Fathom Events review: Movie musical ‘STAND!’ only in theaters tonight, December 1st.

STAND!

In Theaters Only on December 1, 2020

Directed by: Robert Adetuyi (Stomp The YardBring It On: Worldwide #Cheersmack)

1919. Stefan and his father Mike fled Ukraine for the New World, where they struggle to earn enough to reunite the family. Stefan is instantly smitten with the Jewish suffragette neighbour, Rebecca – but Rebecca’s brother Moishe and Mike oppose the would-be Romeo and Juliet. Returned soldiers, angry at the lack of jobs after the war, violently threaten the city’s immigrants, including Emma, the refugee from racist violence in Oklahoma. When a movement develops for workers to leave their jobs in protest, AJ Anderson, a wealthy lawyer, pits all against each other in a dramatic and inspirational final stand.

The potential in this story is obvious. Catchy numbers and an intriguing premise based on a true story. Unfortunately, it needs to stage to fully bloom. As someone who graduated from a musical theatre conservatory in Manhattan, I recognize the over-the-top gesture and intonation that is needed to reach the back row. But because the audience is experiencing it from a screen, it comes off as forced at times. The energy is lost in translation and it feels uneven. Theater broadcasting LIVE in a movie theater is different. Here, it’s actually the camera that ruins that genuine connection. Performances are outstanding so they deserve that give and take electric feeling. It also lacks in one major area where most musicals thrive; choreography. With a large and varied immigrant ensemble, this was a lost opportunity leading to momentary lulls in pacing. I kept hoping something was coming, some big number highlighting the different facets of people coming together. The moments definitely presented themselves over and over and not a single number. I think it could have pushed STAND! across the finish line.

The issues in the stage play turned screenplay is still incredibly relevant. This is the most successful aspect. Taking pages from Ragtime, Newsies, Parade, and Hamilton, stories of immigrants, race, religious persecution, classism, and the right to strike are all still ripe for vibrant storytelling in 2020. STAND! shines brightest when it sings. By far the best numbers belong to Lisa Bell. Get this girl on Broadway the minute it’s officially back. The Romeo and Juliet aspect between Rebecca and Stefan is charming enough but not as powerful as Emma or Mike Sokolowski’s emotional journey, whom the original stageplay STRIKE! is based upon. STAND! needs an Off-Broadway run and a workshop. But be the first movie theater audience to get chills while Lisa Bell belts out the theme in the final moments of the film, for sure. It’s worth the ticket price.

Music, Lyrics and Score: Danny Schur (Made In Winnipeg: The Terry Sawchuk Origin Story)

Featuring Lisa Bell’s show-stopping performance of the protest song Stand!

Starring:
Marshall Williams (“Glee”, “How to Build a Better Boy”)
Laura Wiggins (“Shameless”, 20th Century Women)
Lisa Bell (No Time Like Christmas, “Canadian Idol”)
Gregg Henry (“Guardians of the Galaxy”, “Scandal”)
Erik Athavale (Fractured, Breakthrough)
Paul Essiembre (“Covert Affairs”, “Silver Surfer”)
Hayley Sales (Deadpool 2, “The Good Doctor”)

Tickets and a list of participating theater locations will be available at www.FathomEvents.com.

RT: 110 Minutes

Free Virtual screenings of ‘Linda Ronstadt: The Sound of My Voice’ June 4th-10th from BrightFocus Foundation!

The life and career of singer Linda Ronstadt is traced from her childhood in Tucson through her decades-long career and to her retirement in 2011 due to Parkinson’s disease.

If I’m being honest, when asked to review this film, I wasn’t able to name a single Linda Ronstadt song. Growing up, The Beach Boys and Carole King were on constant rotation in Mom’s station wagon tapedeck.  How then, 40 years later, was I recognizing so many hits from a woman whom I assumed was a country singer when I heard her name? Clearly I was mistaken. This film was a reeducation, and boy am I glad for it. In watching Linda Ronstadt: The Sound of My Voice I came to realize I have always been a fan.

Linda Ronstadt’s extraordinary rise to fame is almost like a fairytale. Her incomparable voice quickly rose her from the LA club scene to a record deal. She broke genres and records along the way. Her intellect and wit were evident in the way she promoted herself and other female artists. She was fearless in calling out the toxic masculinity that was rock up until that point. Her vocal range was unmatched by almost any other artist. When a producer told her not to make a certain album, she went ahead and did it anyway… and usually won awards for it. Linda Ronstadt is someone to be respected and amazed by. You can tell, simply by the number of industry stars that participated in sit down interviews (Cameron Crowe, Bonnie Raitt, Dolly Parton, Don Henley, to name a few) what an impact she made in her long and successful career. Without even knowing it, I’ve been a Linda Ronstadt fan through Blue Bayou, Don’t Know Much, A Different Drum, Rescue Me, Desperado, When Will I Be Loved, You’re No Good, It’s So Easy To Fall In Love, and many many more. She is someone I can look up to as a performer and as a woman. Linda Ronstadt: The Sound Of My Voice is a stunning lesson in music history. You will find yourself singing along and living in the music just as Linda does.

Lucky for audiences, LINDA RONSTADT: THE SOUND OF MY VOICE At-Home Movie Night with BrightFocus can
be watched for free at brightfocus.org/movie, or via Facebook Live and viewed on any computer, tablet, or phone from June 4-10. BrightFocus Foundation, a nonprofit organization funding
scientific research and promoting public awareness to end diseases of mind and sight. The at-home movie night will feature an introduction from producer James Keach, and interviews with key scientists discussing their current research.

