‘The Matrix Resurrections’ Official Trailer 1 is here, and we have chills!

The Matrix Resurrections – Official Trailer 1

This epic journey began in 1999. It’s been 18 years since the last installment. After watching the trailer, we’ve got A LOT of questions. The plot is currently unknown.

The Matrix Resurrections will be released on December 22nd, 2021. This is going to be one hell of a holiday surprise.

Which pill will you choose?


From visionary filmmaker Lana Wachowski comes “The Matrix Resurrections,” the long-awaited fourth film in the groundbreaking franchise that redefined a genre. The new film reunites original stars Keanu Reeves and Carrie-Anne Moss in the iconic roles they made famous, Neo and Trinity.

The film also stars Yahya Abdul-Mateen II (the “Aquaman” franchise) Jessica Henwick (TV’s “Iron Fist,” “Star Wars: Episode VII – The Force Awakens”), Jonathan Groff (“Hamilton,” TV’s “Mindhunter”), Neil Patrick Harris (“Gone Girl”), Priyanka Chopra Jonas (TV’s “Quantico,”), Christina Ricci (TV’s “Escaping the Madhouse: The Nellie Bly Story,” “The Lizzie Borden Chronicles”), Telma Hopkins (TV’s “Dead to Me,”), Eréndira Ibarra (series “Sense8,” “Ingobernable”), Toby Onwumere (TV’s “Empire”), Max Riemelt (series “Sense8”), Brian J. Smith (series “Sense8,” “Treadstone”), and Jada Pinkett Smith (“Angel Has Fallen,” TV’s “Gotham”).

Lana Wachowski directed from a screenplay by Wachowski & David Mitchell & Aleksander Hemon, based on characters created by The Wachowskis. The film was produced by Grant Hill, James McTeigue and Lana Wachowski. The executive producers were Garrett Grant, Terry Needham, Michael Salven, Jesse Ehrman and Bruce Berman.

Wachowski’s creative team behind the scenes included “Sense8” collaborators: directors of photography Daniele Massaccesi and John Toll, production designers Hugh Bateup and Peter Walpole, editor Joseph Jett Sally, costume designer Lindsay Pugh, visual effects supervisor Dan Glass, and composers Johnny Klimek and Tom Tykwer.

Warner Bros. Pictures Presents, In Association with Village Roadshow Pictures, In Association with Venus Castina Productions, “The Matrix Resurrections.” The film will be distributed by worldwide by Warner Bros. Pictures. It will be in theaters nationwide and on HBO Max via the Ad-Free plan on December 22, 2021; it will be available on HBO Max for 31 days from theatrical release.


 

GRIMMFEST turns lucky 13 for this year’s hybrid addition. Here are some of the films we’re screaming about.

GRIMMFEST 2021

It’s no secret that the most buzz-worthy films come through only a handful of genre festivals. GRIMMFEST is on that shortlist. The festival turns a lucky 13 this year and it’s ready to rock audiences’ socks with a plethora of titles for every single viewer. After being completely virtual last year, a hybrid platform is back in action with a mix of in-person screenings from October 7th to 10th and online from October 14th to 17th. I can say that this year’s lineup is filled with everything from gore to absurdity, thrills to purest moments of wow. These are the films that will be on everyone’s lips. You can find out about tickets and schedules at https://grimmfest.com/

Do yourself a favor and mark your calendars now. There’s a lot to see.


THE BETA TEST

A Hollywood agent, engaged to be married in a few weeks, receives a mysterious letter inviting him for an anonymous sexual encounter and thus becomes ensnared in a sinister world of lying, infidelity, and digital data.

This genre-shattering film takes aim at Hollywood, toxic masculinity, horror, satire, all with co-writer-director Jim Cummings playing a sharp lead. His last film, The Wolf Of Snow Hollow, has a legit cult following now. Cummings has a distinct voice and I cannot wait to see if The Beta Test becomes another calling card on his resume.


THE RIGHTEOUS

A burdened man feels the wrath of a vengeful God after he and his wife are visited by a mysterious stranger…

There is something so striking about modern black & white cinematography. in The Righteous, writer-director Mark O’Brien also stars as the mysterious stranger in question. This horror film is filled with symbolism and will give any god-fearing viewer the vapers.


WHEN THE SCREAMING STARTS

When the Screaming Starts is a comedy-horror mockumentary about an inept, aspiring serial killer at the beginning of his “career” and a fledgling filmmaker willing to do anything to achieve his ambition.

A little bit of Vicious Fun meets Satanic Panic, I cannot wait to laugh and gag. Horror and comedy pair so well together and since everyone is a true-crime connoisseur who thinks they could commit the perfect murder, I am delighted to consume this one.


THE SPORE

The lives of ten strangers intersect through a terrifying chain of events as a mutating fungus begins to spread through a small town wiping out everyone that comes into contact with it.

Will this film be a little too close to home considering we’re still experiencing a global pandemic? I guess we’ll find out when we’re forced to look through the lens of writer-director D.M Cunningham.


HOTEL POSEIDON

Dave inherited the dingy and dilapidated Hotel Poseidon from his late father. He lives there and works as manager, and rarely seems to leave the place. The days and nights all bleed together. His existence is a hopeless one. When a young woman knocks at the hotel’s doors one night looking for a room, and his best friend shows up wanting to throw a party in the backroom, Dave’s world starts to spiral out of control, and his sense of reality starts to be shaken by recurring nightmares.

