Bentonville Film Festival 2022 short review: ‘Honey and Clover: A Recipe For Disaster’

HONEY AND CLOVER


SYNOPSIS
Honey and Clover are former child stars from the hit show Rink Inc. where they played crime-fighting sisters whose parents owned a roller-skating rink. Past and future collide threatening to reveal their darkest secrets when the two are thrust back into the spotlight together after years of estrangement. They are forced to accept that the only way they can survive is together. Their timely reconnection teaches them to cope with their new lives while coming to terms with the shocking past that tore them apart in this deeply empathetic and magical portrayal of friendship.


A solid proof of concept short, I found myself wanting more information on both the leads and their manager Max, played spectacularly by actor Ray Abruzzo. I want to know who else this guy represents. Give me an entire BoJack Horseman style section in a series of all his clients. Our leading ladies, Theresa Burkhart Gallagher and Jackie Monahan engaging and complex. The short ramps up about 10 minutes in with a fun action scene mirroring their heyday skills. This was badass. The information we’re missing from their youth and everything in between feels pretty pertinent to the present-day chaos. I was genuinely interested. I’d love to see how Rink Inc. came to fruition, from the girls meeting as teens, cut back and forth their success, and their ultimate fallout. I’m assuming that’s the goal with this short. In its current form, Honey and Clover expertly bate the hook. Get me a pair of skates, I’m ready to roll.

Director:                                 Andrea Maxwell
Writers:                                   Matthew Gallagher, Theresa Burkhart Gallagher, Jackie Monahan
Producers:                             Matthew Gallagher, Theresa Burkhart Gallagher, Andrea Maxwell,
Jackie Monahan, Diana Zollicoffer
Executive Producers:            Emily De Margheriti, Benjamin Sharpe, Greg Tally
Editor:                                     Andrea Maxwell
Cinematographer:                 Sherri Kauk                          
Music:                                     Allyson Newman
Cast:                                       Theresa Burkhart Gallagher, Jackie Monahan, Ray Abruzzo, Dan Lauria,
David Barrera
TRT:                                        14:36 min
Country:                                 USA


Screening information:
Thursday, June 23 at 3:00PM
Awkward At Any Age (Competition Shorts)
Walmart World Room (105 North Main Street)

Ticketing information:
https://www.goelevent.com/BFF/e/AwkwardAtAnyAgeCompetitionShorts

Short films in our competition lineup telling stories at key moments of personal growth from childhood to adulthood and beyond. This program includes THE WEIGHT OF IT (Directed by Olivia Marie Valdez, Einar Soler Fernandez, Sandra Afonso Rodriguez), LOVE’S BABY SOFT (Directed by Lanie Zipoy), AMERIGIRL (Directed by Samina Saifee), ANNIVERSARY (Directed by Lain Kienzle), SEASICK (Directed by Lindsey Ryan), WEI-LAI (Directed by Robin Wang), HOPEFUL ROMANTIC (Directed by Kate Vinen) and HONEY AND CLOVER: A RECIPE FOR DISASTER (Directed by Andrea Maxwell).


Bentonville Film Festival 2022 world premiere: ‘The Seven Faces Of Jane’ is a visionary experiment from 8 filmmakers.

THE SEVEN FACES OF JANE

Eight filmmakers come together to create one genre-obliterating film that centers around a woman named Jane. 

Goodbye/Hello

Gillian Jacobs

Jane drops off her daughter at sleepaway camp.

JaneSquared

Gia Coppola

In search of coffee, Jane encounters her doppelganger. 

Tayo

Boma Iluma

Jane reconnects with a previous lover. With super 8 footage overtop flashbacks, this story is pure romantic nostalgia. 

Guardian

Ryan Heffington

Jane rides an emotional and musical rollercoaster from delight to broken-heartedness, celebrating the friendship between her and a friend named Sybil. 

The Lonesome Road

Xan Cassavetes 

Jane picks up a free-spirited hitchhiker. Their drive is a fantasy sequence in more than one way. 

Rose

Julian J. Acosta

Jane encounters a girl running away from her Quinceanera. Their conversation turns to identity and confessions. It’s a celebration of similarities amongst strangers. As Rose, actress Daniela Hernandez is a star. 

The One Who Got Away

Ken Jeong

Community costar Joel McHale reunites with Gilligan Jacobs when Jane flags down a jogger and old friend sharing an intimate past. Jacobs and McHale have explosive chemistry together. When it comes down to it, McHale completely steals this scene. It is a wow of a turn. 

The Audition

Alex Takacs

Jane attends a call for a mysterious audition that begs more questions than answers. Breeda Wool gives us a manic performance you’ll struggle to shake. 

The only visual throughline is Jacobs and Jane’s all-new Ford Mustang Mach E. The automaker worked with producer Roman Coppola to bring the film to life. The stylistic maneuvering never lets you tune out. As each story differs in length and cinematography, The Seven Faces of Jane is an extraordinary film. Bentonville 2022 audiences are in for one wild ride.


Directed by:

Gillian Jacobs, Gia Coppola, Boma Iluma, Ryan Heffington, Xan Cassavetes, Julian J. Acosta, Ken Jeong, Alex Takacs

Starring:

Gillian Jacobs, Anthony Skordi, Chido Nwokocha, Sybil Azur, Emanuela Postacchini, Joni Reiss, Soledad St. Hilaire, Joel McHale, Caroline Ducrocq, Breeda Wool

Produced by:

Roman Coppola p.g.a., Jason Baum p.g.a. Sarah Park. Allison Amon p.g.a. and Luke Ricci

Executive Producers:

Chris Chang, Duffy Culligan, Tara Schaeffer, Alessandro Uzielli and Jordan Weisman

Editors:

Peter Cabada Hagan, Scott Hanson, Armen Harootun, Niles Howard, Jacob Mendel, Michael Wolfe

Cinematographer:

Andy Catarisano

Runtime:

92 minutes


To find out more about Bentonville 2022 click here!

In-Person Festival – June 22 – 26; Virtual Festival – June 22 – July 3

Tribeca Immersive 2022 reviews: ‘Plastisapiens’ & ‘This Is Not A Ceremony’ are visions of despair and pleas for action.

THIS IS NOT A CEREMONY

I was greeted outside the exhibit by director Ahnahktsipiitaa (Colin Van Loon) before I knew I was about to enter his endlessly effective film. As I sat with VR goggles on in a small dark room, I was treated to an experience that would leave me forever changed. I bore witness to tragic stories of racism and mistreatment of Canadian Indigenous people. This structure is like a fever dream with reenactments, an enormous burning buffalo, and two indigenous narrators that guided my eyes in a 360-degree manner. When immersive tech first started to appear at film festivals, I was one of the earlier guinea pigs. Now, outside of the gaming world, immersive films have the ability to place an audience inside a story, touching almost every one of our senses. When This Is Not A Ceremony concluded, Van Loon handed me a Blackfoot tobacco tie, thanking me for being part of this narrative. The passion and format of this film are unmissable. You cannot help but feel the need to do something about the ongoing injustice. This Is Not A Ceremony is a haunting call to action.


PRODUCED BY
NFB (Dana Dansereau)
PUBLISHER
NFB (Dana Dansereau)
DIRECTOR
Ahnahktsipiitaa
PROJECT CREATOR
Ahnahktsipiitaa (Colin Van Loon)
SCREENWRITER
Ahnahktsipiitaa
EDITOR
Jessica Dymond
ART DIRECTOR
James Monkman
NAGAMO PUBLISHING
Nagamo Publishing
PRODUCER
Dana Dansereau


PLASTISAPIENS

Plastisapiens had an ethereal appearance as I approached the experience. Housed in a draped tent, with dripping and “organic” masses hanging from its ceiling. I was left to a small enclave and comfy stool where I was given my VR goggles and controllers. Plastisapiens had me on the bottom of the ocean floor back in time. The evolution of life and the introduction of plastic toxins into that environment are tracked into a speculative future. Used the controllers and my breath to maneuver forward through time and grasp objects. As the timeline pressed on, I skyrocketed upwards from sea to a new environment. The narration utilizes a modulated voice-over that is absolute perfection, as human merges with inorganic material, changing the very existence of life as we know it. Plastisapiens was mesmerizing. Writer-directors Miri Chekhanovich and Édith Jorisch created something mysterious, educational, and terrifying. I left awestruck.