“I believe in the power and promise of science to end disease and save lives, and this is why I am glad to showcase both the transcendent beauty of Linda’s voice in this film as well as
the bold, groundbreaking research of BrightFocus,” Keach said, noting that Ronstadt’s iconic career was cut short by a neurodegenerative disease.

Stacy Haller, BrightFocus Foundation President and CEO, added, “The scientists supported by BrightFocus are relentless in their drive to slow and end diseases that rob us of our memory and
our sight. We could not have found a better film to both bring back so many great memories and remind us how now, more than ever, the need for innovative science is abundantly clear.”
In addition to James Keach’s introduction prior to the presentation of the film, four BrightFocus- funded scientists will briefly introduce their work. They include: Sarah Doyle, PhD, Assistant
Professor in Immunology, Clinical Medicine, Trinity College Dublin; Makoto Ishii, MD, PhD, Assistant Professor of Neuroscience and Neurology, Weill Medical College of Cornell University;
Amir H. Kashani, MD, PhD, Associate Professor of Ophthalmology, the University of Southern California and Roski Eye Institute; and Yvonne Ou, MD, Associate Professor, Ophthalmology,
University of California, San Francisco. They are among over 200 scientists around the world whose ongoing research is supported by BrightFocus.

FREE VIRTUAL SCREENINGS beginning Thursday, June 4 at 7:00 PM EST to benefit the BrightFocus Foundation. More information at brightfocus.org/movie

Tribeca Film Festival 2020 interview: Best Narrative Short Winner- writer/director Abraham Adeyemi and his film ‘No More Wings’

At a divergent point in their lives, two lifelong friends (Ivanno Jeremiah, Parys Jordon) meet at their favorite South London fried chicken shop.

 

The directorial debut from Abraham Adeyemi, ‘No More Wings in the Don’t Look Back program was the winner of the Best Narrative Short Competition at Tribeca 2020. Once you experience the film for yourself, you’ll immediately understand why. With captivating storytelling, in a mere 10 minutes, you will experience two lifetimes of memories, regrets, and choices. There is a heavy cyclical feeling you cannot shake as you watch. The authenticity of the writing, directing, and performances will stick with you long after the credits. I was lucky enough to interview Abraham during the festival and get to peek behind the curtain of the process and the mindset. I cannot wait to see what is coming to audiences next.

 

 

Abraham, thank you so much for taking the time to speak with me about this extraordinary short. This feels like a major labor of love for you. Can you describe the specific inspiration for a story that will undoubtedly resonate with so many?

Hi Liz, thank you for having me and for the kind words about the film! Sure thing. Well, whilst this film isn’t biographical… My upbringing wasn’t too dissimilar to the two characters. I was raised in South London, went to a Grammar School… What really inspired me was spending some time thinking about two friends I grew up with whose lives have turned out quite differently, and imagining what it might be like if they were to meet at this point in their lives. And, above all in some ways, trying to understand why their lives have turned out differently when things were so similar for them.

 

What did you learn from your mentorship with Sam Mendes? 

There was something that Sam said to me on set of 1917 which I actually wrote down… He said that I needed to make sure there was somewhere on set that I could be to concentrate and watch takes alone, without anyone’s opinion and that I always needed to be sure for myself that “this is what I wanted”. As I learned whilst on set, there are times where – for a host of different reasons – people might think they hit a scene but if it’s not how you imagined it, even the smallest detail, then it means it needs to be done again until it is. And whilst I didn’t have the gigantic set-up that Sam had – it was like a blacked-out marquee with TV screens and all sorts of tech that probably cost more than our film – in our own low budget way, we were able to ensure that I could concentrate and watch takes back without anyone else’s opinions but my own.

 

Being both writer and director, did you find yourself changing the script as you shot?

There were no major changes whilst we were shooting, no. I did quite a lot of work on the script beforehand. I initially wrote the script with just my writer hat on. Then, eventually, I had to switch to the director hat. On the morning of the first shoot day, I made a final few tweaks – things that probably came off the back of the rehearsal we did the day before – but I went in pretty happy with what we had on paper and I was more concerned about getting great performances and how things looked visually. On occasion, actors may have asked me if they could tweak a line, or just done it off their own volition and I’m usually fine with that as I trusted the actors I was working with and their understanding of the characters they were playing.

 

Thank you for adding subtitles. It was helpful to put regional slang in context. It was reminiscent of how our vernacular changes when we are most comfortable. 

Ah, thank you! I’m really glad the subtitles helped. That was actually a suggestion made by Sharon Badal at Tribeca and I’m really glad I took the advice if it means ultimately that it made it more accessible for a wider, global audience.

 

How long did you shoot for?

We shot the film over two summer nights, which also meant shorter nights! Once that sunlight even began to creep up… It was game over. The first night we shot felt straightforward but the second night… The pressure was really on. But it could have been worse, up until about ten days before the shoot I was still clinging tightly to an ambition of shooting the film as one continuous shot and my first thoughts – maybe an hour into the shoot – was that I was so glad that I was convinced to scrap that idea. 

 

Having three distinct roles, writer, director, producer, which was most enjoyable, which the most frustrating, which did you learn more from?

