Sundance 2024 review: Cheeky documentary ‘REALM OF SATAN’ gives the middle finger to haters.

Sundance 2024 logo

REALM OF SATAN

Realm Of SatanFilmmaker Scott Cummings brings Sundance 2024 audiences into the everyday lives of Satanists. The Church of Satan boasts innumerable followers around the world. REALM OF SATAN introduces us to members from all backgrounds in this part experimental, part cinema verité documentary that both challenges and pokes fun at any preconceived notions we may have had in the past.

As a forced Catholic from birth to age sixteen, my parents exposed me to some of the wackiest ideological notions simply because their parents had done the same to them. Anyone who knows me well has heard the story of my 8th-grade religion class epiphany. My teacher, in trying to explain that sin has levels of severity, touched upon homosexuality. I could not believe what I was hearing. I could not possibly be correct. In a class of 18 students, I stood upon my chair and asked, “So you’re telling me that if I told my mother that I was gay, it would be the equivalent of me telling her I had murdered someone?! That’s it. I’m out.” A quote from the Satanist text says all you need to know; “I favor the just and curse the rotten.” With a focus on individualism, it all sounds good to me.

REALM OF SATAN features strategically placed, in-your-face scenes but also mundane ones. It does not give a shit what you think. The tongue-in-cheek approach to some of the moments feels like curated bait for Christofascist audiences, which, as a liberal who embraces witchcraft, these choices are simply delicious fodder. You have to laugh.

Aside from some stereotypical wardrobe choices and a pentagram here and there, the subjects in the film could believe in anything or nothing at all. Their text is no more shocking than that of every other sect of religion. Have you read The Bible? The glorious theatricality of some rituals and eclectic decor create beautifully gothic tableaus that mesmerize, particularly for a self-proclaimed “Spooky Girl” like me. The visual trickery is fun as hell. The final camera sweep will look familiar to fans of Tales From The Crypt, right down to the gate squeak. It’s a clever touch. In all, REALM OF SATAN isn’t trying to convert anyone. It’s simply giving audiences a peek behind the curtain to dispel misinformation but with dramatic flair.


Credits

  • DIRECTOR(S)

    SCOTT CUMMINGS

  • SCREENWRITER

    SCOTT CUMMINGS

  • PRODUCERS

    CAITLIN MAE BURKE

    PACHO VELEZ

    MOLLY GANDOUR

  • EXECUTIVE PRODUCERS

    JOE POLETTO

    SAM ROSEME

    CATHY TANKOSIC

  • CINEMATOGRAPHER

    GERALD KERKLETZ

  • PRINCIPAL CAST

    PETER GILMORE

    PEGGY NADRAMIA

    BLANCHE BARTON

  • CO-PRODUCERS

    ELIZA HITTMAN

    GERALD KERKLETZ

    ASHER LEVINTHAL

    JACK A. LIECHTUNG

    GABRIEL MERKIN

  • YEAR

    2024

  • CATEGORY

    FEATURE

  • COUNTRY

    UNITED STATES

  • LANGUAGE

    ENGLISH, SPANISH, GERMAN, SWEDISH

  • RUN TIME

    80 MIN

  • COMPANY

    VITAL EXISTENCE LLC


    For more info on Sundance 2024 click here!

     

    Festival Dates: Thu, Jan 18, 2024, 2:45 PM – Sun, Jan 28, 2024

     

    Stay tuned for more Sundance 2024 coverage, and don’t forget to head to Unseen Films for even more! For past Sundance reviews click here.

     

Slamdance 2024 review: ‘INHERTITANCE’ is a heartbreaking portrait of cyclical poverty and addiction.

slamdance 2024

INHERITANCE

INHERITANCE_Poster

Slamdance 2024 doc INHERITANCE is an unfiltered look at one Appalachian family’s struggle with generational addiction. The rippling effects of drugs directly connect to cyclical poverty. They are a part of the culture. We see children who look as young as ten years old smoke cigarettes with the nonchalance of chewing gum. Young girls get pregnant at a rate that becoming a great-grandmother is normal if you survive the world of opioids. Filmmakers Matt Moyer and Amy Toensing hang their hats on 12-year-old Curtis, a hopeful, bright, and spunky in hopes of making a better life through all the inevitable chaos.

Inheritance familyWe witness the tragic evolution of Curtis’ extended family through intimate sit-downs with family members, sharing their darkest secrets without a moment of hesitation. Their goal is equal parts redemption and cathartic confession. Some family members try harder than others, though the dark thoughts never leave. Religion lands somewhere between true belief and crutch. Mostly, the latter.

Seeing his parents’ toxic relationship play out as they chase their next score is brutal. Curtis knows nothing good comes from their behavior. What makes it worse is Curtis is a joyous and pure soul. He grins and bares the trauma that swirls around him. You want to reach through the screen and rescue him as he recounts his numerous stays in foster care. As the years roll on, you see the cynicism creeping into his personality.

INHERITANCE_CurtisThoughtful closeups and the hauntingly beautiful score create heartwrenching transitions. Moyer and Toensing try to offer moments of childhood levity featuring Curtis and his siblings playing with poppers, water guns, and video games, but lurking in the background is the reality of parents severely impaired by drugs. Inheritance breaks your heart. A six-year journey down a rabbit hole of repeated histories. Is Curtis the best bet to break the cycle? One can only hope.

Inheritance participants


INHERITANCE Trailer:

 
INHERITANCE explores the underlying causes of the opioid epidemic in America through the life of one boy and five generations of his extended family over 11 years. Curtis, a bright and hopeful boy, grows up from age 12 to 18 surrounded by love and struggle while every adult in his family – parents, grandparents, aunts, uncles, and cousins — battles addiction. Curtis’ America is an America where people and communities are struggling with an epidemic of substance abuse, joblessness, and a deteriorating sense of belonging.

 

Official Film Website: https://www.inheritancethefilm.com/ (the website trailer contains explicit language)

IG: @inheritance_thefilm

Facebook: https://www.facebook.com/profile.php?id=61554404316999 


 

CREDITS

 

PRODUCED AND DIRECTED BY

MATT MOYER and AMY TOENSING

 

EDITED BY

CURTIS WHITEAR

 

WRITTEN BY

CURTIS WHITEAR and MATT MOYER and AMY TOENSING

 

CINEMATOGRAPHY BY 

MATT MOYER

 

MUSIC by

KYLE SCOTT WILSON

 

EXECUTIVE PRODUCERS

MORGAN PEHME and DANIEL DiMAURO

 

EXECUTIVE PRODUCER

SAM CULLMAN

 

EXECUTIVE PRODUCERS

ERIK and LESLIE HEYER

 

EXECUTIVE PRODUCER

DAVE A. LIU

 

CO–EXECUTIVE PRODUCER

FREDRIK STANTON

 

ASSOCIATE PRODUCER

KAYLA BREEN

 

AUDIO POST PRODUCTION

HEART PUNCH STUDIOS

 

SOUND DESIGN / RE-RECORDING MIX BY

GREG McCLEARY

 

COLOR BY

CHRISTOPHER YOUNG

 

POST PRODUCTION FINISHING BY

SEE WHY COLOR

 

PRODUCTION COMPANIES

MILLROCK PRODUCTIONS        

CALLIOPE PICTURES

In association with 

LIUCRATIVE MEDIA

 
  • Year:
    2024
  • Runtime:
    85 minutes
  • Language:
    English
  • Country:
    United States
  • Premiere:
    World Premiere
  • Genre:
    Documentary
  • Subtitle Language:
    English

Slamdance 2024 will take place in-person from January 19-25 and virtually from January 22-28.

You can read our previous Slamdance coverage here! Stay tuned to Reel News Daily for more reviews this week, and don’t forget to check out our coverage over at Unseen Films for more!

Sundance 2024 preview: A film for everyone at the festival’s 40th Edition.

Sundance Film Festival 2024 Color Logo
The Sundance Film Festival has launched the careers of indie film directors, writers, and actors now for 40 years. Back with in-person and online screening opportunities, this year’s iteration boasts new and bold storytelling from every genre. Here are a handful of films we’ll track in 2024.

 

For more information and tickets to Sundance 2024, click here! Be on the lookout for shared coverage with our good friend, Steve Kopian, at Unseen Films. To see all of his reviews and what he’s looking forward to this year, head over to his home base.

(World Cinema Dramatic Competition)
SUJO

S till from the Sundance film SUJO
When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

A movie about time and trauma, this beautifully acted and hauntingly written film from the directors of Identifying Features will be sure to captivate audiences. 

This film contains strobe effects.
Available in person. Also available online for the public (January 25–28)


40th Edition Celebration Screenings And Events

DIG! XX

DIG! XX tracks the tumultuous rise of two talented musicians, Anton Newcombe, leader of the Brian Jonestown Massacre, and Courtney Taylor, leader of the Dandy Warhols, and dissects their star-crossed friendship and bitter rivalry. Through their loves and obsessions, gigs and recordings, arrests and death threats, uppers and downers, and ultimately to their chance at a piece of the profit-driven music business, they stage a self-proclaimed revolution in the music industry.

DIG! premiered at the 2004 Sundance Film Festival in the U.S. Documentary Competition, where it ultimately won the Grand Jury Prize in the documentary category. DIG! XX, which will premiere at the upcoming Festival, is not only a digitally enhanced, remixed, and remastered version of DIG!, but also a special 20th anniversary new edit of the film culled from footage shot over seven years, and brought to you by the original sibling team, Ondi and David Timoner.

*Digitally enhanced and featuring new footage


(Premieres)

And So It Begins

Amidst the traditional pomp and circumstance of Filipino elections, a quirky people’s movement rises to defend the nation against deepening threats to truth and democracy. In a collective act of joy as a form of resistance, hope flickers against the backdrop of increasing autocracy.

Available in person. Also available online for the public (January 25–28)


(World Cinema Documentary Competition)

Eternal You

Startups are using AI to create avatars that allow relatives to talk with their loved ones after they have died. An exploration of a profound human desire and the consequences of turning the dream of immortality into a product.

“I wanted to see if he was okay,” explains Christi, one of the users of Project December. With this innovative software, users can communicate with a virtual version of the deceased through a chatbot that simulates the dead person’s conversation patterns. Hers was an attempt to check on her first love. Others may simply miss someone, seek permission to move on, or want to rid themselves of guilt.

At this point, I think we’ve all seen the app that turns photos into moving images. The idea feels equally sentimental and disturbing. Eternal You takes this tech further, begging the question, “How far are we willing to go to feel connected to those we’ve lost, and how might that affect our brains?” 

Available in person. Also available online for the public (January 25–28)


World Cinema Documentary Competition

A New Kind of Wilderness

In a forest in Norway, a family lives an isolated lifestyle in an attempt to be wild and free, but a tragic event changes everything, and they are forced to adjust to modern society.

Silje Evensmo Jacobsen mixes home movies and a carefully intimate approach to the Payne family, whose isolated existence gets shaken up quite suddenly. This beautiful portrait of connection and resilience in the face of grief will touch your heart.

Available in person. Also available online for the public (January 25–28)


(NEXT)

REALM OF SATAN

An experiential portrait depicting Satanists in both the every day and in the extraordinary as they fight to preserve their lifestyle: magic, mystery, and misanthropy.

Filmmaker Scott Cummings is no stranger to Sundance, having edited many highly acclaimed festival premieres over the past decade, including Never Rarely Sometimes Always, Monsters and Men, and Wendy.

When I tell you that you aren’t ready for this doc, I mean it in the best way possible. Created to ruffle feathers and dispel right-wing hypocrisy, Scott Cummings titillates with gorgeous framing and a touch of tongue-in-cheek magical realism. 

This film contains graphic sexual content. Audiences must be 18 or older.

Available in person. Also available online for the public (January 25–28)


(Premieres)

My Old Ass

Maisy Stella and Aubrey Plaza in Sundance film MY OLD ASS

Maisy Stella and Aubrey Plaza in the Sundance film MY OLD ASS

The summer before college, bright-yet-irreverent Elliott comes face-to-face with her older self during a mushroom trip. The encounter spurs a funny and heartfelt journey of self-discovery and first love as Elliott prepares to leave her childhood home.

The concept alone should get your butt into a seat, but filmmaker Megan Park casting Aubrey Plaza is chef’s kiss in indie cinema.


(Midnight)

I Saw the TV Glow

Justice Smith and Brigette Lundy-Paine  in I SAW THE TV GLOW

Justice Smith and Brigette Lundy-Paine in I SAW THE TV GLOW

Teenager Owen is just trying to make it through life in the suburbs when his classmate introduces him to a mysterious late-night TV show — a vision of a supernatural world beneath their own. In the pale glow of the television, Owen’s view of reality begins to crack.

Writer-director Jane Schoenbrun’s We’re All Going to the World’s Fair (2021 Sundance Film Festival) gave us one of the coolest genre-bending films with a breakout performance from star Anna Cobb. I cannot wait to see how this one twists my sanity and senses. 

This film contains violence and gore.

This film contains strobe effects.


Sundace Film Festival 2024 Black and White logoTo find out more information on all things Sundance 2024, head to https://festival.sundance.org/

 

We’re kicking off the fall festival season with our TIFF 2023 curtain raiser!

Thu, Sep 7, 2023, 3:30 PM – Sun, Sep 17, 2023

TIFF 2023 is coming for you and the films are eclectic as usual. Promising big stars, buzzy indies, cool series, new filmmakers to discover,  and my personal favorite, in the form of the sinister Midnight Madness section, TIFF has all the films you’ll be hearing about come awards season. Here are a handful of things on our radar this year. Look for coverage from us and our main man Steve Kopian at Unseen Films.


 RIDDLE OF FIRE- (Midnight Madness Closing Night feature)Riddle of Fire still

Directed by Weston Razooli
NORTH AMERICAN PREMIERE
United States of America | 2023 | 113m | English
 
The movie follows three mischievous children as they embark on an odyssey when their mother asks them to run an errand.
 
Screenings:
Saturday, September 16 Royal Alexandra Theatre 11:59pm
Sunday, September 17 TIFF Bell Lightbox 11:30 am


EPISODIC CONTENT

 BAD BOY -World Premiere – Primetime Programme 

 From Ron Leshem (Executive producer of HBO’s Euphoria, Creator of the original Israeli Euphoria series off which the US series is based) and Hagar Ben-Asher (Bosch, City on a Hill)  

Created alongside Daniel Chen, Roee Florentin, Moshe Malka, Amit Cohen (No Man’s LandFalse Flag), Daniel Amsel (EuphoriaValley of Tears).

Starring Bat Hen Sabag, Amjad Shawa, Guy Menaster, Havtamo Parada, Neta Plotnik, Liraz Chamami, Ishay Lalush, Daniel Hen, Ben Sultan

 BAD BOY is a gripping true story about a young boy imprisoned in a chaotic and colorful juvenile detention facility. While in jail, DEAN bonds with ZORO, a mysterious fellow inmate who grows to be his closest friend and lifeline despite the fact that Zoro is serving time for cold-blooded murder. In order to survive the harsh reality behind bars, Dean learns to harness his unique creativity and humor – all while battling his own inner demons. Twenty years later, these traits still define Dean as a star comedian, while his time in jail is a secret that constantly threatens to resurface and tear his life apart.

 Episode Count: 8×40


LIMBO (North American Premiere*)

Section: Centrepiece

North American Premiere

Australia/104 min/English

Directed by: Ivan Sen

Starring: Simon Baker, Rob Collins, Natasha Wanganeen, Nicholas Hope

*LIMBO World Premired at Berlinale Film Festival 2023

Synopsis:

Travis, a jaded detective, arrives in the remote outback town of Limbo to investigate the cold case murder of local Indigenous girl Charlotte Hayes 20 years ago. As truths about the murder begin to unfold, the detective gains a new insight into the unsolved case from the victim’s fractured family, the surviving witnesses, and the reclusive brother of the chief suspect. A poignant, intimate journey into the complexities of loss and the impact of the justice system on Aboriginal families in Australia.

