Tribeca Film Festival 2022 capsule reviews: ‘January,’ ‘The Year Between,’ and short film ‘Girls Night In’

January

The visual aesthetic of Tribeca 2022 film JANUARY feels like it was actually filmed in 1991, using a mixture of super 8 footage, archival footage, and inspired cinematography. Performances are solid. The soundtrack is outstanding, highlighting gorgeous framing. The lack of urgency overall was challenging to overcome. I wasn’t sure if I felt connected enough to give a damn. This is from an arts academy grad. It was refreshing to see young female ambition in the character of Anna.

At the 52-minute mark, I was suddenly at attention. I wish this had come sooner in both the narrative and the score. Ultimately, January keeps your attention with its unique editing and intriguing, sometimes dizzying, cinematography. At times, I could not decern who was filming, whether it was archival or handheld footage from the cast. It’s a weirdly meta experience in that way. JANUARY is a coming-of-age story of a life torn between art and war.


The Year Between

Alex Heller wears all the hats in Tribeca 2022 film The Year Between. As a writer, director, producer, and star, she’s a spectacular nightmare. As Clemence, she is perfectly punchable. Even if it doesn’t sound like it, this is a compliment. As Clemence, she is a hellacious person. An entitled brat with zero social graces. Come to find out that she is undiagnosed bipolar. Through horrible life choices, Clemence slowly climbs her way out of her pity party to ingratiate herself into her family’s hearts. Navigating jobs, drugs, therapy, medication, relationships, and self-actualization, The Year Between goes hard in every aspect. Heller is unapologetic in style. The voice is loud and clear, and I look forward to what comes next.


Girls Night In

When a masked man threatens to ruin a girls’ night, Becca and Delaney attempt to best the intruder against all logic. This satirical short is an ode to the Bechdel Test and horror fans everywhere. Skylan Benton, as Delaney, is dressed similarly to Drew Barrymore in Scream and has an unmissable Alexis from Schitt’s Creek vibe going on in her tone. Becca (Jess Adams) is the more overtly cautious of the two girls, but everything changes, including her wardrobe, once challenged. Spot the cliché and hilarious quick-change by removing her glasses, a classic 90s reference. This is another example of how writer Landon LaRue and director Alison Roberto are true genre fans, beyond the lighting shifts and Davey Oberlin‘s throwback score. The addition of unapologetic Gen Z chatter infuses another layer of funny. Girls Night In will be a hit with not only horror fans but all Tribeca 2022 short film enthusiasts this year. 


 

Cleveland International Film Festival 2022 short film review: ‘CANDIDATO 34’ chronicles the world’s most extraordinary run for public office.

CANDIDATO 34

Bryan Russell is the first person in the world with Down syndrome to ever run for public office. CANDIDATO 34 is a documentary short chronicling Bryan’s extraordinary story in the days before the 2020 congressional election in Peru, as he attempts to convince a reluctant public that he is capable of being a congressman, and an important voice for change. Candidato 34 will make its World Premiere in the FilmSlam-Spanish Language Cinema Shorts Program starting March 31st at the 2022 Cleveland International Film Festival.


As the first person in the world with Down Syndrome to run for public office, Bryan Russell represents so many marginalized groups everywhere. Bryan’s team, including his parents, pour their hearts into his campaign, supporting his dreams and ideas. Let me clarify something immediately; his parents are present as cheerleaders and coordinators. Bryan is an accomplished young man. He is charming, eloquent, raw, and relentlessly determined. These characteristics become abundantly clear in his ability to campaign like any other candidate. As someone who has worked on political campaigns in the US, Bryan does it with more honesty and savvy than many career politicians. He has an understanding and perspective of often ignored individuals. Win or lose, Bryan Russell is a passionate catalyst for change in Peru and throughout the world.

As a Mother of a neurodivergent son, Bryan is a hero. My most prevalent anxiety as a parent is the future. Bryan possesses the confidence and self-awareness I wish for my child. In 38 minutes, Candidato 34 filled me with hope and possibility. This little film speaks volumes about representation, kindness, and perseverance. Bryan Russell is an inspiration to my family. I hope this film spreads far and wide. There are a lot of people that would benefit from the experience. 

 

CANDIDATO 34 – TRAILER from Ryan Marley on Vimeo.


About the Filmmakers:

Ryan Marley (Director) is a filmmaker and television director best known for his work in documentary, factual and kids TV. He has been nominated for 3 Canadian Screen Awards and has directed over 25 series and documentaries. He most recently directed all 4 seasons of the groundbreaking documentary series “Employable Me” which tells the stories of job seekers who prove that having a physical disability or neurological condition shouldn’t make them unemployable. The series won the Diversify TV Excellence Award at MIPCOM 2017 & 2020, a 2018, 2019 & 2020 Rockie Award, an NYTVF Award and was nominated for four Canadian Screen Awards. His documentary “Sitting Tall: The Patrick Anderson Story” examines the background and career of Patrick Anderson, arguably the greatest wheelchair basketball player of all time, as he prepares for the Paralympic Games in Tokyo. It was featured at the 2021 Awareness Film Festival and The 2021 New York Shorts International Film Festival where it won Best Documentary. Ryan splits his time between Toronto and Los Angeles.

Katie Lafferty (Executive Producer/Producer) has been chasing character-driven stories since graduating from Carleton University with a Journalism degree in 2002. Since then, she has produced some of Canada’s biggest shows including sports documentary series “Tessa & Scott,” and the groundbreaking series “Employable Me,” which tells the stories of job seekers who prove that having a physical disability or neurological condition shouldn’t make them unemployable. The series won the Diversify TV Excellence Award at MIPCOM 2017 & 2020, a 2018, 2019 & 2020 Rockie Award, an NYTVF Award and was nominated for four Canadian Screen Awards. Her latest feature-length documentary Candidato 34 is being produced in association with Lionsgate’s unscripted division, Pilgrim Media Group.

About Hitch Films:

Hitch Films is a creative team with extensive experience telling compelling stories about people around the world. We are a passionate team of award-winning documentary filmmakers bringing to light the amazing stories and struggles of incredible people with disabilities, and from marginalized communities, who are fighting prejudice and perception to gain independence and respect.


Credits

Ryan Marley – Director

Katie Lafferty – Executive Producer/Producer

Craig Piligian – Producer

Gretchen Stockdale – Executive Producer

Paul Boynett – Executive Producer/Writer

George Wright – Executive Producer/Editor

Michelle Asgarali – Associate Producer


37 minutes, Canada, 2021

DCP Image: 1.85:1, 4K, Color, Sound: 5.1 mix


Short film review: John Stuart Wildman’s ‘SWEAT OF HIS COW’ is the sexy absurdity we all secretly desire.

SWEAT OF HIS COW

From the depths of someone’s lost VHS tapes is this story of an impossibly gorgeous doctor lawyer who runs out of gas next to a barn where an impossibly sweaty man is milking a cow. A sexy relationship ensues where they learn that gas is just the beginning, milk is always the end.


Thoughts I had while watching the award-winning short film, SWEAT OF HIS COW...

“Is this a lost VHS from someone’s basement? Oh, this score is very softcore porn goodness. Does this film star Milky White from Into The Woods?! Amazing. These hair flips are luscious, and now I’m laughing. Wow, this is a softcore porn-inspired rom-com! And also, WOW! John is really sweaty and also a proper beefcake. Should I be watching this? Am I allowed to watch this? My god, this is hilarious wordplay.”

Celena Rea nails every line with total commitment. She has a commanding presence, accentuated by specific hair, make-up, and costume choices. Also, she does her own stunts. Her chemistry with writer-director John Stuart Wildman as Sweaty Man is electric. He knocks it out of the park. I knew John was charming, but, damn. Casting directors pay attention. John could easily carry leading roles in literally every genre. Shout out to Chris Gardner for his comic timing as Saxophone Player.

I couldn’t love this weird, little film anymore. There’s not a dull moment in its 5-minute runtime. Sweat Of His Cow is easily something you’d see produced by Funny Or Die or SNL, but better. I want a series of Sweaty Man shorts about his sexual encounters. And, I’m not sorry about it. This film is now burned into my brain forever.


You can watch Sweat of His Cow screening virtually at the Sarasota Film Festival now!

(And you should.)

https://www.sarasotafilmfestival.com/film/sweat-of-his-cow/


SXSW 2022 short film review: ‘THE VOICE ACTRESS’ is an elegant ode to the unseen legends.

