Review: Devotion and deceit go hand in hand in Liz Fania Werner and Carlos Montaner’s ‘WAKING KARMA’

WAKING KARMA

High school senior Karma and her mother Sunny are on the run from her father, an infamous cult leader. Trapped inside a remote wooded compound, her already complicated reality is about to crumble.

The film begins with intriguing flashbacks of a cult murder, newspaper clippings, and a hauntingly saccharine song. The setup immediately captured my attention. A sudden shift in style and time reveals Karma and Sunny living in fear and relying on the kindness of former cult members for protection. Small crumbs of cult life are just enough to keep you invested in Karma’s fate.

Michael Madsen is vile. His iconic voice serves him well as Paul, giving him an effortless presence. He could have been made more menacing with a few tighter shots overall. Kimberly Alexander plays Sunny with extraordinary nuance. This roller coaster ride of a role spans every emotion; adoration, cruelty, and unadulterated honesty. Alexander goes for it.

As Karma, Hannah Christine Shetler is the definition of wide-eyed vulnerability. She navigates chaos and confusion with equal parts innocence and fearlessness. Waking Karma is a terrific vehicle for her talents. 

It takes a solid 25 mins to get to any action, but then it is pretty much maniacal from there on out. The plot gets more sick and twisted as we roll along, both physically and psychologically. WAKING KARMA shines brightest in the scenes between mother and daughter. The shockingly devastating dialogue by director Liz Fania Werner with co-director Carlos Montaner‘s DP work almost demands an in-depth prequel. I have so many questions, and I’d love to see more about the beginnings of this cult. That’s the story we need now.


WAKING KARMA is now available on VOD

 

Sundance 2023 capsule review: Anna Hints’ profound documentary ‘SMOKE SAUNA SISTERHOOD’ is a collective sigh of womanhood.

SMOKE SAUNA SISTERHOOD

The ancient Estonian ritual of sauna building is a physical and spiritual cleansing. Women gather to share everything from funny childhood stories to earthly, almost guttural chants to intimate confessions with unfiltered honesty. Anna Hints‘ Sundance 2023 documentary Smoke Sauna Sisterhood is a visceral and profoundly deep film.

Mesmerizing closeups of body parts beading with sweat captured with static and handheld camerawork beautifully complement the conversations and place the audience inside the room. Haunting vocals during transition moments captivate the audience. Images of south Estonian matriarchs are projected on the sauna smoke as their voices recall tales from their lives. It is another stunning addition to an already visually sumptuous film.

Topics like cancer, women’s rights, body shaming, unresolved trauma, sex, and sexuality swirl freely. It is a safe space I envy. Smoke Sauna Sisterhood brings a contagious joy. There is a raw elegance I think Sundance 2023 audiences, specifically female viewers, will welcome. This film is a celebration of our complexities, highlighting the tender care we take with one another. It is revelatory to rediscover the interconnectedness of women and our shared experiences, good and bad. It is an astonishingly rewarding emotional catharsis.


Screening Times
In Person
PREMIERE
AddFAVORITE
Jan. 22 6:00PM MST
Prospector Square Theatre

PARK CITY

SECOND SCREENING
AddFAVORITE
Jan. 23 8:30PM MST
Megaplex Theatres at The Gateway 6

SALT LAKE CITY

SECOND SCREENING
AddFAVORITE
Jan. 25 11:45AM MST
Egyptian Theatre

PARK CITY

SECOND SCREENING
AddFAVORITE
Jan. 26 4:00PM MST
Redstone Cinemas – 2

PARK CITY

SECOND SCREENING
AddFAVORITE
Jan. 27 12:00PM MST
Screening Room

SUNDANCE MOUNTAIN RESORT

Online
SECOND SCREENING
AddFAVORITE
Jan. 24 8:00AM MST
Available Until Jan. 29 11:55PM MST


Anna Hints is an Estonian film director with a background in contemporary art and experimental folk music. Having deep roots in the distinct culture of South Estonia, Hints’ second home is in India. As an active dumpster diver, Hints’ short documentary For Tomorrow Paradise Arrives initiated public discussion and growth of new grassroot movements against food waste in Estonia.


 

Sundance 2023 capsule review: ‘BAD PRESS’ is a striking microcosm of tribal oppression and corruption.

BAD PRESS

Imagine a scenario, if you will, where the federal government controlled the entirety of the media. Ask North Korea and China’s citizens how well that works for them. Native American tribes are sovereign nations. They do not have freedom of the press. In the Sundance 2023 documentary from Rebecca Landsberry-Baker and Joe Peeler, BAD PRESS exposes the crushing actions of tribe leaders to remain in power. MVSKOKE MEDIA journalists are under attack while the Chief manipulates the Muscogee community with misinformation. Who will protect the truth?

Bad Press describes the hierarchy of tribal media. Money and politics rule, making a constitutional Free Press amendment vital to every nation. The film follows the journey to change, from new candidates for a new chief to election fraud allegations, and boy does it mirror national shenanigans. MVSKOKE MEDIA journalist Angel Ellis and her colleagues report everything in real-time, fighting against fear, false claims, threats, and connected politicians who wish to silence them.

The biggest question becomes, “What do you have to hide?” BAD PRESS is the perfect Sundance 2023 companion to watch with Fantastic Machine. It’s a heart-pounding, sweaty palm viewing experience. The emotional gravity of this story is shocking. BAD PRESS is a microcosm of tribal oppression and global journalistic reality. Those in the film are brave as hell for speaking out. National news, take note. Transparency is key.


Screening Times

In Person

  • PREMIERE

    Jan. 22 8:40PM MST

    The Ray Theatre

    PARK CITY

  • SECOND SCREENING

    Jan. 24 3:30PM MST

    Redstone Cinemas – 1

    PARK CITY

  • SECOND SCREENING

    Jan. 25 12:00PM MST

    Screening Room

    SUNDANCE MOUNTAIN RESORT

  • SECOND SCREENING

    Jan. 26 12:40PM MST

    Holiday Village Cinemas – 2

    PARK CITY

  • SECOND SCREENING

    Jan. 27 9:45PM MST

    Broadway Centre Cinemas – 3

    SALT LAKE CITY

Online

  • SECOND SCREENING

    Jan. 24 8:00AM MST

    Available Until Jan. 29  11:55PM MST


Slamdance 2023 review: The weird and wonderful world of ‘Who’s Annie?’

Slamdance 2023 Premiere of

WHO’S ANNIE?

After jail-time, 12-step programs and five marriages, Annie begins her acting career in her mid-fifties with the help of a young director she met at a Burger King. In this show within a show, Annie tackles both her gigs as an actor and the role of herself in her own life story.


A farcical meta delight, Slamdance 2023 episodic WHO’S ANNIE skewers the absurdity of Hollywood, but that’s only the beginning. Annie Pisapia plays herself and doesn’t. Yup. You read that correctly. This “series within a series” is wildly entertaining and wholly bizarre. 

Writer-director Sophia Peer plays “herself,” a television director with awkward and quirky energy. Peer bears a striking resemblance to Rhea Pearlman. It’s a head-scratching role, and I could not look away. Sofia Dobrushin plays the “series” version of Peers. Wide-eyed and perfectly cast, Dobrushin appears both afraid and at home in coordinated chaos. I adored her. Annie Pisapia owns the screen, as her comic timing is something to behold. Her rough exterior feels part false flag, part true identity. She is so convincing it is genuinely tough to discern between Annie’s real life and the script. That is the entire point of the series, and Peer has succeeded with flying colors. Adding in Peer’s manic confidence and Dobrushin’s “yes, and” attitude, these three women exquisitely complement one another.

Because the show jumps in style, so does the cinematography. It is eye candy that never gets boring. It is pure silliness, and I’m dying for more. It’s Comedy Central meets Mad TV. There is a lot of meat on the bone for series development. Everyone has enough (or a lot) of backstory to expand upon and plenty of weirdness to start. WHO’S ANNIE is unique in this Slamdance 2023 episodic lineup.


WHO’S ANNIE? – 30 Minute Scripted Comedy Series – Trailer from sophia peer on Vimeo.


2 Screenings at Treasure Mountain Inn: 255 Main St, Park City, UT 84060
Sunday 1/22: 9:45pm- Ballroom 
Thursday, 1/26: 11:30am- Crescent Room
Ticket Link Here

 

CREDITS:

Creator/Director: Sophia Peer

Written by Sophia Peer & Annie Sicherman

EPs: Ryan Cunningham, Troy Thompson

Co-Executive Producer: Randy Stulberg

Produced by: Manon Carrié

Cinematographer: Adam Uhl

Production Designer: Erica Magrey

Editor: Matt Posey

Starring: Annie Pisapia, Sofia Dobrushin, Sophia Peer


BIOS:

Creator and Director: Sophia Peer (she/her) was born and raised in Flushing, Queens, where she began her career as filmmaker, directing her parents in scripted/doc hybrids before she knew that was even a thing. She was awarded the NY Foundation for the Arts ‘Made In NY’ grant, a finalist for the ScreenCraft Film Fund, accepted into The Gotham’s Episodic Lab, and invited to Gotham Week, for WHO’S ANNIE?, a series she’s creating, co-writing and directing. Sophia is currently pitching a doc/scripted hybrid series created in collaboration with Jigsaw Productions. After years of working on series for Nike, Super Deluxe, Nylon, Genius, and Pitchfork, Sophia is now also directing a surreal cooking show, DANNY’S FOOD CORNER, starring queer comedian Lily Marotta (Celebrity Book Club). Sophia’s work has been screened at the Whitney Museum of Art, Hauser & Wirth, Abrons Art Center, the Giphy Film Festival, Anthology Film Archives, Contemporary Arts Center, The Queens Museum, Indie Memphis Film Festival, and MoMA. She has directed music videos for artists such as Paramore, Julien Baker, Paramore, The National, Interpol, Yeasayer, and Junior Boys. 

Co-Writer: Annie Sicherman (she/her) is an award-winning queer screenwriter from Queens, NY.  She is the co-writer of WHO’S ANNIE?, a pilot that was awarded the NYFA “Made in NY” Grant, accepted into The Gotham’s Episodic Lab, and a finalist in the ScreenCraft Film Fund. Recently, Annie’s comedy pilot DOCTOR BABIES advanced in the Austin Film Festival.

Executive Producer: Ryan Cunningham (she/her) is an Emmy and Peabody award-winning producer who launched the development company Running Woman, with projects set up at FX, Party Over Here, and Swimsuit Edition. She has 20 years experience producing 25 different comedy TV series. TV producer credits include BROAD CITY, INSIDE AMY SCHUMER, SEARCH PARTY, THE LAST O.G., and stand-up specials for Comedy Central, Showtime, Amazon, Netflix, and HBO. Ryan was also the Director/EP on specials for Ilana Glazer, Alan Cumming, and the docuseries EXPECTING AMY.

Executive Producer: Troy Thompson (he/him) started Running Man in 2009 with his business partner Ryan Cunningham as a place to inspire creativity, and over the last 14 years has seen it turn into one of New York’s premiere post houses. He has been working in television and film for 25 years now as both an editor and colorist with an unending attention to detail. Credits include PATRIOT ACT with Hasan Minhaj, ZIWE, FLATBUSH MISDEMEANORS, AT HOME WITH AMY SEDARIS, BROAD CITY, IINSIDE AMY SCHUMER, SEARCH PARTY, THE DETOUR, and THE CHARACTERS. He has worked on stand-up specials for Chris Rock, Hasan Minhaj, Amy Schumer, Mike Birbiglia, Roy Wood Jr., Atsuko Okatsuka, Aida Rodriguez, Yvonne Orji, and music specials for Apple Live for Alicia Keys and Mary J. Blige. His work in feature films include the HBO documentary THE TRANS LIST; co-productions of 3RD STREET BLACKOUT, CLAIRE IN MOTION, KEEP THE CHANGE, winner of the 2017 Tribeca Film Festival; and BECKS, winner of the US Fiction Prize at the LA Film Festival. Troy’s most recent goal is to be a part of content that will someday inspire his 11-year-old daughter. 

Co-Executive Producer: Randy Stulberg (she/her) is an award winning creative EP/ showrunner from New York. Most recently she has been working on episodic development for various clients in TV and digital including Jigsaw Productions, The New York Times,  Refinery29, Vice, Apple/ JV8inc. and VOX/New York Magazine. She was the showrunner for Viceland TV’s highest rated show Hamilton’s Pharmacopeia, helping reimagine the series from its original digital format for an international TV audience and executive produced 2022 Sports Emmy nominated series “Golden” featuring Olympic gold medalist Sunisa Lee for LeBron James’ SpringHill Company and Peacock streaming. 

Producer: Manon Carrié (she/her) is a French/Filipina-American writer and producer with a multitude of innovative work in docustyle branded content, television and narrative film for award-winning companies such as Vice, Hearst, Condé Nast, HBO Max, Freeform, Jigsaw, Hulu and The New York Times. Her projects playfully experiment with unexpected hybrids of form and genre, and aim to probe the peculiar nuances of characters, cultures and structural conflicts, which can be glimpsed in her 2020 mockumentary webseries ABROAD and bilingual dream-doc short OISEAUX DES ÎLES. She currently has three narrative scripts and several docu-projects in development, one of which plans to take place in her mother’s birth-village in the Philippines. She splits her time between Brooklyn, Los Angeles and Paris.

Cinematographer: Adam Uhl (he/him) is a cinematographer based out of New York. His first film MALA MALA, was produced by Christine Vachon and Killer Films and received an Audience Award at the 2014 TriBeCa Film Festival. In 2017, his second film, DINA, produced by Dan Cogan, Impact Partners, and Killer Films, premiered at the Sundance Film Festival, where it received the Grand Jury Prize. He has also lensed several series including UNTOLD and LOSERS, THE FIX, and PANIC for Netflix and HBO. 

Production Designer: Erica Magrey (she/her) is a Brooklyn-based production designer, prop stylist, and interdisciplinary artist with a particular interest in examining female tropes, high/low-brow culture blends, and the future of the past. Working with commercial and editorial clients on scripted series, music videos, and still life photography, she creates work that examines the performance of identity. Erica has had screenings, performances and exhibitions at art spaces such as Socrates Sculpture Park, The Sculpture Center, The Whitney Museum of American Art, Kaskadenkondensator (Basel), The Kitchen, 106 Green, Klaus von Nichtssagend, Magic Pictures, Freight + Volume, and Storefront for Art and Architecture. 

Editor: Matt Posey (he/him) is an editor based in NY and LA. In addition to features, shorts, and award-winning commercials, he has edited music videos for Depeche Mode, Metallica, Rob Thomas, and many others.

The Star and inspiration for the series: Annie Pisapia (she/her) is an award winning actor born and raised in Queens. She can be spotted in many of the big series you’ve seen for the past six years playing roles such as Inmate, Police Officer, Drug Addict, Bartender and Janitor. Annie was the recurring character “Smoking Woman” in HIGH FIDELITY, scene partners with Bobby Cannavale in THE WATCHER, and held the role of “Agitated Woman” on NEW AMSTERDAM. Other shows include INVENTING ANNA, BETTY, MANIFEST, BILLIONS, BLUE BLOODS, ORANGE IS THE NEW BLACK, CRASHING and THE OA. Annie’s swagger, charm, and New York attitude make her very hard to miss, even when she’s playing a background role. There are more than ten projects that are about to premiere in which Annie plays a major role including “Senior Biker Chic” in AWKWAFINA IS NORA FROM QUEENS, “Sister Joseph” in Jennifer Esposito’s directorial debut FRESH KILLS, and “Cathy” in the Netflix A24 comedy series SURVIVAL OF THE THICKEST.

Co-Star: Sofia Dobrushin (she/they) is Bicoastal, Biracial and Bisexual. They love to be at the intersection of many things and we see that reflected in their craft as an actor, director, comedian and musician. Acting credits include HIGH MAINTENANCE, César Alvarez’ ELEMENTARY SPACETIME SHOW, and On the Rock’s EDELWEISS at Ars Nova. Sofia was recently in Apple TV’s WECRASHED where she yelled at Anne Hathaway and got to wear fake glasses.


 

Sundance 2023 doc review: ‘Is There Anybody Out There?’ is an unexpectedly badass victory cry

IS THERE ANYBODY OUT THERE?

In search of someone else with the same physical condition, Ella Glendining takes us on a thoughtful journey in Sundance 2023 documentary IS THERE ANYBODY OUT THERE?

The editing combined with the score creates a charming and deeply affecting quality. Confessional diary logs place us in Ella’s headspace. She uses home videos and sit-down chats with her Mum and Dad about what it was like to raise her. Seeking specialists and families with the same disability offers Ella more questions than answers. We follow Ella through an unexpected pregnancy. Her gorgeous son River and the Covid 19 pandemic change how she views potential surgery options. As she speaks to others via Zoom, she contemplates the appreciation of her body.

The discussion of ableism is paramount to understanding Ella’s life and any family with a differently abled member. I am the mother of a seven-year-old son with Autism Spectrum Disorder. I suspect that with his off-the-charts cognitive abilities, the more precise diagnosis is Aspergers. I appreciated Ella and her best friend Naomi’s honest discussions about her autism and the challenges of an invisible disability. Each admits they cannot fully understand the inner workings of one another’s feelings and worry they have inadvertently said horrible things to one another. Understanding the staring, judgment, and how it pierces the heart cannot be ignored. That is also why the conversations with Ella’s parents resonated with me. Like Ella seeking someone to connect to, her Mum and Dad were touchstones for me.

IS THERE ANYBODY OUT THERE? tackles outdated stereotypes and deep-seated trauma, but also optimism. I hope Ella Glendining understands the gravity of her film. I have to thank her for sharing her life, and I look forward to sharing her story with my son when he is a bit older. IS THERE ANYBODY OUT THERE? celebrates individualism and isn’t that the ultimate goal?


Screening Times

In Person

  • PREMIERE
    Jan. 22 3:00PM MST

    Prospector Square Theatre

    PARK CITY

  • SECOND SCREENING
    Jan. 24 3:00PM MST

    Park Avenue Theatre

    PARK CITY

  • SECOND SCREENING
    Jan. 25 12:00PM MST

    Park Avenue Theatre

    PARK CITY

  • SECOND SCREENING
    Jan. 26 5:30PM MST

    Megaplex Theatres at The Gateway 6

    SALT LAKE CITY

  • SECOND SCREENING
    Jan. 27 2:30PM MST

    Holiday Village Cinemas – 1

    PARK CITY

Online

  • SECOND SCREENING
    Jan. 24 8:00AM MST

    Available Until Jan. 29  11:55PM MST


     

Sundance 2023 review: ‘MAMACRUZ’ is a bold reclamation of sensuality.

MAMACRUZ

In Patricia Ortega‘s Sundance 2023 film MAMACRUZ, devout seamstress Mari Cruz spends her days dutifully attending to the needs of her church community and caring for her grandchild while her daughter tours with a dance troupe. But, quite by accident, we discover her longing for touch. What begins as an accidental discovery of internet pornography and then unexpected sexual fantasies of a statue of Jesus lead her down a path of exploration.

After her husband shuns her advances, Mari Cruz is undeterred. Nor does the righteous gossip at church stop her. Pushing aside shame, with her sewing skills and newfound knowledge, she heals herself and those around her.

The film looks beautiful. Fran Fernández Pardo‘s cinematography highlights the rich colors in fabrics and paint and captures extraordinary angles in fantasy sequences. The commentary on religious oppression and desire is unmissable. The performances are outstanding. Kiti Mánve breathes vulnerability and quiet ferocity into the role of Mari Cruz. It is a stunning, award-worthy turn.

The film drips with visual innuendo and lust. The audience must leave judgment at the door. MAMACRUZ permits the audience to embrace intimacy, pleasure, and the complexities of womanhood. Life is short. Choose fearless happiness.


Screening Times

In Person

  • PREMIERE
    Jan. 20 9:15PM MST

    Library Center Theatre

    PARK CITY

  • SECOND SCREENING
    Jan. 21 12:00PM MST

    Broadway Centre Cinemas – 6

    SALT LAKE CITY

  • SECOND SCREENING
    Jan. 22 12:30PM MST

    Redstone Cinemas – 1

    PARK CITY

  • SECOND SCREENING
    Jan. 24 8:30AM MST

    Egyptian Theatre

    PARK CITY

  • SECOND SCREENING
    Jan. 27 8:30AM MST

    Holiday Village Cinemas – 1

    PARK CITY

Online

  • SECOND SCREENING
    Jan. 24 8:00AM MST

    Available Until Jan. 29  11:55PM MST


     

Review: ‘ALICE, DARLING’ finds Anna Kendrick in a role that vibrates.

ALICE, DARLING

Anna Kendrick plays Alice, a woman at the end of her emotional and physical rope. Her toxic relationship comes to the forefront when she lies to attend a week-long vacation with her best friends. As her personality becomes increasingly manic, her secretive behaviors and stories of Simon raise red flags for those closest to her.

Simon’s psychological manipulation appears in many forms. The constant beratement, the gaslighting, the incessant need to control Alice’s appearance, her whereabouts, what she eats, and when she communicates with him.

Simultaneously frightening and punchable, Charlie Carrick plays Simon with loathsome energy. Kaniehttio Horn, as Tess, brings tough cookie energy. It’s a wonderful balance for Wunmi Mosaku playing Sophie. She arrives with a genuine mother-hen vibe. As tensions rise, Mosaku serves as a mediator and mender. These three women complement each other perfectly. It was a joy to watch such grounded performances.

Anna Kendrick is captivating as Alice. Writer Alanna Francis hands Kendrick a gift by giving the character the hair-pulling disorder, Trichotillomania. She is the physical embodiment of anxiety. Her naturally petite frame and stature lend themselves to heightened physical frailty. But it is Kendrick’s idiosyncracies that place you inside the mind of a woman consumed by terror.

The script’s structure occurs in three distinct acts. The subplot of a local missing woman presents the viewer with a myriad of emotional and narrative possibilities. The gravity of female friendship and the innate protective instincts we carry loom large. The fear women face on a day-to-day basis feels weighty in the narrative. ALICE, DARLING is a keen reclamation of power through the love and support of their fellow sisters.


 

 ALICE, DARLING will be exclusively in AMC Theatres Nationwide January 20, 2023. 
 
 
DIRECTOR: Mary Nighy
WRITER: Alanna Francis
CAST: Anna Kendrick, Kaniehtiio Horn, Charlie Carrick and Wunmi Mosaku 
SYNOPSIS:  In the taut thriller ALICE, DARLING, Oscar® nominee Anna Kendrick (Best Supporting Actress, Up in the Air, 2009) stars as a woman pushed to the breaking point by her psychologically abusive boyfriend, Simon.  While on vacation with two close girlfriends, Alice rediscovers the essence of herself and gains some much-needed perspective. Slowly, she starts to fray the cords of codependency that bind her. But Simon’s vengeance is as inevitable as it is shattering – and, once unleashed, it tests Alice’s strength, her courage, and the bonds of her deep-rooted friendships.
RATING: R
GENRE: Thriller 
RUN TIME: 90 minutes
DISTRIBUTOR: Lionsgate

DUNGEONS & DRAGONS: HONOR AMONG THIEVES TO OPEN SXSW 2023!

