Sundance 2023 capsule review: Anna Hints’ profound documentary ‘SMOKE SAUNA SISTERHOOD’ is a collective sigh of womanhood.

SMOKE SAUNA SISTERHOOD

The ancient Estonian ritual of sauna building is a physical and spiritual cleansing. Women gather to share everything from funny childhood stories to earthly, almost guttural chants to intimate confessions with unfiltered honesty. Anna Hints‘ Sundance 2023 documentary Smoke Sauna Sisterhood is a visceral and profoundly deep film.

Mesmerizing closeups of body parts beading with sweat captured with static and handheld camerawork beautifully complement the conversations and place the audience inside the room. Haunting vocals during transition moments captivate the audience. Images of south Estonian matriarchs are projected on the sauna smoke as their voices recall tales from their lives. It is another stunning addition to an already visually sumptuous film.

Topics like cancer, women’s rights, body shaming, unresolved trauma, sex, and sexuality swirl freely. It is a safe space I envy. Smoke Sauna Sisterhood brings a contagious joy. There is a raw elegance I think Sundance 2023 audiences, specifically female viewers, will welcome. This film is a celebration of our complexities, highlighting the tender care we take with one another. It is revelatory to rediscover the interconnectedness of women and our shared experiences, good and bad. It is an astonishingly rewarding emotional catharsis.


Screening Times
In Person
PREMIERE
AddFAVORITE
Jan. 22 6:00PM MST
Prospector Square Theatre

PARK CITY

SECOND SCREENING
AddFAVORITE
Jan. 23 8:30PM MST
Megaplex Theatres at The Gateway 6

SALT LAKE CITY

SECOND SCREENING
AddFAVORITE
Jan. 25 11:45AM MST
Egyptian Theatre

PARK CITY

SECOND SCREENING
AddFAVORITE
Jan. 26 4:00PM MST
Redstone Cinemas – 2

PARK CITY

SECOND SCREENING
AddFAVORITE
Jan. 27 12:00PM MST
Screening Room

SUNDANCE MOUNTAIN RESORT

Online
SECOND SCREENING
AddFAVORITE
Jan. 24 8:00AM MST
Available Until Jan. 29 11:55PM MST


Anna Hints is an Estonian film director with a background in contemporary art and experimental folk music. Having deep roots in the distinct culture of South Estonia, Hints’ second home is in India. As an active dumpster diver, Hints’ short documentary For Tomorrow Paradise Arrives initiated public discussion and growth of new grassroot movements against food waste in Estonia.


 

Sundance 2023 documentary review: ‘FANTASTIC MACHINE’ is a gasp-worthy watch.

FANTASTIC MACHINE

Memory preservation, emotional resonance, exploration, and exposure of truth, FANTASTIC MACHINE explores the history of capturing the first image to the deliberate curation of media content through the ages.

The swiftness of the manipulation of images shocked me. From the beginning, the film is ruthless in its takedown of perceived truth. It is what we don’t see changes everything. Fantastic Machine has outtakes from a 2017 ISIS propaganda video, Eurovision’s use of the green screen in their scoring reports, how-to YouTube videos, and viral video reactions. At one point, I exclaimed, “What The Fuck,” louder than I intended. 

The power of curated messaging in politics is something we know well. The film features a breathtaking 1993 interview with a filmmaker that changed the face of WW2 and modern-day filmmakers. In 1934, The Nazi Party hired Leni Reifenstahl to show the movement as powerful and attractive. She speaks about the entertainment factor, how a two-hour speech must be compressed to five minutes with a beginning, middle, and thrilling middle, despite the subject. As I witnessed the pride in her technical work, my mouth was agape. Juxtapose those images with the Sidney Bernstein footage from the final day of the war in 1945. Charged with proving the atrocities of war ever existed, Bernstein brings humanity, suffering, and truth. In the end, it is a product. In most cases, it is void of morality.

Maximilien Van Aertryck narrates with a profound statement: “A lack of perspective can distort what the world looks like.” There is such a fine line between propaganda and truth. We are all too familiar with this tactic. The results of media manipulation are monumentally dangerous but immensely lucrative. Instagram is rewiring young brains in a similar manner fashion magazines impacted our self-esteem in the 90s. It, quite literally, changes brain chemistry. The editing from Mikel Cee Karlsson and writer-directors Axel Danielson and Maximilien Van Aertryck is award-worthy. As the saying goes, they understood the assignment.

FANTASTIC MACHINE is ceaselessly fascinating and undeniably disturbing to experience. As a commentary on entertainment, it is both a celebration and a condemnation. Sundance 2023 audiences are in for something absolutely brilliant. 


Screening Times

In Person

  • PREMIERE

    Jan. 23 3:00PM MST

    Prospector Square Theatre

    PARK CITY

  • SECOND SCREENING

    Jan. 24 6:55PM MST

    Broadway Centre Cinemas – 3

    SALT LAKE CITY

  • SECOND SCREENING

    Jan. 25 2:45PM MST

    Egyptian Theatre

    PARK CITY

  • SECOND SCREENING

    Jan. 26 3:00PM MST

    Park Avenue Theatre

    PARK CITY

  • SECOND SCREENING

    Jan. 27 9:30AM MST

    Redstone Cinemas – 1

    PARK CITY

Online

  • SECOND SCREENING

    Jan. 24 8:00AM MST

    Available Until Jan. 29  11:55PM MST


Sundance 2023 doc review: ‘Is There Anybody Out There?’ is an unexpectedly badass victory cry

IS THERE ANYBODY OUT THERE?

In search of someone else with the same physical condition, Ella Glendining takes us on a thoughtful journey in Sundance 2023 documentary IS THERE ANYBODY OUT THERE?

The editing combined with the score creates a charming and deeply affecting quality. Confessional diary logs place us in Ella’s headspace. She uses home videos and sit-down chats with her Mum and Dad about what it was like to raise her. Seeking specialists and families with the same disability offers Ella more questions than answers. We follow Ella through an unexpected pregnancy. Her gorgeous son River and the Covid 19 pandemic change how she views potential surgery options. As she speaks to others via Zoom, she contemplates the appreciation of her body.

The discussion of ableism is paramount to understanding Ella’s life and any family with a differently abled member. I am the mother of a seven-year-old son with Autism Spectrum Disorder. I suspect that with his off-the-charts cognitive abilities, the more precise diagnosis is Aspergers. I appreciated Ella and her best friend Naomi’s honest discussions about her autism and the challenges of an invisible disability. Each admits they cannot fully understand the inner workings of one another’s feelings and worry they have inadvertently said horrible things to one another. Understanding the staring, judgment, and how it pierces the heart cannot be ignored. That is also why the conversations with Ella’s parents resonated with me. Like Ella seeking someone to connect to, her Mum and Dad were touchstones for me.

IS THERE ANYBODY OUT THERE? tackles outdated stereotypes and deep-seated trauma, but also optimism. I hope Ella Glendining understands the gravity of her film. I have to thank her for sharing her life, and I look forward to sharing her story with my son when he is a bit older. IS THERE ANYBODY OUT THERE? celebrates individualism and isn’t that the ultimate goal?


Screening Times

In Person

  • PREMIERE
    Jan. 22 3:00PM MST

    Prospector Square Theatre

    PARK CITY

  • SECOND SCREENING
    Jan. 24 3:00PM MST

    Park Avenue Theatre

    PARK CITY

  • SECOND SCREENING
    Jan. 25 12:00PM MST

    Park Avenue Theatre

    PARK CITY

  • SECOND SCREENING
    Jan. 26 5:30PM MST

    Megaplex Theatres at The Gateway 6

    SALT LAKE CITY

  • SECOND SCREENING
    Jan. 27 2:30PM MST

    Holiday Village Cinemas – 1

    PARK CITY

Online

  • SECOND SCREENING
    Jan. 24 8:00AM MST

    Available Until Jan. 29  11:55PM MST


     

Sundance 2023 review: ‘TALK TO ME’ is visually horrifying and ready for a franchise .

TALK TO ME

When an unusual object allows a group of teens to not only speak with the dead but allow them to enter their bodies, things get violent and personal when Mia’s mother reaches out from beyond the grave. The veil has lifted, and secrets will spill over the threshold, whether Mia and her friends like it or not. Directors Danny Philippou and Michael Philippou bring Sundance 2023 audiences TALK TO ME.

The thrill of taking the otherworldly hand becomes like a drug to the group. This shockingly dangerous behavior throws me back to my teen years, forcing this horror fan to wonder if I would suffer the same fate. A goody two shoes concerning drugs and alcohol does not negate my risky excursions in the New England woods in the pitch black of summer nights. As Mia and her friends battle the typical parental control and need to fit in, their heightened chase of danger spells nothing but doom. Writers Bill Hinzman and Daley Pearson, with concept by Danny Philippou, give us all the background we need to get sucked into this wild scenario, leaving just enough mystery to keep us salivating.

The practical fx are solid. The film’s special effects makeup team does a remarkable job of creeping the audience the fuck out. The work becomes more elaborate as the story progresses. It is spectacular.

This ensemble of young actors wowed with the complex task of playing “multiple roles” (without spoiling the action.) Sophia Wilde as Mia astounded me. The specificity of this performance rocked my world.

TALK TO ME almost demands a franchise. I have so many questions. I’d love a sequel and a prequel! TALK TO ME serves up Sundance 2023 audiences enough to chew on while filmmakers dig deeper into the film’s canon.


Screening Times

In Person

  • PREMIERE
    Jan. 21 11:55PM MST

    Egyptian Theatre

    PARK CITY

  • SECOND SCREENING
    Jan. 22 9:45PM MST

    Broadway Centre Cinemas – 3

    SALT LAKE CITY

  • SECOND SCREENING
    Jan. 25 9:45PM MST

    Library Center Theatre

    PARK CITY

  • SECOND SCREENING
    Jan. 27 9:00PM MST

    Park Avenue Theatre

    PARK CITY

  • SECOND SCREENING
    Jan. 28 10:00PM MST

    Megaplex Theatres at The Gateway 8/9

    SALT LAKE CITY

Online

THIS FILM IS NOT AVAILABLE ONLINE.


 

Sundance 2023 review: ‘MAMACRUZ’ is a bold reclamation of sensuality.

MAMACRUZ

In Patricia Ortega‘s Sundance 2023 film MAMACRUZ, devout seamstress Mari Cruz spends her days dutifully attending to the needs of her church community and caring for her grandchild while her daughter tours with a dance troupe. But, quite by accident, we discover her longing for touch. What begins as an accidental discovery of internet pornography and then unexpected sexual fantasies of a statue of Jesus lead her down a path of exploration.

After her husband shuns her advances, Mari Cruz is undeterred. Nor does the righteous gossip at church stop her. Pushing aside shame, with her sewing skills and newfound knowledge, she heals herself and those around her.

The film looks beautiful. Fran Fernández Pardo‘s cinematography highlights the rich colors in fabrics and paint and captures extraordinary angles in fantasy sequences. The commentary on religious oppression and desire is unmissable. The performances are outstanding. Kiti Mánve breathes vulnerability and quiet ferocity into the role of Mari Cruz. It is a stunning, award-worthy turn.

The film drips with visual innuendo and lust. The audience must leave judgment at the door. MAMACRUZ permits the audience to embrace intimacy, pleasure, and the complexities of womanhood. Life is short. Choose fearless happiness.


Screening Times

In Person

  • PREMIERE
    Jan. 20 9:15PM MST

    Library Center Theatre

    PARK CITY

  • SECOND SCREENING
    Jan. 21 12:00PM MST

    Broadway Centre Cinemas – 6

    SALT LAKE CITY

  • SECOND SCREENING
    Jan. 22 12:30PM MST

    Redstone Cinemas – 1

    PARK CITY

  • SECOND SCREENING
    Jan. 24 8:30AM MST

    Egyptian Theatre

    PARK CITY

  • SECOND SCREENING
    Jan. 27 8:30AM MST

    Holiday Village Cinemas – 1

    PARK CITY

Online

  • SECOND SCREENING
    Jan. 24 8:00AM MST

    Available Until Jan. 29  11:55PM MST


     

Sundance 2023 review: ‘PIANOFORTE’ earns a standing ovation for director Jakub Piatek.

PIANOFORTE

Four stages. 21 straight days. Since 1927, The Chopin Competition has been held in Warsaw. Featuring the most elite piano players in the world, Sundance’s 2023 documentary film PIANOFORTE follows a small group of contestants vying for the illustrious title.

The competition does not occur annually, making it all the more exclusive. Here is how it works: Stage One: 87 participants, Stage Two: 46, Stage Three: 23, Stage Four: 12. The film bounces from the competition to our pianists’ hometowns before competing. A peek beyond the bench, we witness rehearsals, family life, and personal confessions.

Eva (17) is an unsure but internationally acclaimed phenom. She is a sponge for the technical perfection demanded by her instructor. Marcin goes from a confident swagger to an anxious mess as the rounds progress. It is devastating. Alex utilizes yoga and meditation to focus, and his calm demeanor catches you off-guard. He has a surprising swagger as the ladies flock to him throughout the film. Hao (17) is quiet and intensely focused. In Stage Three, one moment of forgetfulness could be his last. Michelle is a delight, confessing her dog is her biggest fan. She also openly talks about the fear of competition and the reality of pursuing anything but piano. Leonora is a spitfire. She beams with each breath.

An undeniably shocking level of emotional investment comes with experiencing PIANOFORTE. The amount of pressure is unimaginable. The film’s final edit is a masterpiece. Undoubtedly, the audience may suddenly find themselves unexpected piano enthusiasts.


Screening Times

In Person

  • PREMIERE
    Jan. 20 2:30PM MST

    Egyptian Theatre

    PARK CITY

  • SECOND SCREENING
    Jan. 21 2:55PM MST

    Screening Room

    SUNDANCE MOUNTAIN RESORT

  • SECOND SCREENING
    Jan. 22 3:45PM MST

    Broadway Centre Cinemas – 3

    SALT LAKE CITY

  • SECOND SCREENING
    Jan. 24 12:00PM MST

    Redstone Cinemas – 7

    PARK CITY

  • SECOND SCREENING
    Jan. 26 6:00PM MST

    Park Avenue Theatre

    PARK CITY

Online

  • SECOND SCREENING
    Jan. 24 8:00AM MST

    Available Until Jan. 29  11:55PM MST


    In 2021, Jakub Piatek’s feature fiction debut Prime Time premiered at the Sundance Film Festival. (Now available on Netflix in all regions.)