Kingyo, a veteran voice actress working in Tokyo, possesses a unique ability to see the soul in all things, living and inanimate. The voice acting world is changing and she must find a way to reconcile her way of living with the modern industry. As Kingyo prepares for an upcoming audition, she seeks inspiration from the world around her and from her pet goldfish, Asatte. In the face of professional and personal adversity, Kingyo looks decidedly inward for strength through empathy and kindness.

Urara Takano plays Kingyo, a voice actress whose passion for her work is clear to the audience from the very beginning. In 15 minutes we get an emotional journey worth every second of screen time. Competing with a new generation proficient in self-promotion, how does a dedicated veteran compete? The Voice Actress gives us a peek behind the curtain that is the boys club of entertainment, while simultaneously putting us inside the mind of an accomplished performer. Writer-director Anna J. Takayama gives Takano space to bloom. I would happily watch a feature on this character. There is a purposeful beauty to the costumes, especially the use of the color red. The undeniable quirkiness from Takano makes you fall in love with her. It’s no wonder the short garnered SXSW22’s Mailchimp Support the Shorts Award.


 

SXSW 2022 short film capsule reviews: ‘Roommates,’ ‘Gay Haircut,’ & award winner ‘Glitter Ain’t Gold’

Roommates


Synopsis: Students Izzy and Sophia get placed as dorm-mates because they’re both disabled. They reach common ground via vodka shots and getting personal, christening their first day of college with a night of adventure.


Simultaneously awkward and natural, this is an awesome and important ten minutes about accessibility, perception, and power. Stay for the credits!

·      Writer/Director: Ashley Eakin

·      Writer: Kelsey Johnson

·      Cast: Kiera Allen (RUN), Kelsey Johnson


Gay Haircut

Synopsis: For a stand-up comic, a drastic life change can mean losing one’s entire act. Bisexual comedian Krista has decided her relationship with a trans woman is worth coming out over—but will she commit to an entire rebrand with one gay haircut?


A seemingly simple change with a lot of weight attached. In 7 minutes we get an entire journey about identity filled with some quirky weirdness.

·      Director/Producer: Jude Harris

·      Writer/Producer: Krista Fatka

·      Cast: Krista Fatka (Shaky Ground, Night of the Living Karens), Zach Holmes (JACKASS FOREVER, Too Stupid to Die, Tosh.0Ridiculousness)


GLITTER AIN’T GOLD

*Winner*

SXSW 22 Special Jury Recognition for Directing and Community Filmmaking

     Synopsis: Sixth-grader Jibril and his reluctant best friend Tawanda hustle up some cash and journey to the flea market to buy Jibril’s first chain, in hopes that it will catch the eye of his crush Marlana and divert her attention away from his sworn enemy Rashad.


Writer-director Christian Nolan Jones brings to life a coming-of-age short that dives into the universal feeling of acceptance. Set in the 90s, two best friends Jibril and Tawanda are on a mission to purchase an item that will catch the eye of his crush. Glitter Ain’t Gold perfectly captures middle-school angst. The costumes and overall aesthetic were spot on. Our two young leads Alfred R. Lewis III and Priah Ferguson are stellar. This might as well have been a documentary with their natural ability to captivate the audience. Each beat is authentic. Glitter Ain’t Gold is a tight treatment for s feature or series.

·      Writer/Director: Christian Nolan Jones

·      Executive Producers: Common, Corey Gamble

·      Cast: Priah Ferguson (Stranger Things, THE OATH, Atlanta), Alfred R. Lewis III (Law & Order: Special Victims Unit, Bunk’d)


 

SXSW 2022 short film review: Is ‘RADICAL HONESTY’ merely an expression or a way of life?

Radical Honesty

At the tail end of a great date, Jack and Rachel bond over a shared interest in deconstructing traditional relationship structures. When Jack reveals the reality of his “radical” open relationship, things take a turn for the absurd in this short film about the co-option of the language of liberation for means of manipulation and control.


At 41, I cannot imagine navigating a new relationship at this precise moment in time. I remember when Match.com first became a thing and how weird I thought it sounded. Then I recall attending four weddings in the years that followed, each couple had met through Match. RADICAL HONESTY, a 7-minute short film, tackles the complexities that Gen Z and Millenials face day-to-day. Performances are natural and the opening camerawork is fun. It is no surprise that the idea of radical honesty is something we experience more and more now. With the push of social media platforms, everyone is encouraged to share an opinion. Yes, this leads to awareness, self-discovery, and connections across the globe, if we’re talking upsides, only. My Xennial self also understands this to be a potential trap. C’est la vie.

I am excited to see this short get an expansion into series form (which is currently in the works). I anticipate having further investment into the world of Jack and Rachel, and whomever they intend to take along on their “journey of truth.” It’s bound to be a hot mess, in the best way possible. Radical Honesty is a great pairing with Hannah Marks‘ film Mark, Mary, and Some Other People. Modern dating is complicated by a lot more than just email and actually showing up these days. Director Bianca Poletti, and actress and screenwriter Allison Goldfarb nail this idea.


Check out the teaser trailer for the film’s aesthetic.

To learn more about how you can watch Radical Honesty and SXSW22 in general, click here!


Director: Bianca Poletti

Screenwriter: Allison Goldfarb

Principal Cast: Allison Goldfarb, John Hein, Melanie Alexa Buenrostro

Executive Producers: Jacki Calleiro, Mindy Goldberg, Bianca Poletti

Producer: Shayna Gianelli

Cinematographer: Corey C. Waters

Editor: Nina Sacharow

Production By: Epoch Films, Disco Pants Inc

SXSW 2022 is coming. Here are some films to add to your watch list in this year’s hybrid festival.

It’s here and boy is it happening. This year’s hybrid edition of SXSW 2022 has it all. Here are a handful of films we’re excited about this year.


Linoleum

When a satellite falls from orbit and crashes into the home of a dysfunctional family in suburban Ohio, the father seizes the opportunity to fulfill his childhood dream of becoming an astronaut by re-creating the machine as his own rocket ship. While his wife and daughter believe he is experiencing a midlife crisis, surreal events begin to unfold around him, forcing him to reconsider how interconnected their lives truly are…

We’ve been living through hell these past few years and could all use a bit of whimsy. Linoleum provides us the opportunity to reconnect with our inner child while simultaneously dissecting the family dynamics. Plus, I think a lot of people forget how incredibly talented Jim Gaffigan is as an actor. Look out for this one.


The Cellar

A woman must confront an ancient and powerful entity after her daughter mysteriously vanishes in the cellar of their new home.

Shudder has already picked this title up before its SXSW22 premiere. Becoming the best streaming platform for all things genre-related, when they see potential in a film they snap it up ASAP. An old mansion, a new family, a disappearance, The Cellar has my attention.


DIAMOND HANDS: THE LEGEND OF WALLSTREETBETS

It was the perfect storm. A global pandemic. An app aspiring to democratize trading. A group of Reddit users stuck at home with stimulus dollars to burn. And a video game company on its last legs. DIAMOND HANDS is the incredible true story of how an army of retail traders rallied around GameStop to rock our financial system. This is the legend of r/WallStreetBets.

Everyone watched in awe and confusion as GameStop stock began to skyrocket. The fallout was disastrous, but the idea that a bunch of dudes on Reddit were able to completely disrupt the market is pretty much my favorite (anti)capitalist giggle from 2020.

MSNBC Films and NBC News Studios will premiere “Diamond Hands: The Legend of WallStreetBets,” on MSNBC Sunday, April 10 at 10:00 p.m. ET, following the global premiere at SXSW on March 13. “Diamond Hands” is produced by NBC News Studios and ZCDC Films. The film is set to stream later this Spring on Peacock. 


Hypochondriac

A young potter’s life devolves into chaos as he loses function of his body while being haunted by the physical manifestation of his childhood trauma.

If you’re looking for some kick-ass casting, look no further than Zach Villa in Hypochondriac. Unrecognizable from his American Horror Story seasons, Villa plays the writer-director Addison Heimann‘s words with care. The film is based on Heiman’s own experience with mental health.


The Cow

Synopsis: Upon arriving at a remote cabin in the redwoods, Kath and her boyfriend find a mysterious younger couple already there — the rental has apparently been double-booked. With nowhere else to go, they decide to share the cabin with these strangers until the next morning. When her boyfriend disappears with the young woman, Kath becomes obsessed with finding an explanation for their sudden breakup— but the truth is far stranger than she could have imagined.

If you go to IMDB the plot for the film is still under wraps, so SXSW22 fans are in for a treat. I’ve always been a Winona Ryder fan and with Stranger Things revamping her genre status, I cannot wait to see what is in store in this mysterious-sounding plot.