Screening times:

September 12 5:45 pm Public screening Scotiabank 3

September 13 3:45 pm Public screening Scotiabank 9


BACKSPOT – World Premiere – Discovery 

 Directed by: D.W. Waterson

Written by: Joanne Sarazen, Story by: D.W. Waterson

Produced by: Alona Metzer, D.W. Waterson, Kawennáhere Devery Jacobs, Martin Katz

Executive Produced by: Elliot Page, Matt Jordan Smith, J.C. Davidson, Katisha Shaw

Starring: Devery Jacobs (“Reservation Dogs”), Evan Rachel Wood (“Westworld”), Shannyn Sossamon (A Knight’s Tale), Kudakwashe Rutendo, Thomas Antony Olajide, Wendy Crewson

 Synopsis:

A driven cheerleader (Devery Jacobs) struggles to handle the pressure when she and her girlfriend are both selected for an elite cheer squad, in D.W. Waterson’s feature directorial debut.

 RT: 93 Minutes

 Public Screenings

Friday, September 8 at 8:30PM at the TIFF Bell Lightbox

Monday, September 11 at 3:00PM at the TIFF Bell Lightbox

Friday, September 15 at 9:45PM at Scotiabank Theatre


THE CRITIC – World Premiere – Special Presentations 

Directed By: Anand Tucker (Hilary and Jackie)

Written by: Patrick Marber (Notes on a Scandal)

Starring: Ian McKellen (The Good Liar), Gemma Arterton (Summerland), Mark Strong (1917), Romola Garai (Suffragette), Ben Barnes (Westworld) and Alfred Enoch (Foundation

 Gemma Arterton and Sir Ian McKellen star as adversaries forced to take desperate measures to save their careers, in this scintillating tale of ambition and deceit in the theatre world.

 RT: 95 minutes

 Public Screenings

Monday, September 11 at 12:00PM at the Princess of Wales

Wednesday, September 13 at 4:00PM at Scotiabank 2

Saturday, September 16 at 3:00PM at Scotiabank 2


IRENA’S VOW (Quiver Distribution) – World Premiere – Centerpiece Program 

 Directed by: Louise Archambault (Atomic Saké, Familia)

Written by: Dan Gordon (Passenger 57, Wyatt Earp)

Starring: Sophie Nélisse (“Yellowjackets,” 47 Meters Down: Uncaged), Dougray Scott (Mission: Impossible 2, “Batwoman”), Andrzej Seweryn, and Maciek Nawrocki

Produced by: Nicholas Tabarrok, p.g.a, Beata Pisula, Tim Ringuette, Berry Meyerowitz and Jeff Sackman

Through the eyes of a strong-willed woman comes the remarkable true story of Irena Gut Opdyke and the triumphs of the human spirit over devastating tragedy. 19-year-old Irena Gut is promoted to housekeeper in the home of a highly respected Nazi officer when she finds out that the Jewish ghetto is about to be liquidated. Determined to help twelve Jewish workers, she decides to shelter them in the safest place she can think of: the basement of the German commandant’s house. Over the next two years, Irena uses her wit, humor, and courage to hide her friends until the end of the German occupation, concealing them in the midst of countless Nazi parties, a blackmail scheme, and even the birth of a child. Her story is one of the most inspiring of our time.

 RT: 121 Minutes

 Public Screenings

Sunday, September 10 at 3:15PM at TIFF Bell Lightbox Cinema 1

Monday, September 11 at 3:35PM at Scotiabank 11


KNOX GOES AWAY – World Premiere – Special Presentations 

 

Directed by: Michael Keaton

Written By: Gregory Poirier (Rosewood)

Starring: Michael Keaton (Birdman), James Marsden (“Jury Duty”), Al Pacino (The Godfather), and Marcia Gay Harden (Mystic RIver)

 Michael Keaton directs and plays Knox, a hitman losing his memory, putting him in a race against time to help his estranged son (James Marsden) cover up a messy crime.

 RT: 114 minutes

 Public Screenings

Sunday, September 10 at 9:45 PM at The Princess of Wales Theatre

Monday, September 11 at 5:30 PM at Roy Thomson Hall


SUMMER QAMPWORLD PREMIERE – 2023 Toronto International Film Festival

Directed by Jen Markowitz

Mins 80 | Language English | Year 2023 | Country Canada

SUMMER QAMP is a moving, compelling and joyful documentary following a group of LGBTQ+ youth at an idyllic lakeside camp in Alberta, Canada – CAMP fYrefly. The campers enjoy the traditional summer camp experience in a safe, affirming environment where they deepen their connections with their own community and themselves.

Screenings:

World Premiere – Saturday, September 9 at 12:15 PM at Scotiabank 13 

Sunday, September 10 at 4:30 PM at Scotiabank 12


For more information on TIFF 2023 click here!

The 48th edition of the Toronto International Film Festival takes place Thursday, September 7—17, 2023.


 

From filmmakers to scene-stealers, here are some of the notable Women To Watch from Tribeca 2023.

The 2023 edition of The Tribeca Film Festival upped the anty for female filmmakers this year. Femmecentric storytelling gave us innumerable outstanding performances from women of all ages. As usual, I begin my annual roundup with the caveat that this list pertains solely to the films I saw. Here is my 2023 list of Women to Watch from Tribeca.

*an earlier version of this article first appeared on AWFJ.org*


THE LISTENER
Tessa Thompson plays Beth, a crisis line operator who works the overnight shift. Watching Thompson process callers in real-time is akin to live theatre. Scenarios range from a call from a formerly incarcerated man, a husband who just told his wife he no longer loves her, an overburdened mother, a runaway in danger, and more. Her final call, which is also the lengthiest, challenges her sense of emotional security but ultimately invites us into Beth’s life in earnest. Thanks to screenwriter Alessandro Camon, THE LISTENER is fully ripe for the stage. Tessa Thompson is in every single frame. The gentleness in her voice is soothing. Her patience is breathtaking. Underneath her job slips a weary face. The emotional investment is palpable. This performance is a master class in measured behavior. Thompson had me in the palm of her hand. Full Review here.


YOU’LL NEVER FIND ME
Jordan Cowan haunts us with a performance that keeps you guessing. Theories swirl when she knocks on the door in a trailer park during a freak storm. Her fear is palpable. By the end of the film, Cowan has you by the throat. It is a role that has you consistently on edge and inevitably wildly cheering.


THE MIRACLE CLUB
Laura Linney plays Chrissy, a woman who returns to Ireland for the first time in forty years following the death of her estranged mother. Carrying quiet despair, Linney puts bitterness aside to heal her past. Her poise elevates the film. Kathy Bates plays cousin Eileen with a weary spirit, spunk, and unforgiving spite. Her journey is slowgoing but worth the wait. The legendary Dame Maggie Smith plays a formerly close family friend, Lily. The connection between the two women is filled with guilt and anger but quickly softens in search of forgiveness. As expected, Smith treats each beat with care and discovery. She is always a joy to watch. Agnes O’Casey plays Dolly, the faithful mother of a mute son. Her heartfelt desperation pours off the screen. She could easily lead a feature on her own. The film comes to theaters July 14th from Sony Pictures Classics.


SUITABLE FLESH
Barbara Crampton, whom I retain the right to declare a Time Lord, plays Dr. Danielle Upton. Had this film been made 20 years ago, she would be Beth. Crampton is as good as it gets. She is sharp, 100% committed, and slyly comic. Her casting is no accident, and writer Dennis Paoli (Re-Animator) again does her justice. Heather Graham goes all out, essentially playing three roles in one. She is feisty and unbridled. Easily keeping up with Crampton’s iconic status, Graham nails the style. Full Review here.


SOMEWHERE QUIET
Cousin Madeline comes to overbearing life through the performance of Marin Ireland. Her aggressive affection and territorial nature toward Scott are off-putting and flawless. You cannot look away from her. Jennifer Kim plays Meg with frayed nerves and pent-up trauma on every inch of her skin. She lives inside the mind of someone who survived unspeakable horror. But, her feisty spirit and take-no-shit attitude barrel this unrelentingly intense story onward. Kim owns every second of screen time. Every bit of this script feels like a slowly tightening vice on the nerves as the lines of reality blur easily. In her feature directorial debut, filmmaker Olivia West Lloyd has a stranglehold on viewers. SOMEWHERE QUIET is a skillfully crafted and heinous tale of terror that will have you on the edge of your seat. Full review here.


JE’VIDA
The titular role comes to life through the eyes of Agafia Niemenmaa. This personification of innocence is captivating against the stark quiet of Finnish snow and ice. She is a star. Sanna-Kaisa Palo gives present-day Lida a palpable lived-in trauma and definitive rage. Dismissive at the beginning, her healing journey comes with the shedding of shame and reclamation of identity through the next generation. Full review here.


I.S.S.
Writer-director Gabriela Cowperthwaite gives Tribeca audiences one of the best of the fest. This compelling thriller plays out in claustrophobic chambers, pitting three American against three Russians while war breaks out on Earth’s surface. It is a skillfully crafted visual feast never disappoints. A look at humanity, ethics, and fear, I.S.S. is out of this world. Ariana DeBose stars as the newest crew member onboard. Her composed nature and willingness to take a beat lure you into the narrative from the beginning. She is well on her way to EGOT status with roles like this.


WAITRESS, THE MUSICAL- LIVE ON BROADWAY!
Sara Bareilles stars as Jenna in the stage-adapted version of the late Adrienne Shelly‘s indie of the same name. Bareilles embodies a woman in an abusive relationship, confused and wary of her newly pregnant body. One moving song after another, the audience gets caught up in the emotional complexities of change and choosing oneself.


THE FUTURE
Dar Zuzovsky plays potential surrogate Maor with a sunshiny disposition that is completely jarring. Something is off, but you cannot quite put your finger on it. Samar Qupty is Yafa. She is whipsmart with an acerbic wit and defensive edge. Her softening mirrors Nurit in real-time. It is a memorable turn. Reymonde Amsellem plays Nurit with a measured tone. She is undeniably brilliant. The dynamic between Nurit and Yafa is fascinating. They are combative, challenging, and yet connect in ways you do not expect. Their relationship is essential to understanding Nurit’s journey. Full Review here.


ONE NIGHT WITH ADELA
Laura Galán wowed audiences last year in PIGGY. One Night with Adela is a performance from the other end of the acting spectrum. With a shocking and revenge-fueled turn, Galán captivates in a one-take format. Drugs, alcohol, music, and sex radiate off the screen in a role cementing her as one of Spain’s rising stars.


ERIC LARUE
Judy Greer gives us a complex woman coping with the horrendous aftermath caused by her son. Michael Shannon adapts the stage play written before the Columbine tragedy. Made a pariah, Greer experiences emotional torture, regret, and confusion, in her attempts to make amends with the community that blames her. Greer is a shapeshifter, inhabiting the skin of any role like a pro. She often goes under the radar because of the projects she chooses. Her performance deserves the widest audience.


COLD COPY
Filmmaker Roxine Helberg gives us a story of ambitious women in journalism that may be predictable, but only because we have seen this plot tirelessly played out with an all-male cast. Here we find Bel Powley as a journalism grad student looking for her nig break under the guidance of powerhouse Diane Heger, played by Tracee Ellis Ross. Powley’s scrappy nature turns mirky when sabotage becomes the means to an end. Her eagerness eventually exploited by the sadistic and undeniably genius efforts of Ross. Cold Copy is a film railing against the patriarchy while saluting the idea of creating your own monster.


For all things Tribeca 2023, check out our reviews, alongside our colleagues at Unseen Films and AWFJ.org!

 

Tribeca 2023 Unseen Films review: Disney+ documentary ‘STAN LEE’

STAN LEE

This is a Disney+ documentary look at the one and only Stan Lee, largely told in his own words which were recorded during his almost century-long life.
For those who don’t know Stan Lee is the guy who got a job with Timely comics in the late 1930s and ended up staying with the company for decades, eventually rechristening it as Marvel. Along the way, he helped create the Fantastic Four, The X Men, The Hulk, Spiderman, and dozens of other characters.

This is a loving tribute to a man who altered the world with the things he wrote. If you hate the Marvel superhero movies blame Lee for creating the source material. It’s a film that while firmly focused on Lee and the Marvel years (Marvel is owned by Disney after all) clearly gets across how important Lee was to the art form of comics.

While far from complete, his work for anyone other than Marvel is completely ignored, the film does do some things I didn’t expect to see, particularly putting Jack Kirby and Steve Ditko front and center in the creation of many well-known characters. Yes, the film has Lee argue that he created say Spiderman because he came up with the idea, but the film is framed in such a way to make it clear that artists like Kirby and Ditko were as, or if not more important than Lee. It shows that they left Marvel because of Lee’s ego which made him insist he was the guy. I suspect that some people will argue the film doesn’t do enough in this regard and they are probably right, but those battles need a whole film unto themselves, and besides this film’s breezy celebration in Lee’s own words and as such you are not going to find enough material to fight that battle.

Say what you will about comics, this film makes the case that part of the reason comics are what they are today was because of Stan Lee. Lee and Marvel forced the medium to grow up and deal with real people (minorities were represented) and real problems (drugs). Additionally, because Lee was such a good spokesman he ended up altering how people saw comics just by speaking on TV talk shows. While I know many artists hated that Lee was the face of comics, the reality is that he was a good face of the industry and his friendly outgoing nature clicked with the public.

Despite knowing much of this I was moved. For better or worse Stan Lee was a crazy guy you couldn’t help but like.

I truly loved this film.


DIRECTOR
David Gelb
PRODUCER
Jason Sterman, David Gelb, Brian McGinn
CINEMATOGRAPHER
Ernesto Lomeli
COMPOSER
Scott Michael Smith, Michael Dean Parsons
EDITOR
Andrew McAllister, Jamie Garland, James Long
EXECUTIVE PRODUCER
Jeff Redmond, Andy Heyward, Gill Champion, Jamie McBriety, Sarah Regan
CO-PRODUCER
Lauren Goralski, Andrew McAllister
STORY PRODUCER
Emily Van Bergan
PRODUCTION DESIGNER
T. Hunter McCann
ASSISTANT EDITORS
JJ Degen, Emily Fuller
ARCHIVE PRODUCER
Danny Hirsch
CAST
Stan Lee

You can read more of Steve’s vast film coverage at Unseen Films!




Tribeca 2023 Unseen Films review: ‘DOWNTOWN OWL’ finds real-life couple Lily Rabe and Hamish Linklater in their directorial debut.

DOWNTOWN OWL

I went to the world premiere of Downtown Owl. It takes place in Owl, North Carolina about a high school teacher, played by Lily Rabe, who recently moved there. She doesn’t know anyone and soon another teacher, played by Vanessa Hudgens, invites her to come to the local bar. They wind up spending many nights there. There she meets an introverted ex-football star who she soon has a crush on. She also befriends an older man at the diner, played by Ed Harris.

This film is a mix of comedy and tragedy, as well as a high school coming-of-age movie. I thought it had a nice mix. I think I will always love movies set in high school, and this one was no exception. I loved its quirkiness. I would have given this movie an almost perfect rating had it not been for the ending. It’s odd to me when characters in movies look at the camera and talk to the audience, especially when it hadn’t been done prior in the movie. The ending in general though was just bizarre.

Downtown Owl is directed by real-life couple Lily Rabe and Hamish Linklater and it’s their directorial debut.  It’s based on the book by Chuck Klosterman which I had never read, but am kind of curious to read at some point now to see how it compares and to see if more is explained about some of the characters.

Despite not loving the ending, I recommend this film, especially if you like quirky movies. It’s kind of just a fun enjoyable film!