 

Sundance 2023 short film review: ‘AirHostess- 737’ is a delicious descent into chaos.

AIRHOSTESS-737

In AirHostess- 737, we meet Vanina, a 39-year-old flight attendant trying to hold it together. Self-conscious over her new braces, her anxiety rises as the film progresses, exacerbated by a passenger, the pilots, and strong turbulence. But there is far more on Vanina’s mind than her newfound hardware.

The choreography of the scenes is spectacular. The audience serves as pov, and Vanina speaks just over the shoulder of the camera lens the entire film. It takes your average walk-and-talk to another level as she juggles casual conversation with her duties down the aisle. Writer-director Thanasis Neofotistos and co-writer Grigoris Skarakis implement a subtle and perfectly placed visual gag in Vanina’s makeup. It is a physical manifestation of her turmoil.

As a frequent flyer, I instantly grinned at actress Lena Papaligoura‘s deadpan demonstration of safety protocols. Her performance hits every note. She is funny, manic, dedicated, and pitch-perfect.

AirHostess- 737 is a descent into the depths of unresolved trauma hidden inside a sharp comedy. I laughed, gasped, and marveled at this short film’s ability to surprise me in fifteen minutes. It is undeniably impressive work from everyone involved. Sundance 2023 audiences will love it.


Screening Times

In Person

  • PREMIERE
    Jan. 20  9:00AM MST

    Prospector Square Theatre

    PARK CITY

  • SECOND SCREENING
    Jan. 21  3:45PM MST

    Broadway Centre Cinemas – 3

    SALT LAKE CITY

  • SECOND SCREENING
    Jan. 22  9:30PM MST

    Megaplex Theatres at The Gateway 8/9

    SALT LAKE CITY

  • SECOND SCREENING
    Jan. 25  12:00PM MST

    Redstone Cinemas – 7

    PARK CITY

Online

  • SECOND SCREENING
    Jan. 24  8:00AM MST

    Available Until Jan. 29  11:55PM MST




Synopsis:
AIRHOSTESS-737 completes Filmmaker Thanasis Neofotistos’s award-winning short film trilogy
(Patision Avenue, Route-3, AirHostess-737) about a road, a journey, a route – traveling this time in a
Boeing-737 with 39-year-old flight attendant, Vanina, accompanying her mother back to her hometown
while seeking, as one does, a reconciliation which her mother appears least able to provide.


 

NYJFF 2023 capsule review: ‘SHTTL’ is already one of the year’s best films.

SHTTL

Written and directed by Ady Walter, SHTTL takes place in a secluded imaginary Yiddish Ukrainian village on June 21st, 1941. The audience thinks they are watching a film about small-town politics. In actuality, SHTTL highlights a real moment in history. New York Jewish Film Festival 2023 is lucky to have such an extraordinary piece of cinema to share with audiences.

Cinematographer Vladimir Ivanov captures the film in one single take. A technical wonder, SHTTL pulls a visual bait and switch made famous in The Wizard of Oz. In this instance, the use of color distinguishes the past and present. This device is emotionally consuming and undeniably dazzling.

This enormous cast gives us some of the most gut-wrenching performances of the year. Keep in my the film is entirely in Yiddish. Do not let this scare you aware! Star Moshe Lobel starred in the critically-acclaimed Off-Broadway Yiddish version of “Fiddler On The Roof.” As Mendele, Lobel carries you in his pocket in this captivating tale of religious ideology, family, love, and loss. Boasting an ending that will have your heart in your throat, SHTTL is a gem. It is a film that deserves a viewing on the loftiest screen available. This film left me breathless.


SHTTL
Ady Walter
Ukraine/France, 2022, 114 min.
Yiddish and Ukrainian with English subtitles
U.S. Premiere

Monday, January 16, 5:30pm
Tuesday, January 17, 1pm


NYJFF 2023

THE 32nd ANNUAL 
NEW YORK JEWISH FILM FESTIVAL,
 PRESENTED 
JANUARY 12-23, 2023


 

Review: ‘BEAUTIFUL BEINGS,’ Iceland’s submission for THE 95TH ACADEMY AWARDS®, opens TODAY in New York and Los Angeles next week from Altered Innocence

BEAUTIFUL BEINGS 

A perpetually bullied young teen named Balli gets invited into a circle of aggressive classmates by Addi, a boy whose mother is a clairvoyant. BEAUTIFUL BEINGS is an enigma befitting The Academy’s attention. Initially, the film tackles familial dysfunction and violence. Midway, the narrative adds the supernatural element in earnest, changing the film in ways that gave me goosebumps.

Beautiful Beings

As we witness Balli’s emotional torture and beatings, Addi grows a conscience by entering Balli’s debris-ridden home. The boys have more in common than at first glance. Siggi and Konni complete this group of boys known for starting fights. Addi’s narration adds depth as he explains each boy’s tumultuous home life. The cyclical nature of violence is front and center. BEAUTIFUL BEINGS is often intense and grueling to watch. But the performances captivate so thoroughly the audience pushes on. Once Addi begins to feel the power his mother passed onto him, the story takes another visually stunning turn.

The exploration of toxic masculinity is countered with the study of male friendships. The emotional highs and lows swing wildly during the two-hour runtime. The film appears to take place in the early aughts. I assume this is key in including the term “retarded,” which echoes nearly a dozen times. As a mother of a child on the spectrum, I cringed each time I heard it. That is my only complaint with BEAUTIFUL BEINGS. As a whole, this film is unique, fearless, and crucial viewing.


Guðmundur Arnar Guðmundsson’s Crushing and Surreal, Multi-Award-Winning Coming-Of-Age Drama — Opens 1/13 at Quad Cinema in NYC & 1/20 at Laemmle Glendale in L.A.

Original title: Berdreymi
Starring: Birgir Dagur Bjarkason, Áskell Einar Pálmason, Viktor Benóný Benediktsson, Snorri Rafn Frímannsson, Aníta Briem, Ísgerður Gunnarsdóttir, Ólafur Darri Ólafsson
Written and Directed by: Guðmundur Arnar Guðmundsson
Produced by: Anton Máni Svansson
Specs: 2022 / 123 Minutes / In Icelandic w/English Subtitles / DCP / 1.85:1


World Premiere: Berlin International Film Festival – Panorama 2022 — Europa Cinemas Label Winner 
Off Camera International Festival of Independent Cinema — FIPRESCI Jury Award Winner
Taipei Film Festival — International New Talent Competition – Special Jury Prize Winner
Thessaloniki Film Festival — Open Horizons Audience Award Winner 
Stockholm Film Festival — Best Screenplay Winner


ABOUT ALTERED INNOCENCE
 
Altered Innocence was founded in 2015 with a focus on bringing international and cutting-edge LGBTQ and Coming-of-Age cinema to North American audiences. Notable releases have included the Cannes Competition film KNIFE+HEART and the U.S. premiere of Spain’s previously unreleased cult title ARREBATO (RAPTURE).


 

DUNGEONS & DRAGONS: HONOR AMONG THIEVES TO OPEN SXSW 2023!

SOUTH BY SOUTHWEST ANNOUNCES OPENING NIGHT FILM, COMPETITIONS, AND SELECT FILM & TV PROGRAM TITLESDUNGEONS & DRAGONS: HONOR AMONG THIEVES TO OPEN FEST



Austin, Texas, – South by Southwest® (SXSW®) Conference and Festivals (March 10-19, 2023) announced the Opening Night film, Feature and Short Competitions, Midnighters, select titles from other categories, and XR Experience for the 30th edition of the SXSW Film & TV Festival. The rest of the lineup will be announced in early February. SXSW Film & TV will open with Paramount Pictures and eOne’s Dungeons and Dragons: Honor Among Thieves, directed and co-written by Jonathan Goldstein and John Francis Daley. In the film a charming thief and a band of unlikely adventurers embark on an epic quest to retrieve a lost relic, but things go dangerously awry when they run afoul of the wrong people. The movie brings the rich world and playful spirit of the legendary roleplaying game to the big screen in a hilarious and action-packed adventure starring Chris Pine, Michelle Rodriguez, Regé-Jean Page, Justice Smith, Sophia Lillis, Chloe Coleman, Daisy Head, and Hugh Grant.

“We are thrilled to announce the first wave of our incredible lineup for SXSW 2023,” said Claudette Godfrey, VP Film & TV. “It’s an amazing collection of films, TV series and XR experiences that promise to inspire, entertain and challenge our audiences. We’re also proud to open with Dungeons and Dragons: Honor Among Thieves, a raucous and engaging fantasy adventure, and look forward to welcoming everyone to Austin in March for what promises to be an unforgettable event.”

SXSW draws thousands of fans, film and television creators, press, and industry leaders to immerse themselves in the smartest, most innovative and entertaining new films, TV and XR projects of the year, as well as giving access to hundreds of Conference Sessions, Music and Comedy Showcases, Creative Industry Exhibitions, Mentoring, Meetups and Special Events that define the cross-industry event. The 2023 Film & TV Festival will be in-person only.

Feature films in the SXSW 2023 lineup screen in the following categories: Headliners; Narrative Feature Competition presented by Panavision; Documentary Feature Competition; Narrative Spotlight; Documentary Spotlight; Visions; Midnighters; Global presented by MUBI; 24 Beats Per Second; Festival Favorites, and Special Screenings. The TV program consists of TV Premieres, TV Spotlight, and the Independent TV Pilot Competition. The SXSW 2023 Shorts Film Program presented by IMDbPro will present seven competitive sections. XR Experience Competition, XR Spotlight and XR Special Events programming round out the Film & TV Festival program. All Categories with the exception of Special Screenings and TV Spotlight will be eligible for section-specific Audience Awards.

Global, Visions, 24 Beats, Festival Favorites and additional titles across all other sections will be announced in early February.


HEADLINERS
Big names, big talent: Headliners bring star power to SXSW, featuring red carpet premieres and gala film events with major and rising names in cinema.

Dungeons & Dragons: Honor Among Thieves
Directors: Jonathan Goldstein, John Francis Daley, Producers: Jeremy Latcham, Brian Goldner, Nick Meyer, Screenwriters: Jonathan Goldstein, John Francis Daley, Michael Gilio
A charming thief and a band of unlikely adventurers undertake an epic heist to retrieve a lost relic, but things go dangerously awry when they run afoul of the wrong people. Cast List: Chris Pine, Michelle Rodriguez, Regé-Jean Page, Justice Smith, Sophia Lillis, Chloe Coleman, Daisy Head and Hugh Grant (Opening Night World Premiere)

Evil Dead Rise
Director/Screenwriter: Lee Cronin, Producer: Rob Tapert
Evil Dead Rise tells a twisted tale of two estranged sisters, played by Sutherland and Sullivan, whose reunion is cut short by the rise of flesh-possessing demons, thrusting them into a primal battle for survival as they face the most nightmarish version of family imaginable. Executive Producers include Sam Raimi and Bruce Campbell. Cast List: Lily Sullivan, Alyssa Sutherland, Morgan Davies, Gabrielle Echols, Nell Fisher

Problemista
Director/Screenwriter: Julio Torres, Producers: Emma Stone, Dave McCary, Ali Herting
Alejandro (Torres) is an aspiring toy designer from El Salvador, struggling to bring his unusual ideas to life in New York City. As time on his work visa runs out, a job assisting an erratic art-world outcast (Swinton) becomes his only hope to stay in the country and realize his dream. From writer/director Julio Torres comes a surreal adventure through the equally treacherous worlds of New York City and the U.S. Immigration system. Cast List: Julio Torres, Tilda Swinton, RZA (World Premiere)

Flamin’ Hot
Director: Eva Longoria, Producer: DeVon Franklin, Screenwriters: Linda Yvette Chávez, Lewis Colick
Flamin’ Hot is the story of Richard Montañez, the Frito Lay janitor who channeled his Mexican American heritage and upbringing to turn Flamin’ Hot Cheetos into a snack that disrupted the food industry and became a global phenomenon. Cast List: Jesse Garcia, Annie Gonzalez, Dennis Haysbert, Emilio Rivera, Tony Shalhoub, Matt Walsh, Pepe Serna, Bobby Soto, Jimmy Gonzales, Brice Gonzalez (World Premiere)


NARRATIVE FEATURE COMPETITION Presented by Panavision
Panavision, the global provider of optics, cameras, and end-to-end services that power the creative vision of filmmakers, is sponsoring the Narrative Feature Competition. Eight world premieres, and eight unique ways to celebrate the art of storytelling.

I Used To Be Funny (Canada)
Director/Screenwriter: Ally Pankiw, Producers: James Weyman, Jason Aita, Breann Smordin
Sam, a stand-up comedian struggling with PTSD, weighs whether or not to join the search for Brooke, a missing teenage girl she used to nanny. Cast List: Rachel Sennott, Olga Petsa, Jason Jones, Sabrina Jalees, Caleb Hearon, Ennis Esmer, Dani Kind (World Premiere)

Late Bloomers
Director: Lisa Steen, Producers: Alexandra Barreto, Taylor Feltner, Sam Bisbee, Screenwriter: Anna Greenfield
An aimless 28-year-old Brooklynite lands in the hospital after drunkenly breaking her hip being stupid. An encounter with a cranky elderly Polish woman who speaks no English leads to a job caring for her. Neither likes it, but it’s time to grow up. Cast List: Karen Gillan, Margaret Sophie Stein, Jermaine Fowler, Kevin Nealon, Talia Balsam (World Premiere)

Mustache
Director/Screenwriter: Imran J. Khan, Producers: Christina Won, Jessica Sittig, Christopher Storer, Tyson Bidner
It’s the mid-90s and 13-year-old Pakistani-American Ilyas is forced out of his cushy Islamic private school and thrown into public school with non-Muslim kids, all while suffering daily through life with his inescapable pre-pubescent Mustache. Cast List: Atharva Verma, Rizwan Manji, Alicia Silverstone, Hasan Minhaj, Meesha Shafi, Ayana Manji (World Premiere)

Parachute
Director: Brittany Snow, Producers: Jordan Yale Levine, Jordan Beckerman, Brittany Snow, Lizzie Shapiro, Screenwriters: Brittany Snow, Becca Gleason
Riley is determined to recover from her addictions to food and body image when she soon falls for another addiction, Ethan. Cast List: Courtney Eaton, Thomas Mann, Francesca Reale, Gina Rodriguez, Joel McHale, Scott Mescudi, Dave Bautista, Jennifer Westfeldt, Kathryn Gallagher, Chrissie Fit, Kelley Jakle (World Premiere)

Pure O
Director/Screenwriter: Dillon Tucker, Producers: Ricky Fosheim, Dillon Tucker, Ray Lee
A young screenwriter/musician grapples with Pure O, a lesser-known form of OCD, while juggling his recent engagement and his day job at a high end Malibu drug rehab. Inspired by the filmmaker’s own personal true story. Cast List: Daniel Dorr, Hope Lauren, Landry Bender, Jeff Baker, Candice Renee, Breon Gorman, Tim Landfield, Isaac Nippert, Devon Martinez, Clint James (World Premiere)

Raging Grace (United Kingdom)
Director/Screenwriter: Paris Zarcilla, Producer: Chi Thai
A bold coming-of-rage story where Joy, a Filipino immigrant, and her daughter Grace encounter a darkness that threatens all they have worked for. Cast List: Maxine Eigenman, Leanne Best, David Hayman (World Premiere)

Scrambled
Director/Screenwriter: Leah McKendrick, Producers: Gillian Bohrer, Jonathan Levine, Brett Haley, Amanda Mortimer
A broke, single millennial unleashes an existential shitstorm when she freezes her eggs. Cast List: Leah McKendrick, Ego Nwodim, Andrew Santino, Clancy Brown, Laura Ceron, Yvonne Strahovski, June Diane Raphael, Adam Rodriguez, Brett Dier, Sterling Sulieman (World Premiere)

Story Ave
Director: Aristotle Torres, Producers: Lizzie Shapiro, Datari Turner, Jamie Foxx, Aristotle Torres, Screenwriters: Bonsu Thompson, Aristotle Torres
After running away from home, a teenage graffiti artist holds up an unsuspecting MTA worker in a robbery gone right that changes their lives forever. Cast List: Asante Blackk, Luis Guzmán, Alex Hibbert, Melvin Gregg, Coral Peña, Cassandra Freeman, Hassan Johnson (World Premiere)




DOCUMENTARY FEATURE COMPETITION
Eight world premieres: Eight non-fiction stories that demonstrate integrity, energy and unique voices.