Mickey: The Story of a Mouse

Mickey Mouse is one of the most enduring symbols in our history. Those three simple circles take on meaning for virtually everyone on the planet. So ubiquitous in our lives that he can seem invisible, Mickey is something we all share, with unique memories and feelings. Over the course of his nearly century-long history, Mickey functions like a mirror, reflecting our personal and cultural values back at us. “Mickey: The Story of a Mouse” explores Mickey’s significance, getting to the core of what Mickey’s cultural impact says about each of us and about our world.

When I was 19 years old, I moved to California on a whim in hopes of working at Disneyland. During my amazing time performing there (those details are top secret via the stack of NDA’s you sign as a cast member), I had the extraordinary pleasure of meeting a special individual. When Walt Disney opened Disneyland he presented the world with Mickey Mouse, live and in person. I met that man backstage and had my photo taken with him. The impact Mickey Mouse has had on generations of children and adults is unfathomable. Mickey: The Story of a Mouse will undoubtedly touch a massive audience. As I share Mickey with my own small children now, I can still picture my first meeting with a character so magical I was overwhelmed with joy and excitement. He never gets old, pun most definitely intended.


The Prank

Synopsis: Ben is your typical high-school overachiever. He’s organized, careful, goal-oriented and extremely dedicated to school. His best friend, Tanner, couldn’t be more opposite. She is a lackadaisical, messy, slacker, who lives in the moment. They aren’t popular, but they don’t seem to care that much because they have each other. Ben has a stern, mean and cruel physics teacher, Mrs. Wheeler. She has been teaching at the school for decades and has a reputation for being the hardest, coldest, strictest faculty member. She fails Ben’s entire class unless a student who cheated comes forward. When no one does, Tanner and Ben hatch a plan to ruin he life and frame her for murder on social media.

Social media is such a catalyst for action, terror, and weirdness these days that anything is possible when it is involved. But, it’s this cast that caught my eye. Rita Moreno, Connor Kalopsis, Ramona Young, Keith David, Kate Flannery, and Meredith Salenger will get my butt in a seat. Also, who didn’t have a teacher in high school everyone loathed?


The Unknown Country

An unexpected invitation launches a grieving young woman on a solitary road trip through the American Midwest as she struggles to reconcile the losses of her past with the dreams of her future.

I was first introduced to Lily Gladstone in Certain Women. Her ability to captivate with but a glance is something that is rare. The Unknown Country tackles a beautiful mix of anxiety, grief, and identity, all in a unique road trip movie. It’s a film we’ll be talking about all year.


Sissy

**WORLD PREMIERE**

WRITERS/DIRECTORS: Hannah Barlow, Kane Senes
STARRING: Aisha Dee, Hannah Barlow, Emily De Margheriti, Daniel Monks, Yerin Ha, Lucy Barrett, Shaun Martindale, Amelia Lule, April Blasdall, Camille Cumpston

Synopsis: Cecilia and Emma were tween-age BFFs who were going to grow old together and never let anything come between them, until Alex arrived on the scene. Twelve years later, Cecilia is a successful social media influencer living the dream of an independent, modern millennial woman… until she runs into Emma for the first time in over a decade. Emma invites Cecilia away on her bachelorette weekend at a remote cabin in the mountains, where Alex proceeds to make Cecilia’s weekend a living hell. #triggered

Listen, girls are mean. We hold grudges and we play dirty, those are just the facts. When friendships are disrupted, those scars last a lifetime. With social media affecting the way we lead our daily lives, SISSY sounds like a perfect storm for great horror.


SOFT & QUIET

Playing out in real time, Soft and Quiet is a runaway train that follows a single afternoon in the life of a female white supremacist as she indoctrinates a group of alt-right women, and together they set out to harass two mixed-raced sisters.

Any film that has the audacity to play out in real time has my attention. I am hardwired to loathe these main characters so I am hoping that some horrible fate befalls them. The plot is socially relevant even if I wish it weren’t. I’ll be paying close attention to how writer-director Beth de Araújo brings her first feature-length film to life.


Radical Honesty

At the tail end of a great date, Jack and Rachel bond over a shared interest in deconstructing traditional relationship structures. When Jack reveals the reality of his “radical” open relationship, things take a turn for the absurd in this short film about the co-option of the language of liberation for means of manipulation and control.

At 41, I cannot imagine navigating a new relationship at this precise moment in time. I remember when Match.com first became a thing and how weird I thought it sounded. Then I recall attending four weddings in the years that followed, each couple had met through Match. RADICAL HONESTY, a 7-minute short film, tackles the complexities that Gen Z and Millenials face day-to-day. I’ll be watching with popcorn in hand knowing that it’s one hell I don’t have to keep in check these days. (*knock on wood) Check out the teaser trailer for the film’s aesthetic.

Radical Honesty Teaser from Bianca Poletti on Vimeo.


Slash/Back

Synopsis: Pangnirtung, Nunavut: A sleepy hamlet nestled in the majestic mountains of Baffin Island in the Arctic Ocean, wakes up to a typical summer day. No School, no cool boys (well… except one), and 24-hour sunlight. But for Maika and her ragtag friends, the usual summer is suddenly not in the cards when they discover an alien invasion threatening Pang. But these teenagers have been underestimated their whole lives, and using makeshift weapons and their horror movie knowledge, they show the aliens you don’t fuck with the girls from Pang.

Slash/Back is an unexpected coming-of-age film. With some Stranger Things vibes, it tackles tradition, boredom, boys, and aliens. Wait until you see this young cast kicking ass and taking names.


Pirates

New Year’s Eve 1999. Three life long friends drive through London in their tiny Peugeot 205, pumping a UK Garage set from the stereo and arguing about their Avirex jackets and Naf Naf imports. As the eighteen-year olds step into adulthood, they know their lives and friendships are on the brink of change. Determined to end the century on a bang, they drive from place to place in a desperate search for tickets for the best millennium party EVER. In their efforts to end up somewhere, they end up closer together.

I know I’m aging myself but I was 19 on New Year’s Eve 1999. I lived this chaos and hopefulness. Anything was possible during the course of one evening. I’m here for the nostalgia and some solid shenanigans.


Jethica

Hiding out in New Mexico after a freak accident, Elena runs into Jessica, an old friend from high school. When Jessica’s stalker suddenly shows up at their door, they must seek help from beyond the grave to get rid of him, for good.

Wild and collaborative filmmaker, Pete Ohs brings an exciting edge to the indie scene with Jethica. Shot during the pandemic in 2021 and edited live on Twitch, SXSW22 audiences are surely in for some unexpected twists and turns.


The Voice Actress

Kingyo, a veteran voice actress working in Tokyo, possesses a unique ability to see the soul in all things, living and inanimate. The voice acting world is changing and she must find a way to reconcile her way of living with the modern industry. As Kingyo prepares for an upcoming audition, she seeks inspiration from the world around her and from her pet goldfish, Asatte. In the face of professional and personal adversity, Kingyo looks decidedly inward for strength through empathy and kindness.

A peek inside the recording booth and inside the mind of a working voice actress. Urara Takano puts a face to the performers we don’t talk enough about. Written, directed, and edited by Anna J. Takayama, we are invited into the world of a veteran voice actress and how she copes with forces beyond her control.


For more information on this year’s SXSW Film Festival click here!

Stayed tuned for Reel News Daily coverage as well as guest posts from Steve Kopian at Unseen Films. We’re making our schedules and doing all we can to bring you everything we’ve got. Stayed tuned!


Sundance 2022 short film review: ‘Long Line of Ladies’ is an intimate look into celebrating tradition and womanhood.

Long Line of Ladies

A girl and her community prepare for her Ihuk, the once-dormant coming of age ceremony of the Karuk tribe of Northern California.


A journey of tradition and self-discovery, Long Line of Ladies is a Sundance 2022 short film that allows us to peek behind the curtain of a once lost ceremony in the Karuk tribe.

The openness of the Karuk culture and the lack of toxic masculinity are so refreshing to witness. The entire community comes together to support each young lady as an individual. They are gentle and ceaselessly encouraging. The deep connection to traditions and nature is mirrored in the ceremony. After fasting, a young lady is blindfolded on a journey through the woods for 4 days, then emerges to perform a dance. The meaning and emotion behind it made my heart swell. It symbolizes her journey into womanhood so perfectly. This intimate portrait of cultural tradition will live with me for a long time. As a mother of a little girl that will soon be five, Long Line of Ladies inspires me to seek out a way to honor what has mostly been deemed an embarrassing or awkward transition. It makes me want to do better for the next generation. 

