‘VULCANIZADORA’ (Tribeca 2024) Another magnificent WTF from an iconic indie duo.

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VULCANIZADORA

DWECK PRODUCTIONS & FACTORY 25 PRESENT A SOB NOISSE FILM

VULCANIZADORAUS Narrative Competition

Two friends spend time contemplating life on a camping trip in the woods. Their plans severely backfire. 

There are iconic filmmaker/actor duos out there. Scorsese and DiCaprio. Tim Burton and Johnny Depp. Emma Stone and Yorgos Lanthimos. If you don’t know about the absolute IDGAF weirdness of Joel Potrykus and Joshua Burge, welcome to genre heaven. Tribeca 2024 audiences have the privilege of absorbing their latest collaboration in VULCANIZADORA

Potrykus is Derrick, the overly enthusiast best friend of Burge’s hyper-aggressive Marty. Watching them play is like witnessing a couple of middle schoolers fuck around without supervision. The trust between these two that the shenanigans that Joel creates will translate is mindboggling. Their chemistry makes you ponder the fine line between written dialogue and close friends screwing with each other. (Read our reviews of BUZZARD and RELAXER.)

Derrick never shuts up, while Marty seemingly begrudges the spirit of the trip altogether. The script morphs from buddy comedy to thriller. Not until 48 minutes into the film do the true intentions of the plot reveal themselves. Their secret pact is desperately dark, taking Marty on a downward spiral. 

Potrykus’ screenplays are unpredictable, and Vulcanizadora is no exception. He utilizes eclectic music and long takes to reel you into his world. He and Burge deliver magnificent performances. The moral grey area in the film is spectacular, leading to equal parts smirk and cringe. The sneaky impact of a discussion about heaven and hell comes full circle with a stunning visual akin to purgatory. It is undeniably brilliant. Tribeca audiences are damn lucky to experience it first.

Cast: Joel Potrykus, Joshua Burge, Bill Vincent, Solo Potrykus
Writer/Director: Joel Potrykus
Associate Producer: Daniel Berger
Producer: Ashley Potrykus, Hannah Dweck, Theodore Schaefer, Matt Grady
Co-Producer: Kevin Clancy
Director of Photography: Adam J. Minnick
Production Design: Michael Saunders
Sound: Sasa Slogar

Remaining Screenings of VULCANIZADORA:

 
For more Tribeca 2024 coverage, click here!

Huge Genre News: NIGHTSTREAM is back in new form!

Digital Genre Film Fest NIGHTSTREAM Relaunched Yesterday as Year Round Curated TVOD Platform, Ft. Exclusive Title SUMMONERS, Films from Distros Including Oscilloscope, Utopia, Dark Sky & More


Christine Nyland and Larry Fessenden from Nightstream Exclusive SUMMONERS


(Brooklyn, NY | October 31, 2023) The Brooklyn Horror Film Festival, in association with the Boston Underground Film Festival and the Overlook Film Festival, announces today the re-launch of Nightstream. The former virtual film festival will re-launch as a transactional VOD platform that will showcase acclaimed genre films. Nightstream enables at-home audiences to have a one-stop-shop for their favorite (and new discovery) genre indies in lieu of scrolling through offerings buried in other more overarching platforms. Viewers can expect the lineup to continue to grow over time but always remain curated by the festival programmers.

Nightstream was initially launched in 2020 when film festivals were shuttered at the height of the pandemic. These major horror festivals joined forces to satiate their audiences’ appetites for new, exciting titles even while they were stuck at home. Despite the fact that the world is back in action, Nightstream will give genre fans the curated festival experience 24/7.

Terence Krey and Christine Nyland, the filmmaking team behind 2020’s indie gem An Unquiet Grave, unveil Summoners as the very first Nightstream Exclusive. The film made its world premiere at Brooklyn Horror Festival last year and debuts exclusively on the platform as a launch title. Co-starring indie icon Larry Fessenden, the film focuses on a former witch who is plunged back into a world of witchcraft far more dangerous than ever before after her childhood friend seeks her help in performing a dark spell.

Spearheading the relaunch is Justin Timms, Director of Brooklyn Horror Film Festival. “Finding a way to support new indie films along with keeping our collective festivals afloat during the pandemic was our priority and I’m thrilled that we can continue that for the long term,” says Timms. “Not only will we be sharing revenue with the films on the channel but a portion of the proceeds will also be split among the other founding festivals. We hope audiences around the country will see the value in supporting this effort and choose Nightstream when renting one of these standout titles.”

As of today’s Halloween launch day, the platform will feature over thirty titles, including those from indie distributors Oscilloscope, Dark Star, Dark Sky, Dekanalog, Utopia, Yellow Veil Pictures, and others. Titles include Jane Schoenbrun’s We’re All Going to World’s Fair (Utopia), Gaspar Noe’s Lux Aeterna (Yellow Veil), Joel PotrykusBuzzard (Oscilloscope), and much more. The full listing of film offerings is available at nightstream.org.

Prices will vary per title, and users will have the option to rent or buy most titles with a default pricing of $4.99 to rent and $12.99 to buy.

Full information is available at:
https://nightstream.org/

About Nightstream
In response to the many challenges impacting the film community amid the Covid-19 pandemic and ongoing concerns of safety and security associated with physical exhibition and festivals in 2020 and 2021, the collaborative online event NIGHTSTREAM was launched by organizers of a number of American genre festivals across the country to present a dynamic and accessible virtual film festival.

NIGHTSTREAM will live on, continuing as a curated hub for genre films where audiences across the US will be able to rent, buy and discover the latest indie films.

