her anxiety and fear are palpable. It’s a hell of a performance. 

DECEIT’s lighting has a heavyhanded neo-noir effect, especially when Algar plays “Lizzie.” The editing keeps your mind sharp. The story draws you in, and the characters hold your emotional attention. I appreciated the updates on our players during the finale. Separating truth from fiction reminded me that innumerable lives were ruined. It’s a final nail in the reality coffin for the viewer. DECEIT is a unique entry amongst the true-crime fare.


The 4-part miniseries DECEIT, streaming exclusively on Topic beginning April 14.

Based on a true story, this UK crime thriller follows Lizzie James, a female detective employed to obtain evidence against Collin Stagg, the prime suspect in the brutal murder of Rachel Nickell, which occurred in broad daylight in London’s Wimbledon Common. The case went on to become one of the most infamous entrapment cases in British law enforcement history.

Directed by Niall MacCormick and starring Niamh Algar (Raised by Wolves, Topic’s The Virtues), Eddie Marsan (Deadpool 2, Ray Donovan), and Harry Treadaway (Star Trek: Picard, The Crown), DECEIT has been hailed in the UK, with The Telegraph calling it “a gripping portrait of a real-life undercover operation,” and The Evening Standard declaring that the series “stand[s] out from the usual true crime fare.”


About TOPIC
Topic is the boundary-pushing streaming service from First Look Entertainment for thrillers, mysteries, dramas and documentaries from around the world, serving viewers who crave entertainment beyond the mainstream. Whether it’s a Nordic-noir crime thriller (The Killing), an Italian supernatural political drama (The Miracle), or a haunting true crime docu-series from the UK (The Missing Children), Topic expands your view of the world.

Featuring North American premieres, exclusive TV series and film, and programming from more than 40 countries, Topic showcases an unparalleled collection of creators, perspectives and experiences. Complemented by our Topic Originals, we prioritize bold storytelling and champion underrepresented voices. Topic Originals and exclusives include Oscar® nominee The Letter Room (starring Oscar Isaac), Lambs of God (starring Ann Dowd), BAFTA® nominee The Virtues (starring Stephen Graham), Emmy® nominee The Accidental Wolf (starring Kelli O’Hara), Dark Woods, Gotham Award winning Philly D.A., and Soul City (directed by Coodie & Chike).

Topic is available to US and Canadian audiences on topic.com, AppleTV & iOS, Roku, Amazon Fire TV, Android & Android TV, Samsung, Apple TV Channels, Roku Premium Channels, Bell Fibe, Amazon Prime Video Channels, and Comcast (Xfinity X1, Xfinity Flex and XClass TV). Topic is part of First Look Entertainment which also includes Topic Studios, the award-winning entertainment studio which develops, finances, and produces content for all platforms.


Capsule review: Inspired by actual events, ‘NITRAM’ is a gripping tale of inevitable violence.

NITRAM

SYNOPSIS: Nitram (Caleb Landry Jones) lives with his mother (Judy Davis) and father (Anthony LaPaglia) in suburban Australia in the Mid 1990s. He lives a life of isolation and frustration at never being able to fit in. That is until he unexpectedly finds a close friend in a reclusive heiress, Helen (Essie Davis). However, when that relationship meets a tragic end, and Nitram’s loneliness and anger grow, he begins a slow descent that leads to disaster.


Witness the downward spiral of an already unwell young man as he slowly travels down the rabbit hole of complete darkness. When Nitram finally connects with a reclusive heiress named Helen, his world appears brighter. Helen provides the comfort and emotional shelter his parents could not. When the sadness becomes too much, his anger and anxiety manifest in violence and unfathomable tragedy. Inspired by actual events, NITRAM tells the story of one man’s undoing, changing Australia’s history forever. 

Caleb Landry Jones embodies the mentally fragile Nitram with his entire being. It’s no wonder he won Best Actor when the film premiered at Cannes last year. Jones’ uncanny ability to live in the skin of his character is something you don’t see often. He’s on another level, whether that be his voiceover work in Finch or his haunting performance in Antiviral. Alongside stellar performances from Judy Davis and Anthony LaPaglia as Nitram’s emotionally exhausted parents and a breathtaking turn from Essie DavisNITRAM is an eerie chronicling of inevitable implosion.


IFC Films will release the thriller/drama NITRAM in Theaters, on Digital Rental and AMC+ on March 30, 2022.

Directed by Justin Kurzel (TRUE HISTORY OF THE KELLY GANG, SNOWTOWN MURDERS, MACBETH) and written by Shaun Grant (TRUE HISTORY OF THE KELLY GANG, BERLIN SYNDROME), NITRAM stars Caleb Landry Jones (THREE BILLBOARDS OUTSIDE EBBING MISSOURI, GET OUT, HEAVEN KNOWS WHAT), Essie Davis (THE BABADOOK, TRUE HISTORY OF THE KELLY GANG), Oscar Nominee Judy Davis (HUSBANDS AND WIVES, BARTON FINK, NAKED LUNCH), and Anthony LaPaglia (EMPIRE RECORDS, WITHOUT A TRACE).