Angel Applicant
Director/Screenwriter: Ken August Meyer, Producers: Ken A. Meyer, Jason Roark
A sick man discovers empathetic wisdom on how to cope with his deadly autoimmune disease within the colorful expressive works of the late Swiss-German modern artist, Paul Klee. (World Premiere)

Another Body (United Kingdom, U.S.)
Directors: Sophie Compton, Reuben Hamlyn, Producers: Elizabeth Woodward, Sophie Compton, Reuben Hamlyn, Screenwriters: Sophie Compton, Reuben Hamlyn, Isabel Freeman
Another Body follows a college student after she discovers deepfakes of herself circulating online. (World Premiere)

Geoff McFetridge: Drawing a Life
Director/Producer: Dan Covert, Screenwriters: Erik Auli, Dan Covert, Amy Dempsey, Tara Rose Stromberg
What defines a life? The iconic work of artist Geoff McFetridge is everywhere. But this film is more than a primer on his career—it’s about the choices we confront in trying to lead meaningful lives, and how we use our most precious resource: time. (World Premiere)

Join or Die
Directors/Producers/Screenwriters: Rebecca Davis, Pete Davis
A film about why you should join a club—and why the fate of America may depend on it. Follow the story of America’s civic unraveling through the work of Robert Putnam, whose legendary Bowling Alone findings light a path out of our democracy’s crisis. (World Premiere)

Pay Or Die
Directors: Rachael Dyer, Scott Ruderman, Producers: Rachael Dyer, Scott Ruderman, Yael Melamede
3 American families are on the receiving end of a ransom note. Their journeys reflect how lives are being threatened and taken by the soaring price of insulin, and reveal the harrowing reality of life with illness in the richest country in the world. (World Premiere)

Queendom (France, U.S.)
Director: Agniia Galdanova, Producers: Igor Myakotin, Agniia Galdanova
Gena, a queer artist from a small town in Russia, dresses in otherworldly costumes and protests the government on the streets of Moscow. She stages radical performances in public, which becomes a new form of art and activism – and puts her life in danger. (World Premiere)

Riders on the Storm (Austria)
Directors/Producers: Jason Motlagh, Mark Oltmanns
A young horseman battling to make his name and keep a family tradition alive in the ancient sport of buzkashi learns that fame is a gift and a curse as the Taliban take control of Afghanistan and threaten his life. (World Premiere)

You Were My First Boyfriend
Directors: Cecilia Aldarondo, Sarah Enid Hagey, Producer: Ines Hofmann Kanna
In this high school reunion movie turned inside out, filmmaker Cecilia Aldarondo relives her tortured adolescence, wondering if she remembered it all wrong. (World Premiere)



NARRATIVE SPOTLIGHT
High profile narrative features receiving their World, International, North American, or U.S. premieres at SXSW.

Bloody Hell (Canada)
Director/Screenwriter: Molly McGlynn, Producers: Jennifer Weiss, Liane Cunje
A teenage girl gets diagnosed with a reproductive condition that upends her plans to have sex and propels her into exploring unusual methods to have a sex life, challenging her relationships with everyone in her life, but most importantly, herself. Cast List: Maddie Ziegler, Emily Hampshire, Djouliet Amara, Ki Griffin, D’Pharaoh Woon-A-Tai (World Premiere)

Deadland
Director: Lance Larson, Producers: Elizabeth Avellan, Bob Bastarache, Jas Shelton, Lance Larson, Tara Pirnia, Chris Wilks, Screenwriters: Lance Larson, Jas Shelton
A U.S. Border Patrol Agent tries to apprehend the ghost of his father, a grave decision that will haunt him forever. Cast List: Roberto Urbina, McCaul Lombardi, Julieth Restrepo, Kendall Rae, Luis Chavez, Julio Cesar Cedillo, Manuel Uriza, Chris Mulkey (World Premiere)

Down Low
Director: Rightor Doyle, Producers: Ashley Fox, Lucas Wiesendanger, Ross Katz, Screenwriters: Phoebe Fisher, Lukas Gage
Down Low is an outrageous comedy about one wild night, a deeply repressed man, the twink who gives him a happy ending, and all the lives they ruin along the way. Cast List: Zachary Quinto, Lukas Gage, Simon Rex, Sebastian Arroyo, Christopher Reed Brown, Audra McDonald, Judith Light (World Premiere)

Frybread Face and Me
Director/Screenwriter: Billy Luther, Producer: Chad Burris
An 11-year-old city boy is sent to his grandmother’s ranch on the Navajo reservation against his will. He is introduced to a new way of life, and an unexpected guest teaches him the importance of family, tradition, and what it means to be a man. Cast List: Kier Tallman, Charly Hogan, Martin Seinsmeir, Kahara Hodges, Ryan Begay, Sarah Natani (World Premiere)

If You Were the Last
Director: Kristian Mercado, Producers: Andrew Miano, Dan Balgoyen, Britta Rowings, Dennis Masel, Gabrielle Nadig, Jessamine Burgum, Kara Durrett, Jon Levin, Sean Woods, Screenwriter: Angela Bourassa
Adrift in their broken-down space shuttle with little hope of rescue, a male and female astronaut argue over whether they’re better off spending their remaining days as friends or something more. Cast List: Anthony Mackie, Zoë Chao, Natalie Morales, Geoff Stults (World Premiere)

Self Reliance
Director/Screenwriter: Jake Johnson, Producers: Jake Johnson, Ali Bell, Joe Hardesty
Given the opportunity to participate in a life or death reality game show, one man discovers there’s a lot to live for. Cast List: Jake Johnson, Anna Kendrick, Andy Samberg, Natalie Morales, Christopher Lloyd, Wayne Brady, GaTa, Emily Hampshire, Mary Holland, Boban Marjanović (World Premiere)

Upon Entry (Spain)
Directors/Screenwriters: Alejandro Rojas, Juan Sebastián Vásquez, Producers: Carles Torras, Carlos Juárez, Xosé Zapata, Sergio Adrià, Alba Sotorra
Upon their arrival at Newark’s airport with their approved residence visas, Diego and Elena are unexpectedly held and subjected to an interrogation by border agents who attempt to discover whether the couple may have something to hide. Cast List: Alberto Ammann, Bruna Cusí, Ben Temple, Laura Gómez (North American Premiere)



DOCUMENTARY SPOTLIGHT
Shining a light on new documentary features receiving their World, International, North American or U.S. premieres at SXSW.

A Disturbance in the Force
Directors: Jeremy Coon, Steve Kozak, Producers: Jeremy Coon, Steve Kozak, Kyle Newman
Travel back to a galaxy far, far away—the infamous Star Wars Holiday Special. Dive into the mystery of how it happened and why 45 years later it has become, much to the chagrin of George Lucas, the ultimate cult classic among Star Wars fans. (World Premiere)

The Arc of Oblivion
Director: Ian Cheney, Producers: Meredith Desalazar, Manette Pottle, Rebecca Taylor
The Arc of Oblivion illuminates the strange world of archives, record-keeping, and memory through a filmmaker’s quixotic quest to build an ark in Maine. (World Premiere)

Being Mary Tyler Moore
Director: James Adolphus, Producers: Lena Waithe, Debra Martin Chase, Ben Selkow, Rishi Rajani, Andrew C. Coles, Laura Gardner
Being Mary Tyler Moore explores Mary’s vanguard career, who, as an actor, performer, and advocate, revolutionized the portrayal of women in media, redefined their roles in show business, and inspired generations to dream big and make it on their own. (World Premiere)

Confessions of a Good Samaritan
Director: Penny Lane, Producer: Gabriel Sedgwick
Director Penny Lane’s decision to become a “Good Samaritan” by giving one of her kidneys to a stranger turns into a funny and moving personal quest to understand the nature of altruism. (World Premiere)

Great Photo, Lovely Life
Directors: Amanda Mustard, Rachel Beth Anderson, Producers: Amanda Mustard, Rachel Beth Anderson, Luke Malone, Screenwriters: Amanda Mustard, Rachel Beth Anderson, Tyler H. Walk, Josef Beeby
A photojournalist turns her lens on the decades of sexual abuse her family and community experienced at the hands of her grandfather in this unflinching portrait of intergenerational trauma, family secrets, and redemption. (World Premiere)

The Herricanes
Director: Olivia Kuan, Producers: James Lee Hernandez, Brian Lazarte, Lisa France, James Short, Olivia Kuan, Justin Baldoni, Andrew Calof
The Houston Herricanes were a women’s full-tackle football team from the 1970’s whose fight to play the game continues to resonate with female athletes today. (World Premiere)

The Lady Bird Diaries
Director: Dawn Porter, Producers: Kim Reynolds, Dawn Porter
From award-winning filmmaker Dawn Porter comes The Lady Bird Diaries, a groundbreaking documentary film that uses Lady Bird’s audio diaries to tell the story of one of the most influential and least understood First Ladies in history. (World Premiere)

Last Stop Larrimah
Director: Thomas Tancred, Producers: Sean Bradley, Rebecca Saunders
Nestled deep in the Australian Outback is the town of Larrimah and its 11 eccentric residents. When one of them mysteriously disappears into thin air, the remaining residents become suspects and a long history of infighting is unveiled. (World Premiere)

The New Americans: Gaming a Revolution
Director/Screenwriter: Ondi Timoner, Producers: Ondi Timoner, David Turner
The New Americans is a visceral, meme-driven journey at the intersection of finance, media, and extremism, which uncovers the connection between the Gamestop squeeze and the Jan 6th Insurrection and reveals explosive possibilities of our digital future. (World Premiere)

Periodical
Director: Lina Lyte Plioplyte, Producer: Pegah Farrahmand
Periodical is an eye-opening documentary that examines science, politics, and mystery of the menstrual cycle, through the experiences of doctors, athletes, movie stars, journalists, activists, and everyday people. (World Premiere)

Who I Am Not (Romania)
Director/Screenwriter: Tünde Skovrán, Producers: Andrei Zinca
There is male, there is female, and then there is I. Born male and female within one single body, a beauty queen and a male-presenting activist break the intersex taboo through a personal and intimate exploration of truth, faith, and belonging. (North American Premiere)



MIDNIGHTERS
Scary, funny, sexy, controversial – eight provocative after-dark features for night owls and the terminally curious.

Aberrance (Mongolia)
Director: Baatar Batsukh, Producers: Trevor Doye, Alexa Khan, Angarag Meguun, Screenwriters: Baatar Batsukh, Byambasuren Ganbat
An estranged couple takes a retreat in the woods. Foreboding neighbors, frivolous friends, and dark unseen forces lead to a shocking conclusion. Cast List: Erkhembayar Ganbat, Selenge Chadraabal, Yalalt Namsrai, Oyundary Jamsranjav, Sukhee Ariunbyamba, Bayarsanaa Batchuluun, Badamtsetseg Batmunkh (North American Premiere)

Brooklyn 45
Director/Screenwriter: Ted Geoghegan, Producers: Seth Caplan, Michael Paszt, Pasha Patriki, Sarah Sharp
In the months following World War II, five old military friends are talked into an impromptu séance, which brings to troubling light each of their haunted pasts. Cast List: Anne Ramsay, Ron E. Rains, Jeremy Holm, Larry Fessenden, Ezra Buzzington, Kristina Klebe (World Premiere)

It Lives Inside
Director: Bishal Dutta, Producers: Raymond Mansfield, Sean McKittrick, Screenwriters: Bishal Dutta, Ashish Mehta
An Indian-American teenager struggling with her cultural identity has a falling out with her former best friend and, in the process, unwittingly releases a demonic entity that grows stronger by feeding on her loneliness. Cast List: Megan Suri, Neeru Bajwa, Mohana Krishnan, Betty Gabriel, Vik Sahay (World Premiere)

Late Night With the Devil (Australia, United Arab Emirates)
Directors/Screenwriters: Colin Cairnes, Cameron Cairnes, Producers: Derek Dauchy, Steven Schneider, Roy Lee, Adam White, Mat Govoni
A live television broadcast of a popular late night talk show in 1977 goes horribly wrong during a demonstration of demonic possession, unleashing evil into the nation’s living rooms. Cast List: David Dastmalchian (World Premiere)

Monolith (Australia)
Director: Matt Vesely, Producer: Bettina Hamilton, Screenwriter: Lucy Campbell
All you have to do is listen. A disgraced journalist turns to podcasting to try and rebuild her career – but her rush to generate headlines soon uncovers a strange artifact, an alien conspiracy, and the lies at the heart of her own story. Cast List: Lily Sullivan (International Premiere)

Talk To Me (Australia)
Directors: Danny Philippou, Michael Philippou, Producers: Samantha Jennings, Kristina Ceyton, Screenwriters: Danny Philippou, Bill Hinzman
Lonely teenager Mia gets hooked on the thrills of conjuring spirits through a ceramic hand, but when she is confronted by a soul claiming to be her dead mother, she unleashes a plague of supernatural forces. Cast List: Sophie Wilde, Miranda Otto, Alexandra Jensen, Joe Bird, Otis Dhanji, Zoe Terakes, Chris Alosio (Texas Premiere)

The Wrath of Becky
Directors/Screenwriters: Matthew Angel, Suzanne Coote, Producers: Raphael Margules, JD Lifshitz, Tracy Rosenblum, Russell Posternak, Chadd Harbold
After living off the grid for two years, Becky finds herself going toe to toe against Darryl, the leader of a fascist organization, on the eve of an organized attack. Cast List: Lulu Wilson, Seann William Scott, Matt Angel, Courtney Gains, Aaron Della Villa, Michael Sirow, Denise Burse-Fernandez, Jill Larson, Kate Siegel (World Premiere)




TV PROGRAM

TV PREMIERES
Presenting world premieres of prestige serials slated for release.