DIRECTOR
Lily Rabe, Hamish Linklater
PRODUCER
Bettina Barrow, Lily Rabe, Hamish Linklater, Rebecca Green
SCREENWRITER
Written by Hamish Linklater, based on the book by Chuck Klosterman
CINEMATOGRAPHER
Barton Cortright
EDITOR
Nena Erb
MUSIC BY
T Bone Burnett
CAST

Lily Rabe, Ed Harris, Vanessa Hudgens, August Blanco Rosenstein, Jack Dylan Grazer, Arianna Jaffier with Finn Wittrock and Henry Golding


You can find all of Steve’s Tribeca coverage ( and so much more) on his regular page

Unseen Films! Go there. Go Now!


Slamdance 2023 Unseen Films review: The Breakouts Feature Grand Jury Prize winner, ‘The Underbug’

THE UNDERBUG

The Underbug is a moody thriller about two men on either side of sectarian violence in India stumbling into a strange house. The house is deserted or seems to be, except for the men who are soon faced with problems greater than themselves.

This is a great looking tense “horror” film about the things that go bump in the night and the evil that lurks in men’s hearts. It’s a film that you must see as big as possible and with as few distractions as you can manage (a darkened theater would be perfect.) I really loved much of this film. This is a perfectly made thriller with some genuine chills in it. Actually, it has more chills in its 68 minutes than most Hollywood thrillers that run twice its length.

The only flaw in the film is the politics. While there is nothing wrong with the inclusion of the references on the face of it, some of it seems to be a tad heavy-handed. No, the references aren’t constant, it’s more that a number of the references seem to be there to remind us that more is going on than scares.

That said, this is one of the moodiest horror films that I’ve seen in years. Every frame from the first to the last has chilling beauty to it.

A must-see for horror films, especially for anyone who wants one that isn’t your typical one.


For me of Steve’s amazing coverage, head to UnseenFilms.com

 

Slamdance 2023 Unseen Films review: ‘Where is the Lie?’

Where is the Lie?

WHERE IS THE LIE is a really good film. A look at love in the modern age it’s based on a true story film where a woman named Jazen breaks up with her boyfriend. Turning to a dating app she meets the perfect guy who ends up ghosting her. However, what is going on is something else entirely.

I don’t know all of the details of the actual events, and I don’t really care because what is on screen in WHERE IS THE LIE is really good. A look at life and dating in today’s world shines a light on a lot of places that we may not be contemplating, such as catfishing games set up by people with too much time on their hands. It’s the sort of thing that makes me glad I’m too old for those sorts of games.

I really liked WHERE IS THE LIE. The cast headed up by EJ Jallorina is super. We really like pretty much everyone and they pull us into all the mystery of what is going on. I was hooked early and when it was done I wanted to go back and take another ride.

One of the things that I loved was that this film which is very much tied to technology and apps actually manages to use the cinema screen to replicate what we the characters are seeing on their phones and devices. This may not sound like much but more and more in films, we are flashed visuals that are supposed to be a phone or tablet or computer screen, and more often than not the filmmakers don’t manage to make it movie friendly. Yes, we are seeing what the characters are doing but it’s not cinematic. It’s intrusive with a lot of stuff we don’t need. Here director Quark Henares designs the shots so that we both get a sense of what is on the screens the characters are looking at but we also get something that works cinematically. That may sound like a small thing but it’s not, because too often the technology shots simply don’t blend into the film as a whole.

This is a super film. I had a good time. It made me laugh and it made me think about love, the madness of these times, and the crazy things people do.

I want to say more but I don’t want to give anything away. There are a couple of turns I didn’t see coming and I don’t want to spoil anything.

This is a gem.


 

Sundance 2023 Unseen Films review: Roman Liubyi’s ‘Iron Butterflies’ exposes the roots of current conflict.

IRON BUTTERFLIES

This is a look at the downing of Malaysia Airlines Flight 17 from Amsterdam to Kuala Lumpur which was shot down by Russian forces over eastern Ukraine in 2014 threw news video, reconstructions, trial footage, and intercepted recordings.

This is going to be the most low-key film you will see on the never-ending Ukraine conflict. There is no narration only text that gives us context. Director Roman Liubyi is letting the words and images speak for themselves. Yes, this is almost a decade before the current mess, but it is one of the key events in the run-up to now.

Full disclosure while I liked this film a great deal, seeing the film in the middle of a festival crush resulted in it not having the effect it should have. The film’s low-key nature is what I remember not the emotional nature of the story of lives lost through stupidity, lack of caring, and the evil nature of some parts of humanity.

If you want to understand the roots of the current conflict this film is a must-see.


Screening Times

In Person

  • PREMIERE
    Jan. 22 9:15PM MST

    Egyptian Theatre

    PARK CITY

  • SECOND SCREENING
    Jan. 23 3:30PM MST

    Redstone Cinemas – 1

    PARK CITY

  • SECOND SCREENING
    Jan. 24 12:00PM MST

    Broadway Centre Cinemas – 6

    SALT LAKE CITY

  • SECOND SCREENING
    Jan. 26 9:00PM MST

    Prospector Square Theatre

    PARK CITY

  • SECOND SCREENING
    Jan. 27 3:30PM MST

    Holiday Village Cinemas – 2

    PARK CITY

Online

  • SECOND SCREENING
    Jan. 24 8:00AM MST

    Available Until Jan. 29  11:55PM MST


     

Sundance 2023 Unseen Films capsule review: ‘Squaring the Circle (The Story of Hipgnosis)’

Squaring the Circle (The Story of Hipgnosis)

Storm Thorgerson and Aubrey “Po” Powell, are the men behind the art design studio, Hipgnosis. Named by Syd Barrett when he scrolled the name across a door, the studio went on to create hundreds of record covers for all of the great bands and performers.

One of the great films of the year this is going to be an absolute delight to anyone who loves the great art that accompanies great music. Not only do we get to see how the art was created but we also get to hear all sorts of magnificent stories from the creators, but also the musicians themselves Paul McCartney, Roger Waters, Dave Gilmour, Robert Plant, Jimmy Page, Peter Gabriel, and others are here telling stories.

I smiled from ear to ear for 100 minutes.

This is exactly what you hope the film will be except it’s even better.

I can’t say more than that except this is on my best-of-2023 list.

Highly recommended.


Screening Times

In Person

  • PREMIERE
    Jan. 20 8:30PM MST

    Egyptian Theatre

    PARK CITY

  • SECOND SCREENING
    Jan. 21 3:30PM MST

    Megaplex Theatres at The Gateway 8/9

    SALT LAKE CITY

  • SECOND SCREENING
    Jan. 25 3:00PM MST

    Park Avenue Theatre

    PARK CITY

  • SECOND SCREENING
    Jan. 26 1:00PM MST

    Redstone Cinemas – 2

    PARK CITY

  • SECOND SCREENING
    Jan. 28 6:45PM MST

    Rose Wagner Center

    SALT LAKE CITY

Online

  • SECOND SCREENING
    Jan. 24 8:00AM MST

    Available Until Jan. 29  11:55PM MST


     

DUNGEONS & DRAGONS: HONOR AMONG THIEVES TO OPEN SXSW 2023!

SOUTH BY SOUTHWEST ANNOUNCES OPENING NIGHT FILM, COMPETITIONS, AND SELECT FILM & TV PROGRAM TITLESDUNGEONS & DRAGONS: HONOR AMONG THIEVES TO OPEN FEST



Austin, Texas, – South by Southwest® (SXSW®) Conference and Festivals (March 10-19, 2023) announced the Opening Night film, Feature and Short Competitions, Midnighters, select titles from other categories, and XR Experience for the 30th edition of the SXSW Film & TV Festival. The rest of the lineup will be announced in early February. SXSW Film & TV will open with Paramount Pictures and eOne’s Dungeons and Dragons: Honor Among Thieves, directed and co-written by Jonathan Goldstein and John Francis Daley. In the film a charming thief and a band of unlikely adventurers embark on an epic quest to retrieve a lost relic, but things go dangerously awry when they run afoul of the wrong people. The movie brings the rich world and playful spirit of the legendary roleplaying game to the big screen in a hilarious and action-packed adventure starring Chris Pine, Michelle Rodriguez, Regé-Jean Page, Justice Smith, Sophia Lillis, Chloe Coleman, Daisy Head, and Hugh Grant.

“We are thrilled to announce the first wave of our incredible lineup for SXSW 2023,” said Claudette Godfrey, VP Film & TV. “It’s an amazing collection of films, TV series and XR experiences that promise to inspire, entertain and challenge our audiences. We’re also proud to open with Dungeons and Dragons: Honor Among Thieves, a raucous and engaging fantasy adventure, and look forward to welcoming everyone to Austin in March for what promises to be an unforgettable event.”

SXSW draws thousands of fans, film and television creators, press, and industry leaders to immerse themselves in the smartest, most innovative and entertaining new films, TV and XR projects of the year, as well as giving access to hundreds of Conference Sessions, Music and Comedy Showcases, Creative Industry Exhibitions, Mentoring, Meetups and Special Events that define the cross-industry event. The 2023 Film & TV Festival will be in-person only.

Feature films in the SXSW 2023 lineup screen in the following categories: Headliners; Narrative Feature Competition presented by Panavision; Documentary Feature Competition; Narrative Spotlight; Documentary Spotlight; Visions; Midnighters; Global presented by MUBI; 24 Beats Per Second; Festival Favorites, and Special Screenings. The TV program consists of TV Premieres, TV Spotlight, and the Independent TV Pilot Competition. The SXSW 2023 Shorts Film Program presented by IMDbPro will present seven competitive sections. XR Experience Competition, XR Spotlight and XR Special Events programming round out the Film & TV Festival program. All Categories with the exception of Special Screenings and TV Spotlight will be eligible for section-specific Audience Awards.

Global, Visions, 24 Beats, Festival Favorites and additional titles across all other sections will be announced in early February.


HEADLINERS
Big names, big talent: Headliners bring star power to SXSW, featuring red carpet premieres and gala film events with major and rising names in cinema.

Dungeons & Dragons: Honor Among Thieves
Directors: Jonathan Goldstein, John Francis Daley, Producers: Jeremy Latcham, Brian Goldner, Nick Meyer, Screenwriters: Jonathan Goldstein, John Francis Daley, Michael Gilio
A charming thief and a band of unlikely adventurers undertake an epic heist to retrieve a lost relic, but things go dangerously awry when they run afoul of the wrong people. Cast List: Chris Pine, Michelle Rodriguez, Regé-Jean Page, Justice Smith, Sophia Lillis, Chloe Coleman, Daisy Head and Hugh Grant (Opening Night World Premiere)

Evil Dead Rise
Director/Screenwriter: Lee Cronin, Producer: Rob Tapert
Evil Dead Rise tells a twisted tale of two estranged sisters, played by Sutherland and Sullivan, whose reunion is cut short by the rise of flesh-possessing demons, thrusting them into a primal battle for survival as they face the most nightmarish version of family imaginable. Executive Producers include Sam Raimi and Bruce Campbell. Cast List: Lily Sullivan, Alyssa Sutherland, Morgan Davies, Gabrielle Echols, Nell Fisher

Problemista
Director/Screenwriter: Julio Torres, Producers: Emma Stone, Dave McCary, Ali Herting
Alejandro (Torres) is an aspiring toy designer from El Salvador, struggling to bring his unusual ideas to life in New York City. As time on his work visa runs out, a job assisting an erratic art-world outcast (Swinton) becomes his only hope to stay in the country and realize his dream. From writer/director Julio Torres comes a surreal adventure through the equally treacherous worlds of New York City and the U.S. Immigration system. Cast List: Julio Torres, Tilda Swinton, RZA (World Premiere)

Flamin’ Hot
Director: Eva Longoria, Producer: DeVon Franklin, Screenwriters: Linda Yvette Chávez, Lewis Colick
Flamin’ Hot is the story of Richard Montañez, the Frito Lay janitor who channeled his Mexican American heritage and upbringing to turn Flamin’ Hot Cheetos into a snack that disrupted the food industry and became a global phenomenon. Cast List: Jesse Garcia, Annie Gonzalez, Dennis Haysbert, Emilio Rivera, Tony Shalhoub, Matt Walsh, Pepe Serna, Bobby Soto, Jimmy Gonzales, Brice Gonzalez (World Premiere)


NARRATIVE FEATURE COMPETITION Presented by Panavision
Panavision, the global provider of optics, cameras, and end-to-end services that power the creative vision of filmmakers, is sponsoring the Narrative Feature Competition. Eight world premieres, and eight unique ways to celebrate the art of storytelling.

I Used To Be Funny (Canada)
Director/Screenwriter: Ally Pankiw, Producers: James Weyman, Jason Aita, Breann Smordin
Sam, a stand-up comedian struggling with PTSD, weighs whether or not to join the search for Brooke, a missing teenage girl she used to nanny. Cast List: Rachel Sennott, Olga Petsa, Jason Jones, Sabrina Jalees, Caleb Hearon, Ennis Esmer, Dani Kind (World Premiere)

Late Bloomers
Director: Lisa Steen, Producers: Alexandra Barreto, Taylor Feltner, Sam Bisbee, Screenwriter: Anna Greenfield
An aimless 28-year-old Brooklynite lands in the hospital after drunkenly breaking her hip being stupid. An encounter with a cranky elderly Polish woman who speaks no English leads to a job caring for her. Neither likes it, but it’s time to grow up. Cast List: Karen Gillan, Margaret Sophie Stein, Jermaine Fowler, Kevin Nealon, Talia Balsam (World Premiere)

Mustache
Director/Screenwriter: Imran J. Khan, Producers: Christina Won, Jessica Sittig, Christopher Storer, Tyson Bidner
It’s the mid-90s and 13-year-old Pakistani-American Ilyas is forced out of his cushy Islamic private school and thrown into public school with non-Muslim kids, all while suffering daily through life with his inescapable pre-pubescent Mustache. Cast List: Atharva Verma, Rizwan Manji, Alicia Silverstone, Hasan Minhaj, Meesha Shafi, Ayana Manji (World Premiere)

Parachute
Director: Brittany Snow, Producers: Jordan Yale Levine, Jordan Beckerman, Brittany Snow, Lizzie Shapiro, Screenwriters: Brittany Snow, Becca Gleason
Riley is determined to recover from her addictions to food and body image when she soon falls for another addiction, Ethan. Cast List: Courtney Eaton, Thomas Mann, Francesca Reale, Gina Rodriguez, Joel McHale, Scott Mescudi, Dave Bautista, Jennifer Westfeldt, Kathryn Gallagher, Chrissie Fit, Kelley Jakle (World Premiere)

Pure O
Director/Screenwriter: Dillon Tucker, Producers: Ricky Fosheim, Dillon Tucker, Ray Lee
A young screenwriter/musician grapples with Pure O, a lesser-known form of OCD, while juggling his recent engagement and his day job at a high end Malibu drug rehab. Inspired by the filmmaker’s own personal true story. Cast List: Daniel Dorr, Hope Lauren, Landry Bender, Jeff Baker, Candice Renee, Breon Gorman, Tim Landfield, Isaac Nippert, Devon Martinez, Clint James (World Premiere)

Raging Grace (United Kingdom)
Director/Screenwriter: Paris Zarcilla, Producer: Chi Thai
A bold coming-of-rage story where Joy, a Filipino immigrant, and her daughter Grace encounter a darkness that threatens all they have worked for. Cast List: Maxine Eigenman, Leanne Best, David Hayman (World Premiere)

Scrambled
Director/Screenwriter: Leah McKendrick, Producers: Gillian Bohrer, Jonathan Levine, Brett Haley, Amanda Mortimer
A broke, single millennial unleashes an existential shitstorm when she freezes her eggs. Cast List: Leah McKendrick, Ego Nwodim, Andrew Santino, Clancy Brown, Laura Ceron, Yvonne Strahovski, June Diane Raphael, Adam Rodriguez, Brett Dier, Sterling Sulieman (World Premiere)

Story Ave
Director: Aristotle Torres, Producers: Lizzie Shapiro, Datari Turner, Jamie Foxx, Aristotle Torres, Screenwriters: Bonsu Thompson, Aristotle Torres
After running away from home, a teenage graffiti artist holds up an unsuspecting MTA worker in a robbery gone right that changes their lives forever. Cast List: Asante Blackk, Luis Guzmán, Alex Hibbert, Melvin Gregg, Coral Peña, Cassandra Freeman, Hassan Johnson (World Premiere)




DOCUMENTARY FEATURE COMPETITION
Eight world premieres: Eight non-fiction stories that demonstrate integrity, energy and unique voices.