PRODUCED BY
NFB (Marie-Pier Gauthier, Isabelle Repelin), Dpt. (Raphaëlle Sleurs), Lalibela Productions
PUBLISHER
National Film Board of Canada
KEY COLLABORATORS
Canada Media Fund, The National Film Board of Canada, Makor Foundation of Israel, The Israel Film Council, The Ministry for Culture and Sports
PROJECT CREATOR
Miri Chekhanovich, Édith Jorisch, Dpt.
CREATED BY
Dpt.
PRODUCER. NFB
Isabelle Repelin, Marie-Pier Gauthier
PRODUCER, DPT.
Raphaëlle Sleurs
PRODUCER
Lalibela Productions

Tribeca Film Festival 2022 reviews: ‘The Drop’ & ‘Don’t Make Me Go’ are two different films about parenting and identity.

THE DROP

I’m a huge fan of Sarah Adina Smith‘s work. Midnight Swim, Buster’s Mal Heart, and most recently Birds of Paradise are an eclectic group of films that show her imagination and vision are one of a kind. Her latest Tribeca 2022 film is no exception. In The Drop, Lex and Mani are a vivacious married couple trying to get pregnant. Lex does the unthinkable after they arrive at a friend’s destination wedding. She allows the bride’s infant daughter to slip from her grip. The fallout from this moment sends this group of close friends into a tailspin of pretentiousness, ego, judgment, confessions, and chaos. The Drop is a proper hard R-rated adult comedy. The laughs are endless. Huge quirky personalities clash in a way that doesn’t let anyone off the hook. The film centers on parenting styles, communication, and the facade we all put up to survive. Smith and co-writer Josh Leonard skewer Millenial culture in the most brilliant ways possible. Anna Konkle and Jermaine Fowle lead this ensemble cast of your dreams. There is not a weak link in the bunch. The Drop is a crowd pleaser you’ll want to see with your closest friends. Then you can all sit around and decide which asshole character most represents you. You’re welcome.


DIRECTOR
Sarah Adina Smith
PRODUCER
Jonako Donley, Mel Eslyn, Sarah Adina Smith, Joshua Leonard, Shuli Harel, Tim Headington, Lia Buman
SCREENWRITER
Sarah Adina Smith, Joshua Leonard
CINEMATOGRAPHER
Shaheen Seth
EDITOR
Daniel Garber, Sarah Adina Smith
COMPOSER
Ellen Reid
EXECUTIVE PRODUCER
Mark Duplass, Jay Duplass
CAST

Anna Konkle, Jermaine Fowle, Jillian Bell, Utkarsh Ambudkar, Elisha Henig, Jennifer Lafleur, Joshua Leonard, Aparna Nancherla, Robin Thede


DON’T MAKE ME GO

Hannah Marks is a damn gem. Her films have insight and heart for days. Her latest Tribeca 2022 film, Don’t Make Me Go, takes on a father-daughter relationship that will shake even the hardest of hearts. John Cho and Mia Isaac play Max and Wally. When Max discovers that his headaches are a brain tumor, he takes a reluctant Wally on a road trip to his college reunion. The journey serves a dual purpose; spending time with Wally and reconnecting with his ex-wife and Wally’s estranged mother. The screenplay by Vera Herbert is overflowing with coming-of-age moments, humor, and grounded conversations about mortality. It manages to be a story of redemption through creative means. We watch Wally make one bratty and irresponsible decision after another, yet her actions are ceaselessly relatable on the journey of finding your identity. Max is chasing the clock and lies to Wally for most of the film. With the purest intentions and all the love and emotional sacrifice a parent can muster, Don’t Make Me Go is a beautiful story about vulnerability and living life to the fullest every day.


DIRECTOR
Hannah Marks
PRODUCER
Donald De Line, Leah Holzer, Peter Saraf
SCREENWRITER
Vera Herbert
CINEMATOGRAPHER
Jaron Presant
EDITOR
Paul Frank
CAST

John Cho, Mia Isaac, Mitchell Hope, Jemaine Clement, Stefania LaVie Owen, Kaya Scodelario


US Release Date: July 15, 2022


Tribeca Film Festival 2022 review: ‘Next Exit’ is a genre bending road movie.

NEXT EXIT

Profound and completely unexpected, Tribeca 2022 film Next Exit tackles suicide and the afterlife. I understand that sounds like an unimaginable task, but writer-director Mali Elfman skillfully crafts a nuanced take on guilt, shame, and regret. The “right to die” is front and center as the discovery that our souls linger on Earth with our loved ones changes the way people look at death. People now apply to enter the afterlife, each with a personal agenda. Program participants Teddy and Rose team up for what would be the road trip of a lifetime. 

Karen Gillan is in full Elizabeth Holmes vocal range as Dr. Stevensen. While we only see her in television clips, Whovians around the globe will be delighted by her presence. Our two leads, and program volunteers, are spectacular. Rahul Kohli plays Teddy. He oozes charm and sharp wit. Katie Parker is Rose. Her past, quite literally, haunts her. She’s a firecracker. Her chemistry with Kohli is electric. Formerly costars in The Haunting of Bly Manor, these two emotional disasters are the perfect pair. Kohli also reunites with iZombie costar Rose McIver as she plays Heather in the film. 

Danny Parker‘s song “Everything Will Change” plays over the credits and perfectly encapsulates the film’s aura. The tonal shifts in the script took me on a wild ride. Next Exit defies genre labels. Elfman melds regret, sadness, fear, and humor for a dark look at existence. I felt like I was in a strange therapy session as I watched. Next Exit is a beautiful balance of human experience and existential crisis. Tribeca audiences are in for surprisingly personal catharsis. 


Directed by Mali Elfman

Mali Elfman is a writer/director and BAFTA nominated producer. She’s written/directed four shorts; her latest Locker Room Z was released on Amazon and Alamo Drafthouse theaters. She’s produced many films including Karen Gillan’s The Party’s Just Beginning and Mike Flanagan’s Before I WakeNext Exit is her feature film directorial debut.

DIRECTOR
Mali Elfman
PRODUCER
Mali Elfman, Derek Bishé, Narineh Hacopian
EXECUTIVE PRODUCER
Brett W. Bachman, Lindsay Helms, Joel Nevells
SCREENWRITER
Mali Elfman
CINEMATOGRAPHER
Azuli Anderson
COMPOSER
Ariel Marx
EDITOR
Brett W. Bachman
CO-PRODUCER
Lena Mesiano
CAST
Katie Parker, Rahul Kohli, Rose McIver, Karen Gillan, Tongayi Chirisa, Diva Zappa


Tribeca Film Festival 2022 review: ‘BODY PARTS’ is a cinematic sex education.

BODY PARTS

I remember the buzz when Halle Berry reportedly got a half-million-dollar payday when she bared her naked breasts in Swordfish. I thought she was a total badass for demanding more money. It was as if a shift in the patriarchal Hollywood structure had been unlocked. Berry has since denied the payment, explaining that she was taking ownership of her body. Until then, audiences had become desensitized to women’s bodies as public currency. Tribeca 2022 audiences got a revelatory education in Kristy Guevara-Flanagan’s documentary, BODY PARTS.

The list of things I learned watching the doc is endless. Intimacy coordinators should be on every single set. I didn’t even know this occupation existed. I believe I audibly exclaimed, “Oh! Huh,” as I discovered the art of simulating oral sex. The technical aspects of intimate scenes are paramount to understanding how actresses should feel on a set. These scenes were enthralling for a performer and a writer like myself.

The power of female leads in the 20s and 30s got squashed by the introduction of the Hollywood Censors. These scenes shaped our perceptions of ourselves for decades and told us what intimacy “should” look like. That warped perspective has created generations of unhealthy relationships, unreported assaults, and continued abuse. This is not merely a film industry issue. We see men continue to be indoctrinated into believing they are entitled to women’s bodies. The social commentary on each era in relation to what was acceptable in cinema is ceaselessly fascinating. “Penises are pornography. Tits are art,” might be one of the most relevant comments in the entire film. The male gaze has dominated cinema since the very beginning. #MeToo and the prosecution of Harvey Weinstein ignited a shift in culture.

BODY PARTS is one of the Tribeca 2022’s best documentaries. The editing is a triumph. As figureheads speak, recreations and famous scenes throughout history play out, making the doc incredibly accessible to a wide audience, cinephiles and casual film fans alike. BODY PARTS is such a conversation starter. It’s nothing short of a Wow.