Long Line of Ladies – Teaser from Rayka Zehtabchi on Vimeo.


Directed by:
Rayka Zehtabchi & Shaandiin Tome

Produced by:
Garrett Schiff, Pimm Tripp-Allen, Rayka Zehtabchi, Sam Davis and Dana Kurth

Run Time: 
22 minutes


ABOUT THE FILMMAKERS: 

Rayka Zehtabchi 
is an Academy Award-winning director and producer working in both documentary and fiction. In 2019, Rayka became the first Iranian woman to win an Oscar for her film “Period. End of Sentence.,” which can be seen on Netflix worldwide. In all her projects, she brings a naturalistic approach to her storytelling, striving for honesty and intimacy on screen.

Shaandiin Tome is a recognized writer, director, and cinematographer from Albuquerque, New Mexico. Her award-winning break-out short film Mud (Hashtł’ishnii) premiered at the Sundance Film Festival in 2018. She aims to bring resonating imagery in a blend of convergence with story, illustrating her perspective as a Diné woman.



Online Screening
Thursday, January 20 @ 8:00 AM PST to Sunday, January 30 @ 10:59PM PST


To find out more about the entire Sundance 2022 lineup, click here!


 

Sundance (2022) short film review: ‘Warsha’ is pure cinematic joy.

WARSHA

Warsha follows Mohammad, a Syrian migrant working as a crane operator in Beirut. One morning he volunteers to take on one of the tallest and notoriously most dangerous cranes in Lebanon. Away from everyone’s eyes, he is able to live out his secret passion and find freedom.


Circumstance drowning out his authenticity, Mohammad takes a risk at his construction job in the short film Warsha. Handheld and tight cinematography force the viewer into the vibrating chaos. But it’s the wide shots that astound in their scale and shared panic and awe. You will not see where this short is going.

Khansa plays Mohammad with a captivating vulnerability. Warsha introduces the entire world to Khansa, a multi-disciplinary artist redefining masculinity in the Middle East. I had chills watching his transformation. What brilliant casting. Writer-director Dania Bdeir has given Sundance audiences a short film that defies gender stereotypes. Its celebratory nature will leave you breathless.


To find out more information on Sundance 2022, including screening times, click here!


Sundance 2022: Some of what we’ll be watching at this year’s festival, and it’s a lot.

Having switched from in-person to completely virtual, audiences of Sundance 2022 will have the opportunity to see a plethora of entertainment that will terrify, tantalize, and remind you of why we love storytelling so much. From horror to drama, television series to shorts, documentaries to VR experiences, we’ll be watching as much as our eyes can consume from January 20-30th. Things are finding distribution left and right, with is always great news. That means even if you miss something during the festival, it will most likely be coming to a theater or streaming platform very soon.

There is something for everyone. Genre favorite filmmakers, writers, actors, and wearers of all the hats,  Aaron Moorhead and Justin Benson, are bringing their latest film Something In The Dirt. Cooper Raif‘s newest Cha Cha Real Smooth is one we’re stoked for. His debut feature Shithouse was one of the most accurate films about college life I’ve ever seen. The shorts lineup this year is bound to blow you away. Do not overlook them, I beg you. There are feature documentaries on Kanye West and Princess Diana, the rise of TikTok, and Slave to Sirens (the first and only all-woman thrash metal band in the Middle East).

Without further ado, here is a list of some of the amazing content we’re excited about this year.


 U.S. DRAMATIC COMPETITION

Cha Cha Real Smooth / U.S.A. (Director and Screenwriter: Cooper Raiff, Producers: Dakota Johnson, Ro Donnelly, Erik Feig, Jessica Switch, Cooper Raiff) — A directionless college graduate embarks on a relationship with a young mom and her teenage daughter while learning the boundaries of his new bar mitzvah party-starting gig. Cast: Dakota Johnson, Cooper Raiff, Vanessa Burghardt, Evan Assante, Brad Garrett, Leslie Mann. World Premiere.

Besides Raiff being an obvious phenom, I suspect this one will hit harder for those with children on the spectrum. I’m particularly excited for Vanessa Burghardt’s performance, as she is on the spectrum herself. Representation matters, across the board.

Dual / U.S.A. (Director and Screenwriter: Riley Stearns, Producers: Nate Bolotin, Aram Tertzakian, Lee Kim, Riley Stearns, Nick Spicer, Maxime Cottray) — After receiving a terminal diagnosis, Sarah commissions a clone of herself to ease the loss for her friends and family. When she makes a miraculous recovery, her attempt to have her clone decommissioned fails, and leads to a court-mandated duel to the death. Cast: Karen Gillan, Aaron Paul, Beulah Koale. World Premiere.

This plot sounds like something out of West World and Doctor Who. Did I just mention those because of Paul and Gillan? Happy coincidence.


U.S. DOCUMENTARY COMPETITION

I Didn’t See You There / U.S.A. (Director: Reid Davenport, Producer: Keith Wilson) — Spurred by the spectacle of a circus tent that goes up outside his Oakland apartment, a disabled filmmaker launches into an unflinching meditation on freakdom, (in)visibility, and the pursuit of individual agency. World Premiere.

I fell into advocacy for those with disabilities when my son was diagnosed on the autism spectrum. I have a feeling that this film will give me a deeper understanding of not only my son’s perspective on society but the ever-present need for awareness and empathy.


WORLD CINEMA DRAMATIC COMPETITION

Brian And CharlesU.K. (Director: Jim Archer, Screenwriters: David Earl, Chris Hayward, Producer: Rupert Majendie)  — A story of friendship, love, and letting go. And a 7ft tall robot that eats cabbages. A comedy shot in documentary format. Cast: David Earl, Chris Hayward, Louise Brealey, Jamie Michie, Lowri Izzard, Mari Izzard. World Premiere.

Prediction: Brian And Charles will be one of the most endearing films of the entire festival. This unlikely buddy comedy is sure to capture everyone’s heart.

 

Leonor Will Never DiePhilippines (Director and Screenwriter: Martika Ramirez Escobar, Producers: Monster Jimenez, Mario Cornejo)  — Fiction and reality blur when Leonor, a retired filmmaker, falls into a coma after a television lands on her head, compelling her to become the action hero of her unfinished screenplay. Cast: Sheila Francisco, Bong Cabrera, Rocky Salumbides, Anthony Falcon. World Premiere.

As a writer, I’m selfishly looking forward to this. There’s always a bit of myself in my fiction, and who wouldn’t want to become an action hero?


WORLD CINEMA DOCUMENTARY COMPETITION

Calendar GirlsSweden (Directors, Screenwriters, and Producers: Maria Loohufvud, Love Martinsen) — A coming-of-golden-age look at Florida’s most dedicated dance team for women over 60, shaking up the outdated image of “the little old lady,” and calling for everyone to dance their hearts out, while they still can. World Premiere.

Dancing since the age of three, this 41-year-old is looking for a few new role models.

 

Nothing Compares / Ireland, U.K. (Director: Kathryn Ferguson, Producers: Eleanor Emptage, Michael Mallie) — The story of Sinéad O’Connor’s phenomenal rise to worldwide fame and subsequent exile from the pop mainstream. Focusing on Sinéad’s prophetic words and deeds from 1987 to 1993, the film reflects on the legacy of this fearless trailblazer through a contemporary feminist lens. World Premiere.


NEXT

Something In The Dirt / U.S.A. (Directors: Justin Benson, Aaron Moorhead, Screenwriter: Justin Benson, Producers: David Lawson, Aaron Moorhead, Justin Benson)  — When neighbors John and Levi witness supernatural events in their Los Angeles apartment building, they realize documenting the paranormal could inject some fame and fortune into their wasted lives. An ever-deeper, darker rabbit hole, their friendship frays as they uncover the dangers of the phenomena, the city, and each other. Cast: Justin Benson, Aaron Moorhead. World Premiere. Fiction.

Genre fans will recognize these household names for their spellbinding skills. I’ve yet to watch away from their films without chills or an audible “WTF.”

The Cathedral / Italy, U.S.A. (Director and Screenwriter: Ricky D’Ambrose, Producer: Graham Swon) — An only child’s account of an American family’s rise and fall over two decades. Cast: Brian d’Arcy James, Monica Barbaro, Mark Zeisler, Geraldine Singer, William Bednar-Carter. North American Premiere. Fiction.