Angel Applicant
Director/Screenwriter: Ken August Meyer, Producers: Ken A. Meyer, Jason Roark
A sick man discovers empathetic wisdom on how to cope with his deadly autoimmune disease within the colorful expressive works of the late Swiss-German modern artist, Paul Klee. (World Premiere)

Another Body (United Kingdom, U.S.)
Directors: Sophie Compton, Reuben Hamlyn, Producers: Elizabeth Woodward, Sophie Compton, Reuben Hamlyn, Screenwriters: Sophie Compton, Reuben Hamlyn, Isabel Freeman
Another Body follows a college student after she discovers deepfakes of herself circulating online. (World Premiere)

Geoff McFetridge: Drawing a Life
Director/Producer: Dan Covert, Screenwriters: Erik Auli, Dan Covert, Amy Dempsey, Tara Rose Stromberg
What defines a life? The iconic work of artist Geoff McFetridge is everywhere. But this film is more than a primer on his career—it’s about the choices we confront in trying to lead meaningful lives, and how we use our most precious resource: time. (World Premiere)

Join or Die
Directors/Producers/Screenwriters: Rebecca Davis, Pete Davis
A film about why you should join a club—and why the fate of America may depend on it. Follow the story of America’s civic unraveling through the work of Robert Putnam, whose legendary Bowling Alone findings light a path out of our democracy’s crisis. (World Premiere)

Pay Or Die
Directors: Rachael Dyer, Scott Ruderman, Producers: Rachael Dyer, Scott Ruderman, Yael Melamede
3 American families are on the receiving end of a ransom note. Their journeys reflect how lives are being threatened and taken by the soaring price of insulin, and reveal the harrowing reality of life with illness in the richest country in the world. (World Premiere)

Queendom (France, U.S.)
Director: Agniia Galdanova, Producers: Igor Myakotin, Agniia Galdanova
Gena, a queer artist from a small town in Russia, dresses in otherworldly costumes and protests the government on the streets of Moscow. She stages radical performances in public, which becomes a new form of art and activism – and puts her life in danger. (World Premiere)

Riders on the Storm (Austria)
Directors/Producers: Jason Motlagh, Mark Oltmanns
A young horseman battling to make his name and keep a family tradition alive in the ancient sport of buzkashi learns that fame is a gift and a curse as the Taliban take control of Afghanistan and threaten his life. (World Premiere)

You Were My First Boyfriend
Directors: Cecilia Aldarondo, Sarah Enid Hagey, Producer: Ines Hofmann Kanna
In this high school reunion movie turned inside out, filmmaker Cecilia Aldarondo relives her tortured adolescence, wondering if she remembered it all wrong. (World Premiere)



NARRATIVE SPOTLIGHT
High profile narrative features receiving their World, International, North American, or U.S. premieres at SXSW.

Bloody Hell (Canada)
Director/Screenwriter: Molly McGlynn, Producers: Jennifer Weiss, Liane Cunje
A teenage girl gets diagnosed with a reproductive condition that upends her plans to have sex and propels her into exploring unusual methods to have a sex life, challenging her relationships with everyone in her life, but most importantly, herself. Cast List: Maddie Ziegler, Emily Hampshire, Djouliet Amara, Ki Griffin, D’Pharaoh Woon-A-Tai (World Premiere)

Deadland
Director: Lance Larson, Producers: Elizabeth Avellan, Bob Bastarache, Jas Shelton, Lance Larson, Tara Pirnia, Chris Wilks, Screenwriters: Lance Larson, Jas Shelton
A U.S. Border Patrol Agent tries to apprehend the ghost of his father, a grave decision that will haunt him forever. Cast List: Roberto Urbina, McCaul Lombardi, Julieth Restrepo, Kendall Rae, Luis Chavez, Julio Cesar Cedillo, Manuel Uriza, Chris Mulkey (World Premiere)

Down Low
Director: Rightor Doyle, Producers: Ashley Fox, Lucas Wiesendanger, Ross Katz, Screenwriters: Phoebe Fisher, Lukas Gage
Down Low is an outrageous comedy about one wild night, a deeply repressed man, the twink who gives him a happy ending, and all the lives they ruin along the way. Cast List: Zachary Quinto, Lukas Gage, Simon Rex, Sebastian Arroyo, Christopher Reed Brown, Audra McDonald, Judith Light (World Premiere)

Frybread Face and Me
Director/Screenwriter: Billy Luther, Producer: Chad Burris
An 11-year-old city boy is sent to his grandmother’s ranch on the Navajo reservation against his will. He is introduced to a new way of life, and an unexpected guest teaches him the importance of family, tradition, and what it means to be a man. Cast List: Kier Tallman, Charly Hogan, Martin Seinsmeir, Kahara Hodges, Ryan Begay, Sarah Natani (World Premiere)

If You Were the Last
Director: Kristian Mercado, Producers: Andrew Miano, Dan Balgoyen, Britta Rowings, Dennis Masel, Gabrielle Nadig, Jessamine Burgum, Kara Durrett, Jon Levin, Sean Woods, Screenwriter: Angela Bourassa
Adrift in their broken-down space shuttle with little hope of rescue, a male and female astronaut argue over whether they’re better off spending their remaining days as friends or something more. Cast List: Anthony Mackie, Zoë Chao, Natalie Morales, Geoff Stults (World Premiere)

Self Reliance
Director/Screenwriter: Jake Johnson, Producers: Jake Johnson, Ali Bell, Joe Hardesty
Given the opportunity to participate in a life or death reality game show, one man discovers there’s a lot to live for. Cast List: Jake Johnson, Anna Kendrick, Andy Samberg, Natalie Morales, Christopher Lloyd, Wayne Brady, GaTa, Emily Hampshire, Mary Holland, Boban Marjanović (World Premiere)

Upon Entry (Spain)
Directors/Screenwriters: Alejandro Rojas, Juan Sebastián Vásquez, Producers: Carles Torras, Carlos Juárez, Xosé Zapata, Sergio Adrià, Alba Sotorra
Upon their arrival at Newark’s airport with their approved residence visas, Diego and Elena are unexpectedly held and subjected to an interrogation by border agents who attempt to discover whether the couple may have something to hide. Cast List: Alberto Ammann, Bruna Cusí, Ben Temple, Laura Gómez (North American Premiere)



DOCUMENTARY SPOTLIGHT
Shining a light on new documentary features receiving their World, International, North American or U.S. premieres at SXSW.

A Disturbance in the Force
Directors: Jeremy Coon, Steve Kozak, Producers: Jeremy Coon, Steve Kozak, Kyle Newman
Travel back to a galaxy far, far away—the infamous Star Wars Holiday Special. Dive into the mystery of how it happened and why 45 years later it has become, much to the chagrin of George Lucas, the ultimate cult classic among Star Wars fans. (World Premiere)

The Arc of Oblivion
Director: Ian Cheney, Producers: Meredith Desalazar, Manette Pottle, Rebecca Taylor
The Arc of Oblivion illuminates the strange world of archives, record-keeping, and memory through a filmmaker’s quixotic quest to build an ark in Maine. (World Premiere)

Being Mary Tyler Moore
Director: James Adolphus, Producers: Lena Waithe, Debra Martin Chase, Ben Selkow, Rishi Rajani, Andrew C. Coles, Laura Gardner
Being Mary Tyler Moore explores Mary’s vanguard career, who, as an actor, performer, and advocate, revolutionized the portrayal of women in media, redefined their roles in show business, and inspired generations to dream big and make it on their own. (World Premiere)

Confessions of a Good Samaritan
Director: Penny Lane, Producer: Gabriel Sedgwick
Director Penny Lane’s decision to become a “Good Samaritan” by giving one of her kidneys to a stranger turns into a funny and moving personal quest to understand the nature of altruism. (World Premiere)

Great Photo, Lovely Life
Directors: Amanda Mustard, Rachel Beth Anderson, Producers: Amanda Mustard, Rachel Beth Anderson, Luke Malone, Screenwriters: Amanda Mustard, Rachel Beth Anderson, Tyler H. Walk, Josef Beeby
A photojournalist turns her lens on the decades of sexual abuse her family and community experienced at the hands of her grandfather in this unflinching portrait of intergenerational trauma, family secrets, and redemption. (World Premiere)

The Herricanes
Director: Olivia Kuan, Producers: James Lee Hernandez, Brian Lazarte, Lisa France, James Short, Olivia Kuan, Justin Baldoni, Andrew Calof
The Houston Herricanes were a women’s full-tackle football team from the 1970’s whose fight to play the game continues to resonate with female athletes today. (World Premiere)

The Lady Bird Diaries
Director: Dawn Porter, Producers: Kim Reynolds, Dawn Porter
From award-winning filmmaker Dawn Porter comes The Lady Bird Diaries, a groundbreaking documentary film that uses Lady Bird’s audio diaries to tell the story of one of the most influential and least understood First Ladies in history. (World Premiere)

Last Stop Larrimah
Director: Thomas Tancred, Producers: Sean Bradley, Rebecca Saunders
Nestled deep in the Australian Outback is the town of Larrimah and its 11 eccentric residents. When one of them mysteriously disappears into thin air, the remaining residents become suspects and a long history of infighting is unveiled. (World Premiere)

The New Americans: Gaming a Revolution
Director/Screenwriter: Ondi Timoner, Producers: Ondi Timoner, David Turner
The New Americans is a visceral, meme-driven journey at the intersection of finance, media, and extremism, which uncovers the connection between the Gamestop squeeze and the Jan 6th Insurrection and reveals explosive possibilities of our digital future. (World Premiere)

Periodical
Director: Lina Lyte Plioplyte, Producer: Pegah Farrahmand
Periodical is an eye-opening documentary that examines science, politics, and mystery of the menstrual cycle, through the experiences of doctors, athletes, movie stars, journalists, activists, and everyday people. (World Premiere)

Who I Am Not (Romania)
Director/Screenwriter: Tünde Skovrán, Producers: Andrei Zinca
There is male, there is female, and then there is I. Born male and female within one single body, a beauty queen and a male-presenting activist break the intersex taboo through a personal and intimate exploration of truth, faith, and belonging. (North American Premiere)



MIDNIGHTERS
Scary, funny, sexy, controversial – eight provocative after-dark features for night owls and the terminally curious.

Aberrance (Mongolia)
Director: Baatar Batsukh, Producers: Trevor Doye, Alexa Khan, Angarag Meguun, Screenwriters: Baatar Batsukh, Byambasuren Ganbat
An estranged couple takes a retreat in the woods. Foreboding neighbors, frivolous friends, and dark unseen forces lead to a shocking conclusion. Cast List: Erkhembayar Ganbat, Selenge Chadraabal, Yalalt Namsrai, Oyundary Jamsranjav, Sukhee Ariunbyamba, Bayarsanaa Batchuluun, Badamtsetseg Batmunkh (North American Premiere)

Brooklyn 45
Director/Screenwriter: Ted Geoghegan, Producers: Seth Caplan, Michael Paszt, Pasha Patriki, Sarah Sharp
In the months following World War II, five old military friends are talked into an impromptu séance, which brings to troubling light each of their haunted pasts. Cast List: Anne Ramsay, Ron E. Rains, Jeremy Holm, Larry Fessenden, Ezra Buzzington, Kristina Klebe (World Premiere)

It Lives Inside
Director: Bishal Dutta, Producers: Raymond Mansfield, Sean McKittrick, Screenwriters: Bishal Dutta, Ashish Mehta
An Indian-American teenager struggling with her cultural identity has a falling out with her former best friend and, in the process, unwittingly releases a demonic entity that grows stronger by feeding on her loneliness. Cast List: Megan Suri, Neeru Bajwa, Mohana Krishnan, Betty Gabriel, Vik Sahay (World Premiere)

Late Night With the Devil (Australia, United Arab Emirates)
Directors/Screenwriters: Colin Cairnes, Cameron Cairnes, Producers: Derek Dauchy, Steven Schneider, Roy Lee, Adam White, Mat Govoni
A live television broadcast of a popular late night talk show in 1977 goes horribly wrong during a demonstration of demonic possession, unleashing evil into the nation’s living rooms. Cast List: David Dastmalchian (World Premiere)

Monolith (Australia)
Director: Matt Vesely, Producer: Bettina Hamilton, Screenwriter: Lucy Campbell
All you have to do is listen. A disgraced journalist turns to podcasting to try and rebuild her career – but her rush to generate headlines soon uncovers a strange artifact, an alien conspiracy, and the lies at the heart of her own story. Cast List: Lily Sullivan (International Premiere)

Talk To Me (Australia)
Directors: Danny Philippou, Michael Philippou, Producers: Samantha Jennings, Kristina Ceyton, Screenwriters: Danny Philippou, Bill Hinzman
Lonely teenager Mia gets hooked on the thrills of conjuring spirits through a ceramic hand, but when she is confronted by a soul claiming to be her dead mother, she unleashes a plague of supernatural forces. Cast List: Sophie Wilde, Miranda Otto, Alexandra Jensen, Joe Bird, Otis Dhanji, Zoe Terakes, Chris Alosio (Texas Premiere)

The Wrath of Becky
Directors/Screenwriters: Matthew Angel, Suzanne Coote, Producers: Raphael Margules, JD Lifshitz, Tracy Rosenblum, Russell Posternak, Chadd Harbold
After living off the grid for two years, Becky finds herself going toe to toe against Darryl, the leader of a fascist organization, on the eve of an organized attack. Cast List: Lulu Wilson, Seann William Scott, Matt Angel, Courtney Gains, Aaron Della Villa, Michael Sirow, Denise Burse-Fernandez, Jill Larson, Kate Siegel (World Premiere)




TV PROGRAM

TV PREMIERES
Presenting world premieres of prestige serials slated for release.

I’m A Virgo
Showrunner/Director/Screenwriter: Boots Riley, Producers: Boots Riley, Michael Ellenberg, Lindsey Springer, Tze Chun, Jharrel Jerome
This is a fantastical coming-of-age joyride about a 13ft-tall young Black man who lives in Oakland, CA. It’s called I’m A Virgo. The series stars Jharrel Jerome, Brett Gray, Kara Young, Allius Barnes, Olivia Washington, Walton Goggins, Mike Epps, and Carmen Ejogo.
(World Premiere)

Mrs. Davis
Showrunner: Tara Hernandez, Directors: Owen Harris, Alethea Jones, Screenwriters/Producers: Tara Hernandez, Damon Lindelof
Mrs. Davis is the world’s most powerful Artificial Intelligence. Simone is the nun devoted to destroying Her. Who ya got? Cast List: Betty Gilpin, Jake McDorman, Andy McQueen (World Premiere)

Slip
Showrunner/Director/Screenwriter: Zoe Lister-Jones, Producers: Zoe Lister-Jones, Ro Donnelly, Dakota Johnson, Katie O’Connell-Marsh, David Fortier, Ivan Schneeberg
Restless inside a marriage that totally works, Slip follows Mae through a fantastical journey of parallel universes as she enters new relationships, trying to find her way back to her partner, and ultimately, herself. Cast List: Zoe Lister-Jones, Tymika Tafari, Whitmer Thomas, Amar Chadha-Patel, Emily Hampshire (World Premiere)



TV SPOTLIGHT
Presenting world premieres of new seasons of prestige series.