SOUTH BY SOUTHWEST ANNOUNCES OPENING NIGHT FILM, COMPETITIONS, AND SELECT FILM & TV PROGRAM TITLESDUNGEONS & DRAGONS: HONOR AMONG THIEVES TO OPEN FEST



Austin, Texas, – South by Southwest® (SXSW®) Conference and Festivals (March 10-19, 2023) announced the Opening Night film, Feature and Short Competitions, Midnighters, select titles from other categories, and XR Experience for the 30th edition of the SXSW Film & TV Festival. The rest of the lineup will be announced in early February. SXSW Film & TV will open with Paramount Pictures and eOne’s Dungeons and Dragons: Honor Among Thieves, directed and co-written by Jonathan Goldstein and John Francis Daley. In the film a charming thief and a band of unlikely adventurers embark on an epic quest to retrieve a lost relic, but things go dangerously awry when they run afoul of the wrong people. The movie brings the rich world and playful spirit of the legendary roleplaying game to the big screen in a hilarious and action-packed adventure starring Chris Pine, Michelle Rodriguez, Regé-Jean Page, Justice Smith, Sophia Lillis, Chloe Coleman, Daisy Head, and Hugh Grant.

“We are thrilled to announce the first wave of our incredible lineup for SXSW 2023,” said Claudette Godfrey, VP Film & TV. “It’s an amazing collection of films, TV series and XR experiences that promise to inspire, entertain and challenge our audiences. We’re also proud to open with Dungeons and Dragons: Honor Among Thieves, a raucous and engaging fantasy adventure, and look forward to welcoming everyone to Austin in March for what promises to be an unforgettable event.”

SXSW draws thousands of fans, film and television creators, press, and industry leaders to immerse themselves in the smartest, most innovative and entertaining new films, TV and XR projects of the year, as well as giving access to hundreds of Conference Sessions, Music and Comedy Showcases, Creative Industry Exhibitions, Mentoring, Meetups and Special Events that define the cross-industry event. The 2023 Film & TV Festival will be in-person only.

Feature films in the SXSW 2023 lineup screen in the following categories: Headliners; Narrative Feature Competition presented by Panavision; Documentary Feature Competition; Narrative Spotlight; Documentary Spotlight; Visions; Midnighters; Global presented by MUBI; 24 Beats Per Second; Festival Favorites, and Special Screenings. The TV program consists of TV Premieres, TV Spotlight, and the Independent TV Pilot Competition. The SXSW 2023 Shorts Film Program presented by IMDbPro will present seven competitive sections. XR Experience Competition, XR Spotlight and XR Special Events programming round out the Film & TV Festival program. All Categories with the exception of Special Screenings and TV Spotlight will be eligible for section-specific Audience Awards.

Global, Visions, 24 Beats, Festival Favorites and additional titles across all other sections will be announced in early February.


HEADLINERS
Big names, big talent: Headliners bring star power to SXSW, featuring red carpet premieres and gala film events with major and rising names in cinema.

Dungeons & Dragons: Honor Among Thieves
Directors: Jonathan Goldstein, John Francis Daley, Producers: Jeremy Latcham, Brian Goldner, Nick Meyer, Screenwriters: Jonathan Goldstein, John Francis Daley, Michael Gilio
A charming thief and a band of unlikely adventurers undertake an epic heist to retrieve a lost relic, but things go dangerously awry when they run afoul of the wrong people. Cast List: Chris Pine, Michelle Rodriguez, Regé-Jean Page, Justice Smith, Sophia Lillis, Chloe Coleman, Daisy Head and Hugh Grant (Opening Night World Premiere)

Evil Dead Rise
Director/Screenwriter: Lee Cronin, Producer: Rob Tapert
Evil Dead Rise tells a twisted tale of two estranged sisters, played by Sutherland and Sullivan, whose reunion is cut short by the rise of flesh-possessing demons, thrusting them into a primal battle for survival as they face the most nightmarish version of family imaginable. Executive Producers include Sam Raimi and Bruce Campbell. Cast List: Lily Sullivan, Alyssa Sutherland, Morgan Davies, Gabrielle Echols, Nell Fisher

Problemista
Director/Screenwriter: Julio Torres, Producers: Emma Stone, Dave McCary, Ali Herting
Alejandro (Torres) is an aspiring toy designer from El Salvador, struggling to bring his unusual ideas to life in New York City. As time on his work visa runs out, a job assisting an erratic art-world outcast (Swinton) becomes his only hope to stay in the country and realize his dream. From writer/director Julio Torres comes a surreal adventure through the equally treacherous worlds of New York City and the U.S. Immigration system. Cast List: Julio Torres, Tilda Swinton, RZA (World Premiere)

Flamin’ Hot
Director: Eva Longoria, Producer: DeVon Franklin, Screenwriters: Linda Yvette Chávez, Lewis Colick
Flamin’ Hot is the story of Richard Montañez, the Frito Lay janitor who channeled his Mexican American heritage and upbringing to turn Flamin’ Hot Cheetos into a snack that disrupted the food industry and became a global phenomenon. Cast List: Jesse Garcia, Annie Gonzalez, Dennis Haysbert, Emilio Rivera, Tony Shalhoub, Matt Walsh, Pepe Serna, Bobby Soto, Jimmy Gonzales, Brice Gonzalez (World Premiere)


NARRATIVE FEATURE COMPETITION Presented by Panavision
Panavision, the global provider of optics, cameras, and end-to-end services that power the creative vision of filmmakers, is sponsoring the Narrative Feature Competition. Eight world premieres, and eight unique ways to celebrate the art of storytelling.

I Used To Be Funny (Canada)
Director/Screenwriter: Ally Pankiw, Producers: James Weyman, Jason Aita, Breann Smordin
Sam, a stand-up comedian struggling with PTSD, weighs whether or not to join the search for Brooke, a missing teenage girl she used to nanny. Cast List: Rachel Sennott, Olga Petsa, Jason Jones, Sabrina Jalees, Caleb Hearon, Ennis Esmer, Dani Kind (World Premiere)

Late Bloomers
Director: Lisa Steen, Producers: Alexandra Barreto, Taylor Feltner, Sam Bisbee, Screenwriter: Anna Greenfield
An aimless 28-year-old Brooklynite lands in the hospital after drunkenly breaking her hip being stupid. An encounter with a cranky elderly Polish woman who speaks no English leads to a job caring for her. Neither likes it, but it’s time to grow up. Cast List: Karen Gillan, Margaret Sophie Stein, Jermaine Fowler, Kevin Nealon, Talia Balsam (World Premiere)

Mustache
Director/Screenwriter: Imran J. Khan, Producers: Christina Won, Jessica Sittig, Christopher Storer, Tyson Bidner
It’s the mid-90s and 13-year-old Pakistani-American Ilyas is forced out of his cushy Islamic private school and thrown into public school with non-Muslim kids, all while suffering daily through life with his inescapable pre-pubescent Mustache. Cast List: Atharva Verma, Rizwan Manji, Alicia Silverstone, Hasan Minhaj, Meesha Shafi, Ayana Manji (World Premiere)

Parachute
Director: Brittany Snow, Producers: Jordan Yale Levine, Jordan Beckerman, Brittany Snow, Lizzie Shapiro, Screenwriters: Brittany Snow, Becca Gleason
Riley is determined to recover from her addictions to food and body image when she soon falls for another addiction, Ethan. Cast List: Courtney Eaton, Thomas Mann, Francesca Reale, Gina Rodriguez, Joel McHale, Scott Mescudi, Dave Bautista, Jennifer Westfeldt, Kathryn Gallagher, Chrissie Fit, Kelley Jakle (World Premiere)

Pure O
Director/Screenwriter: Dillon Tucker, Producers: Ricky Fosheim, Dillon Tucker, Ray Lee
A young screenwriter/musician grapples with Pure O, a lesser-known form of OCD, while juggling his recent engagement and his day job at a high end Malibu drug rehab. Inspired by the filmmaker’s own personal true story. Cast List: Daniel Dorr, Hope Lauren, Landry Bender, Jeff Baker, Candice Renee, Breon Gorman, Tim Landfield, Isaac Nippert, Devon Martinez, Clint James (World Premiere)

Raging Grace (United Kingdom)
Director/Screenwriter: Paris Zarcilla, Producer: Chi Thai
A bold coming-of-rage story where Joy, a Filipino immigrant, and her daughter Grace encounter a darkness that threatens all they have worked for. Cast List: Maxine Eigenman, Leanne Best, David Hayman (World Premiere)

Scrambled
Director/Screenwriter: Leah McKendrick, Producers: Gillian Bohrer, Jonathan Levine, Brett Haley, Amanda Mortimer
A broke, single millennial unleashes an existential shitstorm when she freezes her eggs. Cast List: Leah McKendrick, Ego Nwodim, Andrew Santino, Clancy Brown, Laura Ceron, Yvonne Strahovski, June Diane Raphael, Adam Rodriguez, Brett Dier, Sterling Sulieman (World Premiere)

Story Ave
Director: Aristotle Torres, Producers: Lizzie Shapiro, Datari Turner, Jamie Foxx, Aristotle Torres, Screenwriters: Bonsu Thompson, Aristotle Torres
After running away from home, a teenage graffiti artist holds up an unsuspecting MTA worker in a robbery gone right that changes their lives forever. Cast List: Asante Blackk, Luis Guzmán, Alex Hibbert, Melvin Gregg, Coral Peña, Cassandra Freeman, Hassan Johnson (World Premiere)




DOCUMENTARY FEATURE COMPETITION
Eight world premieres: Eight non-fiction stories that demonstrate integrity, energy and unique voices.

Angel Applicant
Director/Screenwriter: Ken August Meyer, Producers: Ken A. Meyer, Jason Roark
A sick man discovers empathetic wisdom on how to cope with his deadly autoimmune disease within the colorful expressive works of the late Swiss-German modern artist, Paul Klee. (World Premiere)

Another Body (United Kingdom, U.S.)
Directors: Sophie Compton, Reuben Hamlyn, Producers: Elizabeth Woodward, Sophie Compton, Reuben Hamlyn, Screenwriters: Sophie Compton, Reuben Hamlyn, Isabel Freeman
Another Body follows a college student after she discovers deepfakes of herself circulating online. (World Premiere)

Geoff McFetridge: Drawing a Life
Director/Producer: Dan Covert, Screenwriters: Erik Auli, Dan Covert, Amy Dempsey, Tara Rose Stromberg
What defines a life? The iconic work of artist Geoff McFetridge is everywhere. But this film is more than a primer on his career—it’s about the choices we confront in trying to lead meaningful lives, and how we use our most precious resource: time. (World Premiere)

Join or Die
Directors/Producers/Screenwriters: Rebecca Davis, Pete Davis
A film about why you should join a club—and why the fate of America may depend on it. Follow the story of America’s civic unraveling through the work of Robert Putnam, whose legendary Bowling Alone findings light a path out of our democracy’s crisis. (World Premiere)

Pay Or Die
Directors: Rachael Dyer, Scott Ruderman, Producers: Rachael Dyer, Scott Ruderman, Yael Melamede
3 American families are on the receiving end of a ransom note. Their journeys reflect how lives are being threatened and taken by the soaring price of insulin, and reveal the harrowing reality of life with illness in the richest country in the world. (World Premiere)

Queendom (France, U.S.)
Director: Agniia Galdanova, Producers: Igor Myakotin, Agniia Galdanova
Gena, a queer artist from a small town in Russia, dresses in otherworldly costumes and protests the government on the streets of Moscow. She stages radical performances in public, which becomes a new form of art and activism – and puts her life in danger. (World Premiere)

Riders on the Storm (Austria)
Directors/Producers: Jason Motlagh, Mark Oltmanns
A young horseman battling to make his name and keep a family tradition alive in the ancient sport of buzkashi learns that fame is a gift and a curse as the Taliban take control of Afghanistan and threaten his life. (World Premiere)

You Were My First Boyfriend
Directors: Cecilia Aldarondo, Sarah Enid Hagey, Producer: Ines Hofmann Kanna
In this high school reunion movie turned inside out, filmmaker Cecilia Aldarondo relives her tortured adolescence, wondering if she remembered it all wrong. (World Premiere)



NARRATIVE SPOTLIGHT
High profile narrative features receiving their World, International, North American, or U.S. premieres at SXSW.

Bloody Hell (Canada)
Director/Screenwriter: Molly McGlynn, Producers: Jennifer Weiss, Liane Cunje
A teenage girl gets diagnosed with a reproductive condition that upends her plans to have sex and propels her into exploring unusual methods to have a sex life, challenging her relationships with everyone in her life, but most importantly, herself. Cast List: Maddie Ziegler, Emily Hampshire, Djouliet Amara, Ki Griffin, D’Pharaoh Woon-A-Tai (World Premiere)

Deadland
Director: Lance Larson, Producers: Elizabeth Avellan, Bob Bastarache, Jas Shelton, Lance Larson, Tara Pirnia, Chris Wilks, Screenwriters: Lance Larson, Jas Shelton
A U.S. Border Patrol Agent tries to apprehend the ghost of his father, a grave decision that will haunt him forever. Cast List: Roberto Urbina, McCaul Lombardi, Julieth Restrepo, Kendall Rae, Luis Chavez, Julio Cesar Cedillo, Manuel Uriza, Chris Mulkey (World Premiere)

Down Low
Director: Rightor Doyle, Producers: Ashley Fox, Lucas Wiesendanger, Ross Katz, Screenwriters: Phoebe Fisher, Lukas Gage
Down Low is an outrageous comedy about one wild night, a deeply repressed man, the twink who gives him a happy ending, and all the lives they ruin along the way. Cast List: Zachary Quinto, Lukas Gage, Simon Rex, Sebastian Arroyo, Christopher Reed Brown, Audra McDonald, Judith Light (World Premiere)

Frybread Face and Me
Director/Screenwriter: Billy Luther, Producer: Chad Burris
An 11-year-old city boy is sent to his grandmother’s ranch on the Navajo reservation against his will. He is introduced to a new way of life, and an unexpected guest teaches him the importance of family, tradition, and what it means to be a man. Cast List: Kier Tallman, Charly Hogan, Martin Seinsmeir, Kahara Hodges, Ryan Begay, Sarah Natani (World Premiere)

If You Were the Last
Director: Kristian Mercado, Producers: Andrew Miano, Dan Balgoyen, Britta Rowings, Dennis Masel, Gabrielle Nadig, Jessamine Burgum, Kara Durrett, Jon Levin, Sean Woods, Screenwriter: Angela Bourassa
Adrift in their broken-down space shuttle with little hope of rescue, a male and female astronaut argue over whether they’re better off spending their remaining days as friends or something more. Cast List: Anthony Mackie, Zoë Chao, Natalie Morales, Geoff Stults (World Premiere)

Self Reliance
Director/Screenwriter: Jake Johnson, Producers: Jake Johnson, Ali Bell, Joe Hardesty
Given the opportunity to participate in a life or death reality game show, one man discovers there’s a lot to live for. Cast List: Jake Johnson, Anna Kendrick, Andy Samberg, Natalie Morales, Christopher Lloyd, Wayne Brady, GaTa, Emily Hampshire, Mary Holland, Boban Marjanović (World Premiere)

Upon Entry (Spain)
Directors/Screenwriters: Alejandro Rojas, Juan Sebastián Vásquez, Producers: Carles Torras, Carlos Juárez, Xosé Zapata, Sergio Adrià, Alba Sotorra
Upon their arrival at Newark’s airport with their approved residence visas, Diego and Elena are unexpectedly held and subjected to an interrogation by border agents who attempt to discover whether the couple may have something to hide. Cast List: Alberto Ammann, Bruna Cusí, Ben Temple, Laura Gómez (North American Premiere)



DOCUMENTARY SPOTLIGHT
Shining a light on new documentary features receiving their World, International, North American or U.S. premieres at SXSW.

A Disturbance in the Force
Directors: Jeremy Coon, Steve Kozak, Producers: Jeremy Coon, Steve Kozak, Kyle Newman
Travel back to a galaxy far, far away—the infamous Star Wars Holiday Special. Dive into the mystery of how it happened and why 45 years later it has become, much to the chagrin of George Lucas, the ultimate cult classic among Star Wars fans. (World Premiere)

The Arc of Oblivion
Director: Ian Cheney, Producers: Meredith Desalazar, Manette Pottle, Rebecca Taylor
The Arc of Oblivion illuminates the strange world of archives, record-keeping, and memory through a filmmaker’s quixotic quest to build an ark in Maine. (World Premiere)

Being Mary Tyler Moore
Director: James Adolphus, Producers: Lena Waithe, Debra Martin Chase, Ben Selkow, Rishi Rajani, Andrew C. Coles, Laura Gardner
Being Mary Tyler Moore explores Mary’s vanguard career, who, as an actor, performer, and advocate, revolutionized the portrayal of women in media, redefined their roles in show business, and inspired generations to dream big and make it on their own. (World Premiere)

Confessions of a Good Samaritan
Director: Penny Lane, Producer: Gabriel Sedgwick
Director Penny Lane’s decision to become a “Good Samaritan” by giving one of her kidneys to a stranger turns into a funny and moving personal quest to understand the nature of altruism. (World Premiere)

Great Photo, Lovely Life
Directors: Amanda Mustard, Rachel Beth Anderson, Producers: Amanda Mustard, Rachel Beth Anderson, Luke Malone, Screenwriters: Amanda Mustard, Rachel Beth Anderson, Tyler H. Walk, Josef Beeby
A photojournalist turns her lens on the decades of sexual abuse her family and community experienced at the hands of her grandfather in this unflinching portrait of intergenerational trauma, family secrets, and redemption. (World Premiere)

The Herricanes
Director: Olivia Kuan, Producers: James Lee Hernandez, Brian Lazarte, Lisa France, James Short, Olivia Kuan, Justin Baldoni, Andrew Calof
The Houston Herricanes were a women’s full-tackle football team from the 1970’s whose fight to play the game continues to resonate with female athletes today. (World Premiere)

The Lady Bird Diaries
Director: Dawn Porter, Producers: Kim Reynolds, Dawn Porter
From award-winning filmmaker Dawn Porter comes The Lady Bird Diaries, a groundbreaking documentary film that uses Lady Bird’s audio diaries to tell the story of one of the most influential and least understood First Ladies in history. (World Premiere)

Last Stop Larrimah
Director: Thomas Tancred, Producers: Sean Bradley, Rebecca Saunders
Nestled deep in the Australian Outback is the town of Larrimah and its 11 eccentric residents. When one of them mysteriously disappears into thin air, the remaining residents become suspects and a long history of infighting is unveiled. (World Premiere)

The New Americans: Gaming a Revolution
Director/Screenwriter: Ondi Timoner, Producers: Ondi Timoner, David Turner
The New Americans is a visceral, meme-driven journey at the intersection of finance, media, and extremism, which uncovers the connection between the Gamestop squeeze and the Jan 6th Insurrection and reveals explosive possibilities of our digital future. (World Premiere)

Periodical
Director: Lina Lyte Plioplyte, Producer: Pegah Farrahmand
Periodical is an eye-opening documentary that examines science, politics, and mystery of the menstrual cycle, through the experiences of doctors, athletes, movie stars, journalists, activists, and everyday people. (World Premiere)

Who I Am Not (Romania)
Director/Screenwriter: Tünde Skovrán, Producers: Andrei Zinca
There is male, there is female, and then there is I. Born male and female within one single body, a beauty queen and a male-presenting activist break the intersex taboo through a personal and intimate exploration of truth, faith, and belonging. (North American Premiere)



MIDNIGHTERS
Scary, funny, sexy, controversial – eight provocative after-dark features for night owls and the terminally curious.

Aberrance (Mongolia)
Director: Baatar Batsukh, Producers: Trevor Doye, Alexa Khan, Angarag Meguun, Screenwriters: Baatar Batsukh, Byambasuren Ganbat
An estranged couple takes a retreat in the woods. Foreboding neighbors, frivolous friends, and dark unseen forces lead to a shocking conclusion. Cast List: Erkhembayar Ganbat, Selenge Chadraabal, Yalalt Namsrai, Oyundary Jamsranjav, Sukhee Ariunbyamba, Bayarsanaa Batchuluun, Badamtsetseg Batmunkh (North American Premiere)

Brooklyn 45
Director/Screenwriter: Ted Geoghegan, Producers: Seth Caplan, Michael Paszt, Pasha Patriki, Sarah Sharp
In the months following World War II, five old military friends are talked into an impromptu séance, which brings to troubling light each of their haunted pasts. Cast List: Anne Ramsay, Ron E. Rains, Jeremy Holm, Larry Fessenden, Ezra Buzzington, Kristina Klebe (World Premiere)

It Lives Inside
Director: Bishal Dutta, Producers: Raymond Mansfield, Sean McKittrick, Screenwriters: Bishal Dutta, Ashish Mehta
An Indian-American teenager struggling with her cultural identity has a falling out with her former best friend and, in the process, unwittingly releases a demonic entity that grows stronger by feeding on her loneliness. Cast List: Megan Suri, Neeru Bajwa, Mohana Krishnan, Betty Gabriel, Vik Sahay (World Premiere)

Late Night With the Devil (Australia, United Arab Emirates)
Directors/Screenwriters: Colin Cairnes, Cameron Cairnes, Producers: Derek Dauchy, Steven Schneider, Roy Lee, Adam White, Mat Govoni
A live television broadcast of a popular late night talk show in 1977 goes horribly wrong during a demonstration of demonic possession, unleashing evil into the nation’s living rooms. Cast List: David Dastmalchian (World Premiere)

Monolith (Australia)
Director: Matt Vesely, Producer: Bettina Hamilton, Screenwriter: Lucy Campbell
All you have to do is listen. A disgraced journalist turns to podcasting to try and rebuild her career – but her rush to generate headlines soon uncovers a strange artifact, an alien conspiracy, and the lies at the heart of her own story. Cast List: Lily Sullivan (International Premiere)

Talk To Me (Australia)
Directors: Danny Philippou, Michael Philippou, Producers: Samantha Jennings, Kristina Ceyton, Screenwriters: Danny Philippou, Bill Hinzman
Lonely teenager Mia gets hooked on the thrills of conjuring spirits through a ceramic hand, but when she is confronted by a soul claiming to be her dead mother, she unleashes a plague of supernatural forces. Cast List: Sophie Wilde, Miranda Otto, Alexandra Jensen, Joe Bird, Otis Dhanji, Zoe Terakes, Chris Alosio (Texas Premiere)

The Wrath of Becky
Directors/Screenwriters: Matthew Angel, Suzanne Coote, Producers: Raphael Margules, JD Lifshitz, Tracy Rosenblum, Russell Posternak, Chadd Harbold
After living off the grid for two years, Becky finds herself going toe to toe against Darryl, the leader of a fascist organization, on the eve of an organized attack. Cast List: Lulu Wilson, Seann William Scott, Matt Angel, Courtney Gains, Aaron Della Villa, Michael Sirow, Denise Burse-Fernandez, Jill Larson, Kate Siegel (World Premiere)




TV PROGRAM

TV PREMIERES
Presenting world premieres of prestige serials slated for release.