DIRECTOR
Kristy Guevara-Flanagan
PRODUCER
Helen Hood Scheer
CINEMATOGRAPHER
Frazer Bradshaw, Jason Joseffer
EDITOR
Liz Kaar, Anne Alvergue
COMPOSER
Nainita Desai
EXECUTIVE PRODUCERS
Ruth Ann Harnisch, Abigail Disney, Daniel Chalfen, Adrienne Becker, Roger Clark
CAST
Jane Fonda, Joey Soloway, Angela Robinson, Karyn Kusama, Rose McGowan, David Simon.


Tribeca Film Festival 2022 review: Perfectly titled, ‘A Matter Of Trust’ is one of this year’s best films.

A Matter Of Trust

A young man outed by a classmate takes solace in his English teacher. 

A doctor honors her Hippocratic oath on a repatriation flight to Afghanistan. 

A mother and her daughter have a beach day. 

A newlywed couple attends a funeral. 

An Airbnb triste is interrupted by the owner of the home. 

We are humble witnesses to these tales. Tribeca 2022 film A Matter Of Trust will enthrall audiences. The film is challenging to describe because I want you to see it. Aptly titled, I want to you take my word that what you’ll see is extraordinary filmmaking. The multiple narrative structure keeps you engaged, but the writing and performances capture your full attention. The cinematography has an intrusive intimacy you cannot escape. The script burns itself into your brain with unexpected moments. Loaded with nuance, director Annette K Olesen and co-writer Maren Louise Käehne, present a shockingly honest portrait of humanity through five stories. A Matter Of Trust is undoubtedly one of the best films from this year’s festival. 


FEATURE | DENMARK | 105 MINUTES | DANISH | ENGLISH SUBTITLES
DIRECTOR
Annette K Olesen
PRODUCER
Jonas Frederiksen
SCREENWRITER
Annette K Olesen, Maren Louise Käehne
CINEMATOGRAPHER
Anders Nydam
COMPOSER
Kåre Bjerkø
EDITOR
Denniz Göl Bertelsen
EXECUTIVE PRODUCER
Bo Ehrhardt, Birgitte Hald
SOUND DESIGN
Mick Raaschou
ADD’L CREDIT 1
Mick Raaschou
LINE PRODUCER
Julie Carla Mortensen
ADD’L CREDIT 2
Julie Carla Mortensen
ADD’L CREDIT 3
Heidi Plugge Gustav Pontoppidan
PRODUCTION DESIGNER
Gustav Pontoppidan
CAST
Trine Dyrholm, Jakob Cedergreen, Sofie Juul Blinkenberg, Ellen Rovsing Knudsen, Morten Hee Andersen, Emil Aron Dorph


Tribeca Film Festival 2022 review: ‘Naked Gardens’ is an insightful look at an alternative lifestyle.

NAKED GARDENS

Everyone arrives for a different reason, but collectively their goal is the same. Leave your judgment at home because at Sunsport Gardens in Florida, “nudity is expected.” It says so on the sign in the office. The naturist property operates similarly to a co-op. Residents own shares in the corporation and a board that makes decisions for the entirety of the community. But, there also appears to be a rental office. This option proves to be a challenge to some of the residents’ way of life. Tribeca 2022 delivers a unique doc with Naked Gardens.

The fact that these residents allowed cameras into the community communicates how comfortable they are in their skin. Here’s what audiences need to understand; society has decided what the rules are. Clothing didn’t always exist. Men have sexualized the naked body. This programming proved inherently true as I found myself staring while watching the film. The residents are not always nude. You sporadically see everyone dressed at one time or another. Christmas is one of those occasions. The tween-aged residents always appear clothed. One of their main goals is protecting the children.

The style of the doc is observational cinema. There are no sit-down interviews, just simple daily interactions between residents within the months leading up to their annual festival. What filmmakers Ivete Lucas & Patrick Bresnan catch on camera is undoubtedly intriguing. They are intimate moments and mundane moments. Naked Gardens showcases a group of earnest people trying to live a harmonious and simple way of life. If nothing else, you have to respect that.


CAST & CREDITS

Directed by Ivete Lucas and Patrick Bresnan

Using precise and illustrative cinematic images, Ivete Lucas and Patrick Bresnan make verité stories that counter the mythic concepts of America. Their short films have premiered at Cannes, Berlin, Sundance and Locarno. Their first feature film Pahokee premiered in competition at Sundance and was released in the United States and France.

DIRECTOR
Ivete Lucas, Patrick Bresnan
PRODUCER
Patrick Bresnan, Ivete Lucas, Tabs Breese, Julia Nottingham, Roberto Minervini and Denise Ping Lee
SCREENWRITER
Ivete Lucas
CINEMATOGRAPHER
Patrick Bresnan
EDITOR
Ivete Lucas
EXECUTIVE PRODUCER
Matthew Perniciaro, Jimmy Goodmon, Shelly Leslie, John W Copeland
ASSOCIATE PRODUCER
Shakira Refos
CO-PRODUCER
Laurence Reymond, Emanuela Righi, Kelsey Oluk
CAST
Jeremy, McKayla, Jamie, Gretchen, Deedee, Serenity, Morley


Tribeca Film Festival 2022 capsule reviews: ‘January,’ ‘The Year Between,’ and short film ‘Girls Night In’

January

The visual aesthetic of Tribeca 2022 film JANUARY feels like it was actually filmed in 1991, using a mixture of super 8 footage, archival footage, and inspired cinematography. Performances are solid. The soundtrack is outstanding, highlighting gorgeous framing. The lack of urgency overall was challenging to overcome. I wasn’t sure if I felt connected enough to give a damn. This is from an arts academy grad. It was refreshing to see young female ambition in the character of Anna.

At the 52-minute mark, I was suddenly at attention. I wish this had come sooner in both the narrative and the score. Ultimately, January keeps your attention with its unique editing and intriguing, sometimes dizzying, cinematography. At times, I could not decern who was filming, whether it was archival or handheld footage from the cast. It’s a weirdly meta experience in that way. JANUARY is a coming-of-age story of a life torn between art and war.


The Year Between

Alex Heller wears all the hats in Tribeca 2022 film The Year Between. As a writer, director, producer, and star, she’s a spectacular nightmare. As Clemence, she is perfectly punchable. Even if it doesn’t sound like it, this is a compliment. As Clemence, she is a hellacious person. An entitled brat with zero social graces. Come to find out that she is undiagnosed bipolar. Through horrible life choices, Clemence slowly climbs her way out of her pity party to ingratiate herself into her family’s hearts. Navigating jobs, drugs, therapy, medication, relationships, and self-actualization, The Year Between goes hard in every aspect. Heller is unapologetic in style. The voice is loud and clear, and I look forward to what comes next.


Girls Night In

When a masked man threatens to ruin a girls’ night, Becca and Delaney attempt to best the intruder against all logic. This satirical short is an ode to the Bechdel Test and horror fans everywhere. Skylan Benton, as Delaney, is dressed similarly to Drew Barrymore in Scream and has an unmissable Alexis from Schitt’s Creek vibe going on in her tone. Becca (Jess Adams) is the more overtly cautious of the two girls, but everything changes, including her wardrobe, once challenged. Spot the cliché and hilarious quick-change by removing her glasses, a classic 90s reference. This is another example of how writer Landon LaRue and director Alison Roberto are true genre fans, beyond the lighting shifts and Davey Oberlin‘s throwback score. The addition of unapologetic Gen Z chatter infuses another layer of funny. Girls Night In will be a hit with not only horror fans but all Tribeca 2022 short film enthusiasts this year. 


 

Tribeca Film Festival 2022 review: ‘DREAMING WALLS: Inside The Chelsea Hotel’

DREAMING WALLS: Inside The Chelsea Hotel

The Chelsea Hotel was a bohemian enclave in New York City. Artists, movie stars, and musicians passed through the halls during the height of avant-garde Manhattan. Now, the remaining long-term residents of the hotel mingle within the current renovations, attempting to coexist amongst the chaos. 

The residents are an eclectic group of creators. Each possesses a unique story and a timeless aura about them. It just so happens that I know one of the artists and have a few of his pieces. A few years ago, Skye Ferrante (AKA Man Of Wire) recreated selected quotes sculpted from wire for each member of my family. They are one-of-a-kind creations. To watch him is to witness magic. Ferrante provides original and poetic voice-over passages of his own writing as we watch the chemistry between him and his models and his daughter. He is a snapshot, and one of the youngest, of the creative beings left behind.