Blindspotting Season 2 Premiere
Showrunner/Director: Rafael Casal, Producers: Rafael Casal, Daveed Diggs, Jess Wu Calder, Keith Calder, Emily Gerson Saines, Ken Lee, Tim Palen
Ashley was nipping at the heels of a middle-class life in Oakland until Miles, her partner and father of their son, was suddenly incarcerated, forcing her to move in with his mother and sister as she attempts to navigate the chaos of her life while trying to be a fun mom for her son…with mixed results. Cast List: Jasmine Cephas Jones, Helen Hunt, Benjamin Earl Turner, Atticus Woodward, Jaylen Barron, Candace Nicholas-Lippman, Rafael Casal, Margo Hall, April Absynth, Lance Holloway (World Premiere)



INDEPENDENT TV PILOT COMPETITION
A pilot showcase introducing fresh work from bright new talent, many with an eye towards finding production, completion funds, or a release platform.

A Guide To Not Dying Completely Alone
Showrunner/Screenwriter: Kevin Yee, Director: Yen Tan, Producer: Bekah Sturm
After a near death experience, a queer Asian writer decides to change his life for the better and chronicles his journey in a book. Cast List: Kevin Yee, Brittani Nichols, Alex MacNicoll, Betsy Struxness, Paul Wong (World Premiere)

Chuchi & Adaliz
Showrunner: Ashley Soto Paniagua, Directors: Dani Adaliz, Lance Cameron Holloway, Screenwriters: Ashley Soto Paniagua, Dani Adaliz, Jocelli Paniagua, Producers: Jocelli Paniagua, Heidi Williamson
After losing her job for insider trading, Adaliz moves in with her childhood bestie Chuchi who teaches her how to be poor. Cast List: Ashley Soto Paniagua, Dani Adaliz, Andrea Bashe, Kathryn Peters, Jocelli Paniagua, Selorm Kploanyi, Dariany Santana, Jeremy Habig, Jullian Farris (World Premiere)

Grown
Showrunner/Director/Screenwriter: Jocko Sims, Producers: Jocko Sims, Christophers Santiago, Chaz Hazlitt, Andrew Zolot
After sneaking into a strip club, 14 year old Rogelio, learns a few hard lessons about being man — all thanks to the aid of his older sister Chelly. Cast List: Josiah Gabriel, Giovanni Cristoff, Tristan-Lee Edwards, Angela Mejia-Loggia, Eliza Ramos, Kevin Rodriguez, Nixon Cesar (World Premiere)

Harbor Island
Showrunner/Director/Screenwriter: Calvin Lee Reeder, Producers: Carlos A.F. Lopez, Megan Leonard
A dad joke comic wanders the industrial zone at night. Cast List: Josh Fadem, Sidney Jayne Hunt, Matt Olsen (World Premiere)

Marvin? (Netherlands)
Showrunners/Screenwriters: Anton van der Linden, George Gottl, Director: Anton van der Linden, Producers: Anton van der Linden, Daan Geuke
Two young friends struggling to get ahead in life stumble onto a magical fridge that literally makes their dreams come true and soon learn that their shiny materialistic world is not what they expected. Cast List: Cameron Tharma, Sarah Rose, Sven Ironside, Jay Reaper, Cendy Barlag (World Premiere)

Metal Man
Showrunner: Tomas Pais, Directors: Laurel Parmet, Tomas Pais, Screenwriters: John Patton Ford, Tomas Pais, Laurel Parmet, Producer: Kaelan Housewright
A heavy metal handyman gets called to fix a tub but gets pulled into the drama/life of his customer and must handle more than he signed up for. Cast List: Tomas Pais, Lily Du, Andrew Walke, Da’Vone McDonald, David Massil (World Premiere)

Notarize Me
Director: Erika Rankin, Screenwriters/Producers: Erika Rankin, Brigitte Valdez
BFFs and mobile notary publics, Jackie and Louise, find themselves in intimate situations with wacky strangers as important legal documents get signed. Cast List: Brigitte Valdez, Erika Rankin, Sarah Cornell, Harley Tarlitz (Texas Premiere)



SHORTS PROGRAM Presented by IMDbPro

IMDbPro, the essential resource for entertainment industry professionals, is sponsoring the lineup of short films across six competitive sections. The SXSW 2023 Shorts Film Program presented by IMDbPro will include a selection of original, well-crafted films that take advantage of the short form and exemplify distinctive and genuine storytelling. The membership-based IMDbPro service empowers entertainment professionals with information and tools designed to help them achieve success throughout their career and is a service of IMDb, the world’s most popular and authoritative source for information on movies, TV shows and celebrities.


NARRATIVE SHORTS COMPETITION
A selection of original, well-crafted films that take advantage of the short form and exemplify distinctive and genuine storytelling.

Breaking Fast with a Coca Cola
Director/Screenwriter: Amy Omar, Producers: Karine Benzaria, Jordan Hart, Amy Omar
After growing up in the secular households of their Turkish immigrant parents in the Midwest, Özlem and Ada are desperate to celebrate a tradition of their own. For the first time, they embark on a day of fasting and a night of feasting for Ramadan. (World Premiere)

The Breakthrough
Director/Screenwriter: Daniel Sinclair, Producers: Kate Chamuris, Valerie Steinberg
Jane and Teddy are on the brink of divorce – but when their marital problems come to a sticking point, they have an unexpected breakthrough. (World Premiere)

Closing Dynasty
Director/Screenwriter: Lloyd Lee Choi, Producers: Jon Hsu, Lloyd Lee Choi
On a school day, a 7 year-old hustles strangers for money on the streets of New York City. (North American Premiere)

Deliver Me
Director/Screenwriter: Joecar Hanna-Zhang, Producers: Noam Argov, Jorge Sistos, Joecar Hanna-Zhang
A billionaire’s long-awaited delivery threatens to upend his already tense relationship with his identical husband, who is having an identity crisis of his own. (World Premiere)

Endless Sea
Director/Screenwriter: Sam Shainberg, Producer: Rachel Walden
Carol begins a normal day only to find out that her heart medication has doubled in price. Afraid, but not without hope, she sets out to find a solution, but her journey doesn’t lead to salvation, only a desperate act of revolution. (Texas Premiere)

The Family Circus
Director/Screenwriter: Andrew Fitzgerald, Producer: Josh Cohen
A Vietnamese-American family’s plan to cover up a drunk driving accident begins to unravel as their emotional baggage spills out in front of the police. (Texas Premiere)

Flores del Otro Patio (Colombia, Switzerland)
Director: Jorge Cadena, Screenwriters: Jorge Cadena, Li Aparicio Candama, Producers: Yan Decoppet, Gabriela Bussmann
In north Colombia, a group of queer activists use extravagant performative actions to denounce the disastrous exploitation by the country’s largest coal mine. (International Premiere)

Fuck Me, Richard (Australia, U.S.)
Directors: Lucy McKendrick, Charles Polinger, Screenwriter: Lucy McKendrick, Producers: Jenna Grossano, Lucy McKendrick, Charlie Polinger
Recovering from a broken leg, a romance-obsessed loner finds herself swept up in a passionate long-distance love affair. Richard is perfect in every way, except that he may be a scammer. (World Premiere)

Graveyard of Horses (China)
Director/Screenwriter: Xiaoxuan Jiang, Producer: Zhulin Mo
A frigid winter on the Mongolian steppe, an untimely snowstorm led a pregnant herder and her 8-year-old daughter to places they’ve never been. (North American Premiere)

I Probably Shouldn’t Be Telling You This
Director/Screenwriter: Emma Weinswig, Producers: Emma Weinswig, Will Noyce
When an oversharing, compulsive-lying e-girl is caught in the web of her own lies on her (secretly) favorite podcast, she must finally get off her bullshit. (World Premiere)

It Turns Blue (Iran)
Director/Screenwriter: Shadi Karamroudi, Producers: Shadi Karamroudi, Mehran Noori, Mina Dreki, Theodora Valentis
Pari covers up domestic violence when her brother beats up his 3-year-old daughter. (World Premiere)

The Key (Belgium, France, Palestine, State of)
Director/Screenwriter: Rakan Mayasi, Producers: Frank Barat, Rakan Mayasi, François de Villers, Laura Jumel, Nadine Naous, Patrizia Roletti
An Israeli family’s equilibrium gradually disintegrates as a mysterious sound is heard every evening at the door of their apartment. (North American Premiere)

Leonetty
Director/Screenwriter: Logan Jackson, Producer: Dante Sims
No longer able to live with his mother, young Leonetty is sent to live with his aging grandmother. (World Premiere)

Les Battues (The Fading) (Canada)
Director/Screenwriter: Rafaël Beauchamp, Producer: Léonie Hurtubise
In a small Quebec village, three hunters take possession of the tragedy of a young mother to put their own verdict on it. (World Premiere)

Never Fuggedaboutit
Director/Screenwriter: Dustin Waldman, Producers: Dustin Waldman, Nicholas Nazmi, Sariel Hana Friedman
Amid the high anxiety of post-9/11 NYC, a struggling post-production house is hired to remove a shot of the Twin Towers from the intro to a hit TV show. (World Premiere)

Rest Stop
Director/Screenwriter: Crystal Kayiza, Producers: Jalena Keane-Lee, Brit Fryer
On a bus ride from New York to Oklahoma, Meyi, a young Ugandan-American girl, realizes her place in the world through her mother’s ambitious effort to reunite their family. (Texas Premiere)

Scotty’s Vag
Director/Screenwriter: Chaconne Martin-Berkowicz, Producers: Cailin Lobb-Rabe, Chaconne Martin-Berkowicz, Gia Rigoli, Vero Kompalic
The night of a sorority hazing event, a college freshman learns just how far she’s willing to go to impress an older girl. (World Premiere)

Sisters of the Rotation (Lebanon)
Directors: Michel Zarazir, Gaby Zarazir, Screenwriters: The Zarazir Brothers, Producer: Madame Le Tapis
At the Sisters of the Rotation’s convent, the Earth doesn’t spin by itself. (North American Premiere)

Slick Talk
Directors: Courtney Loo, David Karp, Screenwriter: Courtney Loo, Producer: Katie Mykrantz
Feeling the pressure of an important meeting with a potential music manager, Kiki struggles with her identity as an outsider in the Chinese-American community, a culture vulture in the hip-hop world, and a potential sellout for mainstream success. (World Premiere)

Take Me Home
Director/Screenwriter: Liz Sargent, Producer: Minos Papas
After their mother’s death, an intellectually disabled woman and her estranged sister must learn to communicate in order to move forward. (Texas Premiere)



DOCUMENTARY SHORTS COMPETITION
Slices of life from across the documentary spectrum.

Ball People
Director: Scott Lazer, Producer: Tripp Kramer, Talia Cohen
Behind the scenes of the US Open Ball Crew tryouts. (World Premiere)

Birdsong (United Kingdom)
Directors: Omi Zola Gupta, Sparsh Ahuja, Producers: Sparsh Ahuja, Omi Zola Gupta, Dorn Bouttasing
Birdsong is an intimate portrait of the dying whistled language of the Hmong people in northern Laos. (International Premiere)

The Bus (Spain)
Director: Sandra Reina, Screenwriters: Sandra Reina, Fran Menchón, Producer: Valérie Delpierre
This is a round-trip bus ride, which takes passengers on Friday mornings towards the weekend, and picks them up on Sunday afternoons to take them back to the place where they came from. (World Premiere)

The Dads
Director/Screenwriter: Luchina Fisher, Producers: Shan Shan Tam, Luchina Fisher
When five fathers of trans kids join Dennis Shepard, the father of slain gay college student Matthew Shepard, for a weekend fishing trip in rural Oklahoma, they find common purpose across races, generations, and experiences. (World Premiere)

El Bastón (Colombia, U.S.)
Director: Nemo Allen, Producers: Nemo Allen, Aditi Natasha Kini, Hanna Wallis, Juan Blanco García
Two filmmakers, one mother and one son, find answers and strength as they document the struggles of Colombia’s Indigenous Nasa, decades apart. (Texas Premiere)

Margie Soudek’s Salt and Pepper Shakers
Director: Meredith Moore, Producer: Jonna McKone
An artist and VFX instructor connects with her aging grandmother, Margie, in a documentary short on collecting, artmaking, and obsessiveness as a way to enhance our realities. (Texas Premiere)

Mother of the Dawn
Director: Janell Shirtcliff, Screenwriters: Angie Simms, Tommy Savas, Producer: Tommy Savas
In the early 1950s in a remote corner of Brazil, a female truck driver named Tia Neiva started having visions of extraterrestrial spirits; shortly after, she began to gain a following called Vale do Amanhecer (Valley of the Dawn). (World Premiere)

Nǎi Nai & Wài Pó (Grandma & Grandma)
Director: Sean Wang, Producers: Sean Wang, Sam Davis
Nǎi Nai (奶奶) is my grandma. Wài Pó (外婆) is also my grandma. Together, they are my grandmas. Meet my grandmas. (World Premiere)

Puffling (United Kingdom)
Director: Jessica Bishopp, Producers: Alice Hughes, Gannesh Rajah, Ada Benjamínsdóttir
On a remote Icelandic island, teenagers Birta and Selma take it upon themselves to counteract society’s harmful impact on nature, exchanging night-time parties for nocturnal puffin rescues in a coming-of-age story for young adults and puffins alike. (World Premiere)

Roger J. Carter: Rebel Revolutionary
Director: Justin Fairweather, Producers: Zachary Kingham-Seagle, Johnny Starke
Roger J. Carter: Rebel Revolutionary follows the Chicago portrait artist as he creates staggering images of black revolutionaries using hundreds of toy soldiers, representing the wars the marginalized face as they dismantle an established system. (World Premiere)

Suddenly TV (Qatar)
Director/Producer: Roopa Gogineni
A group of young Sudanese create an imaginary television station at a besieged sit-in. Interviewing protestors from around the country, they confront the violence of the regime and conjure a new Sudan. (North American Premiere)

Where the Sun Always Shines (United Kingdom)
Director: Rosie Baldwin, Producer: Lucy Draper
The residents of a quintessential but neglected British seaside town grapple with research suggesting that their home could disappear within their lifetimes due to the climate crisis. (World Premiere)



ANIMATED SHORTS COMPETITION
An assortment of stories told using traditional animation, computer-generated effects, stop-motion, and everything in between.

A Tiny Man (France)
Directors: Aude David, Mikaël Gaudin, Screenwriters: Mikaël Gaudin, Aude David, Producer: Jérôme Blesson
With a delicately penciled animation style, A Tiny Man tells a moral tale of nefarious schemes gone awry. As a husband faces the consequences of his actions, he perhaps begins to realize that maybe size does in fact matter. (Texas Premiere)

Ashkasha (Argentina, Spain)
Director/Screenwriter/Producer: Lara Maltz
Ashkasha is a living being guided by curiosity. This causes her to lose her head and get trapped in the depths, where she is submerged on a discovery journey. (US Premiere)

Beyond The Fringe (Spain)
Directors: Han Tang, Costanza Baj, Screenwriter/Producer: Han Tang
A story about a little paper figure’s journey of finding the strength to leave its home, the notebook where it was born, to explore the great world beyond. (World Premiere)

Christopher at Sea (France, United Kingdom, U.S.)
Director: Tom CJ Brown, Screenwriters: Tom CJ Brown, Laure Desmazières, Producers: Emmanuel-Alain Raynal, Pierre Baussaron, Amanda Miller, Hanna Stolarski, Nick Read, Emily-Jane Brown
Christopher goes to sea. (Texas Premiere)

The Debutante (United Kingdom)
Director/Screenwriter: Elizabeth Hobbs, Producer: Abigail Addison
A spirited young woman persuades a hyena from London Zoo to take her place at a dinner dance being held in her honour. (Texas Premiere)

Ice Merchants (Portugal)
Director/Screenwriter: João Gonzalez, Producers: Bruno Caetano, Michaël Proença
Every day, a father and his son jump with a parachute from their vertiginous cold house, attached to a cliff, to go to the village on the ground far away where they sell the ice they produce daily. (Texas Premiere)

Remove Hind Legs Before Consumption (Switzerland)
Directors: Lukas Wind, Finn Meisner, Leslie Herzig, Producer: Gerd Gockell
In an insect food farm, one lucky cricket survives its certain death. (International Premiere)

Sandwich Cat (Spain)
Director/Screenwriter: David Fidalgo, Producers: Daniel Rodriguez, Laura Doval
David lives alone with his kitty, Sandwich Cat. It seemed like an ordinary day, but an unexpected visit will lead him to a crucial reflection to humanity. (International Premiere)

Spring Roll Dream (United Kingdom)
Director: Mai Vu, Screenwriter: Chloe White, Producer: Thijme Grol
Linh is a Vietnamese single mother who’s successfully forged a life for herself and her son in America. But she is confronted with the past and culture she left behind and the question of where it belongs in her family’s new life. (Texas Premiere)

Sprout
Director/Screenwriter/Producer: Zora Kovac
After an agoraphobic scientist accidentally creates a baby-like plant creature, their connection threatens to upend his reclusive way of life. (World Premiere)



MIDNIGHT SHORTS COMPETITION
Bite-sized bits for all of your sex, gore, and hilarity cravings.