Ooh I love this question! I enjoyed all of them but the one which I am without a doubt most in my element with is the writing. I always say in life that I am most at peace when I have my head buried in writing and, actually, in these strange times it’s been the saving grace for my sanity. I’d have to give the frustrating award to producing because there are just so many things that go wrong but I can’t complain because, for all the hard work I did, my producer Abiola Rufai did 100x more in producing! So my frustrations must be so minimal compared to all she has to deal with… Without a doubt, I learned the most from directing. As a producer, I’m always learning but you have to remember, this was my first time directing and prior to this, I hadn’t been to film school nor taken a conscious interest in directing. From the moment I won the competition that gave me funding for this film (where one of the rules was that whoever wins must also direct the script), I had approximately ten weeks to learn how to direct. That was reading books, studying the art of filmmaking,  the great advice that my more experienced peers were able to give me and so much more. Directing was definitely a steep learning curve but I’m so excited to get behind the camera again (something I never thought I’d say!).

 

Can you give us any clues about your upcoming feature-length script? 

Which one?! There’s a concept for a No More Wings feature. 

But, as for the one I reckon you’re asking about… I’m holding it tightly to my chest but what I will say is that Richard Linklater’s Before Sunrise is one of my favorite films. The entire trilogy, in fact, I love those. 

 

Abraham, congratulations on Tribeca. I cannot wait to share your film with our readers.

It’s been a pleasure talking with you, thank you for taking the time to watch the film and talk to me.

Santa Barbara International Film Festival 2020 review: The world premiere of ‘The Night’ is as captivating as it is terrifying.

Kourosh Ahari’s THE NIGHT
The Iranian-American Ahari makes a startling feature directorial debut with a stylish psychological thriller about a young couple trapped in a mysterious hotel that hungers for their secrets and may not release them or their child back into the world. The film stars Shahab Hosseini (star of A SEPARATION and THE SALESMAN).

What a knock out world premiere for director Kourosh Ahari. Beautifully lush cinematography (including some early haunting POV shots) props up the richness of The Night. The score adds a layer or jarring dread that is simply gorgeous. While the script skillfully utilizes a number of classic tropes, it is also stacked with a multitude of original imagery that unnerves the viewer from the very beginning. I was thrown for a loop more times than I can count. The heightened sound editing also pushes The Night into next-level scary. The plot will have you questioning your own sanity. Is this a dispute between exhausted new parents? Is this an alcohol-induced hallucination? Or is this hotel housing unwanted guests?

Performances are so strong you will quickly forget that the film is predominantly in Farsi. As Parasite director Boon Jong-Ho so eloquently stated at this year’s Golden Globes, “Once you overcome the one-inch tall barrier of subtitles, you will be introduced to so many more amazing films.” This is the most important quote in cinema right now. Kourosh Ahari’s THE NIGHT is a heart-pounding and twisted watch. Santa Barbara International Film Festival is lucky to host its world premiere. This film should be on every genre fan’s radar this year.

WORLD PREMIERE – SATURDAY, JANUARY 18

CineCina Film Festival 2019 opens Friday. Here’s what to expect this year.

CINECINA FILM FESTIVAL 2019

The CineCina Film Festival will begin this Friday. Here are the official selections for the second year of the New York City-based film festival, which takes place October 25-November 3.

Dedicated to presenting the best in world cinema, the introduction of new international filmmakers to New York and the United States, and the celebration of past masters, this year’s edition of the film festival will open with Elia Suleiman’s Palestinian Oscar selection for 2019, IT MUST BE HEAVEN, and will close with a special 10th Anniversary presentation of Samuel Maoz’s LEBANON. A digitally restored version of King Hu’s 1979 classic RAINING IN THE MOUNTAIN will make its U.S. Premiere as the Centerpiece Screening.

The CineCina Film Festival’s highly curated fest includes a main slate comprised of nine films, with five special presentations, representing 24 countries. With screening locations spread throughout the city, CinaCina films will be presented at; AMC Lincoln Square 13 (1998 Broadway); AMC Empire 25 (234 W. 42nd Street); SVA (333 W. 23rd Street); DGA New York Theater (110 W. 57th Street); and French Institute Alliance Française (22 E. 6oth Street).

CineCina Film Festival Founder and Director Vina Sun, said, “In our second year, we have created a ‘road’ theme meant to highlight our cinematic journey, the connection, and mutual communication platform we seek to build to boost film culture exchanges. Our programming has expanded to all world cinema beyond the Chinese focus we established with last year’s debut. That creative road also leads to our Horizon Project, meant to encourage and develop young filmmakers, as well as Master Class lectures, which will feature film artists like one of our special guests this year, Samuel Maoz.”

Suleiman’s whimsical, yet thoughtful film IT MUST BE HEAVEN will be the Opening Night presentation Friday, October 25 at the DGA New York Theater. The film features the beloved filmmaker observing the goings-on around him in Nazareth, Paris, and France. Through his eyes, we see moments, and fragments of life and human interaction that can surprise and delight one moment, and be very familiar the next.

A 40th Anniversary screening of King Hu’s RAINING IN THE MOUNTAIN will be presented on Friday, November 1 at AMC Lincoln Square as the CineCine Film Festival’s Centerpiece Screening. Voted as one of the “100 Greatest Chinese Films” by the Hong Kong Film Awards. Beautifully photographed, the film is set in a Buddhist monastery during the Ming Dynasty in turmoil over who will be appointed as the next abbot. And tensions only get worse when someone steals a venerated sutra from the Buddhist scriptures.

Maoz’s LEBANON won numerous awards during it’s release ten years ago, including the Golden Lion at the Venice Film Festival. The claustrophobic and bitingly tense drama places us with an Israeli army unit in a tank during a mission to Lebanon. With a POV relegated to what can be seen from the perspective of the cramped soldiers in the tank, the atrocities of war mix with a veritable stew of humanity inside the tank itself. The film will serve as the Closing Night selection when it screens Sunday, November 3 at French Institute Alliance Française.