I’m A Virgo
Showrunner/Director/Screenwriter: Boots Riley, Producers: Boots Riley, Michael Ellenberg, Lindsey Springer, Tze Chun, Jharrel Jerome
This is a fantastical coming-of-age joyride about a 13ft-tall young Black man who lives in Oakland, CA. It’s called I’m A Virgo. The series stars Jharrel Jerome, Brett Gray, Kara Young, Allius Barnes, Olivia Washington, Walton Goggins, Mike Epps, and Carmen Ejogo.
(World Premiere)

Mrs. Davis
Showrunner: Tara Hernandez, Directors: Owen Harris, Alethea Jones, Screenwriters/Producers: Tara Hernandez, Damon Lindelof
Mrs. Davis is the world’s most powerful Artificial Intelligence. Simone is the nun devoted to destroying Her. Who ya got? Cast List: Betty Gilpin, Jake McDorman, Andy McQueen (World Premiere)

Slip
Showrunner/Director/Screenwriter: Zoe Lister-Jones, Producers: Zoe Lister-Jones, Ro Donnelly, Dakota Johnson, Katie O’Connell-Marsh, David Fortier, Ivan Schneeberg
Restless inside a marriage that totally works, Slip follows Mae through a fantastical journey of parallel universes as she enters new relationships, trying to find her way back to her partner, and ultimately, herself. Cast List: Zoe Lister-Jones, Tymika Tafari, Whitmer Thomas, Amar Chadha-Patel, Emily Hampshire (World Premiere)



TV SPOTLIGHT
Presenting world premieres of new seasons of prestige series.

Blindspotting Season 2 Premiere
Showrunner/Director: Rafael Casal, Producers: Rafael Casal, Daveed Diggs, Jess Wu Calder, Keith Calder, Emily Gerson Saines, Ken Lee, Tim Palen
Ashley was nipping at the heels of a middle-class life in Oakland until Miles, her partner and father of their son, was suddenly incarcerated, forcing her to move in with his mother and sister as she attempts to navigate the chaos of her life while trying to be a fun mom for her son…with mixed results. Cast List: Jasmine Cephas Jones, Helen Hunt, Benjamin Earl Turner, Atticus Woodward, Jaylen Barron, Candace Nicholas-Lippman, Rafael Casal, Margo Hall, April Absynth, Lance Holloway (World Premiere)



INDEPENDENT TV PILOT COMPETITION
A pilot showcase introducing fresh work from bright new talent, many with an eye towards finding production, completion funds, or a release platform.

A Guide To Not Dying Completely Alone
Showrunner/Screenwriter: Kevin Yee, Director: Yen Tan, Producer: Bekah Sturm
After a near death experience, a queer Asian writer decides to change his life for the better and chronicles his journey in a book. Cast List: Kevin Yee, Brittani Nichols, Alex MacNicoll, Betsy Struxness, Paul Wong (World Premiere)

Chuchi & Adaliz
Showrunner: Ashley Soto Paniagua, Directors: Dani Adaliz, Lance Cameron Holloway, Screenwriters: Ashley Soto Paniagua, Dani Adaliz, Jocelli Paniagua, Producers: Jocelli Paniagua, Heidi Williamson
After losing her job for insider trading, Adaliz moves in with her childhood bestie Chuchi who teaches her how to be poor. Cast List: Ashley Soto Paniagua, Dani Adaliz, Andrea Bashe, Kathryn Peters, Jocelli Paniagua, Selorm Kploanyi, Dariany Santana, Jeremy Habig, Jullian Farris (World Premiere)

Grown
Showrunner/Director/Screenwriter: Jocko Sims, Producers: Jocko Sims, Christophers Santiago, Chaz Hazlitt, Andrew Zolot
After sneaking into a strip club, 14 year old Rogelio, learns a few hard lessons about being man — all thanks to the aid of his older sister Chelly. Cast List: Josiah Gabriel, Giovanni Cristoff, Tristan-Lee Edwards, Angela Mejia-Loggia, Eliza Ramos, Kevin Rodriguez, Nixon Cesar (World Premiere)

Harbor Island
Showrunner/Director/Screenwriter: Calvin Lee Reeder, Producers: Carlos A.F. Lopez, Megan Leonard
A dad joke comic wanders the industrial zone at night. Cast List: Josh Fadem, Sidney Jayne Hunt, Matt Olsen (World Premiere)

Marvin? (Netherlands)
Showrunners/Screenwriters: Anton van der Linden, George Gottl, Director: Anton van der Linden, Producers: Anton van der Linden, Daan Geuke
Two young friends struggling to get ahead in life stumble onto a magical fridge that literally makes their dreams come true and soon learn that their shiny materialistic world is not what they expected. Cast List: Cameron Tharma, Sarah Rose, Sven Ironside, Jay Reaper, Cendy Barlag (World Premiere)

Metal Man
Showrunner: Tomas Pais, Directors: Laurel Parmet, Tomas Pais, Screenwriters: John Patton Ford, Tomas Pais, Laurel Parmet, Producer: Kaelan Housewright
A heavy metal handyman gets called to fix a tub but gets pulled into the drama/life of his customer and must handle more than he signed up for. Cast List: Tomas Pais, Lily Du, Andrew Walke, Da’Vone McDonald, David Massil (World Premiere)

Notarize Me
Director: Erika Rankin, Screenwriters/Producers: Erika Rankin, Brigitte Valdez
BFFs and mobile notary publics, Jackie and Louise, find themselves in intimate situations with wacky strangers as important legal documents get signed. Cast List: Brigitte Valdez, Erika Rankin, Sarah Cornell, Harley Tarlitz (Texas Premiere)



SHORTS PROGRAM Presented by IMDbPro

IMDbPro, the essential resource for entertainment industry professionals, is sponsoring the lineup of short films across six competitive sections. The SXSW 2023 Shorts Film Program presented by IMDbPro will include a selection of original, well-crafted films that take advantage of the short form and exemplify distinctive and genuine storytelling. The membership-based IMDbPro service empowers entertainment professionals with information and tools designed to help them achieve success throughout their career and is a service of IMDb, the world’s most popular and authoritative source for information on movies, TV shows and celebrities.


NARRATIVE SHORTS COMPETITION
A selection of original, well-crafted films that take advantage of the short form and exemplify distinctive and genuine storytelling.

Breaking Fast with a Coca Cola
Director/Screenwriter: Amy Omar, Producers: Karine Benzaria, Jordan Hart, Amy Omar
After growing up in the secular households of their Turkish immigrant parents in the Midwest, Özlem and Ada are desperate to celebrate a tradition of their own. For the first time, they embark on a day of fasting and a night of feasting for Ramadan. (World Premiere)

The Breakthrough
Director/Screenwriter: Daniel Sinclair, Producers: Kate Chamuris, Valerie Steinberg
Jane and Teddy are on the brink of divorce – but when their marital problems come to a sticking point, they have an unexpected breakthrough. (World Premiere)

Closing Dynasty
Director/Screenwriter: Lloyd Lee Choi, Producers: Jon Hsu, Lloyd Lee Choi
On a school day, a 7 year-old hustles strangers for money on the streets of New York City. (North American Premiere)

Deliver Me
Director/Screenwriter: Joecar Hanna-Zhang, Producers: Noam Argov, Jorge Sistos, Joecar Hanna-Zhang
A billionaire’s long-awaited delivery threatens to upend his already tense relationship with his identical husband, who is having an identity crisis of his own. (World Premiere)

Endless Sea
Director/Screenwriter: Sam Shainberg, Producer: Rachel Walden
Carol begins a normal day only to find out that her heart medication has doubled in price. Afraid, but not without hope, she sets out to find a solution, but her journey doesn’t lead to salvation, only a desperate act of revolution. (Texas Premiere)

The Family Circus
Director/Screenwriter: Andrew Fitzgerald, Producer: Josh Cohen
A Vietnamese-American family’s plan to cover up a drunk driving accident begins to unravel as their emotional baggage spills out in front of the police. (Texas Premiere)

Flores del Otro Patio (Colombia, Switzerland)
Director: Jorge Cadena, Screenwriters: Jorge Cadena, Li Aparicio Candama, Producers: Yan Decoppet, Gabriela Bussmann
In north Colombia, a group of queer activists use extravagant performative actions to denounce the disastrous exploitation by the country’s largest coal mine. (International Premiere)

Fuck Me, Richard (Australia, U.S.)
Directors: Lucy McKendrick, Charles Polinger, Screenwriter: Lucy McKendrick, Producers: Jenna Grossano, Lucy McKendrick, Charlie Polinger
Recovering from a broken leg, a romance-obsessed loner finds herself swept up in a passionate long-distance love affair. Richard is perfect in every way, except that he may be a scammer. (World Premiere)

Graveyard of Horses (China)
Director/Screenwriter: Xiaoxuan Jiang, Producer: Zhulin Mo
A frigid winter on the Mongolian steppe, an untimely snowstorm led a pregnant herder and her 8-year-old daughter to places they’ve never been. (North American Premiere)

I Probably Shouldn’t Be Telling You This
Director/Screenwriter: Emma Weinswig, Producers: Emma Weinswig, Will Noyce
When an oversharing, compulsive-lying e-girl is caught in the web of her own lies on her (secretly) favorite podcast, she must finally get off her bullshit. (World Premiere)

It Turns Blue (Iran)
Director/Screenwriter: Shadi Karamroudi, Producers: Shadi Karamroudi, Mehran Noori, Mina Dreki, Theodora Valentis
Pari covers up domestic violence when her brother beats up his 3-year-old daughter. (World Premiere)

The Key (Belgium, France, Palestine, State of)
Director/Screenwriter: Rakan Mayasi, Producers: Frank Barat, Rakan Mayasi, François de Villers, Laura Jumel, Nadine Naous, Patrizia Roletti
An Israeli family’s equilibrium gradually disintegrates as a mysterious sound is heard every evening at the door of their apartment. (North American Premiere)

Leonetty
Director/Screenwriter: Logan Jackson, Producer: Dante Sims
No longer able to live with his mother, young Leonetty is sent to live with his aging grandmother. (World Premiere)

Les Battues (The Fading) (Canada)
Director/Screenwriter: Rafaël Beauchamp, Producer: Léonie Hurtubise
In a small Quebec village, three hunters take possession of the tragedy of a young mother to put their own verdict on it. (World Premiere)

Never Fuggedaboutit
Director/Screenwriter: Dustin Waldman, Producers: Dustin Waldman, Nicholas Nazmi, Sariel Hana Friedman
Amid the high anxiety of post-9/11 NYC, a struggling post-production house is hired to remove a shot of the Twin Towers from the intro to a hit TV show. (World Premiere)

Rest Stop
Director/Screenwriter: Crystal Kayiza, Producers: Jalena Keane-Lee, Brit Fryer
On a bus ride from New York to Oklahoma, Meyi, a young Ugandan-American girl, realizes her place in the world through her mother’s ambitious effort to reunite their family. (Texas Premiere)

Scotty’s Vag
Director/Screenwriter: Chaconne Martin-Berkowicz, Producers: Cailin Lobb-Rabe, Chaconne Martin-Berkowicz, Gia Rigoli, Vero Kompalic
The night of a sorority hazing event, a college freshman learns just how far she’s willing to go to impress an older girl. (World Premiere)

Sisters of the Rotation (Lebanon)
Directors: Michel Zarazir, Gaby Zarazir, Screenwriters: The Zarazir Brothers, Producer: Madame Le Tapis
At the Sisters of the Rotation’s convent, the Earth doesn’t spin by itself. (North American Premiere)

Slick Talk
Directors: Courtney Loo, David Karp, Screenwriter: Courtney Loo, Producer: Katie Mykrantz
Feeling the pressure of an important meeting with a potential music manager, Kiki struggles with her identity as an outsider in the Chinese-American community, a culture vulture in the hip-hop world, and a potential sellout for mainstream success. (World Premiere)

Take Me Home
Director/Screenwriter: Liz Sargent, Producer: Minos Papas
After their mother’s death, an intellectually disabled woman and her estranged sister must learn to communicate in order to move forward. (Texas Premiere)



DOCUMENTARY SHORTS COMPETITION
Slices of life from across the documentary spectrum.