I’m A Virgo
Showrunner/Director/Screenwriter: Boots Riley, Producers: Boots Riley, Michael Ellenberg, Lindsey Springer, Tze Chun, Jharrel Jerome
This is a fantastical coming-of-age joyride about a 13ft-tall young Black man who lives in Oakland, CA. It’s called I’m A Virgo. The series stars Jharrel Jerome, Brett Gray, Kara Young, Allius Barnes, Olivia Washington, Walton Goggins, Mike Epps, and Carmen Ejogo.
(World Premiere)

Mrs. Davis
Showrunner: Tara Hernandez, Directors: Owen Harris, Alethea Jones, Screenwriters/Producers: Tara Hernandez, Damon Lindelof
Mrs. Davis is the world’s most powerful Artificial Intelligence. Simone is the nun devoted to destroying Her. Who ya got? Cast List: Betty Gilpin, Jake McDorman, Andy McQueen (World Premiere)

Slip
Showrunner/Director/Screenwriter: Zoe Lister-Jones, Producers: Zoe Lister-Jones, Ro Donnelly, Dakota Johnson, Katie O’Connell-Marsh, David Fortier, Ivan Schneeberg
Restless inside a marriage that totally works, Slip follows Mae through a fantastical journey of parallel universes as she enters new relationships, trying to find her way back to her partner, and ultimately, herself. Cast List: Zoe Lister-Jones, Tymika Tafari, Whitmer Thomas, Amar Chadha-Patel, Emily Hampshire (World Premiere)



TV SPOTLIGHT
Presenting world premieres of new seasons of prestige series.

Blindspotting Season 2 Premiere
Showrunner/Director: Rafael Casal, Producers: Rafael Casal, Daveed Diggs, Jess Wu Calder, Keith Calder, Emily Gerson Saines, Ken Lee, Tim Palen
Ashley was nipping at the heels of a middle-class life in Oakland until Miles, her partner and father of their son, was suddenly incarcerated, forcing her to move in with his mother and sister as she attempts to navigate the chaos of her life while trying to be a fun mom for her son…with mixed results. Cast List: Jasmine Cephas Jones, Helen Hunt, Benjamin Earl Turner, Atticus Woodward, Jaylen Barron, Candace Nicholas-Lippman, Rafael Casal, Margo Hall, April Absynth, Lance Holloway (World Premiere)



INDEPENDENT TV PILOT COMPETITION
A pilot showcase introducing fresh work from bright new talent, many with an eye towards finding production, completion funds, or a release platform.

A Guide To Not Dying Completely Alone
Showrunner/Screenwriter: Kevin Yee, Director: Yen Tan, Producer: Bekah Sturm
After a near death experience, a queer Asian writer decides to change his life for the better and chronicles his journey in a book. Cast List: Kevin Yee, Brittani Nichols, Alex MacNicoll, Betsy Struxness, Paul Wong (World Premiere)

Chuchi & Adaliz
Showrunner: Ashley Soto Paniagua, Directors: Dani Adaliz, Lance Cameron Holloway, Screenwriters: Ashley Soto Paniagua, Dani Adaliz, Jocelli Paniagua, Producers: Jocelli Paniagua, Heidi Williamson
After losing her job for insider trading, Adaliz moves in with her childhood bestie Chuchi who teaches her how to be poor. Cast List: Ashley Soto Paniagua, Dani Adaliz, Andrea Bashe, Kathryn Peters, Jocelli Paniagua, Selorm Kploanyi, Dariany Santana, Jeremy Habig, Jullian Farris (World Premiere)

Grown
Showrunner/Director/Screenwriter: Jocko Sims, Producers: Jocko Sims, Christophers Santiago, Chaz Hazlitt, Andrew Zolot
After sneaking into a strip club, 14 year old Rogelio, learns a few hard lessons about being man — all thanks to the aid of his older sister Chelly. Cast List: Josiah Gabriel, Giovanni Cristoff, Tristan-Lee Edwards, Angela Mejia-Loggia, Eliza Ramos, Kevin Rodriguez, Nixon Cesar (World Premiere)

Harbor Island
Showrunner/Director/Screenwriter: Calvin Lee Reeder, Producers: Carlos A.F. Lopez, Megan Leonard
A dad joke comic wanders the industrial zone at night. Cast List: Josh Fadem, Sidney Jayne Hunt, Matt Olsen (World Premiere)

Marvin? (Netherlands)
Showrunners/Screenwriters: Anton van der Linden, George Gottl, Director: Anton van der Linden, Producers: Anton van der Linden, Daan Geuke
Two young friends struggling to get ahead in life stumble onto a magical fridge that literally makes their dreams come true and soon learn that their shiny materialistic world is not what they expected. Cast List: Cameron Tharma, Sarah Rose, Sven Ironside, Jay Reaper, Cendy Barlag (World Premiere)

Metal Man
Showrunner: Tomas Pais, Directors: Laurel Parmet, Tomas Pais, Screenwriters: John Patton Ford, Tomas Pais, Laurel Parmet, Producer: Kaelan Housewright
A heavy metal handyman gets called to fix a tub but gets pulled into the drama/life of his customer and must handle more than he signed up for. Cast List: Tomas Pais, Lily Du, Andrew Walke, Da’Vone McDonald, David Massil (World Premiere)

Notarize Me
Director: Erika Rankin, Screenwriters/Producers: Erika Rankin, Brigitte Valdez
BFFs and mobile notary publics, Jackie and Louise, find themselves in intimate situations with wacky strangers as important legal documents get signed. Cast List: Brigitte Valdez, Erika Rankin, Sarah Cornell, Harley Tarlitz (Texas Premiere)



SHORTS PROGRAM Presented by IMDbPro

IMDbPro, the essential resource for entertainment industry professionals, is sponsoring the lineup of short films across six competitive sections. The SXSW 2023 Shorts Film Program presented by IMDbPro will include a selection of original, well-crafted films that take advantage of the short form and exemplify distinctive and genuine storytelling. The membership-based IMDbPro service empowers entertainment professionals with information and tools designed to help them achieve success throughout their career and is a service of IMDb, the world’s most popular and authoritative source for information on movies, TV shows and celebrities.


NARRATIVE SHORTS COMPETITION
A selection of original, well-crafted films that take advantage of the short form and exemplify distinctive and genuine storytelling.

Breaking Fast with a Coca Cola
Director/Screenwriter: Amy Omar, Producers: Karine Benzaria, Jordan Hart, Amy Omar
After growing up in the secular households of their Turkish immigrant parents in the Midwest, Özlem and Ada are desperate to celebrate a tradition of their own. For the first time, they embark on a day of fasting and a night of feasting for Ramadan. (World Premiere)

The Breakthrough
Director/Screenwriter: Daniel Sinclair, Producers: Kate Chamuris, Valerie Steinberg
Jane and Teddy are on the brink of divorce – but when their marital problems come to a sticking point, they have an unexpected breakthrough. (World Premiere)

Closing Dynasty
Director/Screenwriter: Lloyd Lee Choi, Producers: Jon Hsu, Lloyd Lee Choi
On a school day, a 7 year-old hustles strangers for money on the streets of New York City. (North American Premiere)

Deliver Me
Director/Screenwriter: Joecar Hanna-Zhang, Producers: Noam Argov, Jorge Sistos, Joecar Hanna-Zhang
A billionaire’s long-awaited delivery threatens to upend his already tense relationship with his identical husband, who is having an identity crisis of his own. (World Premiere)

Endless Sea
Director/Screenwriter: Sam Shainberg, Producer: Rachel Walden
Carol begins a normal day only to find out that her heart medication has doubled in price. Afraid, but not without hope, she sets out to find a solution, but her journey doesn’t lead to salvation, only a desperate act of revolution. (Texas Premiere)

The Family Circus
Director/Screenwriter: Andrew Fitzgerald, Producer: Josh Cohen
A Vietnamese-American family’s plan to cover up a drunk driving accident begins to unravel as their emotional baggage spills out in front of the police. (Texas Premiere)

Flores del Otro Patio (Colombia, Switzerland)
Director: Jorge Cadena, Screenwriters: Jorge Cadena, Li Aparicio Candama, Producers: Yan Decoppet, Gabriela Bussmann
In north Colombia, a group of queer activists use extravagant performative actions to denounce the disastrous exploitation by the country’s largest coal mine. (International Premiere)

Fuck Me, Richard (Australia, U.S.)
Directors: Lucy McKendrick, Charles Polinger, Screenwriter: Lucy McKendrick, Producers: Jenna Grossano, Lucy McKendrick, Charlie Polinger
Recovering from a broken leg, a romance-obsessed loner finds herself swept up in a passionate long-distance love affair. Richard is perfect in every way, except that he may be a scammer. (World Premiere)

Graveyard of Horses (China)
Director/Screenwriter: Xiaoxuan Jiang, Producer: Zhulin Mo
A frigid winter on the Mongolian steppe, an untimely snowstorm led a pregnant herder and her 8-year-old daughter to places they’ve never been. (North American Premiere)

I Probably Shouldn’t Be Telling You This
Director/Screenwriter: Emma Weinswig, Producers: Emma Weinswig, Will Noyce
When an oversharing, compulsive-lying e-girl is caught in the web of her own lies on her (secretly) favorite podcast, she must finally get off her bullshit. (World Premiere)

It Turns Blue (Iran)
Director/Screenwriter: Shadi Karamroudi, Producers: Shadi Karamroudi, Mehran Noori, Mina Dreki, Theodora Valentis
Pari covers up domestic violence when her brother beats up his 3-year-old daughter. (World Premiere)

The Key (Belgium, France, Palestine, State of)
Director/Screenwriter: Rakan Mayasi, Producers: Frank Barat, Rakan Mayasi, François de Villers, Laura Jumel, Nadine Naous, Patrizia Roletti
An Israeli family’s equilibrium gradually disintegrates as a mysterious sound is heard every evening at the door of their apartment. (North American Premiere)

Leonetty
Director/Screenwriter: Logan Jackson, Producer: Dante Sims
No longer able to live with his mother, young Leonetty is sent to live with his aging grandmother. (World Premiere)

Les Battues (The Fading) (Canada)
Director/Screenwriter: Rafaël Beauchamp, Producer: Léonie Hurtubise
In a small Quebec village, three hunters take possession of the tragedy of a young mother to put their own verdict on it. (World Premiere)

Never Fuggedaboutit
Director/Screenwriter: Dustin Waldman, Producers: Dustin Waldman, Nicholas Nazmi, Sariel Hana Friedman
Amid the high anxiety of post-9/11 NYC, a struggling post-production house is hired to remove a shot of the Twin Towers from the intro to a hit TV show. (World Premiere)

Rest Stop
Director/Screenwriter: Crystal Kayiza, Producers: Jalena Keane-Lee, Brit Fryer
On a bus ride from New York to Oklahoma, Meyi, a young Ugandan-American girl, realizes her place in the world through her mother’s ambitious effort to reunite their family. (Texas Premiere)

Scotty’s Vag
Director/Screenwriter: Chaconne Martin-Berkowicz, Producers: Cailin Lobb-Rabe, Chaconne Martin-Berkowicz, Gia Rigoli, Vero Kompalic
The night of a sorority hazing event, a college freshman learns just how far she’s willing to go to impress an older girl. (World Premiere)

Sisters of the Rotation (Lebanon)
Directors: Michel Zarazir, Gaby Zarazir, Screenwriters: The Zarazir Brothers, Producer: Madame Le Tapis
At the Sisters of the Rotation’s convent, the Earth doesn’t spin by itself. (North American Premiere)

Slick Talk
Directors: Courtney Loo, David Karp, Screenwriter: Courtney Loo, Producer: Katie Mykrantz
Feeling the pressure of an important meeting with a potential music manager, Kiki struggles with her identity as an outsider in the Chinese-American community, a culture vulture in the hip-hop world, and a potential sellout for mainstream success. (World Premiere)

Take Me Home
Director/Screenwriter: Liz Sargent, Producer: Minos Papas
After their mother’s death, an intellectually disabled woman and her estranged sister must learn to communicate in order to move forward. (Texas Premiere)



DOCUMENTARY SHORTS COMPETITION
Slices of life from across the documentary spectrum.

Ball People
Director: Scott Lazer, Producer: Tripp Kramer, Talia Cohen
Behind the scenes of the US Open Ball Crew tryouts. (World Premiere)

Birdsong (United Kingdom)
Directors: Omi Zola Gupta, Sparsh Ahuja, Producers: Sparsh Ahuja, Omi Zola Gupta, Dorn Bouttasing
Birdsong is an intimate portrait of the dying whistled language of the Hmong people in northern Laos. (International Premiere)

The Bus (Spain)
Director: Sandra Reina, Screenwriters: Sandra Reina, Fran Menchón, Producer: Valérie Delpierre
This is a round-trip bus ride, which takes passengers on Friday mornings towards the weekend, and picks them up on Sunday afternoons to take them back to the place where they came from. (World Premiere)

The Dads
Director/Screenwriter: Luchina Fisher, Producers: Shan Shan Tam, Luchina Fisher
When five fathers of trans kids join Dennis Shepard, the father of slain gay college student Matthew Shepard, for a weekend fishing trip in rural Oklahoma, they find common purpose across races, generations, and experiences. (World Premiere)

El Bastón (Colombia, U.S.)
Director: Nemo Allen, Producers: Nemo Allen, Aditi Natasha Kini, Hanna Wallis, Juan Blanco García
Two filmmakers, one mother and one son, find answers and strength as they document the struggles of Colombia’s Indigenous Nasa, decades apart. (Texas Premiere)

Margie Soudek’s Salt and Pepper Shakers
Director: Meredith Moore, Producer: Jonna McKone
An artist and VFX instructor connects with her aging grandmother, Margie, in a documentary short on collecting, artmaking, and obsessiveness as a way to enhance our realities. (Texas Premiere)

Mother of the Dawn
Director: Janell Shirtcliff, Screenwriters: Angie Simms, Tommy Savas, Producer: Tommy Savas
In the early 1950s in a remote corner of Brazil, a female truck driver named Tia Neiva started having visions of extraterrestrial spirits; shortly after, she began to gain a following called Vale do Amanhecer (Valley of the Dawn). (World Premiere)

Nǎi Nai & Wài Pó (Grandma & Grandma)
Director: Sean Wang, Producers: Sean Wang, Sam Davis
Nǎi Nai (奶奶) is my grandma. Wài Pó (外婆) is also my grandma. Together, they are my grandmas. Meet my grandmas. (World Premiere)

Puffling (United Kingdom)
Director: Jessica Bishopp, Producers: Alice Hughes, Gannesh Rajah, Ada Benjamínsdóttir
On a remote Icelandic island, teenagers Birta and Selma take it upon themselves to counteract society’s harmful impact on nature, exchanging night-time parties for nocturnal puffin rescues in a coming-of-age story for young adults and puffins alike. (World Premiere)

Roger J. Carter: Rebel Revolutionary
Director: Justin Fairweather, Producers: Zachary Kingham-Seagle, Johnny Starke
Roger J. Carter: Rebel Revolutionary follows the Chicago portrait artist as he creates staggering images of black revolutionaries using hundreds of toy soldiers, representing the wars the marginalized face as they dismantle an established system. (World Premiere)

Suddenly TV (Qatar)
Director/Producer: Roopa Gogineni
A group of young Sudanese create an imaginary television station at a besieged sit-in. Interviewing protestors from around the country, they confront the violence of the regime and conjure a new Sudan. (North American Premiere)

Where the Sun Always Shines (United Kingdom)
Director: Rosie Baldwin, Producer: Lucy Draper
The residents of a quintessential but neglected British seaside town grapple with research suggesting that their home could disappear within their lifetimes due to the climate crisis. (World Premiere)



ANIMATED SHORTS COMPETITION
An assortment of stories told using traditional animation, computer-generated effects, stop-motion, and everything in between.

A Tiny Man (France)
Directors: Aude David, Mikaël Gaudin, Screenwriters: Mikaël Gaudin, Aude David, Producer: Jérôme Blesson
With a delicately penciled animation style, A Tiny Man tells a moral tale of nefarious schemes gone awry. As a husband faces the consequences of his actions, he perhaps begins to realize that maybe size does in fact matter. (Texas Premiere)

Ashkasha (Argentina, Spain)
Director/Screenwriter/Producer: Lara Maltz
Ashkasha is a living being guided by curiosity. This causes her to lose her head and get trapped in the depths, where she is submerged on a discovery journey. (US Premiere)

Beyond The Fringe (Spain)
Directors: Han Tang, Costanza Baj, Screenwriter/Producer: Han Tang
A story about a little paper figure’s journey of finding the strength to leave its home, the notebook where it was born, to explore the great world beyond. (World Premiere)

Christopher at Sea (France, United Kingdom, U.S.)
Director: Tom CJ Brown, Screenwriters: Tom CJ Brown, Laure Desmazières, Producers: Emmanuel-Alain Raynal, Pierre Baussaron, Amanda Miller, Hanna Stolarski, Nick Read, Emily-Jane Brown
Christopher goes to sea. (Texas Premiere)

The Debutante (United Kingdom)
Director/Screenwriter: Elizabeth Hobbs, Producer: Abigail Addison
A spirited young woman persuades a hyena from London Zoo to take her place at a dinner dance being held in her honour. (Texas Premiere)

Ice Merchants (Portugal)
Director/Screenwriter: João Gonzalez, Producers: Bruno Caetano, Michaël Proença
Every day, a father and his son jump with a parachute from their vertiginous cold house, attached to a cliff, to go to the village on the ground far away where they sell the ice they produce daily. (Texas Premiere)

Remove Hind Legs Before Consumption (Switzerland)
Directors: Lukas Wind, Finn Meisner, Leslie Herzig, Producer: Gerd Gockell
In an insect food farm, one lucky cricket survives its certain death. (International Premiere)

Sandwich Cat (Spain)
Director/Screenwriter: David Fidalgo, Producers: Daniel Rodriguez, Laura Doval
David lives alone with his kitty, Sandwich Cat. It seemed like an ordinary day, but an unexpected visit will lead him to a crucial reflection to humanity. (International Premiere)

Spring Roll Dream (United Kingdom)
Director: Mai Vu, Screenwriter: Chloe White, Producer: Thijme Grol
Linh is a Vietnamese single mother who’s successfully forged a life for herself and her son in America. But she is confronted with the past and culture she left behind and the question of where it belongs in her family’s new life. (Texas Premiere)

Sprout
Director/Screenwriter/Producer: Zora Kovac
After an agoraphobic scientist accidentally creates a baby-like plant creature, their connection threatens to upend his reclusive way of life. (World Premiere)



MIDNIGHT SHORTS COMPETITION
Bite-sized bits for all of your sex, gore, and hilarity cravings.

Dead Enders
Directors: Fidel Ruiz-Healy, Tyler Walker, Screenwriters: Fidel Ruiz-Healy, Tyler Walker, Jordan Michael Blake, Conor Murphy, Producers: Raven Jenson, Amanda Crown, Gregory Barnes, Conor Murphy, Nico Alvo, Jordan Michael Blake, Eduardo Ruiz-Healy
A disaffected gas station clerk finds out why they call it the “graveyard shift” after oil drillers set loose an ancient race of mind-controlling parasites.(World Premiere)

Every House is Haunted
Director/Screenwriter: Bryce McGuire, Producer: Isaiah Smallman
A struggling couple moves into a haunted house… on purpose. (World Premiere)

The Flute (Ireland, U.S.)
Director: Nick Roney, Screenwriters: Nick Roney, Ed Leer, Producers: Brendan Garrett, Ryland Burns
Fleeing a long-term relationship, a young man seeks refuge with his best friends. After discovering their strange instruments, he’ll learn the bachelor lifestyle is not as sweet as it sounds. (World Premiere)

Kodama
Director/Screenwriter: Brian M Tang, Producers: Penny Lin, Brendan Bennett, Norrie Palmer, Brian M Tang
Arthur, a member of an elite SWAT Samurai team, embarks on a rescue mission into the spirit world in order to recover his father from vengeful Japanese Yokai spirits. (World Premiere)

The Mundanes
Directors/Screenwriters: Nicole Daddona, Adam Wilder, Producers: Eric Hendricks, Nicole Daddona, Adam Wilder
Get to know the Mundanes, a faceless suburban family with an unusual appetite. (World Premiere)

Pennies from Heaven
Director: Sandy Honig, Screenwriters: Sandy Honig, Annabel Meschke, Sabina Meschke, Producer: Jake Honig
Pennies from Heaven is a short comedy about two eccentric twin sisters who stumble upon a pickup truck full of pennies and follow the adventure wherever it takes them. (World Premiere)

Pussy Love (Germany)
Director/Screenwriter/Producer: Linda Krauss
Hey Puss! Still playing hard to get? Let me be your pussycat. (World Premiere)

Run
Director/Screenwriter: Alex Prager, Producers: Vincent Landay, Alex Prager, Lisa Lou Ziven
Run celebrates the absurdity of being alive today.

Vibrator Girl
Director: Kara Strait, Screenwriters: Morgane Ciot, Zoe Mintz, Producers: Morgane Ciot, Zoe Mintz
A young woman suffers the eerie consequences of her compulsive vibrator use. (World Premiere)

We Forgot About The Zombies
Director/Screenwriter: Chris McInroy, Producers: Kris Phipps, Jarrod Yerkes, Stacey Bell
Two dudes think they found the cure for zombie bites. (Texas Premiere)

You’re Not Home (Ireland)
Director/Screenwriter: Derek Ugochukwu, Producer: Gregory Burrowes
When an ominous mould appears in their room, two African brothers seeking asylum are faced with a dark entity lurking within their direct provision centre. (Texas Premiere)



TEXAS SHORTS COMPETITION
An offshoot of our regular shorts program, composed of work shot in, about, or somehow relating to the Lone Star state.

