Film lovers unite! TIFF 2022 is upon us. Here’s what we’re excited to see. #TIFF22

TORONTO INTERNATIONAL FILM FESTIVAL 2022 has arrived! This year there is a little bit (or a lot) for everyone, from In Conversation With Taylor Swift and a screening of All Too Well: The Short Film on 35mm, Viola Davis in The Woman King, to the Midnight Madness world premiere of Weird: The Al Yankovic Story. TIFF never disappoints and this year, in its 47th edition, the stars come out to entertain the masses. With so many options, here are a few titles we’re keeping our eyes on.


CHARCOAL (PLATFORM SECTION–WORLD PREMIERE)

Brazil, 2022. In a remote area in São Paulo’s countryside, a rural family who lives beside a charcoal factory accepts a proposal to host a mysterious foreigner. The home soon becomes a hideout as the so-called guest happens to be a highly wanted drug lord. The mother, her husband and child will have to learn how to share the same roof with this stranger, while keeping up appearances of an unchanged peasant routine.

Writer-director Carolina Markowicz has had many of her short films play the festival. This will be her feature debut and I cannot wait to experience her storytelling in long form.


BONES OF CROWS (Contemporary World Cinema, World Premiere)

 

Unfolding over 100 years, BONES OF CROWS is a feature film told through the eyes of Cree Matriarch Aline Spears as she survives a childhood in Canada’s residential school system to continue her family’s generational fight in the face of systemic starvation, racism, and sexual abuse.

We’re all aware by now of the horror stories of the children forced to live in Canada’s residential schools. So much so that the Pope apologized for the abuse the children endured after innumerable graves were discovered on the former grounds. Bones of Crows is a vastly important story.

*This program contains scenes that may distress some viewers, especially those who have experienced harm, abuse, violence, and/or intergenerational trauma due to colonial practices.

Support is available 24 hours a day for anyone affected by their experience at residential schools and for those who may be triggered by content dealing with residential schools, child abuse, emotional trauma, and racism. The national Indian Residential Schools Crisis Line is available at 1-866-925-4419.


BROTHER (Special Presentations, World Premiere)
Propelled by the pulsing beats of Toronto’s early hip hop scene, BROTHER is the story of Francis (Aaron Pierre) and Michael (Lamar Johnson), sons of Caribbean immigrants maturing into young men. Director Clement Virgo expertly tackles themes of masculinity, identity and family as a mystery unfolds during the sweltering summer of 1991, and escalating tensions set off a series of events that change the course of the brothers’ lives forever.

Writer-director Clement Virgo brings TIFF audiences a tale more relevant today than ever. A study in grief, Brother is bound to impact viewers is a visceral manner.


DALÍLAND (Gala Presentation, World Premiere, **Closing Night**)
Mary Harron’s DALÍLAND is both a coming of age story and a searing, funny and sympathetic portrait of crisis in the late life of one of the greatest artists of the 20th century. Experienced through the eyes of young gallery assistant James Linton (Christopher Briney) as he is invited into a glamorous new world, audiences will uncover the true Dalí (Sir Ben Kingsley) – the complex, flawed, and deeply human man behind the brilliant paintings, wild theatrics, and iconic mustache and explore his especially tempestuous relationship with Gala (Barbara Sukowa), his wife and muse.\

Sir Ben Kingsley releases Dali from an enigmatic caricature and humanizes the genius, his life, and his work.


THE PEOPLE’S JOKER (Midnight Madness, World Premiere)
After years numbing herself with irony and an inhalant called Smylex, an unfunny aspiring clown grapples with gender identity, first love, and old foes all while founding an illegal comedy theater in Gotham City. It’s a queer coming-of-age Joker Origin story. Completely unlicensed by DC and Warner Brothers. Starring and directed by Vera Drew (“Beef House,” “Who Is America”) and featuring the work of 200 independent artists on three separate continents, all made during a global pandemic!

A queer coming-of-age satire and multi-media extravaganza, this mashup of fandoms I never knew I needed.


MY SAILOR, MY LOVE (Contemporary World Cinema, World Premiere)
MY SAILOR, MY LOVE is a heart-warming drama on timeless love and forgiveness. Howard (James Cosmo) is a retired sailor and widower, his daughter Grace (Catherine Walker) hires a caregiver Annie (Bríd Brennan). Reclusive and stubborn, Howard rejects Annie’s company, but eventually opens his heart and gives final love a chance.

A raw and compelling family drama, My Sailor, My Love is teeming with complexity and outstanding performances.


THE WOMAN KING  (World Premiere — Gala Presentations)

Synopsis: The Woman King is the remarkable story of the Agojie, the all-female unit of warriors who protected the African Kingdom of Dahomey in the 1800s with skills and a fierceness unlike anything the world has ever seen. Inspired by true events, The Woman King follows the emotionally epic journey of General Nanisca (Oscar®-winner Viola Davis) as she trains the next generation of recruits and readies them for battle against an enemy determined to destroy their way of life. Some things are worth fighting for…

Listen, if you tell me that Viola Davis is starring in a film, my butt is in a seat. Based on a true story? Well, that’s solidly in Davis’ wheelhouse, but really what isn’t? This is one highly anticipated film already.


ALLELUJAH (SPECIAL PRESENTATIONS)

This glorious reunion of Oscar winner Judi Dench and director Richard Eyre (Notes on a Scandal) is a spirited homage to the idiosyncrasies of old age and the noble fortitude of health-care workers everywhere. Adapted by Heidi Thomas from Alan Bennett’s stage play, Allelujah assembles a stunning ensemble of veteran British actors, including Jennifer Saunders, David Bradley, and Derek Jacobi.

There is every chance this will be an absolute crowd pleaser. The premise alone has me making up scenarios in my head of pure shenanigans. With a hell of a cast, Allelujah cannot go wrong.


FIXATION (Contemporary World Cinema)

Maddie Hasson (Malignant) plays a young woman committed to an unorthodox institution by a pair of enigmatic doctors (Genesis Rodriguez and Stephen McHattie).

Another feature debut from a female filmmaker, Mercedes Bryce Morgan brings to life an ambitious physiological thriller that will mesmerize with wild production design. I don’t think any of us are ready for such treatment. (pun intended)


LIVING (CONTEMPORARY WORLD CINEMA)

In this exquisitely realized remake of Akira Kurosawa’s 1952 film Ikiru, director Oliver Hermanus teams with Nobel- and Booker Prize–winning author Kazuo Ishiguro to renew a classic. LIVING is the story of an ordinary man, reduced by years of oppressive office routine to a shadow existence, who at the eleventh hour makes a supreme effort to turn his dull life into something wonderful – into one he can say has been lived to the full

The magnificent Bill Nighy helms this film about humanity and mortality. With Mothering Sunday vets, cinematographer Jamie Ramsay and production designer Helen Scott, Living will undoubtedly be a feast for the eyes.

THE LOST KING (SPECIAL PRESENTATIONS)

Synopsis: In the archaeological find of a century, the remains of King Richard III — presumed scattered over 500 years ago — were discovered beneath a parking lot in Leicester in 2012. The search had been conceived and motivated by an amateur historian, Philippa Langley, whose passion and unrelenting research were met with skepticism. THE LOST KING is the inspiring true story of a woman who refused to be ignored and who took on Britain’s most eminent historians, forcing them to rethink the legacy of one of the most controversial kings in England’s history. A tale of discovery, obsession, and stolen glory (both then and now), THE LOST KING is a magical adventure illuminated by one woman’s growing sense of purpose.

My husband and I are history nerds. We’ve seen the documentary of this very story and it was nothing short of fascinating. For those who may not know the vile things said about King Richard III, it’s rather shocking. Sally Hawkins is the perfect choice to capture Philippa Langley‘s determined journey to uncover the truth.

MOVING ON (GALA PRESENTATIONS)

Synopsis: Jane Fonda and Lily Tomlin star in this fusion of audacious comedy and bracing drama about estranged pals who are reunited when a beloved mutual friend dies, leaving her widower the target of a revenge plan.

Perhaps some of the most notable chemistry we’ve seen between two women in years bounds off the screen when Lily Tomlin and Jane Fonda work together. These two powerhouse ladies bring heart and humor to a story much more complex than at first sight. TIFF audiences are bound to cheer for Moving On.


ARISTOTLE AND DANTE DISCOVER THE SECRETS OF THE UNIVERSE (Discovery)

Based on the book by Benjamin Alire Sáenz, two teenage Mexican-American loners in 1987 El Paso explore a new, unusual friendship and the difficult road to self-discovery.

Another female director’s feature debut (in case anyone is counting and cheering along with me), Aristotle and Dante Discover the Secrets of the Universe is more than a queer coming-of-age story. You’d never guess Max Pelayo and Reese Gonzales were first-time leads. Lin-Manuel Miranda joins a powerhouse team of producers after narrating Sáenz‘s audiobook in 2013 and then reading writer-director Aitch Alberto’s screenplay. He knows a little something about quality writing, so his seal of approval is huge.


TIFF 2022 runs from September 8th to the 18th.

For more information on the fest, visit tiff.net


ICYMI: Fantastic Fest 2022’s massive full lineup includes, ‘SMILE,’ ‘WOUNDED FAWN,’ ‘TRIANGLE OF SADNESS,’ & ‘BLOOD RELATIVES’

FANTASTIC FEST ANNOUNCES A COLOSSAL 2022 LINEUP

There’s only one place where you’ll find killer teddy bears, man-eating sharks, elderly zombies, cocktail-serving robots, and Park Chan-wook… all under one roof. That’s right, the world-famous genre festival Fantastic Fest is back for its seventeenth edition featuring 21 World Premieres, 14 North American Premieres, and 21 U.S Premieres. The festival will once again take over the Alamo Drafthouse South Lamar in Austin, TX from September 22nd – 29th and on the web via a virtual FF@Home experience from September 29th – October 4th.

“It’s been far too long since we’ve all been able to gather together and celebrate film the Fantastic Fest way,” says Festival Director Lisa Dreyer. “We’ve really put our all into crafting an extraordinary week, from the exceptional programming that spans exciting discoveries to highly-anticipated features, to our signature events that will inject a much-needed dose of fun into 2022.”

Badges are available now at FantasticFest.com.


The opening night film for Fantastic Fest 2022 is the world premiere of Paramount Pictures’ SMILE, the intensely creepy debut feature from Parker Finn that’ll have even the seasoned FF crowd gripping their armrests in genuine fright.

This year’s edition of Fantastic Fest will also honor a legendary genre filmmaker and show his latest masterpiece. Park Chan-wook, the South Korean director of OLDBOY, SNOWPIERCER, and THE HANDMAIDEN has been defining (and defying) genre films for decades, and his latest work – MUBI’s DECISION TO LEAVE – is a stunning achievement. In conjunction with the U.S. Premiere of his new film, Park Chan-wook will be present at Alamo Drafthouse South Lamar to accept a lifetime achievement award from Fantastic Fest in celebration of his mind-bending, artfully-crafted body of work.

The closing night film at Fantastic Fest 2022 will be director Ruben Östlund’s Palme d’Or-winning pitch black comedy from Neon, TRIANGLE OF SADNESS. The latest Drafthouse Recommends selection, TRIANGLE OF SADNESS is an outrageously funny and audacious social satire, with a second act that could have been engineered in a lab specifically to delight Fantastic Fest audiences. It’s a joyful romp that’ll serve as a fitting capper to the fest, and the perfect segue to closing night festivities.

Other major studio films include two Searchlight films perfectly tuned to the Fantastic Fest palate – the U.S. Premiere of THE MENU, a sharp satire about a destination-dining experience with unexpected surprises, and the U.S. Premiere of director Martin McDonagh’s THE BANSHEES OF INISHERIN, chronicling the dissolution of a friendship that escalates with shocking consequences.

A24 brings us the North American premiere of MEDUSA DELUXE, a murder mystery set in the world of competitive hairdressing, MGM and Distributor United Artist Releasing’s BONES AND ALL, from director Luca Guadagnino and starring Taylor Russell, Timothée Chalamet, Michael Stuhlbarg, André Holland, Chloë Sevigny, David Gordon-Green, Jessica Harper, Jake Horowitz and Mark Rylance, and the U.S. premiere of Miramax’s SICK, the latest slasher from John Hyams.



Other World Premieres include:


Noah Segan’s directorial debut, BLOOD RELATIVES, a father-daughter vampire comedy.
Dark Side of the Ring co-creator Jason Eisener’s KIDS VS. ALIENS, which sees a group of friends face off against evil space invaders.
An anthology horror film featuring many Fantastic Fest alumni, SATANIC HISPANICS, from Epic Pictures.


“Fantastic Fest has always been the purest expression of Alamo Drafthouse Cinema’s founding principle: share the joy of cinema with people you love,” says Fantastic Fest founder Tim League. “I am beyond proud of the team for forging one of, if not the all-time best, Fantastic Fest experiences ever. This is my favorite week of the year, and I cannot wait to share it with all of you.”


The Parties
For the first time since 2019, Fantastic Fest’s legendary parties and events are back.

A special performance in The Highball from the experiential sonic sorcerers Itchy-O while they’re in Austin for a show at the Far Out Lounge.
Hailing all the way from Vienna, Roboexotica makes its Texas-debut at the Fantastic Fest opening night party, bringing their famous cocktail-concocting robots to astonish and amuse.
Podcast recordings and live events on The Highball stage with Leonard Maltin, Scripts Gone Wild, The Kingcast and Screen Drafts.
Joe Pickett and Nick Prueher of The Found Footage Festival fame will perform a live show after their documentary CHOP & STEELE.
And finally, Fantastic Fest essentials like 100 Best Kills, the Fantastic Feud and the Fantastic Debates will return at this year’s festival.


FF@Home
For the second year in a row, Fantastic Fest will be a hybrid festival that offers in-person and virtual screenings. The Burnt Ends lineup will headline the online festival, with programming that seeks to champion eccentric and obscure indie cinema. Two in-person screenings will introduce audiences at South Lamar to the new series: THE PEOPLE’S JOKER and ALL JACKED UP AND FULL OF WORMS, both with filmmakers in attendance. The rest of this virtual lineup will be announced at a later date, featuring a selection of films from this year’s in person fest and will also include virtual exclusives such as a retrospective of cult DIY filmmakers Matt Farley and Charles Roxburgh’s MOTERN MEDIA movies.

 


Shark Attack & AGFA Takeover

This year’s sidebar is dedicated to the man-eater from the deep blue sea. Centered around the North American Premiere of FF alumni Ludovic and Zoran Boukherma’s YEAR OF THE SHARK, Fantastic Fest programmers dug deep to bring audiences the most entertaining shark movies from around the world. Many of them have never before screened in the USA and are now available thanks to our friends at AGFA.


The shark sidebar features TINTORERA! (Mexico) — which will be shown on 35mm from a print coming directly from Quentin Tarantino’s vault — as well as AATANK (India), GAMERA VS ZIGRA (Japan), MAKO: THE JAWS OF DEATH (USA), and 12 DAYS OF TERROR (USA).