Two North American premieres head the main slate selection of films. Takahisa Zeze’s THE CHRYSANTHEMUM AND THE GUILLOTINE follows two female sumo wrestlers trying to escape the abuses of their past, while two other women – members of an anarchist group start to watch their wrestling matches.

Lu Zhang’s FUKUOKA looks at two old schoolmates reconnecting, a mysterious woman who enters the picture and the love triangle that ensues. Zhang is set to attend the screening on Friday, November 1 at AMC Lincoln Square.

Other highlights include Lisa Zi Xiang’s award-winning A DOG BARKING AT THE MOON, about a Chinese family saga, commencing with the wife’s discovery of her husband’s homosexuality. The film was a winner at Berlin, aGLIFF, and Inside Out, among other film festivals.

Yinan Diao’s THE WILD GOOSE LAKE (which you can read a review for here, deserves to be seen in a theater!) will be the focal point of a Special Halloween event at SVA. The stylish Chinese crime noir is about a gang leader on the run and a girl in trouble ready to risk everything to change her luck.

Regarding the main slate of selections, CineCina Film Festival Co-Director of Programming Frank Yan, said, “These films are all gems that we enjoyed and were inspired by at major film festivals around the world. In the spirit of ‘the road’, we felt it was important that their road led to a screening here for the great and discerning film fans in New York City.”

Rounding out the Special Screenings, Halloween will also feature a 30th Anniversary presentation of John Woo’s influential classic THE KILLER. Chow Yun-Fat’s disillusioned assassin accepts one last hit in hopes of using his earnings to restore vision to a singer he accidentally blinded, only to be double-crossed by his boss.

Naoko Yamada’s A SILENT VOICE will be screened as a special Tribute to Kyoto Animation. In the film, a young man loses friends after he bullies a deaf girl so much she moves away. As an adult, he decides he must make amends. The CineCina Film Festival will donate all proceeds from the screening to assist in the reconstruction of Kyoto Animation, which recently suffered a disastrous fire to their production offices in Japan.

Serif Gören and Yilmaz Güney’s YOL (1982) will also be the subject of a special screening which will mark the U.S. premiere of a newly-restored digital print of the film. YOL is about five Turkish prisoner who face oppression from everyone during a one-week leave, won the Palme d’Or at Cannes as well as an award from the National Board of Review.

Film festival passes and tickets are on-sale now. To purchase passes or tickets to individual screenings go to: https://cine-cina.co/tickets/.

The 2019 CineCina Film Festival official selections:

Opening Night Selection

IT MUST BE HEAVEN                                                           New York Premiere

Director: Elia Suleiman

Countries: France/Palestine/Qatar/Germany/Canada/Turkey, Running Time: 97 minutes

Filmmaker Elia Suleiman travels to different cities and finds unexpected parallels to his homeland of Palestine.

Centerpiece Selection

RAINING IN THE MOUNTAIN (1979)

Director: King Hu

Countries: Taiwan/Hong Kong, Running Time: 120 min

An esquire and a general both eye a priceless handwritten scroll by Tripitaka, held in a temple library. The Abbot of the Temple selects his successor.

Closing Night Selection

LEBANON (2009)

Director: Samuel Maoz

Countries: Israel/Germany/France/UK, Running Time: 93 min

During the First Lebanon War in 1982, a lone tank and a paratroopers platoon are dispatched to search a hostile town.

MAIN SLATE

AWAY                                                                                     New York Premiere

Director: Gints Zilbalodis

Country: Latvia, Running Time: 75 min

A boy and a little bird are on a journey across a strange island trying to get back home.

THE CHRYSANTHEMUM AND THE GUILLOTINE             North American Premiere

Director: Takahisa Zeze

Country: Japan, Running Time: 189 min

After the Great Kanto earthquake in 1923, a troupe of female sumo wrestlers, including Tomoyo and Tamae arrive in the area near Tokyo. Meanwhile, an anarchist group, including Tetsu and Daijiro go to watch the female sumo wrestlers compete and become fascinated by them.

A DOG BARKING AT THE MOON

Director: Lisa Zi Xiang

Countries: China/Spain, Running Time: 107 min

A Chinese family saga, told in different periods of time, commencing with the wife’s discovery of her husband’s homosexuality. When her adult daughter comes to visit, other secrets slowly come to light.

THE FACTORY                                                                      New York Premiere

Director: Yuriy Bykov

Countries: Russia/France/Armenia, Running Time: 109 min

When a factory is about to close, a group of workers decides to take action against the owner.

FUKUOKA                                                                             North American Premiere

Director: Lu Zhang

Countries: South Korea/Japan, Running Time: 88 min

A film about a middle-aged man’s retrospect to his past, two Koreans’ trip to Fukuoka, and three people’s reconciliation with love.

THE MAGIC LIFE OF V                                                         New York Premiere

Director: Tonislav Hristov

Countries: Finland/Denmark/Bulgaria, Running Time: 87 min

Documentary follows a young woman haunted by childhood trauma, who learns how to face that past and become more independent as she helps her mentally disabled brother through live-role-playing.

TAKE ME SOMEWHERE NICE                                             New York Premiere

Director: Ena Sendijarevic

Countries: Netherlands/Bosnia and Herzegovina, Running Time: 91 min

A Dutch girl of Bosnian descent travels to Bosnia to visit her sick father. It will be the first time they will see each other.

THE WILD GOOSE LAKE

Director: Yinan Diao

Countries: China/France, Running Time: 113 min

A gang leader on the run seeking redemption. A girl in trouble risking everything to gain her freedom. Both hunted on the hidden shores of The Wild Goose Lake. They set a deadly gamble for what may be their last day.