Breaking Silence
Directors: Amy Bench, Annie Silverstein, Producers: Monique Walton, Amy Bench
A portrait of a Deaf activist and his formerly incarcerated daughter who build new bonds through their experiences in the criminal justice system. (Texas Premiere)

Call Me Mommy
Directors: Haley Alea Erickson, Taylor Washington, Screenwriter: Haley Alea Erickson, Producers: Brittany Reeber, David Tenczar
A pedantic mother-to-be hires a stranger to role-play as her unborn daughter. (World Premiere)

Dressed
Director/Screenwriter: Bethiael Alemayoh, Producer: Noam Argov
A former bride-to-be attempts to sell her wedding dress. (World Premiere)

Exit 238
Director/Producer: Henry Davis
In the fall in Austin, TX, the extraordinary roosting display of the Purple Martin attracts people of many walks of life to the Capital Plaza shopping center. (Texas Premiere)

Eyestring (Argentina, U.S.)
Director: Javier Devitt, Screenwriters: Javier Devitt, Alena Chinault, Producer: Alena Chinault
With a mysterious string growing from her eye and questionable advice from a hotline service, Veronica is led on a strange quest for answers. (World Premiere)

Funny Face
Director: Jude Hope Harris, Screenwriters: Krista Fatka, Jude Hope Harris, Producers: Genevieve Jones, Nick Vitale
When country singer Randy travels to take care of his sister Sophie as she recovers from facial feminization surgery, he meets her girlfriend, Morgan, for the first time. The three bond over family history, love, and an extremely chaotic home nurse. (World Premiere)

La Cosecha
Director: Samuel Díaz Fernández, Screenwriters: Ái Vuong, Samuel Díaz Fernández, Producer: Ái Vuong
As one of many residents who lack access to fresh food in Austin, Nolvia Castillo takes the driver’s seat and distributes vegetables to her neighbors. When filmmaker Ai Vuong rides along, they speak the language of immigrants: memories of food. (World Premiere)

When You Left Me On That Boulevard
Director/Screenwriter: Kayla Abuda Galang, Producers: Alifya Ali, Kayla Abuda Galang, David Oconer, Udoy Rahim, Samantha Skinner
Teenager Ly and her cousins get high before a boisterous family Thanksgiving at their auntie’s house in southeast San Diego in 2006. (Texas Premiere)

Wüm
Director/Screenwriter: Anna Margaret Hollyman, Producers: David Hartstein, Seana Flanagan, Shelby Hadden
Bennett, a nonbinary new parent, joins a Mommy Group called Wüm. What is supposed to be a supportive space turns into a Hipster-Stepford-Wife nightmare with Bennett being smothered in the middle of white lady “wokeness.” (World Premiere)



MUSIC VIDEO COMPETITION
A range of classic, innovative, and stylish work showcasing the scope of music video culture.

alt-J – ‘The Actor’ (United Kingdom) / Director: Saskia Dixie

Amanda Sum – ‘Different Than Before’ (Canada) / Director/Screenwriter: Mayumi Yoshida

Arlo McKinley – ‘Stealing Dark from the Night Sky’ / Director: Matt Reynolds

Ben Abraham – ‘If I Didn’t Love You’ / Director: Jillian Bell

Diplo feat Miguel – ‘Don’t Forget My Love’ / Director: Kinopravda, Screenwriters: Viktor Horvath, Zoltan Aprily

Doechii – ‘Crazy’ / Director: C Prinz

Drew Ashby – ‘Her’ / Directors: Chris Scholar, Bevin Brown

Kuba Kawalec – ‘I Died’ (Poland) / Director/Screenwriter: Zuzanna Plisz

Little Simz – ‘Point and Kill’ (United Kingdom) / Director: Ebeneza Blanche

Mac Miller – ‘Colors and Shapes’ / Director: Sam Mason

Michael Kiwanuka – ‘ Beautiful Life’ / Director: Phillip Youmans

Mick Jenkins – ‘Truffles ‘ (United Kingdom, U.S.) / Director: Andre Muir

Mothermary – ‘Coming for You Remix’ / Directors/Screenwriters: Larena Danielle Winn, Elyse Winn

Number One Popstar – ‘Dance Away the Pain’ / Director/Screenwriter: Kate Hollowell

Pearl Derringer – ‘Little Baby (feat. Margo Price)’ / Director: Kimberly Stuckwisch, Screenwriters: Pearl Derringer, Kimberly Stuckwisch

Pranav Bhasin, Rohini Maiti – ‘Screaming on the Fly’ (India) / Director/Screenwriter: Pranav Bhasin

Residente – ‘This is Not America ft. Ibeyi’ / Director: Gregory Ohrel

S+C+A+R+R – ‘Never Give Up’ (France) / Director: Jack Antoine Charlot

Yeah Yeah Yeahs – ‘Wolf’ / Director: Allie Avital

Zolita – ‘Somebody I F*cked Once’ / Director/Screenwriter: Zolita



XR EXPERIENCE

The immersive arts are redefining how we experience the world around us. The projects presented in our XR Experience Competition, XR Experience Spotlight, and XR Experience Special Event sections emphasize storytelling, ingenuity, and also showcase how artists of all types are embracing this new medium.

XR Experience Competition
World Premieres of exciting immersive work.

Aespa VR Concert at Kwangya (Republic of Korea, U.S.)
Director: Soo-man Lee, Producer: Junyoung Park
“Aespa’s first concert at Kwangya, the artists’ virtual existence coexisting with the future.” – SM Culture Universe. (World Premiere)

Body of Mine VR
Director/Producer/Screenwriter: Cameron Kostopoulos
Experience gender dysphoria and trans identity with Body of Mine VR, an intimate experience that takes you inside the body of another gender. (World Premiere)

Consensus Gentium (United Kingdom)
Director/Screenwriter: Karen Palmer, Producers: Tom Millen, Thalia Mavros, Jackson Lapsley Scott, Tuyet Huynh
Consensus Gentium is an emotionally responsive film app designed to be experienced on a mobile phone. Set in a near future of surveillance and bias AI that watches you back. (World Premiere)

The District VR (Germany)
Directors: Dennis Lisk, Ioulia Isserlis, Max Sacker, Producers: Dennis Lisk, Fabian Vogelsteller, Ioulia Isserlis
Welcome to The District VR, a music-driven 3D world full of vibrant games and virtual live entertainment. Put on a VR headset and dive into a virtual twin of Berlin. Be the DJ, use provided equipment, and mix music live in front of a virtual crowd. (World Premiere)

El Beat (Colombia)
Directors: Irene Lema, Sergio Bromberg, Producers: Rafael Ospino, Irene Lema, Screenwriter: Irene Lema
El Beat is a cross-platform experience (interactive film and VR), telling the story of Benkos Biohó, enslaved African and founder of the first free town in the Americas. It is a tribute to the African diaspora and the Black Power of Latin America. (World Premiere)

Find WiiLii – Ep.1 The Gate-Crasher (Republic of Korea)
Directors: Mina Hyeon, Sooyoung Choe, Producer: Sohee Kim, Screenwriters: Sooyoung Choe, Mina Hyeon
On the first day as a newcomer at the Teleportation Service Company IIOIIG, the ordinary mission flows unexpectedly, meeting a stranger. (World Premiere)

Forager: Immersive Multi-sensory Experience (Canada, U.S.)
Directors: Winslow Porter, Elie Zananiri, Producers: Winslow Porter, Casta Zhu, Screenwriters: Winslow Porter, Elie Zananiri, Adam Lerman, Daniel Perlin
In this immersive, multi-sensory experience guests will experience the complete life-cycle of mushrooms. Starting as a spore floating to the forest floor, you become an integral part of this essential, live-giving process. (World Premiere)

Fresh Memories: The Look (Czechia, Ukraine)
Directors/Screenwriters: Ondřej Moravec, Volodymyr Kolbasa, Producers: Ondřej Moravec, Robin Pultera
Look into the eyes of Ukrainian people whose home has been taken away by war. (World Premiere)

The Invited (United Kingdom)
Directors: Davy McGuire, Kristin McGuire, Producers: Davy McGuire, Nesta Nelson, Dan Tucker, Screenwriters: Ben Steiger-Levine, Richard Hurford
The Invited reimagines the gothic story of Dracula in a solitary séance in which a handcrafted fine art pop-up book comes to life with vivid augmented reality animations to serve as a conduit for Dracula’s curse to re-enter the modern world. (World Premiere)

Jailbirds- The Eye of the Artist (Belgium, France)
Director/Screenwriter: Thomas Villepoux, Producers: Griselda Gonzalez Gentile, Francois Klein
Jailbirds takes place in a modern hell prison ruled by a vicious Chief Warden. But in this living nightmare, one guy, Felix, is always happy. It enrages the Chief Warden who will do everything he can to discover Felix’s secret. (World Premiere)

JFK Memento (France, U.S.)
Director: Chloé Rochereuil, Producer: Victor Agulhon
JFK Memento is a VR documentary chronicling JFK’s assassination. Narrated by the last living witnesses of the events, it explores the defining moments of the investigation as archive photos and films remastered in 3D come to life in the historic sites. (World Premiere)

Once a Glacier
Director/Screenwriter: Jiabao Li
Once a Glacier is a VR film about a girl and her relationship with a glacier. As the girl grows older, the piece of ice is threatened. The viewer is taken on a journey through her seemingly futile efforts to protect what was once an entire glacier. (World Premiere)

Rockets, by Pillow (Brazil)
Director/Producer/Screenwriter: Lucas Rizzotto
The world’s first VR narrative designed for lying down in bed. Control a brave little rocket named Crimson through a number of mind-bending puzzles as you attempt to save the Universe from a terrible evil you set free. (World Premiere)

Stay Alive, My Son (Chapters 1 & 2) (Greece, U.S.)
Director/Producer/Screenwriter: Victoria Bousis
Stay Alive, My Son takes players on a fantastical, interactive, and powerful journey through the mind and heart of Pin Yathay as he relives a tragic past and loss of his son during the Cambodian genocide, but eventually finds his salvation and heals. (World Premiere)

Whipped Cream “The Dark” (Canada)
Directors: Caroline Cecil (aka Whipped Cream), Will Selviz, Producer: Brenda Medina Carmona, Screenwriter: Caroline Cecil
The Dark, featuring Monstercat artists Whipped Cream, Jasiah, and Crimson Child, presents a VR experience that blends EDM and opera music with photorealistic holographic performances in an emotion-oriented story about a toxic relationship. (World Premiere)



XR Experience Spotlight
Shining a spotlight on acclaimed immersive projects.

Behind The Dish (France, U.S.)
Director: Chloé Rochereuil, Producers: Victor Agulhon, Jonathan Gleit
Behind the Dish is a virtual reality docu-series that dives into the world of gastronomy. Through three 10-minute episodes in 360° film, meet extraordinary women chefs revolutionizing the food industry and watch their cuisine in super-sized macro 3D.

Eggscape (Argentina)
Director: German Heller, Producers: German Heller, Lucila Trobbiani, Screenwriters: German Heller, Federico Heller, Jorge Tereso
An MR experience about terrified little eggs struggling to stay alive in a world full of enemies. Play in an unprecedented way with the physical world, and build your own adventure with friends mixing the digital with the real. (North American Premiere)

The Eye and I Vol. I (Taiwan)
Directors: Hsin-Chien Huang, Jean-Michel Jarre, Producer: Hsiao-Yue Tsao, Screenwriter: Hsin-Chien Huang
The Eye and I is a VR experience that illuminates the surveillance crisis with music from legendary electronic musician Jean-Michel Jarre and visuals from award-winning VR director Hsin-Chien Huang. (International Premiere)

Figural Bodies (United Kingdom)
Directors: Clarice Hilton, Neal Coghlan, Producers: Susanna Dye, Kat Hawkins
Figural Bodies challenges and reimagines the normative and ableist ways the body is understood and represented through immersive technology. This dance mocap performance explores fantastical interaction and embodiment beyond the humanoid avatar form (World Premiere)

In Pursuit Of Repetitive Beats (United Kingdom)
Director/Screenwriter: Darren Emerson, Producers: Ashley Cowan, Dan Tucker
A multi-sensory joyride into the heart of a revolution in dance. Grab your friends and plug into a virtual reality adventure that transports you into the early days of the Acid House movement. Share in an experience that shaped a generation. (North American Premiere)

Lou (Canada)
Directors: Martine Asselin, Annick Daigneault, Producers: John Hamilton, Sebastien Gros, Screenwriters: Annick Daigneault, Martine Asselin, Louis-François Archambault-Therrien
Experience the world with the sensitivity of a person with autism. (U.S. Premiere)

Mrs Benz (United Kingdom)
Director: Eloise Singer, Producer: Siobhan McDonnell, Screenwriters: Eloise Singer, Jedidjah Noomen
Travel back in time to 1886 with Bertha Benz and discover how her journey changed the course of history. (North American Premiere)

Shib the Metaverse
Directors: Marcie Jastrow, Sherri Cuono, Producer: Brandie Konopasek
The Metaverse is the culmination of our history as a community, virtually displayed, in a layer of beautiful visuals that showcase our innovation and unity with a place to truly call home. (World Premiere)

Spring Odyssey (France)
Director: Elise Morin, Producer: Lucid Realities, Screenwriter: Sabrina Calvo
Tangible, material sculptures await the digital in the exhibition space. The display invites a reversal of our apprehension of the relationship between reality and the digital by completing the gaps of one and the other. (International Premiere)

Temporal World: A Haptisonic Virtual Reality Memory World (Germany)
Director/Producer: Chloé Lee
Temporal World is a haptisonic VR experience inspired by the artist’s memories in a place where she has no personal history. Visitors explore and shape a landscape that is as fragmented and fickle as memory itself while wearing a custom haptic coat. (International Premiere)

UnEarthed (United Kingdom)
Director: Jamie Davies, Producer: Jennifer Mortimer, Screenwriters: Jamie Davies, Phil Porter
UnEarthed is a spectacular interactive adventure into the natural world, inspiring people to respect, protect, and restore our planet’s biodiversity, through impactful learning and entertainment. (North American Premiere)

You Destroy. We Create. (Germany)
Directors/Producers: Felix Gaedtke, Gayatri Parameswaran
Witness how Ukrainian art and culture have become targets of the ongoing war, and meet the inspiring people on the frontlines protecting it.

Yuki MR (Brazil)
Director: Kako, Producer: Lia Pinheiro, Screenwriters: Kako, Flavio Mattos, Lia Pinheiro, Marcelo Nery
Yuki MR is an upbeat mix of bullet-hell in Mixed Reality! Take your favorite toy in your hand to defeat evil creatures in a multidimensional universe. (Texas Premiere)



XR Experience Special Events

Neo-Wulin: The Era of Black Ark (China)
Director/Screenwriter: Guanyu, Producers: Chenchenchen, Bingbing Wang
Neo-Wulin is the first virtual performance series IP in China created by the OXYZ3 team.
Each musician will have a unique music world that combines performance, exhibition, and social interaction, and can be constantly extended. (International Premiere)



COMPETITION AWARDS
The Narrative Feature Competition, the Documentary Feature Competition, Poster Design, and Special Awards will be announced on Tuesday, March 14 along with all the Short Film Program winners, which are eligible for Jury Awards within their respective screening categories. All film categories, except Special Screenings and TV Spotlight, will be eligible for category-specific Audience Awards, which will be certified by the accounting firm of Maxwell Locke & Ritter and announced via sxsw.com the following week.

SXSW is proud to be an official qualifying festival for the Academy Awards® Short Film competition. Winners of our Best Animated, Best Narrative and Best Documentary Short Film categories become eligible for Academy of Motion Picture Arts and Sciences awards (Oscars). Any British Short Film or British Short Animation that screens at SXSW is eligible for BAFTA nomination. Films are also eligible for the Independent Spirit Awards, more information on eligibility here.

In addition to film festival screenings, registrants also have access to the full range of content available during SXSW including Conference Keynotes, Featured Speakers, Mentor Sessions, Networking Meet Ups, Music Showcases, Comedy Festival Showcases, Exhibitions and Professional Development. For more information on everything SXSW Online has to offer, please visit sxsw.com.

About SXSW Film Festival
Now in its 30th year, SXSW Film & TV Festival brings together creatives of all stripes over nine days to experience a diverse lineup and access to the SXSW Music and Comedy Festivals plus SXSW Conference sessions with visionaries from all corners of the entertainment, media, and technology industries.

About SXSW
SXSW dedicates itself to helping creative people achieve their goals. Founded in 1987 in Austin, Texas, SXSW is best known for its conference and festivals that celebrate the convergence of tech, film, music, education, and culture. An essential destination for global professionals, the annual March event features sessions, music and comedy showcases, film screenings, exhibitions, professional development and a variety of networking opportunities. SXSW proves that the most unexpected discoveries happen when diverse topics and people come together. SXSW 2023 will take place March 10 – 19, 2023. For more information, please visit sxsw.com. To register for the event, please visit sxsw.com/attend.

SXSW 2023 is sponsored by White Claw, Volkswagen, Itaú, and The Austin Chronicle


Review: Who’s sorry now? ‘THE APOLOGY’ will be in theaters and streaming simultaneously on Shudder and AMC+ this Friday.

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THE APOLOGY

Anna Gunn plays Darlene, a woman whose daughter went missing 20 years ago. After a long day of preparations to host Christmas Day with the help of her adoring neighbor and best friend, Gretchen, a knock on the door changes the trajectory of her night and life. Darlene enters a fight for truth and revenge. Writer-director Alison Star Locke challenges audiences to contemplate grief, unresolved trauma, and guilt in an explosive confrontation of a survivor’s deepest fantasies.

Locke’s script sets a solid pace, with details of her daughter’s disappearance slowly revealing themselves, unrequited love, past regressions, and secrets boiling over. Darlene’s ex-brother-in-law lands on her doorstep under the guise of a surprise family reunion, but his ulterior motive involves a revelation in Sally’s case. The information he’s been sitting on as Darlene relentlessly searched for Sally, became an advocate for other families, and got her alcoholism under control. The rage and fear evolve into a knockdown, drag-out fight between redemption and revenge. 

Compounded by the raging snow outside, any turmoil coming from the house is more than muffled. This simple device proves to be a wonderful segway for Gretchen to reenter the story. Janeane Garofalo nails this role. She’s funny, down to earth, and perfectly wonderful. Her iconic snark lies underneath the surface of a woman whose love for Darlene surpasses all things. Linus Roache plays Jack with a presumptuous air that comes off as slimy immediately. His arrogance and bulldozing persona make him punchable, which is how Locke meant for him to come off. The smugness makes your blood boil. Anna Gunn‘s turn as Darlene is rife with hurt and drenched in melancholy. Her scenes with Roache are tense. 

Here is where I felt like The Apology missed the mark. The film hinges on Jack and Darlene’s dynamic. Locke gives them a juicy backstory. Somehow the level of intensity from Gunn and Roache was at an 8 when it needed to be at a 10. That extra oomph of passion and terror (or lack thereof) kept me with one foot in disbelief and one foot firmly intrigued. I wanted to jump over that threshold, but I never got there. The screenplay had all the makings of the success of films like An Eye For An Eye. I’m not sure why this happened. We all know Gunn is a spectacular actress, but it didn’t go far enough. I hate it when my bullshit meter lights up.

THE APOLOGY will surely capture your attention. Those who live and breathe true crime these days will undoubtedly wish this scenario on every family member left to wonder what happened to their loved one. Hopefully, the story is enough to keep audiences satisfied.


THE APOLOGY will be in theaters and streaming simultaneously on Shudder and AMC+ on December 16th.



DIRECTOR: Alison Star Locke
WRITER: Alison Star Locke
CAST: Anna Gunn, Linus Roache, Janeane Garofalo
SYNOPSIS: Twenty years after the disappearance of her daughter, recovering alcoholic Darlene Hagen (Anna Gunn) is preparing to host her family’s Christmas celebration with her best friend Gretchen (Janeane Garofalo). Late Christmas Eve, Darlene’s estranged ex-brother-in-law, Jack (Linus Roache) arrives unannounced, bearing nostalgic gifts and a heavy secret. Soon, Darlene finds herself caught between reason and ruthless instinct. Trapped together by a dangerous storm, a battle of wits escalates to a violent game of revenge.
RUN TIME: 91 minutes
RATING: Not Rated
GENRE: Thriller
DISTRIBUTOR: RLJE Films/Shudder


 

ICYMI: Women take the reins as Sundance Film Festival Announces 2023 Features Lineup!

2023 Sundance Film Festival Announces Lineup of 99 Feature Films

Find Out Why All Eyes Are On Independents

In-Person Ticket Packages Now On Sale; Online Ticket Package Sales Begin December 13

Top L–R: Bravo, Burkina!, Girl, Polite Society, Mami Wata.
Center L–R: Going Varsity in Mariachi, The Accidental Getaway Driver, Deep Rising, Cassandro.
Bottom L–R: The Pod Generation, Pretty Baby: Brooke Shields, Nam June Paik: Moon is the Oldest TV, The Eternal Memory.

PARK CITY, UTAH, December 7, 2022 — Today the nonprofit Sundance Institute announced the comprehensive slate of independent films selected across the feature film categories for the 2023 Sundance Film Festival. The 2023 Festival will take place January 19–29, 2023, in person in Park City, Salt Lake City, and the Sundance Resort, along with a selection of films available online across the country January 24–29, 2023. Festivalgoers will once again return to theaters to discover this upcoming year’s most impactful independent stories. In-Person Ticket Packages are currently on sale through December 16, Online Ticket Packages go on sale December 13 at 10 a.m. MT, and single film tickets go on sale January 12 at 10 a.m. MT.

Setting the scene, Day One Features will open the Festival in Park City: 11 features, plus a Shorts program, will illustrate the scope of Festival work across genre and form. Day One Features are birth/rebirth, L’Immensità, It’s Only Life After All, Kim’s Video, Little Richard: I Am Everything, The Longest Goodbye, The Pod Generation, Radical, Shayda, Sometimes I Think About Dying, and Run Rabbit Run. In addition, on January 19, the Institute will host the inaugural Opening Night: A Taste of Sundance presented by IMDbPro. The celebration will kick off the Festival welcoming everyone back together again while raising funds for the Institute’s critical year-round artist support. The evening will honor Ryan Coogler, Nikyatu Jusu, W. Kamau Bell, and more whose journeys have been connected to Sundance throughout the years. In addition, in-person attendees will get to experience a robust offering of talks and events during the Festival, with more details to be announced.

Films will become available online during the second half of the Festival — beginning January 24 — and will include all Competition titles (U.S. Dramatic, U.S. Documentary, World Cinema Dramatic, World Cinema Documentary, and NEXT), as well as exciting work across other sections of the feature film program, Indie Episodic Program, and Shorts Program. Audiences can enjoy the selection of films exclusively on the Sundance Film Festival online platform — those that will be available online are noted below. The online offering reinforces the Institute’s commitment to accessibility by allowing audiences coast to coast to take part in the discovery of captivating stories. The Shorts and Indie Episodic lineups for the 2023 Sundance Film Festival will be announced on December 13.

“Maintaining an essential place for artists to express themselves, take risks, and for visionary stories to endure and entertain is distinctly Sundance,” said Robert Redford, Sundance Institute Founder and President. “The Festival continues to foster these values and connections through independent storytelling. We are honored to share the compelling selection of work at this year’s Festival from distinct perspectives and unique voices.”