We are thrilled to present 85 feature film titles and episodics, as well as a variety of short film selections to be announced at a later date — all showcasing World, North American, U.S. and Regional Premieres. See below for the full lineup of feature film programming at this year’s festival.


FESTIVAL FILM LINEUP BELOW:



12 DAYS OF TERROR

USA, 2004

Retrospective, 95 min

Director – Jack Sholder

In attendance – Director Jack Sholder

During the record-breaking summer heat of 1916, beachgoers on the Jersey shore are threatened by a shark that has developed a taste for human flesh.



AATANK

India, 1996

North American Premiere, 113 min

Directors – Prem Lalwani & Desh Mukherjee

A gangster’s hunt for black pearls sparks a series of vicious shark attacks. No diver, boat, or helicopter is safe in this B-grade Bollywood oddity.



ALL JACKED UP AND FULL OF WORMS (Burnt Ends Selection) *Previous coverage here*

USA, 2022

Texas Premiere, 72 min

Director – Alex Phillips

In attendance – Director Alex Phillips

A psychedelic journey of self-discovery leads to romance when a man shares his addiction to psychotropic worms… and Chicago will never be the same.



AMAZING ELISA

Spain, 2022

World Premiere, 104 min

Director – Sadrac Gonzalez-Perellon

In attendance – Director Sadrac Gonzalez-Perellon

In the aftermath of a horrific accident, Elisa believes that she’s been given super powers and will stop at nothing to avenge her mother’s death.



THE ANTARES PARADOX

Spain, 2022

World Premiere, 96 min

Director – Luis Tinoco Pineda

In attendance – Director Luis Tinoco Pineda

An astrophysicist working for the SETI project risks her career and family to verify an extraterrestrial radio signal before her access is cut off.



ATTACHMENT (see our previous coverage)

Denmark, 2022

Texas Premiere, 105 min

Director – Gabriel Bier Gislason

In attendance – Director Gabriel Bier Gislason

Maja and Leah’s relationship is off to a great start, but they face two perilous threats: the whims of a Jewish demon and Leah’s overbearing mother. Read More →

Fantasia International Film Festival is back with its 26th edition to rescue us from reality. Here’s what we’re excited to see! #Fantasia2022

It’s no secret that all the best genre films come through Fantasia Film Festival. 2022’s fest comes just in time to distract us from all the actual horrible things happening in the world.

Welcome to a list of things we’re excited about playing this year. Some are already on our best of the year lists and some we anticipate adding. Check out our picks below.

For all things Fantasia Film Festival 2022 stay tuned to Reel News Daily with some special posts from our friends at Unseen Films


Six films we’ve seen at previous festivals and their reviews can be found below. Highly recommend each of them for a myriad of reasons.

Next Exit
Legions
Sissy


Honeycomb
Hypochondriac
Speak No Evil (One of the year’s most brutal films)



FREAKS OUT (Italy)

– Dir: Gabriele Mainetti

Rome, 1943. A pack of sideshow performers with supernatural powers face off against occupying Nazis in the most unusual superhero film you will ever see. This fantastical and gutsy celebration of the different that walks an electrifying tightrope between blockbuster filmmaking and edgier, more subversive genre work. From the director of THEY CALL ME JEEG. Winner of the Leoncino d’Oro at last fall’s Venice Film Festival. Canadian Premiere. 

Sounding like a genre fan’s wet dream, FreaksOut is a priority watch this year.



Princesse Dragon

Bristle is a little girl raised by dragons. But when her father, Dragon, has to pay the Sorcerog using his second most valuable asset, he offers her Bristle – Throwing her into an infinite sadness and forcing her to flee the family cave. Bristle then embarks on a journey to discover the world of men.

Feminist anime? Give it to me all day, every day.


Polaris

Set in 2144 against the harsh backdrop of a frozen wasteland, Sumi, a human child raised by Mama Polar Bear, narrowly escapes capture from a brutal Morad hunting party and sets out across the vast winter landscape. When Sumi stumbles across Frozen Girl, an unlikely friendship is forged and together they race ahead of the vindictive hunters towards the only guiding light Sumi knows, the Polaris star.

All female-led opening film. Sold.


One Cut of the Dead

(French remake of the cult classic)

After opening this year’s Cannes, FINAL CUT (Coupez!), Michel Hazanavicius’s riotous remake of Shinichirou Ueda’s ONE CUT OF THE DEAD, is coming to North America. Starring Romain Duris, Bérénice Bejo, Grégory Gadebois, Finnegan Oldfield, Matilda Anna Ingrid Lutz, and Yoshiko Takehara reprising her beloved role from the original film as a producer, this hilarious ode to the do-or-die spirit of filmmaking is a joy to behold. It is especially noteworthy for the film’s North American journey to be starting at Fantasia, as the festival was among the first to popularize the original Audience Award-winning ONE CUT OF THE DEAD in the West. Poetically, Ueda’s latest, POPRAN, will also be having its North American Premiere at the festival this year. Bet your viewfinder that FINAL CUT is going to bring the house down in cheers. North American Premiere.

Without knowing the original, the buzz around this remake is out of this world. Will it live up to its predecessor? I guess we’ll all find out together.

Huesera

Pregnant with her first child and consumed by terrifying visions, Valeria (Natalia Solián) believes that she may be cursed by a supernatural entity. A brilliant and frightening breakout debut as important as Jennifer Kent’s THE BABADOOK, HUESERA firmly announces Mexico’s Michelle Garza Cervera as one of the leading new voices of the genre. A scorching personal vision that asks complex questions with ferocious honesty, this profound, nightmarish blessing comes to Fantasia hot off its award-winning Tribeca launch and is already one of the most talked-about genre works of the year.  Canadian Premiere. 

A big winner out of Tribeca 22, this is a slick film tackling identity and motherhood in a surprising way. If you’ve ever been pregnant and didn’t love every single second of it, this one will cut extra deep.



Bodies, Bodies, Bodies

Also screening as part of Fantasia’s closing night events will be Halina Reijn’s wildly entertaining and gloriously twisted BODIES BODIES BODIES. A party game leads to murder when young and wealthy friends gather at a remote family mansion in this instant classic comedy horror joyride that maintains a taut balance of uneasy tension and wicked humor. Starring Amandla Stenberg (THE HATE U GIVE), Maria Bakalova (BORAT SUBSEQUENT MOVIEFILM), Myha’la Herrold (INDUSTRY), Rachel Sennott (SHIVA BABY) and comedy superstar Pete Davidson. Special Screening.

When people cannot stop talking about a film, you know you have to see it. Coming to theaters August 5th.

 DIRECTOR: Halina Reijn CAST: Amandla Stenberg, Maria Bakalova, Myha’la Herrold, Chase Sui Wonders, Rachel Sennott, with Lee Pace and Pete Davidson


Piggy

Laura Galán appears in PIGGY by Carlota Pereda

During the sweltering summertime of rural Spain, Sara carries an extra load of teenage agony due to the perpetual bullying from her peers. She’s also an outsider at home—her parents and little brother just don’t understand her—so, feelings internalized, she’s often found buried in her headphones, drowning out her surroundings. One day, Sara’s usual solo dip at the local pool is disrupted by the presence of a mysterious stranger in the water and an exceptionally grueling bout of abuse at the hands of three girls. But, in a strange twist of fate, along the way home Sara witnesses her bloodied tormentors being kidnapped in the back of the stranger’s van.

Another buzzy title, this one focusing on mean girls and morality is a star vehicle for actress Laura Galán.


The Pez Outlaw

Steve Glew spent the 1990s smuggling rare pez dispensers into the USA from Eastern Europe, making millions of dollars. It was all magical until his arch-nemesis, The Pezident decided to destroy him.

Who wouldn’t want to watch a film about rival pez dispenser smugglers is really the question.


Everybody Goes To The Hosptial (short film)


Based on a true story, EVERYBODY GOES TO THE HOSPITAL is a stop motion animated exploration of physical, psychological, and familial trauma, telling the tale of 4-year-old Little Mata (writer/director Tiffany Kimmel’s mother) as she’s taken to the hospital in late 1963 with appendicitis.

This is s personal pick for me, as someone traumatized by hospitals more than once in my life. The first time was when I was diagnosed with appendicitis. Check out a teaser here.


For all things Fantasia 2022 stay tuned to Reel News Daily with some special posts from our friends at Unseen Films.


 

The countdown is officially on for Tribeca Film Festival 2022. Here are 20 films we’re keeping our eyes on this year.

Tribeca is back in action. The 2022 interaction of the festival will have events including films, talks, masterclasses, immersive selections, and a watch at-home option if you’re not in the city. There is so much to experience this year, but here is a list of films we’re keeping our eyes on. More to come as the festival rolls on over 12 days.


HALFTIME

– Opening Night –

Launches on Netflix on June 14th

HALFTIME offers an intimate peek behind the curtain revealing the grit and determination that makes Jennifer Lopez the icon she is, from her performances onscreen and on stages around the world, to her Super Bowl Halftime show, to the recent Presidential inauguration. The documentary focuses on an international superstar who has inspired people for decades with her perseverance, creative brilliance, and cultural contributions. And it’s only the beginning. HALFTIME serves as the kickoff to the second half of Lopez’s life, as she lays bare her evolution as a Latina, a mother, and an artist, taking agency in her career and using her voice for a greater purpose.

Directed by: Amanda Micheli

Produced by: Benny Medina, Elaine Goldsmith-Thomas, Dave Broome, Angus Wall, Terry Leonard, Jennifer Sofio Hall, Kent Kubena, and Serin Marshall

Screenings: 

6/8 at 7:00pm – United Palace

6/9 at 9:00pm – Village East by Angelika: Theater 1

6/11 at 11:30am – Cinépolis: Theater 4


CAROL AND JOHNNY

The unbelievable, decade-spanning, and surprisingly heart-warming true story of two of America’s most successful bank robbers, Carol & Johnny provides the opportunity for the real-life Bonnie and Clyde to reflect upon and record their unique love story in their own words. Comparing and contrasting the oral histories of both now-elderly ex-cons, Colin Barnicle’s riveting biographical documentary traces the history of the duo with equal intensity and intimacy, transforming true crime into a rich, literary epic. 

If you’re not obsessed with true crime at this point, I don’t know what rock you’ve been living under. This one has an intimate and personal touch to it.

Directed by: Colin Barnicle 

Produced by: Barnicle Brother with Words and Pictures

Section: Viewpoints, Feature Documentary

Screenings:

6/12 a 5:00pm – Village East by Angelika: Theater 2

6/14 at 6:00pm – At-home Virtual Screening  

6/15 at 2:45pm – Village East by Angelika: Theater 6

6/16 at 8:00pm – Village East by Angelika: Theater 2


RUDY! A DOCUMUSICAL

Whether you love, hate, or loved then hated Rudy Giuliani, everyone knows his name. He was “America’s mayor,” Time Magazine’s Person of the Year, US Attorney for the Southern District of New York, and a personal lawyer to the former President of the United States. Dissecting the rise and fall of its titular subject with thorough research and an inquisitive eye, Rudy! A Documusical is a political documentary that goes beyond well-known headlines to explore the psyche and circumstances of a man in free-fall.

The downfall of “America’s Mayor” (and yes, we did call him that as someone who experienced 9/11 here in the city as a college student) is one of the most shocking things to witness. Share in the media-frenzied weirdness why don’t you?

World Premiere

Directed by: Jed Rothstein

Produced by: Ross M. Dinerstein and Sarit G. Work

Section: Spotlight Documentary

Screenings: 

6/9 at 8:30pm – SVA Theater 1 Silas 

6/10 at 2:45pm – Cinépolis: Theater 5

6/17 at 8:15pm –  Tribeca Center


FAMILY DINNER

It’s no surprise that the Midnight films happen to be the ones I covet most during Tribeca. This year, Peter Hengl’s film Family Dinner features a young woman named Simi visiting her family for Easter. Seeking the guidance of her famous nutritionist aunt, Claudia, she is introduced to a diet that will take every ounce of willpower. The film simmers in uncomfortable tension. Don’t think that for a moment, I missed  Ant Timpson as one of the executive producers. Family Dinner has all the ingredients for a feast, that might just come back up later.

Fri June 10 – 9:00 PM
Village East by Angelika: Theater 6
 
Sat June 11 – 9:45 PM
Village East by Angelika: Theater 4
 
Wed June 15 – 8:15 PM
Tribeca Film Center

BODY PARTS

This stellar documentary dives headfirst into the “reality” of sex scenes in Hollywood. In conversation with actresses, directors, and intimacy coordinators, Body Parts mixed social relevance and amazing editing to bring you into the bedrooms of some of the most iconic sex scenes in cinematic history. And that’s only the beginning of what this film tackles. Get ready for a lesson in industry intimacy.

DIRECTOR

Kristy Guevara-Flanagan

 
EXECUTIVE PRODUCERS
Ruth Ann Harnisch, Abigail Disney, Daniel Chalfen, Adrienne Becker, Roger Clark
 
CAST
Jane Fonda, Joey Soloway, Angela Robinson, Karyn Kusama, Rose McGowan, David Simon.
 
Sun June 12 – 2:45 PM
Village East by Angelika: Theater 1
 
Mon June 13 – 8:15 PM
Tribeca Film Center
 
Tue June 14 – 6:00 PM
At Home

Only available in New York state

Thu June 16 – 9:00 PM
Cinépolis: Theater 6
 

THE YEAR BETWEEN

(US Narrative Competition) – Clemence Miller, played by comedian writer/director Alex Heller, is coming home to live in her family’s basement after dropping out of college with a newly diagnosed mental illness. Having to face her battered relationships and responsibilities of adulthood, she is driving everyone around her… crazy.

Alex Heller is a tour de force in this unapologetic and in-your-face indie. Wearing all the hats in this film as star, writer, director, and producer. 
 
DIRECTOR
Alex Heller
 
PRODUCER
Eugene Sun Park, Amanda Phillips, Sonya Lunsford, Rachel Gould, Caterin Camargo-Alvarez, Alex Heller
 
SCREENWRITER
Alex Heller
 
CINEMATOGRAPHER
Jason Chiu
 
EXECUTIVE PRODUCER
Adrienne Becker, Susanna Fogel, J. Smith-Cameron, HaJ
 
CAST
Alex Heller, J. Smith-Cameron, Steve Buscemi, Wyatt Oleff, Emily Robinson, Kyanna Simone, Rajeev Jacob, Waltrudis Buck
 
Sun June 12 – 5:30 PM
Village East by Angelika: Theater 1
 
Available Starting
Tue June 14 – 6:00 PM
At Home
 
Tue June 14 – 8:45 PM
Village East by Angelika: Theater 3
 
Fri June 17 – 9:00 PM
Cinépolis: Theater 6

NAKED GARDENS

(Documentary Competition) – An immersive film from filmmakers Ivete Lucas and Patrick Bresnan (Pahokee), about the unseen world of nudism. Set in the Florida Everglades, NAKED GARDENS follows the stories of individuals drawn to this lifestyle and the dilemmas they face, as they prepare for the Midwinter Naturist Festival.

Charming and insightful, push your judgment aside and meet a community attempting to live and accept one another. They just happen to be nude.