Filmmakers Maya Duverdier and Amélie van Elmbt watch them maneuver within the halls and their respective spaces, listening to them recall their glory days and how long they think they can survive until renovations are complete. Their emotional attachments vary from apartment to apartment. Haunting footage of dark, cavernous hallways creates an eerie effect, while archival footage and audio layer on top of one another. It’s entrancing and a little rock ‘n roll. Tribeca 2022 audiences are in for a love letter and a history lesson in the form of a breathing time capsule. 


CAST & CREDITS

Directed by Amélie van Elmbt and Maya Duverdier

Amélie van Elmbt studied at the IAD Film School. In 2011, she directed her first feature film, Headfirst. Her second feature The Elephant & The Butterfly premiered at Tribeca. Maya Duverdier holds a master’s degree in film from École cantonale d’art de Lausanne. Dreaming Walls: Inside the Chelsea Hotel is her first feature-length documentary.

DIRECTOR
Amélie van Elmbt, Maya Duverdier
EXECUTIVE PRODUCER (MAIN CREDIT)
Martin Scorsese
PRODUCER
Hanne Phlypo, Quentin Laurent
CINEMATOGRAPHER
Joachim Philippe, Virginie Surdej
COMPOSER
Michael Andrews
EDITOR
Alain Dessauvage, Julie Naas
EXECUTIVE PRODUCER
Lori Cheatle
CO-PRODUCER
Frédéric de Goldschmidt, Simone van den Broek, David Herdies
US DISTRIBUTOR

Magnolia Pictures


To learn more about Tribeca 2022 click here!

Tribeca Film Festival 2022 review: Director Floor Van Der Meulen receives special mention with the Best New Narrative Director Award for ‘PINK MOON’

PINK MOON

Iris (Julia Akkermans) and her older brother Ivan (Eelco Smits) are faced with life-altering news when their father (Johan Leysen) decides to end his life. Iris is confused, devastated, she tries to be a little accepting.. It seems like her father is never been more sure with anything in his life, and that leaves Iris in an emotional shamble.


Tribeca 2022’s award-winning film Pink Moon will undoubtedly strike a chord with Gen X. We currently exist between aging parents and parenthood. Mortality has weighed heavy in recent years. No one gazes into the future to imagine the death of their Mom or Dad, so to be told that death is a choice is an entirely new level of madness. In Pink Moon, Iris and Ivan take two different approaches to their father’s declaration that he is “done living.” Ivan is practical, almost emotionless. Iris, understandably, pushes back with unsurmountable sadness. Doing everything in her power to change his mind, Iris takes leave from work, pretending to plan his final day, only to ditch the plan and kidnap him for one last hurrah. Pink Moon slowly delves into the complex relationship between children and parents. Actress Julia Akkermans tackles the script by Bastiaan Kroeger with humor and heart. Watching her emotional journey unfold feels palpable and grounded from start to finish. To think that this is the directorial debut for Floor van der Meulen blows my mind. I cannot wait to see what comes next. Audiences can watch the film on Tribeca 2022’s At Home option. The film dives into universal truths that will touch the coldest of hearts. I highly recommend you give Pink Moon your full attention. 


Available Starting

Wed June 15 – 6:00 PM

At Home

 

DIRECTOR
Floor van der Meulen
PRODUCER
Derk-Jan Warrink, Koji Nelissen
SCREENWRITER
Bastiaan Kroeger
CINEMATOGRAPHER
Emo Weemhoff NSC
EDITOR
Mieneke Kramer
CAST
Julia Akkermans, Johan Leysen, Eelco Smits, Anniek Pheifer, Sinem Kavus


 

Tribeca Film Festival 2022 review: ‘An Act Of Worship’ is required viewing.

An Act Of Worship

Reenactments, sit-down interviews, home videos, photos, and intimate storytelling, Tribeca 2022 feature documentary An Act Of Worship highlights the continued pain and persecution of Muslims in America. Thirty years of pivotal historical trauma shape the community, as told through three female activists and those around them. 

The doc addresses the highs and lows through the lens of personal identity from Oklahoma City to the election of President Obama. His presidency felt like a bait and switch. Then came Trump, and we’re all still reeling from that atrocity. 

The continued trauma permeates everyone who practices Islam. The film does not shy away from the implicit bias we’ve come to acknowledge only recently. It addresses racism head-on with honesty. Imagine if the NYPD monitored Christian charities, households, and churches the same way they harass Muslims. White people would lose their minds. 

Hearing the emotional impact on Muslims is undeniably powerful. Listening to these vibrant and hopeful young people alongside their parents is enlightening. These are the stories we must hear in order to connect new generations and old generations. 

I attended Catholic school from first to eighth grade. I am now an agnostic because of this. But, I distinctly remember my father encouraging me to explore other religions if I felt I needed to. I firmly believe that students in the United States should learn about every religion, its origins, and its belief structure to quell fear based on ignorance or propaganda. Multicultural panels and open discussions are imperative to understand that we’re more alike than different, as cliche as it sounds. An Act Of Worship is undeniably a beautiful and important conversation starter. We need more films like this.


Running Time: 83 Minutes

Language: English, Arabic Country: USA

DIRECTOR
Nausheen Dadabhoy
PRODUCER
Sofian Khan, Kristi Jacobson, Heba Elorbany
CINEMATOGRAPHER
Nausheen Dadabhoy
COMPOSER
Mary Kouyoumdjian
EDITOR
Ben Garchar


Tribeca Film Festival 2022 review: ‘My Love Affair With Marriage’ is an animated handbook to the complexities of female existence.

My Love Affair With Marriage

From an early age, songs and fairytales convinced Zelma that Love would solve all her problems as long as she abided by societal expectations of how a girl should act. But as she grew older something didn’t seem right with the concept of love: the more she tried to conform, the more her body resisted. A story about the acceptance of the inner female rebellion.


A musical evolution of one girl’s journey into womanhood, navigating every cliché influence thrown at her from birth. 2D and stop motion animation illustrate Zelma’s life and thoughts. The film charms you with a mix of science and storytelling. Zelma narrates her journey like diary entries performed at a read-aloud. They are honest, funny, and universally relatable. Viewers will grin from ear to ear and nod knowingly. “Biology” explains how Zelma’s chemistry simultaneously affects her actions and reactions. 

The musical numbers are snappy and frequent. The lyrics allow those clichés to become confessions of the ridiculous patriarchal structures. They are predominantly performed by three women, akin to muses, following Zelma through life. The nonsensical expectations of society, combined with the hardwiring of a woman’s brain, create an incredible insight into our behavior. 

I am a big fan of Signe Baumane‘s film Rocks In My Pockets. I was delighted to see My Love Affair With Marriage on Tribeca 2022 slate. This film is something special. It’s unafraid to reveal our innermost thoughts, fears, hopes, regrets, mistakes, and dreams. It celebrates unfiltered authenticity with clever writing and delightful visuals. It’s an outstanding feminist film that will undoubtedly win over audiences everywhere. 



https://www.tribecafilm.com/films/my-love-affair-with-marriage-2022

RT: 107 minutes

Sunday, 06/19/2022, 4:00 PM at VEC-05 – 3rd Screening


Director & Screenwriter: Signe Baumane

Cast: Dagmara Domicnik (“Succession,” “We Are The City”), Matthew Modine (“Stranger Things”), Emma Kenney (“Shameless,” “The Conners”), Cameron Monagha (“Shameless”) and Stephen Lang (Avatar 1-4)

Producers: Roberts Vinovskis, Sturgis Warner, Signe Baumane, Raoul Nadalet

Executive Producers: Matthew Modine, Adam Rackoff, John Jencks


Tribeca Film Festival 2022 review: ‘CHERRY’ slides by with authenticity.

CHERRY

Stunted adult Cherry discovers she’s pregnant and has 24 hours to decide whether or not to go through with an abortion. The film counts down the day one hour at a time while she encounters all the people in her life; bosses, coworkers, doctors, her boyfriend, and her family. Cherry is a master of bad decisions. Now, it’s time to grow up. 

Alex Trewhitt brings flighty and raw energy to the titular role. She’s comfortable in her skin, and the camera loves her. Her nonchalance compels you to invest in Cherry’s wellbeing, whether because you’re disappointed in her or because you relate. Trewhitt leans into Cherry’s flaws, embodying the coming-of-age spirit of the film.

The handheld camera work works perfectly for this anxiety-ridden, real-time storytelling. The momentum seems to lull about halfway in, particularly when Cherry arrives home. But, writer-director Sophie Galibert, who co-writes with Arthur Cohen, has a clear vision of the weight of such a decision. I would gladly see what she has up her sleeve next. If you put the film into personal context to realize where you were at 25, Cherry nails it with a messy authenticity. Did Cherry make me want to buy a new set of rollerskates at 42 years old? Absolutely. 