“As a program of the Sundance Institute, the Festival provides a place for artists globally to connect with audiences around a shared and inclusive experience of discovery,” said Joana Vicente, Sundance Institute CEO. “These filmmakers reflect the world around us through bold and thrilling storytelling. It is critical for the arts to foster dialogue, especially during unprecedented times — these stories are needed to provoke discussion, share diverse viewpoints, and challenge us. We are delighted to welcome this group of passionate artists to the Festival and look forward to celebrating the films together with audiences.”

“The program for this year’s Festival reiterates the relevancy of trailblazing work serving as an irreplaceable source for original stories that resonate and fuel creativity and dialogue,” said Kim Yutani, Sundance Film Festival Director of Programming. “In so many ways this year’s slate reflects the voices of communities around the world who are speaking out with urgency and finally being heard. Across our program, impactful storytelling by fearless artists continues to provide space for the community to come together to be entertained, challenged, and inspired.”

The 2023 Sundance Film Festival’s Salt Lake City Opening Night Gala Film is Blueback, premiering at the Rose Wagner Performing Arts Center on January 20. The upcoming Festival will expand its presence in Salt Lake City, providing more places to take part in the thrilling experience, including at The Megaplex Theatres at The Gateway.

Also announced today, The Pod Generation, screening in the Premieres section, has been named the winner of the Alfred P. Sloan Feature Film Prize, an annual award given to an artist with the most outstanding depiction of science and technology in a feature film.

The slate announced to date includes SLAM and The Doom Generation, which are featured in the From the Collection section bringing archival screenings back into focus as part of the Festival.

The Sundance Film Festival is an artist program of the Sundance Institute. Proceeds earned through Festival ticket sales go to uplifting and developing emerging artists on a year-round basis through focused labs, direct grants, fellowships, residencies, and more.

The full slate of works announced today, along with the From the Collection films previously announced, includes 101 feature-length films representing 23 countries. The 2023 program is made up of 32 of 115 (28%) feature film directors who are first-time feature filmmakers, and 17 of the feature films and projects announced today were supported by Sundance Institute in development through direct granting or residency labs.

World premieres make up 93, or 94%, of the Festival’s 99 feature films announced today.

These films were selected from 15,855 submissions, including 4,061 feature-length films. Of the 4,061 feature film submissions, 1,662 were from the U.S., and 2,399 were international. Director demographics are available in an editor’s note below.

U.S. DRAMATIC COMPETITION
Presenting 12 world premieres of fiction feature films, the Dramatic Competition offers audiences a first look at groundbreaking new voices in American independent film. Films that have premiered in this category in recent years include Nanny, CODA, Passing, Minari, Never Rarely Sometimes Always, The Farewell, Clemency, Eighth Grade, and Sorry to Bother You.

The Accidental Getaway Driver / U.S.A. (Director and Screenwriter: Sing J. Lee, Screenwriter: Christopher Chen, Producers: Kimberly Steward, Basil Iwanyk, Andy Sorgie, Brendon Boyea, Joseph Hiếu) — During a routine pickup, an elderly Vietnamese cab driver is taken hostage at gunpoint by three recently escaped Orange County convicts. Based on a true story. Cast: Hiệp Trần Nghĩa, Dustin Nguyen, Dali Benssalah, Phi Vũ, Gabrielle Chan. World Premiere. Available online.

All Dirt Roads Taste of Salt / U.S.A. (Director and Screenwriter: Raven Jackson, Producers: Maria Altamirano, Barry Jenkins, Adele Romanski, Mark Ceryak) – A decades-spanning exploration of a woman’s life in Mississippi and an ode to the generations of people, places, and ineffable moments that shape us. Cast: Charleen McClure, Moses Ingram, Kaylee Nicole Johnson, Reginald Helms Jr., Sheila Atim, Chris Chalk. World Premiere. Available online.

Fair Play / U.S.A. (Director and Screenwriter: Chloe Domont, Producers: Leopold Hughes, Ben LeClair, Tim White, Trevor White, Allan Mandelbaum) — An unexpected promotion at a cutthroat hedge fund pushes a young couple’s relationship to the brink, threatening to unravel far more than their recent engagement. Cast: Phoebe Dynevor, Alden Ehrenreich, Eddie Marsan. World Premiere. Available online.

Fancy Dance / U.S.A. (Director, Screenwriter, and Producer: Erica Tremblay, Screenwriter: Miciana Alise, Producers: Deidre Backs, Heather Rae, Nina Yang Bongiovi, Tommy Oliver) — Following her sister’s disappearance, a Native American hustler kidnaps her niece from the child’s white grandparents and sets out for the state powwow in hopes of keeping what is left of their family intact. Cast: Lily Gladstone, Isabel Deroy-Olson, Ryan Begay, Shea Whigham, Audrey Wasilewski. World Premiere. Available online.

Magazine Dreams / U.S.A. (Director and Screenwriter: Elijah Bynum, Producers: Jennifer Fox, Dan Gilroy, Jeffrey Soros, Simon Horsman) — An amateur bodybuilder struggles to find human connection as his relentless drive for recognition pushes him to the brink. Cast: Jonathan Majors, Haley Bennett, Taylour Paige, Mike O’Hearn, Harrison Page, Harriet Sansom Harris. World Premiere. Available online.

Mutt / U.S.A. (Director, Screenwriter, and Producer: Vuk Lungulov-Klotz, Producers: Alexander Stegmaier, Stephen Scott Scarpulla, Jennifer Kuczaj, Joel Michaely) — Over the course of a single hectic day in New York City, three people from Feña’s past are thrust back into his life. Having lost touch since transitioning from female to male, he navigates the new dynamics of old relationships while tackling the day-to-day challenges of living life in between. Cast: Lío Mehiel, Cole Doman, MiMi Ryder, Alejandro Goic. World Premiere. Available online.

The Persian Version / U.S.A. (Director, Screenwriter, and Producer: Maryam Keshavarz, Producers: Anne Carey, Ben Howe, Luca Borghese, Peter Block, Corey Nelson) — When a large Iranian-American family gathers for the patriarch’s heart transplant, a family secret is uncovered that catapults the estranged mother and daughter into an exploration of the past. Toggling between the United States and Iran over decades, mother and daughter discover they are more alike than they know. Cast: Layla Mohammadi, Niousha Noor, Kamand Shafieisabet, Bella Warda, Bijan Daneshmand, Shervin Alenabi. World Premiere. Available online.

Shortcomings / U.S.A. (Director: Randall Park, Screenwriter: Adrian Tomine, Producers: Margot Hand, Randall Park, Hieu Ho, Jennifer Berman, Howard Cohen, Eric d’Arbeloff) — Following Ben, Miko, and Alice as they navigate a range of interpersonal relationships and traverse the country in search of the ideal connection. Cast: Justin H. Min, Sherry Cola, Ally Maki, Debby Ryan, Tavi Gevinson, Sonoya Mizuno. World Premiere. Available online.

Sometimes I Think About Dying / U.S.A. (Director: Rachel Lambert, Screenwriters: Kevin Armento, Stefanie Abel Horowitz, Katy Wright-Mead, Producers: Alex Saks, Daisy Ridley, Dori Rath, Lauren Beveridge, Brett Beveridge) — Fran likes to think about dying. It brings sensation to her quiet life. When she makes the new guy at work laugh, it leads to more: a date, a slice of pie, a conversation, a spark. The only thing standing in their way is Fran herself. Cast: Daisy Ridley, Dave Merheje, Parvesh Cheena, Marcia DeBonis, Meg Stalter, Brittany O’Grady. World Premiere. Available online. DAY ONE

The Starling Girl / U.S.A. (Director and Screenwriter: Laurel Akira Parmet, Producers: Kevin Rowe, Kara Durrett) — Seventeen-year-old Jem Starling struggles with her place within her Christian fundamentalist community, but everything changes when her magnetic youth pastor Owen returns to their church. Cast: Eliza Scanlen, Lewis Pullman, Jimmi Simpson, Wrenn Schmidt, Austin Abrams, Jessamine Burgum. World Premiere. Available online.

Theater Camp / U.S.A. (Directors and Screenwriters: Molly Gordon, Nick Lieberman, Screenwriters: Noah Galvin, Ben Platt, Producers: Erik Feig, Samie Kim Falvey, Julia Hammer, Ryan Heller, Will Ferrell, Jessica Elbaum) — When the beloved founder of a run-down theater camp in upstate New York falls into a coma, the eccentric staff must band together with the founder’s crypto-bro son to keep the camp afloat. Cast: Molly Gordon, Ben Platt, Noah Galvin, Jimmy Tatro, Patti Harrison, Ayo Edebiri. World Premiere. Available online.

A Thousand and One / U.S.A. (Director and Screenwriter: A.V. Rockwell, Producers: Eddie Vaisman, Julia Lebedev, Lena Waithe, Rishi Rajani, Brad Weston) — Convinced it’s one last, necessary crime on the path to redemption, unapologetic and free-spirited Inez kidnaps 6-year-old Terry from the foster care system. Holding on to their secret and each other, mother and son set out to reclaim their sense of home, identity, and stability in New York City. Cast: Teyana Taylor, Will Catlett, Josiah Cross, Aven Courtney, Aaron Kingsley Adetola. World Premiere. Available online.

U.S. DOCUMENTARY COMPETITION
World-premiere American documentaries that illuminate the ideas, people, and events that shape the present day. Films that have premiered in this category in recent years include Fire of Love, Summer of Soul (…Or, When the Revolution Could Not Be Televised), Boys State, Crip Camp: A Disability Revolution, APOLLO 11, Knock Down the House, One Child Nation, American Factory, Three Identical Strangers, and On Her Shoulders.

AUM: The Cult at the End of the World / U.S.A. (Directors and Producers: Ben Braun, Chiaki Yanagimoto, Producers: Dan Braun, Josh Braun, Rick Brookwell) — On the morning of March 20, 1995, a deadly nerve gas attack in the Tokyo subway sent the nation and its people into chaos. This exploration of Aum Shinrikyo, the cult responsible for the attack, involves the participation of those who lived through the horror as it unfolded. World Premiere. Available online.

Bad Press / U.S.A (Directors: Rebecca Landsberry-Baker, Joe Peeler, Producers: Conrad Beilharz, Garrett F. Baker, Tyler Graim) — When the Muscogee Nation suddenly begins censoring its free press, a rogue reporter fights to expose her government’s corruption in a historic battle that will have ramifications for all of Indian country. World Premiere. Available online.

The Disappearance of Shere Hite / U.S.A. (Director and Producer: Nicole Newnham, Producers: Molly O’Brien, R.J. Cutler, Elise Pearlstein, Kimberley Ferdinando, Trevor Smith) — Shere Hite’s 1976 bestselling book, The Hite Report, liberated the female orgasm by revealing the most private experiences of thousands of anonymous survey respondents. Her findings rocked the American establishment and presaged current conversations about gender, sexuality, and bodily autonomy. So how did Shere Hite disappear? World Premiere. Available online.

Going to Mars: The Nikki Giovanni Project / U.S.A. (Directors and Producers: Joe Brewster, Michèle Stephenson, Producer: Tommy Oliver) — Intimate vérité, archival footage, and visually innovative treatments of poetry take us on a journey through the dreamscape of legendary poet Nikki Giovanni as she reflects on her life and legacy. World Premiere. Available online.

Going Varsity in Mariachi / U.S.A. (Directors: Alejandra Vasquez, Sam Osborn, Producers: James Lawler, Luis A. Miranda, Jr., Julia Pontecorvo) — In the competitive world of high school mariachi, the musicians from the South Texas borderlands reign supreme. Under the guidance of coach Abel Acuña, the teenage captains of Edinburg North High School’s acclaimed team must turn a shoestring budget and diverse crew of inexperienced musicians into state champions. World Premiere. Available online.

Joonam / U.S.A. (Director: Sierra Urich, Producer: Keith Wilson) — Spurred by a provocative family memory and a lifetime of separation from the country her mother left behind, a young filmmaker delves into her mother and grandmother’s complicated pasts and her own fractured Iranian identity. World Premiere. Available online.

Little Richard: I Am Everything / U.S.A. (Director and Producer: Lisa Cortés, Producers: Robert Friedman, Liz Yale Marsh, Caryn Capotosto) — This celebration of Little Richard reveals the Black queer origins of rock ’n’ roll, finally exploding the whitewashed canon of American pop music. Through archival and performance footage, the revolutionary icon’s life unspools with all of its switchbacks and contradictions. World Premiere. Available online. DAY ONE

Nam June Paik: Moon is the Oldest TV / U.S.A. (Director and Producer: Amanda Kim, Producers: Amy Hobby, David Koh, Mariko Munro, Jennifer Stockman, Jesse Wann) — The quixotic journey of Nam June Paik, one of the most famous Asian artists of the 20th century, who revolutionized the use of technology as an artistic canvas and prophesied both the fascist tendencies and intercultural understanding that would arise from the interconnected metaverse of today’s world. World Premiere. Available online.

A Still Small Voice / U.S.A. (Director and Producer: Luke Lorentzen, Producer: Kellen Quinn) — An aspiring hospital chaplain begins a yearlong residency in spiritual care, only to discover that to successfully tend to her patients, she must look deep within herself. World Premiere. Available online.

The Stroll / U.S.A. (Directors: Kristen Lovell, Zackary Drucker, Producer: Matt Wolf) — The history of New York’s Meatpacking District, told from the perspective of transgender sex workers who lived and worked there. Filmmaker Kristen Lovell, who walked “The Stroll” for a decade, reunites her community to recount the violence, policing, homelessness, and gentrification they overcame to build a movement for transgender rights. World Premiere. Available online.

Victim/Suspect / U.S.A. (Director and Producer: Nancy Schwartzman, Producers: Julie Goldman, Christopher Clements, Alice Henty, Rachel de Leon, Amanda Pike) — Investigative journalist Rae de Leon travels nationwide to uncover and examine a shocking pattern: Young women tell the police they’ve been sexually assaulted, but instead of finding justice, they’re charged with the crime of making a false report, arrested, and even imprisoned by the system they believed would protect them. World Premiere. Available online.

WORLD CINEMA DRAMATIC COMPETITION
Fiction projects from emerging artists around the world offer fresh perspectives and inventive styles. Films that have premiered in this category in recent years include Brian and Charles, Hive, Luzzu, The Souvenir, The Guilty, Monos, Yardie, The Nile Hilton Incident, and Second Mother.

Animalia / France, Morocco, Qatar (Director and Screenwriter: Sofia Alaoui, Producers: Margaux Lorier, Toufik Ayadi, Christophe Barral) — A young, pregnant woman finds emancipation as aliens land in Morocco. Cast: Oumaïma Barid, Mehdi Dehbi, Fouad Oughaou. World Premiere. Available online.

Bad Behaviour / New Zealand (Director and Screenwriter: Alice Englert, Producers: Molly Hallam, Desray Armstrong) — Lucy, a former child actor, seeks enlightenment at a retreat led by spiritual leader Elon while she navigates her close yet turbulent relationship with her stunt-performer daughter, Dylan. Cast: Jennifer Connelly, Ben Whishaw, Alice Englert, Ana Scotney, Dasha Nekrasova, Marlon Williams. World Premiere. Available online.

Girl / U.K. (Director and Screenwriter: Adura Onashile, Producers: Rosie Crerar, Ciara Barry) — Eleven-year-old Ama and her mother, Grace, take solace in the gentle but isolated world they obsessively create. Ama’s growing up threatens the boundaries of their tenderness and forces Grace to reckon with a past she struggles to forget. Cast: Déborah Lukumuena, Danny Sapani, Le’Shantey Bonsu, Liana Turner. World Premiere. Available online.

Heroic / Mexico, Sweden (Director, Screenwriter, and Producer: David Zonana, Producers: Michel Franco, Eréndira Núñez Larios) — Luis, an 18-year-old boy with Indigenous roots, enters the Heroic Military College in hopes of ensuring a better future. There, he encounters a rigid and institutionally violent system designed to turn him into a perfect soldier. Cast: Santiago Sandoval Carbajal, Fernando Cuautle, Mónica del Carmen, Esteban Caicedo, Carlos Gerardo García, Isabel Yudice. World Premiere. Available online.

MAMACRUZ / Spain (Director and Screenwriter: Patricia Ortega, Screenwriter: José Ortuño, Producer: Olmo Figueredo) — With the help of her newly emigrated daughter, a religious grandmother learns how to use the internet. However, an accidental encounter with pornography poses a dilemma for her. Cast: Kiti Mánver. World Premiere. Available online.

Mami Wata / Nigeria (Director and Screenwriter: C.J. “Fiery” Obasi, Producer: Oge Obasi) — When the harmony in a village is threatened by outside elements, two sisters must fight to save their people and restore the glory of a mermaid goddess to the land. Cast: Evelyne Ily, Uzoamaka Aniunoh, Kelechi Udegbe, Emeka Amakeze, Rita Edochie, Tough Bone. World Premiere. Available online.

La Pecera / Puerto Rico, Spain (Director, Screenwriter, and Producer: Glorimar Marrero Sánchez, Producers: Amaya Izquierdo, José Esteban Alenda) — As her cancer spreads, Noelia’s ultimate decision is to return to her native Vieques, Puerto Rico, and claim her freedom to decide her own fate. She reunites with her friends and family, who are still dealing with the contamination of the U.S. Navy after sixty years of military practices. Cast: Isel Rodríguez, Modesto Lacén, Magali Carrasquillo, Maximiliano Rivas, Anamín Santiago, Idenisse Salamán. World Premiere. Available online.

Scrapper / U.K. (Director and Screenwriter: Charlotte Regan, Producer: Theo Barrowclough) — Georgie is a dreamy 12-year-old girl who lives happily alone in her London flat, filling it with magic. Out of nowhere, her estranged father turns up and forces her to confront reality. Cast: Harris Dickinson, Lola Campbell, Alin Uzun, Ambreen Razia, Olivia Brady, Aylin Tezel. World Premiere. Available online.

Shayda / Australia (Director, Screenwriter, and Producer: Noora Niasari, Producer: Vincent Sheehan) — Shayda, a brave Iranian mother, finds refuge in an Australian women’s shelter with her 6-year-old daughter. Over Persian New Year, they take solace in Nowruz rituals and new beginnings, but when her estranged husband re-enters their lives, Shayda’s path to freedom is jeopardized. Cast: Zar Amir Ebrahimi, Osamah Sami, Leah Purcell, Jillian Nguyen, Mojean Aria, Selina Zahednia. World Premiere. Available online. DAY ONE

Slow / Lithuania, Spain, Sweden (Director and Screenwriter: Marija Kavtaradze, Producer: Marija Razgute) — Dancer Elena and sign language interpreter Dovydas meet and form a beautiful bond. As they dive into a new relationship, they must navigate how to build their own kind of intimacy. Cast: Greta Grinevičiūtė, Kęstutis Cicėnas. World Premiere. Available online.

Sorcery / Chile, Mexico, Germany (Director and Screenwriter: Christopher Murray, Screenwriter: Pablo Paredes, Producers: Juan de Dios Larraín, Pablo Larraín, Rocío Jadue, Nicolás Celis) — On the remote island of Chiloé in the late 19th century, an Indigenous girl named Rosa lives and works with her father on a farm. When the foreman brutally turns on Rosa’s father, she sets out for justice, seeking help from the king of a powerful organization of sorcerers. Cast: Valentina Véliz, Daniel Antivilo, Sebastian Hulk, Daniel Muñoz. World Premiere. Available online.

When It Melts / Belgium (Director and Screenwriter: Veerle Baetens, Screenwriter: Maarten Loix, Producers: Bart Van Langendonck, Ellen Havenith, Jacques-Henri Bronckart) — Many years after a sweltering summer that spun out of control, Eva returns to the village she grew up in with an ice block in the back of her car. In the dead of winter, she confronts her past and faces up to her tormentors. Cast: Charlotte De Bruyne, Rosa Marchant. World Premiere. Available online.

WORLD CINEMA DOCUMENTARY COMPETITION
Documentaries by some of the boldest global filmmakers capturing the world today. Films that have premiered in this category in recent years include All That Breathes, Flee, Honeyland, Sea of Shadows, Shirkers, This Is Home, Last Men in Aleppo, and Hooligan Sparrow.

5 Seasons of Revolution / Germany, Syria, Netherlands, Norway (Director: Lina, Producer: Diana El Jeiroudi) — An aspiring video journalist in her 20s finds herself already facing self-reckoning. Born in Damascus, Syria, Lina starts to report on the events around her until she is compelled to become a war reporter and, later, the unexpected narrator of her own destiny. World Premiere. Available online.

20 Days in Mariupol / Ukraine (Director and Producer: Mstyslav Chernov, Producers: Michelle Mizner, Raney Aronson-Rath, Derl McCrudden) — As the Russian invasion begins, a team of Ukrainian journalists trapped in the besieged city of Mariupol struggle to continue their work documenting the war’s atrocities. World Premiere. Available online.

Against the Tide / India (Director and Producer: Sarvnik Kaur, Producer: Koval Bhatia) — Two friends, both Indigenous fishermen, are driven to desperation by a dying sea. Their friendship begins to fracture as they take very different paths to provide for their struggling families. World Premiere. Available online.

The Eternal Memory / Chile (Director and Producer: Maite Alberdi, Producers: Juan de Dios Larraín, Pablo Larraín, Rocío Jadue) — Augusto and Paulina have been together for 25 years. Eight years ago, he was diagnosed with Alzheimer’s disease. Both fear the day he no longer recognizes her. World Premiere. Available online.

Fantastic Machine / Sweden, Denmark (Directors and Producers: Axel Danielson, Maximilien Van Aertryck) — From the first camera to 45 billion cameras worldwide today, the visual sociologist filmmakers widen their lens to expose both humanity’s unique obsession with the camera’s image and the social consequences that lay ahead. World Premiere. Available online.

Iron Butterflies / Ukraine, Germany (Director: Roman Liubyi, Producers: Andrii Kotliar, Volodymyr Tykhyy, David Armati Lechner, Isabelle Bertolone, Trini Götze) — In summer 2014, sunflower fields and coal mines in eastern Ukraine turned into a 12 square kilometer crime scene. A multi-layered investigation into the downing of flight MH17, in which a butterfly-shaped shrapnel was found in the pilot’s body, implicated the state responsible for a war crime that remains unpunished. World Premiere. Available online.

Is There Anybody Out There? / U.K. (Director: Ella Glendining, Producer: Janine Marmot) — While navigating daily discrimination, a filmmaker who inhabits and loves her unusual body searches the world for another person like her, and explores what it takes to love oneself fiercely despite the pervasiveness of ableism. World Premiere. Available online.