DIRECTOR
Ivete Lucas, Patrick Bresnan
PRODUCER
Patrick Bresnan, Ivete Lucas, Tabs Breese, Julia Nottingham, Roberto Minervini, and Denise Ping Lee
SCREENWRITER
Ivete Lucas
CINEMATOGRAPHER
Patrick Bresnan
EDITOR
Ivete Lucas
 
Fri June 10 – 5:45 PM
Village East by Angelika: Theater 3
 
Sat June 11 – 5:15 PM
Tribeca Film Center
 
Thu June 16 – 5:45 PM
Village East by Angelika: Theater 3


AMERICAN DREAMER

Based on a true story. American Dreamer is the story of Dr. Phil Loder (Peter Dinklage), a low- level, adjunct professor of economics, whose grand dream of owning a home is tragically out of reach…until an incredible, once-in-a-lifetime opportunity comes his way when a lonely, near-death widow (Shirley MacLaine) offers Phil her sprawling estate for pennies. But Phil quickly learns the deal is too good to be true and the American dream is not quite what it used to be.

You had me and most viewers at Peter Dinklage. The man can do no wrong in my book and we’re beyond excited to see him tackle this role based on a true story.


Directed by: Paul Dektor
Written by: Theodore Melfi
Produced by: Toyo Shimano, Emily Shimano, Theodore Melfi, Kimberly Quinn, Peter Dinklage, David Ginsberg, Paul Dektor
Starring: Peter Dinklage, Shirley MacLaine, Matt Dillon, Danny Glover, Kimberly Quinn, Danny Pudi

RT: 106 Minutes

Public Screenings
Saturday, June 11, 2022, 8:00 PM at BMCC Tribeca Performing Arts Center
Tuesday, June 14, 2022, 5:30 PM at Village East Cinema: Theater 3
Friday, June 17, 2022, 3:00 PM at Village East Cinema: Theater 3



THERE THERE

World Premiere – Spotlight Category

Directed by: Andrew Bujalski
Starring: Jason Schwartzman, Lili Taylor, Molly Gordon, Lennie James, Avi Nash, Annie LaGanga 
Music by: Jon Natchez, Roy Nathanson

RT: 93 minutes

Ever wonder if falling in love again is worth the effort? If someone you cared about were crazy, or if you were crazy for caring? Could someone you trust destroy you while trying to support you, or vice versa? What if the boundaries were getting awfully blurred? Are we being judged for these choices, and who’s judging? Should we have another drink? Are we even communicating now, are we on the same planet, in the same time and place here?

A lover’s doubt in the cold light of morning leads to a chain of uneasy intimacies–counselors, disrupters, peacemakers, and firestarters–everyone looking to have a little faith rewarded.


Public Screening
Friday, June 10, 2022, 5:30PM at SVA Theater 2 Beatrice
Saturday, June 11, 2022, 6:00PM at Cinépolis: Theater 6
Friday, June 17, 2022, 3:45PM at Village East by Angelika: Theater 4



CORNER OFFICE

World Premiere – Spotlight Narrative Category 
 

Directed by: Joachim Back
Starring: Jon Hamm

RT: 101 minutes

CORNER OFFICE an absurdist tale of a man lost in his own space. Orson (Jon Hamm) is a corporate drone trying to move up in his newly acquired entry-level job who discovers a secret room in his drab, soul-crushing office building; a discovery that causes problems with his new colleagues (Danny Pudi and Sarah Gadon). Director Joachim Back’s Kafka-esque debut feature, adapted by Ted Kupper from Jonas Karlsson’s international best-selling novel The Room, explores how to be sane in a world gone mad.

Public Screenings

Thursday, June 9, 2022, 8:00 PM at BMCC Tribeca PAC
Friday, June 10, 2022, 3:00 PM at Cinépolis: Theater 6
Wednesday, June 15, 2022, 8:30 PM at Village East Cinema: Theater 1



THE COURTROOM

World Premiere – Online Premieres 

Directed by: Lee Sunday Evans
Executive Produced by: Lee Sunday EvansArian MoayedRyan ChanatryGena KonstantinakosAnne Carey
Starring: Marsha Stephanie BlakeMichael BraunKathleen ChalfantHanna CheekMichael ChernusMichael Bryan FrenchMick HilgersLinda PowellKristin VillanuevaBD Wong

 
RT: 87 Minutes
 
In this powerful drama from director Lee Sunday Evans and writer (and Succession breakout star) Arian Moayed, the legal thriller is given a bold and innovative new twist. Adapted verbatim from court transcripts, The Courtroom follows the harrowing journey of Elizabeth Keathley (Kristin Villanueva) a Filipina immigrant who mistakenly registers to vote while on a K3 visa, a crime punishable by deportation. Married with a newborn baby, Elizabeth, with the support of her husband and the tireless efforts of their lawyer, struggles to navigate an increasingly convoluted and nightmarish legal system.
 
Originally presented as a critically-acclaimed off-Broadway play, The Courtroom successfully captures the intensity and intimacy of live theater while also feeling undeniably cinematic. Audiences are thrown directly into Elizabeth’s story and through fluid, immersive direction and striking set design, experience her terror and desperation right alongside her. Evans and Moayed’s fascinating experiment with dramatic reenactment and hybrid storytelling is anchored by standout performances from an accomplished cast of actors – including BD Wong in a moving third act appearance – who bring genuine nuance and emotional heft to an already gripping true story.

Online Screening
Sunday, June 12, 2022, 8:00 PM


THE DROP 

World Premiere – US Narrative Competition

Written & Directed by: Sarah Adina Smith 
Produced by: Mel Eslyn, Jonako Donley, Mark Duplass, Jay Duplass
Starring: Jermaine Fowler, Anna Konkle, Utkarsh Ambudkar, Jillian Bell, Robin Thede, Elisha Henig, Jennifer Lafleur, Joshua Leonard, Aparna Nancherla

RT: 92 Minutes

Lex and Mani’s happy marriage is thrown into a tailspin when Lex accidentally drops their friend’s baby during an otherwise picturesque destination wedding weekend. While the baby is fine, the adults are not.  Lex’s mistake causes a crisis of confidence in those around her, challenging our most primal gender expectations.   

Can a relationship withstand the stress of when things get real? When things get “baby-on-the-pavement” real? 



Public Screenings
Saturday, June 11, 2022, 8:30 PM at SVA1 – Silas
Sunday, June 12, 2022, 9:00 PM at Cinepolis Chelsea -06
Friday, June 17, 2022,  9:30 PM at Village East Cinema -07


 NEXT EXIT 

DIRECTORMali Elfman
WRITERMali Elfman
CAST: Katie Parker, Rahul Kohli, Rose Mciver, Tongayi Chirisa, Tim Griffin, Diva Zappa, Nico Evers-Swindell, and Karen Gillan
 
SYNOPSIS: When a research scientist makes national news proving she can track people into the afterlife, Rose sees a way out and Teddy sees his chance to finally make it. These two strangers, both harboring dark secrets, race to join the doctor’s contentious study and leave this life behind. While Rose is haunted by a ghostly presence that she can’t outrun, Teddy is forced to confront his past. As these two misfits humorously quarrel their way across the country, they meet people along the way who force them to reckon with what is really driving them.
 
This genre-bending road trip film will get under your skin with its incredibly thoughtful performances. Parker and Kohli’s chemistry is cinematic magic. 
 
RUN TIME: 106 minutes
GENRE: Dramedy, Horror, Fantasy
 

TRIBECA PREMIERE DATE: June 10, 2022 / 6:15 p.m. ET / Village East by Angelika Theater 7 


TAURUS

DIRECTOR: Tim Sutton
WRITER:  Tim Sutton
CAST: Colson Baker, Maddie Hasson, Demetrius “Lil Meech” Flenory, Megan Fox, Ruby Rose, Scoot McNairy, Lil TJay, Naomi Wild
 
SYNOPSIS: A rising but troubled musician searches for the inspiration to record one last song, pushing himself deep into the void. A work of fiction that explores fame, addiction, the artistic process, and the music industry, Taurus is a soulful and universal cautionary tale. 
 
 Colson Baker ( AKA Machine Gun Kelly) gives an award-worthy performance. While described as a work of fiction, the story is a cautionary tale. 
 
RUN TIME: 95 Minutes
GENRE: Drama, Music
 

TRIBECA PREMIERE DATE: June 9, 2022 / 8 p.m. ET / Beacon Theatre


FOUR SAMOSAS

*WORLD PREMIERE**
 
WRITER/DIRECTOR: Ravi Kapoor
CAST: Venk Potula, Sonal Shah, Sharmita Bhattacharya, Nirvan Patnaik, Karan Soni, Summer Bishil, Meera Simhan


 
 Synopsis: Determined to disrupt the wedding of his ex-girlfriend by stealing her dowry, underachieving, wanna-be rapper Vinny and his neighborhood pals in LA’s “Little India” concoct a plan to take her family jewels from a supermarket safe.
 

Tribeca Film Festival 2022 In-Person Screening Info
– Friday, June 10th at 6:00pm ET at VEC-06 (181-189 2nd Ave, New York, NY 10003) *World Premiere*
– Saturday, June 11th at 8:45pm ET at CIN-04 (260 W 23rd St, New York, NY 10011)
– Saturday, June 18th at 2:45pm ET at CIN-04 (260 W 23rd St, New York, NY 10011)
 
Tribeca Film Festival 2022 Online Screening Info
– Available online starting on June 12th at 6:00p EST


CHERRY

**WORLD PREMIERE**
 
DIRECTOR: Sophie Galibert
CAST: Alex Trewhitt, Joe Sachem, Dan Schultz, Sandy Duarte, Alice Bang, Hannah Alline, Melinda DeKay, Angela Nicholas, Charlie S. Jensen, Darius Levanté
 
 

Synopsis: Cherry, a driftless 25-year-old young woman discovers she is 11 weeks pregnant and has only 24 hours to make a consequential decision.
 

Tribeca Film Festival 2022 Online Screening Info
– Available online starting on June 11th at 6:00p EST

 


GOD SAVE THE QUEENS

**WORLD PREMIERE**

WRITER/DIRECTOR: Jordan Danger
CAST: Justin Andrew Honard AKA Alaska Thunderfuck, Jay Jackson AKA Laganja Estranja, Kelly Mantle, Jordan Michael Green, Peter Facinelli, Michelle Visage, Joaquim De Almeida, Lunell, Zack Gottsagen

Synopsis: A dramedy about four Drag Queens who find themselves at the very same therapy retreat. In an effort to overcome issues holding them back, they dissect their dilemmas, seen through vignettes of their lives. They discover common ground; Perhaps, it wasn’t serendipity that brought them together. Maybe they’re not alone? 


Tribeca 2022 Online Screening Info
– Available online starting on June 8th at 8:00p EST


YOU CAN LIVE FOREVER

**WORLD PREMIERE**
 
WRITER/DIRECTORS: Sarah Watts, Mark Slutsky
CAST: Anwen O’Driscoll, June Laporte, Liane Balaban, Deragh Campbell, Tim Campbell, Antoine Yared, Hasani Freeman
 

Synopsis: When lesbian teen Jaime is sent to live in a Jehovah’s Witness community, she falls hard for a devout Witness girl and the two embark on an intense affair with consequences that will reshape the rest of their lives. 


Tribeca Film Festival 2022 In-Person Screening Info
– Saturday, June 11th at 5:30p ET at VEC-06 (181-189 2nd Ave, New York, NY 10003) *World Premiere*
– Sunday, June 12th at 2:30p ET at VEC-06 (181-189 2nd Ave, New York, NY 10003) 
– Tuesday, June 14th at 9:00p ET at VEC-06 (181-189 2nd Ave, New York, NY 10003)
 

The Integrity of Joseph Chambers

Desperate to acquire the skills necessary to provide for his family in case of an apocalypse, insurance salesman Joseph Chambers goes deer hunting for the first time ever, alone, when his experienced buddy is too sick to join him.
 
DIRECTOR
Robert Machoian
 
PRODUCER
Clayne Crawford, Kiki Crawford, Robert Machoian
 
SCREENWRITER
Robert Machoian
 
 
CAST
Clayne Crawford, Jordana Brewster, Jeffrey Dean Morgan
 
WORLD PREMIERE – Thursday, June 9th, 5:30 PM at SVA Theater 2 Beatrice

Subject

SUBJECT explores the life-altering experience of sharing one’s life on screen through key participants of acclaimed documentaries The Staircase, Hoop Dreams, The Wolfpack, Capturing the Friedmans, and The Square. These erstwhile documentary “stars” reveal the highs and lows of their experiences as well as the everyday realities of having their lives put under a microscope. Also featuring commentary from influential names in the doc world, the film unpacks vital issues around the ethics and responsibility inherent in documentary filmmaking. As tens of millions of people consume documentaries in an unprecedented “golden era,” SUBJECT urges audiences to consider the often profound impact on their participants.

DIRECTOR
Jennifer Tiexiera, Camilla Hall
 
PRODUCER
Camilla Hall, Jennifer Tiexiera, Joe Caterini
 
SCREENWRITER
Jennifer Tiexiera, Camilla Hall, and Lauren Saffa
 
 
CAST
Arthur Agee, Ahmed Hassan, Margie Ratliff, Michael Peterson, Mukunda Angulo, Jesse Friedman, Elaine Friedman, Lisa Walsh, Susanne Reisenbichler
 
Sat June 11 – 4:30 PM
SVA Theater 2 Beatrice

At this time, SVA Theatre requires proof of vaccination for entry. Masks must be worn at all times. More Info

Mon June 13 – 5:30 PM
Cinépolis: Theater 4
 
Sat June 18 – 3:00 PM
Cinépolis: Theater 6

Don’t forget to check in here at Reel News Daily throughout the fest for reviews, photos, insights, and shared content from our amazing friends at UnseenFilms!

The 2022 Tribeca Festival will take place across the city from June 8-19.


20 Mother’s Day films to binge this weekend.

Ahh, Mother’s Day. The flowers, cards, and weird handmade gifts you’ll find in a box someday.

This weekend we celebrate all things Mom. Here are 20 films that feature the good, the bad, and the ugly of Motherhood.


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To Our Moms, and every mother figure out there… Thank you.
Love Always,
Reel News Daily (Liz, Melissa, Britni, & Sam)

21 eclectic films featuring a rabbit… ya know, for Easter.

Could we put together a cuddly list of family-friendly Easter films? Probably. But where’s the fun in that? Here is a list of films where a rabbit is featured in one way or another. Most are straightforward. A few, well, I guess you’ll have to watch them and figure out why they’re there. Happy Easter, and happy hunting for those pesky wabbits.


Space Jam

Swackhammer (Danny DeVito), an evil alien theme park owner, needs a new attraction at Moron Mountain. When his gang, the Nerdlucks, heads to Earth to kidnap Bugs Bunny (Billy West) and the Looney Tunes, Bugs challenges them to a basketball game to determine their fate. The aliens agree, but they steal the powers of NBA basketball players, including Larry Bird (Larry Bird) and Charles Barkley (Charles Barkley) — so Bugs gets some help from superstar Michael Jordan (Michael Jordan).