I have seen the title sequence for this film and it is hands down one of the coolest in all of cinematic history. I said what I said. If the rest of the film lives up to the initial visual, Hotel Poseidon will wow Grimmfest audiences.


ALONE WITH YOU

As a young woman painstakingly prepares a romantic homecoming for her girlfriend, their apartment begins to feel more like a tomb when voices, shadows, and hallucinations reveal a truth she has been unwilling to face.

Listen, you tell me Barbara Crampton is in a film and I’m watching it. Add on Emily Bennett who was fantastic in King Of Knives last year and I’m sold. Not only does she star, but she co-wrote and co-directed the film. Give me an all-female horror film every day of the year.



FULL VIRTUAL FESTIVAL LINE UP:

● FOR ROGER (Aaron Bartuska, USA)

● FATHER OF FLIES (Ben Charles-Edwards UK / USA)

● SLAPFACE (Jeremiah Kipp, USA)

● THE NIGHTS BELONG TO THE MONSTERS (Sebastian Perillo, Argentina)

● HAPPY TIMES (Michael Mayer, Israel / USA)

● NIGHT AT THE EAGLE INN (Erik Bloomquist, USA)

● VAL (Aaron Fradkin, USA, 77 min)

● THE SPORE (D.M. Cunningham, USA)

● THE PIZZAGATE MASSACRE (John Valley, USA)

● MOTHERLY (Craig David Wallace, Canada)

● SHOT IN THE DARK (Keene McRae, USA)

● NIGHT DRIVE (Brad Baruh, USA)

● MIDNIGHT (Oh-seung Kwon, South Korea)

● FACELESS (Marcel Sarmiento, USA)

● WE’RE ALL GOING TO THE WORLD’S FAIR (Jane Schoenbrun, USA)

● THE FREE FALL (Adam Stillwell, USA)

● ON THE THIRD DAY (Daniel de la Vega, Argentina)

● THE GUEST ROOM (Stefano Lodovichi, Italy)

● HOTEL POSEIDON (Stefan Lernous, Belgium)

● FORGIVENESS (Alex Kahuam, Mexico)

● TWO WITCHES (Pierre Tsigaridis, USA)

● KING KNIGHT (Richard Bates Jnr, USA)

● TARUMAMA / LLANTO MALDITO (Andres Beltran, Colombia)

● THE RIGHTEOUS (Mark O’Brien, Canada)


 

Passes and tickets can be purchased from www.grimmfest.com.

Fantasia International Film Festival 2021 review: ‘BEYOND THE INFINITE TWO MINUTES’ is a mind-blowing cinematic feat.

BEYOND THE INFINITE TWO MINUTES

Born out of an acting workshop and shot on an iPhone, BEYOND THE INFINITE TWO MINUTES is a high-concept time-loop movie that transcends expectations with its inventive concept. Kato (Kazunori Tosa) is at a bit of a dead-end in life. He lives above the cafe he owns and feels that his life isn’t moving forward when, one day, his computer screen starts to talk to him. The twist? It’s Kato from two minutes in the future; the sullen cafe owner has somehow stumbled on a very limited time loop. As he draws in his friends and coworkers, they all try to make sense of the weird phenomenon while also inventing creative ways to profit from their two-minute insight into the future.


If you had the inexplicable power to travel into the future two minutes, what would you do? There are innumerable answers to this query. Director Junta Yamaguchi takes that very concept and runs with it, quite literally at times. With an enchanting soundtrack and carefully crafted editing, the action starts immediately. When Kato realizes he can communicate with himself from two minutes in the future, chaos, and hilarity ensue. Unable to keep it to himself makes for a sticky situation. Once others know, things get even more complicated. With great power comes great responsibility.

Performances across the board are stellar. The commitment to the absurd is magic. The chemistry within this cast is outstanding. They are charming and energetic. It’s like watching a group of bright-eyed kids play. The camera work is a real marvel considering the impressively long takes. This film is all about timing, no pun intended. The cuts, if any, are tricky to spot. You’d think that reliving scenes would get old, but they manage to feel fresh each play based on location. Makoto Ueda’s script is that phenomenal. The camera also allows the viewer to feel like they’re part of the action. BEYOND THE INFINITE TWO MINUTES will be a huge hit with Fantasia audiences of all ages. It’s a nonstop, joyous experience.


 


Fantasia International Film Festival 2021 review: ‘GLASSHOUSE’ is a twisted and beautifully macabre fairy tale.

GLASSHOUSE

Confined to their glasshouse, a family survives The Shred, a toxin that erases memory. Until the sisters are seduced by a Stranger who shatters their peace and stirs a past best left buried.


Entrancing and morbid, an airborne Victorian-era plague slowly diminishes the memory and faculties of all who dare to breathe it in. A woman, her three daughters, and an afflicted son survive inside the pristine remains of a botanical conservatory, giving us the title, Glasshouse. They protect themselves from outsiders, and the air itself, by adhering to rituals of daily life and recording their oral history to never forget. This film touches on natural selection, loyalty, family, and so much more. It is much more sinister than at first glance.

The set is enthralling. Painted windows, lace curtains, antique furniture, and gardens as far as the eye can see within the boundaries they protect. But this carefully curated surrounding is also a prison for this family. The moment this existence is challenged, their sacred way of life begins to crumble. Performances, across the board, are phenomenal. The script grows more intriguing by the minute. With learned skepticism and real fear of losing the ones they cherish, Glasshouse reveals itself like a meticulously structured novel. The twists are dark and plenty. The finale will shock you. Glasshouse is undoubtedly one of my favorite films at the Fantasia International Film Festival 2021.