To find out more about Tribeca 2022 and how to watch CHERRY, click here!


DIRECTOR
Sophie Galibert
PRODUCER
Sophie Galibert, Shincy Lu, Philippe Gompel
SCREENWRITER
Sophie Galibert, Arthur Cohen
EXECUTIVE PRODUCERS
Sophie Galibert, Matthew Michel, Jacqueline Garcia Ortega
CINEMATOGRAPHER
Damien Steck
COMPOSER
Clémentine Charuel
EDITOR
Camille Delprat
ASSOCIATE PRODUCER
Alexander Akoka, Clara Sansarricq, Arthur Cohen
CO-PRODUCER
Cameron Holly Dexter
COLORIST
Lionel Kopp
CASTING DIRECTOR
Jasmine Gutierrez
PRODUCTION DESIGNER
Yuelin Zhao
COSTUME DESIGNER
Gigi Harding
MUSIC SUPERVISOR
Roxanne Oldham
CAST
Alex Trewhitt, Joe Sachem, Dan Schultz, Sandy Duarte, Alice Bang, Hannah Alline, Melinda DeKay, Angela Nicholas, Charlie S. Jensen, Darius Levanté



Tribeca Film Festival 2022 review from Unseen Films: ‘BLAZE’

BLAZE

After accidentally witnessing a violent crime, a young girl is left catatonic with shock, and struggles to make sense of what she saw, ultimately finding renewal in the inestimable world of her own imagination.


It is a  brilliantly made, beautifully acted film that is an excellent exploration of dealing with trauma. I applaud the filmmakers for making a film that deals honestly with the subject and doesn’t make it so everything instantly goes away in 90 minutes.

That said, we have to talk about the opening.

I am being more forthcoming than the promotional material for the film in that I am telling you our right that the terrible thing mentioned in the promotional material is a sexual assault, I am also warning you that it is really brutal.  While I hate warning audiences this time there should have been a warning on the content before going in – especially since some write-ups mention the film being about a girl and her invisible dragon- which many, myself included, made us think slightly lighter fare.

I mentioned this because I have friends who are victims of sexual assault and watched them walk out after discovering a film or play not knowing the subject matter. I have a day job where I have come into contact with survivors and I have seen them triggered by off-handed mentions of their own or another’s assault.  I have been yelled at by friends for not mentioning lesser assault in a film recommendation, so despite the filmmaker’s desire that audiences not be told and discover the event on their own, I am warning you.

Critically the assault raises an important question about the structure of the film in that there is no constructive need for us to witness the whole thing when our heroine does not. She only peaks at the rape, hiding behind a tree and listening to what she can hear over the sound in her headphones. There is no rational reason for us to see the rape in detail from multiple angles other than the creating of a head space, which ends up being overdone since the rape hangs over the film. Think about it- I am talking about the start of the film despite the ending being hopeful.

In an age where we label what is in the film, there was, as of this writing (June 3) no warning anywhere. There should be one. More so since I know other festivals such as Sundance and SXSW earlier this year had warnings on films that were much less jarring.

And no I am not big on trigger warnings but this film really requires one- even if my calling for one may make you think it’s not as bad as all that- because someone is not going to get the memo.

Warning given the film is gorgeous and amazingly well made (dare I say it could be called a great film), but everything is colored by the rape and as such, I don’t want to discuss it.

You’re on your own


For more Tribeca coverage from Unseen Films click here!


Remaining screenings:
Fri June 10 – 5:45 PM

Cinépolis: Theater 5

Fri June 17 – 8:00 PM

Village East by Angelika: Theater 2


Review: ‘Tales From The Other Side’ is spooky fun for horror lovers.

I love a good horror anthology. With a classic Halloween trope of three kids getting pulled into the town legend’s Victorian mansion, Tales From The Other Side finds Scary Mary spinning tales of terror for her eager guests. Six separate stories send shivers down their spines and sweets into their bellies. 

“Petrified Boy”

A ringmaster takes advantage of a tragedy.

“Flicker”

An aspiring filmmaker takes a job making memorial videos for a funeral home. 

“Crystal Ball”

A couple in turmoil steals the coveted object of a fortune teller. 

“Either / Or”

Trae Ireland, Tonya Cornelisse, and James Duval pack a punch in a story about a mental facility patient claiming to be the prophet, Elijah. This segment is the epitome of masterful performance. The finale will blow you away. 

“Blood Red”

An artist’s triste gets bloody complicated. 

“Krampus Vs. Elf”

A visually jarring stop motion battle between good and evil. It’s pretty disgusting, but the ending is chef’s kiss. 

Our three young leads are fantastic. Brooklyn Anne Miller, in particular, is flawless. Get that girl a show on Nickelodeon ASAP. Roslyn Gentle, as Mary, is a superstar. I’d watch an entire franchise with her as the center. 

Tales From The Other Side has a solid “Are You Afraid of the Dark?” vibes. It’s tricky to stand out amongst hits like The Mortuary Collection and the VHS franchise, but Tales From The Other Side gives it an honest-to-goodness try. The filmmakers are clear classic genre fans working on a micro-budget. The makeup and scores are great additions. The opening title sequence from Sean Wyn is creative and disturbing. What more could you ask for setting up scary stories with anything but horrifying drawings from children? It’s not as if you don’t know where the overarching narrative around Scary Mary is going. Tales From The Other Side is still a gruesome delight.


ON DIGITAL AND DVD JUNE 7


Directors: Pablo Macho Maysonet IV, Jamaal Burden, Scotty Baker, Jacob Cooney, Lucas Heyne, Kern Saxton, Frank Merle

Cast: Ros Gentle, Michael Broderick, Rafael Delgado Jr., James Duval, Chelsea Vale, Vernon Wells, Andreas Rodriguez


Review: Drag superstar Bebe Zahara Benet gets real in Emily Branham’s documentary ‘Being Bebe’

BEING BEBE

BEING BEBE intimately charts 15 years of drag performer Marshall Ngwa (aka BeBe Zahara Benet): An immigrant to America from homophobic Cameroon, first champion on now-iconic LGBTQ+ reality show phenomenon RuPaul’s Drag Race. Grounded by Marshall’s present-day narration, the film features vérité, interviews and performances illustrating his journey to Queer Black Excellence.


A cultural icon in the world of female illusion, BeBe Zahara Benet rose to international fame as the first winner of RuPaul’s Drag Race. But Marshal Kudi Ngwa‘s career was years in the making before the reality series. Director Emily Branham uses archival footage mixed with sit-down interviews during COVID. How does a star slowed down by a global pandemic remain relevant without a live audience’s love and energy? Being BeBe is a heartfelt and honest look at the artist pushing boundaries without pause.

The film addresses the criminality of queerness in Cameroon. Branham respectfully blurs the faces of the participants not only for their physical safety but to give them the freedom to express themselves fully on camera. These young men explain the constant fear of being discovered by family or friends. The isolation takes a toll. The slip of a gesture could mean putting their existence at risk. BeBe has become a role model for those in Cameroon. She uses her platform to support the queer community and give a face to black excellence.

Marshall has a personable and glorious nature. You long to be in his presence as he radiates kindness, humor, grace, and an intensely inspiring work ethic. The film is an unfiltered look at the industry’s ups and downs. That unpredictability causes Marshall to push his ego aside, emotional breakthroughs, and unapologetic admissions. Being BeBe is infectious. If you weren’t a fan before, get ready for newfound respect and adoration for BeBe Zahara Benet because, honey, she continues giving us Face, Face, Face, no matter what.


BEING BEBE // Festival Teaser from Emily Branham on Vimeo.

BEING BEBE, roars into Pride Month on June 7th on major Transactional Video on Demand (TVOD) platforms via digital distributor Giant Pictures
(Apple TV, Prime Video, Google Play, Vudu – Pre-Order at https://geni.us/BeingBeBe).
The film will also make its Broadcast Premiere on Fuse on June 21st.


The countdown is officially on for Tribeca Film Festival 2022. Here are 20 films we’re keeping our eyes on this year.

Tribeca is back in action. The 2022 interaction of the festival will have events including films, talks, masterclasses, immersive selections, and a watch at-home option if you’re not in the city. There is so much to experience this year, but here is a list of films we’re keeping our eyes on. More to come as the festival rolls on over 12 days.


