Sundance 2024 review: ‘And So It Begins’

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AND SO IT BEGINS

AND SO IT BEGINS

AND SO IT BEGINS at Sundance 2024

Amid Filipino elections, a grassroots movement emerges to protect truth and democracy from growing threats. People unite in joyful acts of resistance, kindling hope while autocracy expands.

Returning to Sundance four years after the premiere of A THOUSAND CUTS, director Ramona S. Diaz gives audiences a companion piece about the fragility of democracy. In the Philippines in 2016, the country elected a President and Vice President from opposite political spectrums. VP Leni Robredo is a compassionate, former NGO human rights attorney. She is articulate, funny, and fearless. If you took President Biden and combined him with Hillary Clinton, you might begin to understand Leni Robredo.

The passion of the people is evident in their cries for equality. Her supporters wear pink and come from every socioeconomic background and age group. She has a special bond with the LGBTQ community. Her extraordinary grassroots campaign still fights an uphill battle against the children and candidates of the former dictatorship.

Holy misogyny, Batman! The overt corruption of President Duterte looks familiar. The US had a tyrant appear in 2016. In 2021, Leni must contend with the attacks from the outgoing president and campaign against the son of former President Fernando Marcos, one of the country’s most notorious dictators. Under his reign, martial law pervaded the Philippines, and Marcos fled with billions of dollars. BongBong Marcos Jr wants to bring back the policies that destroyed democracy. To remind you, he is also Imelda Marcos’ son. A quote that hangs on the wall of Marcos’ former vacation home, now a museum, reads, “We must make this nation great again.” Hmmm. Where have we heard that before?

AND SO IT BEGINS is simultaneously a story about journalist Maria A. Ressa, the co-founder of the news outlet Rappler. Duterte falsely convicted her of breaking laws that never existed before her arrests. Ressa dared to challenge dictators and has since paid the price for years. Their relentless pursuit of quieting Rappler will make your blood boil. A wondrous moment happens in the film as Ressa receives a phone during a Zoom panel, informing her she’s just received the 2021 Nobel Peace Prize. In her acceptable speech, she tells the world about the extensive online misinformation machine built by Marcos, Jr, once again reminding viewers how fragile any democracy is.

We cannot ignore the parallels in tactics. We would be foolish to think the playbook hasn’t gotten thicker as technology replaces knocking on doors. What can we learn from AND SO IT BEGINS? History revisionism threatens everything we hold dear, so pay attention, and don’t look away.

And So It Begins (2024) poster

And So It Begins (2024) poster

Available in person. Also available online for the public (January 25–28)

 

Meet the Artist

Ramona S. Diaz

Ramona S. Diaz

Ramona S. Diaz’s award-winning films — Imelda (2004), The Learning (2011), DSB: Everyman’s Journey (2012), Motherland (2017), and A Thousand Cuts (2020) — have screened at top-tier film festivals and been seen globally. Diaz is both a Guggenheim Fellow and a USA Fellow. In 2021, she was named the inaugural McGurn Family Trust Resident in Film by the American Academy in Rome.

Credits

  • DIRECTOR(S)

    RAMONA S. DIAZ

  • SCREENWRITER

    RAMONA S. DIAZ

  • PRODUCER

    RAMONA S. DIAZ

  • YEAR

    2024

  • CATEGORY

    FEATURE

  • COUNTRY

    UNITED STATES/PHILIPPINES

  • LANGUAGE

    ENGLISH, FILIPINO AND OTHER DIALECTS

  • RUN TIME

    113 MIN

For more information about Sundance 2024, click here!

 

You can read all of our Sundance coverage throughout the years here.

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Sundance 2024 review: ‘A NEW KIND OF WILDERNESS’ wades through grief with grace

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A NEW KIND OF WILDERNESS

A life chronicled most intimately and authentically, the Payne family experiences physical and emotional upheaval after a family tragedy. Choosing to raise their family on a secluded farm in the woods of Norway, Maria and Nik wanted nothing more than to instill a love of nature into their children. Potentially forced to sell the beloved farm that holds all their memories, Nik, Freja, Falk, Ulv, and eldest daughter Ronja navigate unfathomable loss and fight to remain connected.

Through Maria’s striking photography, home videos, and extraordinary voiceover narration, throughout several years, filmmaker Silje Evensmo Jacobsen evokes visceral hope and sadness in A NEW KIND OF WILDERNESS. Exploring one family’s respect for the land, unique homeschooling, and off-grid lifestyle, Nik battles societal norms that Maria vowed to circumnavigate and financial limitations. The children are undeniably self-aware. Their openness with their emotions is breathtaking. When school thrusts technology upon them for the first time, they take to it like fish to water, much to the chagrin of Nik, but their wild essence never wanes as they long to hold onto their way of life. The film speaks to the resiliency of youth.

Witnessing the pure innocence and wonder of the Payne children hits you in the heart. It is easy to dismiss the genuine curiosity of your kids with the swirl of everyday chaos. Sundance 2024 audiences have the honor of joining together on an elegant meditation of grief and loneliness. A NEW KIND OF WILDERNESS reminds us to cherish each moment, the Earth, and one another.


Click here for more information on screenings and online availability for A NEW IND OF WILDERNESS


 

Silje Evensmo Jacobsen

Silje Evensmo Jacobsen, director of A New Kind of Wilderness

Silje Evensmo Jacobsen has directed award-winning documentary films and series for the past 15 years. Among others: Team Ingebrigtsen (2016, 2018) about an unconventional Norwegian family raising their children to be top runners, Faith Can Move Mountains (2021) about nuns breaking boundaries in rural Norway, and KRAFT/SPARK (2022) about young street dancers. A New Kind of Wilderness is her second feature.

 

Credits

  • DIRECTOR(S)

    SILJE EVENSMO JACOBSEN

  • PRODUCER

    MARI BAKKE RIISE

  • EXECUTIVE PRODUCER

    KIM CHRISTIANSEN

  • CINEMATOGRAPHY

    SILJE EVENSMO JACOBSEN

    KARINE FOSSER

    LINE K. LYNGSTADAAS

  • EDITORS

    KRISTIAN TVEIT

    CHRISTOFFER HEIE

  • COMPOSER

    OLAV ØYEHAUG

  • SOUND DESIGNER

    YNGVE LEIDULV SÆTRE

  • COLORIST

    TOM CHR. LILLETVEDT

  • FEATURING

    ULV VATNE PAYNE

    FALK VATNE PAYNE

    FREJA VATNE PAYNE

    RONJA BREDA VATNE

    MARIA GROS VATNE

    NIKOLAUS ITHELL PAYNE

  • PRODUCTION COMPANY

    A5 FILM

  • YEAR

    2024

  • CATEGORY

    FEATURE

  • COUNTRY

    NORWAY

  • LANGUAGE

    ENGLISH, NORWEGIAN

  • RUN TIME

    84 MIN