About Brooklyn Horror Film Festival
Bringing the best of domestic and international genre cinema to New York City since 2016, the Brooklyn Horror Film Festival is a premier East Coast genre festival that embodies the eclectic spirit of its namesake.

Brooklyn Horror not only provides the nightmare fuel that audiences expect but also prides itself on challenging those expectations, spotlighting films that push the boundaries of what is normally deemed horror.

Taking place in venues throughout the borough every October, BHFF compliments its ambitious features and shorts programming with exciting and unique live events, crafting a must-attend festival experience for industry members and film fans alike.


 

Fantasia International Film Festival Review: ‘Relaxer’ pulls you in with its beautifully weird premise.

Y2K is right around the corner, and Cam just gave his younger brother Abbie ( Joshua Burge) the dopest, most ultimate challenge, um, ever: to beat Billy Mitchell’s infamous Pac-Man high score (by going beyond level 256’s glitch, of course) without ever getting off the couch.

Emotionally abused Abbie has accepted this challenge to finally prove a point to his older brother. He is not a quitter. With the very real threat of Y2K looming on the horizon, Abbie is hell-bent on defeating his brother’s perception of him and earning a massive cash prize all at once. But literally not getting up has consequences for our leading man. Eventually, food and drink run out. The lengths to which he will go to survive on this couch are beyond ludicrous, some downright disgusting. But this is about principal dammit. Joshua Burge, once again, proves to be a master at tackling the oddball guy with an ease that is frightening. A longtime collaborator with writer/director/editor Joel Potrykus, the two have brought some of the boldest characters and stories to life over the past 6 years. Buzzard is still one of my top recommended films of all time. Potrykus pulls inspiration from his real-life experiences. Relaxer is set at a very specific moment in time and anyone who is of a certain age will feel bombarded (in a great way) with 90’s nostalgia. Fantasia International Film Festival is the perfect platform for this film to shine. The film has a genius undertone of supernatural and the final sequence is so satisfying, I cheered out loud.

Relaxer Director Joel Potrykus

The Fantasia International Film Festival runs from July 12th- August 2nd. You can find out more about the full lineup and tickets at Fantasia.com 

What the hell is ‘BUZZARD’?! It’s only the best thing ever – Liz chats with Writer/Director Joel Potrykus

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I promised Joel I wouldn’t title this “The Buzz on Buzzard”, and I didn’t. I kept that promise (though, I guess I just wrote it… but I digress) Anyone that would degrade this film in using that title, just plain sucks at life. I know, my eloquence astounds you, but in all seriousness, BUZZARD is one of the weirdest, coolest, totally magical, and yet indescribable movies of the year. Yup. I said it, and I’m not even sorry. We’ve all had endless conversations, at this point, about our Top 10 Movies of 2014. And if you haven’t seen our posts yet, shame on your face. But, what most of you didn’t know is that I had a secret addendum to mine. BUZZARD was my special “I have to tell people about this movie” selection.

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So let me just launch into the premise. Marty works a crap temp job. Scamming the system is his game, and he’s pretty good at it. Until one truly face palm moment throws his existence into a series of even more terrible life choices and a downward spiral of paranoia. How long can Marty survive? It’s anyone’s guess. This film is an inspiration for everyone who has worked a mundane job just to live paycheck to paycheck. Marty is every man’s hero. He takes the “Damn The Man” attitude to the nth degree. He does all the things we think about doing, but he actually does them. Unapologetically and with much pride, Marty’s fearless audacity lies somewhere between genius and insanity. He is most definitely someone I would dub the “King of Mediocrity” or “Captain Bullshit”, both I mean in all due respect. He is kind of like a giant 14 year old in 1994, trapped in a 20-something year old’s body. Let’s be real, if you or I could get away with the shit this guy pulls, we would do it in a heartbeat.

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Joshua Burge plays Marty in such a effortless manner it’s frightening. One might almost think that this film were a documentary. This says a lot about both Josh’s acting ability and how sensational Joel’s script is. Fun fact I learned in watching the credits, Joel plays Derek, Marty’s best friend in the film. He is also downright hilarious in his honesty. He likes what he likes even if a tad socially inept. Playing by the rules is his safety net. He is the perfect foil for Marty, whose disdain for authority is incontrovertible.  BUZZARD is undeniably accessible. Everyone I’ve spoken with since I first saw this film at the New Directors/New Film Fest in 2014 love it. All ages, all backgrounds, not a single person has anything negative to say about this film. Clearly, I am on that ship. I cannot express how much fun this film is, so you know what that means, right? You now have to go see it and/or rent it on demand, and then you can come back and tell me how right I was. Good Talk.

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Speaking of good talks… I got to have a sweet one with Joel Potrykus about this awesomeness. Take a listen because we both know you’ll be better for it. *PS- a small office dog makes an appearance, you’ll hear the jingle of this little dude at moments. Try not to get confused. OK, now go! *

BUZZARD – TRAILER from Oscilloscope Laboratories on Vimeo.

Marty is a caustic, small-time con artist drifting from one scam to the next.  When his latest ruse goes awry, mounting paranoia forces him from his lousy small town temp job to the desolate streets of Detroit with nothing more than a pocket full of bogus checks, a dangerously altered Nintendo® Power Glove, and a bad temper.  Albert Camus meets Freddy Krueger in BUZZARD, a hellish and hilarious riff on the struggles of the American working class.

Oscilloscope Laboratories will release Joel PotrykusBUZZARD in U.S. theaters and digitally on March 6, 2015. Written and directed by Potrykus, the film stars Joshua Burge and was produced by Michael Saunders and Ashley Young. Associate Producers are Kevin Clancy and Tim Saunders.