Dead Enders
Directors: Fidel Ruiz-Healy, Tyler Walker, Screenwriters: Fidel Ruiz-Healy, Tyler Walker, Jordan Michael Blake, Conor Murphy, Producers: Raven Jenson, Amanda Crown, Gregory Barnes, Conor Murphy, Nico Alvo, Jordan Michael Blake, Eduardo Ruiz-Healy
A disaffected gas station clerk finds out why they call it the “graveyard shift” after oil drillers set loose an ancient race of mind-controlling parasites.(World Premiere)

Every House is Haunted
Director/Screenwriter: Bryce McGuire, Producer: Isaiah Smallman
A struggling couple moves into a haunted house… on purpose. (World Premiere)

The Flute (Ireland, U.S.)
Director: Nick Roney, Screenwriters: Nick Roney, Ed Leer, Producers: Brendan Garrett, Ryland Burns
Fleeing a long-term relationship, a young man seeks refuge with his best friends. After discovering their strange instruments, he’ll learn the bachelor lifestyle is not as sweet as it sounds. (World Premiere)

Kodama
Director/Screenwriter: Brian M Tang, Producers: Penny Lin, Brendan Bennett, Norrie Palmer, Brian M Tang
Arthur, a member of an elite SWAT Samurai team, embarks on a rescue mission into the spirit world in order to recover his father from vengeful Japanese Yokai spirits. (World Premiere)

The Mundanes
Directors/Screenwriters: Nicole Daddona, Adam Wilder, Producers: Eric Hendricks, Nicole Daddona, Adam Wilder
Get to know the Mundanes, a faceless suburban family with an unusual appetite. (World Premiere)

Pennies from Heaven
Director: Sandy Honig, Screenwriters: Sandy Honig, Annabel Meschke, Sabina Meschke, Producer: Jake Honig
Pennies from Heaven is a short comedy about two eccentric twin sisters who stumble upon a pickup truck full of pennies and follow the adventure wherever it takes them. (World Premiere)

Pussy Love (Germany)
Director/Screenwriter/Producer: Linda Krauss
Hey Puss! Still playing hard to get? Let me be your pussycat. (World Premiere)

Run
Director/Screenwriter: Alex Prager, Producers: Vincent Landay, Alex Prager, Lisa Lou Ziven
Run celebrates the absurdity of being alive today.

Vibrator Girl
Director: Kara Strait, Screenwriters: Morgane Ciot, Zoe Mintz, Producers: Morgane Ciot, Zoe Mintz
A young woman suffers the eerie consequences of her compulsive vibrator use. (World Premiere)

We Forgot About The Zombies
Director/Screenwriter: Chris McInroy, Producers: Kris Phipps, Jarrod Yerkes, Stacey Bell
Two dudes think they found the cure for zombie bites. (Texas Premiere)

You’re Not Home (Ireland)
Director/Screenwriter: Derek Ugochukwu, Producer: Gregory Burrowes
When an ominous mould appears in their room, two African brothers seeking asylum are faced with a dark entity lurking within their direct provision centre. (Texas Premiere)



TEXAS SHORTS COMPETITION
An offshoot of our regular shorts program, composed of work shot in, about, or somehow relating to the Lone Star state.

Breaking Silence
Directors: Amy Bench, Annie Silverstein, Producers: Monique Walton, Amy Bench
A portrait of a Deaf activist and his formerly incarcerated daughter who build new bonds through their experiences in the criminal justice system. (Texas Premiere)

Call Me Mommy
Directors: Haley Alea Erickson, Taylor Washington, Screenwriter: Haley Alea Erickson, Producers: Brittany Reeber, David Tenczar
A pedantic mother-to-be hires a stranger to role-play as her unborn daughter. (World Premiere)

Dressed
Director/Screenwriter: Bethiael Alemayoh, Producer: Noam Argov
A former bride-to-be attempts to sell her wedding dress. (World Premiere)

Exit 238
Director/Producer: Henry Davis
In the fall in Austin, TX, the extraordinary roosting display of the Purple Martin attracts people of many walks of life to the Capital Plaza shopping center. (Texas Premiere)

Eyestring (Argentina, U.S.)
Director: Javier Devitt, Screenwriters: Javier Devitt, Alena Chinault, Producer: Alena Chinault
With a mysterious string growing from her eye and questionable advice from a hotline service, Veronica is led on a strange quest for answers. (World Premiere)

Funny Face
Director: Jude Hope Harris, Screenwriters: Krista Fatka, Jude Hope Harris, Producers: Genevieve Jones, Nick Vitale
When country singer Randy travels to take care of his sister Sophie as she recovers from facial feminization surgery, he meets her girlfriend, Morgan, for the first time. The three bond over family history, love, and an extremely chaotic home nurse. (World Premiere)

La Cosecha
Director: Samuel Díaz Fernández, Screenwriters: Ái Vuong, Samuel Díaz Fernández, Producer: Ái Vuong
As one of many residents who lack access to fresh food in Austin, Nolvia Castillo takes the driver’s seat and distributes vegetables to her neighbors. When filmmaker Ai Vuong rides along, they speak the language of immigrants: memories of food. (World Premiere)

When You Left Me On That Boulevard
Director/Screenwriter: Kayla Abuda Galang, Producers: Alifya Ali, Kayla Abuda Galang, David Oconer, Udoy Rahim, Samantha Skinner
Teenager Ly and her cousins get high before a boisterous family Thanksgiving at their auntie’s house in southeast San Diego in 2006. (Texas Premiere)

Wüm
Director/Screenwriter: Anna Margaret Hollyman, Producers: David Hartstein, Seana Flanagan, Shelby Hadden
Bennett, a nonbinary new parent, joins a Mommy Group called Wüm. What is supposed to be a supportive space turns into a Hipster-Stepford-Wife nightmare with Bennett being smothered in the middle of white lady “wokeness.” (World Premiere)



MUSIC VIDEO COMPETITION
A range of classic, innovative, and stylish work showcasing the scope of music video culture.

alt-J – ‘The Actor’ (United Kingdom) / Director: Saskia Dixie

Amanda Sum – ‘Different Than Before’ (Canada) / Director/Screenwriter: Mayumi Yoshida

Arlo McKinley – ‘Stealing Dark from the Night Sky’ / Director: Matt Reynolds

Ben Abraham – ‘If I Didn’t Love You’ / Director: Jillian Bell

Diplo feat Miguel – ‘Don’t Forget My Love’ / Director: Kinopravda, Screenwriters: Viktor Horvath, Zoltan Aprily

Doechii – ‘Crazy’ / Director: C Prinz

Drew Ashby – ‘Her’ / Directors: Chris Scholar, Bevin Brown

Kuba Kawalec – ‘I Died’ (Poland) / Director/Screenwriter: Zuzanna Plisz

Little Simz – ‘Point and Kill’ (United Kingdom) / Director: Ebeneza Blanche

Mac Miller – ‘Colors and Shapes’ / Director: Sam Mason

Michael Kiwanuka – ‘ Beautiful Life’ / Director: Phillip Youmans

Mick Jenkins – ‘Truffles ‘ (United Kingdom, U.S.) / Director: Andre Muir

Mothermary – ‘Coming for You Remix’ / Directors/Screenwriters: Larena Danielle Winn, Elyse Winn

Number One Popstar – ‘Dance Away the Pain’ / Director/Screenwriter: Kate Hollowell

Pearl Derringer – ‘Little Baby (feat. Margo Price)’ / Director: Kimberly Stuckwisch, Screenwriters: Pearl Derringer, Kimberly Stuckwisch

Pranav Bhasin, Rohini Maiti – ‘Screaming on the Fly’ (India) / Director/Screenwriter: Pranav Bhasin

Residente – ‘This is Not America ft. Ibeyi’ / Director: Gregory Ohrel

S+C+A+R+R – ‘Never Give Up’ (France) / Director: Jack Antoine Charlot

Yeah Yeah Yeahs – ‘Wolf’ / Director: Allie Avital

Zolita – ‘Somebody I F*cked Once’ / Director/Screenwriter: Zolita



XR EXPERIENCE

The immersive arts are redefining how we experience the world around us. The projects presented in our XR Experience Competition, XR Experience Spotlight, and XR Experience Special Event sections emphasize storytelling, ingenuity, and also showcase how artists of all types are embracing this new medium.

XR Experience Competition
World Premieres of exciting immersive work.

Aespa VR Concert at Kwangya (Republic of Korea, U.S.)
Director: Soo-man Lee, Producer: Junyoung Park
“Aespa’s first concert at Kwangya, the artists’ virtual existence coexisting with the future.” – SM Culture Universe. (World Premiere)

Body of Mine VR
Director/Producer/Screenwriter: Cameron Kostopoulos
Experience gender dysphoria and trans identity with Body of Mine VR, an intimate experience that takes you inside the body of another gender. (World Premiere)

Consensus Gentium (United Kingdom)
Director/Screenwriter: Karen Palmer, Producers: Tom Millen, Thalia Mavros, Jackson Lapsley Scott, Tuyet Huynh
Consensus Gentium is an emotionally responsive film app designed to be experienced on a mobile phone. Set in a near future of surveillance and bias AI that watches you back. (World Premiere)

The District VR (Germany)
Directors: Dennis Lisk, Ioulia Isserlis, Max Sacker, Producers: Dennis Lisk, Fabian Vogelsteller, Ioulia Isserlis
Welcome to The District VR, a music-driven 3D world full of vibrant games and virtual live entertainment. Put on a VR headset and dive into a virtual twin of Berlin. Be the DJ, use provided equipment, and mix music live in front of a virtual crowd. (World Premiere)

El Beat (Colombia)
Directors: Irene Lema, Sergio Bromberg, Producers: Rafael Ospino, Irene Lema, Screenwriter: Irene Lema
El Beat is a cross-platform experience (interactive film and VR), telling the story of Benkos Biohó, enslaved African and founder of the first free town in the Americas. It is a tribute to the African diaspora and the Black Power of Latin America. (World Premiere)

Find WiiLii – Ep.1 The Gate-Crasher (Republic of Korea)
Directors: Mina Hyeon, Sooyoung Choe, Producer: Sohee Kim, Screenwriters: Sooyoung Choe, Mina Hyeon
On the first day as a newcomer at the Teleportation Service Company IIOIIG, the ordinary mission flows unexpectedly, meeting a stranger. (World Premiere)

Forager: Immersive Multi-sensory Experience (Canada, U.S.)
Directors: Winslow Porter, Elie Zananiri, Producers: Winslow Porter, Casta Zhu, Screenwriters: Winslow Porter, Elie Zananiri, Adam Lerman, Daniel Perlin
In this immersive, multi-sensory experience guests will experience the complete life-cycle of mushrooms. Starting as a spore floating to the forest floor, you become an integral part of this essential, live-giving process. (World Premiere)

Fresh Memories: The Look (Czechia, Ukraine)
Directors/Screenwriters: Ondřej Moravec, Volodymyr Kolbasa, Producers: Ondřej Moravec, Robin Pultera
Look into the eyes of Ukrainian people whose home has been taken away by war. (World Premiere)

The Invited (United Kingdom)
Directors: Davy McGuire, Kristin McGuire, Producers: Davy McGuire, Nesta Nelson, Dan Tucker, Screenwriters: Ben Steiger-Levine, Richard Hurford
The Invited reimagines the gothic story of Dracula in a solitary séance in which a handcrafted fine art pop-up book comes to life with vivid augmented reality animations to serve as a conduit for Dracula’s curse to re-enter the modern world. (World Premiere)

Jailbirds- The Eye of the Artist (Belgium, France)
Director/Screenwriter: Thomas Villepoux, Producers: Griselda Gonzalez Gentile, Francois Klein
Jailbirds takes place in a modern hell prison ruled by a vicious Chief Warden. But in this living nightmare, one guy, Felix, is always happy. It enrages the Chief Warden who will do everything he can to discover Felix’s secret. (World Premiere)

JFK Memento (France, U.S.)
Director: Chloé Rochereuil, Producer: Victor Agulhon
JFK Memento is a VR documentary chronicling JFK’s assassination. Narrated by the last living witnesses of the events, it explores the defining moments of the investigation as archive photos and films remastered in 3D come to life in the historic sites. (World Premiere)

Once a Glacier
Director/Screenwriter: Jiabao Li
Once a Glacier is a VR film about a girl and her relationship with a glacier. As the girl grows older, the piece of ice is threatened. The viewer is taken on a journey through her seemingly futile efforts to protect what was once an entire glacier. (World Premiere)

Rockets, by Pillow (Brazil)
Director/Producer/Screenwriter: Lucas Rizzotto
The world’s first VR narrative designed for lying down in bed. Control a brave little rocket named Crimson through a number of mind-bending puzzles as you attempt to save the Universe from a terrible evil you set free. (World Premiere)

Stay Alive, My Son (Chapters 1 & 2) (Greece, U.S.)
Director/Producer/Screenwriter: Victoria Bousis
Stay Alive, My Son takes players on a fantastical, interactive, and powerful journey through the mind and heart of Pin Yathay as he relives a tragic past and loss of his son during the Cambodian genocide, but eventually finds his salvation and heals. (World Premiere)

Whipped Cream “The Dark” (Canada)
Directors: Caroline Cecil (aka Whipped Cream), Will Selviz, Producer: Brenda Medina Carmona, Screenwriter: Caroline Cecil
The Dark, featuring Monstercat artists Whipped Cream, Jasiah, and Crimson Child, presents a VR experience that blends EDM and opera music with photorealistic holographic performances in an emotion-oriented story about a toxic relationship. (World Premiere)



XR Experience Spotlight
Shining a spotlight on acclaimed immersive projects.

Behind The Dish (France, U.S.)
Director: Chloé Rochereuil, Producers: Victor Agulhon, Jonathan Gleit
Behind the Dish is a virtual reality docu-series that dives into the world of gastronomy. Through three 10-minute episodes in 360° film, meet extraordinary women chefs revolutionizing the food industry and watch their cuisine in super-sized macro 3D.