The Longest Goodbye / Israel, Canada (Director and Producer: Ido Mizrahy, Producers: Nir Sa’ar, Paul Cadieux) — Social isolation affects millions of people, even Mars-bound astronauts. A savvy NASA psychologist is tasked with protecting these daring explorers. World Premiere. Available online. DAY ONE

Milisuthando / South Africa (Director and Screenwriter: Milisuthando Bongela, Producer: Marion Isaacs) — Set in past, present, and future South Africa — an invitation into a poetic, memory-driven exploration of love, intimacy, race, and belonging by the filmmaker, who grew up during apartheid but didn’t know it was happening until it was over. World Premiere. Available online.

Pianoforte / Poland (Director: Jakub Piątek, Producer: Maciej Kubicki) — Young pianists take part in the legendary International Chopin Piano Competition. A unique chance of a lifetime, portrayed from backstage and set to Chopin’s music. World Premiere. Available online.

Smoke Sauna Sisterhood / Estonia, France, Iceland (Director: Anna Hints, Producer: Marianne Ostrat) — In the darkness of a smoke sauna, women share their innermost secrets and intimate experiences, washing off the shame trapped in their bodies and regaining their strength through a sense of communion. World Premiere. Available online.

Twice Colonized / Greenland, Denmark, Canada (Director: Lin Alluna, Producers: Emile Hertling Péronard, Alethea Arnaquq-Baril, Stacey Aglok MacDonald, Bob Moore) — Renowned Inuit lawyer Aaju Peter has long fought for the rights of her people. When her son suddenly dies, Aaju embarks on a journey to reclaim her language and culture after a lifetime of whitewashing and forced assimilation. But can she both change the world and mend her own wounds? World Premiere. Available online.

NEXT
Visionary works distinguished by an innovative, forward-thinking approach to storytelling populate this program. Films that have premiered in this category in recent years include A Love Song, RIOTSVILLE, USA, The Infiltrators, Searching, Skate Kitchen, A Ghost Story, and Tangerine. NEXT is presented by Adobe.

Bravo, Burkina! / U.S.A. (Director, Screenwriter, and Producer: Walé Oyéjidé, Producers: Giulia Alagna, Heather Barnes) — A Burkinabé boy flees his village and migrates to Italy. When disillusioned by heartbreak and haunted by memories of home, he travels through time in hope of regaining all he has lost. Cast: Alain Tiendrebeogo, Mousty Mbaye, Noel Minougou, Aissata Deme, Afissatou Coulibaly. World Premiere. Fiction. Available online.

Divinity / U.S.A. (Director, Screenwriter, and Producer: Eddie Alcazar, Producer: Steven Soderbergh) — Two mysterious brothers abduct a mogul during his quest for immortality. Meanwhile, a seductive woman helps them launch a journey of self-discovery. Cast: Stephen Dorff, Moises Arias, Jason Genao, Karrueche Tran, Bella Thorne, Scott Bakula. World Premiere. Fiction. Available online.

Fremont / U.S.A. (Director and Screenwriter: Babak Jalali, Screenwriter: Carolina Cavalli, Producers: Marjaneh Moghimi, Sudnya Shroff, Rachael Fung, George Rush, Chris Martin, Laura Wagner) — Donya works for a Chinese fortune cookie factory in San Francisco. Formerly a translator for the U.S. military in Afghanistan, she struggles to put her life back in order. In a moment of sudden revelation, she decides to send out a special message in a cookie. Cast: Anaita Wali Zada, Jeremy Allen White, Gregg Turkington. World Premiere. Fiction. Available online.

Kim’s Video / U.S.A. (Directors, Screenwriters, and Producers: David Redmon, Ashley Sabin, Producers: Deborah Smith, Dale Smith, Francesco Galavotti, Rebecca Tabasky) — Playing with the forms and tropes of various cinema genres, the filmmaker sets off on a quest to find a legendary lost video collection of 55,000 movies in Sicily. World Premiere. Documentary. Available online. DAY ONE

King Coal / U.S.A. (Director and Producer: Elaine McMillion Sheldon, Producers: Shane Boris, Diane Becker, Peggy Drexler) — The cultural roots of coal continue to permeate the rituals of daily life in Appalachia even as its economic power wanes. The journey of a coal miner’s daughter exploring the region’s dreams and myths, untangling the pain and beauty, as her community sits on the brink of massive change. World Premiere. Documentary. Available online.

KOKOMO CITY / U.S.A. (Director and Producer: D. Smith, Producers: Harris Doran, Bill Butler) — Four Black transgender sex workers explore the dichotomy between the Black community and themselves, while confronting issues long avoided. World Premiere. Documentary. Available online.

To Live and Die and Live / U.S.A. (Director, Screenwriter, and Producer: Qasim Basir, Producers: Nina Yang Bongiovi, Forest Whitaker, Amin Joseph, Dana Offenbach, Samantha Basir) — Muhammad returns home to Detroit to bury his stepfather and is thrust into settling his accounts, but Muhammad’s struggles with depression and addiction may finish him before he finishes the task. Cast: Amin Joseph, Skye P. Marshall, Omari Hardwick, Cory Hardrict, Dana Gourrier, Maryam Basir. World Premiere. Fiction. Available online.

The Tuba Thieves / U.S.A. (Director, Screenwriter, and Producer: Alison O’Daniel, Producer: Rachel Nederveld, Wendy Ettinger, Maida Lynn, Su Kim, Maya E. Rudolph) — From 2011 to 2013, tubas were stolen from Los Angeles high schools. This is not a story about thieves or missing tubas. Instead, it asks what it means to listen. World Premiere. Documentary. Available online.

Young. Wild. Free. / U.S.A (Director: Thembi L. Banks, Screenwriters: Juel Taylor, Tony Rettenmaier, Producers: Charles D. King, James Lopez, Poppy Hanks, Tommy Oliver, Baron Davis, Tracy “Twinkie” Byrd) — High school senior Brandon is drowning in responsibilities when his world is turned upside down after being robbed at gunpoint by the girl of his dreams. Cast: Algee Smith, Sanaa Lathan, Sierra Capri, Mike Epps. World Premiere. Fiction. Available online.

MIDNIGHT
From horror and comedy to works that defy genre classification, these films will keep you wide awake, even at the most arduous hour. Films that have premiered in this category in recent years include FRESH, Hereditary, Mandy, Relic, Assassination Nation, and The Babadook.

birth/rebirth / U.S.A. (Director and Screenwriter: Laura Moss, Screenwriter: Brendan J. O’Brien, Producers: Mali Elfman, David Grove Churchill Viste) — A single mother and a childless morgue technician are bound together by their relationship to a little girl they have reanimated from the dead. Cast: Marin Ireland, Judy Reyes, A.J. Lister, Breeda Wool. World Premiere. Fiction. DAY ONE

In My Mother’s Skin / Philippines (Director and Screenwriter: Kenneth Dagatan, Producers: Bradley Liew, Bianca Balbuena, Huang Junxiang, Stefano Centini) — Stranded in the Philippines during World War II, a young girl finds that her duty to protect her dying mother is complicated by her misplaced trust in a beguiling, flesh-eating fairy. Cast: Beauty Gonzalez, Felicity Kyle Napuli, Jasmine Curtis-Smith, James Mavie Estrella, Angeli Bayani. World Premiere. Fiction. Available online.

Infinity Pool / Canada (Director and Screenwriter: Brandon Cronenberg, Producers: Karen Harnisch, Andrew Cividino, Christian Piovesan, Noah Segal, Rob Cotterill, Anita Juka) — James and Em are enjoying an all-inclusive beach vacation when a fatal accident exposes the resort’s perverse subculture of hedonistic tourism, reckless violence, and surreal horrors. Cast: Alexander Skarsgård, Mia Goth, Cleopatra Coleman. World Premiere. Fiction.

My Animal / Canada (Director: Jacqueline Castel, Screenwriter: Jae Matthews, Producers: Andrew Bronfman, Michael Solomon) — Heather, an outcast teenage goalie in a small northern town, falls for newcomer Jonny, an alluring but tormented figure skater. As their relationship deepens, Heather’s growing desires clash with her darkest secret, forcing her to control the animal within. Cast: Bobbi Salvör Menuez, Amandla Stenberg, Stephen McHattie, Heidi von Palleske, Cory Lipman, Joe Apollonio. World Premiere. Fiction.

Onyx the Fortuitous and the Talisman of Souls / U.S.A. (Director, Screenwriter, and Producer: Andrew Bowser, Producers: Clark Baker, Michael Mobley, Olivia Taylor Dudley) — Onyx joins a group of fellow occultists to attend a dark ritual at the mansion of their idol, Bartok. Suspecting Bartok’s nefarious intentions, Onyx is suddenly immersed in a world of monsters, mystery, and mayhem. Cast: Andrew Bowser, Olivia Taylor Dudley, Jeffrey Combs, Ralph Ineson, Rivkah Reyes, T.C. Carson. World Premiere. Fiction. Available online.

Polite Society / U.K. (Director and Screenwriter: Nida Manzoor, Producers: Tim Bevan, Eric Fellner, Olivier Kaempfer, John Pocock) — Aspiring martial artist Ria Khan believes she must save her older sister, Lena, from her impending marriage. With the help of her friends, Ria attempts to pull off the most ambitious of all wedding heists in the name of independence and sisterhood. Cast: Priya Kansara, Ritu Arya, Nimra Bucha, Akshay Khanna, Seraphina Beh, Ella Bruccoleri. World Premiere. Fiction.

Run Rabbit Run / Australia (Director: Daina Reid, Screenwriter: Hannah Kent, Producers: Sarah Shaw, Anna McLeish) — As a fertility doctor, Sarah has a firm understanding of the cycle of life. However, when she is forced to make sense of the increasingly strange behavior of her young daughter, Sarah must challenge her own beliefs and confront a ghost from her past. Cast: Sarah Snook, Lily LaTorre, Damon Herriman, Greta Scacchi. World Premiere. Fiction. Available online. DAY ONE

Talk to Me / Australia (Director and Screenwriter: Danny Philippou, Director: Michael Philippou, Screenwriter: Bill Hinzman, Producers: Samantha Jennings, Kristina Ceyton) — When a group of friends discovers how to conjure spirits using an ancient embalmed hand, they become hooked on the new thrill. Until one of them goes too far and opens the door to the spirit world. Cast: Sophie Wilde, Miranda Otto, Alexandra Jensen, Joe Bird, Zoe Terakes, Otis Dhanji. International Premiere. Fiction.

PREMIERES
A showcase of world premieres of some of the most highly anticipated fiction and documentary films of the coming year. Fiction films that have screened in Premieres include Good Luck to You, Leo Grande, Promising Young Woman, Kajillionaire, The Report, Late Night, and The Big Sick. Past documentary films include The Dissident, Lucy and Desi, On the Record, and Miss Americana.

Cassandro / U.S.A (Director and Screenwriter: Roger Ross Williams, Screenwriters: David Teague, Julián Herbert, Producers: Gerardo Gatica, Todd Black, David Bloomfield, Ted Hope, Julie Goldman) — Saúl Armendáriz, a gay amateur wrestler from El Paso, rises to international stardom after he creates the character Cassandro, the “Liberace of Lucha Libre.” In the process, he upends not just the macho wrestling world, but also his own life. Cast: Gael García Bernal, Roberta Colindrez, Perla De La Rosa, Joaquín Cosío, Raúl Castillo. World Premiere. Fiction.

Cat Person / France, U.S.A (Director: Susanna Fogel, Screenwriter: Michelle Ashford, Producers: Helen Estabrook, Jeremy Steckler) — College student Margot meets 33-year-old Robert at the movie theater where she works. After a casual flirtation at the concession stand, they carry on conversations through texts. As their perceptions of each other collide, events spiral out of control. Based on The New Yorker short story by Kristen Roupenian. Cast: Emilia Jones, Nicholas Braun, Geraldine Viswanathan, Hope Davis, Fred Melamed, Isabella Rossellini. World Premiere. Fiction. Available online.

Deep Rising / U.S.A (Director and Producer: Matthieu Rytz) — The fate of the planet’s last untouched wilderness, the deep ocean, is under threat as a secretive organization is about to allow massive extraction of seabed metals to address the world’s energy crisis. Narrated by Jason Momoa. World Premiere. Documentary.

The Deepest Breath / U.K, Ireland (Director and Screenwriter: Laura McGann, Producers: John Battsek, Sarah Thomson, Jamie D’Alton, Anne McLoughlin) — A champion freediver and expert safety diver seemed destined for one another despite the different paths they took to meet at the pinnacle of the freediving world. A look at the thrilling rewards — and inescapable risks — of chasing dreams through the depths of the ocean. World Premiere. Documentary.

Drift / France, U.K, Greece (Director and Producer: Anthony Chen, Screenwriters: Susanne Farrell, Alexander Maksik, Producers: Peter Spears, Emilie Georges, Naima Abed, Cynthia Erivo, Solome Williams) — Jacqueline, a young refugee, lands alone and penniless on a Greek island where she tries to survive, then to cope with her past. While gathering her strength, she begins a friendship with a rootless tour guide and together they find the resilience to forge ahead. Cast: Cynthia Erivo, Alia Shawkat, Ibrahima Ba, Honor Swinton Byrne, Zainab Jah, Suzy Bemba. World Premiere. Fiction.

Eileen / U.S.A (Director and Producer: William Oldroyd, Screenwriters and Producers: Luke Goebel, Ottessa Moshfegh, Producers: Anthony Bregman, Stefanie Azpiazu, Peter Cron) — Set during a bitter 1964 Massachusetts winter, young secretary Eileen becomes enchanted by the glamorous new counselor at the prison where she works. Their budding friendship takes a twisted turn when Rebecca reveals a dark secret — throwing Eileen onto a sinister path. Based on Ottessa Moshfegh’s award-winning novel. Cast: Thomasin McKenzie, Anne Hathaway, Shea Whigham, Marin Ireland, Owen Teague. World Premiere. Fiction.

Fairyland / U.S.A (Director, Screenwriter, and Producer: Andrew Durham, Producers: Sofia Coppola, Megan Carlson, Siena Oberman, Greg Lauritano, Laure Sudreau) — Set against the backdrop of San Francisco’s vibrant cultural scene in the 1970s and ’80s, chronicling a father-daughter relationship as it evolves from an era of bohemian decadence to the heartbreaking AIDS crisis. Based on the best-selling memoir Fairyland: A Memoir of My Father by Alysia Abbott. Cast: Scoot McNairy, Emilia Jones, Geena Davis, Cody Fern, Adam Lambert, Maria Bakalova. World Premiere. Fiction.

Food and Country / U.S.A (Director and Producer: Laura Gabbert, Producers: Ruth Reichl, Paula P. Manzanedo, Caroline Libresco) — America’s policy of producing cheap food at all costs has long hobbled small independent farmers, ranchers, and chefs. Worried for their survival, trailblazing food writer Ruth Reichl reaches out across political and social divides to uncover the country’s broken food system and the innovators risking it all to transform it. World Premiere. Documentary. Available online.

Invisible Beauty / U.S.A (Directors: Bethann Hardison, Frédéric Tcheng, Producer: Lisa Cortés) — Fashion revolutionary Bethann Hardison looks back on her journey as a pioneering Black model, modeling agent, and activist, shining a light on an untold chapter in the fight for racial diversity. World Premiere. Documentary.

It’s Only Life After All / U.S.A (Director and Producer: Alexandria Bombach, Producers: Kathlyn Horan, Jess Devaney, Anya Rous) — Blending 40 years of home movies, film archives, and intimate present-day vérité, a poignant reflection from Amy Ray and Emily Saliers of iconic folk rock duo Indigo Girls. A timely look into the obstacles, activism, and life lessons of two queer friends who never expected to make it big. World Premiere. Documentary. DAY ONE

Jamojaya / U.S.A (Director, Screenwriter, and Producer: Justin Chon, Screenwriter: Maegan Houang, Producers: Alan Pao, David Matheny, Joseph Dang, Alex Chi, Yama Cibulka, Shaun Sanghani) — A father-son relationship is put to the test when an up-and-coming rapper at the crossroads of his career decides to let go of his manager, who is also his father. This decision forces them to confront the past and figure out what they want of each other. Cast: Brian Imanuel, Yayu A.W. Unru, Kate Lyn Sheil, Henry Ian Cusick, Anthony Kiedis. World Premiere. Fiction. Available online.

Judy Blume Forever / U.S.A (Directors and Producers: Davina Pardo, Leah Wolchok, Producers: Sara Bernstein, Justin Wilkes, Marcella Steingart) — The radical honesty of the books by young adult fiction pioneer Judy Blume changed the way millions of readers understood themselves, their sexuality, and what it meant to grow up, but also led to critical battles against book banning and censorship. World Premiere. Documentary.

Landscape With Invisible Hand / U.S.A (Director and Screenwriter: Cory Finley, Producers: Dede Gardner, Jeremy Kleiner) — When Earth is taken over by aliens who control the economy, a pair of teenagers come up with a plan to save their family. Cast: Tiffany Haddish, Asante Blackk, Kylie Rogers, Josh Hamilton, Michael Gandolfini, William Jackson Harper. World Premiere. Fiction.

A Little Prayer / U.S.A (Director, Screenwriter, and Producer: Angus MacLachlan, Producers: Lauren Vilchik, Max A. Butler) — In the South, a man tests the limits of patriarchal interference to protect his daughter-in-law when he discovers that his son is having an affair. Cast: David Strathairn, Jane Levy, Celia Weston, Will Pullen, Anna Camp, Dascha Polanco. World Premiere. Fiction. Available online.

Murder in Big Horn / U.S.A (Director and Producer: Razelle Benally, Director: Matthew Galkin, Producers: Ivan Macdonald, Ivy Macdonald) — The deaths of a group of Native American women in rural Montana are the focus as Native families, journalists, and local law enforcement reveal a violent crisis set in motion almost 200 years ago. World Premiere. Documentary. Available online.

Passages / France (Director and Screenwriter: Ira Sachs, Screenwriter: Mauricio Zacharias, Producers: Saïd Ben Saïd, Michel Merkt) — An intimate examination of attraction and emotional abuse between men and women. Cast: Franz Rogowski, Ben Whishaw, Adèle Exarchopoulos. World Premiere. Fiction.

PLAN C / U.S.A (Director and Producer: Tracy Droz Tragos) — A hidden grassroots organization doggedly fights to expand access to abortion pills across the United States keeping hope alive during a global pandemic and the fall of Roe v. Wade. World Premiere. Documentary.

The Pod Generation / Belgium, France, U.K (Director and Screenwriter: Sophie Barthes, Producers: Geneviève Lemal, Yann Zenou, Nadia Kamlichi, Martin Metz) — In a not-so-distant future, amid a society madly in love with technology, tech giant Pegazus offers couples the opportunity to share their pregnancies via detachable artificial wombs or pods. And so begins Rachel and Alvy’s wild ride to parenthood in this brave new world. Cast: Emilia Clarke, Chiwetel Ejiofor, Rosalie Craig, Vinette Robinson, Jean-Marc Barr. World Premiere. Fiction. DAY ONE

Pretty Baby: Brooke Shields / U.S.A (Director: Lana Wilson, Producers: Christine O’Malley, Jack Turner) — A galvanizing look at actor, model, and icon Brooke Shields as she transforms from sexualized young girl to a woman discovering her power. Holding a mirror up to a society that objectifies women and girls, her story shows the perils and triumphs of gaining agency in a hostile world. World Premiere. Documentary.

Radical / U.S.A (Director and Screenwriter: Christopher Zalla, Producers: Ben Odell, Eugenio Derbez, Joshua Davis) — In a Mexican border town plagued by neglect, corruption, and violence, a frustrated teacher tries a radical new method to break through his students’ apathy and unlock their curiosity, their potential… and maybe even their genius. Based on a true story. Cast: Eugenio Derbez, Daniel Haddad, Jenifer Trejo, Mia Fernanda Solis, Danilo Guardiola. World Premiere. Fiction. DAY ONE

Rotting in the Sun / U.S.A (Director and Screenwriter: Sebastian Silva, Screenwriter: Pedro Peirano, Producer: Jacob Wasserman) — After filmmaker Sebastian Silva goes missing in Mexico City, social media celebrity Jordan Firstman begins searching for him, suspecting that the cleaning lady in Sebastian’s building may have something to do with his disappearance. Cast: Jordan Firstman, Catalina Saavedra, Sebastian Silva. World Premiere. Fiction.

Rye Lane / U.K (Director: Raine Allen-Miller, Screenwriters: Nathan Bryon, Tom Melia, Producers: Yvonne Isimeme Ibazebo, Damian Jones) — Two twenty-somethings reeling from bad breakups deal with their nightmare exes and connect over the course of an eventful day in South London. Cast: David Jonsson, Vivian Oparah. World Premiere. Fiction.

Still: A Michael J. Fox Movie / U.S.A (Director and Producer: Davis Guggenheim, Producers: Jonathan King, Annetta Marion, Will Cohen) — The improbable tale of a short kid from a Canadian army base who became the darling of 1980s Hollywood — only to find the course of his life altered by a stunning diagnosis. What happens when an incurable optimist confronts an incurable disease? World Premiere. Documentary.

You Hurt My Feelings / U.S.A (Director and Screenwriter: Nicole Holofcener, Producers: Stefanie Azpiazu, Anthony Bregman) — A novelist’s longstanding marriage is suddenly upended when she overhears her husband giving his honest reaction to her latest book. Cast: Julia Louis-Dreyfus, Tobias Menzies, Michaela Watkins, Owen Teague, Arian Moayed. World Premiere. Fiction.

NEW FRONTIER FILMS
New Frontier champions artists who engage in experimental storytelling at the crossroads of film, art, performance, and media technology, showcasing cutting-edge work that explores and evolves cinema culture in today’s rapidly changing landscape. New Frontier is presently in a process of reimagination. This year, we return to our roots to offer a lineup of resonant experimental films.

A Common Sequence / U.S.A (Directors and Producers: Mary Helena Clark and Mike Gibisser, Producer: Graciela Guerrero-Reyes) — An interconnected look at tradition, colonialism, property, faith, and science, as seen through labor practices that link an endangered salamander, mass-produced apples, and the evolving fields of genomics and machine learning. World Premiere. Documentary. Available online.

Gush / U.S.A (Director, Screenwriter, and Producer: Fox Maxy) — An embodied rumination of both male and female power, healing and haunting, all within an apocalyptic world. A transformation that courses through unknown terror to untamed collective joy. Cast: Michel Sayegh, Ruth Fish, Sergio Mejia, Littlebear Sanchez, No’aash Iswut Peltier, Suavitel Paper. World Premiere. Fiction. Available online.

Last Things / U.S.A, Portugal, France (Director, Screenwriter, and Producer: Deborah Stratman, Producers: Anže Peržin, Gaëlle Boucand) — Evolution and extinction from the point of view of rocks. A humid take on minerals, where sci-fi meets sci-fact. The geo-biosphere is a place of evolutionary possibility, where humans disappear but life endures. World Premiere. Documentary. Available online.