Fantastic Mr. Fox

After 12 years of bucolic bliss, Mr. Fox (George Clooney) breaks a promise to his wife (Meryl Streep) and raids the farms of their human neighbors, Boggis, Bunce and Bean. Giving in to his animal instincts endangers not only his marriage but also the lives of his family and their animal friends. When the farmers force Mr. Fox and company deep underground, he has to resort to his natural craftiness to rise above the opposition.


The Matrix

Neo (Keanu Reeves) believes that Morpheus (Laurence Fishburne), an elusive figure considered to be the most dangerous man alive, can answer his question — What is the Matrix? Neo is contacted by Trinity (Carrie-Anne Moss), a beautiful stranger who leads him into an underworld where he meets Morpheus. They fight a brutal battle for their lives against a cadre of viciously intelligent secret agents. It is a truth that could cost Neo something more precious than his life.


Us

Accompanied by her husband, son and daughter, Adelaide Wilson returns to the beachfront home where she grew up as a child. Haunted by a traumatic experience from the past, Adelaide grows increasingly concerned that something bad is going to happen. Her worst fears soon become a reality when four masked strangers descend upon the house, forcing the Wilsons into a fight for survival. When the masks come off, the family is horrified to learn that each attacker takes the appearance of one of them.


Peter Rabbit

Peter Rabbit and his three sisters — Flopsy, Mopsy and Cotton-Tail — enjoy spending their days in Mr. McGregor’s vegetable garden. When one of McGregor’s relatives suddenly moves in, he’s less than thrilled to discover a family of rabbits in his new home. A battle of wills soon breaks out as the new owner hatches scheme after scheme to get rid of Peter — a resourceful rabbit who proves to be a worthy and wily opponent.


WATERSHIP DOWN

When a young rabbit named Fiver (Richard Briers) has a prophetic vision that the end of his warren is near, he persuades seven other rabbits to leave with him in search of a new home. Several obstacles impede their progress, including predators, a rat-filled cemetery, and a speeding river. Upon arriving at their final destination, a hill dubbed Watership Down, the rabbits find that their journey is still far from over. Realistically drawn, this British animated film carries an emotional weight.


Donnie Darko

During the presidential election of 1988, a teenager named Donnie Darko sleepwalks out of his house one night and sees a giant, demonic-looking rabbit named Frank, who tells him the world will end in 28 days. When Donnie returns home, he finds that a jet engine has crashed into his bedroom. Is Donnie living in a parallel universe, is he suffering from mental illness – or will the world really end?


Miss Potter

Based on the life of early 20th-century author Beatrix Potter, creator of Peter Rabbit. As a young woman Potter rails against her parents’ wishes for her to marry and settle down. Instead, she continues to write about and draw the animals she has adored since childhood. Her early attempts to find a publisher for her children’s stories are unsuccessful, but an offer from a small firm will turn her into a literary phenomenon.


Night of the Lepus (1972)

Arizona rancher Cole Hillman (Rory Calhoun), dealing with massive rabbit overpopulation on his land, calls on a local college president, Elgin Clark (DeForest Kelley), to help him. In order to humanely resolve the matter, Elgin brings in researchers Roy (Stuart Whitman) and Gerry Bennett (Janet Leigh), who inject the rabbits with chemicals. However, they fail to anticipate the consequences of their actions. A breed of giant mutant rabbits emerges and starts killing every human in sight.


Harvey

Elwood P. Dowd (James Stewart) is a wealthy drunk who starts having visions of a giant rabbit named Harvey. Elwood lives with his sister Veta (Josephine Hull) and her daughter (Victoria Horne), and Veta worries that Elwood has gone insane. In the process of trying to have him committed, Veta admits that she occasionally sees Harvey herself. The director of the mental home, Dr. Chumley (Cecil Kellaway), tries to reconcile his duty to help Elwood with his own growing experiences with Harvey.


Zootopia

From the largest elephant to the smallest shrew, the city of Zootopia is a mammal metropolis where various animals live and thrive. When Judy Hopps (Ginnifer Goodwin) becomes the first rabbit to join the police force, she quickly learns how tough it is to enforce the law. Determined to prove herself, Judy jumps at the opportunity to solve a mysterious case. Unfortunately, that means working with Nick Wilde (Jason Bateman), a wily fox who makes her job even harder.


Fatal Attraction

For Dan Gallagher (Michael Douglas), life is good. He is on the rise at his New York law firm, is happily married to his wife, Beth (Anne Archer), and has a loving daughter. But, after a casual fling with a sultry book editor named Alex (Glenn Close), everything changes. Jilted by Dan, Alex becomes unstable, her behavior escalating from aggressive pursuit to obsessive stalking. Dan realizes that his main problem is not hiding his affair, but rather saving himself and his family.


Who Framed Roger Rabbit

Down-on-his-luck private eye Eddie Valiant (Bob Hoskins) gets hired by cartoon producer R.K. Maroon (Alan Tilvern) to investigate an adultery scandal involving Jessica Rabbit (Kathleen Turner), the sultry wife of Maroon’s biggest star, Roger Rabbit (Charles Fleischer). But when Marvin Acme (Stubby Kaye), Jessica’s alleged paramour and the owner of Toontown, is found murdered, the villainous Judge Doom (Christopher Lloyd) vows to catch and destroy Roger.


Wallace and Gromit: The Curse of the Were-Rabbit

The plucky characters from a series of animated shorts, Wallace (Peter Sallis) and his dog, Gromit, make their feature debut here. After starting a pest control business just like this exterminator in Orlando, the duo soon lands a job from the alluring Lady Tottington (Helena Bonham Carter) to stop a giant rabbit from destroying the town‘s crops. Both Wallace and the stuffy Victor (Ralph Fiennes) vie for the lady’s affections. If Wallace wants to please his pretty client, and best Victor, he needs to capture that pesky bunny.

The Favourite

In the early 18th century, England is at war with the French. Nevertheless, duck racing and pineapple eating are thriving. A frail Queen Anne occupies the throne, and her close friend, Lady Sarah, governs the country in her stead while tending to Anne’s ill health and mercurial temper. When a new servant, Abigail, arrives, her charm endears her to Sarah. Sarah takes Abigail under her wing, and Abigail sees a chance to return to her aristocratic roots.


Alice in Wonderland

Lewis Carroll’s beloved fantasy tale is brought to life in this Disney animated classic. When Alice (Kathryn Beaumont), a restless young British girl, falls down a rabbit hole, she enters a magical world. There she encounters an odd assortment of characters, including the grinning Cheshire Cat (Sterling Holloway) and the goofy Mad Hatter (Ed Wynn). When Alice ends up in the court of the tyrannical Queen of Hearts (Verna Felton), she must stay on the ruler’s good side — or risk losing her head.


Jojo Rabbit

Jojo is a lonely German boy who discovers that his single mother is hiding a Jewish girl in their attic. Aided only by his imaginary friend — Adolf Hitler — Jojo must confront his blind nationalism as World War II continues to rage on.


Caveat

A desperate drifter suffering from partial memory loss agrees to look after his landlord’s psychologically troubled niece in an isolated island mansion.


HOP

Beneath Easter Island, in a giant factory that manufactures the world’s Easter candy, the popular rabbit is preparing to pass the mantle to his son, E.B. (Russell Brand). But E.B. has no interest in the job and would rather be a drummer. He runs away to Los Angeles, where an unemployed slacker named Fred O’Hare (James Marsden) accidentally runs into him. Feigning injury, E.B. tricks Fred into giving him shelter, but an oversized chick is planning a coup back on Easter Island.


Monty Python and The Holy Grail

A comedic send-up of the grim circumstances of the Middle Ages as told through the story of King Arthur and framed by a modern-day murder investigation. When the mythical king of the Britons leads his knights on a quest for the Holy Grail, they face a wide array of horrors, including a persistent Black Knight, a three-headed giant, a cadre of shrubbery-challenged knights, the perilous Castle Anthrax, a killer rabbit, a house of virgins, and a handful of rude Frenchmen.


A Christmas A Story

(Don’t argue with me, this film 100% falls under this odd list. In fact, it’s the second film with a hideous bunny suit.)

Based on the humorous writings of author Jean Shepherd, this beloved holiday movie follows the wintry exploits of youngster Ralphie Parker (Peter Billingsley), who spends most of his time dodging a bully (Zack Ward) and dreaming of his ideal Christmas gift, a “Red Ryder air rifle.” Frequently at odds with his cranky dad (Darren McGavin) but comforted by his doting mother (Melinda Dillon), Ralphie struggles to make it to Christmas Day with his glasses and his hopes intact.


HOPPY EASTER


SXSW 2022 is coming. Here are some films to add to your watch list in this year’s hybrid festival.

It’s here and boy is it happening. This year’s hybrid edition of SXSW 2022 has it all. Here are a handful of films we’re excited about this year.


Linoleum

When a satellite falls from orbit and crashes into the home of a dysfunctional family in suburban Ohio, the father seizes the opportunity to fulfill his childhood dream of becoming an astronaut by re-creating the machine as his own rocket ship. While his wife and daughter believe he is experiencing a midlife crisis, surreal events begin to unfold around him, forcing him to reconsider how interconnected their lives truly are…

We’ve been living through hell these past few years and could all use a bit of whimsy. Linoleum provides us the opportunity to reconnect with our inner child while simultaneously dissecting the family dynamics. Plus, I think a lot of people forget how incredibly talented Jim Gaffigan is as an actor. Look out for this one.


The Cellar

A woman must confront an ancient and powerful entity after her daughter mysteriously vanishes in the cellar of their new home.

Shudder has already picked this title up before its SXSW22 premiere. Becoming the best streaming platform for all things genre-related, when they see potential in a film they snap it up ASAP. An old mansion, a new family, a disappearance, The Cellar has my attention.


DIAMOND HANDS: THE LEGEND OF WALLSTREETBETS

It was the perfect storm. A global pandemic. An app aspiring to democratize trading. A group of Reddit users stuck at home with stimulus dollars to burn. And a video game company on its last legs. DIAMOND HANDS is the incredible true story of how an army of retail traders rallied around GameStop to rock our financial system. This is the legend of r/WallStreetBets.

Everyone watched in awe and confusion as GameStop stock began to skyrocket. The fallout was disastrous, but the idea that a bunch of dudes on Reddit were able to completely disrupt the market is pretty much my favorite (anti)capitalist giggle from 2020.

MSNBC Films and NBC News Studios will premiere “Diamond Hands: The Legend of WallStreetBets,” on MSNBC Sunday, April 10 at 10:00 p.m. ET, following the global premiere at SXSW on March 13. “Diamond Hands” is produced by NBC News Studios and ZCDC Films. The film is set to stream later this Spring on Peacock. 


Hypochondriac

A young potter’s life devolves into chaos as he loses function of his body while being haunted by the physical manifestation of his childhood trauma.

If you’re looking for some kick-ass casting, look no further than Zach Villa in Hypochondriac. Unrecognizable from his American Horror Story seasons, Villa plays the writer-director Addison Heimann‘s words with care. The film is based on Heiman’s own experience with mental health.


The Cow

Synopsis: Upon arriving at a remote cabin in the redwoods, Kath and her boyfriend find a mysterious younger couple already there — the rental has apparently been double-booked. With nowhere else to go, they decide to share the cabin with these strangers until the next morning. When her boyfriend disappears with the young woman, Kath becomes obsessed with finding an explanation for their sudden breakup— but the truth is far stranger than she could have imagined.

If you go to IMDB the plot for the film is still under wraps, so SXSW22 fans are in for a treat. I’ve always been a Winona Ryder fan and with Stranger Things revamping her genre status, I cannot wait to see what is in store in this mysterious-sounding plot.


Mickey: The Story of a Mouse

Mickey Mouse is one of the most enduring symbols in our history. Those three simple circles take on meaning for virtually everyone on the planet. So ubiquitous in our lives that he can seem invisible, Mickey is something we all share, with unique memories and feelings. Over the course of his nearly century-long history, Mickey functions like a mirror, reflecting our personal and cultural values back at us. “Mickey: The Story of a Mouse” explores Mickey’s significance, getting to the core of what Mickey’s cultural impact says about each of us and about our world.

When I was 19 years old, I moved to California on a whim in hopes of working at Disneyland. During my amazing time performing there (those details are top secret via the stack of NDA’s you sign as a cast member), I had the extraordinary pleasure of meeting a special individual. When Walt Disney opened Disneyland he presented the world with Mickey Mouse, live and in person. I met that man backstage and had my photo taken with him. The impact Mickey Mouse has had on generations of children and adults is unfathomable. Mickey: The Story of a Mouse will undoubtedly touch a massive audience. As I share Mickey with my own small children now, I can still picture my first meeting with a character so magical I was overwhelmed with joy and excitement. He never gets old, pun most definitely intended.


The Prank

Synopsis: Ben is your typical high-school overachiever. He’s organized, careful, goal-oriented and extremely dedicated to school. His best friend, Tanner, couldn’t be more opposite. She is a lackadaisical, messy, slacker, who lives in the moment. They aren’t popular, but they don’t seem to care that much because they have each other. Ben has a stern, mean and cruel physics teacher, Mrs. Wheeler. She has been teaching at the school for decades and has a reputation for being the hardest, coldest, strictest faculty member. She fails Ben’s entire class unless a student who cheated comes forward. When no one does, Tanner and Ben hatch a plan to ruin he life and frame her for murder on social media.

Social media is such a catalyst for action, terror, and weirdness these days that anything is possible when it is involved. But, it’s this cast that caught my eye. Rita Moreno, Connor Kalopsis, Ramona Young, Keith David, Kate Flannery, and Meredith Salenger will get my butt in a seat. Also, who didn’t have a teacher in high school everyone loathed?


The Unknown Country

An unexpected invitation launches a grieving young woman on a solitary road trip through the American Midwest as she struggles to reconcile the losses of her past with the dreams of her future.

I was first introduced to Lily Gladstone in Certain Women. Her ability to captivate with but a glance is something that is rare. The Unknown Country tackles a beautiful mix of anxiety, grief, and identity, all in a unique road trip movie. It’s a film we’ll be talking about all year.


Sissy

**WORLD PREMIERE**

WRITERS/DIRECTORS: Hannah Barlow, Kane Senes
STARRING: Aisha Dee, Hannah Barlow, Emily De Margheriti, Daniel Monks, Yerin Ha, Lucy Barrett, Shaun Martindale, Amelia Lule, April Blasdall, Camille Cumpston

Synopsis: Cecilia and Emma were tween-age BFFs who were going to grow old together and never let anything come between them, until Alex arrived on the scene. Twelve years later, Cecilia is a successful social media influencer living the dream of an independent, modern millennial woman… until she runs into Emma for the first time in over a decade. Emma invites Cecilia away on her bachelorette weekend at a remote cabin in the mountains, where Alex proceeds to make Cecilia’s weekend a living hell. #triggered

Listen, girls are mean. We hold grudges and we play dirty, those are just the facts. When friendships are disrupted, those scars last a lifetime. With social media affecting the way we lead our daily lives, SISSY sounds like a perfect storm for great horror.