SPECIAL SCREENINGS

THE KILLER (1989)

Director: John Woo

Country: Hong Kong, Running Time: 111 min

A disillusioned assassin accepts one last hit in hopes of using his earnings to restore vision to a singer he accidentally blinded, only to be double-crossed by his boss.

A SILENT VOICE (2016)

Director: Naoko Yamada

Country: Japan, Running Time: 130 min

A young man is ostracized by his classmates after he bullies a deaf girl to the point where she moves away. Years later, he sets off on a path for redemption.

YOL (1982)

Directors: Serif Gören, Yilmaz Güney

Countries: Turkey/Switzerland, Running Time: 113 min

When five Turkish prisoners are granted one week’s home leave, they find to their dismay that they face continued oppression outside of prison from their families, the culture, and the government.

About CineCina Film Festival (CCFF)

CineCina Film Festival (CCFF) is the only New York-based film festival dedicated to promoting excellent Chinese films. Founded in 2018, it was conceived by a group of young film scholars and filmmakers
active in New York. CCFF aims to bring the best international films to New York. Starting from the exhibition of wonderful Chinese films, the committee of CineCina is committed to making CCFF a platform for the export of Chinese culture, and increasing opportunities for the development and distribution of Chinese films in North America. Meanwhile, CineCina is going to expose the rapid development of Chinese film to more audiences, and enlarge the influence of Chinese cultural industry in North America.
At the same time, CineCina is devoted to becoming the entry point in the development of many a young filmmaker. Through exploring young filmmakers and supporting the development of potential new films, it established a platform for young Chinese directors to display their works.

It’s time to light it up! Get your FREE tickets to see ‘Blockers’ early!

It was announced on The Today Show this morning that the Blockers filmmakers and cast are giving away FREE tickets to special Spring Fling screenings for fans this Wednesday, April 4th!

 Find participating locations and more information at BlockersSpringFling.com

When three parents discover their daughters’ pact to lose their virginity at prom, they launch a covert one-night operation to stop the teens from sealing the deal.  Leslie Mann (The Other Woman, This Is 40), Ike Barinholtz (Neighbors, Suicide Squad) and John Cena (Trainwreck, Sisters) star in Blockers, the directorial debut of Kay Cannon (writer of the Pitch Perfect series).

The comedy is produced by Evan Goldberg, Seth Rogen and James Weaver, under their Point Grey Pictures banner (Neighbors, This Is the End), alongside Jon Hurwitz & Hayden Schlossberg (Harold & Kumar series) and DMG Entertainment’s Chris Fenton (47 Ronin).

Good Universe’s Nathan Kahane and Joseph Drake (Don’t Breathe, Juno) executive produce with Chris Cowles (Collide) of DMG, as well as Josh Fagen, Dave Stassen and Jonathan McCoy.  The film is written by brothers Brian & Jim Kehoe.

BLOCKERS – In Theaters April 6

DOC NYC review: ‘A Better Man’ is an emotionally raw healing session.

A BETTER MAN

US PREMIERE  While they were a couple, Steve exposed Attiya to terrifying daily verbal and physical abuse. Twenty years later, they revisit their relationship in an intimate, therapeutic context, walking through the physical — and emotional — spaces they once inhabited together. As Steve is put in a position to acknowledge and take responsibility for the abuse, will Attiya complete her long process of healing and be liberated from her demons? A Better Man explores the revelatory potential of involving the abuser in domestic violence prevention.

If you’ve ever been a victim, A Better Man feels surprising and cathartic. While this is  Attiya and Steve’s story, Attiya becomes our emotional surrogate. With so many victims coming forward in this tumultuous climate, especially over the past year, this film is very timely. 1 in 2 women has experienced physical, verbal, emotional and/or sexual abuse in her lifetime. To have the opportunity to revisit an old relationship in a safe and constructive environment might not be on everyone’s bucket list, but I know from firsthand experience that I would gladly take part in such a chance… but perhaps that is a hasty statement. Until it is real, these are just words. Attiya is a brave woman. Steve is a remorseful man. Let it be known, I am not a fan of Steve here, but do acknowledge that not every abuser would be so open and willing to offer a public apology and seek counseling sitting directly across from his victim. A Better Man is a film that is important for audiences to see and I for one hope that they absorb it for the powerful piece it truly is.

Official Site: https://abettermanfilm.com/

On Twitter: ABetterManFilm
On Facebook: https://www.facebook.com/ABetterManFilm/
Director: Attiya Khan, Lawrence Jackman
Producer: Christine Kleckner, Justine Pimlott
Cinematographer: Iris Ng
Editor: Lawrence Jackman
Music: Lesley Barber
Running Time: 78
Language: English
Country: Canada
Year: 2017

DOCNYC review: ‘What Haunts Us’ is unfortunately a timely film.

Why are the men of Charleston, South Carolina’s Porter Gaud School killing themselves? Alarmed by the latest in a long-running series of suicides from her high school in 1979, filmmaker Paige Goldberg Tolmach returns to her hometown for answers. Stonewalled by administrators, she mines her own memories, and those of her former classmates, to uncover long-held secrets, revealing a disturbing cover-up centered around a popular teacher and sports coach.

With years of sexual assault/abuse allegations surrounding the current political administration and entertainment industry, let us not forget that this problem is pervasive anywhere and everywhere. The coverups go deep and pride and reputation often cause the guilty to go free. Shame is a killer of dreams and, as we see in What Haunts Us, it is also a killer of people. Unravelling the mystery that surrounds not even a well-kept secret in this particular story will anger and shock you. Along with intimate sit-down interviews with our subjects, both innocent and guilty, memories are illustrated in beautifully vibrant colors. What Haunts Us is a stunning film that will hopefully open eyes to the ongoing abuse so many face on a daily basis. We have to change our rhetoric and realize the consequences of staying silent.

