
THE FATED HOUR

Based on “The Relationship with the Spirit-World” by Friedrich Laun, filmmaker Peter Hengl‘s Fantasia 2026 atmospheric period short THE FATED HOUR begins in Austria, 1810. Florentine recounts her deceased sister’s supernatural predilections to her fiancé, ultimately warning him of her potential impending destiny.
Seraphine was gifted or afflicted with telepathy, astral projection, and an overwhelming melancholy air. Her inexplicable connection to the spirit world and her ability to receive messages from beyond create a rather chilling existence in 1810. But Florentine’s eternal love for her sister reigns supreme.

Costumes are beautiful. The camerawork, editing, and candlelit rooms lend to a haunting atmosphere. Every aspect of production is divine. Alina Schaller is incredibly compelling as Florentine. You truly hang on every word. Fanny Altenburger, who also provides stunning songwriting and vocals for the film, is mesmerizing as Seraphine, with an ethereal aura.
THE FATED HOUR delves into grief, the indescribable bond between sisters, and even believing women. It’s a genre delight, and extra delicious for us bookish, gothic-loving girlies to get lost in.

Director
Peter Hengl
Executive Producer
David Gregory
Producer
Lola Basara, Kier-La Janisse
Writer
Peter Hengl
Cast
Fanny Altenburger, Daniel Holzberg, Cornelius Obonya, Alina Schaller















































Rob Burnett brings a wicked take on mortality and legacy in Tribeca 2026’s dark comedy In Memoriam. When a known TV actor, Langston Stanfield, gets a terminal cancer diagnosis out of the blue, his entire goal for his remaining six months to live is to make it into the Oscars Death Montage.

Daniel Blake Schwartz‘s very personal Tribeca 2026 drama Cotton Fever explores the trappings of addiction. The film follows the lives of interconnected drug users in Massachusetts.
Director Andrew Neel uses Witold Szablowski‘s book as the basis of his Tribeca 2026 doc How To Feed A Dictator. Call it food porn meets a global authoritarian playbook. This is a brilliant film, if you can stomach it.
Director Allison Sloan Berg‘s Tribeca 2026 doc Time Warp, and I see you shiver with Antici… pation. September 2022 in Rock Springs, Wyoming, a small theatre dares to put on a Shadow Cast production of The Rocky Horror Picture Show. Theatre director, producer, choreographer, house manager, and star of the show, Kenny Starling, brings us into the industrious, loving, and hardworking theatre company that delivers excitement and love to an otherwise quiet, conservative, and seemingly forgotten town.
Theatre has always been a safe space, long before that became a political buzzword. Time Warp appears relatively straightforward in its initial presentation. Berg features cast members’ backgrounds, rehearsals, and most surprisingly, a city council meeting that does not go the way we think it will.
Huge ups to music supervisor Doug Bernheim for the soundtrack, which features the OG Frank-N-Furter, Tim Curry, Siouxsie, Betty Davis, and Jobriath. Frank Keraudren’s editing, particularly the five-day-out rehearsal montage, opening night, and the credits, is delicious. Loved seeing huge Broadway stars line up as Executive Producers! Berg boasts Josh Gad, Billy Porter, and John Cameron Mitchell.
Remaining Tribeca screenings of General Admissions:
Filmmaker Rob Rice‘s incredibly uncomfortable Tribeca 2026 film Ponderosa follows Zeke, a young man targeted by a wealthy patron as his mother’s restaurant chain falters. George thinks he’s mentoring Zeke, but the reality is a collection of bizarre, forced encounters.
You must be logged in to post a comment.