SOFT & QUIET

Playing out in real time, Soft and Quiet is a runaway train that follows a single afternoon in the life of a female white supremacist as she indoctrinates a group of alt-right women, and together they set out to harass two mixed-raced sisters.

Any film that has the audacity to play out in real time has my attention. I am hardwired to loathe these main characters so I am hoping that some horrible fate befalls them. The plot is socially relevant even if I wish it weren’t. I’ll be paying close attention to how writer-director Beth de Araújo brings her first feature-length film to life.


Radical Honesty

At the tail end of a great date, Jack and Rachel bond over a shared interest in deconstructing traditional relationship structures. When Jack reveals the reality of his “radical” open relationship, things take a turn for the absurd in this short film about the co-option of the language of liberation for means of manipulation and control.

At 41, I cannot imagine navigating a new relationship at this precise moment in time. I remember when Match.com first became a thing and how weird I thought it sounded. Then I recall attending four weddings in the years that followed, each couple had met through Match. RADICAL HONESTY, a 7-minute short film, tackles the complexities that Gen Z and Millenials face day-to-day. I’ll be watching with popcorn in hand knowing that it’s one hell I don’t have to keep in check these days. (*knock on wood) Check out the teaser trailer for the film’s aesthetic.

Radical Honesty Teaser from Bianca Poletti on Vimeo.


Slash/Back

Synopsis: Pangnirtung, Nunavut: A sleepy hamlet nestled in the majestic mountains of Baffin Island in the Arctic Ocean, wakes up to a typical summer day. No School, no cool boys (well… except one), and 24-hour sunlight. But for Maika and her ragtag friends, the usual summer is suddenly not in the cards when they discover an alien invasion threatening Pang. But these teenagers have been underestimated their whole lives, and using makeshift weapons and their horror movie knowledge, they show the aliens you don’t fuck with the girls from Pang.

Slash/Back is an unexpected coming-of-age film. With some Stranger Things vibes, it tackles tradition, boredom, boys, and aliens. Wait until you see this young cast kicking ass and taking names.


Pirates

New Year’s Eve 1999. Three life long friends drive through London in their tiny Peugeot 205, pumping a UK Garage set from the stereo and arguing about their Avirex jackets and Naf Naf imports. As the eighteen-year olds step into adulthood, they know their lives and friendships are on the brink of change. Determined to end the century on a bang, they drive from place to place in a desperate search for tickets for the best millennium party EVER. In their efforts to end up somewhere, they end up closer together.

I know I’m aging myself but I was 19 on New Year’s Eve 1999. I lived this chaos and hopefulness. Anything was possible during the course of one evening. I’m here for the nostalgia and some solid shenanigans.


Jethica

Hiding out in New Mexico after a freak accident, Elena runs into Jessica, an old friend from high school. When Jessica’s stalker suddenly shows up at their door, they must seek help from beyond the grave to get rid of him, for good.

Wild and collaborative filmmaker, Pete Ohs brings an exciting edge to the indie scene with Jethica. Shot during the pandemic in 2021 and edited live on Twitch, SXSW22 audiences are surely in for some unexpected twists and turns.


The Voice Actress

Kingyo, a veteran voice actress working in Tokyo, possesses a unique ability to see the soul in all things, living and inanimate. The voice acting world is changing and she must find a way to reconcile her way of living with the modern industry. As Kingyo prepares for an upcoming audition, she seeks inspiration from the world around her and from her pet goldfish, Asatte. In the face of professional and personal adversity, Kingyo looks decidedly inward for strength through empathy and kindness.

A peek inside the recording booth and inside the mind of a working voice actress. Urara Takano puts a face to the performers we don’t talk enough about. Written, directed, and edited by Anna J. Takayama, we are invited into the world of a veteran voice actress and how she copes with forces beyond her control.


For more information on this year’s SXSW Film Festival click here!

Stayed tuned for Reel News Daily coverage as well as guest posts from Steve Kopian at Unseen Films. We’re making our schedules and doing all we can to bring you everything we’ve got. Stayed tuned!


Valentine’s Day Special: Our favorite films about love and loss, make-outs and breakups. Here’s a few movies to binge this weekend…

Valentine’s Day Special 2022

Love it or hate it, Valentine’s Day is coming. Whether you expect to get roses and chocolates, booze and pizza, spend it with a significant other, or all by your beautiful self, Valentine’s Day brings up A LOT of emotions. So, to ease you into whatever kind of weekend you’re planning (or not planning) on having, here are a handful of our suggestions for films that highlight the greatest make-outs and hideous breakups from years gone by.


Liz’s Picks:

Can’t Buy Me Love

Nerdy high schooler Ronald Miller (Patrick Dempsey) rescues cheerleader Cindy Mancini (Amanda Peterson) from parental punishment after she accidentally destroys her mother’s designer clothes. Ronald agrees to pay for the $1,000 outfit on one condition: that she will act as though they’re a couple for an entire month. As the days pass, however, Cindy grows fond of Ronald, making him popular. But when Ronald’s former best friend gets left behind, he realizes that social success isn’t everything.

I saw this film at my very first teenage sleepover for which they got an snoring seeping aid at https://theislandnow.com/blog-112/best-anti-snoring-devices/. I was 13 and the night consisted of The Rocky Horror Picture Show, The Life of Brian, and Can’t Buy Me Love. Before McDreamy was on millions of small screens, he was Ronald Miller to me. This was a twist on the classic girl gets makeover lands boy plot I’d been pumped with. It was a pivotal moment in my continued adoration for the nerdy guy.


Only Lovers Left Alive

Artistic, sophisticated and centuries old, two vampire lovers (Tilda Swinton, Tom Hiddleston) ponder their ultimate place in modern society.

Jim Jarmusch, Tilda Swinton, Tom Hiddleston, Mia Wasikowska, (the late and eternally extraordinary) Anton Yelchin. The names alone should get you to run to this film. Gloriously shot and deliciously acted, why wouldn’t you watch a film about a depressed rockstar vamp and his ultra-cool wife getting disrupted in their centuries-long affair by her younger sister’s shenanigans? This film is sexy and romantic. Trust me when I say it will be on the list of top films you force your friends to watch.


The Notebook

A poor yet passionate young man falls in love with a rich young woman, giving her a sense of freedom, but they are soon separated because of their social differences.

“If you’re a bird, I’m a bird.” Noah and Allie’s complicated and oftentimes volatile love story is one that has become a household name. In fact, it was my husband’s first pick when it came to Valentine’s Day films. We watched the onscreen couple become real-life couple Ryan Goslin and Rachel McAdams and followed along as they dated, broke up, became engaged, and finally parted ways. I’m not going to lie, I still pine for those two to end up together, however irrational it might be.


Marriage Story

A stage director and his actor wife struggle through a gruelling, coast-to-coast divorce that pushes them to their personal and creative extremes.

If you’re looking for an award-worthy performance from Adam Driver, look no further than Marriage Story. The complexities of this script are far beyond anything you’re prepared for. I was lucky enough to speak with writer-director Noah Baumbach and the cast in 2019 when the film premiered at NYFF. If you’re a Broadway buff, you’ll find the gravity of the numbers from COMPANY particularly poignant. Marriage Story is a Netflix film.


Fatal Attraction

For Dan Gallagher (Michael Douglas), life is good. He is on the rise at his New York law firm, is happily married to his wife, Beth (Anne Archer), and has a loving daughter. But, after a casual fling with a sultry book editor named Alex (Glenn Close), everything changes. Jilted by Dan, Alex becomes unstable, her behavior escalating from aggressive pursuit to obsessive stalking. Dan realizes that his main problem is not hiding his affair, but rather saving himself and his family.

This film has inspired so many copycats since it premiered in 1987. A woman spurned is taken to new heights in one of the scariest and most intense reactions from being ignored. If you haven’t seen this classic breakup film, a little warning; Don’t get too attached to the family rabbit.


Blue Is The Warmest Color

A French teen (Adèle Exarchopoulos) forms a deep emotional and sexual connection with an older art student (Léa Seydoux) she met in a lesbian bar.

Fearless, sexy, raw, captivating, in 2013 I sat in the fullest theatre at NYFF and experienced this film with a hushed audience. While there has since been much controversy surrounding the sex scenes and the treatment of the leading ladies during filming, there is no denying the life they breathe into this film. Know your audience. Do Not Watch with children or your parents in the room.



Melissa’s Picks:

War of the Roses

After 17 years of marriage, Barbara (Kathleen Turner) and Oliver Rose (Michael Douglas) want out. The trouble is, neither one wants to part with their opulent home. So begins a long war between husband and wife, reaching farcical heights that leave much of the house — not to mention their lives — in shambles. The couple’s children (Sean Astin, Heather Fairfield) watch in horror while lawyer Gavin D’Amato (Danny DeVito) tries his best to stem the bloodshed.

Kathleen Turner and Michael Douglas were an “it” couple of the 80s which was great on its own, but then once you add in Danny DeVito, you get something special. The three of them blended well in Romancing the Stone and Jewel of the Nile, but by War of the Roses, Danny DeVito started directing and had just finished Matilda. His style is subtle but unbelievably purposeful. From camera angles thanks to technology like the drones from Droneuncover to choreography, he toes the line of comedy/drama/horror with a story where you yearn for them to get back together while at the same time anxiously looking forward to the bigger jab.


She-Devil

A surprisingly resourceful housewife vows revenge on her husband when he begins an affair with a wealthy romance novelist.

“Don’t get mad, get revenge” is taken to new levels when Ruth (Roseanne Barr) decides to turn the tables on her husband (Ed Begley, Jr) when he leaves her after an affair (Meryl Streep). This time capsule of a movie gives you “Lifestyles of the Rich and Famous,” Sally Jesse Raphael, and stories in People magazine, all following this love train. At times, grotesque, you’ll get lost in the 80s clothes, decor, and the slang. Like, totally.


Presumed Innocent

Prosecuting attorney Raymond Horgan (Brian Dennehy) assigns his chief deputy, the taciturn Rusty Sabitch (Harrison Ford), to investigate the rape and murder of colleague Carolyn Polhemus (Greta Scacchi), unaware of their torrid affair. When evidence implicates Rusty, Horgan’s political enemies demand his arrest, devastating Rusty’s wife, Barbara (Bonnie Bedelia). In desperation, Rusty turns to crafty defense attorney Sandy Stein (Raul Julia), only to be stunned by his trial’s revelations.

This made an impression on me as the first movie I saw with Harrison Ford in a dramatic role. I was so thrown and hanging on every moment. It’s classic crime and trial drama ala Law & Order. It’s so full of twists and turns, it was easy to get lost and get that pow of the final twist. Love. It’s quite something.


Britni’s Picks:

The Best Man

After writing a soon-to-be bestselling novel, writer and committed bachelor Harper Stewart (Taye Diggs) attempts to hide the fact that his saucy new book is loosely based on the lives and loves of his tight-knit group of friends. Harper is set to be best man at his friend Lance’s (Morris Chestnut) wedding, and all his friends will be in attendance. When an advance copy of the book makes its way into the hands of his ex-flame, Jordan Armstrong (Nia Long), Harper attempts to keep it under wraps.

  • The Best Man + Best Man Holiday – 5 stars for both


You’ve Got Mail

Struggling boutique bookseller Kathleen Kelly (Meg Ryan) hates Joe Fox (Tom Hanks), the owner of a corporate Foxbooks chain store that just moved in across the street. When they meet online, however, they begin an intense and anonymous Internet romance, oblivious of each other’s true identity. Eventually Joe learns that the enchanting woman he’s involved with is actually his business rival. He must now struggle to reconcile his real-life dislike for her with the cyber love he’s come to feel.

Perfect rom-com! Meg Ryan is honestly living my best life with her cute independent book store and also gigantic Manhattan apartment.


What Lies Beneath

It had been a year since Dr. Norman Spencer (Harrison Ford) betrayed his beautiful wife Claire (Michelle Pfeiffer). But with Claire oblivious to the truth, Norman’s life and marriage seem so perfect that when Claire tells him of hearing mysterious voices and seeing a young woman’s image in their home, he dismisses her terror as delusion. Claire moves closer to the truth and it becomes clear that this apparition will not be dismissed, and has come back for Dr. Spencer and his beautiful wife.

A bit of a wild card, but I think we can categorize it as a breakup!


The First Wives Club

Despondent over the marriage of her ex-husband to a younger woman, a middle-aged divorcée plunges to her death from her penthouse. At the woman’s funeral, her former college friends (Bette Midler, Goldie Hawn, Diane Keaton) reunite for the first time in nearly 30 years. When the three discover the reason for their friend’s suicide, they realize that all of their ex-husbands have taken them for granted — and deciding it’s time for revenge, they make a pact to get back at their exes.

Ultimate breakup film.


Forgetting Sarah Marshall

Struggling musician Peter Bretter (Jason Segel) is better-known as the boyfriend of TV star Sarah Marshall (Kristen Bell). After she unceremoniously dumps him, he feels lost and alone but makes a last-ditch bid to get over it by going to Hawaii. However, she and her new boyfriend (Russell Brand) are there in the same hotel.

I feel like this should be a classic but no one talks about it!


 

 

Sundance (2022) review: ‘Brian and Charles’ is a hilarious and heartwarming buddy comedy.

BRIAN AND CHARLES

After a particularly harsh winter Brian goes into a deep depression; completely isolated and with no one to talk to, Brian does what any sane person would do when faced with such a melancholic situation. He builds a robot.


Brian is an eccentric inventor of creative, if not completely useless, things. After accidentally inventing a robot, he experiences the gambit emotions, the likes of which both he and the audience are not prepared for.

You have to wonder how much of the dialogue is improvised based upon David Earl‘s genius timing and rhythm. You will fall in love with this character. Earl creates a man that’s loveable, kind, and hilarious. You laugh out loud at moments that perhaps should not be funny. Ultimately, it’s Brian’s earnest care and wonder for Charles that hits you in the heart.

Chris Hayward as Charles is absolutely darling. As he is a newly created being, he possesses the whole of knowledge and yet has the social-emotional intelligence of a toddler. His unpredictable nature makes the chemistry with Earl pure magic.

 The awkward juxtaposition of Charles’ massively disproportionate body with Brian makes for quite the visual gag at any given moment. Bravo to Earl and Hayward for this one-of-a-kind screenplay. The mockumentary structure adds an extra element of levity. If you’re not grinning from ear to ear, I suggest you get your head checked. There is no doubt in my mind that this will be one of the biggest hits out of Sundance 2022. Brian and Charles is bursting with charm.


To find out more about the entire Sundance 2022 lineup, click here!


Sundance 2022: Some of what we’ll be watching at this year’s festival, and it’s a lot.

Having switched from in-person to completely virtual, audiences of Sundance 2022 will have the opportunity to see a plethora of entertainment that will terrify, tantalize, and remind you of why we love storytelling so much. From horror to drama, television series to shorts, documentaries to VR experiences, we’ll be watching as much as our eyes can consume from January 20-30th. Things are finding distribution left and right, with is always great news. That means even if you miss something during the festival, it will most likely be coming to a theater or streaming platform very soon.