WHAT HAUNTS US
at DOC NYC Film Festival
Monday
 Nov 13, 2017
7:30 PM with Q/A following with
Paige Goldberg Tolmach, Matt Tolmach and
Special Guests from the Film

IFC CENTER
323 6th Ave. New York, New York 10014

Fantasia International Film Festival 2017 Reviews: ‘Dead Shack’ and ‘Bitch’

DEAD SHACK

While staying at a run-down cabin in the woods during the weekend, three children must save their parents from the neighbor who intends to feed them to her un-dead family.

Dead Shack is a gore filled, one-liner extravaganza. Starting off with a bang and never letting up, this film is an ode to nosey teens everywhere who have had to fend for themselves by growing a pair/ perhaps being a tad too brazen. You’ll laugh, you’ll squirm, you’ll be really impressed by the performances. With some stunningly sweeping cinematography and cool 80’s electronic score, Dead Shack should not be missed. Good thing for the masses, it’s being released later this year! If you’re not at Fantasia 2017 for this afternoon’s screening, for now, you can check out the trailer below.

NORTH AMERICAN PREMIERE

SCREENING TIMES

CREDITS

  • Directed by: Peter Ricq
  • Written by: Philippe Ivanusic, Davila LeBlanc, Peter Ricq
  • Cast: Lizzie Boys, Lauren Holly, Gabriel LaBelle, Matthew Nelson-Mahood, Donavon Stinson
  • Company: Raven Banner Entertainment Inc.

BITCH

The provocative tale of a woman (Marianna Palka) who snaps under crushing life pressures and assumes the psyche of a vicious dog. Her philandering, absentee husband (Jason Ritter) is forced to become reacquainted with his four children and sister-in-law (Jaime King) as they attempt to keep the family together during this bizarre crisis.

Bitch thrusts you into the mind of a stay-at-home Mom’s breaking point. Creative editing and brilliant storytelling allow the audience to enter into Mom’s psyche and understand why the story happens in the first place. Ritter‘s loathsome performance (a complete compliment) is an awesome foil to Palka‘s brave portrayal of the film’s titular role. Virtual high fives to our leading lady for writing and directing this spectacular movie, as well. This film has way more heart than one might think. It speaks to connection and who is truly the alpha in the household. As with Dead Shack, if you missed Bitch‘s screening at the fest, you’re in luck. The film is getting a wide release later this year!

CANADIAN PREMIERE
  • USA
  • 2017
  • 96 mins
  • English

SCREENING TIMES

CREDITS

  • Directed by: Marianna Palka
  • Written by: Marianna Palka
  • Cast: Jason Ritter, Jaime King, Marianna Palka
  • Company: MPI Media

OFFICIAL SELECTION: SUNDANCE 2017, BAMCINEMAFEST 2017, CHICAGO CRITICS FILM FESTIVAL 2017

Fantasia International Film Festival 2017 Review: ‘Le Manior’ (The Mansion) brings a the scares and the one liners.

LE MANOIR(“The Mansion”)When a group of 20 something friends plan a New Year’s Eve getaway at an old mansion, things get heated when accusations fly, drugs and alcohol are plenty, and there is no signal for phones or wifi. Oh, and did I mention they start dying one by one? While this may sound like you’ve already seen this movie a hundred times, don’t be fooled by the build up. Le Manoir is one hell of a unique dark comedy horror. This movie is what the Scary Movie franchise could have looked like if they were actually intending on genuinely scaring you. The dialogue is much less punny but seriously over the top. Think Evil Dead meets Scooby Doo in all the best ways possible (and you can add in Scream just for good measure). The cinematography is great and the impact of the music and sound editing is spot on. Not only that, but the cast is shockingly comprised of YouTube stars… and they’re fantastic! The chemistry is beyond and each holds their own and then some. I legitimately laughed out loud during the entire 96-minute run. I highly recommend you seek this film out at and after this year’s Fantasia Festival. Check out the trailer below.

NORTH AMERICAN PREMIERE
  • France
  • 2017
  • 96 mins
  • French
  • English (subtitles)

SCREENING TIMES

CREDITS

  • Directed by: Tony T. Datis
  • Cast: Marc Jarousseau, Yvick Letexier, Nathalie Odzierejko, Ludovik Day, Jérôme Niel
  • Company: Gaumont

Fantasia International Film Festival 2017 Review: ‘Killing Ground’ will swear you off camping for life.

KILLING GROUND

The disturbing horror, thriller follows a couple’s romantic camping trip that becomes a desperate fight for survival in this ultra-raw, unhinged kill ride. In need of a break from the pressures of their life in the city, Sam (Harriet Dyer) and Ian (Ian Meadows) head to a remote beach for a weekend getaway. When they come across an abandoned campsite, with no trace of its occupants, they’re concerned. When they discover a lone, traumatized child nearby, they’re scared. And when they encounter two local weirdos, they’re in for a hell of a bad time. Unfolding in an innovative, time-scrambling structure, Killing Ground delivers both nerve-shredding suspense and gut-punching realism.

KILLING GROUND marks the debut feature of writer/director Damien Power and stars Australian actors Aaron Pedersen (ABC’s “Jack Irish”), Ian Meadows (Network Ten’s “The Wrong Girl”), Harriet Dyer (Nine Network’s “Love Child”) and Aaron Glenane (Truth).