Ball People
Director: Scott Lazer, Producer: Tripp Kramer, Talia Cohen
Behind the scenes of the US Open Ball Crew tryouts. (World Premiere)

Birdsong (United Kingdom)
Directors: Omi Zola Gupta, Sparsh Ahuja, Producers: Sparsh Ahuja, Omi Zola Gupta, Dorn Bouttasing
Birdsong is an intimate portrait of the dying whistled language of the Hmong people in northern Laos. (International Premiere)

The Bus (Spain)
Director: Sandra Reina, Screenwriters: Sandra Reina, Fran Menchón, Producer: Valérie Delpierre
This is a round-trip bus ride, which takes passengers on Friday mornings towards the weekend, and picks them up on Sunday afternoons to take them back to the place where they came from. (World Premiere)

The Dads
Director/Screenwriter: Luchina Fisher, Producers: Shan Shan Tam, Luchina Fisher
When five fathers of trans kids join Dennis Shepard, the father of slain gay college student Matthew Shepard, for a weekend fishing trip in rural Oklahoma, they find common purpose across races, generations, and experiences. (World Premiere)

El Bastón (Colombia, U.S.)
Director: Nemo Allen, Producers: Nemo Allen, Aditi Natasha Kini, Hanna Wallis, Juan Blanco García
Two filmmakers, one mother and one son, find answers and strength as they document the struggles of Colombia’s Indigenous Nasa, decades apart. (Texas Premiere)

Margie Soudek’s Salt and Pepper Shakers
Director: Meredith Moore, Producer: Jonna McKone
An artist and VFX instructor connects with her aging grandmother, Margie, in a documentary short on collecting, artmaking, and obsessiveness as a way to enhance our realities. (Texas Premiere)

Mother of the Dawn
Director: Janell Shirtcliff, Screenwriters: Angie Simms, Tommy Savas, Producer: Tommy Savas
In the early 1950s in a remote corner of Brazil, a female truck driver named Tia Neiva started having visions of extraterrestrial spirits; shortly after, she began to gain a following called Vale do Amanhecer (Valley of the Dawn). (World Premiere)

Nǎi Nai & Wài Pó (Grandma & Grandma)
Director: Sean Wang, Producers: Sean Wang, Sam Davis
Nǎi Nai (奶奶) is my grandma. Wài Pó (外婆) is also my grandma. Together, they are my grandmas. Meet my grandmas. (World Premiere)

Puffling (United Kingdom)
Director: Jessica Bishopp, Producers: Alice Hughes, Gannesh Rajah, Ada Benjamínsdóttir
On a remote Icelandic island, teenagers Birta and Selma take it upon themselves to counteract society’s harmful impact on nature, exchanging night-time parties for nocturnal puffin rescues in a coming-of-age story for young adults and puffins alike. (World Premiere)

Roger J. Carter: Rebel Revolutionary
Director: Justin Fairweather, Producers: Zachary Kingham-Seagle, Johnny Starke
Roger J. Carter: Rebel Revolutionary follows the Chicago portrait artist as he creates staggering images of black revolutionaries using hundreds of toy soldiers, representing the wars the marginalized face as they dismantle an established system. (World Premiere)

Suddenly TV (Qatar)
Director/Producer: Roopa Gogineni
A group of young Sudanese create an imaginary television station at a besieged sit-in. Interviewing protestors from around the country, they confront the violence of the regime and conjure a new Sudan. (North American Premiere)

Where the Sun Always Shines (United Kingdom)
Director: Rosie Baldwin, Producer: Lucy Draper
The residents of a quintessential but neglected British seaside town grapple with research suggesting that their home could disappear within their lifetimes due to the climate crisis. (World Premiere)



ANIMATED SHORTS COMPETITION
An assortment of stories told using traditional animation, computer-generated effects, stop-motion, and everything in between.

A Tiny Man (France)
Directors: Aude David, Mikaël Gaudin, Screenwriters: Mikaël Gaudin, Aude David, Producer: Jérôme Blesson
With a delicately penciled animation style, A Tiny Man tells a moral tale of nefarious schemes gone awry. As a husband faces the consequences of his actions, he perhaps begins to realize that maybe size does in fact matter. (Texas Premiere)

Ashkasha (Argentina, Spain)
Director/Screenwriter/Producer: Lara Maltz
Ashkasha is a living being guided by curiosity. This causes her to lose her head and get trapped in the depths, where she is submerged on a discovery journey. (US Premiere)

Beyond The Fringe (Spain)
Directors: Han Tang, Costanza Baj, Screenwriter/Producer: Han Tang
A story about a little paper figure’s journey of finding the strength to leave its home, the notebook where it was born, to explore the great world beyond. (World Premiere)

Christopher at Sea (France, United Kingdom, U.S.)
Director: Tom CJ Brown, Screenwriters: Tom CJ Brown, Laure Desmazières, Producers: Emmanuel-Alain Raynal, Pierre Baussaron, Amanda Miller, Hanna Stolarski, Nick Read, Emily-Jane Brown
Christopher goes to sea. (Texas Premiere)

The Debutante (United Kingdom)
Director/Screenwriter: Elizabeth Hobbs, Producer: Abigail Addison
A spirited young woman persuades a hyena from London Zoo to take her place at a dinner dance being held in her honour. (Texas Premiere)

Ice Merchants (Portugal)
Director/Screenwriter: João Gonzalez, Producers: Bruno Caetano, Michaël Proença
Every day, a father and his son jump with a parachute from their vertiginous cold house, attached to a cliff, to go to the village on the ground far away where they sell the ice they produce daily. (Texas Premiere)

Remove Hind Legs Before Consumption (Switzerland)
Directors: Lukas Wind, Finn Meisner, Leslie Herzig, Producer: Gerd Gockell
In an insect food farm, one lucky cricket survives its certain death. (International Premiere)

Sandwich Cat (Spain)
Director/Screenwriter: David Fidalgo, Producers: Daniel Rodriguez, Laura Doval
David lives alone with his kitty, Sandwich Cat. It seemed like an ordinary day, but an unexpected visit will lead him to a crucial reflection to humanity. (International Premiere)

Spring Roll Dream (United Kingdom)
Director: Mai Vu, Screenwriter: Chloe White, Producer: Thijme Grol
Linh is a Vietnamese single mother who’s successfully forged a life for herself and her son in America. But she is confronted with the past and culture she left behind and the question of where it belongs in her family’s new life. (Texas Premiere)

Sprout
Director/Screenwriter/Producer: Zora Kovac
After an agoraphobic scientist accidentally creates a baby-like plant creature, their connection threatens to upend his reclusive way of life. (World Premiere)



MIDNIGHT SHORTS COMPETITION
Bite-sized bits for all of your sex, gore, and hilarity cravings.

Dead Enders
Directors: Fidel Ruiz-Healy, Tyler Walker, Screenwriters: Fidel Ruiz-Healy, Tyler Walker, Jordan Michael Blake, Conor Murphy, Producers: Raven Jenson, Amanda Crown, Gregory Barnes, Conor Murphy, Nico Alvo, Jordan Michael Blake, Eduardo Ruiz-Healy
A disaffected gas station clerk finds out why they call it the “graveyard shift” after oil drillers set loose an ancient race of mind-controlling parasites.(World Premiere)

Every House is Haunted
Director/Screenwriter: Bryce McGuire, Producer: Isaiah Smallman
A struggling couple moves into a haunted house… on purpose. (World Premiere)

The Flute (Ireland, U.S.)
Director: Nick Roney, Screenwriters: Nick Roney, Ed Leer, Producers: Brendan Garrett, Ryland Burns
Fleeing a long-term relationship, a young man seeks refuge with his best friends. After discovering their strange instruments, he’ll learn the bachelor lifestyle is not as sweet as it sounds. (World Premiere)

Kodama
Director/Screenwriter: Brian M Tang, Producers: Penny Lin, Brendan Bennett, Norrie Palmer, Brian M Tang
Arthur, a member of an elite SWAT Samurai team, embarks on a rescue mission into the spirit world in order to recover his father from vengeful Japanese Yokai spirits. (World Premiere)

The Mundanes
Directors/Screenwriters: Nicole Daddona, Adam Wilder, Producers: Eric Hendricks, Nicole Daddona, Adam Wilder
Get to know the Mundanes, a faceless suburban family with an unusual appetite. (World Premiere)

Pennies from Heaven
Director: Sandy Honig, Screenwriters: Sandy Honig, Annabel Meschke, Sabina Meschke, Producer: Jake Honig
Pennies from Heaven is a short comedy about two eccentric twin sisters who stumble upon a pickup truck full of pennies and follow the adventure wherever it takes them. (World Premiere)

Pussy Love (Germany)
Director/Screenwriter/Producer: Linda Krauss
Hey Puss! Still playing hard to get? Let me be your pussycat. (World Premiere)

Run
Director/Screenwriter: Alex Prager, Producers: Vincent Landay, Alex Prager, Lisa Lou Ziven
Run celebrates the absurdity of being alive today.

Vibrator Girl
Director: Kara Strait, Screenwriters: Morgane Ciot, Zoe Mintz, Producers: Morgane Ciot, Zoe Mintz
A young woman suffers the eerie consequences of her compulsive vibrator use. (World Premiere)

We Forgot About The Zombies
Director/Screenwriter: Chris McInroy, Producers: Kris Phipps, Jarrod Yerkes, Stacey Bell
Two dudes think they found the cure for zombie bites. (Texas Premiere)

You’re Not Home (Ireland)
Director/Screenwriter: Derek Ugochukwu, Producer: Gregory Burrowes
When an ominous mould appears in their room, two African brothers seeking asylum are faced with a dark entity lurking within their direct provision centre. (Texas Premiere)



TEXAS SHORTS COMPETITION
An offshoot of our regular shorts program, composed of work shot in, about, or somehow relating to the Lone Star state.

Breaking Silence
Directors: Amy Bench, Annie Silverstein, Producers: Monique Walton, Amy Bench
A portrait of a Deaf activist and his formerly incarcerated daughter who build new bonds through their experiences in the criminal justice system. (Texas Premiere)

Call Me Mommy
Directors: Haley Alea Erickson, Taylor Washington, Screenwriter: Haley Alea Erickson, Producers: Brittany Reeber, David Tenczar
A pedantic mother-to-be hires a stranger to role-play as her unborn daughter. (World Premiere)

Dressed
Director/Screenwriter: Bethiael Alemayoh, Producer: Noam Argov
A former bride-to-be attempts to sell her wedding dress. (World Premiere)

Exit 238
Director/Producer: Henry Davis
In the fall in Austin, TX, the extraordinary roosting display of the Purple Martin attracts people of many walks of life to the Capital Plaza shopping center. (Texas Premiere)

Eyestring (Argentina, U.S.)
Director: Javier Devitt, Screenwriters: Javier Devitt, Alena Chinault, Producer: Alena Chinault
With a mysterious string growing from her eye and questionable advice from a hotline service, Veronica is led on a strange quest for answers. (World Premiere)

Funny Face
Director: Jude Hope Harris, Screenwriters: Krista Fatka, Jude Hope Harris, Producers: Genevieve Jones, Nick Vitale
When country singer Randy travels to take care of his sister Sophie as she recovers from facial feminization surgery, he meets her girlfriend, Morgan, for the first time. The three bond over family history, love, and an extremely chaotic home nurse. (World Premiere)

La Cosecha
Director: Samuel Díaz Fernández, Screenwriters: Ái Vuong, Samuel Díaz Fernández, Producer: Ái Vuong
As one of many residents who lack access to fresh food in Austin, Nolvia Castillo takes the driver’s seat and distributes vegetables to her neighbors. When filmmaker Ai Vuong rides along, they speak the language of immigrants: memories of food. (World Premiere)

When You Left Me On That Boulevard
Director/Screenwriter: Kayla Abuda Galang, Producers: Alifya Ali, Kayla Abuda Galang, David Oconer, Udoy Rahim, Samantha Skinner
Teenager Ly and her cousins get high before a boisterous family Thanksgiving at their auntie’s house in southeast San Diego in 2006. (Texas Premiere)

Wüm
Director/Screenwriter: Anna Margaret Hollyman, Producers: David Hartstein, Seana Flanagan, Shelby Hadden
Bennett, a nonbinary new parent, joins a Mommy Group called Wüm. What is supposed to be a supportive space turns into a Hipster-Stepford-Wife nightmare with Bennett being smothered in the middle of white lady “wokeness.” (World Premiere)



MUSIC VIDEO COMPETITION
A range of classic, innovative, and stylish work showcasing the scope of music video culture.

alt-J – ‘The Actor’ (United Kingdom) / Director: Saskia Dixie

Amanda Sum – ‘Different Than Before’ (Canada) / Director/Screenwriter: Mayumi Yoshida

Arlo McKinley – ‘Stealing Dark from the Night Sky’ / Director: Matt Reynolds

Ben Abraham – ‘If I Didn’t Love You’ / Director: Jillian Bell

Diplo feat Miguel – ‘Don’t Forget My Love’ / Director: Kinopravda, Screenwriters: Viktor Horvath, Zoltan Aprily

Doechii – ‘Crazy’ / Director: C Prinz

Drew Ashby – ‘Her’ / Directors: Chris Scholar, Bevin Brown

Kuba Kawalec – ‘I Died’ (Poland) / Director/Screenwriter: Zuzanna Plisz

Little Simz – ‘Point and Kill’ (United Kingdom) / Director: Ebeneza Blanche

Mac Miller – ‘Colors and Shapes’ / Director: Sam Mason

Michael Kiwanuka – ‘ Beautiful Life’ / Director: Phillip Youmans

Mick Jenkins – ‘Truffles ‘ (United Kingdom, U.S.) / Director: Andre Muir

Mothermary – ‘Coming for You Remix’ / Directors/Screenwriters: Larena Danielle Winn, Elyse Winn

Number One Popstar – ‘Dance Away the Pain’ / Director/Screenwriter: Kate Hollowell

Pearl Derringer – ‘Little Baby (feat. Margo Price)’ / Director: Kimberly Stuckwisch, Screenwriters: Pearl Derringer, Kimberly Stuckwisch

Pranav Bhasin, Rohini Maiti – ‘Screaming on the Fly’ (India) / Director/Screenwriter: Pranav Bhasin

Residente – ‘This is Not America ft. Ibeyi’ / Director: Gregory Ohrel

S+C+A+R+R – ‘Never Give Up’ (France) / Director: Jack Antoine Charlot

Yeah Yeah Yeahs – ‘Wolf’ / Director: Allie Avital

Zolita – ‘Somebody I F*cked Once’ / Director/Screenwriter: Zolita



XR EXPERIENCE

The immersive arts are redefining how we experience the world around us. The projects presented in our XR Experience Competition, XR Experience Spotlight, and XR Experience Special Event sections emphasize storytelling, ingenuity, and also showcase how artists of all types are embracing this new medium.

XR Experience Competition
World Premieres of exciting immersive work.