Eggscape (Argentina)
Director: German Heller, Producers: German Heller, Lucila Trobbiani, Screenwriters: German Heller, Federico Heller, Jorge Tereso
An MR experience about terrified little eggs struggling to stay alive in a world full of enemies. Play in an unprecedented way with the physical world, and build your own adventure with friends mixing the digital with the real. (North American Premiere)

The Eye and I Vol. I (Taiwan)
Directors: Hsin-Chien Huang, Jean-Michel Jarre, Producer: Hsiao-Yue Tsao, Screenwriter: Hsin-Chien Huang
The Eye and I is a VR experience that illuminates the surveillance crisis with music from legendary electronic musician Jean-Michel Jarre and visuals from award-winning VR director Hsin-Chien Huang. (International Premiere)

Figural Bodies (United Kingdom)
Directors: Clarice Hilton, Neal Coghlan, Producers: Susanna Dye, Kat Hawkins
Figural Bodies challenges and reimagines the normative and ableist ways the body is understood and represented through immersive technology. This dance mocap performance explores fantastical interaction and embodiment beyond the humanoid avatar form (World Premiere)

In Pursuit Of Repetitive Beats (United Kingdom)
Director/Screenwriter: Darren Emerson, Producers: Ashley Cowan, Dan Tucker
A multi-sensory joyride into the heart of a revolution in dance. Grab your friends and plug into a virtual reality adventure that transports you into the early days of the Acid House movement. Share in an experience that shaped a generation. (North American Premiere)

Lou (Canada)
Directors: Martine Asselin, Annick Daigneault, Producers: John Hamilton, Sebastien Gros, Screenwriters: Annick Daigneault, Martine Asselin, Louis-François Archambault-Therrien
Experience the world with the sensitivity of a person with autism. (U.S. Premiere)

Mrs Benz (United Kingdom)
Director: Eloise Singer, Producer: Siobhan McDonnell, Screenwriters: Eloise Singer, Jedidjah Noomen
Travel back in time to 1886 with Bertha Benz and discover how her journey changed the course of history. (North American Premiere)

Shib the Metaverse
Directors: Marcie Jastrow, Sherri Cuono, Producer: Brandie Konopasek
The Metaverse is the culmination of our history as a community, virtually displayed, in a layer of beautiful visuals that showcase our innovation and unity with a place to truly call home. (World Premiere)

Spring Odyssey (France)
Director: Elise Morin, Producer: Lucid Realities, Screenwriter: Sabrina Calvo
Tangible, material sculptures await the digital in the exhibition space. The display invites a reversal of our apprehension of the relationship between reality and the digital by completing the gaps of one and the other. (International Premiere)

Temporal World: A Haptisonic Virtual Reality Memory World (Germany)
Director/Producer: Chloé Lee
Temporal World is a haptisonic VR experience inspired by the artist’s memories in a place where she has no personal history. Visitors explore and shape a landscape that is as fragmented and fickle as memory itself while wearing a custom haptic coat. (International Premiere)

UnEarthed (United Kingdom)
Director: Jamie Davies, Producer: Jennifer Mortimer, Screenwriters: Jamie Davies, Phil Porter
UnEarthed is a spectacular interactive adventure into the natural world, inspiring people to respect, protect, and restore our planet’s biodiversity, through impactful learning and entertainment. (North American Premiere)

You Destroy. We Create. (Germany)
Directors/Producers: Felix Gaedtke, Gayatri Parameswaran
Witness how Ukrainian art and culture have become targets of the ongoing war, and meet the inspiring people on the frontlines protecting it.

Yuki MR (Brazil)
Director: Kako, Producer: Lia Pinheiro, Screenwriters: Kako, Flavio Mattos, Lia Pinheiro, Marcelo Nery
Yuki MR is an upbeat mix of bullet-hell in Mixed Reality! Take your favorite toy in your hand to defeat evil creatures in a multidimensional universe. (Texas Premiere)



XR Experience Special Events

Neo-Wulin: The Era of Black Ark (China)
Director/Screenwriter: Guanyu, Producers: Chenchenchen, Bingbing Wang
Neo-Wulin is the first virtual performance series IP in China created by the OXYZ3 team.
Each musician will have a unique music world that combines performance, exhibition, and social interaction, and can be constantly extended. (International Premiere)



COMPETITION AWARDS
The Narrative Feature Competition, the Documentary Feature Competition, Poster Design, and Special Awards will be announced on Tuesday, March 14 along with all the Short Film Program winners, which are eligible for Jury Awards within their respective screening categories. All film categories, except Special Screenings and TV Spotlight, will be eligible for category-specific Audience Awards, which will be certified by the accounting firm of Maxwell Locke & Ritter and announced via sxsw.com the following week.

SXSW is proud to be an official qualifying festival for the Academy Awards® Short Film competition. Winners of our Best Animated, Best Narrative and Best Documentary Short Film categories become eligible for Academy of Motion Picture Arts and Sciences awards (Oscars). Any British Short Film or British Short Animation that screens at SXSW is eligible for BAFTA nomination. Films are also eligible for the Independent Spirit Awards, more information on eligibility here.

In addition to film festival screenings, registrants also have access to the full range of content available during SXSW including Conference Keynotes, Featured Speakers, Mentor Sessions, Networking Meet Ups, Music Showcases, Comedy Festival Showcases, Exhibitions and Professional Development. For more information on everything SXSW Online has to offer, please visit sxsw.com.

About SXSW Film Festival
Now in its 30th year, SXSW Film & TV Festival brings together creatives of all stripes over nine days to experience a diverse lineup and access to the SXSW Music and Comedy Festivals plus SXSW Conference sessions with visionaries from all corners of the entertainment, media, and technology industries.

About SXSW
SXSW dedicates itself to helping creative people achieve their goals. Founded in 1987 in Austin, Texas, SXSW is best known for its conference and festivals that celebrate the convergence of tech, film, music, education, and culture. An essential destination for global professionals, the annual March event features sessions, music and comedy showcases, film screenings, exhibitions, professional development and a variety of networking opportunities. SXSW proves that the most unexpected discoveries happen when diverse topics and people come together. SXSW 2023 will take place March 10 – 19, 2023. For more information, please visit sxsw.com. To register for the event, please visit sxsw.com/attend.

SXSW 2023 is sponsored by White Claw, Volkswagen, Itaú, and The Austin Chronicle


NYFF60 review from Unseen Films: ‘NO BEARS’

NO BEARS

Jafar Panahi travels to a border town in order to direct a movie remotely. The actors and film crew are across the border and are taking directions via Zoom.  As Panahi struggles to get the film finished he becomes involved with two sets of lovers, two of the actors, and two people in the village where he is staying. Both pairs want to flee to somewhere safe, something that might not be possible

Panahi is not loved by the Iranian government. As this film was hitting the festival circuit the director was being put into prison. Prior to that, they had tried to restrict his ability to make films but he managed to work around the obstructions. The result has been a unique series of films where the filmmaker is the subject and the films transcend the notion of autobiographical cinema.
This time out Panahi has made one of his most affecting films. Forget his personal situation, this story of life in a small town and in a repressive country will leave you shattered at the end. Panahi is juggling a lot of balls in the air and manages to manipulate them perfectly. First, we have his situation which is basically hiding out in a small town to make a movie he shouldn’t be making. In showing us what it takes to make his film we see how the small minds of the village express an openness that really isn’t. there This ties into the story of one of the couples, a doomed romance Panahi captures in a photo, that everyone wants to see, but which he deletes and denies having. It seems the young woman has been promised since birth to someone she doesn’t love and that someone needs proof to hurt the girl’s true love.  At the same time, the lead couple in Pahani’s film is making a film based on their lives and their efforts to flee to the West. However, the need for official documents complicates things. All of the threads end in darkness for the characters and soul-searching for the audience.
I love Panahi’s films. I make every effort to see everyone I can because he always speaks a truth that needs to be heard. I also find that how he is forced to make films ends up making films that are much more real than if he were making just a straight narrative.  They are so much more interesting because we have to think about how he did what is up on the screen. His are films that are alive and in the moment.
I was rocked by this film. I did not expect the turns, and yet every one is perfectly placed.
One of the best films I saw at this year’s New York Film Festival, it is a must for anyone who loves humanity.

 

For more of Steve’s NYFF60 coverage and all the rest of the movies in the world, (because the man is a machine) head to Unseen Films.


ICYMI: Fantastic Fest 2022’s massive full lineup includes, ‘SMILE,’ ‘WOUNDED FAWN,’ ‘TRIANGLE OF SADNESS,’ & ‘BLOOD RELATIVES’

FANTASTIC FEST ANNOUNCES A COLOSSAL 2022 LINEUP

There’s only one place where you’ll find killer teddy bears, man-eating sharks, elderly zombies, cocktail-serving robots, and Park Chan-wook… all under one roof. That’s right, the world-famous genre festival Fantastic Fest is back for its seventeenth edition featuring 21 World Premieres, 14 North American Premieres, and 21 U.S Premieres. The festival will once again take over the Alamo Drafthouse South Lamar in Austin, TX from September 22nd – 29th and on the web via a virtual FF@Home experience from September 29th – October 4th.

“It’s been far too long since we’ve all been able to gather together and celebrate film the Fantastic Fest way,” says Festival Director Lisa Dreyer. “We’ve really put our all into crafting an extraordinary week, from the exceptional programming that spans exciting discoveries to highly-anticipated features, to our signature events that will inject a much-needed dose of fun into 2022.”

Badges are available now at FantasticFest.com.


The opening night film for Fantastic Fest 2022 is the world premiere of Paramount Pictures’ SMILE, the intensely creepy debut feature from Parker Finn that’ll have even the seasoned FF crowd gripping their armrests in genuine fright.

This year’s edition of Fantastic Fest will also honor a legendary genre filmmaker and show his latest masterpiece. Park Chan-wook, the South Korean director of OLDBOY, SNOWPIERCER, and THE HANDMAIDEN has been defining (and defying) genre films for decades, and his latest work – MUBI’s DECISION TO LEAVE – is a stunning achievement. In conjunction with the U.S. Premiere of his new film, Park Chan-wook will be present at Alamo Drafthouse South Lamar to accept a lifetime achievement award from Fantastic Fest in celebration of his mind-bending, artfully-crafted body of work.

The closing night film at Fantastic Fest 2022 will be director Ruben Östlund’s Palme d’Or-winning pitch black comedy from Neon, TRIANGLE OF SADNESS. The latest Drafthouse Recommends selection, TRIANGLE OF SADNESS is an outrageously funny and audacious social satire, with a second act that could have been engineered in a lab specifically to delight Fantastic Fest audiences. It’s a joyful romp that’ll serve as a fitting capper to the fest, and the perfect segue to closing night festivities.

Other major studio films include two Searchlight films perfectly tuned to the Fantastic Fest palate – the U.S. Premiere of THE MENU, a sharp satire about a destination-dining experience with unexpected surprises, and the U.S. Premiere of director Martin McDonagh’s THE BANSHEES OF INISHERIN, chronicling the dissolution of a friendship that escalates with shocking consequences.

A24 brings us the North American premiere of MEDUSA DELUXE, a murder mystery set in the world of competitive hairdressing, MGM and Distributor United Artist Releasing’s BONES AND ALL, from director Luca Guadagnino and starring Taylor Russell, Timothée Chalamet, Michael Stuhlbarg, André Holland, Chloë Sevigny, David Gordon-Green, Jessica Harper, Jake Horowitz and Mark Rylance, and the U.S. premiere of Miramax’s SICK, the latest slasher from John Hyams.



Other World Premieres include:


Noah Segan’s directorial debut, BLOOD RELATIVES, a father-daughter vampire comedy.
Dark Side of the Ring co-creator Jason Eisener’s KIDS VS. ALIENS, which sees a group of friends face off against evil space invaders.
An anthology horror film featuring many Fantastic Fest alumni, SATANIC HISPANICS, from Epic Pictures.


“Fantastic Fest has always been the purest expression of Alamo Drafthouse Cinema’s founding principle: share the joy of cinema with people you love,” says Fantastic Fest founder Tim League. “I am beyond proud of the team for forging one of, if not the all-time best, Fantastic Fest experiences ever. This is my favorite week of the year, and I cannot wait to share it with all of you.”


The Parties
For the first time since 2019, Fantastic Fest’s legendary parties and events are back.

A special performance in The Highball from the experiential sonic sorcerers Itchy-O while they’re in Austin for a show at the Far Out Lounge.
Hailing all the way from Vienna, Roboexotica makes its Texas-debut at the Fantastic Fest opening night party, bringing their famous cocktail-concocting robots to astonish and amuse.
Podcast recordings and live events on The Highball stage with Leonard Maltin, Scripts Gone Wild, The Kingcast and Screen Drafts.
Joe Pickett and Nick Prueher of The Found Footage Festival fame will perform a live show after their documentary CHOP & STEELE.
And finally, Fantastic Fest essentials like 100 Best Kills, the Fantastic Feud and the Fantastic Debates will return at this year’s festival.


FF@Home
For the second year in a row, Fantastic Fest will be a hybrid festival that offers in-person and virtual screenings. The Burnt Ends lineup will headline the online festival, with programming that seeks to champion eccentric and obscure indie cinema. Two in-person screenings will introduce audiences at South Lamar to the new series: THE PEOPLE’S JOKER and ALL JACKED UP AND FULL OF WORMS, both with filmmakers in attendance. The rest of this virtual lineup will be announced at a later date, featuring a selection of films from this year’s in person fest and will also include virtual exclusives such as a retrospective of cult DIY filmmakers Matt Farley and Charles Roxburgh’s MOTERN MEDIA movies.

 


Shark Attack & AGFA Takeover

This year’s sidebar is dedicated to the man-eater from the deep blue sea. Centered around the North American Premiere of FF alumni Ludovic and Zoran Boukherma’s YEAR OF THE SHARK, Fantastic Fest programmers dug deep to bring audiences the most entertaining shark movies from around the world. Many of them have never before screened in the USA and are now available thanks to our friends at AGFA.


The shark sidebar features TINTORERA! (Mexico) — which will be shown on 35mm from a print coming directly from Quentin Tarantino’s vault — as well as AATANK (India), GAMERA VS ZIGRA (Japan), MAKO: THE JAWS OF DEATH (USA), and 12 DAYS OF TERROR (USA).


We are thrilled to present 85 feature film titles and episodics, as well as a variety of short film selections to be announced at a later date — all showcasing World, North American, U.S. and Regional Premieres. See below for the full lineup of feature film programming at this year’s festival.


FESTIVAL FILM LINEUP BELOW:



12 DAYS OF TERROR

USA, 2004

Retrospective, 95 min

Director – Jack Sholder

In attendance – Director Jack Sholder

During the record-breaking summer heat of 1916, beachgoers on the Jersey shore are threatened by a shark that has developed a taste for human flesh.



AATANK

India, 1996

North American Premiere, 113 min

Directors – Prem Lalwani & Desh Mukherjee

A gangster’s hunt for black pearls sparks a series of vicious shark attacks. No diver, boat, or helicopter is safe in this B-grade Bollywood oddity.



ALL JACKED UP AND FULL OF WORMS (Burnt Ends Selection) *Previous coverage here*

USA, 2022

Texas Premiere, 72 min

Director – Alex Phillips

In attendance – Director Alex Phillips

A psychedelic journey of self-discovery leads to romance when a man shares his addiction to psychotropic worms… and Chicago will never be the same.



AMAZING ELISA

Spain, 2022

World Premiere, 104 min

Director – Sadrac Gonzalez-Perellon

In attendance – Director Sadrac Gonzalez-Perellon

In the aftermath of a horrific accident, Elisa believes that she’s been given super powers and will stop at nothing to avenge her mother’s death.



THE ANTARES PARADOX

Spain, 2022

World Premiere, 96 min

Director – Luis Tinoco Pineda

In attendance – Director Luis Tinoco Pineda

An astrophysicist working for the SETI project risks her career and family to verify an extraterrestrial radio signal before her access is cut off.



ATTACHMENT (see our previous coverage)

Denmark, 2022

Texas Premiere, 105 min

Director – Gabriel Bier Gislason

In attendance – Director Gabriel Bier Gislason

Maja and Leah’s relationship is off to a great start, but they face two perilous threats: the whims of a Jewish demon and Leah’s overbearing mother. Read More →

Fantasia International Film Festival is back with its 26th edition to rescue us from reality. Here’s what we’re excited to see! #Fantasia2022

It’s no secret that all the best genre films come through Fantasia Film Festival. 2022’s fest comes just in time to distract us from all the actual horrible things happening in the world.