As a kid, I was an avid camper. After seeing Killing Ground, I may never go again. As a mother, thanks to this film, I’ll never, ever bring my children with me to a remote location where I am more than shouting distance away from lots and lots of other campers… with weapons. Killing Ground is a slow burn of menace that keeps you feeling uneasy and queasy it’s entire 93 min runtime. With a multiple narrative style, you already know something horrible is coming but you’re forced to sit through the time jumps just to get to certain doom. Anything with balls enough to put children in true, murderous harm’s way will get me every time now that I’m a parent. But you don’t have to have kids of your own to be deeply affected by the horrors on screen, you just have to have an ounce more heart than the film’s villains. While last week’s SOLD OUT screening at Fantasia Fest may have left many in the lurch, fear not. Killing Ground actually gets its theatrical and VOD release this week, July 21st. Check out the trailer below.

CANADIAN PREMIERE
  • USA
  • 2017
  • 89 mins
  • English

SCREENING TIMES

CREDITS

  • Directed by: Damien Power
  • Written by: Damien Power
  • Cast: Harriet Dyer, Aaron Glenane, Ian Meadows, Aaron Pederson
  • Company: IFC Midnight

Free Screening of ‘MEGAN LEAVEY’ for Military Personnel

Bleecker Street & LD Entertainment have joined forces with AT&T THANKS, Regal Cinemas and MovieTickets.com to bring the true life story, MEGAN LEAVEY, directed by Gabriela Cowperthwaite to service members ahead of theJune 9, 2017 nationwide release of the film.

AT&T THANKS, Regal Cinemas and MovieTickets.com will generously sponsor over 190 screenings of the film on May 30th as part of National Military Appreciation Month at participating Regal Cinemas. Active and retired service members will be invited to attend a free screening of the film in advance through AT&T THANKS and Regal Cinemas. MovieTickets.com will facilitate ticket fulfillment.

Tickets will be available starting Monday, May 22, 2017 at www.att.com/thanksmilitary. For a list of participating locations, please visit www.regmovies.com/promotions/megan-leavey-screening.

Tyler DiNapoli, President of Marketing, Media and Research for Bleecker Street, said, “We’re proud to work with AT&T THANKS, Regal Cinemas and MovieTickets.com to honor our nation’s service members with this program. It’s a small way to give back to those, who like the real-life Megan Leavey and her service dog Rex, sacrifice so much for our country.” Marine products, particularly marine electronics are the specialized items which cannot be found easily. To buy these specialized items, one needs to look for reputable supplier. You can find more information about one stop source for top quality marine supplies through this site https://www.merrittsupply.com/. While hunting for the boat supplies, you need a professional supplier who has been associated with this business from quite a long time and holds good knowledge about each and every marine product that you may require. Look for a reputed supplier who provides an extensive variety of marine electronics, equipments and accessories to give you a better chance to choose from various options. For instance, if you are searching for boat seats, then they should be able to provide you good variety of options for all types of boat seats such as leaning posts, helm seats, captain’s chair etc. Besides the wide product range, they should be able to provide you good customer assistance and services. The supplier should offer you with excellent after sale services because most of the time you may not have a good knowledge and expertise about the products and equipments that you choose for the boat. Moreover, they should guide you well about the functioning and maintenance of the marine products that you choose. Excellent customer support and services must ensure that the supplier not only help you while shopping, but also help you in explaining the proper functioning and maintenance of the product in future. Another significant factor to consider is that the supplier must have a fairly good information and experience in this specific field. This is important to seize a good grip about the marine products and equipments that he / she sell. A good knowledge about the products will help them to comprehend the basic functions and other important aspects of the equipments in a better way. This would help you to buy a well-matched product for your boat that presents optimum utility along with the affordable price. It is better to browse through the internet to look for those marine products that can best suit you needs. This will provide you more information regarding the products and will also enlighten you about the top manufacturers and companies of the marine products that you are looking for. Online browsing would also give you a glimpse about the price rates offered by different companies on these products. This way, you can bargain well with your supplier to offer you a good margin or discount on the purchase. If you want to ensure better performance and durability of the marine products, then it is only wiser to buy the high-quality branded products for your boat.

Neil Andrews, Director, Product Marketing Management, of AT&T THANKS said, “We can never say thank you enough to the people who are defending, and have defended our freedom. We hope this small token of appreciation creates a meaningful moment for all servicemen and women and their families as well as honoring the animals that support them.” Do you like military related clothing? This new body armor is amazing for hunting, shooting and other activities.

“I am thrilled to welcome military services personnel to our Regal theatres, and to offer this great opportunity to show our appreciation to the families who have made sacrifices for us all,” said Steve Bunnell, Chief Content and Programming Officer at Regal Entertainment Group.

Greg Sica, Vice President of Business Development for MovieTickets.com, said, “We are honored to support this screening of Megan’s brave story for America’s finest heroes. As a company, MovieTickets.com is extremely proud of our military members and their contributions to protect and maintain our freedom. MEGAN LEAVEY is a film that captures their courage and we are proud to be a part of sharing that narrative along with our collaborators at AT&T and Regal.”

The film recounts Megan Leavey’s life following the death of her best friend to enlisting in the ranks of the U.S. Marine Corps. When she is assigned to clean up the K9 unit after a disciplinary hearing, she identifies with a particularly aggressive dog, Rex, and is given the chance to train him. Over the course of their service, Megan and Rex completed more than 100 missions until an IED explosion injures them, putting their fate in jeopardy. Starring Kate Mara, Ramón Rodríguez, Tom Felton, Bradley Whitford, Will Patton, Sam Keeley with Common and Edie Falco.