MIDNIGHT

Hatching / Finland (Director: Hanna Bergholm, Screenwriter: Ilja Rautsi, Producers: Mika Ritalahti, Nico Ritalahtit) — While desperately trying to please her demanding mother, a young gymnast discovers a strange egg. She tucks it away and keeps it warm, but when it hatches, what emerges shocks everyone. Cast: Jani Volanen, Siiri Solalinna, Sophia Heikkilä, Saija Lentonen, Reino Nordin, Oiva Ollila. World Premiere. Fiction.

 

PIGGY / Spain (Director and Screenwriter: Carlota Pereda, Producers: Merry Colomer, David Atlan-Jackson) — Sara deals with constant teasing from girls in her small town. But it comes to an end when a stranger kidnaps her tormentors. Sara knows more than she’s saying and must decide between speaking up and saving the girls or saying nothing to protect the strange man who spared her. Cast: Laura Galán. World Premiere. Fiction.

Speak No Evil / Denmark (Director and Screenwriter: Christian Tafdrup, Screenwriter: Mads Tafdrup, Producer: Jacob Jarek) — A Danish family visits a Dutch family they met on a holiday. What was supposed to be an idyllic weekend slowly starts unraveling as the Danes try to stay polite in the face of unpleasantness. Cast: Morten Burian, Sidsel Siem Koch, Fedja van Huêt, Karina Smulders, Liva Forsberg, Marius Damslev. World Premiere. Fiction.


KIDS

Maika / Vietnam (Director and Screenwriter: Ham Tran, Producers: Jenni Trang Le, Duy Ho, Anderson Le, Bao Nguyen) — After a meteor falls to earth, 8-year-old Hung meets an alien girl from the planet Maika, searching for her lost friend. As Hung helps her otherworldly friend search, the alien inadvertently helps Hung make new friends and heal a broken heart. But danger lurks everywhere… Cast: Phu Truong, Diep Anh Tru, Tin Tin, Ngoc Tuong, Kim Nha. World Premiere. Fiction.


INDIE EPISODIC PROGRAM

The Dark Heart / Sweden (Director: Gustav Möller, Screenwriter: Oskar Söderlund, Producers: Anna Carlsten, Caroline Landerberg) — Sweden: in a mythological landscape, search parties roam through forests of spruce, secret conversations are whispered in open fields, and verbal duels fought on narrow country roads. A story of family feuds, inheritances, and forbidden love. Cast: Aliette Opheim, Clara Christiansson Drake, Gustav Lindh, Peter Andersson. World Premiere. Fiction. 

Sweden’s true crime game is above and beyond. The US had already remade series like The Killing and The Bridge. Sundance 2022 audiences can dive headfirst into The Dark Heart. The series is a five-part psychological drama-thriller about how an old family feud clashes with a young, forbidden love story, leading to a tragedy with a deadly outcome, ultimately solved by a private investigator who gets obsessed with the case. The story is based on journalist Joakim Palmkvist’s book “The Dark Heart: A True Story of Greed, Murder, and an Unlikely Investigator”, which delves into the story about how a mysterious missing person’s case is investigated and solved by a local Missing People-volunteer involved in the searches.


INTERNATIONAL LIVE ACTION SHORT FILMS

Warsha / France/Lebanon (Director and Screenwriter: Dania Bdeir, Producer: Coralie Dias) — A Syrian migrant working as a crane operator in Beirut volunteers to cover a shift on one of the most dangerous cranes, where he is able to find his freedom. Cast: Khansa. World Premiere.

Once in a blue moon, a short film takes your breath away and Warsha might be that film in 2022.


U.S LIVE ACTION SHORT FILMS

Huella / U.S.A. (Director and Screenwriter: Gabriela Ortega, Producers: Helena Sardinha, Rafael Thomaseto) — When the death of her grandmother unleashes a generational curse, a disenchanted flamenco dancer resigned to a desk job is forced to experience the five stages of grief through a visit from her female ancestors. Cast: Shakira Barrera, Denise Blasor, Carla Valentine. 


U.S. NONFICTION SHORT FILMS

Long Line of Ladies / United States (Directors: Rayka Zehtabchi, Shaandiin Tome, Producers: Garrett Schiff, Pimm Tripp-Allen, Rayka Zehtabchi, Sam Davis, Dana Kurth) — A girl and her community prepare for her Ihuk, the once-dormant coming of age ceremony of the Karuk and Yurok tribes of Northern California. World Premiere. DAY ONE


For Sundance 2022 full line-up, tickets, and more click here!


 

Short film review: ‘Shadow Bird (Sonsi)’ enchants from beginning to end.

SHADOW BIRD (SONSI)

Every morning, eight-year-old Nadi wanders somewhere between the conscious and the unconscious, to meet her dream-etched Shadow Bird. A second character unfailingly follows – the mysterious Timekeeper, who has a clock fitted inside his heart. Every day upon his arrival, the sleepy village would wake up. But one morning neither the Shadow Bird nor the Timekeeper arrive…and Nadi ventures alone into the deep, mysterious woods in search of them.


If you’re looking for something akin to the world of Guillermo Del Toro films, look no further than the Indian short film Shadow Bird (Sonsi). Boasting twenty-four minutes of extraordinary lighting, lush colors, and dazzling cinematic dynamics. These elements are carefully curated by writer/director/cinematographer Savita Singh. I was immediately consumed by Shadow Bird’s glorious sound editing from Ajit Singh Rathore and Anmol Bhave. The score from Tajdar Junaid tops off this elegant folklore tale. The cast is phenomenal. We’re plunged into this dreamlike world with the calming narration from Rasika Duggal. Young actress Aarohi Radhakrishnan portrays Nadi with the perfect amount of precociousness and innocence. Jameel Khan, as Time-Keeper, brings yet another magical element to Shadow Bird. There’s something so whimsical about his facial expressions and voice. What a stunning treatment for a feature. I could watch this over and over, it’s simply that enchanting. This is one of those films that reminds us of why we go to the cinema. It is art.


Shadow Bird, the latest film by groundbreaking director Savita Singh has qualified for the 2022 Academy Awards and is in consideration for nomination in the ‘Best Short Film’ category.

This builds on the National Award the film received in India for Best Cinematography (Non-Feature Film), the highest recognition for cinema in India. ‘Shadow Bird’ qualified for the Oscars by virtue of winning the Bengaluru International Short Film Festival, the only Oscar-qualifying film festival in India. It also won ‘Best Short Film’ at the Lady Filmmakers Festival in Beverly Hills, CA.


WINNER: BEST FILM

Bengaluru International Short Film Festival 2021

WINNER: BEST CINEMATOGRAPHY

67th National Film Awards

WINNER: BEST SHORT FILM

Lady Filmmakers Festival 2021

 

NOMINEE: BEST SHORT FILM

NYIFF New York Indian Film Festival 2021

 

OFFICIAL SELECTION

Montecatini International Short Film Festival 2021

 

IFFSA Toronto 2021

Vancouver International South Asian Film Festival 2021

Dharamshala International Film Festival


DOC NYC (2021) short film reviews: ‘Coded: The Hidden Love of J.C. Leyendecker ‘ & ‘Don’t Go Tellin’ Your Momma’

Coded: The Hidden Love of J.C. Leyendecker  

This is what most short films aspire to be– a brief 30 minutes that conveys a story so completely it feels like a much longer narrative. An exposition on the homoerotic imagery within the art of J.C. Leyendecker, Coded excels at blending what is essentially an art history lesson with its present-day significance and with a deeply romantic love story to boot. As someone who is always here for a story about true love, this one left an impression that is unlikely to fade.


Don’t Go Tellin’ Your Momma

Overflowing with cool-kid energy, this short film dazzles and delights. A tribute to the Black ABCs and growing up in New Jersey, Don’t Go Tellin’ Your Momma excels in quickly establishing a sense of place. This is a film about black people that is made for black people, i.e. Art that deeply respects its subject. The colors and angles of the shots are gripping, trippy, and mesmerizing. Viewing was akin to walking through an art exhibit: what do all the disparate clips mean? You get the sense of it but it’s mostly vibes.


For more info on DOC NYC 2021 click here!


Soho International Film Festival short review: ‘KLUTZ.’ is a creative and thought-provoking meditation on grief.

Zowie lost her sister and is falling down on the job of life. Can’t love. Won’t go out. Refuses to work properly. But she stumbles upon an accidental superpower: when she falls, when she feels pain — gravity bends so that she can see her sister again. However, the space-time-continuum giveth, the space-time-continuum taketh away, and the next time she hurts, her sister is gone. Frustrated and depleted, Zowie is torn between moving on or withering on the vine. So, in a whiskey-fueled dream-state, she makes a choice: to fall one last time. On purpose.