HALFTIME

– Opening Night –

Launches on Netflix on June 14th

HALFTIME offers an intimate peek behind the curtain revealing the grit and determination that makes Jennifer Lopez the icon she is, from her performances onscreen and on stages around the world, to her Super Bowl Halftime show, to the recent Presidential inauguration. The documentary focuses on an international superstar who has inspired people for decades with her perseverance, creative brilliance, and cultural contributions. And it’s only the beginning. HALFTIME serves as the kickoff to the second half of Lopez’s life, as she lays bare her evolution as a Latina, a mother, and an artist, taking agency in her career and using her voice for a greater purpose.

Directed by: Amanda Micheli

Produced by: Benny Medina, Elaine Goldsmith-Thomas, Dave Broome, Angus Wall, Terry Leonard, Jennifer Sofio Hall, Kent Kubena, and Serin Marshall

Screenings: 

6/8 at 7:00pm – United Palace

6/9 at 9:00pm – Village East by Angelika: Theater 1

6/11 at 11:30am – Cinépolis: Theater 4


CAROL AND JOHNNY

The unbelievable, decade-spanning, and surprisingly heart-warming true story of two of America’s most successful bank robbers, Carol & Johnny provides the opportunity for the real-life Bonnie and Clyde to reflect upon and record their unique love story in their own words. Comparing and contrasting the oral histories of both now-elderly ex-cons, Colin Barnicle’s riveting biographical documentary traces the history of the duo with equal intensity and intimacy, transforming true crime into a rich, literary epic. 

If you’re not obsessed with true crime at this point, I don’t know what rock you’ve been living under. This one has an intimate and personal touch to it.

Directed by: Colin Barnicle 

Produced by: Barnicle Brother with Words and Pictures

Section: Viewpoints, Feature Documentary

Screenings:

6/12 a 5:00pm – Village East by Angelika: Theater 2

6/14 at 6:00pm – At-home Virtual Screening  

6/15 at 2:45pm – Village East by Angelika: Theater 6

6/16 at 8:00pm – Village East by Angelika: Theater 2


RUDY! A DOCUMUSICAL

Whether you love, hate, or loved then hated Rudy Giuliani, everyone knows his name. He was “America’s mayor,” Time Magazine’s Person of the Year, US Attorney for the Southern District of New York, and a personal lawyer to the former President of the United States. Dissecting the rise and fall of its titular subject with thorough research and an inquisitive eye, Rudy! A Documusical is a political documentary that goes beyond well-known headlines to explore the psyche and circumstances of a man in free-fall.

The downfall of “America’s Mayor” (and yes, we did call him that as someone who experienced 9/11 here in the city as a college student) is one of the most shocking things to witness. Share in the media-frenzied weirdness why don’t you?

World Premiere

Directed by: Jed Rothstein

Produced by: Ross M. Dinerstein and Sarit G. Work

Section: Spotlight Documentary

Screenings: 

6/9 at 8:30pm – SVA Theater 1 Silas 

6/10 at 2:45pm – Cinépolis: Theater 5

6/17 at 8:15pm –  Tribeca Center


FAMILY DINNER

It’s no surprise that the Midnight films happen to be the ones I covet most during Tribeca. This year, Peter Hengl’s film Family Dinner features a young woman named Simi visiting her family for Easter. Seeking the guidance of her famous nutritionist aunt, Claudia, she is introduced to a diet that will take every ounce of willpower. The film simmers in uncomfortable tension. Don’t think that for a moment, I missed  Ant Timpson as one of the executive producers. Family Dinner has all the ingredients for a feast, that might just come back up later.

Fri June 10 – 9:00 PM
Village East by Angelika: Theater 6
 
Sat June 11 – 9:45 PM
Village East by Angelika: Theater 4
 
Wed June 15 – 8:15 PM
Tribeca Film Center

BODY PARTS

This stellar documentary dives headfirst into the “reality” of sex scenes in Hollywood. In conversation with actresses, directors, and intimacy coordinators, Body Parts mixed social relevance and amazing editing to bring you into the bedrooms of some of the most iconic sex scenes in cinematic history. And that’s only the beginning of what this film tackles. Get ready for a lesson in industry intimacy.

DIRECTOR

Kristy Guevara-Flanagan

 
EXECUTIVE PRODUCERS
Ruth Ann Harnisch, Abigail Disney, Daniel Chalfen, Adrienne Becker, Roger Clark
 
CAST
Jane Fonda, Joey Soloway, Angela Robinson, Karyn Kusama, Rose McGowan, David Simon.
 
Sun June 12 – 2:45 PM
Village East by Angelika: Theater 1
 
Mon June 13 – 8:15 PM
Tribeca Film Center
 
Tue June 14 – 6:00 PM
At Home

Only available in New York state

Thu June 16 – 9:00 PM
Cinépolis: Theater 6
 

THE YEAR BETWEEN

(US Narrative Competition) – Clemence Miller, played by comedian writer/director Alex Heller, is coming home to live in her family’s basement after dropping out of college with a newly diagnosed mental illness. Having to face her battered relationships and responsibilities of adulthood, she is driving everyone around her… crazy.

Alex Heller is a tour de force in this unapologetic and in-your-face indie. Wearing all the hats in this film as star, writer, director, and producer. 
 
DIRECTOR
Alex Heller
 
PRODUCER
Eugene Sun Park, Amanda Phillips, Sonya Lunsford, Rachel Gould, Caterin Camargo-Alvarez, Alex Heller
 
SCREENWRITER
Alex Heller
 
CINEMATOGRAPHER
Jason Chiu
 
EXECUTIVE PRODUCER
Adrienne Becker, Susanna Fogel, J. Smith-Cameron, HaJ
 
CAST
Alex Heller, J. Smith-Cameron, Steve Buscemi, Wyatt Oleff, Emily Robinson, Kyanna Simone, Rajeev Jacob, Waltrudis Buck
 
Sun June 12 – 5:30 PM
Village East by Angelika: Theater 1
 
Available Starting
Tue June 14 – 6:00 PM
At Home
 
Tue June 14 – 8:45 PM
Village East by Angelika: Theater 3
 
Fri June 17 – 9:00 PM
Cinépolis: Theater 6

NAKED GARDENS

(Documentary Competition) – An immersive film from filmmakers Ivete Lucas and Patrick Bresnan (Pahokee), about the unseen world of nudism. Set in the Florida Everglades, NAKED GARDENS follows the stories of individuals drawn to this lifestyle and the dilemmas they face, as they prepare for the Midwinter Naturist Festival.

Charming and insightful, push your judgment aside and meet a community attempting to live and accept one another. They just happen to be nude.

DIRECTOR
Ivete Lucas, Patrick Bresnan
PRODUCER
Patrick Bresnan, Ivete Lucas, Tabs Breese, Julia Nottingham, Roberto Minervini, and Denise Ping Lee
SCREENWRITER
Ivete Lucas
CINEMATOGRAPHER
Patrick Bresnan
EDITOR
Ivete Lucas
 
Fri June 10 – 5:45 PM
Village East by Angelika: Theater 3
 
Sat June 11 – 5:15 PM
Tribeca Film Center
 
Thu June 16 – 5:45 PM
Village East by Angelika: Theater 3


AMERICAN DREAMER

Based on a true story. American Dreamer is the story of Dr. Phil Loder (Peter Dinklage), a low- level, adjunct professor of economics, whose grand dream of owning a home is tragically out of reach…until an incredible, once-in-a-lifetime opportunity comes his way when a lonely, near-death widow (Shirley MacLaine) offers Phil her sprawling estate for pennies. But Phil quickly learns the deal is too good to be true and the American dream is not quite what it used to be.

You had me and most viewers at Peter Dinklage. The man can do no wrong in my book and we’re beyond excited to see him tackle this role based on a true story.


Directed by: Paul Dektor
Written by: Theodore Melfi
Produced by: Toyo Shimano, Emily Shimano, Theodore Melfi, Kimberly Quinn, Peter Dinklage, David Ginsberg, Paul Dektor
Starring: Peter Dinklage, Shirley MacLaine, Matt Dillon, Danny Glover, Kimberly Quinn, Danny Pudi

RT: 106 Minutes

Public Screenings
Saturday, June 11, 2022, 8:00 PM at BMCC Tribeca Performing Arts Center
Tuesday, June 14, 2022, 5:30 PM at Village East Cinema: Theater 3
Friday, June 17, 2022, 3:00 PM at Village East Cinema: Theater 3



THERE THERE

World Premiere – Spotlight Category

Directed by: Andrew Bujalski
Starring: Jason Schwartzman, Lili Taylor, Molly Gordon, Lennie James, Avi Nash, Annie LaGanga 
Music by: Jon Natchez, Roy Nathanson

RT: 93 minutes

Ever wonder if falling in love again is worth the effort? If someone you cared about were crazy, or if you were crazy for caring? Could someone you trust destroy you while trying to support you, or vice versa? What if the boundaries were getting awfully blurred? Are we being judged for these choices, and who’s judging? Should we have another drink? Are we even communicating now, are we on the same planet, in the same time and place here?