SPOTLIGHT
A tribute to the cinema we love from throughout the past year. Films that have played in this category in recent years include The Worst Person in the World, The Biggest Little Farm, Birds of Passage, The Rider, Ida, and The Lobster.

The Eight Mountains / Italy and Belgium (Directors and Screenwriters: Felix van Groeningen, Charlotte Vandermeersch, Producers: Mario Gianani, Lorenzo Gangarossa) — Pietro spends his childhood summers in the same secluded Italian mountain village where Bruno was raised, in which they form a decades-long friendship. Over the years, their paths diverge as Bruno remains faithful to the mountain while Pietro comes and goes from the city. Cast: Luca Marinelli, Alessandro Borghi, Filippo Timi, Elena Lietti. Fiction. Available online.

L’Immensità / Italy (Director and Screenwriter: Emanuele Crialese, Screenwriter: Francesca Manieri, Vittorio Moroni, Producer: Lorenzo Gangarossa, Mario Gianani — Clara has relocated to Rome with Felice and their three children. From their new apartment, Clara sees a city in transition: an old society washed away by an emerging middle class. The paint is fresh, the appliances are new, but expectations around family, desire, and gender remain traditional as ever. Cast: Penélope Cruz, Vincenzo Amato, Luana Giuliani, Patrizio Francioni, Maria Chiara Gorett, Penelope Nieto Conti. North American Premiere. Fiction. Available online. DAY ONE

Joyland / Pakistan (Director and Screenwriter: Saim Sadiq, Producers: Apoorva Guru Charan, Sarmad Sultan Khoosat, Sabiha Sumar, Lauren Mann) — As the Ranas, a happily patriarchal joint family, yearn for the birth of a baby boy to continue the family line, their youngest son secretly joins an erotic dance theater and falls for an ambitious trans starlet. Their impossible love story illuminates the entire family’s desire for a sexual rebellion. Cast: Ali Junejo, Rasti Farooq, Alina Khan, Sarwat Gilani, Sania Saeed, Salmaan Peerzada. Fiction. Available online.

Other People’s Children / France (Director and Screenwriter: Rebecca Zlotowski, Producers: Frederic Jouve, Marie Lecoq — Rachel is 40 years old with no children. She loves her life: her high school students, her friends, her guitar lessons. When she falls in love with Ali, she becomes attached to Leila, his 4-year-old daughter. She loves her like her own, but to love other people’s children is risky. Cast: Virginie Efira, Roschdy Zem, Chiara Mastroianni, Callie Ferreira-Goncalves, Yamée Couture, Michel Zlotowski. U.S. Premiere. Fiction. Available online.

Squaring the Circle (The Story of Hipgnosis) / U.K. (Director: Anton Corbijn, Screenwriter, and Producer: Trish D Chetty, Producers: Ged Doherty, Colin Firth) — An inside look at the studio responsible for some of the most iconic and recognizable album covers of all time. From Pink Floyd’s The Dark Side of the Moon to Led Zeppelin’s Houses of the Holy, the studio ruled the ’70s. Documentary. Available online.

KIDS
This section of the Festival is especially for our youngest independent film fans. Films that have played in this category in recent years include The Elephant Queen, Science Fair, My Life as a Zucchini, The Eagle Huntress, and Shaun the Sheep.

Aliens Abducted My Parents and Now I Feel Kinda Left Out / U.S.A. (Director and Producer: Jake Van Wagoner, Screenwriter and Producer: Austin Everett, Producers: Micah Merrill, Maclain Nelson, Jeremy Prusso) — Itsy is new in town and her life seems over until she meets her space-obsessed neighbor Calvin, who believes his parents were abducted by aliens. An aspiring journalist, Itsy decides to write an exposé on Calvin but ends up discovering much more. Cast: Emma Tremblay, Jacob Buster, Will Forte, Elizabeth Mitchell, Kenneth Cummins, Matt Biedel. World Premiere. Fiction. Available online.

The Amazing Maurice / Germany, U.K. (Director: Toby Genkel, Screenwriter: Terry Rossio, Producers: Emely Christians, Andrew Baker, Robert Chandler) — A streetwise cat and his gang of rats who come up with a perfect money-making scheme. Based on the novel The Amazing Maurice and His Educated Rodents by Sir Terry Pratchett. Cast: Hugh Laurie, Emilia Clarke, Himesh Patel, Gemma Arterton. North American Premiere. Fiction. Available online.

Blueback / Australia (Director, Screenwriter, and Producer: Robert Connolly, Producers: Liz Kearney, James Grandison) — An intimate mother-daughter relationship is forged by the women’s keen desire to protect the inhabitants of the pristine blue oceans on the Australian coast where they live. Adapted from Tim Winton’s bestselling and critically acclaimed novella. Cast: Mia Wasikowska, Eric Bana, Radha Mitchell, Ilsa Fogg, Liz Alexander, Ariel Donoghue. U.S. Premiere. Fiction. SALT LAKE CITY OPENING NIGHT GALA FILM

The Sundance Film Festival®
The Sundance Film Festival, a program of the nonprofit, Sundance Institute, is the pre-eminent gathering of original storytellers and audiences seeking new voices and fresh perspectives. Since 1985, hundreds of films launched at the Festival have gone on to gain critical acclaim and reach new audiences worldwide. The Festival has introduced some of the most groundbreaking films and episodic works of the past three decades, including Fire of Love, Cha Cha Real Smooth, Flee, CODA, Passing, Summer Of Soul (…or, When the Revolution Could Not Be Televised), Clemency, Never Rarely Sometimes Always, Zola, O.J.: Made in America, On The Record, Boys State, The Farewell, Honeyland, One Child Nation, The Souvenir, The Infiltrators, Sorry to Bother You, Top of the Lake, Won’t You Be My Neighbor?, Hereditary, Call Me By Your Name, Get Out, The Big Sick, Mudbound, Fruitvale Station, Whiplash, Brooklyn, Precious, The Cove, Little Miss Sunshine, An Inconvenient Truth, Napoleon Dynamite, Hedwig and the Angry Inch, Reservoir Dogs and sex, lies, and videotape. The program consists of fiction and nonfiction features and short films, series and episodic content, emerging media, and performances, as well as conversations, and other events. The Festival takes place both in person in the state of Utah and online, connecting audiences across the U.S. to bold new artists and films. The 2023 Festival takes place January 19–29. Be a part of the Festival at Sundance Film Festival and follow the Festival on Facebook, Instagram, Twitter, and YouTube.

The Festival is a program of the nonprofit Sundance Institute. To date, 2023 Festival sponsors include: Presenting Sponsors – Acura, AMC+, Chase Sapphire®, Adobe; Leadership Sponsors – Audible, DIRECTV, Netflix, Omnicom Group, Shutterstock, Stacy’s Pita Chips, United Airlines, XRM Media; Sustaining Sponsors – Canada Goose, Canon U.S.A., Inc., DoorDash, Dropbox, World of Hyatt®, IMDb, Lyft, MACRO, Rabbit Hole Bourbon & Rye, Stanley, University of Utah Health, White Claw Hard Seltzer; Media Sponsors – IndieWire, Los Angeles Times, NPR, Variety, Vulture, The Wall Street Journal. Sundance Institute recognizes critical support from the State of Utah as Festival Host State. The support of these organizations helps offset the Festival’s costs and sustain the Institute’s year-round programs for independent artists. festival.sundance.org

Sundance Institute
As a champion and curator of independent stories, the nonprofit Sundance Institute provides and preserves the space for artists across storytelling media to create and thrive. Founded in 1981 by Robert Redford, the Institute’s signature Labs, granting, and mentorship programs, dedicated to developing new work, take place throughout the year in the U.S. and internationally. Sundance Collab, a digital community platform, brings a global cohort of working artists together to learn from each other and Sundance Advisors and connect in a creative space, developing and sharing works in progress. The Sundance Film Festival and other public programs connect audiences and artists to ignite new ideas, discover original voices, and build a community dedicated to independent storytelling. Sundance Institute has supported and showcased such projects as Summer of Soul (…or, When the Revolution Could Not Be Televised), CODA, Flee, Passing, Clemency, Never Rarely Sometimes Always, Zola, On The Record, Boys State, The Farewell, Honeyland, One Child Nation, The Souvenir, The Infiltrators, Sorry to Bother You, Won’t You Be My Neighbor?, Hereditary, Call Me By Your Name, Get Out, The Big Sick, Mudbound, Fruitvale Station, City So Real, Top of the Lake, Between the World & Me, Wild Goose Dreams and Fun Home. JoinSundance Institute on Facebook, Instagram, Twitter, and YouTube.

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EDITOR NOTE: DIRECTOR DEMOGRAPHICS
The data we are sharing reflects the information provided directly by the artists. Some artists chose not to self-identify in all data areas.

U.S. COMPETITION:
Dramatic: 61% or 8 of the 13 directors in this year’s U.S. Dramatic Competition identify as women; 61% or 8 of the 13 identify as people of color; 23% or 3 of the 13 identify as LGBTQ+.
Documentary: 63% or 10 of the 16 directors in this year’s U.S. Documentary Competition identify as women; 63% or 10 of the 16 identify as people of color; 13% or 2 of the 16 identify as LGBTQ+; 6% or 1 of the 16 identify as a person with a disability.

WORLD COMPETITION:
Dramatic: 58% or 7 of the 12 directors in the World Dramatic Competition identify as women; 50% or 6 of the 12 identify as people of color; 25% or 3 out of 12 directors identify as LGBTQ+.
Documentary: 46% or 6 of the 13 directors in the World Documentary Competition identify as women; 38% or 5 of the 13 as people of color; 23% or 3 of the 13 identify as LGBTQ+; 8% or 1 of the 13 identify as a person with a disability.

FEATURE FILM SUBMISSIONS: Of the 4,061 feature film submissions, 1,662 were from the U.S. and 2,399 were international; 1,105 (27%) were directed by one or more filmmakers who identify as women; 91 (2%) were directed by one or more filmmakers who identify as nonbinary individuals; 1,676 (41%) were directed by one or more filmmakers who identify as people of color; 547 (13%) were directed by one or more filmmakers who identify as LGBTQ+.

ALL FEATURES: Of the 101 feature films announced so far, 54 (53%) were directed by one or more filmmakers who identify as women; 5 (5%) were directed by one or more filmmakers who identify as nonbinary individuals; 46 (45%) were directed by one or more filmmakers who identify as people of color; 20 (20%) by one or more filmmakers who identify as LGBTQ+; 3 (3%) by one or more filmmakers who identifies as a person with a disability.


 

Oscar Qualifying Short film review: Jordyn Romero’s ‘We Are Like Waves’ drowns out patriarchal norms.

WE ARE LIKE WAVES

Sanu Sandeepani‘s passion lies in the Sri Lankan ocean she has lived on her entire life. When the waters enticed her, society said, ‘Sri Lankan girls don’t surf.” Sanu tests the waters of traditional gender roles by shirking familial expectations. She works at a surfing camp, admiring the many Western tourists who ride the waves. With the eventual encouragement from her instructor brother, Sanu’s goal of equality and empowerment of other girls to conquer the waves drives her life force.

Director Jordyn Romero bonded with Sanu over their love of surfing, a predominantly male-dominated sport. Sanu’s fearless pursuit of wanting to become the first female surf instructor from Sri Lanka lies beyond the horizon. In Sanu’s words, “We Are Like Waves. You cannot stop us.” This simple act of rebellion is certain to have a ripple effect. Romero brings audiences a relatable story told with grace. Boasting a beautifully encompassing score, WE ARE LIKE WAVES sees Romero and Sanu carve a path for the next generation.

We are like Waves Teaser from Jordyn Romero on Vimeo.

About the Director:
Jordyn is an award-winning documentary filmmaker, storyteller, and creative. She grew up in the Rocky Mountains of Santa Fe, NM where she spent most weekends racing down the Rio Grande or hiking for fresh powder. From this innate need for exploration, her passion for filmmaking was born. She’s created work for brands including Specialized Bikes, GoPro, and Sierra Nevada. Her most recent film, We Are Like Waves, was released with The Los Angeles Times. Her films have premiered at Oscar-qualifying festivals, won jury and audience awards, and played in over 20 countries around the world. Through her creative endeavors, she aims to amplify the voices of diverse women in the outdoor industry.


 

Oscar qualifying short film review: ‘AFTER SKID ROW’ is an intimate portrait of post-housing existence.

AFTER SKID ROW

They call her Gangster Granni. Filmmaker Lindsey Hagen finds Barbie Carter at a turning point; two weeks after she gets her keys to a proper apartment and ten years of living on Skid Row. Granni dons cowboy boots and denim jeans, bespangled in Western-inspired jewelry and a flair-enhanced hat. She is a character. Through her intimate narration, we learn how her childhood continues to inform her existence. But the everpresent trauma of her life on Skid Row punches you in the gut. Granni keeps all of her possessions next to her mattress, explaining they remain there in case of an emergency. It is an undeniably eye-opening statement.

Despite all she has endured, the genuine joy emanating from Granni is an example to all of us. Her positive and loving spirit as she visits the new Skid Row arrivals speaks volumes about her soul, making us acutely aware that she is an exception to the rule. In 20 minutes, the audience begins to understand the complexity of what happens after someone gains public housing. The buck stops there. Granni only has appliances because she receives help from friends and family. This inside look changes the political conversation. AFTER SKID ROW humanizes the experience of homelessness. It is a gift to those of us still navigating our privilege.


https://www.afterskidrow.com/

For more than a decade, Gangster Granni was among the 5,000-8,000 individuals living homeless in Skid Row. After getting approved for Section 8 housing, she forged a strong bond with a mutual aid worker and together they set to the task of getting her and keeping her in a home.


 

DOC NYC 2022 world premiere review: ‘1946: THE MISTRANSLATION THAT SHIFTED CULTURE’ ponders the global impact of a single mistake.

1946: THE MISTRANSLATION THAT SHIFTED CULTURE

In 8th grade, I stood on a chair and declared I was “done with religion.” Eight years in Catholic school, my teacher had just told me that if I went to my mother and told her I was gay, it would be the equivalent of me telling her that I had murdered someone. It was quite the sight in my classroom of 18 students. I was appalled. My conflict with religion has been fraught with pushback ever since. Then I saw a film that took my breath away. Sharon “Rocky” Roggio‘s urgent and eye-opening documentary 1946: THE MISTRANSLATION THAT SHIFTED CULTURE features the philosophical battle between the biblical text and sexual orientation as a distortion of language. The film explores the linguistic integrity and worldwide implications of the word “homosexual.” 1946 is nothing short of captivating.

Roggio’s father is a pastor with stringent beliefs. In his view, The Bible is the word of God. Sharon knew she was gay early on and understood the familial implications immediately. Following a breach of trust leading to Sharon leaving her childhood home, she and her father, Sal, have a public battle in the early 2000s. Thus beginning her path of advocacy. Enter Kathy Baldock, stage left. 

Baldock was about as Christian as one person could be until her impending divorce led her to take up hiking. After learning fellow walker Netto is a lesbian and coming to terms with the fact that her religion would ostracise her new friend, Kathy refuses to accept this is what God teaches. She began her lifelong path to understanding why the word “homosexual” did not appear in biblical text until 1946. How did it get there?

Ed Oxford (now MDiv) was a finance guy, a Christian, and a gay man. But, because the church told him his existence was an “abomination,” his suicidal ideations began as a child. He began collecting every biblical text he could get his hands on, and after meeting Kathy, the two formed an unstoppable team. Together, they travel down the rabbit hole of linguistics to unlock the original meaning of the biblical text, and Sharon “Rocky’ Roggio captures it all. 

Yale University’s meticulous record-keeping in the Sterling library proves invaluable. After scanning 60, 000 pages in the microform media room, the aha moment appears; a 1959 letter between Dr. Luther Allan Weigle, one of the translation committee members, and a mysterious seminary student offering his knowledge of New Testament Greek. That discovery changes everything we think we know about the term “homosexual” and its translation in theologic history. This avalanche of miscommunication has disrupted millions of lives. When religion meets politics in the Reagan era, all hell breaks loose. Gay people are a propagandist prop for the Republican party. It has only gotten worse with the rise of social media.

Pencil-drawn animation and timeline graphics mixed with video clips of influential religious leaders and sit-down interviews with theologists comprise the visual and fact-finding journey in 1946. Historical scholars break down weaponized verses or “clobber passages” used to target the LGBTQ+ community. Kathy and Ed buckle down, never wavering in their search for the truth. Simultaneously, Sharon tries to share the ever-evolving findings with her dad. Roggio’s patience is incomprehensible. Witnessing her composure with her father as they engage in debate is exemplary. The fact that her father, while vehemently fixed in his beliefs, still wants to connect and support his daughter is, for lack of a better word, a miracle. 

To think of the impact that one mistake has made on the world, especially as the LGBTQ+ community struggles to survive the vitriolic rhetoric and now physical threats, is shocking and disheartening. This single word and an abhorrent culture have put innumerable lives at risk. If 1946: THE MISTRANSLATION THAT SHIFTED CULTURE proves anything, it is this: we do better by respecting one another and by educating ourselves. I hope audiences go in with an open mind because the film deserves your full attention.


1946: THE MISTRANSLATION THAT SHIFTED CULTURE — Directed by Sharon “Rocky” Roggio

World Premiere — US Competition — Acquisition

Produced by Sharon “Rocky” Roggio, Jena Serbu

Executive Produced by Daniel Karslake, Teresa and Todd Silver, Sabrina Merage Niam

Original Music by Mary Lambert

Featuring Kathy Baldock and Ed Oxford

Synopsis: 1946:The Mistranslation That Shifted Culture is thrilled to announce its World Premiere at DOC NYC 2022. Produced and Directed by Sharon ‘Rocky’ Roggio, 1946 is a feature documentary that follows the story of tireless researchers who trace the origins of the anti-gay movement among Christians to a grave mistranslation of the Bible in 1946. It chronicles the discovery of never-before-seen archives at Yale University which unveil astonishing new revelations, and casts significant doubt on any biblical basis for LGBTQIA+ prejudice. Featuring Commentary from prominent scholars as well as opposing pastors, including the personal stories of the film’s creators, and original music by Grammy winning artist Mary Lambert, 1946 is at once challenging, enlightening, and inspiring.

www.1946themovie.com

Instagram: @1946themovie

TikTok @1946themovie

Twitter @1946themovie


 

Grand Jury Prize/ Int’l competition WINNER @ DOC NYC: ‘HOW TO SAVE A DEAD FRIEND’ is a final love letter spread across 12 years of filming.

HOW TO SAVE A DEAD FRIEND

The monster that is depression roars silently because, in Russia, depression is not allowed to have a voice. Putin has seen to that. In HOW TO SAVE A DEAD FRIEND, filmmaker Marusya Syroechkovskaya chronicles over a decade of her emotional roller coaster in life, love, and deep-seated despair.

Kimi was a history major with a brilliant mind, a great sense of humor, and a penchant for drug use. Marusya’s childhood was a bit more idyllic, but that didn’t stop her suicidal ideation. The two bonded over music, beliefs, and self-destructive ideas. They also filmed every waking moment.

Kimi’s traumatic childhood and Russia’s national political upheaval created the perfect ticking time bomb of existence. He and Marusya needed each other to stay alive, but unresolved trauma is a killer lying in wait. Through marriage, rehab, divorce, and Kimi on a headlong downward spiral, Marusya must find other ways to dull the inner chaos. She had to decide, make a plan to live, or join her innumerable friends in suicide.

Marusya Syroechkovskaya’s dedication and fearless openness make it easy to understand why this film won Grand Jury Prize/ Int’l competition at DOC NYC 2022. HOW TO SAVE A DEAD FRIEND is an intimate and unfiltered look at addiction, love, and attempts to survive one more day. It is a must-see film.



Saturday, November 12 – Sunday, November 27, 2022

Venue

Online Screening

Director: Marusya Syroechkovskaya
Producer: Ksenia Gapchenko, Mario Adamson, Co-Producers Anita Norfolk, Alexandre Cornu
Cinematographers: Kimi Morev and Marusya Syroechkovskaya
Editor: Qutaiba Barhamji
Language: Russian
Country: Sweden, Norway, France, Germany
Year: 2022


Netflix documentary review: A family’s mission, ‘I AM VANESSA GUILLEN’ is more than a hashtag, it is a movement.

I AM VANESSA GUILLEN

Netflix presents I AM VANESSA GUILLEN, a film about one family’s relentless push for justice and exposing the toxic culture that permeates the military, specifically Fort Hood. Director Christy Wegener brings us the story that sparked a social media frenzy, a race to pass new legislation, and the family that would not stay quiet.

The systemic failure at Fort Hood will leave you seething. After two months of desperate outcry, the Army finally makes a statement and begins to search, but it is too little too late. With the pro bono help of maverick lawyer Natalie Khawam, The Guillen family takes their fight to Capital Hill.

I remember this story. I remember feeling so angry when I heard how long Vanessa had been missing before I heard about it on the news. Then, when the details emerged of her murder and subsequent failure at Fort Hood, I was disgusted. Those feelings returned and multiplied as I watched this film. Understanding the extent of their coverup will blow your mind. The military justice system allows for secrecy and discretion to sweep everything under the rug. It is beyond broken.

I AM VANESSA GUILLEN proves the saying, “No justice. No peace.” The Guillen family never backed down. The military counted on their silence, and they got the exact opposite. I AM VANESSA GUILLEN has been in the top 10 since the film’s release last Friday. It is easy to understand why.


I Am Vanessa Guillen | Official Trailer | Netflix https://youtube.com/Netflix

I AM VANESSA GUILLEN is now streaming on NETFLIX


 

DOC NYC (2022) review: ‘ CIRQUE DU SOLEIL: WITHOUT A NET’ is an awe-inspiring film about the importance of theater and the ability to create.

CIRQUE DU SOLEIL: WITHOUT A NET

CENTERPIECE SELECTION

*WORLD PREMIERE*

Cirque du Soleil’s “O” is the top-grossing show in the world. Enter Covid19 and the subsequent and heartbreaking release of 3400 employees. The show was down for 400 days. In April 2021, restrictions finally loosening Cirque announced “O” would be back. Eight weeks to reopen among health and safety restrictions. The doc spotlights a handful of their performers. We learn how they got to Cirque and follow along as they retrain their minds and bodies after more than a year of uncertainty. We also see the tech and artistic crews rebuilding, sewing, and revamping as quickly as possible to meet the reopening deadline. It is an intricate dance of trust. One slight human or machine error could spell disaster for the artists.

The cinematography is breathtaking, from underwater shots of the artistic swimmers to areal views of acrobatic acts. Ultimately, the film reminds us of the power and importance of performance. It’s an undeniably visceral viewing experience.