Aespa VR Concert at Kwangya (Republic of Korea, U.S.)
Director: Soo-man Lee, Producer: Junyoung Park
“Aespa’s first concert at Kwangya, the artists’ virtual existence coexisting with the future.” – SM Culture Universe. (World Premiere)

Body of Mine VR
Director/Producer/Screenwriter: Cameron Kostopoulos
Experience gender dysphoria and trans identity with Body of Mine VR, an intimate experience that takes you inside the body of another gender. (World Premiere)

Consensus Gentium (United Kingdom)
Director/Screenwriter: Karen Palmer, Producers: Tom Millen, Thalia Mavros, Jackson Lapsley Scott, Tuyet Huynh
Consensus Gentium is an emotionally responsive film app designed to be experienced on a mobile phone. Set in a near future of surveillance and bias AI that watches you back. (World Premiere)

The District VR (Germany)
Directors: Dennis Lisk, Ioulia Isserlis, Max Sacker, Producers: Dennis Lisk, Fabian Vogelsteller, Ioulia Isserlis
Welcome to The District VR, a music-driven 3D world full of vibrant games and virtual live entertainment. Put on a VR headset and dive into a virtual twin of Berlin. Be the DJ, use provided equipment, and mix music live in front of a virtual crowd. (World Premiere)

El Beat (Colombia)
Directors: Irene Lema, Sergio Bromberg, Producers: Rafael Ospino, Irene Lema, Screenwriter: Irene Lema
El Beat is a cross-platform experience (interactive film and VR), telling the story of Benkos Biohó, enslaved African and founder of the first free town in the Americas. It is a tribute to the African diaspora and the Black Power of Latin America. (World Premiere)

Find WiiLii – Ep.1 The Gate-Crasher (Republic of Korea)
Directors: Mina Hyeon, Sooyoung Choe, Producer: Sohee Kim, Screenwriters: Sooyoung Choe, Mina Hyeon
On the first day as a newcomer at the Teleportation Service Company IIOIIG, the ordinary mission flows unexpectedly, meeting a stranger. (World Premiere)

Forager: Immersive Multi-sensory Experience (Canada, U.S.)
Directors: Winslow Porter, Elie Zananiri, Producers: Winslow Porter, Casta Zhu, Screenwriters: Winslow Porter, Elie Zananiri, Adam Lerman, Daniel Perlin
In this immersive, multi-sensory experience guests will experience the complete life-cycle of mushrooms. Starting as a spore floating to the forest floor, you become an integral part of this essential, live-giving process. (World Premiere)

Fresh Memories: The Look (Czechia, Ukraine)
Directors/Screenwriters: Ondřej Moravec, Volodymyr Kolbasa, Producers: Ondřej Moravec, Robin Pultera
Look into the eyes of Ukrainian people whose home has been taken away by war. (World Premiere)

The Invited (United Kingdom)
Directors: Davy McGuire, Kristin McGuire, Producers: Davy McGuire, Nesta Nelson, Dan Tucker, Screenwriters: Ben Steiger-Levine, Richard Hurford
The Invited reimagines the gothic story of Dracula in a solitary séance in which a handcrafted fine art pop-up book comes to life with vivid augmented reality animations to serve as a conduit for Dracula’s curse to re-enter the modern world. (World Premiere)

Jailbirds- The Eye of the Artist (Belgium, France)
Director/Screenwriter: Thomas Villepoux, Producers: Griselda Gonzalez Gentile, Francois Klein
Jailbirds takes place in a modern hell prison ruled by a vicious Chief Warden. But in this living nightmare, one guy, Felix, is always happy. It enrages the Chief Warden who will do everything he can to discover Felix’s secret. (World Premiere)

JFK Memento (France, U.S.)
Director: Chloé Rochereuil, Producer: Victor Agulhon
JFK Memento is a VR documentary chronicling JFK’s assassination. Narrated by the last living witnesses of the events, it explores the defining moments of the investigation as archive photos and films remastered in 3D come to life in the historic sites. (World Premiere)

Once a Glacier
Director/Screenwriter: Jiabao Li
Once a Glacier is a VR film about a girl and her relationship with a glacier. As the girl grows older, the piece of ice is threatened. The viewer is taken on a journey through her seemingly futile efforts to protect what was once an entire glacier. (World Premiere)

Rockets, by Pillow (Brazil)
Director/Producer/Screenwriter: Lucas Rizzotto
The world’s first VR narrative designed for lying down in bed. Control a brave little rocket named Crimson through a number of mind-bending puzzles as you attempt to save the Universe from a terrible evil you set free. (World Premiere)

Stay Alive, My Son (Chapters 1 & 2) (Greece, U.S.)
Director/Producer/Screenwriter: Victoria Bousis
Stay Alive, My Son takes players on a fantastical, interactive, and powerful journey through the mind and heart of Pin Yathay as he relives a tragic past and loss of his son during the Cambodian genocide, but eventually finds his salvation and heals. (World Premiere)

Whipped Cream “The Dark” (Canada)
Directors: Caroline Cecil (aka Whipped Cream), Will Selviz, Producer: Brenda Medina Carmona, Screenwriter: Caroline Cecil
The Dark, featuring Monstercat artists Whipped Cream, Jasiah, and Crimson Child, presents a VR experience that blends EDM and opera music with photorealistic holographic performances in an emotion-oriented story about a toxic relationship. (World Premiere)



XR Experience Spotlight
Shining a spotlight on acclaimed immersive projects.

Behind The Dish (France, U.S.)
Director: Chloé Rochereuil, Producers: Victor Agulhon, Jonathan Gleit
Behind the Dish is a virtual reality docu-series that dives into the world of gastronomy. Through three 10-minute episodes in 360° film, meet extraordinary women chefs revolutionizing the food industry and watch their cuisine in super-sized macro 3D.

Eggscape (Argentina)
Director: German Heller, Producers: German Heller, Lucila Trobbiani, Screenwriters: German Heller, Federico Heller, Jorge Tereso
An MR experience about terrified little eggs struggling to stay alive in a world full of enemies. Play in an unprecedented way with the physical world, and build your own adventure with friends mixing the digital with the real. (North American Premiere)

The Eye and I Vol. I (Taiwan)
Directors: Hsin-Chien Huang, Jean-Michel Jarre, Producer: Hsiao-Yue Tsao, Screenwriter: Hsin-Chien Huang
The Eye and I is a VR experience that illuminates the surveillance crisis with music from legendary electronic musician Jean-Michel Jarre and visuals from award-winning VR director Hsin-Chien Huang. (International Premiere)

Figural Bodies (United Kingdom)
Directors: Clarice Hilton, Neal Coghlan, Producers: Susanna Dye, Kat Hawkins
Figural Bodies challenges and reimagines the normative and ableist ways the body is understood and represented through immersive technology. This dance mocap performance explores fantastical interaction and embodiment beyond the humanoid avatar form (World Premiere)

In Pursuit Of Repetitive Beats (United Kingdom)
Director/Screenwriter: Darren Emerson, Producers: Ashley Cowan, Dan Tucker
A multi-sensory joyride into the heart of a revolution in dance. Grab your friends and plug into a virtual reality adventure that transports you into the early days of the Acid House movement. Share in an experience that shaped a generation. (North American Premiere)

Lou (Canada)
Directors: Martine Asselin, Annick Daigneault, Producers: John Hamilton, Sebastien Gros, Screenwriters: Annick Daigneault, Martine Asselin, Louis-François Archambault-Therrien
Experience the world with the sensitivity of a person with autism. (U.S. Premiere)

Mrs Benz (United Kingdom)
Director: Eloise Singer, Producer: Siobhan McDonnell, Screenwriters: Eloise Singer, Jedidjah Noomen
Travel back in time to 1886 with Bertha Benz and discover how her journey changed the course of history. (North American Premiere)

Shib the Metaverse
Directors: Marcie Jastrow, Sherri Cuono, Producer: Brandie Konopasek
The Metaverse is the culmination of our history as a community, virtually displayed, in a layer of beautiful visuals that showcase our innovation and unity with a place to truly call home. (World Premiere)

Spring Odyssey (France)
Director: Elise Morin, Producer: Lucid Realities, Screenwriter: Sabrina Calvo
Tangible, material sculptures await the digital in the exhibition space. The display invites a reversal of our apprehension of the relationship between reality and the digital by completing the gaps of one and the other. (International Premiere)

Temporal World: A Haptisonic Virtual Reality Memory World (Germany)
Director/Producer: Chloé Lee
Temporal World is a haptisonic VR experience inspired by the artist’s memories in a place where she has no personal history. Visitors explore and shape a landscape that is as fragmented and fickle as memory itself while wearing a custom haptic coat. (International Premiere)

UnEarthed (United Kingdom)
Director: Jamie Davies, Producer: Jennifer Mortimer, Screenwriters: Jamie Davies, Phil Porter
UnEarthed is a spectacular interactive adventure into the natural world, inspiring people to respect, protect, and restore our planet’s biodiversity, through impactful learning and entertainment. (North American Premiere)

You Destroy. We Create. (Germany)
Directors/Producers: Felix Gaedtke, Gayatri Parameswaran
Witness how Ukrainian art and culture have become targets of the ongoing war, and meet the inspiring people on the frontlines protecting it.

Yuki MR (Brazil)
Director: Kako, Producer: Lia Pinheiro, Screenwriters: Kako, Flavio Mattos, Lia Pinheiro, Marcelo Nery
Yuki MR is an upbeat mix of bullet-hell in Mixed Reality! Take your favorite toy in your hand to defeat evil creatures in a multidimensional universe. (Texas Premiere)



XR Experience Special Events

Neo-Wulin: The Era of Black Ark (China)
Director/Screenwriter: Guanyu, Producers: Chenchenchen, Bingbing Wang
Neo-Wulin is the first virtual performance series IP in China created by the OXYZ3 team.
Each musician will have a unique music world that combines performance, exhibition, and social interaction, and can be constantly extended. (International Premiere)



COMPETITION AWARDS
The Narrative Feature Competition, the Documentary Feature Competition, Poster Design, and Special Awards will be announced on Tuesday, March 14 along with all the Short Film Program winners, which are eligible for Jury Awards within their respective screening categories. All film categories, except Special Screenings and TV Spotlight, will be eligible for category-specific Audience Awards, which will be certified by the accounting firm of Maxwell Locke & Ritter and announced via sxsw.com the following week.

SXSW is proud to be an official qualifying festival for the Academy Awards® Short Film competition. Winners of our Best Animated, Best Narrative and Best Documentary Short Film categories become eligible for Academy of Motion Picture Arts and Sciences awards (Oscars). Any British Short Film or British Short Animation that screens at SXSW is eligible for BAFTA nomination. Films are also eligible for the Independent Spirit Awards, more information on eligibility here.

In addition to film festival screenings, registrants also have access to the full range of content available during SXSW including Conference Keynotes, Featured Speakers, Mentor Sessions, Networking Meet Ups, Music Showcases, Comedy Festival Showcases, Exhibitions and Professional Development. For more information on everything SXSW Online has to offer, please visit sxsw.com.

About SXSW Film Festival
Now in its 30th year, SXSW Film & TV Festival brings together creatives of all stripes over nine days to experience a diverse lineup and access to the SXSW Music and Comedy Festivals plus SXSW Conference sessions with visionaries from all corners of the entertainment, media, and technology industries.

About SXSW
SXSW dedicates itself to helping creative people achieve their goals. Founded in 1987 in Austin, Texas, SXSW is best known for its conference and festivals that celebrate the convergence of tech, film, music, education, and culture. An essential destination for global professionals, the annual March event features sessions, music and comedy showcases, film screenings, exhibitions, professional development and a variety of networking opportunities. SXSW proves that the most unexpected discoveries happen when diverse topics and people come together. SXSW 2023 will take place March 10 – 19, 2023. For more information, please visit sxsw.com. To register for the event, please visit sxsw.com/attend.

SXSW 2023 is sponsored by White Claw, Volkswagen, Itaú, and The Austin Chronicle


Grand Jury Prize/ Int’l competition WINNER @ DOC NYC: ‘HOW TO SAVE A DEAD FRIEND’ is a final love letter spread across 12 years of filming.

HOW TO SAVE A DEAD FRIEND

The monster that is depression roars silently because, in Russia, depression is not allowed to have a voice. Putin has seen to that. In HOW TO SAVE A DEAD FRIEND, filmmaker Marusya Syroechkovskaya chronicles over a decade of her emotional roller coaster in life, love, and deep-seated despair.

Kimi was a history major with a brilliant mind, a great sense of humor, and a penchant for drug use. Marusya’s childhood was a bit more idyllic, but that didn’t stop her suicidal ideation. The two bonded over music, beliefs, and self-destructive ideas. They also filmed every waking moment.

Kimi’s traumatic childhood and Russia’s national political upheaval created the perfect ticking time bomb of existence. He and Marusya needed each other to stay alive, but unresolved trauma is a killer lying in wait. Through marriage, rehab, divorce, and Kimi on a headlong downward spiral, Marusya must find other ways to dull the inner chaos. She had to decide, make a plan to live, or join her innumerable friends in suicide.

Marusya Syroechkovskaya’s dedication and fearless openness make it easy to understand why this film won Grand Jury Prize/ Int’l competition at DOC NYC 2022. HOW TO SAVE A DEAD FRIEND is an intimate and unfiltered look at addiction, love, and attempts to survive one more day. It is a must-see film.



Saturday, November 12 – Sunday, November 27, 2022

Venue

Online Screening

Director: Marusya Syroechkovskaya
Producer: Ksenia Gapchenko, Mario Adamson, Co-Producers Anita Norfolk, Alexandre Cornu
Cinematographers: Kimi Morev and Marusya Syroechkovskaya
Editor: Qutaiba Barhamji
Language: Russian
Country: Sweden, Norway, France, Germany
Year: 2022


Review: ‘The Friendship Game’ explores the dangers of our deepest and darkest desires

THE FRIENDSHIP GAME

From the Producer of THE WITCH and the Writer of “The OA”

Four best friends play a mysterious game procured at a tag sale, testing their relationship in unpredictable and terrifying ways. Glitchy body doubles and piecemeal memories are only the beginning of the nightmare-fueled film.

Performances from our five leads are exceptional. Dylan Schombing plays Kyle, a young webcam hacker essential to the audience following any trace of sense. Schombing’s eyes speak volumes. Kelcey Mawema is Court. She has a party-girl spirit with a drinking problem that hides an inferiority complex. Mawema gives us a solid performance, never letting herself become a third wheel as the story progresses. Peyton List plays Zooza. This role is a departure for List, even with her darker character of Cobra Kai. You cannot help but focus on her turmoil.

Brendan Meyer (who I loved in OA, and am still bitter we didn’t get our ending…) plays Rob with a trustworthy boy-next-door aura. But, Ober’s script allows him to explore a nuance that Meyer owns. Kaitlyn Santa Juana‘s turn as Cotton is enthralling. She is the thread we follow through the film as we unravel the game. There’s an “it” quality about her I cannot pin down, but I’m dying to see her in whatever she does next.

The script had me hanging on every word, every visual, and mind-ending twist. Writer Damien Ober and director Scooter Corkle hypnotize audiences with dizzying editing combined with slowly leaking reveals. It’s a ceaselessly engrossing marriage of devices. Add on the notable red/ blue lighting and jarring soundscape, and The Friendship Game holds you captive from the very first frame. It is emotional manipulation at its finest.