A lover’s doubt in the cold light of morning leads to a chain of uneasy intimacies–counselors, disrupters, peacemakers, and firestarters–everyone looking to have a little faith rewarded.


Public Screening
Friday, June 10, 2022, 5:30PM at SVA Theater 2 Beatrice
Saturday, June 11, 2022, 6:00PM at Cinépolis: Theater 6
Friday, June 17, 2022, 3:45PM at Village East by Angelika: Theater 4



CORNER OFFICE

World Premiere – Spotlight Narrative Category 
 

Directed by: Joachim Back
Starring: Jon Hamm

RT: 101 minutes

CORNER OFFICE an absurdist tale of a man lost in his own space. Orson (Jon Hamm) is a corporate drone trying to move up in his newly acquired entry-level job who discovers a secret room in his drab, soul-crushing office building; a discovery that causes problems with his new colleagues (Danny Pudi and Sarah Gadon). Director Joachim Back’s Kafka-esque debut feature, adapted by Ted Kupper from Jonas Karlsson’s international best-selling novel The Room, explores how to be sane in a world gone mad.

Public Screenings

Thursday, June 9, 2022, 8:00 PM at BMCC Tribeca PAC
Friday, June 10, 2022, 3:00 PM at Cinépolis: Theater 6
Wednesday, June 15, 2022, 8:30 PM at Village East Cinema: Theater 1



THE COURTROOM

World Premiere – Online Premieres 

Directed by: Lee Sunday Evans
Executive Produced by: Lee Sunday EvansArian MoayedRyan ChanatryGena KonstantinakosAnne Carey
Starring: Marsha Stephanie BlakeMichael BraunKathleen ChalfantHanna CheekMichael ChernusMichael Bryan FrenchMick HilgersLinda PowellKristin VillanuevaBD Wong

 
RT: 87 Minutes
 
In this powerful drama from director Lee Sunday Evans and writer (and Succession breakout star) Arian Moayed, the legal thriller is given a bold and innovative new twist. Adapted verbatim from court transcripts, The Courtroom follows the harrowing journey of Elizabeth Keathley (Kristin Villanueva) a Filipina immigrant who mistakenly registers to vote while on a K3 visa, a crime punishable by deportation. Married with a newborn baby, Elizabeth, with the support of her husband and the tireless efforts of their lawyer, struggles to navigate an increasingly convoluted and nightmarish legal system.
 
Originally presented as a critically-acclaimed off-Broadway play, The Courtroom successfully captures the intensity and intimacy of live theater while also feeling undeniably cinematic. Audiences are thrown directly into Elizabeth’s story and through fluid, immersive direction and striking set design, experience her terror and desperation right alongside her. Evans and Moayed’s fascinating experiment with dramatic reenactment and hybrid storytelling is anchored by standout performances from an accomplished cast of actors – including BD Wong in a moving third act appearance – who bring genuine nuance and emotional heft to an already gripping true story.

Online Screening
Sunday, June 12, 2022, 8:00 PM


THE DROP 

World Premiere – US Narrative Competition

Written & Directed by: Sarah Adina Smith 
Produced by: Mel Eslyn, Jonako Donley, Mark Duplass, Jay Duplass
Starring: Jermaine Fowler, Anna Konkle, Utkarsh Ambudkar, Jillian Bell, Robin Thede, Elisha Henig, Jennifer Lafleur, Joshua Leonard, Aparna Nancherla

RT: 92 Minutes

Lex and Mani’s happy marriage is thrown into a tailspin when Lex accidentally drops their friend’s baby during an otherwise picturesque destination wedding weekend. While the baby is fine, the adults are not.  Lex’s mistake causes a crisis of confidence in those around her, challenging our most primal gender expectations.   

Can a relationship withstand the stress of when things get real? When things get “baby-on-the-pavement” real? 



Public Screenings
Saturday, June 11, 2022, 8:30 PM at SVA1 – Silas
Sunday, June 12, 2022, 9:00 PM at Cinepolis Chelsea -06
Friday, June 17, 2022,  9:30 PM at Village East Cinema -07


 NEXT EXIT 

DIRECTORMali Elfman
WRITERMali Elfman
CAST: Katie Parker, Rahul Kohli, Rose Mciver, Tongayi Chirisa, Tim Griffin, Diva Zappa, Nico Evers-Swindell, and Karen Gillan
 
SYNOPSIS: When a research scientist makes national news proving she can track people into the afterlife, Rose sees a way out and Teddy sees his chance to finally make it. These two strangers, both harboring dark secrets, race to join the doctor’s contentious study and leave this life behind. While Rose is haunted by a ghostly presence that she can’t outrun, Teddy is forced to confront his past. As these two misfits humorously quarrel their way across the country, they meet people along the way who force them to reckon with what is really driving them.
 
This genre-bending road trip film will get under your skin with its incredibly thoughtful performances. Parker and Kohli’s chemistry is cinematic magic. 
 
RUN TIME: 106 minutes
GENRE: Dramedy, Horror, Fantasy
 

TRIBECA PREMIERE DATE: June 10, 2022 / 6:15 p.m. ET / Village East by Angelika Theater 7 


TAURUS

DIRECTOR: Tim Sutton
WRITER:  Tim Sutton
CAST: Colson Baker, Maddie Hasson, Demetrius “Lil Meech” Flenory, Megan Fox, Ruby Rose, Scoot McNairy, Lil TJay, Naomi Wild
 
SYNOPSIS: A rising but troubled musician searches for the inspiration to record one last song, pushing himself deep into the void. A work of fiction that explores fame, addiction, the artistic process, and the music industry, Taurus is a soulful and universal cautionary tale. 
 
 Colson Baker ( AKA Machine Gun Kelly) gives an award-worthy performance. While described as a work of fiction, the story is a cautionary tale. 
 
RUN TIME: 95 Minutes
GENRE: Drama, Music
 

TRIBECA PREMIERE DATE: June 9, 2022 / 8 p.m. ET / Beacon Theatre


FOUR SAMOSAS

*WORLD PREMIERE**
 
WRITER/DIRECTOR: Ravi Kapoor
CAST: Venk Potula, Sonal Shah, Sharmita Bhattacharya, Nirvan Patnaik, Karan Soni, Summer Bishil, Meera Simhan


 
 Synopsis: Determined to disrupt the wedding of his ex-girlfriend by stealing her dowry, underachieving, wanna-be rapper Vinny and his neighborhood pals in LA’s “Little India” concoct a plan to take her family jewels from a supermarket safe.
 

Tribeca Film Festival 2022 In-Person Screening Info
– Friday, June 10th at 6:00pm ET at VEC-06 (181-189 2nd Ave, New York, NY 10003) *World Premiere*
– Saturday, June 11th at 8:45pm ET at CIN-04 (260 W 23rd St, New York, NY 10011)
– Saturday, June 18th at 2:45pm ET at CIN-04 (260 W 23rd St, New York, NY 10011)
 
Tribeca Film Festival 2022 Online Screening Info
– Available online starting on June 12th at 6:00p EST


CHERRY

**WORLD PREMIERE**
 
DIRECTOR: Sophie Galibert
CAST: Alex Trewhitt, Joe Sachem, Dan Schultz, Sandy Duarte, Alice Bang, Hannah Alline, Melinda DeKay, Angela Nicholas, Charlie S. Jensen, Darius Levanté
 
 

Synopsis: Cherry, a driftless 25-year-old young woman discovers she is 11 weeks pregnant and has only 24 hours to make a consequential decision.
 

Tribeca Film Festival 2022 Online Screening Info
– Available online starting on June 11th at 6:00p EST

 


GOD SAVE THE QUEENS

**WORLD PREMIERE**

WRITER/DIRECTOR: Jordan Danger
CAST: Justin Andrew Honard AKA Alaska Thunderfuck, Jay Jackson AKA Laganja Estranja, Kelly Mantle, Jordan Michael Green, Peter Facinelli, Michelle Visage, Joaquim De Almeida, Lunell, Zack Gottsagen

Synopsis: A dramedy about four Drag Queens who find themselves at the very same therapy retreat. In an effort to overcome issues holding them back, they dissect their dilemmas, seen through vignettes of their lives. They discover common ground; Perhaps, it wasn’t serendipity that brought them together. Maybe they’re not alone? 