Grief is a personal journey. When your person gets ripped from your orbit, all bets are off. “Coping” can mean destructive behavior in the form of alcohol, binge eating, even self-harm. Or, grief can manifest itself into the most creative outlets. In Zowie’s case, pain and darkness are where she’s become comfortable. It’s also where her sister appears to her, bringing her momentary joy. In Klutz, Zowie must learn to evolve within her preconceived notions of sadness.

Grief has no timeline. No one can tell you how to process it. It’s not their place. Klutz manages to pull you into Zowie’s emotional orbit. The dialogue is dynamic and thoughtful, at times mired in anguish, while others were playfully silly. I was lucky enough to watch Klutz three times, catching more and more cleverly repeated images each viewing. I adored this short on a personal level. As someone who has lost one of my people, I lived inside this narrative. Klutz is relatable and poetic. It’s a beautifully insightful little film.


Showings – select to order tickets:
  • Runtime:
    14 minutes
  • Language:
    English
  • Country:
    United States
  • Premiere:
    NEW YORK Premiere
  • Note:
    Death
  • Director:
    Michelle Bossy
  • Screenwriter:
    Elizabeth Narciso
  • Producer:
    Malka Wallick, Mara Kassin, Howard Wallick & Freda Rosenfeld, David Selden & Julie Wallick, Elizabeth Narciso, Scott & Susan Shay
  • Cast:
    Malka Wallick, Mara Kassin, Sanjit De Silva, Geneva Carr, Angel Desai, Wai Ching Ho, Florencia Lozano, Geoffrey Owens



Blood In the Snow (2021) Shorts reviews from Super Channel weekend.

Here are some of the short films showing on Super Channel this weekend at  BITS 2021…


Giant Bear (*shown alongside Don’t Say Its Name)
Gorgeous animation of the desolate and snowy tundra. One man comes face to face with a legend. The Inuit vocal track will consume you. This one left me with a lot of emotions.


The Death Doula
A man’s past interferes with his ability to usher a client into the afterlife. This nuanced story presents questions of morality and anguish. Beautiful and costumes sets help ease the viewer into a lulled sense of safety. It is incredibly unique.


Watershed
The world’s water supply is poison. A soul survivor stumbles across a young Mandarin girl who may have figured out how to create clean water. Danger lurks off of every overhanging eve. With powerful visuals, Watershed is an awesome treatment for a feature or series. I need to know what happens next.


Part of A Series of Web Bites:

Creepy Bits- Chapter 1- “Baby Face”
Is a young Mom seeing things on the baby monitor? This is still a fear for me. Are those dust particles or spirits gliding across my screen?! This one goes much further. It’s unsettling.


Narcoleap: S2
Thanks to a “previously on Narcoleap” recap, we get the concept of the show, immediately. And it’s cool. Director Kate Green, who also created the series, gives us drama, complexity, and a ton of great characters. As you keep watching, the show gives you a genuine Quantum Leap feel, but you also catch a Dollhouse vibe through its humor and sci-fi aspects. This is a full-on production. How has this not been picked up by Syfy or CW already? This is my formal push. It deserves a wider audience.


GHOST- A Primitive Evolution
Radio signals connect two post-apocalyptic survivors. This is both a short film and a music video. I have to say, this song rocks. Loved the bridge. I would watch this in longer form. There are solid concepts here and a very cool final shot.


Midnight Lunch Break
Becka is a mouthy shock jock radio host who gets an in-studio visit from a masked listener on Halloween. This one is laugh-out-loud hilarious. At 5 minutes, it’s such a tease, I wanted to see more!


The Revenge of the Snowflakes
A woman’s success is spoiled by online trolls. She takes her boyfriend along in a tongue-in-cheek revenge moment turned violet. This short was great but it was clear there is so much more to the story that we don’t get to see. I wanted a feature to back up the 5 minutes… Which is a great thing.


We All Dream (*being shown with Motherly at 9 pm this evening)
A young girl’s apparent sleepwalking poses a constant danger to her family. All is not what it seems. This is wildly fun and creepy. It produced a slow grin I couldn’t wipe off. Give me more of this story ASAP.


Disquietude (screening with Tin Can Sunday night at 11:30 pm.)
Grab your headphones or crank up the audio for this one featuring a musician. It’s vital to the plot. Trapped inside an anechoic chamber with only her music and thoughts, each infinitesimal sound becomes exacerbated to the nth degree. This would drive anyone mad. It’s perfectly panic-inducing.


You can check out the second half of BLOOD IN THE SNOW (2021) in person

November 18-23 at The Royale Theatre

Tickets are on sale now!


Brooklyn Horror Film Festival (2021) shorts program review: ‘HEAD TRIP’- 9 drastically different shorts #BHFF21

HEAD TRIP shorts program

Head Trip” is a series of 9 ingenious shorts featured at this week’s Brooklyn Horror Film Festival. They range from deeply dark to laugh-out-loud funny.


Lips, dir. Nicole Tegelaar (Netherlands, Belgium)

Talk about body horror. This short is laser-focused on a particular body part. A young woman awakens in a mysterious clinic. She’s been injured and requires surgery. This one kept me guessing as to who was the bigger danger: the staff or the other patients.


The Departure, dir. Nico van den Brink (Netherlands)

A melancholy, beautiful piece from the Netherlands. The principal characters create immediate rapport despite the short run time, and the cinematography was top-notch. A tragic and thoughtful journey into loss and longing that had me wishing for more.


A Tale Best Forgotten, dir. Tomas Stark (Sweden)

Adapted from a Helen Adam ballade, this is one killer tune.


Sudden Light, dir. Sophie Littman (UK)

My favorite short of the group is a dreamlike countryside odyssey into doubt and fear. Mia (Esme Creed-Miles) and Squeeze (Millie) are walking their dog home, and take a fateful shortcut through a field. I loved the way this short fully harnesses its countryside setting – mud, branches, and smoke all combine into an overwhelming rush. The caliber of talent involved makes you wish for a feature-length narrative.


Tropaion, dir. Kjersti Helen Rasmussen (Norway)

A testament to the power of the wilderness, this short contains barely any dialogue. Stark images are the sole driver of the narrative. The child performers, in particular, are excellent.


The Faraway Man, dir. Megan Gilbert, Jill Hogan (USA)

A powerful narrative on the way evil can manifest itself. A young woman is haunted by the figure of a man, dressed in black, watching from distance. A great example of how blurred the line can be between horror and tragedy. Another short that could easily be stretched to a feature.


Man or Tree, dir. Varun Raman, Tom Hancock (UK)

A breath of fresh air. Imagine you partied too hard and woke up transformed into a tree. I guess you could say this is the rare short that focuses on the trees instead of the whole forest.


Playing With Spiders, dir. Rylan Rafferty (USA)

A disturbing glance behind the curtain of a small cult that worships, you guessed it, spiders. The night before a fateful ritual, Lydia (Kelly Curran) begins to ask some big questions of her peers and leaders. Is she a skeptic, or the only true believer? Even though this had a comedic tone at times, it got the biggest jump scare of the night.


A Puff Before Dying, dir. Mike Pinkney, Michael Reich (USA)

An absolute gut-buster of a short. Like “Team America: World Police” on acid. When 3 teen girls (who are also marionettes) hit the road for a night out, the devil’s lettuce quickly rears its tempestuous head. Will they have the willpower to resist, or will the night end in tragedy?


Today is the final day of BHFF 2021. You can still get tickets to the CLOSING NIGHT film

THE SADNESS

by clicking this LINK.

Fair warning, it is not for the faint of heart.


Dances With Films LA 2021 review: Brooke Trantor’s short film ‘Oh, Baby!’ really nails impending motherhood.

OH, BABY!

Oh Baby! a comedic narrative short done by Brooke Trantor and Kate Morgan Chadwick, and T.J. Linnard (Good Trouble) that follows Jane: a thirty-something pregnant woman having a baby on her own. Empowered, single, and horny AF she is determined to get what she wants tonight: sex, chalupas, and no strings attached. Enter Ben, a promising find from the world of online dating – will he be able to deliver the goods…and then some?