RLJE Films will release the thriller/horror film THE FRIENDSHIP GAME in theaters, on-demand, and digital on November 11, 2022.

SYNOPSIS: The Friendship Game follows a group of teens as they come across a strange object that tests their loyalties to each other and has increasingly destructive consequences the deeper into the game they go.

THE FRIENDSHIP GAME stars Peyton List (“Cobra Kai”), Brendan Meyer (“The OA”), Kelcey Mawema (To All the Boys I’ve Loved franchise), Kaitlyn Santa Juana (“The Flash”) and Dylan Schombing (“Watchmen”). The film was written by Damien Ober (“The OA”) and directed by Scooter Corkle (Hollow in the Land).


 

Review: In theaters today, Eva Green and Chai Fonacia star in ‘NOCEBO,’ a mysterious revenge horror mixing ethics and folk healing.

NOCEBO

In NOCEBO, a fashion designer (Eva Green) suffers from a mysterious illness that confounds her doctors and frustrates her husband (Mark Strong) – until help arrives in the form of a Filipino nanny (Chai Fonacier) who uses traditional folk healing to reveal a horrifying truth.


After a mysterious phone call and a simultaneous encounter with a mangy dog riddled with ticks, Christine’s physical and mental health rapidly declines. Suffering from sleep apnea, nightmares, forgetfulness, and sharp, debilitating pains at any given moment, her already vulnerable marriage and successful fashion design career teeter on the edge of destruction. When Filipina Nanny Diana arrives at her door, Christine does not recall sending for her, but the extra set of hands proves life-changing, for better or worse.

Diana’s integration into the family lands somewhere between awkward and essential. Husband Felix and young daughter Roberta (they call her Bobs) are caught in the middle, allowing for gaslighting from Felix and growing distrust from Bobs. Add in the class distinction with Christine and her family living in a lavish mansion, while Diana arrives with nothing but a single suitcase, mostly filled not with clothing. Writer-director Lorcan Finnegan utilizes flashbacks of Diana’s life to illustrate the glaring contrast. Little by little, the audience begins to piece things together, but not before being disturbed by the effects of Diana’s folk healing methods.

Finnegan uses the color red in many specific instances; lipstick, curtains, and, most impactfully, Christine’s lucky shoes. The color is a sumptuous visual punch set against the mostly jewel-toned house. Finnegan understands the assignment.

As the story progresses and the truth reveals itself, your view of each character shifts. Eva Green plays Chrissy with both a manic and ruthless angle. She is a master at living inside the skin of a character, and Christine is no exception. Chai Fonacier is Diana. This juicy role allows us to see Fonacier’s massive range. I would watch her in all the things, as they say.

Radek Ladczuk‘s cinematography, which I loved in Jennifer Kent’s The Babadook and The Nightingale, is just as emotionally jarring in both overt and subtle forms. The closeups of hands, small objects, and facial features pull the audience into the overall mystery of Christine’s ailment and the impact of her family.

*********The next paragraph has a bit of a spoiler. Skip it to keep the mystery intact!*********

*******SPOILER ALERT*******

In the credits, just after the music tracks, I noticed bold text reading, “Justice for all Kentex workers.” A quick Google search led me to a story from 2015 in Manila in which a factory fire killed 72 factory workers after they were trapped on the second floor. Metal grates on the windows prevented them from escaping a horrifying death. We have heard so many of these same stories of unsafe sweatshop conditions. NOCEBO I pulls directly from the 2015 tragedy, making the film all the more terrorizing.

****** End Of Spoiler Info******

NOCEBO boasts a jaw-dropping and shockingly dark finale. Mixing folklore and revenge horror never miss. The term “nocebo” comes from the Latin to harm. The Oxford definition reads: “a detrimental effect on health produced by psychological or psychosomatic factors such as negative expectations of treatment or prognosis.” Finnegan slickly lulls you into one genre, then pulls the rug out from underneath us. The truth will either set you free or destroy you. NOCEBO is here to remind us all.


RLJE Films will release NOCEBO in theaters on Nov. 4, 2022 and on Demand and Digital on Nov. 22, 2022. The film will stream on Shudder at a later date.



Directed by Lorcan Finnegan (Vivarium) and written by Garret Shanley (Without Name), NOCEBO stars Eva Green (Casino Royale), Mark Strong (1917), Chai Fonacier (Jesus Is Dead) and Billie Gadsdon (Cruella).





Netflix review: ‘All Quiet On The Western Front’ is a breathtaking epic.

ALL QUIET ON THE WESTERN FRONT

17-year-old Paul and his young comrades enthusiastically join the Western Front in 1918 under the guise that they will return to a hero’s welcome. The reality they are about to enter is far from ticker tape parades and medals. It is the unforgiving and bloody trench warfare of WWI. German director Edward Berger’s All Quiet on the Western Front is a breathtaking retelling of the classic 1928 novel by Erich Maria Remarque.

The unfiltered brutality of war, shocking imagery, nothing is sugarcoated. Felix Kammerer stars as our young lead Paul. The film follows his journey from enlisting by lying about his age to the day the war officially ended. Fear is the dominant feeling that runs through the narrative. The class and rank of soldiers is a striking contrast, highlighted by scenes of prideful general sitting safe in high mansions while young men and boys get slaughtered. The film opens with some of the bluntest scenes of warfare that left my jaw on the floor.

In its nearly two-and-a-half-hour runtime, the film has little dialogue. Not a wasted word in the trenches with shouted orders, a kind word of encouragement shared for survival, and the cast genuinely connects on a personal level. Of course, once you become attached to anyone, they are just as quickly ripped away. Kammerer is the star of this film, no doubt about that. His ability to fully embrace the chaos grabs you by the throat. His eyes speak volumes.

James Friend‘s exquisite cinematography encompasses stunning framing, detailed close-ups, and natural lighting. The choice to do hand-held places the audience on the ground with the cast. It’s dizzying at times, but that’s the point. In the still moments, I found myself saying out loud, “Wow, this is beautiful.” The score is its own entity. Jarring, often electronic-sounding horn melodies and sharp state drum rhythms usher impending menace. It will be a travesty if it doesn’t get noticed during awards season.

All Quiet On The Western Front may be the most extensive war epic ever filmed. The fight choreography made my palms sweat. I don’t care how hard you think you are. This story will break you. The cyclical nature of war will crush your soul. There is a reason All Quiet On The Western Front is Germany’s Oscar entry. It’s essential viewing for any history buff or cinema lover and a stark warning to men in power.


Streaming Now on NETFLIX


 

2022 Gotham Awards Nominations feature some of year’s best surprises.

2022 Gotham Awards Nominations Full List 

 

Best Feature Nominations go to Aftersun, The Cathedral, Dos Estaciones, Everything Everywhere All At Once, and Tár.

New York, NY (October 25, 2022) – The Gotham Film & Media Institute announced today the nominations for the 32nd Annual Gotham Awards, singling out 23 feature films, 15 series, and 35 performances in twelve award categories. The nominations were announced live from Cipriani Wall Street by Emmy-nominated star of Pose and American Horror Story on FX and now as Roxie Hart in Chicago on Broadway, Angelica Ross. Ross was joined by Jeffrey Sharp, award-winning film producer and the Executive Director of The Gotham.

“We are thrilled to announce this year’s Gotham Award nominees and look forward to celebrating together live and in person in a few weeks. Over 500 films and TV shows were submitted for consideration this year. These filmmakers demonstrated tremendous courage and invention in the production of their work during these months, and we’d like to congratulate them all.” said Sharp.

As the first major awards ceremony of the fall season, the Gotham Awards provide critical early recognition and media attention to worthy independent films and series and their writers, directors, producers, and actors. The awards are also unique for their ability to assist in catapulting award recipients prominently into national awards season attention. The 2022 Gotham Awards Ceremony will be held live and in person at 7 pm on Monday, November 28, 2022 at Cipriani Wall Street in New York City.

Nominees are selected by committees of film and television critics, journalists, festival programmers, and film curators. Separate juries of writers, directors, actors, producers, editors, and others directly involved in making films will determine the final Gotham Award recipients. 

The 2022 Gotham Award nominations are:

Best Feature 

Aftersun

Charlotte Wells, director; Adele Romanski, Amy Jackson, Barry Jenkins, Mark Ceryak, producers (A24)

The Cathedral

Ricky D’Ambrose, director; Graham Swon, producer (MUBI)

Dos Estaciones

Juan Pablo González, director; Ilana Coleman, Jamie Gonçalves, Bruna Haddad, Makena Buchanan, producers (Cinema Guild)

Everything Everywhere All At Once

Daniel Kwan, Daniel Scheinert, directors; Joe Russo, Anthony Russo, Mike Larocca, Daniel Kwan, Daniel Scheinert, Jonathan Wang, producers (A24)

Tár

Todd Field, director; Alexandra Milchan, Scott Lambert, Todd Field, producers (Focus Features)

Best Documentary Feature

What We Leave Behind

Iliana Sosa, director; Emma D. Miller, Isidore Bethel, producers (ARRAY) 

All That Breathes

Shaunak Sen, director; Aman Mann, Shaunak Sen, Teddy Leifer producers (A Sideshow & Submarine Deluxe Release in Association with HBO Documentary Films) 

All the Beauty and the Bloodshed

Laura Poitras, director; Howard Gertler, John Lyons, Nan Goldin, Yoni Golijov, Laura Poitras, producers (NEON)

I Didn’t See You There

Reid Davenport, director; Keith Wilson, producer (RePort Media) 

The Territory

Alex Pritz, director; Alex Pritz, Darren Aronofsky, Sigrid Dyekjær, Will N. Miller, Gabriel Uchida, Lizzie Gillett, producers (National Geographic Documentary Films)

 

Best International Feature

Corsage

Marie Kreutzer, director; Alexander Glehr, Johanna Scherz, Bernard Michaux, Jonas Dornbach, Janine Jackowski, Maren Ade, Jean-Christophe Reymond, producers (IFC Films)

Athena

Romain Gavras, director; Romain Gavras, Charles-Marie Anthonioz, Mourad Belkeddar, Jean Duhamel, Nicolas Lhermitte, Ladj Ly, producers (Netflix)

The Banshees of Inisherin

Martin McDonagh, director; Graham Broadbent, Pete Czernin, Martin McDonagh, producers (Searchlight Pictures)

Decision to Leave

Park Chan-wook, director and producer (MUBI)

Happening

Audrey Diwan, director; Edouard Weil, Alice Girard producers (IFC Films)

Saint Omer

Alice Diop, director; Toufik Ayadi, Christophe Barral, producers (Super LTD)

Bingham Ray Breakthrough Director Award

Charlotte Wells for Aftersun (A24)

Owen Kline for Funny Pages (A24)

Elegance Bratton for The Inspection (A24) 

Antoneta Alamat Kusijanovic for Murina (Kino Lorber)

Beth de Araújo for Soft & Quiet (Momentum Pictures / eOne)

Jane Schoenbrun for We’re All Going to the World’s Fair (Utopia)

Best Screenplay

Armageddon Time, James Gray (Focus Features)

After Yang, Kogonada (A24)

Catherine Called Birdy, Lena Dunham (Amazon Studios)

Tár, Todd Field (Focus Features)

Women Talking, Sarah Polley, based upon the book by Miriam Toews (United Artists Releasing / Orion Pictures)

Outstanding Lead Performance

Cate Blanchett in Tár (Focus Features)

Danielle Deadwyler in Till (United Artists Releasing / Orion Pictures)

Dale Dickey in A Love Song (Bleecker Street)

Colin Farrell in After Yang (A24)

Brendan Fraser in The Whale (A24)

Paul Mescal in Aftersun (A24)

Thandiwe Newton in God’s Country (IFC Films)

Aubrey Plaza in Emily the Criminal (Roadside Attractions and Vertical Entertainment)

Taylor Russell in Bones and All (United Artists Releasing / Metro Goldwyn Mayer Pictures)

Michelle Yeoh in Everything Everywhere All At Once (A24)

Outstanding Supporting Performance

Jessie Buckley in Women Talking (United Artists Releasing / Orion Pictures)

Raúl Castillo in The Inspection (A24)

Hong Chau in The Whale (A24)

Brian Tyree Henry in Causeway (Apple TV+)

Nina Hoss in Tár (Focus Features)

Noémie Merlant in Tár (Focus Features)

Ke Huy Quan in Everything Everywhere All At Once (A24)

Mark Rylance in Bones and All (United Artists Releasing / Metro Goldwyn Mayer Pictures)

Gabrielle Union in The Inspection (A24)

Ben Whishaw in Women Talking (United Artists Releasing / Orion Pictures)

Breakthrough Performer

Anna Cobb in We’re All Going to the World’s Fair (Utopia)

Frankie Corio in Aftersun (A24)

Anna Diop in Nanny (Amazon Studios and Blumhouse)

Gracija Filipovic in Murina (Kino Lorber)

Kali Reis in Catch the Fair One (IFC Films)


Breakthrough Series – Short Format (under 40 minutes)

Abbott Elementary, Quinta Brunson, creator; Quinta Brunson, Justin Halpern, Patrick Schumaker, Randall Einhorn, executive producers (ABC)

As We See It, Jason Katims, creator; Jason Katims, Jeni Mulein, Dana Idisis, Yuval Shafferman, Udi Segal, Amit Gitelzon, Shlomit Arvis, Danna Stern, executive producers (Prime Video)

Mo, Mohammed Amer, Ramy Youssef, creators; Mohammed Amer, Ramy Youssef, Ravi Nandan, Hallie Sekoff, Solvan “Slick” Naim, Harris Danow, Luvh Rakhe, executive producers (Netflix)

Rap Sh!t, Issa Rae, creator; Issa Rae, Syreeta Singleton, Montrel McKay, Deniese Davis, Dave Becky, Jonathan Berry, executive producers (HBO/HBO Max)

Somebody Somewhere, Hannah Bos, Paul Thureen, creators; Bridget Everett, Carolyn Strauss, Mark Duplass, Jay Duplass, Mel Eslyn, Hannah Bos, Paul Thureen, Patricia Breen, Tyler Romary, executive producers (HBO Max)

Breakthrough Series – Long Format (over 40 minutes)

Pachinko, Soo Hugh, creator; Soo Hugh, Michael Ellenberg, Lindsey Springer, Theresa Kang-Lowe, Richard Middleton, Kogonada, Justin Cho, executive producers (Apple TV+)