As a performer, this documentary feels deeply personal. One particular quote early on struck me immediately. “It’s really difficult to live without purpose.” What is humanity without creation? What is an artist without the ability to access their craft? Speaking from personal experience and the confessions of fellow performers when the lockdown began, it physically pained us not to be onstage. Cirque du Soleil: Without A Net is a celebratory exploration of a performer’s purpose and the joyous return of the world of theatre.


CIRQUE DU SOLEIL: WITHOUT A NET had its World Premiere at DOC NYC on November 13 @ 2:15pm.

CIRQUE DU SOLEIL: WITHOUT A NET tells the story of when the world shut down, its greatest Circus went into freefall. Within 48 hours Cirque du Soleil closed all its 44 shows; within a week it let 95% of its workforce go. The show seemed over for the billion-dollar brand. Now, more than a year later, a group of world-class artists, athletes and crew at “O”, Cirque’s flagship production, face uncertainty as they prepare to bring their show back to life. With unprecedented access, this film documents their extraordinary journey as they attempt a return to stage after one of the world’s greatest crises.

Director: Dawn Porter
Executive Producer: Dawn Porter, Eli Holzman, Aaron Saidman, Richard Bedser, Ailsa Orr
Producer: Dawn Porter, Summer Damon, Sadie Bass, Mark Burnett, Barry Poznick
Cinematographer: Chris Hilleke, Bryant Fisher
Editor: Jessica Congdon, Dave Marcus
Language: English
Country: United States of America
Year: 2022

Online Dates

Monday, November 14 – Sunday, November 27, 2022

Venue

Online Screening

Review: Amanda Kramer’s ‘PLEASE BABY PLEASE’ is the next cult midnight movie queer obsession.

When newlyweds Arthur and Suze become the object of obsession for a dangerous street gang called The Young Gents, their lives get turned upside down. Amanda Kramer‘s PLEASE BABY PLEASE puts identity and love to the test in this sexy queer musical.

Demi Moore plays upstairs neighbor Maureen. She’s a hot pink and animal print-drenched eccentric woman and the perfect influence on Suze, giving her permission to let go of her inhibitions. Karl Glusman is Teddy, a member of The Young Gents with an eye for Arthur. Glusman nails the classic greaser role, adding a relentless sensuality to his words. He is fantastic. 

Harry Melling plays Arthur with brooding intellectual turmoil, his gentleness waiting to burst at the seams with desire. Melling oozes charm and surprising elegance. It is a marvelous turn.  Andrea Riseborough is Suze. Her fiery energy explodes off the screen. Brimming with sass, dramatic flair, and pent-up rage, Riseborough dives deep into Suze’s fantasies of sadism and masculinity. They are perfect foils for one another, each hungering for something more. They are, simply put, magnificent. 

The score is brilliant, with a mix of bass plucking, bongo drums, and saxophone wails. Short bursts of choreography smartly encapsulate the mood and era. The sets are deliciously accentuated with neon-colored everyday objects, black light hues, and engulfing blues and magenta. Everything sort of glows like a live-action comic book.

The dialogue openly discusses the foolish nature of traditional gender stereotypes. It invites exploration at every level. PLEASE BABY PLEASE would make a fabulous stage production. It’s over-the-top perfection. I loved everything about this fearless, campy, one-of-a-kind film about self-discovery. 


Opens In Theaters October 28

https://www.pleasebabypleasemovie.com/


 

 

2022 Gotham Awards Nominations feature some of year’s best surprises.

2022 Gotham Awards Nominations Full List 

 

Best Feature Nominations go to Aftersun, The Cathedral, Dos Estaciones, Everything Everywhere All At Once, and Tár.

New York, NY (October 25, 2022) – The Gotham Film & Media Institute announced today the nominations for the 32nd Annual Gotham Awards, singling out 23 feature films, 15 series, and 35 performances in twelve award categories. The nominations were announced live from Cipriani Wall Street by Emmy-nominated star of Pose and American Horror Story on FX and now as Roxie Hart in Chicago on Broadway, Angelica Ross. Ross was joined by Jeffrey Sharp, award-winning film producer and the Executive Director of The Gotham.

“We are thrilled to announce this year’s Gotham Award nominees and look forward to celebrating together live and in person in a few weeks. Over 500 films and TV shows were submitted for consideration this year. These filmmakers demonstrated tremendous courage and invention in the production of their work during these months, and we’d like to congratulate them all.” said Sharp.

As the first major awards ceremony of the fall season, the Gotham Awards provide critical early recognition and media attention to worthy independent films and series and their writers, directors, producers, and actors. The awards are also unique for their ability to assist in catapulting award recipients prominently into national awards season attention. The 2022 Gotham Awards Ceremony will be held live and in person at 7 pm on Monday, November 28, 2022 at Cipriani Wall Street in New York City.

Nominees are selected by committees of film and television critics, journalists, festival programmers, and film curators. Separate juries of writers, directors, actors, producers, editors, and others directly involved in making films will determine the final Gotham Award recipients. 

The 2022 Gotham Award nominations are:

Best Feature 

Aftersun

Charlotte Wells, director; Adele Romanski, Amy Jackson, Barry Jenkins, Mark Ceryak, producers (A24)

The Cathedral

Ricky D’Ambrose, director; Graham Swon, producer (MUBI)

Dos Estaciones

Juan Pablo González, director; Ilana Coleman, Jamie Gonçalves, Bruna Haddad, Makena Buchanan, producers (Cinema Guild)

Everything Everywhere All At Once

Daniel Kwan, Daniel Scheinert, directors; Joe Russo, Anthony Russo, Mike Larocca, Daniel Kwan, Daniel Scheinert, Jonathan Wang, producers (A24)

Tár

Todd Field, director; Alexandra Milchan, Scott Lambert, Todd Field, producers (Focus Features)

Best Documentary Feature

What We Leave Behind

Iliana Sosa, director; Emma D. Miller, Isidore Bethel, producers (ARRAY) 

All That Breathes

Shaunak Sen, director; Aman Mann, Shaunak Sen, Teddy Leifer producers (A Sideshow & Submarine Deluxe Release in Association with HBO Documentary Films) 

All the Beauty and the Bloodshed

Laura Poitras, director; Howard Gertler, John Lyons, Nan Goldin, Yoni Golijov, Laura Poitras, producers (NEON)

I Didn’t See You There

Reid Davenport, director; Keith Wilson, producer (RePort Media) 

The Territory

Alex Pritz, director; Alex Pritz, Darren Aronofsky, Sigrid Dyekjær, Will N. Miller, Gabriel Uchida, Lizzie Gillett, producers (National Geographic Documentary Films)

 

Best International Feature

Corsage

Marie Kreutzer, director; Alexander Glehr, Johanna Scherz, Bernard Michaux, Jonas Dornbach, Janine Jackowski, Maren Ade, Jean-Christophe Reymond, producers (IFC Films)

Athena

Romain Gavras, director; Romain Gavras, Charles-Marie Anthonioz, Mourad Belkeddar, Jean Duhamel, Nicolas Lhermitte, Ladj Ly, producers (Netflix)

The Banshees of Inisherin

Martin McDonagh, director; Graham Broadbent, Pete Czernin, Martin McDonagh, producers (Searchlight Pictures)

Decision to Leave

Park Chan-wook, director and producer (MUBI)

Happening

Audrey Diwan, director; Edouard Weil, Alice Girard producers (IFC Films)

Saint Omer

Alice Diop, director; Toufik Ayadi, Christophe Barral, producers (Super LTD)

Bingham Ray Breakthrough Director Award

Charlotte Wells for Aftersun (A24)

Owen Kline for Funny Pages (A24)

Elegance Bratton for The Inspection (A24) 

Antoneta Alamat Kusijanovic for Murina (Kino Lorber)

Beth de Araújo for Soft & Quiet (Momentum Pictures / eOne)

Jane Schoenbrun for We’re All Going to the World’s Fair (Utopia)

Best Screenplay

Armageddon Time, James Gray (Focus Features)

After Yang, Kogonada (A24)

Catherine Called Birdy, Lena Dunham (Amazon Studios)

Tár, Todd Field (Focus Features)

Women Talking, Sarah Polley, based upon the book by Miriam Toews (United Artists Releasing / Orion Pictures)

Outstanding Lead Performance

Cate Blanchett in Tár (Focus Features)

Danielle Deadwyler in Till (United Artists Releasing / Orion Pictures)

Dale Dickey in A Love Song (Bleecker Street)

Colin Farrell in After Yang (A24)

Brendan Fraser in The Whale (A24)

Paul Mescal in Aftersun (A24)

Thandiwe Newton in God’s Country (IFC Films)

Aubrey Plaza in Emily the Criminal (Roadside Attractions and Vertical Entertainment)

Taylor Russell in Bones and All (United Artists Releasing / Metro Goldwyn Mayer Pictures)

Michelle Yeoh in Everything Everywhere All At Once (A24)

Outstanding Supporting Performance

Jessie Buckley in Women Talking (United Artists Releasing / Orion Pictures)

Raúl Castillo in The Inspection (A24)

Hong Chau in The Whale (A24)

Brian Tyree Henry in Causeway (Apple TV+)

Nina Hoss in Tár (Focus Features)

Noémie Merlant in Tár (Focus Features)

Ke Huy Quan in Everything Everywhere All At Once (A24)

Mark Rylance in Bones and All (United Artists Releasing / Metro Goldwyn Mayer Pictures)

Gabrielle Union in The Inspection (A24)

Ben Whishaw in Women Talking (United Artists Releasing / Orion Pictures)

Breakthrough Performer

Anna Cobb in We’re All Going to the World’s Fair (Utopia)

Frankie Corio in Aftersun (A24)

Anna Diop in Nanny (Amazon Studios and Blumhouse)

Gracija Filipovic in Murina (Kino Lorber)

Kali Reis in Catch the Fair One (IFC Films)


Breakthrough Series – Short Format (under 40 minutes)

Abbott Elementary, Quinta Brunson, creator; Quinta Brunson, Justin Halpern, Patrick Schumaker, Randall Einhorn, executive producers (ABC)

As We See It, Jason Katims, creator; Jason Katims, Jeni Mulein, Dana Idisis, Yuval Shafferman, Udi Segal, Amit Gitelzon, Shlomit Arvis, Danna Stern, executive producers (Prime Video)

Mo, Mohammed Amer, Ramy Youssef, creators; Mohammed Amer, Ramy Youssef, Ravi Nandan, Hallie Sekoff, Solvan “Slick” Naim, Harris Danow, Luvh Rakhe, executive producers (Netflix)

Rap Sh!t, Issa Rae, creator; Issa Rae, Syreeta Singleton, Montrel McKay, Deniese Davis, Dave Becky, Jonathan Berry, executive producers (HBO/HBO Max)

Somebody Somewhere, Hannah Bos, Paul Thureen, creators; Bridget Everett, Carolyn Strauss, Mark Duplass, Jay Duplass, Mel Eslyn, Hannah Bos, Paul Thureen, Patricia Breen, Tyler Romary, executive producers (HBO Max)

Breakthrough Series – Long Format (over 40 minutes)

Pachinko, Soo Hugh, creator; Soo Hugh, Michael Ellenberg, Lindsey Springer, Theresa Kang-Lowe, Richard Middleton, Kogonada, Justin Cho, executive producers (Apple TV+)

Severance, Dan Erickson, creator; Ben Stiller, Nicholas Weinstock, Jackie Cohn, Mark Friedman, Dan Erickson, Andrew Colville, Chris Black, John Cameron, executive producers (Apple TV+)

Station Eleven, Patrick Somerville, creator; Patrick Somerville, Jessica Rhoades, Scott Steindorff, Dylan Russell, Scott Delman, Jeremy Podeswa, Hiro Murai, Nate Matteson, executive producers (HBO/HBO Max)

This is Going to Hurt, Adam Kay, creator; Naomi De Pear, James Farrell, Jane Featherstone, Adam Kay, Ben Whishaw, executive producers (AMC+ in association with BBC)

Yellowjackets, Ashley Lyle, Bart Nickerson, creators; Jonathan Lisco, Ashley Lyle, Bart Nickerson, Drew Comins, Karyn Kusama, executive producers (SHOWTIME)

Outstanding Performance in a New Series

Bilal Baig in Sort Of (HBO Max/HBO)

Ayo Edebiri in The Bear (FX)

Janelle James in Abbott Elementary (ABC)

Minha Kim in Pachinko (Apple TV+)

Matilda Lawler in Station Eleven (HBO/HBO Max)

Britt Lower in Severance (Apple TV+)

Melanie Lynskey in Yellowjackets (SHOWTIME)

Zahn McClarnon in Dark Winds (AMC & AMC+)

Sue Ann Pien in As We See It (Prime Video)

Ben Whishaw in This is Going to Hurt (AMC+ in association with BBC)

Breakthrough Nonfiction Series

The Andy Warhol Diaries, Alexis Martin Woodall, Scott Robertson, Andrew Rossi, Stanley Buchthal, Josh Braun, Ryan Murphy, executive producers; Maya E. Rudolph, producer; Andrew Rossi, director (Netflix)

The Last Movie Stars, Martin Scorsese, Amy Entelis, Courtney Sexton, executive producers; Adam Gibbs, Ryan Hawke, Emily Wachtel, Lisa Long Adler, producers; Ethan Hawke, director (HBO Max)

Mind over Murder, Nanfu Wang, creator and director; Marc Smerling, Nanfu Wang, Max Heckman, Chad Mumm, Mark W. Olsen, Nancy Abraham, Lisa Heller, Sara Rodriguez, executive producers (HBO/HBO Max)

The Rehearsal, Nathan Fielder, creator and director; Nathan Fielder, Dave Paige, Dan McManus, Christie Smith, executive producers (HBO Max)

We Need To Talk About Cosby, W. Kamau Bell, creator and director; W. Kamau Bell, Andrew Fried, Katie A. King, Vinnie Malhotra, Dane Lillegard, Sarina Roma, Jordan Wynn, executive producers (SHOWTIME)


Thirty-four critics, curators, programmers, and writers participated in the nomination process. 

Nominating Committees for the 2022 Gotham Awards were:

Nominating Committee for Best Feature and Best Screenplay:

Justin Chang, Film Critic, Los Angeles Times, NPR’s “Fresh Air”

K. Austin Collins, Film Critic, Rolling Stone

David Ehrlich, Chief Film Critic, IndieWire

Jessica Kiang, Freelance Film Critic, Variety, Sight & Sound, Los Angeles Times, The Playlist

Alison Willmore, Film Critic, New York Magazine/Vulture

Nominating Committee for Best Documentary Feature:

Ben Fowlie, Executive and Artistic Director, Points North Institute; Founder, Camden International Film Festival

Tom Hall, Co-Head/Artistic Director at Montclair Film & The Clairidge Cinemas

Eric Hynes, Writer/Reporter/Critic; Curator of Film, Museum of the Moving Image

Ruth Somalo, Senior Programmer at DOC NYC & ADFF, independent curator and filmmaker

Ania Trzebiatowska, Film Curator, Sundance Film Festival

Nominating Committee for Best International Feature:

Bilge Ebiri, Film Critic and Writer, New York Magazine/Vulture

David Fear, Senior Editor & Critic, Rolling Stone

Wendy Ide, Film Critic, The Observer, Screen International

Guy Lodge, Film Critic, Variety, The Guardian and co-editor, Film of the Week

David Rooney, Chief Film Critic, The Hollywood Reporter

Nominating Committee for Breakthrough Director

Carlos Aguilar, Film Critic, Los Angeles Times, The Wrap

A.A. Dowd, Culture Editor, Chron

Kate Erbland, Executive Editor, Film, IndieWire

Lovia Gyarkye, Arts and Culture Critic, The Hollywood Reporter

David Sims, Staff Writer, Culture, The Atlantic

Nominating Committee for Outstanding Lead Performance, Supporting Performance, and Breakthrough Performer:

Robert Daniels, Film Critic, RogerEbert.com, The Playlist, IndieWire

Jon Frosch, Reviews Editor, The Hollywood Reporter

Tim Grierson, Senior U.S. Critic, Screen International; author, This Is How You Make a Movie

Tomris Laffly, Film Critic, Variety, RogerEbert.com

Brian Tallerico, Editor, RogerEbert.com

Nominating Committee for Breakthrough Series and Outstanding Performance in a New Series

Judy Berman, TV Critic, TIME

Jen Chaney, TV Critic, Vulture

Daniel Fienberg, Chief Television Critic, The Hollywood Reporter 

Caroline Framke, Chief TV Critic, Variety

Melanie McFarland, TV Critic & Senior Culture Writer, Salon

Nominating Committee for Breakthrough Nonfiction Series 

Judy Berman, TV Critic, TIME

Amy Dotson, Director of PAM CUT//Center for an Untold Tomorrow & Curator, Film & New Media at Portland Art Museum

Daniel Fienberg, Chief Television Critic, The Hollywood Reporter 

Cynthia Fuchs, Interim Director, Film and Video Studies, College of Visual and Performing Arts, George Mason University 

Sponsors

The Lead Sponsors of the 2022 Gotham Awards are Cadillac, FIJI Water and GreenSlate. 

About the Gotham Film & Media Institute

The Gotham celebrates and nurtures independent film and media creators, providing career-building resources, access to industry influencers, and pathways to wider recognition. The organization, under the leadership of Executive Director and award-winning producer Jeffrey Sharp, fosters a vibrant and sustainable independent storytelling community through its year-round programs, which include Gotham Week, Gotham Labs, Filmmaker Magazine, the Gotham Awards, Gotham EDU, Owning It, and Expanding Communities.

About the Gotham Awards

The Gotham Awards, one of the leading honors for independent film and television, provides early acknowledgement to groundbreaking independent films and television series. Selected by distinguished juries and presented in New York City, the home of independent film, the Gotham Awards are the first honors of the film awards season. This public showcase honors the filmmaking community, expands the audience for independent films, and supports the work that The Gotham Film & Media Institute does behind the scenes throughout the year to bring such films to fruition.

 

 

 

Short film review: ‘Shepherd’s Song’ – Quietly healing nature with nurture.

Shepherd’s Song

When Jenya Schneider lost both her parents by age 18, she was pushed to find meaning and hope in her life. That came in the form of a flock of sheep.

Abigail Fuller’s short film Shepherd’s Song contemplates Earth’s interconnectedness through the eyes of California grazier Jenya Schneider. Climate change threats in the west frequently come in the form of severe droughts and wildfires. Jenya and her partner Jack have chosen a cyclically beneficial lifestyle for the Earth, their clients, and themselves. Four hundred ewes, recycled fencing, and unrelenting passion comprise their venture. Grazing becomes a service to the land, and the sheep produce wool and lanolin. The science behind grazing done right shows the value to the ecosystems it serves. It’s healing the land.

A beautiful score by Serena Goransson moves from subtle to soaring as the film progresses. It feels perfect. Carmen Delaney’s mix of handheld and drone cinematography gives the audience an idea of the landscape scale against Jenya and Jack’s figures through the mountainous grasslands. It is stunning. SHEPHERD’S SONG is part climate film, part nature film, and all heart. We can all learn a whole lot from Jenya and Jack. They are showing the world how to repair the damage we’ve done, one area of grassland at a time.


SHEPHERD’S SONG is now available to view on The North Face’s Youtube channel 
Genre: Eco, nature climate Documentary

The North Face is partnering to release the film on their YouTube channel on October 13th. The film’s director Abigail Fuller was the recipient of The North Face’s “Move Mountains Filmmaker Grant” for women filmmakers.


 

NYFF60 review: ‘SHE SAID’ is retraumatizing and revitalizing. It’s a must-see.

SHE SAID

Sex, lies, power, and scandal, SHE SAID wowed audiences into silence at NYFF60. We all think we know the story behind the takedown of Harvey Weinstein. This new film, based on the explosive investigative reporting from New York Times journalists Jodi Kantor and Megan Twohey, gives us an inside look at the delicate process of relationship building and the truth. She Said is directed by Maria Schrader, with a screenplay from Rebecca Lenkiewicz based on the 2019 book by Kantor and Twohey of the same name. The film depicts two colleagues coming from two different places in their personal life; Kantor, the mother of three children, and Twohey enduring PPD after the birth of her first child. The film opens brilliantly, with Twohey addressing the infamous Access Hollywood tape. We all know what happened after that, and any sane human can agree it was a disaster for women and the entire world. Once payouts for sexual allegations became a headline, and after the firing of Bill O’Reilly, the NYT floor was abuzz with thinking. How far does this problem go?

The legwork done by these women is mindblowing. The all-hours phone calls, the messages, the threats, and the intimate and honest way they approached anyone connected with Miramax and The Weinstein Company. The film conveys the emotional exhaustion of it all. Story after story of similar allegations and subsequent NDAs sucker punch you, over and over. As these cases now play out in real-time, it is fascinating to witness how to reach a victim and what compels an enabler. One particular detail I found interesting was Weinstein’s obsession with whether the team had spoken to Gwenyth Paltrow. It comes up three to four times at Harvey’s behest. I am dying to know what that story entails because it was clear from the voice reenactments Harvey feared her in a way he did not fear others. Seeing Ashley Judd play herself was undeniably powerful. I can only imagine the feelings of catharsis that must come with that decision. 

Andre Braugher as NTY executive editor Dean Baquet gives a standout performance. He is a no-nonsense fighter, and the entire audience loved him. Braugher represents what every female employer needs in their corner daily. He is spectacular. Jennifer Ehle is heartbreaking as Laura Madden, one of the first women to agree to go on the record. Samantha Morton is an absolute ass-kicker playing Zelda Perkins, who handed over the negotiations from her NDA. She brings the fiery energy that skewers Miramax.

Carey Mulligan and Zoe Kazan play Megan Twohey and Jodi Kantor, respectively. Chasing down uncooperative leads and racing against Ronan Farrow, while balancing personal turmoil and home life, Mulligan and Kazan perfectly balance one another. Mulligan brings a similar edge that we saw in Promising Young Woman. Do not for a minute think this is a one-note performance. Never doubt Carey Mulligan’s ability to be soft and vulnerable. Kazan plays Kantor with an elegant passion and determination to reveal the truth. Together, they support one another from scene to scene. Some of my favorite moments occurred when only the two of them played opposite one another. While these were generally brief, believe it or not, they were magnetic together. I would watch seven more films about Twohey and Kantor’s work as long as Mulligan and Kazan do them justice. 

Ultimately, SHE SAID is both retraumatizing and revitalizing. The work continues. We can thank two brave and tirelessly devoted women for letting us into a world we did not want to admit ruled supreme for far too long. SHE SAID will undoubtedly be on everyone’s lips as we keep our fingers crossed that men like Harvey Weinstein, and anyone who enabled his behavior, are held accountable. Survivors demand it, and allies demand it. Something has got to give. Let the dominoes fall, and let them rot in jail.

She Said – Only In Theaters November 18.

Social Handles

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Website: https://www.shesaidmovie.com

#SheSaidMovie