This hilariously honest short film about love, sex, and impending motherhood is ripe for development. Having been pregnant twice, I understand how uncomfortable it can be. The cravings, both food and otherwise, can dictate every aspect of your day. What little control you have over your own time is about to run out permanently. Director Brooke Trantor co-writes the script with lead actress Kate Morgan Chadwick. Trantor understands how important the camera becomes as the intimate moments begin. Jack Lawrence Mayer‘s editing is just as important here. Trantor and Chadwick easily capture the humor and anxiety that come along with dating, in general. Heightening that concept with impending childbirth gives Oh, Baby! a modern twist. Kate Morgan Chadwick and T.J. Linnard have impeccable chemistry. I was completely enamored by them as the credits rolled. Charming and relatable, they are the perfect pair. I would love to see this story expanded into a feature. Dances With Films LA 2021 audiences will undoubtedly adore it, as well.



Dances With Films LA 2021 audiences can see Oh, Baby! September 4, 2021, at 1:30 PM

2021 Dances with Film review: Love, religion, and identity collide in ‘OVER MY DEAD BODY’.

OVER MY DEAD BODY

 
Synopsis:

Isfahan, a Persian-Jewish woman in Los Angeles, is considered, at thirty-one, to be well past marrying age. So her conservative parents are relieved when she announces her engagement to her younger boyfriend, Kambiz. Until they learn he is Muslim. Her father immediately vetoes the marriage, her mother calls the siblings over, and Kambiz gets kicked out of the house. The situation escalates into an all-out confrontation between Isfahan and her family. As she defends her love, the family defends their traditions, demanding that she honor their religion and old-world values. This intergenerational struggle forces Isfahan to make a decision that will define the rest of her life.


At an impasse of religion and love, the title of this thought-provoking short film suggests that it’s a horror film. While not touted as such, what unfolds in 25 minutes between family members is absolutely horrific. To fully appreciate the nuance in Over My Dead Body takes an open mind. Often, we place ourselves in the shoes of the characters on screen. Here, depending on your religious beliefs (or lack thereof), the complexities are unsurpassed. Having religion forced upon me as a child backfired at the age of about 14. In a world filled with volatility caused by media corporations, conflicting gods, and traditions, Over My Dead Body hits harder in modern times. Our families are supposed to love us unconditionally. What happens when that isn’t true? The cinematography is smart and takes advantage of the lush sets and costumes. Performances from this true ensemble cast are magnetic. You know this family. It resembles your own in more ways than you might realize at first watch. With an ending that will leave you breathless, the impact of this short should echo loudly.


Meital Cohen Navarro’s OVER MY DEAD BODY, a devastating short film
about a family at war over love versus religious tradition
screens in competition at 2021 Dances with Films

Screening Information:
WHERE:                       TCL Chinese 6 Theatres (6801 Hollywood Blvd.)
WHEN:                         Saturday, August 28 at 1:30 PM


 

SXSW 2021 reviews: ‘Nuevo Rico’ & ‘The Thing That Ate The Birds’

Nuevo Rico

A brother and sister stumble upon a celestial secret that propels them into Reggaetón stardom, but at what price?

This mixed media animation is a literal bright spot in the shorts program. It’s a little Adult Swim, a dash of video game, part music video, all drenched in neon-colored deliciousness. Twins Barbie and Vico find out about the trappings of fame and dismissing their culture the hard way. In 16 minutes it manages to touch on socio-economics, politics, and identity, just to name a few relevant issues. Writer-director Kristian Mercado uses voice-over, songs, and dialogue to communicate this unique short.  Angélica Agélviz‘s character designs are striking. I could easily watch an expanded series about these characters. There’s enough content to warrant more in-depth episodes. Plus, you won’t be able to get enough of the distinctive look of Nuevo Rico. It’s just plain cool.”


The Thing That Ate The Birds

Set on the North Yorkshire Moors, the film follows Abel, the Head Gamekeeper as he discovers the thing that is eating his grouse. His blunt and violent response brings the menace back home shattering his already crumbling relationship with his wife.

The short has its SXSW premiere from Gunpowder & Sky’s horror brand, ALTER – The Thing That Ate The Birds by writer and director duo Sophie Mair (Ella, And the Baby Screamed) and Dan Gitsham (Ella, And the Baby Screamed). If this is meant to be a treatment for a feature, I want to see that feature. The score is classic Hitchcock strings. The cinematography is gorgeous and that last shot is pure Ari Aster, unapologetic horror. It’s one hell of an introduction to those who are unfamiliar with Mair and Gitsham. Someone, please give them a huge budget and the freedom to scare the crap out of us in a longer form.

ABOUT ALTER

ALTER is a horror brand for novel and grounded stories exploring the human condition through warped perspectives.

Giving voice to emerging, diverse, and established filmmakers, ALTER’s owned and operated channel is distributed across YouTube and Facebook, with more than 15M monthly uniques,  where three short films or series are released each week. In addition to curating and distributing award-winning content, ALTER develops unique stories with some of the most innovative minds in the genre through its ALTER Studio projects – which are not bound to a particular platform or format.

In October, ALTER, along with Executive Producer Sam Raimi (Evil DeadSpider-Man), premiered Part 2 of the horror series “50 States of Fright”, starring Rachel Brosnahan (“The Marvelous Mrs. Maisel”), Travis Fimmel (“Vikings”, Warcraft: The Beginning) and Christina Ricci (“Monster,” “Z: The Beginning of Everything”). In 2019, the BAFTA-nominated horror short, The Blue Door starring (Gemma Whelan – Game of ThronesThe End of the F***ing World) premiered on ALTER, and earlier this year it was also announced that “Moreau”, a sci-fi TV series that puts a modern spin on the classic novel, “The Island of Dr. Moreau” by H.G. Wells has gone into development and will be written by Zack Stentz (X-Men: First Class, Thor, Rim Of The World). In addition, the psychological thriller “Horror Accidental”, based on the Japanese TV drama series, ‘Horror Accidental 1&2’, will be brought to life by writer and director Evan Daugherty (‘Divergent,’ ‘Tomb Raider’).

Additional releases include the brand’s first unscripted podcast series, “ALTER Weekly”, which gives its audience a deep dive into the past, present, and future of the horror genre; short film La Noria, directed by Carlos Beana, that won best-animated film at The Webby Awards; CAM, winner of Best Screenplay at 2018’s Fantasia Festival and was acquired by Netflix; the official 2018 Sundance Film Festival selection, Summer of 84, the thriller directed by RKSS (Turbo Kid); and the  SXSW selection, Villains, starring Bill Skarsgard (It) and Maika Monroe (It Follows).

ABOUT GUNPOWDER & SKY

Gunpowder & Sky is an independent studio that creates and distributes feature films, series, short-form content, podcasts, and channels, bridging digital and traditional entertainment.

Since its inception in 2016, Gunpowder & Sky has released more than 30 feature films and series, more than 750 short films in theatres, on TVOD, and leading platforms such as HBO, Netflix, MTV, Hulu, Sky, Showtime, Spotify, Amazon, YouTube, Quibi, Audible and Discovery.

Notable films and series include 69: The Saga Of Danny Hernandez, Her Smell, Everybody’s Everything, Prospect, Sea Fever, The Little Hours, Cam, Hearts Beat Loud, Lords of Chaos, Tragedy Girls, Betting on Zero, Summer of 84, Villains, Survive, 50 States of Fright and Drawn & Recorded.

With a collective audience of more than 65M monthly unique viewers, Gunpowder & Sky also owns and operates content brands that include DUST, the number one free sci-fi channel; ALTER, a leading horror brand, and CUT, an unscripted & comedy brand that is home to the successful formats “Truth or Drink” and “Fear Pong”. DUST, ALTER, and CUT are distributed on all major streaming platforms including Apple, Amazon, Comcast, Facebook, Peacock, Roku, Samsung, Sinclair, Sling, Vizio, Xumo, and YouTube.

Gunpowder & Sky also recently launched its premium audio studio, and in less than one year has established a leading position in music and sci-fi, claiming #1 fiction podcast on Apple and the #1 podcast on Audible.

With offices in Los Angeles and New York, Gunpowder & Sky was founded by Van Toffler and Floris Bauer, in partnership with The Chernin Group and AT&T.

SXSW 2021 reviews: ‘Stuffed’, ‘Don’t Peek’, ‘The Moogai’ are all chilling and unique shorts.

STUFFED

A musical film about a taxidermist who dreams of stuffing a human and a man she meets online so afraid of ageing he volunteers to be her specimen. An unexpected romantic spark between them complicates their plans.