Severance, Dan Erickson, creator; Ben Stiller, Nicholas Weinstock, Jackie Cohn, Mark Friedman, Dan Erickson, Andrew Colville, Chris Black, John Cameron, executive producers (Apple TV+)

Station Eleven, Patrick Somerville, creator; Patrick Somerville, Jessica Rhoades, Scott Steindorff, Dylan Russell, Scott Delman, Jeremy Podeswa, Hiro Murai, Nate Matteson, executive producers (HBO/HBO Max)

This is Going to Hurt, Adam Kay, creator; Naomi De Pear, James Farrell, Jane Featherstone, Adam Kay, Ben Whishaw, executive producers (AMC+ in association with BBC)

Yellowjackets, Ashley Lyle, Bart Nickerson, creators; Jonathan Lisco, Ashley Lyle, Bart Nickerson, Drew Comins, Karyn Kusama, executive producers (SHOWTIME)

Outstanding Performance in a New Series

Bilal Baig in Sort Of (HBO Max/HBO)

Ayo Edebiri in The Bear (FX)

Janelle James in Abbott Elementary (ABC)

Minha Kim in Pachinko (Apple TV+)

Matilda Lawler in Station Eleven (HBO/HBO Max)

Britt Lower in Severance (Apple TV+)

Melanie Lynskey in Yellowjackets (SHOWTIME)

Zahn McClarnon in Dark Winds (AMC & AMC+)

Sue Ann Pien in As We See It (Prime Video)

Ben Whishaw in This is Going to Hurt (AMC+ in association with BBC)

Breakthrough Nonfiction Series

The Andy Warhol Diaries, Alexis Martin Woodall, Scott Robertson, Andrew Rossi, Stanley Buchthal, Josh Braun, Ryan Murphy, executive producers; Maya E. Rudolph, producer; Andrew Rossi, director (Netflix)

The Last Movie Stars, Martin Scorsese, Amy Entelis, Courtney Sexton, executive producers; Adam Gibbs, Ryan Hawke, Emily Wachtel, Lisa Long Adler, producers; Ethan Hawke, director (HBO Max)

Mind over Murder, Nanfu Wang, creator and director; Marc Smerling, Nanfu Wang, Max Heckman, Chad Mumm, Mark W. Olsen, Nancy Abraham, Lisa Heller, Sara Rodriguez, executive producers (HBO/HBO Max)

The Rehearsal, Nathan Fielder, creator and director; Nathan Fielder, Dave Paige, Dan McManus, Christie Smith, executive producers (HBO Max)

We Need To Talk About Cosby, W. Kamau Bell, creator and director; W. Kamau Bell, Andrew Fried, Katie A. King, Vinnie Malhotra, Dane Lillegard, Sarina Roma, Jordan Wynn, executive producers (SHOWTIME)


Thirty-four critics, curators, programmers, and writers participated in the nomination process. 

Nominating Committees for the 2022 Gotham Awards were:

Nominating Committee for Best Feature and Best Screenplay:

Justin Chang, Film Critic, Los Angeles Times, NPR’s “Fresh Air”

K. Austin Collins, Film Critic, Rolling Stone

David Ehrlich, Chief Film Critic, IndieWire

Jessica Kiang, Freelance Film Critic, Variety, Sight & Sound, Los Angeles Times, The Playlist

Alison Willmore, Film Critic, New York Magazine/Vulture

Nominating Committee for Best Documentary Feature:

Ben Fowlie, Executive and Artistic Director, Points North Institute; Founder, Camden International Film Festival

Tom Hall, Co-Head/Artistic Director at Montclair Film & The Clairidge Cinemas

Eric Hynes, Writer/Reporter/Critic; Curator of Film, Museum of the Moving Image

Ruth Somalo, Senior Programmer at DOC NYC & ADFF, independent curator and filmmaker

Ania Trzebiatowska, Film Curator, Sundance Film Festival

Nominating Committee for Best International Feature:

Bilge Ebiri, Film Critic and Writer, New York Magazine/Vulture

David Fear, Senior Editor & Critic, Rolling Stone

Wendy Ide, Film Critic, The Observer, Screen International

Guy Lodge, Film Critic, Variety, The Guardian and co-editor, Film of the Week

David Rooney, Chief Film Critic, The Hollywood Reporter

Nominating Committee for Breakthrough Director

Carlos Aguilar, Film Critic, Los Angeles Times, The Wrap

A.A. Dowd, Culture Editor, Chron

Kate Erbland, Executive Editor, Film, IndieWire

Lovia Gyarkye, Arts and Culture Critic, The Hollywood Reporter

David Sims, Staff Writer, Culture, The Atlantic

Nominating Committee for Outstanding Lead Performance, Supporting Performance, and Breakthrough Performer:

Robert Daniels, Film Critic, RogerEbert.com, The Playlist, IndieWire

Jon Frosch, Reviews Editor, The Hollywood Reporter

Tim Grierson, Senior U.S. Critic, Screen International; author, This Is How You Make a Movie

Tomris Laffly, Film Critic, Variety, RogerEbert.com

Brian Tallerico, Editor, RogerEbert.com

Nominating Committee for Breakthrough Series and Outstanding Performance in a New Series

Judy Berman, TV Critic, TIME

Jen Chaney, TV Critic, Vulture

Daniel Fienberg, Chief Television Critic, The Hollywood Reporter 

Caroline Framke, Chief TV Critic, Variety

Melanie McFarland, TV Critic & Senior Culture Writer, Salon

Nominating Committee for Breakthrough Nonfiction Series 

Judy Berman, TV Critic, TIME

Amy Dotson, Director of PAM CUT//Center for an Untold Tomorrow & Curator, Film & New Media at Portland Art Museum

Daniel Fienberg, Chief Television Critic, The Hollywood Reporter 

Cynthia Fuchs, Interim Director, Film and Video Studies, College of Visual and Performing Arts, George Mason University 

Sponsors

The Lead Sponsors of the 2022 Gotham Awards are Cadillac, FIJI Water and GreenSlate. 

About the Gotham Film & Media Institute

The Gotham celebrates and nurtures independent film and media creators, providing career-building resources, access to industry influencers, and pathways to wider recognition. The organization, under the leadership of Executive Director and award-winning producer Jeffrey Sharp, fosters a vibrant and sustainable independent storytelling community through its year-round programs, which include Gotham Week, Gotham Labs, Filmmaker Magazine, the Gotham Awards, Gotham EDU, Owning It, and Expanding Communities.

About the Gotham Awards

The Gotham Awards, one of the leading honors for independent film and television, provides early acknowledgement to groundbreaking independent films and television series. Selected by distinguished juries and presented in New York City, the home of independent film, the Gotham Awards are the first honors of the film awards season. This public showcase honors the filmmaking community, expands the audience for independent films, and supports the work that The Gotham Film & Media Institute does behind the scenes throughout the year to bring such films to fruition.

 

 

 

GRIMMFEST 2022 review: Ramiro Blas wins Best Actor for ‘THE PASSENGER’

THE PASSENGER

Notable framing and beautiful aerial shots get us settled into an eclectic mix of folks on a journey in Blasco’s vintage van he calls Nessa. Young Marta, her mother Lidia, and religious but progressive Mariela are not exactly enjoying the ride. Blasco is a brash misogynistic conspiracy theorist. After spotting something strange on the side of the road, an accident transforms the group quite literally. What stalks them is gruesome and otherworldly.

The camera work from Ignacio Aguilar gets exponentially cooler as the chaos ensues. Fantastic editing and sound design add to the gloriously gory SFX makeup. It must have been one of the most gag-worthy sets to work on. I almost lost my lunch during one closeup.

The Passenger’s cast blew me away. Each actor brings something unique to the film. Actress Cristina Akcázar launches an outrageous physical performance filled with violent movements and wild energy.

Paula Gallego plays Marta and brings everything we need from sass to “final girl” greatness. Her chemistry with Ramiro Blas takes you by surprise. It is one hell of a pairing. Speaking of Ramiro Blas, as Blasco, he manages to be slimy and loveable all at once. There’s a reason he won The Grimm Reaper award for Best Actor. You’ll love to hate him and hate and love him.

The Passenger brings the best tropes of creature feature films. The final shot is slow-clap-worthy goodness. GRIMMFEST 2022 audiences and beyond will lap this up while simultaneously gagging.


NYFF60 review from Unseen Films: ‘NO BEARS’

NO BEARS

Jafar Panahi travels to a border town in order to direct a movie remotely. The actors and film crew are across the border and are taking directions via Zoom.  As Panahi struggles to get the film finished he becomes involved with two sets of lovers, two of the actors, and two people in the village where he is staying. Both pairs want to flee to somewhere safe, something that might not be possible

Panahi is not loved by the Iranian government. As this film was hitting the festival circuit the director was being put into prison. Prior to that, they had tried to restrict his ability to make films but he managed to work around the obstructions. The result has been a unique series of films where the filmmaker is the subject and the films transcend the notion of autobiographical cinema.
This time out Panahi has made one of his most affecting films. Forget his personal situation, this story of life in a small town and in a repressive country will leave you shattered at the end. Panahi is juggling a lot of balls in the air and manages to manipulate them perfectly. First, we have his situation which is basically hiding out in a small town to make a movie he shouldn’t be making. In showing us what it takes to make his film we see how the small minds of the village express an openness that really isn’t. there This ties into the story of one of the couples, a doomed romance Panahi captures in a photo, that everyone wants to see, but which he deletes and denies having. It seems the young woman has been promised since birth to someone she doesn’t love and that someone needs proof to hurt the girl’s true love.  At the same time, the lead couple in Pahani’s film is making a film based on their lives and their efforts to flee to the West. However, the need for official documents complicates things. All of the threads end in darkness for the characters and soul-searching for the audience.
I love Panahi’s films. I make every effort to see everyone I can because he always speaks a truth that needs to be heard. I also find that how he is forced to make films ends up making films that are much more real than if he were making just a straight narrative.  They are so much more interesting because we have to think about how he did what is up on the screen. His are films that are alive and in the moment.
I was rocked by this film. I did not expect the turns, and yet every one is perfectly placed.
One of the best films I saw at this year’s New York Film Festival, it is a must for anyone who loves humanity.

 

For more of Steve’s NYFF60 coverage and all the rest of the movies in the world, (because the man is a machine) head to Unseen Films.


NYFF60 capsule review: ‘Will-o’-the-Wisp’ has one great dance scene.

Will-o’-the-Wisp

With roughly a 60-minute runtime, I was bewildered by this film. NYFF60 got an eyeful with Will-o’-the-Wisp, a Portuguese musical romcom that exploded with themes from climate change, colonialism, and an LGBTQ love story, all wrapped in an unapologetically erotic package. As a man lay on his deathbed in 2062, he reminisces about his love affair with a fire brigade colleague in 2022. The film begins with sold humor in its historical tableaus, garnering laughs in breaking the fourth wall in Shakespearian aside style. Our lead is the reluctant crown Prince Alfredo, whose passion for the environment and his fellow fire brigade members takes precedence over his royal duties. With long takes and genre-jumping comes an uneven pace as we bounce through time, from theme to theme. The film features a pornographic mutual masturbation scene and numerous projected images of penises. One particular scene stands out above all else. To call it a musical feels untruthful were it not for one singularly spectacular choreographed number. This lengthy scene manages to be beautiful and funny all at once. I was longing for more of this. I was mesmerized. Once finished, I was heartily disappointed with the remaining narrative.

Review: ‘PIGGY’ tests morality with bloody brilliant performances and writing.

PIGGY


Morally ambiguous and brilliant, PIGGY has been making the festival rounds this year to much acclaim. Writer-director Carlota Pereda uses the backdrop of teenage bullying and dials it up to the nth degree with murder, mayhem, and lies.

The script is relentlessly chilling. Because the audience has more information than anyone else, it feels as though the characters are sitting ducks. We are right alongside Sara as she witnesses her tormentors thrown into the back of a serial killer’s van. She says nothing, both out of fear and perhaps relief. Those that have ever been on the receiving end of horrible words and despicable actions will undoubtedly wince throughout the film.

PIGGY also speaks to the weight of parental support. We find Sara’s mother to be a nagging, uncaring shrew, while her father pays attention to her with genuine love. Her woes are exacerbated by her parents owning the local butcher shop, leading vile peers to dub her “Piggy.” One of the girls, Claudia, has a deeper connection to Sara based on her delay tactics in teasing and a matching bracelet with Sara.

The stakes in the film get higher and higher as the police, the chatty locals, and Sara’s conscience drives her to the breaking point. But that’s not all that weighs on Sara’s mind. PIGGY keeps you on your toes, constantly challenging your morality. Lead actress Laura Galán gives a star-making performance. You can see the wheels turning in each deliberate beat. Raw and thoroughly vulnerable, it is one hell of a turn. PIGGY had my heart in my throat from start to finish. Audiences are in for some hard questions and emotional torture.


Release Dates: 
October 7, 2022 (Exclusively in Alamo Drafthouse Theaters)
October 14, 2022 (Theatrical/VOD)

Directed by Carlota Pereda
Cast: Laura Galán, Richard Holmes, Carmen Machi, Irene Ferreiro, Camille Aguilar, Claudia Salas, Pilar Castro
Runtime: 90 mins
Genre: Horror/Thriller
Distributor: Magnet Releasing


Tallgrass Film Festival 2022 short review: Fingers crossed, ‘Slasher Squad’ is just the beginning.

SLASHER SQUAD

Short film Slasher Squad features picture-perfect animation akin to hyper-realistic mocap games like Uncharted and The Last of Us. Some of the details look so real I did a double take more than once. The story revolves around our female protagonist hearing the news about a serial killer on the loose. After checking the locks and hopping in the shower, we see she’s not alone. 

The ending of the film is a double twist. The first had me yelling at the screen. The second was so shocking I audibly exclaimed, “Okay, that’s AWESOME.” Writer-director-producers Nathan Stone and Stuart Campbell manage to world build in under 4 minutes! Adelaide Kane, whom I adored in Reign, plays our lead, Amber. Sean Tinnion‘s original score is unmissable. Slasher Squad is a perfect treatment, ripe for whatever forms they want to expand it in, be it a game, series, or feature. I would watch the hell out of this team’s creative endeavors. 


  • Year:
    2022
  • Runtime:
    5 minutes
  • Language:
    English
  • Country:
    Australia
  • Premiere:
    Kansas
  • Rating:
    13+
  • Director:
    Nathan Stone & Stuart Campbell
  • Producer:
    Nathan Stone & Stuart Campbell