Tribeca 2022 Online Screening Info
– Available online starting on June 8th at 8:00p EST


YOU CAN LIVE FOREVER

**WORLD PREMIERE**
 
WRITER/DIRECTORS: Sarah Watts, Mark Slutsky
CAST: Anwen O’Driscoll, June Laporte, Liane Balaban, Deragh Campbell, Tim Campbell, Antoine Yared, Hasani Freeman
 

Synopsis: When lesbian teen Jaime is sent to live in a Jehovah’s Witness community, she falls hard for a devout Witness girl and the two embark on an intense affair with consequences that will reshape the rest of their lives. 


Tribeca Film Festival 2022 In-Person Screening Info
– Saturday, June 11th at 5:30p ET at VEC-06 (181-189 2nd Ave, New York, NY 10003) *World Premiere*
– Sunday, June 12th at 2:30p ET at VEC-06 (181-189 2nd Ave, New York, NY 10003) 
– Tuesday, June 14th at 9:00p ET at VEC-06 (181-189 2nd Ave, New York, NY 10003)
 

The Integrity of Joseph Chambers

Desperate to acquire the skills necessary to provide for his family in case of an apocalypse, insurance salesman Joseph Chambers goes deer hunting for the first time ever, alone, when his experienced buddy is too sick to join him.
 
DIRECTOR
Robert Machoian
 
PRODUCER
Clayne Crawford, Kiki Crawford, Robert Machoian
 
SCREENWRITER
Robert Machoian
 
 
CAST
Clayne Crawford, Jordana Brewster, Jeffrey Dean Morgan
 
WORLD PREMIERE – Thursday, June 9th, 5:30 PM at SVA Theater 2 Beatrice

Subject

SUBJECT explores the life-altering experience of sharing one’s life on screen through key participants of acclaimed documentaries The Staircase, Hoop Dreams, The Wolfpack, Capturing the Friedmans, and The Square. These erstwhile documentary “stars” reveal the highs and lows of their experiences as well as the everyday realities of having their lives put under a microscope. Also featuring commentary from influential names in the doc world, the film unpacks vital issues around the ethics and responsibility inherent in documentary filmmaking. As tens of millions of people consume documentaries in an unprecedented “golden era,” SUBJECT urges audiences to consider the often profound impact on their participants.

DIRECTOR
Jennifer Tiexiera, Camilla Hall
 
PRODUCER
Camilla Hall, Jennifer Tiexiera, Joe Caterini
 
SCREENWRITER
Jennifer Tiexiera, Camilla Hall, and Lauren Saffa
 
 
CAST
Arthur Agee, Ahmed Hassan, Margie Ratliff, Michael Peterson, Mukunda Angulo, Jesse Friedman, Elaine Friedman, Lisa Walsh, Susanne Reisenbichler
 
Sat June 11 – 4:30 PM
SVA Theater 2 Beatrice

At this time, SVA Theatre requires proof of vaccination for entry. Masks must be worn at all times. More Info

Mon June 13 – 5:30 PM
Cinépolis: Theater 4
 
Sat June 18 – 3:00 PM
Cinépolis: Theater 6

Don’t forget to check in here at Reel News Daily throughout the fest for reviews, photos, insights, and shared content from our amazing friends at UnseenFilms!

The 2022 Tribeca Festival will take place across the city from June 8-19.


Netflix Review: ‘OUR FATHER’ is a disturbing and infuriating true story of one fertility doctor’s mission.

Synopsis: Jacoba Ballard was an only child, conceived via donor sperm, who always dreamed of having a brother or sister. An at-home DNA test led her to the discovery of not one but seven half-siblings – a number that defied best practices in fertility medicine. As the group set out to learn more about their curious family tree, they soon discovered the sickening truth: Their parents’ fertility doctor had been inseminating his patients with his own sperm – without their knowledge or consent. As Ballard and her newfound siblings realized they’ve barely begun to untangle his dark web of deceit, their pursuit of justice lies at the heart of this profoundly unsettling story about an unimaginable breach of trust.


Real audio, sit-down interviews, and recreations tell the shocking story of one fertility doctor’s sinister plans. Dr. Donald Cline assisted innumerable women in becoming mothers. What those mothers didn’t know would change lives forever. DNA test “23 and Me” blew this story wide open.

Having worked for Dr. Cline for 13 years, Jan Shore candidly speaks about the entire process. The initial moral ambiguity in the voice of Cline’s partner, Dr. Colver, is cringeworthy as he expresses gratitude and awe for Dr. Cline’s innovative science. And yet, as a woman who recalls the monthly tears and disappointment when I couldn’t get pregnant for months on end, listening to these women retell their experiences feels visceral. The most joyous gifts come with an unimaginable caveat.

The emotional trauma in each sibling is palpable, and as the number of newly discovered individuals involved climbs, a chill reruns down your spine. Led by Jacoba Ballard, this unique group of now adults goes through every high and low imaginable. Their strength is beyond admirable. The violation doesn’t end with the initial deception. When the identified siblings push back, a barrage of madness in the form of various threats rains down upon them.

OUR FATHER gets increasingly more disturbing by the minute. The religious aspect is simultaneously eerie and infuriating. Once expanded upon, it’s almost unsurprising. We’ve seen this time and time again. We’re experiencing it as we speak nationally. When the Supreme Court leak used the phrase, “domestic supply of infants,” make no mistake, this is a larger problem than we could possibly understand. OUR FATHER brings forth a string of white men telling women they have no body autonomy, over and over. Not only Dr. Cline but the Indiana Attorney General and even the lawyer for the siblings. While this documentary seems unique, the intent behind the actions, and the far-reaching legal ramifications, could haunt this country for literal generations. Get ready to be nauseated and enraged.


Releasing Globally on Netflix on May 11, 2022


The upcoming documentary feature, OUR FATHER tells the story of one of the most shocking and horrific cases of fertility fraud, catching nationwide attention with coverage in the New York Times and The Atlantic.

Directed by: Lucie Jourdan
Produced by: Jason Blum, Lucie Jourdan, Michael Petrella and Amanda Spain
Executive Produced by: Chris McCumber, Jeremy Gold and Mary Lisio


Review: Despite fantastic performances, ‘The Ravine’ takes a turn for the worse.

presents

In THE RAVINE, when an unspeakable crime rocks a peaceful community, family and friends are left to wonder if they overlooked the murderer among them or if there might be more to the story. Inspired by true events, this haunting thriller stars Eric Dane, Teri Polo, Peter Facinelli, and Leslie Uggams.


Based on a true story, The Ravine skillfully creates a tense atmosphere. The film opens to ominous phone messages, tight-knit relationships, and one pulse-pounding vignette. It’s a familiar panic for someone who has lost a friend in the prime of their life; the unanswered phone tag, the swirl of shock, and unadulterated, unfiltered emotion. Performances are heartbreaking from the children to the adults. They are raw and riveting. All these positive aspects cannot save the film from a failed ending.

Director Keoni Waxman writes the script based on Robert and Kelly Pascuzzi‘s novel of the same name. Its structure utilizes flashbacks and present-day fallout. Through police work, past regressions, and the unexpected introduction of a gifted and religious psychic, The Ravine takes a turn in genre and never fully recovers. The script leans on religious redemption in the end, but the audience does not expect the hard right turn in the narrative. As a choice in storytelling, regardless of how close these depictions are to true events, it doesn’t match with the repetitive scenes of violence. The final 20+ minutes of the moment-by-moment explanation felt rushed and overwhelming. For a film that begins like an episode of True DetectiveThe Ravine ends in a preachy manner. It soured the entire experience. 


Cinedigm will release THE RAVINE in theaters and on Demand and Digital on May 6, 2022.


 
The film stars Eric Dane (“Euphoria”), Teri Polo (Meet the Parents), Peter Facinelli (The Vanished), Byron Mann (The Big Short), Leslie Uggams (Deadpool), and Kyle Lowder (“Days of Our Live”).

THE RAVINE was written and directed by Keoni Waxman (The Hard Way). It was co-written with Kelly Pascuzzi and Robert Pascuzzi whose book “THE RAVINE” is the basis for the film.