Honestly, you had me at the categories “Musical, Horror”. This is the perfect short for genre fans who are clamoring to get back into theatres of all kinds. The score is wonderfully quirky. It will strike a chord with Sondheim fans. It’s is very Sweeney Todd inspired in sound and darkness. Written by Joss Holden-Rea and Theo Rhys, directed by Rhys, and music and lyrics by Holden-Rea, these two make one hell of a creative team. (I’m begging for a feature-length version of this story) Actors Anthony Young and Alison Fitzjohn have gorgeous voices. Their ability to connect with one another and the audience is a thing of beauty. The cinematography is carefully curated. The practical FX are outstanding. STUFFED is a unique experience you do not want to miss out on. This is the magic that audiences of SXSW salivate over.


DON’T PEAK

A young woman discovers a frightening video game character intent on crossing into the real world.

It’s rare that I jump and feel the need to cover my eyes these days while watching horror. I’ve consumed so much I can usually predict what’s eventually going to happen. In this hair-raising short, a game of Animal Crossing becomes a nightmare when an invited entity crosses from gameplay to real life. I found my heart in my throat. To be that successful in terrifying me in under 7 minutes, I say, “Bravo, writer-director Julian Terry. You got me.”


THE MOOGAI

An Aboriginal psychological horror, THE MOOGAI is the story of a family terrorized by a child-stealing spirit.

Whether a literal interpretation of an actual demon or not, so many theories swirled in my mind as I sweat through my t-shirt watching this short film. This feels like an intense form of gaslighting. Or maybe it’s a product of sleep deprivation. Perhaps it’s Postpartum? The terror is seen and unseen and in this short, the performances take you to the darkest parts of your mind. As a parent, it’s beyond unsettling.

 

SXSW21: What we’re excited to dive into at this year’s virtual fest.

SXSW21 is virtual, allowing it to reach a wider audience. Screenings begin Tuesday and we’re already salivating at the lineup. Here are just a few films we’re excited to watch.


NARRATIVE:

RECOVERY

Directors: Mallory Everton, Stephen Meek, Screenwriters: Whitney Call, Mallory Everton, Producers: Scott Christopherson, Stephen Meek, Abi Nielson Hunsaker
Two directionless sisters brave a cross-country road trip to rescue their grandmother from a COVID outbreak at her nursing home. Cast List: Whitney Call, Mallory Everton, Anne Sward Hansen, Julia Jolley, Baylee Thornock, Jessica Drolet, Stephen Meek, Tyler Andrew Jones, Noah Kershisnik, Justin Call (World Premiere)

It’s officially been a year since we locked ourselves in our homes. If anyone can make pandemic humor relatable, it’s Whitney Call and Mallory Everton with their improv and sketch comedy background. Also, the fact that they’ve known each other forever, I’m guessing that will only help make this the most believable chemistry between co-stars. 

WITCH HUNT

Director/Screenwriter: Elle Callahan, Producers: Eric B. Fleischman, Maurice Fadida
In a modern America where witches are real and witchcraft is illegal, a sheltered teenager must face her own demons and prejudices as she helps two young witches avoid law enforcement and cross the southern border to asylum in Mexico. Cast List: Gideon Adlon, Elizabeth Mitchell, Abigail Cowen, Nicholas and Cameron Crovetti, Christian Camargo (World Premiere)

I know women who practice witchcraft. To think their wellbeing could ever be put in jeopardy is a terrifying thought. Originally slated to screen at SXSW2020, it’s time to share this film with the masses. The synopsis alone gets the gears turning on possible political parallels from the past few years.

PAUL DOOD’s DEADLY LUNCH BREAK

Director: Nick Gillespie, Screenwriters: Brook Driver, Matt White, Nick Gillespie, Producer: Finn Bruce
When Paul’s chances of winning a national talent contest are ruined and his dreams of fame are slashed, he plans a deathly revenge rampage!! 1 lunch break, 5 spectacular murders! Each wrongdoer dispatched in a fitting manner by the sparkly suited Paul! Cast List: Tom Meeten, Katherine Parkinson, Kris Marshall, Alice Lowe, Mandeep Dhillon, Johnny Vegas, Steve Oram, Craig Parkinson, Kevin Bishop, Pippa Haywood (World Premiere)

Here is another cast list that grabbed my attention right away. Plus sequins and murder aren’t usually synonymous. British humor gets me every single time.

JAKOB’S WIFE

Director: Travis Stevens, Screenwriters: Travis Stevens, Kathy Charles, Mark Steensland, Producers: Barbara Crampton, Bob Portal, Travis Stevens, Inderpal Singh
The disappearance of a young woman threatens to change the beige and banal lives of Anne Fedder (Barbara Crampton) and her pastor husband Jakob Fedder (Larry Fessenden) forever. Cast List: Barbara Crampton, Larry Fessenden, Bonnie Aarons, Mark Kelly, Sarah Lind, Robert Rusler, Nyisha Bell, Phil Brooks (World Premiere)

Travis Stevens gave me one of the most gagworthy practical FX-filled films in 2019 with GIRL ON THE THIRD FLOOR. Starring genre queen (and Timelord in my own mind) Barbara Crampton and the legendary Larry Fessenden, the buzz around this newest work is electric. Crampton’s uncanny ability to own the screen with a glance will undoubtedly captivate audiences, yet again. Also, knowing that Stevens is a huge horror fan himself (his producer credits give him away as does his totally down-to-earth Twitter feed) gives me the warm and fuzzies knowing that he’ll take care of audiences in all the ways we need.


DOCUMENTARY:

LILY TOPPLES THE WORLD

Director: Jeremy Workman, Producers: Jeremy Workman, Robert J. Lyons
Lily Topples The World follows 20-year-old Lily Hevesh — the world’s most acclaimed domino toppler and the only woman in her field — in a coming-of-age story of artistry, passion, and unlikely triumph. Executive produced by Kelly Marie Tran. (World Premiere)

My kids (and I) have become obsessed with toppling videos on YouTube. Once you go down that rabbit hole, you’re not coming out. The sheer patience it must take to build these feats is something I cannot even fathom. Knowing that this entire doc centers on a young woman at the top of her game encourages me to watch with my kids. I have a feeling SXSW audiences may do the same.

THE LOST SONS

Director: Ursula Macfarlane, Producer: Gagan Rehill
1960s Chicago, a baby is kidnapped from a hospital. Fifteen months later, a toddler is abandoned. Could he be the same baby? In a tale of breathtaking twists and turns, two mysteries begin to unravel and dark family secrets are revealed. (World Premiere)

This is a story I was slightly familiar with from its 20/20 broadcast. Since we’re all true crime junkies now, The Lost Sons should garner a sold-out audience.


SHORT FILMS:

THE THING THAT ATE THE BIRDS

Directors/Screenwriters: Sophie Mair, Dan Gitsham
On the North Yorkshire Moors, Abel, Head Gamekeeper, discovers the thing that is eating his grouse. (North American Premiere)

Gunpowder & Sky’s horror brand, ALTER will be premiering the horror short film by writer and director duo Sophie Mair (Ella, And the Baby Screamed) and Dan Gitsham (Ella, And the Baby Screamed), The Thing That  Ate The Birds. They had me at the title. Since horror is my jam, and the name alone instills a sense of fear and anxiety, I have to know what “The Thing” is!

NUEVO RICO

Director: Kristian Mercado, Screenwriters: Kristian Mercado, Juan Arroyo
A brother and sister stumble upon a celestial secret that changes their lives forever and propels them into Reggaetón stardom, but they soon discover that their newfound fame comes at a deep price. (World Premiere)

Animation with edgy social commentary will catch my attention every time. Filmmaker Kristian Mercado Figueroa is known for this skill. With the voice talents of Orange Is The New Black alum Jackie Cruz, this one caught my eye from its press still alone.

STUFFED

Director: Theo Rhys, Screenwriters: Theo Rhys, Joss Holden-Rea
Stuffed is a short musical about a taxidermist who dreams of stuffing a human and the man she meets online, so afraid of aging he volunteers to be her specimen. An unexpected romantic spark between them complicates their plans. (North American Premiere)

You had me at the categories Horror and Musical. Since Sweeney Todd, Repo: The Genetic Opera, and Anna and the Apocalypse, I’ve been dying for more genre musical goodness. STUFFED may just fill that void even in short form.

MARVIN’S NEVER HAD COFFEE BEFORE

Director: Andrew Carter, Screenwriters: Andrew Carter, Kahlil Maskati
Marvin Wexler tries coffee for the first time and desperately tries to talk about it with anyone who will listen.

I grew up a tea drinker. I loathed just the idea of coffee until I was in my 30’s. Now I have 10 bags in different flavors and roasts and an obnoxious coffee maker in my apartment. I remember the joy of discovering this drink that fuels my days and some of my nights as a writer and a Mom.


You can find the full lineup of events and grab yourself tickets at

SXSW