There is something for everyone. Genre favorite filmmakers, writers, actors, and wearers of all the hats,  Aaron Moorhead and Justin Benson, are bringing their latest film Something In The Dirt. Cooper Raif‘s newest Cha Cha Real Smooth is one we’re stoked for. His debut feature Shithouse was one of the most accurate films about college life I’ve ever seen. The shorts lineup this year is bound to blow you away. Do not overlook them, I beg you. There are feature documentaries on Kanye West and Princess Diana, the rise of TikTok, and Slave to Sirens (the first and only all-woman thrash metal band in the Middle East).

Without further ado, here is a list of some of the amazing content we’re excited about this year.


 U.S. DRAMATIC COMPETITION

Cha Cha Real Smooth / U.S.A. (Director and Screenwriter: Cooper Raiff, Producers: Dakota Johnson, Ro Donnelly, Erik Feig, Jessica Switch, Cooper Raiff) — A directionless college graduate embarks on a relationship with a young mom and her teenage daughter while learning the boundaries of his new bar mitzvah party-starting gig. Cast: Dakota Johnson, Cooper Raiff, Vanessa Burghardt, Evan Assante, Brad Garrett, Leslie Mann. World Premiere.

Besides Raiff being an obvious phenom, I suspect this one will hit harder for those with children on the spectrum. I’m particularly excited for Vanessa Burghardt’s performance, as she is on the spectrum herself. Representation matters, across the board.

Dual / U.S.A. (Director and Screenwriter: Riley Stearns, Producers: Nate Bolotin, Aram Tertzakian, Lee Kim, Riley Stearns, Nick Spicer, Maxime Cottray) — After receiving a terminal diagnosis, Sarah commissions a clone of herself to ease the loss for her friends and family. When she makes a miraculous recovery, her attempt to have her clone decommissioned fails, and leads to a court-mandated duel to the death. Cast: Karen Gillan, Aaron Paul, Beulah Koale. World Premiere.

This plot sounds like something out of West World and Doctor Who. Did I just mention those because of Paul and Gillan? Happy coincidence.


U.S. DOCUMENTARY COMPETITION

I Didn’t See You There / U.S.A. (Director: Reid Davenport, Producer: Keith Wilson) — Spurred by the spectacle of a circus tent that goes up outside his Oakland apartment, a disabled filmmaker launches into an unflinching meditation on freakdom, (in)visibility, and the pursuit of individual agency. World Premiere.

I fell into advocacy for those with disabilities when my son was diagnosed on the autism spectrum. I have a feeling that this film will give me a deeper understanding of not only my son’s perspective on society but the ever-present need for awareness and empathy.


WORLD CINEMA DRAMATIC COMPETITION

Brian And CharlesU.K. (Director: Jim Archer, Screenwriters: David Earl, Chris Hayward, Producer: Rupert Majendie)  — A story of friendship, love, and letting go. And a 7ft tall robot that eats cabbages. A comedy shot in documentary format. Cast: David Earl, Chris Hayward, Louise Brealey, Jamie Michie, Lowri Izzard, Mari Izzard. World Premiere.

Prediction: Brian And Charles will be one of the most endearing films of the entire festival. This unlikely buddy comedy is sure to capture everyone’s heart.

 

Leonor Will Never DiePhilippines (Director and Screenwriter: Martika Ramirez Escobar, Producers: Monster Jimenez, Mario Cornejo)  — Fiction and reality blur when Leonor, a retired filmmaker, falls into a coma after a television lands on her head, compelling her to become the action hero of her unfinished screenplay. Cast: Sheila Francisco, Bong Cabrera, Rocky Salumbides, Anthony Falcon. World Premiere.

As a writer, I’m selfishly looking forward to this. There’s always a bit of myself in my fiction, and who wouldn’t want to become an action hero?


WORLD CINEMA DOCUMENTARY COMPETITION

Calendar GirlsSweden (Directors, Screenwriters, and Producers: Maria Loohufvud, Love Martinsen) — A coming-of-golden-age look at Florida’s most dedicated dance team for women over 60, shaking up the outdated image of “the little old lady,” and calling for everyone to dance their hearts out, while they still can. World Premiere.

Dancing since the age of three, this 41-year-old is looking for a few new role models.

 

Nothing Compares / Ireland, U.K. (Director: Kathryn Ferguson, Producers: Eleanor Emptage, Michael Mallie) — The story of Sinéad O’Connor’s phenomenal rise to worldwide fame and subsequent exile from the pop mainstream. Focusing on Sinéad’s prophetic words and deeds from 1987 to 1993, the film reflects on the legacy of this fearless trailblazer through a contemporary feminist lens. World Premiere.


NEXT

Something In The Dirt / U.S.A. (Directors: Justin Benson, Aaron Moorhead, Screenwriter: Justin Benson, Producers: David Lawson, Aaron Moorhead, Justin Benson)  — When neighbors John and Levi witness supernatural events in their Los Angeles apartment building, they realize documenting the paranormal could inject some fame and fortune into their wasted lives. An ever-deeper, darker rabbit hole, their friendship frays as they uncover the dangers of the phenomena, the city, and each other. Cast: Justin Benson, Aaron Moorhead. World Premiere. Fiction.

Genre fans will recognize these household names for their spellbinding skills. I’ve yet to watch away from their films without chills or an audible “WTF.”

The Cathedral / Italy, U.S.A. (Director and Screenwriter: Ricky D’Ambrose, Producer: Graham Swon) — An only child’s account of an American family’s rise and fall over two decades. Cast: Brian d’Arcy James, Monica Barbaro, Mark Zeisler, Geraldine Singer, William Bednar-Carter. North American Premiere. Fiction.


MIDNIGHT

Hatching / Finland (Director: Hanna Bergholm, Screenwriter: Ilja Rautsi, Producers: Mika Ritalahti, Nico Ritalahtit) — While desperately trying to please her demanding mother, a young gymnast discovers a strange egg. She tucks it away and keeps it warm, but when it hatches, what emerges shocks everyone. Cast: Jani Volanen, Siiri Solalinna, Sophia Heikkilä, Saija Lentonen, Reino Nordin, Oiva Ollila. World Premiere. Fiction.

 

PIGGY / Spain (Director and Screenwriter: Carlota Pereda, Producers: Merry Colomer, David Atlan-Jackson) — Sara deals with constant teasing from girls in her small town. But it comes to an end when a stranger kidnaps her tormentors. Sara knows more than she’s saying and must decide between speaking up and saving the girls or saying nothing to protect the strange man who spared her. Cast: Laura Galán. World Premiere. Fiction.

Speak No Evil / Denmark (Director and Screenwriter: Christian Tafdrup, Screenwriter: Mads Tafdrup, Producer: Jacob Jarek) — A Danish family visits a Dutch family they met on a holiday. What was supposed to be an idyllic weekend slowly starts unraveling as the Danes try to stay polite in the face of unpleasantness. Cast: Morten Burian, Sidsel Siem Koch, Fedja van Huêt, Karina Smulders, Liva Forsberg, Marius Damslev. World Premiere. Fiction.


KIDS

Maika / Vietnam (Director and Screenwriter: Ham Tran, Producers: Jenni Trang Le, Duy Ho, Anderson Le, Bao Nguyen) — After a meteor falls to earth, 8-year-old Hung meets an alien girl from the planet Maika, searching for her lost friend. As Hung helps her otherworldly friend search, the alien inadvertently helps Hung make new friends and heal a broken heart. But danger lurks everywhere… Cast: Phu Truong, Diep Anh Tru, Tin Tin, Ngoc Tuong, Kim Nha. World Premiere. Fiction.


INDIE EPISODIC PROGRAM

The Dark Heart / Sweden (Director: Gustav Möller, Screenwriter: Oskar Söderlund, Producers: Anna Carlsten, Caroline Landerberg) — Sweden: in a mythological landscape, search parties roam through forests of spruce, secret conversations are whispered in open fields, and verbal duels fought on narrow country roads. A story of family feuds, inheritances, and forbidden love. Cast: Aliette Opheim, Clara Christiansson Drake, Gustav Lindh, Peter Andersson. World Premiere. Fiction. 

Sweden’s true crime game is above and beyond. The US had already remade series like The Killing and The Bridge. Sundance 2022 audiences can dive headfirst into The Dark Heart. The series is a five-part psychological drama-thriller about how an old family feud clashes with a young, forbidden love story, leading to a tragedy with a deadly outcome, ultimately solved by a private investigator who gets obsessed with the case. The story is based on journalist Joakim Palmkvist’s book “The Dark Heart: A True Story of Greed, Murder, and an Unlikely Investigator”, which delves into the story about how a mysterious missing person’s case is investigated and solved by a local Missing People-volunteer involved in the searches.


INTERNATIONAL LIVE ACTION SHORT FILMS

Warsha / France/Lebanon (Director and Screenwriter: Dania Bdeir, Producer: Coralie Dias) — A Syrian migrant working as a crane operator in Beirut volunteers to cover a shift on one of the most dangerous cranes, where he is able to find his freedom. Cast: Khansa. World Premiere.

Once in a blue moon, a short film takes your breath away and Warsha might be that film in 2022.


U.S LIVE ACTION SHORT FILMS

Huella / U.S.A. (Director and Screenwriter: Gabriela Ortega, Producers: Helena Sardinha, Rafael Thomaseto) — When the death of her grandmother unleashes a generational curse, a disenchanted flamenco dancer resigned to a desk job is forced to experience the five stages of grief through a visit from her female ancestors. Cast: Shakira Barrera, Denise Blasor, Carla Valentine. 


U.S. NONFICTION SHORT FILMS

Long Line of Ladies / United States (Directors: Rayka Zehtabchi, Shaandiin Tome, Producers: Garrett Schiff, Pimm Tripp-Allen, Rayka Zehtabchi, Sam Davis, Dana Kurth) — A girl and her community prepare for her Ihuk, the once-dormant coming of age ceremony of the Karuk and Yurok tribes of Northern California. World Premiere. DAY ONE


For Sundance 2022 full line-up, tickets, and more click here!


 

Here are 8 films at Indie Memphis Film Festival 2021 that we’re looking forward to before it’s hybrid addition arrives October 20th-25th!

INDIE MEMPHIS FILM FESTIVAL 2021

So much to see we have to plan out our schedule now! Here are 8 wildly different films we’re looking forward to seeing and why…

JUJU STORIES (Dirs. Abba Makama, C.J. ‘Fiery’ Obasi, Michael Omonua) – NORTH AMERICAN PREMIERE
A three-part anthology film exploring juju (magical) stories rooted in Nigerian folklore and urban legend, written and directed by the Nigerian new wave cinema collective known as Surreal16.
2021, 84 min, Drama/Fantasy/Horror

Give me horror based on folklore, any day. Written and directed by C.J. Obasi, Abba Makama, and Michael Omonua. The film features three stories: “Love Potion” by Omonua, “YAM” by Makama, and “Suffer The Witch” by Obasi. Anthologies as a horror subgenre definitely continue to be successful. Watching the teaser alone gave me chills.


THE PILL (Dir. Franco Clarke) 
An African-American family indulges in the use of a secret pill that helps them cope with their day-to-day stressors of racism outside of their home.
2021, 81 min, Comedy, Theater/Virtual

A story that is, perhaps, hundreds of years in the making, The Pill might not be so hard to swallow. What if this pill existed in the real world? Would families of color indulge in such an option? This seemingly small idea amounts to something much bigger than most of us can imagine.


WE’RE ALL GOING TO THE WORLD’S FAIR (Dir. Jane Schoenbrun) 
Reality and fantasy begin to blur when a teen immerses herself in a role-playing horror game online.
2021, 86 min, Drama/Horror, Theater/Virtual

This has been making the rounds at festivals for the past year. I have not stopped hearing about it. As someone who grew up when the internet and chatrooms first became a thing, We’re All Going To The World’s Fair has an eerie hold on my psyche. Anna Cobb commands the screen in her first-ever feature. This will continue to Wow audiences when it hits theaters and streams on HBOMax next year. Indie Memphis audiences can be “in the know” way beforehand.


QUEEN OF GLORY (Dir. Nana Mensah) 
Ghanaian-American Sarah is all set to abandon her Ivy League doctoral program to follow her married lover across the country. Her plans are derailed, however, when her mother’s sudden death leaves her the owner of a neighborhood bookshop in the Bronx.
2021, 75 min, Comedy/Drama, Theater

We do strange things for love. Take it from someone who moved from NYC to India for 6 months with my boyfriend (now my husband). The sacrifices we make, the people we leave behind, are all tricky choices when it comes to matters of the heart.


I WAS A SIMPLE MAN (Dir. Christopher Makoto Yogi) 
As Masao (Steve Iwamoto) gets sicker, he is visited by ghosts of his past, including his wife, Grace (Constance Wu), who helps shepherd him into the beyond. Merging dream, family history, romantic period piece, all bridged by gently psychedelic observations of nature.
2021, 101 min, Drama, Virtual

Facing our mortality puts things into perspective. You cannot help but assess your life and whether or not it had any impact. I Was A Simple Man plays with time and memory in a beautifully eclectic manner. While writer-director Christopher Makoto Yogi’s second feature thoughtfully tackles death, it is simultaneously an homage to Hawaii.


BUNKER (Dir. Jenny Perlin) – WORLD PREMIERE
The debut feature film of renowned filmmaker Jenny Perlin investigates the lonely lives of American men who have decided to live in decommissioned military bunkers and nuclear missile silos, and follows the process of building and selling these structures to the wealthy and not-so-wealthy alike.
2021, 92 min, Documentary, Theater/Virtual

As a child playing in my grandparents’ home, I stumbled upon a small room that was normally locked. I came to learn that it was a fallout shelter. This perplexed and fascinated me. As a genre film fan, I have often thought about the number of narrative fictions that involved these bunkers. As an adult who has a relative that is a “Prepper” this doc intrigues me to no end.


LISTENING TO KENNY G (Dir. Penny Lane) 
Penny Lane’s documentary takes a witty and provocative look at the easy-listening saxophonist’s story while asking: what makes music good or bad?
2021, 97 min, Documentary, Theater/Virtual

If you’re not a Kenny G fan, the mere mention of his name can be satire. His record sales tell you another story with over 52 million albums sold. Being the butt of the joke is a double-edged sword for G, over his 40-year career he’s changed musical culture, whether we “get it” or not. Penny Lane gives us an intimate insight into Kenny G. He’s going to slay you with his charm. Good luck.


KILLER (Dir. A.D. Smith, 90 min) 
After a pandemic strikes the nation, ten friends decide to quarantine under the same roof. Unfortunately, one of them is a killer.
2021, Horror, Theater/Virtual

The longer you’re in close quarters with someone, the more likely you want to kill them. That’s simply human nature, right? I laugh, in hindsight, thinking that lockdown was only going to be two weeks. Lucky for me, I didn’t have an actual killer in my house. But, I did have two toddlers, and that’s sort of the same thing. A.D. Smith takes a group of college friends and places them in a game of life or death. High stakes for pandemic films right now. Fingers crossed for some creative kills, because what else can a genre fan hope for?