Welcome to a list of things we’re excited about playing this year. Some are already on our best of the year lists and some we anticipate adding. Check out our picks below.

For all things Fantasia Film Festival 2022 stay tuned to Reel News Daily with some special posts from our friends at Unseen Films


Six films we’ve seen at previous festivals and their reviews can be found below. Highly recommend each of them for a myriad of reasons.

Next Exit
Legions
Sissy


Honeycomb
Hypochondriac
Speak No Evil (One of the year’s most brutal films)



FREAKS OUT (Italy)

– Dir: Gabriele Mainetti

Rome, 1943. A pack of sideshow performers with supernatural powers face off against occupying Nazis in the most unusual superhero film you will ever see. This fantastical and gutsy celebration of the different that walks an electrifying tightrope between blockbuster filmmaking and edgier, more subversive genre work. From the director of THEY CALL ME JEEG. Winner of the Leoncino d’Oro at last fall’s Venice Film Festival. Canadian Premiere. 

Sounding like a genre fan’s wet dream, FreaksOut is a priority watch this year.



Princesse Dragon

Bristle is a little girl raised by dragons. But when her father, Dragon, has to pay the Sorcerog using his second most valuable asset, he offers her Bristle – Throwing her into an infinite sadness and forcing her to flee the family cave. Bristle then embarks on a journey to discover the world of men.

Feminist anime? Give it to me all day, every day.


Polaris

Set in 2144 against the harsh backdrop of a frozen wasteland, Sumi, a human child raised by Mama Polar Bear, narrowly escapes capture from a brutal Morad hunting party and sets out across the vast winter landscape. When Sumi stumbles across Frozen Girl, an unlikely friendship is forged and together they race ahead of the vindictive hunters towards the only guiding light Sumi knows, the Polaris star.

All female-led opening film. Sold.


One Cut of the Dead

(French remake of the cult classic)

After opening this year’s Cannes, FINAL CUT (Coupez!), Michel Hazanavicius’s riotous remake of Shinichirou Ueda’s ONE CUT OF THE DEAD, is coming to North America. Starring Romain Duris, Bérénice Bejo, Grégory Gadebois, Finnegan Oldfield, Matilda Anna Ingrid Lutz, and Yoshiko Takehara reprising her beloved role from the original film as a producer, this hilarious ode to the do-or-die spirit of filmmaking is a joy to behold. It is especially noteworthy for the film’s North American journey to be starting at Fantasia, as the festival was among the first to popularize the original Audience Award-winning ONE CUT OF THE DEAD in the West. Poetically, Ueda’s latest, POPRAN, will also be having its North American Premiere at the festival this year. Bet your viewfinder that FINAL CUT is going to bring the house down in cheers. North American Premiere.

Without knowing the original, the buzz around this remake is out of this world. Will it live up to its predecessor? I guess we’ll all find out together.

Huesera

Pregnant with her first child and consumed by terrifying visions, Valeria (Natalia Solián) believes that she may be cursed by a supernatural entity. A brilliant and frightening breakout debut as important as Jennifer Kent’s THE BABADOOK, HUESERA firmly announces Mexico’s Michelle Garza Cervera as one of the leading new voices of the genre. A scorching personal vision that asks complex questions with ferocious honesty, this profound, nightmarish blessing comes to Fantasia hot off its award-winning Tribeca launch and is already one of the most talked-about genre works of the year.  Canadian Premiere. 

A big winner out of Tribeca 22, this is a slick film tackling identity and motherhood in a surprising way. If you’ve ever been pregnant and didn’t love every single second of it, this one will cut extra deep.



Bodies, Bodies, Bodies

Also screening as part of Fantasia’s closing night events will be Halina Reijn’s wildly entertaining and gloriously twisted BODIES BODIES BODIES. A party game leads to murder when young and wealthy friends gather at a remote family mansion in this instant classic comedy horror joyride that maintains a taut balance of uneasy tension and wicked humor. Starring Amandla Stenberg (THE HATE U GIVE), Maria Bakalova (BORAT SUBSEQUENT MOVIEFILM), Myha’la Herrold (INDUSTRY), Rachel Sennott (SHIVA BABY) and comedy superstar Pete Davidson. Special Screening.

When people cannot stop talking about a film, you know you have to see it. Coming to theaters August 5th.

 DIRECTOR: Halina Reijn CAST: Amandla Stenberg, Maria Bakalova, Myha’la Herrold, Chase Sui Wonders, Rachel Sennott, with Lee Pace and Pete Davidson


Piggy

Laura Galán appears in PIGGY by Carlota Pereda

During the sweltering summertime of rural Spain, Sara carries an extra load of teenage agony due to the perpetual bullying from her peers. She’s also an outsider at home—her parents and little brother just don’t understand her—so, feelings internalized, she’s often found buried in her headphones, drowning out her surroundings. One day, Sara’s usual solo dip at the local pool is disrupted by the presence of a mysterious stranger in the water and an exceptionally grueling bout of abuse at the hands of three girls. But, in a strange twist of fate, along the way home Sara witnesses her bloodied tormentors being kidnapped in the back of the stranger’s van.

Another buzzy title, this one focusing on mean girls and morality is a star vehicle for actress Laura Galán.


The Pez Outlaw

Steve Glew spent the 1990s smuggling rare pez dispensers into the USA from Eastern Europe, making millions of dollars. It was all magical until his arch-nemesis, The Pezident decided to destroy him.

Who wouldn’t want to watch a film about rival pez dispenser smugglers is really the question.


Everybody Goes To The Hosptial (short film)


Based on a true story, EVERYBODY GOES TO THE HOSPITAL is a stop motion animated exploration of physical, psychological, and familial trauma, telling the tale of 4-year-old Little Mata (writer/director Tiffany Kimmel’s mother) as she’s taken to the hospital in late 1963 with appendicitis.

This is s personal pick for me, as someone traumatized by hospitals more than once in my life. The first time was when I was diagnosed with appendicitis. Check out a teaser here.


For all things Fantasia 2022 stay tuned to Reel News Daily with some special posts from our friends at Unseen Films.


 

Tribeca 2022 reviews from Unseen Films: ‘Space Oddity’

SPACE ODDITY

One of my favorite films of this year’s Tribeca was a film I wasn’t planning on seeing. It wasn’t until I decided to focus on the films not in the press library that it jumped onto my dance card…. and right into my heart.

The story follows Alex, a young man in a broken family, who is planning on heading to Mars on a one-way mission.  He wants to go to get away from the troubles of the world, but also from the reminders of his brother who died saving his life in a car crash. Unfortunately for him, his plans end up crashing into Daisy, a young woman new to the town. Now that Alex has met Daisy will he give up his plans and stay on earth.

Do you have to ask?

Yea, you know how this will go but it’s so well done you won’t care. I mean you really won’t care because you will be so absolutely in love with everyone on screen. These are wounded people we know. They are us. God bless director Kyra Sedgwick for keeping everyone real and not insisting that everyone gets fixed by the end. Yea there is hope but the damage is still there. As a result, the film resonates deeper.

What a glorious film.

The performances are across the board wonderful Kevin Bacon may have his best role here. Yea it’s nothing special on the face of it but watch all of the shading he gives it. Listen to the emotion in his voice. Alexandra Shipp is magical. She makes Daisy the person we all want to fall in love with.

I love this film. I really do.

It’s a joy.

Highly recommended.


DIRECTOR
Kyra Sedgwick
PRODUCER
Valerie Stadler, Kyra Sedgwick, Meredith Bagby, Richard Arlook, Jack Greenbaum, Mark Maxey, Mickey Schiff
SCREENWRITER
Rebecca Banner
CINEMATOGRAPHER
Alar Kivilo
EDITOR
Stefanie Visser
COMPOSER
Travis Bacon and Scott Hedrick
EXECUTIVE PRODUCER
Paolo Mottola Jr., Joe Z. Crosby, Ibrahim Alhusseini, JL Pomeroy, Daryl Roth, Brent Emery
CAST
Kyle Allen, Alexandra Shipp, Madeline Brewer, Carrie Preston, Simon Helberg, Kevin Bacon, Andrew Polk

Tribeca 2022 review from Unseen Films: ‘HALLELUJAH: LEONARD COHEN, A JOURNEY, A SONG’ is out now!

HALLELUJAH: LEONARD COHEN, A JOURNEY, A SONG (2022)

One of the great films playing Tribeca this is a look at Leonard Cohen through the song Hallelujah. It took him seven years to finish it enough to record it and then it took a long path to discovery and rediscovery along a path that resulted in many versions (he wrote at least 180 verses) and many hits.

The audience I saw this with was crying. Yea it’s about a song, but it’s also about a man’s quest to find his place in the universe. It’s a moving tale of more than any one thing. It’s a film that reveals to us our lives as lived and sung by other people. Everyone saw themselves up there.

I was rocked to my core.

This film spoke to me on a deeply personal and spiritual level and I came out loving the song and it many versions even more. It also made me very sad I could never have sat down and talked to Cohen about life and his journey.

Go see it.

One of 2022’s best



Directed by: Dan Geller and Dayna Goldfine Selections: Venice Film Festival, Telluride Film Festival, Tribeca Film Festival, and more Featuring: Leonard Cohen, Jeff Buckley, John Cale, Brandi Carlile, Eric Church, Judy Collins, Bob Dylan, Glen Hansard, Sharon Robinson, Rufus Wainwright, and many others Synopsis: HALLELUJAH: Leonard Cohen, A Journey, A Song is a definitive exploration of singer-songwriter Leonard Cohen as seen through the prism of his internationally renowned hymn, “Hallelujah.” This feature-length documentary weaves together three creative strands: The songwriter and his times; the song’s dramatic journey from record label rejection to chart-topping hit, and moving testimonies from major recording artists for whom “Hallelujah” has become a personal touchstone. Approved for production by Leonard Cohen just before his 80th birthday in 2014, the film accesses a wealth of never-before-seen archival materials from the Cohen Trust including Cohen’s personal notebooks, journals and photographs, performance footage, and extremely rare audio recordings and interviews.


Tribeca Film Festival 2022 reviews from Unseen Films: ‘It Ain’t Over’ & ‘Of Medicine and Miracles’

Of Medicine and Miracles (2022) Tribeca 2022

This is the story of young Emily Whitehead’s battle with cancer through the battles of her doctors to cure her and others.

This is a good look at the battle to cure cancer for everyone. There is a great story here about how thinking outside of the box has opened the door to curing numerous cancers and possibly other diseases as well. Watching the film you will be filled with a great deal of hope for tomorrow.

As good as the film is the film isn’t perfect. The film is very dense with a lot of material, some of which doesn’t need to be here. Points are hammered home several times and more than once I wished bits had been removed. The film also is a bit too manipulative. This film is structured from the start to be a tearjerker in an obvious way. We are not given the choice to feel, the editors took care of it for us. I felt manipulated.

And yet this film has haunted me. The hope for a cure the film highlights can’t help but make you smile.

Reservations aside the film is worth a look.


It Ain’t Over (2022) Tribeca 2022

When Major League Baseball had the four greatest living baseball players show up at the  All-Star Game, they made a major mistake in forgetting Yogi Berra. While he is best known for his Yogi-isms, most people forget how good a player he really was. How good was he? He has 13 World Series rings, 10 as a player, which is more than the four players the shuttled out combined. When Berra’s granddaughter saw the “mistake” she took steps to correct it.

Containing a who’s who of admirers, both in baseball and out, IT’ AIN’T OVER is a moving film that fixes the record regarding Yogi Berra. One of the greatest that ever played, this film makes it clear that he was in many ways more amazing than Joe DiMaggio and Mickey Mantle. The trouble is he was a lovable guy who said things that sounded goofy (When you see a fork in the road take it).  He let the media create a character for him and he went with it, which endeared him to generations while hiding his real achievements.

Everything seems to be here, from his friendship with Jackie Robinson to his support of LGBT rights to a long laundry list of amazing things. Berra never stopped doing and doing the right thing.

I really liked this film a great deal. This is a superb film that is full of laughs and tears and more nostalgia than you can shake a stick at.

That said the film has one big problem and that is the film relies a bit too much on Berra’s granddaughter. While what she tells us is golden, having so much come from her and not other baseball players kind of lessens things. Why is she telling us this and not some of the other people who are interviewed? While I’m a long-time Berra fan and understand how good he was, I know people coming in blind may not be convinced.

Slight reservation aside, this film is an absolute must, more so if you love baseball.


For more of Steve’s insights on Tribeca 22, head over to Unseen Films!


Tribeca Film Festival 2022 reviews from Unseen Films: ‘Bowery’ & ‘The Rebellious Life of Mrs. Rosa Parks’

Brief thoughts on Bowery (2022) Tribeca 2022

BOWERY is a wonderful film. A deeply moving portrait of people living on the street in the Bowery section of New York City, it is warts and all portrait of some good people in a bad circumstance. I was moved.

One of the biggest head-scratching moments to come out of Tribeca is why BOWERY didn’t play in person at the festival (it played online). The Bowery is down the street across  Manhattan from the area that gives the festival its title. It’s a film that is rooted deeply in New York City and the festival should have put it up on the big screen.

I really liked this film a great deal. Being someone who frequented the areas in the film I felt at home. I loved that the film didn’t judge anyone. It simply let everyone be, with the result being is a documentary of great power.

A must-see.


The Rebellious Life of Mrs. Rosa Parks (2022) Tribeca 2022

The life and times of Rosa Parks, best known for refusing to give up her seat on a bus in the segregated south. The truth is there is a hell of a lot more to the small woman than most people know. She was politically active from an early age and never stopped trying to change the world.

This is a really good look at a woman who was revered by millions around the world. She was a woman who shook the pillars of heaven and influenced unexpected people. For example, when Nelson Mandela came to the US  he was going along a receiving line shaking hands until he caught sight of Mrs. Parks and he then bolted to her and snatched her up and gave her a bear hug. This is a film that is going to go a long way toward enhancing her reputation simply because it lets everyone know how special she was.

If I have any problem with the film it’s that the film drops the linear structure a couple of times to jump ahead for various reasons. While I understand why it was done, thematically the flash-forward tied into the moment at hand, the problem was that we didn’t have a setup for them. For example, The Republic of New Afrika is mentioned but fully explained.

Minor quibbles aside this film is a must-see simply because odds are you don’t know the full story of what Mrs. Parks did, and you really need to.

Recommended


See more of Steve’s insane amount of Tribeca 22 coverage at Unseen Films


Tribeca Film Festival 2022 review from Unseen Films: ‘Jerry and Marge Go Large’

Jerry & Marge Go Large

After retiring Jerry feels lost. A mathematical genius he just wants to feel like he has a place. His wife doesn’t know what to do with him. While sitting having coffee he discovers that one of the lottery games has a legal loophole that assures a win under certain circumstances. After winning 15 grand his secret is discovered by his wife, who decides that they should be stupid together. Realizing that they can help their friends and family they form a corporation and start to make trips to Massachusetts to legally scam the system. All is good until a Harvard student realizes the trick too.

Sweet little film is almost certain to bring a smile to your face. It’s a lovely film about a man finally connecting with his friends and family. It’s a film full of great characters who you really like and want to hang out with. Yes, the plot is contrived, with the whole Harvard student rivalry feeling grafted on for suspense, but you won’t care.

The reason this film works as well as it does is the cast. Bryan Cranston is great going against type as a bookish guy with odd social skills. He is matched by Annette Bening who is radiant and makes it clear that she is madly in love and horny for her husband. ..AND YOU BELIEVE IT. We believe they are long-time lovers who have the love that you want. They are matched by Michael McKean, Ann Harada, Rainn Wilson, Anna Camp, and Larry Wilmore, all of whom you want to hug.

It may not be the greatest film ever but it’s a good time with great people.

See it.


Jerry & Marge Go Large is now available on Paramount+

DIRECTOR
David Frankel
CAST
Bryan Cranston, Annette Bening, Rainn Wilson, Larry Wilmore