Short film review: ‘And I Miss You Like A Little Kid’ hits you square in the chest.

And I Miss You Like A Little Kid

From microaggressions to unapologetic emotional manipulation, And I Miss You Like A Little Kid sees a new relationship between strangers Jason and Clarissa begin during the pandemic. It isn’t long before power becomes the focus, and masterminded carelessness drive one of them to their breaking point.

Watching Jason endure ceaseless emotional abuse is visceral. It’s an interesting angle from the typical toxic grooming gender dynamic. Filmed in lockdown adds another layer, the relationship compiling with the isolation that was already a monster when Jason was alone. And I Miss You Like A Little Kid takes you by surprise, over and over.

Teri Reeves plays Clarissa with an edgy, ferocious energy. I loathed her. It is essential to understand this is a compliment. She is great.

Chris Zylka‘s vulnerability is award-worthy. The performance reminds me a lot of Cooper Raiff in Sh*thouse. It is not often we see the softer side of men. Zylka brings freshness. His sadness and overwhelming confusion are palpable.

As someone who had three separate college roommates that were cutters, And I Miss You Like A Little Kid is especially challenging to witness. I had forgotten the impact of catching someone bleeding with a knife in one hand, bleeding from the wrist or forearm, or inner thigh. But, in this film, Jason’s ability to recognize his breaking point is the catharsis necessary before the audience loses all hope. And I Miss You Like A Little Kid hits hard and leaves scars. It will take me a long time to shake. Writer-director Benjamin Hosking strikes a raw nerve and presents us with a clear artistic voice. Whatever comes next, I’ll have my eyes and ears waiting.


And I Miss You Like a Little Kid (TRAILER) from Benjamin Hosking on Vimeo.


Audiences can see the film today at  AFI Film Festival Conservatory Showcase 6. It will screen in a block with other short films beginning at 3:45 PM at TCL Chinese Theater. 
The entire film festival will run Wednesday, November 2-6th, 2022.

AND I MISS YOU LIKE A LITTLE KID is a short psychological drama displaying the spiraling and abusive domestic relationship of Jason (Chris Zylka, The Amazing Spider Man (2012), 90210, Hannah Montana and Cougar Town) and Clarissa (Teri Reeves, The Punisher on Netflix, ABC’s Once upon a Time, Hulu’s Battleground and NBC’s Chicago Fire) in Covid-era Los Angeles.


Film’s website: https://www.andimissyoulikealittlekid.com

Instagram: @andimissyoulikealiitlekid

Facebook Page: And I Miss You Like a Little Kid


 

Short film review: ‘Shepherd’s Song’ – Quietly healing nature with nurture.

Shepherd’s Song

When Jenya Schneider lost both her parents by age 18, she was pushed to find meaning and hope in her life. That came in the form of a flock of sheep.

Abigail Fuller’s short film Shepherd’s Song contemplates Earth’s interconnectedness through the eyes of California grazier Jenya Schneider. Climate change threats in the west frequently come in the form of severe droughts and wildfires. Jenya and her partner Jack have chosen a cyclically beneficial lifestyle for the Earth, their clients, and themselves. Four hundred ewes, recycled fencing, and unrelenting passion comprise their venture. Grazing becomes a service to the land, and the sheep produce wool and lanolin. The science behind grazing done right shows the value to the ecosystems it serves. It’s healing the land.

A beautiful score by Serena Goransson moves from subtle to soaring as the film progresses. It feels perfect. Carmen Delaney’s mix of handheld and drone cinematography gives the audience an idea of the landscape scale against Jenya and Jack’s figures through the mountainous grasslands. It is stunning. SHEPHERD’S SONG is part climate film, part nature film, and all heart. We can all learn a whole lot from Jenya and Jack. They are showing the world how to repair the damage we’ve done, one area of grassland at a time.


SHEPHERD’S SONG is now available to view on The North Face’s Youtube channel 
Genre: Eco, nature climate Documentary

The North Face is partnering to release the film on their YouTube channel on October 13th. The film’s director Abigail Fuller was the recipient of The North Face’s “Move Mountains Filmmaker Grant” for women filmmakers.


 

Beginning this Friday, both in-person in NYC and virtually, The 15th Annual Imagine Science Film Festival is ready to blow your mind.

15th Annual Imagine Science Film Festival
(October 14-21)


Alejandro Loayza Grisi’s Utama opens the festival
with a gala screening at the Museum of the Moving Image


Spotlight screenings include Godard’s classic
Alphaville, Ali Cherri’s The Dam (Le Barrage),
Jacqueline Mills’ Geographies of Solitude,
and Signe Baumane’s My Love Affair with Marriage



This year’s festival is overflowing with cool. Here are a few of the films we’ve previously covered. 

My Love Affair With Marriage

Fire of Love

Maika: The Girl from Another Galaxy 

Of Medicine and Miracles

For more information on this year’s edition, continue below!

 

New York City’s Imagine Science Film Festival
announced the lineup of films and events for the hybrid presentation of its 15 th edition, taking
place October 14-21. Screenings will kick off with the Opening Night presentation of Alejandro
Loayza Grisi’s Utama, and Spotlight Features including a special presentation of Jean-Luc
Godard’s classic Alphaville: The Strange Adventure of Lemmy Caution, Ali Cherri’s The
Dam (Le Barrage), Jacquelyn Mills’ Geographies of Solitude, and Signe Baumane’s My Love
Affair with Marriage. Read More →

Tallgrass Film Fest 2022 short film review: ‘In the Mountains’ is a wacky, animated nightmare.

IN THE MOUNTAINS

2D charcoal and pen animation and an ominous score (in fact, my six-year-old son heard it in the background and exclaimed, “That’s so scary!”) IN THE MOUNTAINS quickly lays a foundation of terror. After our couple goes for a hike and discovers footprints, among other items, at the peak, they realize they are not alone in the wilderness. What they come across in a cave changes the trajectory from uncomfortable to full-on punk horror. That’s the only way I can describe it. IN THE MOUNTAINS compresses a feature to its essential elements in the darkest way possible. Writer-director Wally Chung also lends his voice to the project. You’ll be thinking about this short long after its five-minute runtime. 


  • Year:
    2022
  • Runtime:
    5 minutes
  • Language:
    English
  • Country:
    USA
  • Rating:
    Mature
  • Director:
    Wally Chung
  • Producer:
    Wally Chung


Tallgrass Film Festival 2022 short review: Fingers crossed, ‘Slasher Squad’ is just the beginning.

SLASHER SQUAD

Short film Slasher Squad features picture-perfect animation akin to hyper-realistic mocap games like Uncharted and The Last of Us. Some of the details look so real I did a double take more than once. The story revolves around our female protagonist hearing the news about a serial killer on the loose. After checking the locks and hopping in the shower, we see she’s not alone. 

The ending of the film is a double twist. The first had me yelling at the screen. The second was so shocking I audibly exclaimed, “Okay, that’s AWESOME.” Writer-director-producers Nathan Stone and Stuart Campbell manage to world build in under 4 minutes! Adelaide Kane, whom I adored in Reign, plays our lead, Amber. Sean Tinnion‘s original score is unmissable. Slasher Squad is a perfect treatment, ripe for whatever forms they want to expand it in, be it a game, series, or feature. I would watch the hell out of this team’s creative endeavors. 


  • Year:
    2022
  • Runtime:
    5 minutes
  • Language:
    English
  • Country:
    Australia
  • Premiere:
    Kansas
  • Rating:
    13+
  • Director:
    Nathan Stone & Stuart Campbell
  • Producer:
    Nathan Stone & Stuart Campbell