More information on tickets and virtual screenings for
Indie Memphis Fim Festival 2021
HERE

 

 


 The 24th Annual Indie Memphis Film Festival, Ft. Sean Baker’s RED ROCKET as Opening Night Film, World Premieres of FERNY & LUCA and BUNKER, and More

Image from Andrew Infante’s IMFF2021 World Premiere, FERNY & LUCA

 Indie Memphis Film Festival, presented by Duncan Williams, Inc., for its 2021 incarnation runs from October 20th – 25th. This year’s festival promises to be a very exciting and wildly varied one, featuring films ranging from new discoveries to beloved classics, from festival hits to experimental wonders, and everything in-between.

“I am incredibly excited by what we are offering this year with the festival,“ says Indie Memphis Executive Director Knox Shelton, “The programming is stellar and, in terms of how we’ve planned the festival, we hope that we have found ways for people to celebrate independent filmmaking based on their comfort level. We understand that there is no perfect way to do this, but we’ve taken steps to ensure the health and safety of our filmmakers, attendees, volunteers, and staff.”

In the quest to reach a large audience while taking staunch COVID-19 precautions, this year’s festival will be a hybrid of online and in-person screenings and events. For in-person Memphis screenings and events, proof of COVID-19 vaccine is required for all staff, volunteers, contractors, and attendees, and masks are required at all times indoors. Venues for screenings are now focused on larger theaters to better accommodate social-distanced seating; these include Crosstown Theater, The Block Party will be delayed until a year in which we can better protect the health of our attendees, partners, and staff. Circuit Playhouse, Playhouse on the Square, and the Malco Summer Drive-In. Festival parties will be limited to outdoor celebrations on Opening and Closing Night.

The 2021 festival features work from up-and-coming filmmakers, as well as festival hits such as Jonas Carpignano’s A CHIARA, Jane Schoenbrun’s WE’RE ALL GOING TO THE WORLD’S FAIR, Penny Lane’s LISTENING TO KENNY G, Céline Sciamma’s PETITE MAMAN, and many more.

The festival also features exciting premieres, such as the World Premiere of Andrew Infante’s FERNY & LUCA. The film is a look into the on-and-off relationship between Ferny, a sweet and naive pretty boy, and Luca, a rough and tumble disco queen, who is more concerned with chasing her dreams than chasing boys. There’s also the World Premiere of Jenny Perlin’s BUNKER, a documentary that investigates the lonely lives of American men who have decided to live in decommissioned military bunkers and nuclear missile silos, and follows the process of building and selling these structures to the wealthy and not-so-wealthy alike.

The Opening Night film is Sean Baker’s Cannes favorite RED ROCKET, starring Simon Rex as a pornstar who returns to his Texas hometown that barely tolerates him, the Centerpiece Presentation is Ryûsuke Hamaguchi’s DRIVE MY CAR, and the Closing Night is Pablo Larrain’s SPENCER. Some additional standout titles include Robert Greene’s PROCESSION, a documentary about a group of survivors of sexual abuse by Catholic priests battle for justice, and Rhayne Vermette’s STE. ANNE, a drama that traces an allegorical reclamation of land through personal, symbolic, and historical sites.

“We’re honored to be introducing these titles to Memphis audiences,” said Indie Memphis Artistic Director Miriam Bale. “I’m confident many of these are classics that will be talked about for a long time to come. We aim to have a collection of films that is winnowed down to the best of year, and I think this line-up reflects that.”

The festival continues to feature live music performed in the theaters before every screening. The Black Creators Forum also returns for a fourth year, this time in a hybrid format, both online and with an outdoor in-person component. This festival programming continues to reflect diversity in all areas, with a special focus on films from the African Diaspora and Africa. Indie Memphis is privileged to present the North American premiere of JUJU STORIES, an anthology film from the Nigerian new wave cinema collective known as Surreal16, after its World Premiere at Locarno.

Additional upcoming announcements will include the Black Creators Forum program, virtual IndieTalks Panels, Live Music Lineup, and more.


2021 Indie Memphis Film Festival Slate
Alphabetical by Category

OPENING NIGHT

RED ROCKET (Dir. Sean Baker)

In a magnetic, live-wire performance, Simon Rex plays a pornstar who returns to his Texas hometown that barely tolerates him.

2021, 128 min, Drama, Theater


CENTERPIECE

DRIVE MY CAR (Dir. Ryûsuke Hamaguchi)

Adapted from a Haruki Murakami short story in which an aging actor can no longer drive, so he hires a quiet 20-year-old girl as his chauffeur.
2021, 179 min, Drama, Theater


CLOSING NIGHT

SPENCER (Dir. Pablo Larraín)

An imagining of one weekend in the life of Princess Diana (Kristen Stewart), as she spends the Christmas holiday with the royal family at the Sandringham estate in Norfolk, and decides to leave her marriage to Prince Charles.
2021, 101 min, Drama, Theater


NARRATIVE COMPETITION

FERNY & LUCA (Dir. Andrew Infante) – WORLD PREMIERE

A look into the on-and-off relationship between Ferny, a sweet and naive pretty boy, and Luca, a rough and tumble disco queen, who is more concerned with chasing her dreams than chasing boys… mostly.
2021, 70 min, Drama, Theater/Virtual

JUJU STORIES (Dirs. Abba Makama, C.J. ‘Fiery’ Obasi, Michael Omonua) – NORTH AMERICAN PREMIERE
A three-part anthology film exploring juju (magical) stories rooted in Nigerian folklore and urban legend, written and directed by the Nigerian new wave cinema collective known as Surreal16.
2021, 84 min, Drama/Fantasy/Horror

THE PILL (Dir. Franco Clarke) 
An African-American family indulges in the use of a secret pill that helps them cope with their day-to-day stressors of racism outside of their home.
2021, 81 min, Comedy, Theater/Virtual

WE’RE ALL GOING TO THE WORLD’S FAIR (Dir. Jane Schoenbrun) 
Reality and fantasy begin to blur when a teen immerses herself in a role-playing horror game online.
2021, 86 min, Drama/Horror, Theater/Virtual

QUEEN OF GLORY (Dir. Nana Mensah) 
Ghanaian-American Sarah is all set to abandon her Ivy League doctoral program to follow her married lover across the country. Her plans are derailed, however, when her mother’s sudden death leaves her the owner of a neighborhood bookshop in the Bronx.
2021, 75 min, Comedy/Drama, Theater


DOCUMENTARY COMPETITION

LARRY FLYNT FOR PRESIDENT (Dir. Nadia Szold) 

Assembled from never before seen footage shot in 1983, this film documents controversial Hustler magazine publisher Larry Flynt’s unlikely bid for the White House after a gunman’s bullet left him partially paralyzed.
2021, 90 min, Documentary, Theater/Virtual

ONE OF OURS (Dir. Yasmine Mathurin) 
After a Haitian-born youth is racially profiled at an Indigenous basketball tournament, he wrestles with his shaken sense of belonging in his Indigenous adoptive family while attempting to heal from his past.
2021, 88 min, Documentary, Virtual/Theater

WE STILL HERE (Dir. Eli Jacobs-Fantauzzi) 
An introduction to the incredible youth activists of Comerío, Puerto Rico, who navigate the aftermath of Hurricane Maria, a disaster that brought an unprecedented level of devastation to an island already in economic and political crisis.
2021, 100 min, Documentary, Virtual

YOU DON’T KNOW ME (Dir. Jon Kent) 
A documentary film about Tennessee death row inmate Abu-Ali ‘Abdur Rahman and the celebrated attorney and justice system that failed him following one of Nashville’s most notorious crimes.
2020, 100 min, Documentary, Theater/Virtual


NARRATIVE SPOTLIGHT

A CHIARA (Dir. Jonas Carpignano)

A 15-year-old girl doggedly searches for the truth behind her adored father’s sudden abandonment in Calabria.
2021, 121 min, Drama, Theater/Virtual

C’MON C’MON (Dir. Mike Mills) 
Johnny (Joaquin Phoenix) and his young nephew (Woody Norman) forge a tenuous but transformational relationship when they are unexpectedly thrown together in this delicate and deeply moving story about the connections between adults and children, the past and the future.
2021, 108 min, Drama, Theater

MEMORIA (Dir. Apichatpong Weerasethaku) 
From the extraordinary mind of Palme D’or winning director Apichatpong Weerasethakul, and starring Academy Award-winner Tilda Swinton, comes a meditative mystery about a Scottish woman who begins experiencing a mysterious sensory syndrome while traversing the jungles of Colombia.
2021, 136 min, Drama, Theater

PETITE MAMAN (Dir. Céline Sciamma) 
8-year-old Nelly has just lost her beloved grandmother and is helping her parents clean out her mother’s childhood home. While exploring the surrounding woods where her mother used to play, she meets another little girl who seems eerily familiar. Nelly’s new friend takes her to a house that is a mirror of her own.
2021, 72 min, Drama, Theater/Virtual

I WAS A SIMPLE MAN (Dir. Christopher Makoto Yogi) 
As Masao (Steve Iwamoto) gets sicker, he is visited by ghosts of his past, including his wife, Grace (Constance Wu), who helps shepherd him into the beyond. Merging dream, family history, romantic period piece, all bridged by gently psychedelic observations of nature.
2021, 101 min, Drama, Virtual

SECRET SCREENING
One of the most daring and moving films of the year! You won’t want to miss this.
2021, 142 min, Theater


DOCUMENTARY SPOTLIGHT

ALIEN ON STAGE (Dirs. Danielle Kummer and Lucy Harvey) 

Bus Drivers from Dorset, England stage a homemade homage of Ridley Scott’s ALIEN, with special effects needing “more luck than judgement.”
2021, 86 min, Documentary, Theater/Virtual

FLEE  (Dir. Jonas Poher Rasmussen) 
Recounted mostly through animation to director Jonas Poher Rasmussen, Amin Nawabi tells of his extraordinary journey as a child refugee from Afghanistan.
2021, 90 min, Documentary, Theater/Virtual

MAURICE HINES: BRING THEM BACK (Dir. John Carluccio) 
An intimate portrait of an outspoken showman who with humor and grace navigates the highs and lows of a seven-decade career, and a complex relationship with his superstar brother, Gregory Hines.
2021, 95 min, Documentary, Virtual

THE MUSHROOM SPEAKS (Dir. Marion Neumann) 
A film about the fungal reign explores the theme of renewal, and questions what connects us when the world seems to be falling apart.
2021, 89 min, Documentary, English, VirtuaL

SISTERS WITH TRANSISTORS (Dir. Lisa Rovner)
Beautifully narrated by Laurie Anderson, this documentary is about electronic music’s women pioneers, including Clara Rockmore, Daphne Oram, Bebe Barron, Pauline Oliveros, Delia Derbyshire, Maryanne Amacher, Eliane Radigue, Suzanne Ciani, and Laurie Spiegel.
2021, 86 min, Documentary, Virtual


DEPARTURES
Films That Depart from Expectations

BUNKER (Dir. Jenny Perlin) – WORLD PREMIERE

The debut feature film of renowned filmmaker Jenny Perlin investigates the lonely lives of American men who have decided to live in decommissioned military bunkers and nuclear missile silos, and follows the process of building and selling these structures to the wealthy and not-so-wealthy alike.
2021, 92 min, Documentary, Theater/Virtual

MANY FIRES THIS TIME WE THE 100 MILLION (Dir. Jason R.A. Foster)
A poetic docudrama about the 1 in 3 Americans living in economic insecurity. It follows the journey of poet and activist A Scribe Called Quess? as he connects with fellow activist poets and the communities they represent from Oakland to Chicago to Kentucky to his hometown of New Orleans.
2021, 70 min, Documentary, Virtual

NORTH BY CURRENT (Dir. Angelo Madsen Minax)
A family death spurs a first-person study on the nature of grief, time, and origins.
2021, 86 min, Documentary, Theater/Virtual

PROCESSION (Dir. Robert Greene)
A group of survivors of sexual abuse by Catholic priests battle for justice.
2021, 119 min, Documentary, Theater

STE. ANNE (Dir. Rhayne Vermette)
Shot over the course of two years, Ste. Anne traces an allegorical reclamation of land through personal, symbolic and historical sites all across Treaty 1 Territory, heartland of the Métis Nation.
2021, 80 min, Drama, Virtual


SOUNDS
Films That Celebrate Music

ELDER’S CORNER (Dir. Siji Awoyinka)

ELDER’S CORNER is a historical music documentary showcasing the lives and work of Nigeria’s pioneering musicians.
2021, 97 min, Documentary, Theater/VirtuaL

LISTENING TO KENNY G (Dir. Penny Lane) 
Penny Lane’s documentary takes a witty and provocative look at the easy-listening saxophonist’s story while asking: what makes music good or bad?
2021, 97 min, Documentary, Theater/Virtual

POLY STYRENE: I AM A CLICHE (Dirs. Celeste Bell and Paul Sng)
The life and work of X-Ray Spex singer-songwriter and punk icon Poly Styrene is explored by her daughter in this dynamic yet delicate personal film. There are also explorations of Styrene’s identity as a half-Somali woman in the largely white punk scene.
2021, 96 min, Documentary, Theater/Virtual

REZ METAL (Dir. Ashkan Soltani Stone)
A documentary about the metal band I Don’t Konform and the vibrant heavy metal scene throughout the Navajo reservation.
2021, 75 min, Documentary, Virtual


HOMETOWNER FEATURES
Films From Memphis Filmmakers

A BALLET SEASON (Dirs. David Goodman, Steven J. Ross)

A year in the life of Ballet Memphis, a southern dance organization dedicated to putting diversity on the stage while challenging preconceptions about regional ballet. This predominantly observational documentary follows the many individuals and artists who collaborate together as a community over the course of a dizzying pre-pandemic season (2018-2019).
2021, 56 min, Documentary, Theater/Virtual

THE LUCKY ELEVEN (Dir. George Tillman)
A group of eleven young men from the south side of Memphis began their journey in Jr High and made their way to the NFL.
2021, 66 min, Documentary, Theater/Virtual

KILLER (Dir. A.D. Smith, 90 min)
After a pandemic strikes the nation, ten friends decide to quarantine under the same roof. Unfortunately, one of them is a killer.
2021, Horror, Theater/Virtual

LIFE AIN’T LIKE THE MOVIES (Dir. Robert Butler)
An awkward 16 year old black teen comes of age and learns about love, bullying, tragedy and how to connect to his father who he’s extremely different from.
2021, Drama, Theater/Virtual

REEL ROCK: BLACK ICE (Dirs. Peter Mortimer & Zachary Barr)
A crew of aspiring ice climbers from the Memphis Rox gym travels to the frozen wilds of Montana, where mentors Manoah Ainuu, Conrad Anker and Fred Campbell share their love of winter adventure in the mountains.
2021, 45 min, Virtual/Theater


REVIVALS/ RESTORATIONS

CHAMELEON STREET (Dir. Wendell B. Harris Jr.)

In this seminal work in African-American independent film, William Douglas Street is bored with his life. Working for his father is getting to him, his wife wants more money, and he’s had enough. His solution is to re-invent himself. He becomes a chameleon, taking on whatever role suits the situation.
1989, 94 min, Comedy/Drama, Theater 

DEEP BLUES (Dir. Robert Mugge)
Music critic Robert Palmer narrates the insightful story of Delta blues and North Mississippi hill country blues.
1992, 91 min, Documentary, Theater

RADIO ON (Dir. Chris Petit)
Set in 1970’s Britain, a man drives from London to Bristol to investigate his brother’s death. The purpose of his trip is offset by his encounters with a series of odd people.
1979, 104 min, Drama, Theater


SPECIAL SCREENING
Don Meyers Memorial Retrospective

A collection of some of the notable films by actor, filmmaker, artist, and Memphis legend, Don Meyers.
2021, 180 min, Theater

GRIMMFEST turns lucky 13 for this year’s hybrid addition. Here are some of the films we’re screaming about.

GRIMMFEST 2021

It’s no secret that the most buzz-worthy films come through only a handful of genre festivals. GRIMMFEST is on that shortlist. The festival turns a lucky 13 this year and it’s ready to rock audiences’ socks with a plethora of titles for every single viewer. After being completely virtual last year, a hybrid platform is back in action with a mix of in-person screenings from October 7th to 10th and online from October 14th to 17th. I can say that this year’s lineup is filled with everything from gore to absurdity, thrills to purest moments of wow. These are the films that will be on everyone’s lips. You can find out about tickets and schedules at https://grimmfest.com/

Do yourself a favor and mark your calendars now. There’s a lot to see.


THE BETA TEST

A Hollywood agent, engaged to be married in a few weeks, receives a mysterious letter inviting him for an anonymous sexual encounter and thus becomes ensnared in a sinister world of lying, infidelity, and digital data.

This genre-shattering film takes aim at Hollywood, toxic masculinity, horror, satire, all with co-writer-director Jim Cummings playing a sharp lead. His last film, The Wolf Of Snow Hollow, has a legit cult following now. Cummings has a distinct voice and I cannot wait to see if The Beta Test becomes another calling card on his resume.


THE RIGHTEOUS

A burdened man feels the wrath of a vengeful God after he and his wife are visited by a mysterious stranger…

There is something so striking about modern black & white cinematography. in The Righteous, writer-director Mark O’Brien also stars as the mysterious stranger in question. This horror film is filled with symbolism and will give any god-fearing viewer the vapers.


WHEN THE SCREAMING STARTS

When the Screaming Starts is a comedy-horror mockumentary about an inept, aspiring serial killer at the beginning of his “career” and a fledgling filmmaker willing to do anything to achieve his ambition.

A little bit of Vicious Fun meets Satanic Panic, I cannot wait to laugh and gag. Horror and comedy pair so well together and since everyone is a true-crime connoisseur who thinks they could commit the perfect murder, I am delighted to consume this one.


THE SPORE

The lives of ten strangers intersect through a terrifying chain of events as a mutating fungus begins to spread through a small town wiping out everyone that comes into contact with it.

Will this film be a little too close to home considering we’re still experiencing a global pandemic? I guess we’ll find out when we’re forced to look through the lens of writer-director D.M Cunningham.


HOTEL POSEIDON

Dave inherited the dingy and dilapidated Hotel Poseidon from his late father. He lives there and works as manager, and rarely seems to leave the place. The days and nights all bleed together. His existence is a hopeless one. When a young woman knocks at the hotel’s doors one night looking for a room, and his best friend shows up wanting to throw a party in the backroom, Dave’s world starts to spiral out of control, and his sense of reality starts to be shaken by recurring nightmares.

I have seen the title sequence for this film and it is hands down one of the coolest in all of cinematic history. I said what I said. If the rest of the film lives up to the initial visual, Hotel Poseidon will wow Grimmfest audiences.


ALONE WITH YOU

As a young woman painstakingly prepares a romantic homecoming for her girlfriend, their apartment begins to feel more like a tomb when voices, shadows, and hallucinations reveal a truth she has been unwilling to face.

Listen, you tell me Barbara Crampton is in a film and I’m watching it. Add on Emily Bennett who was fantastic in King Of Knives last year and I’m sold. Not only does she star, but she co-wrote and co-directed the film. Give me an all-female horror film every day of the year.



FULL VIRTUAL FESTIVAL LINE UP:

● FOR ROGER (Aaron Bartuska, USA)

● FATHER OF FLIES (Ben Charles-Edwards UK / USA)

● SLAPFACE (Jeremiah Kipp, USA)

● THE NIGHTS BELONG TO THE MONSTERS (Sebastian Perillo, Argentina)

● HAPPY TIMES (Michael Mayer, Israel / USA)

● NIGHT AT THE EAGLE INN (Erik Bloomquist, USA)

● VAL (Aaron Fradkin, USA, 77 min)

● THE SPORE (D.M. Cunningham, USA)

● THE PIZZAGATE MASSACRE (John Valley, USA)

● MOTHERLY (Craig David Wallace, Canada)

● SHOT IN THE DARK (Keene McRae, USA)

● NIGHT DRIVE (Brad Baruh, USA)

● MIDNIGHT (Oh-seung Kwon, South Korea)

● FACELESS (Marcel Sarmiento, USA)

● WE’RE ALL GOING TO THE WORLD’S FAIR (Jane Schoenbrun, USA)

● THE FREE FALL (Adam Stillwell, USA)

● ON THE THIRD DAY (Daniel de la Vega, Argentina)

● THE GUEST ROOM (Stefano Lodovichi, Italy)

● HOTEL POSEIDON (Stefan Lernous, Belgium)

● FORGIVENESS (Alex Kahuam, Mexico)

● TWO WITCHES (Pierre Tsigaridis, USA)

● KING KNIGHT (Richard Bates Jnr, USA)

● TARUMAMA / LLANTO MALDITO (Andres Beltran, Colombia)

● THE RIGHTEOUS (Mark O’Brien, Canada)


 

Passes and tickets can be purchased from www.grimmfest.com.

NYFF59 Announces Spotlight section and if you’re not freaking out, you should be.

FILM AT LINCOLN CENTER ANNOUNCES SPOTLIGHT FOR THE
59th NEW YORK FILM FESTIVAL

Film at Lincoln Center just announced Spotlight for the 59th New York Film Festival. The Spotlight section is NYFF’s showcase of the season’s most anticipated and significant films. We’re pretty excited to see what’s on the schedule, including a double dose of Timothée Chalamet in DUNE and THE FRENCH DISPATCH. Sean Baker’s newest film RED ROCKET starring Simon Rex will sure to have sparks flying. Maggie Gyllenhaal‘s directorial debut THE LOST DAUGHTER and Mike Mills’ C’MON C’MON. 20th Century Women was my favorite title from NYFF54, so I’m eager to see what story he has for audiences this year.  You can find the entire Spotlight lineup listed below.


“Our Spotlight section is a new part of our reshaped New York Film Festival, a place that this year encompasses a range of cinema, new and old,” said Eugene Hernandez, Director of the New York Film Festival. “Of the new work, we’re showcasing a selection of anticipated films (and talent) from recent festivals (Wes & company! Olivia! Timmy! Jane & Charlotte! Joaquin! and more), while also looking back at our roots, celebrating the history of NYFF and New York City’s film culture by shining a special light on Amos Vogel. We hope that our Spotlight section, in year two, will again engage, enlighten, and entertain!”

Among the highlights are Denis Villeneuve’s highly anticipated adaptation of Dune; Academy Award–nominated director Mamoru Hosoda’s Belle, a visually extraordinary tale about a shy teenager who becomes an online sensation as a pop star; Mike Mills’s C’mon C’mon, starring Joaquin Phoenix as a warmhearted radio journalist; Wes Anderson’s latest, The French Dispatch, showcasing his unmistakable cinematic style with a cast of familiar collaborators; directorial debuts from Charlotte Gainsbourg, profiling her legendary mother Jane Birkin in Jane By Charlotte, and Maggie Gyllenhaal, adapting Elena Ferrante’s novel The Lost Daughter, with a brilliant performance by Oscar-winner Olivia Colman; veteran Italian filmmaker Marco Bellocchio’s Marx Can Wait, a heart-wrenching examination of the legacy of his twin brother’s suicide, on the occasion of a family reunion in his hometown of Piacenza; and Red Rocket, Sean Baker’s newest depiction of contemporary America as a playground for hustlers and con men, set against the backdrop of the 2016 presidential election.

NYFF59 also pays tribute to the centenary of late film programmer and festival co-founder Amos Vogel—who offered the city “films you cannot see elsewhere,” and whose uncompromising dedication to the medium’s radical possibilities inspired NYC film culture as it exists today—with a special Spotlight sidebar. Vogel’s wide-ranging curatorial career spanned his many years running Cinema 16, America’s most influential film society; his foundational work at Lincoln Center; his time at Grove Press; and his classic study Film as a Subversive Art, which will soon be reissued by The Film Desk. FLC’s tribute focuses on the NYFF period, bookended by screenings devoted to his work before and after his involvement with the festival, including films from Glauber Rocha, John Huston, and trailblazers of the Czech New Wave; a program from NYFF5 sidebar The Social Cinema in America, featuring Lebert Bethune’s Malcolm X: Struggle for Freedom, Santiago Álvarez’s dispatch from post-revolutionary Cuba, Now, and David Neuman and Ed Pincus’s snapshot of Civil Rights-era Mississippi, Black Natchez; and works from the era’s burgeoning avant-garde scene, such as Tony Conrad’s The Flicker and a world premiere restoration of Robert Frerck’s Nebula II.


FILMS & DESCRIPTIONS

Belle
Mamoru Hosoda, 2021, Japan, 121m
Japanese with English subtitles
In his densely beautiful, eye-popping animated spectacle, Academy Award–nominated director Mamoru Hosoda (Mirai) tells the exhilarating story of a shy teenager who becomes an online sensation as a princess of pop. Still grieving over a childhood tragedy, Suzu has a difficult time singing in public or talking to her crush at school, yet when she takes on the persona of her glittering, pink-haired avatar, Belle, in the parallel virtual universe known as the “U,” her insecurities magically disappear. As her star begins to rise, Belle/Suzu finds herself drawn to another “U” fan favorite—a scary but soulful monster whose “real” identity, like Belle’s, becomes a source of fascination for legions. Both a knowing riff on the Beauty and the Beast fairy tale and a moving commentary on the duality of contemporary living, Belle is a thrilling journey into the matrix and a deeply human coming-of-age story, packed with unforgettable images and dazzlingly styled characters. A GKIDS release.

C’mon C’mon
Mike Mills, 2021, USA, 108m
After gracing audiences with Beginners and 20th Century Women (NYFF54), writer-director Mike Mills returns with another warm, insightful, and gratifyingly askew portrait of American family life. A soulful Joaquin Phoenix plays Johnny, a kindhearted radio journalist deep into a project in which he interviews children across the U.S. about our world’s uncertain future. His sister, Viv (a marvelously intuitive Gaby Hoffmann), asks him to watch her 9-year-old son, Jesse (Woody Norman, in one of the most affecting breakout child performances in years), while she tends to the child’s father, who’s suffering from mental health issues. After agreeing, Johnny finds himself connecting with his nephew in ways he hadn’t expected, ultimately taking Jesse with him on a journey from Los Angeles to New York to New Orleans. Anchored by three remarkable actors, C’mon C’mon is a gentle yet impeccably crafted drama about coming to terms with personal trauma and historical legacies. An A24 release.

Dune
Denis Villeneuve, 2021, USA, 155m
A mythic and emotionally charged hero’s journey, Dune tells the story of Paul Atreides, a brilliant and gifted young man born into a great destiny beyond his understanding, who must travel to the most dangerous planet in the universe to ensure the future of his family and his people. As malevolent forces explode into conflict over the planet’s exclusive supply of the most precious resource in existence—a commodity capable of unlocking humanity’s greatest potential—only those who can conquer their fear will survive. Timothée Chalamet, Rebecca Ferguson, Oscar Isaac, Josh Brolin, Stellan Skarsgård, Dave Bautista, Stephen McKinley Henderson, Zendaya, Chang Chen, Charlotte Rampling, Jason Momoa, and Javier Bardem lead the all-star ensemble in visionary filmmaker Denis Villeneuve’s adaptation of Frank Herbert’s seminal novel. A Warner Bros. Pictures release.

​​The French Dispatch
Wes Anderson, 2021, USA, 107m
English and French with English subtitles
North American Premiere
Wes Anderson’s unmistakable cinematic style proves delightfully suited to periodical format in this missive from the eponymous expatriate journal, published on behalf of the Liberty, Kansas Evening Sun from the picturesque French town of Ennui-sur-Blasé. Brought to press by a corps of idiosyncratic correspondents, the issue includes reports on a criminal artist and his prison guard muse, student revolutionaries, and a memorable dinner with a police commissioner and his personal chef. As brimming with finely tuned texture as a juicy issue of a certain New York–based magazine to which the film pays homage, The French Dispatch features precision work from a full masthead of collaborators (including Bill Murray, Timothée Chalamet, Tilda Swinton,  Benicio del Toro, Frances McDormand, and Jeffrey Wright), each propagating inventive dedication to detail. Anderson’s deadpan whimsy is complemented by the film’s palpable sense of nostalgia. A Searchlight Pictures release.

Jane by Charlotte
Charlotte Gainsbourg, 2021, France, 86m
French with English subtitles
North American Premiere
In creating a documentary portrait of a parent, as actor Charlotte Gainsbourg does in her directorial debut, one could overly flatter the subject or iron out the tough creases. Gainsbourg avoids these traps in her wise and wondrous film about her legendary mother, the singer and actress Jane Birkin. Consisting of several intimate conversations between parent and child, as well as footage of Birkin performing onstage, the result is a spare, loving window into the emotional lives of two women as they talk about subject matter that ranges from the delightful to the difficult: aging, dying, insomnia, celebrity, and their differing memories of their shared past, which includes Charlotte’s father and Jane’s husband, Serge Gainsbourg. Jane by Charlotte is an unexpected, imaginatively visualized work that affords intimate access to someone whom many of us only think we know.

The Lost Daughter
Maggie Gyllenhaal, 2021, USA/Greece, 121m
In her striking feature directorial debut, Maggie Gyllenhaal adapts the 2006 novel of the same name by Elena Ferrante, a potent work of psychological interiority that follows Leda, a divorced professor on a solitary summer vacation who becomes intrigued and then oddly involved in the lives of another family she meets there. Oscar-winner Olivia Colman brilliantly embodies this quietly tempestuous character, finely shading in the enigmatic relationships she creates with strangers. A moving, sometimes unsettling inquiry into motherhood and personal freedom, Gyllenhaal’s adaptation maintains Ferrante’s signature ambiguity and matter-of-fact style, and features an outstanding supporting cast, including Jessie Buckley, Ed Harris, Dakota Johnson, Paul Mescal, Alba Rohrwacher, and Peter Sarsgaard. A Netflix release.

Marx Can Wait
Marco Bellocchio, 2021, Italy, 95m
Italian with English subtitles
North American Premiere
In his most achingly personal film to date, legendary Italian filmmaker Marco Bellocchio—an NYFF mainstay from the very beginning, from Fists in the Pocket (NYFF3) to The Traitor (NYFF57)—uses the occasion of a family reunion in his hometow