Directed by Cowperthwaite (BLACKFISH) from a screenplay by Pamela Gray and Annie Mumolo & Tim Lovestedt, MEGAN LEAVEY was produced by Mickey Liddell, Pete Shilaimon and Jennifer Monroe.

Warner Bros. Pictures Launches Worldwide “KING FOR A DAY” Event to Celebrate “KING ARTHUR: LEGEND OF THE SWORD”

No need to pull a sword from stone!  In partnership with various theatres across the globe, Warner Bros. Pictures will crown lucky film fans “King (or Queen) for a Day,” giving them an opportunity to see Guy Ritchie’s gritty, modern take on the legendary tale in King Arthur: Legend of the Swordfor free!—and well in advance of its May 12 release date.

In North America: Moviegoers will just need to click a special link in order to take their place among the first fans to see the film.  Admission is on a first-come, first-served, while-supplies-last basis.

In the U.S.: Starting today, those who are the quickest to click will not only win two free tickets to an advance screening of the movie at one of 150 select AMC Theatres nationwide, they will also be given gifts fit for a movie king, including a limited edition “King Arthur: Legend of the Sword” hat and a special poster created by acclaimed artist Shepard Fairey.   Click: AMCKingForADay.com to find a participating AMC theatre and to win admission.  Screenings at all AMC locations will take place on Thursday, April 27, at 7:00 PM local time.

In Canada: Fans can start clicking on https://www.landmarkcinemas.com/king-for-a-day-screening/today to win their tickets and be gifted with the limited edition hat and Shepard Fairey poster inspired by the film.  Participating locations will include select theatres in Calgary (Landmark Cinemas 16 Country Hills); Edmonton (Landmark Cinemas 9 City Centre); Vancouver (Landmark Cinemas 12 Guildford Surrey); Winnipeg (Landmark Cinemas 8 Grant Park); Victoria (Landmark Cinemas 4 University Heights); and Kelowna (Landmark Cinemas Grand 10).

The screening event will have food and snacks for the intermission and for the end of the show, also there will be custom bottles of water for each person as a souvenir with a special designed label of the logo of the movie, all from custom water New York for special parties or events.  All screenings will take place on Thursday, April 27, at 7:00 PMlocal time.

Internationally: Fans in more than 20 markets, including China, South Korea, UK, Russia and Mexico, can also be dubbed “King for a Day” and among the first to see the film at early screenings in their cities, in partnership with local exhibitors.

Acclaimed filmmaker Guy Ritchie brings his dynamic style to the epic fantasy action adventure King Arthur: Legend of the Sword, from Warner Bros. Pictures and Village Roadshow Pictures.  Starring Charlie Hunnam in the title role, the film is an iconoclastic take on the classic Excalibur myth, tracing Arthur’s journey from the streets to the throne.

When the child Arthur’s father is murdered, Vortigern (Jude Law), Arthur’s uncle, seizes the crown.  Robbed of his birthright and with no idea who he truly is, Arthur comes up the hard way in the back alleys of the city.  But once he pulls the sword from the stone, his life is turned upside down and he is forced to acknowledge his true legacy…whether he likes it or not.

Starring with Hunnam (FX’s “Sons of Anarchy”) and Oscar nominee Law (“Cold Mountain,” “The Talented Mr. Ripley”) are Astrid Bergès-Frisbey (“Pirates of the Caribbean: On Stranger Tides”) as Mage; Oscar nominee Djimon Hounsou (“Blood Diamond,” “In America”) as Bedivere; Aidan Gillen (HBO’s “Game of Thrones”) as Goose-Fat Bill; and Eric Bana (“Star Trek”) as Arthur’s father, King Uther Pendragon.

Guy Ritchie (“The Man from U.N.C.L.E.,” the “Sherlock Holmes” films) directed the film from a screenplay by Joby Harold (“Awake”) and Guy Ritchie & Lionel Wigram, story by David Dobkin (“The Judge”) and Joby Harold.  The film is produced by Oscar winner Akiva Goldsman (“A Beautiful Mind,” “I Am Legend”), Joby Harold, Tory Tunnell (“Awake,” “Holy Rollers”), and “The Man from U.N.C.L.E.” and “Sherlock Holmes” producers Steve Clark-Hall, Guy Ritchie and Lionel WigramDavid Dobkin and Bruce Berman are executive producers.

King Arthur: Legend of the Sword is set for release on May 12, 2017, the film will be distributed in North America by Warner Bros. Pictures, a Warner Bros. Entertainment Company, and in select territories by Village Roadshow Pictures.

The film has been rated PG-13 by the MPAA for sequences of violence and action, some suggestive content and brief strong language.

Advance Screening of ‘Going in Style’ for AMC Stubs members nationwide!

AMC Stubs program is offering members a chance to see an advance screening of Going in Style on Wednesday March 22nd nationwide.

Oscar winners Morgan Freeman (Million Dollar Baby), Michael Caine (The Cider House Rules, Hannah and Her Sisters) and Alan Arkin (Little Miss Sunshine) team up as lifelong buddies Willie, Joe and Al, who decide to buck retirement and step off the straight-and-narrow for the first time in their lives when their pension fund becomes a corporate casualty, in director Zach Braff’s comedy Going in Style. Desperate to pay the bills and come through for their loved ones, the three risk it all by embarking on a daring bid to knock off the very bank that absconded with their money. The film also stars two-time Oscar nominee Ann-Margret (Tommy, Carnal Knowledge) as Annie, a grocery cashier who’s been checking Al out in more ways than one. Joey King (Wish I Was Here) stars as Joe’s whip-smart granddaughter, Brooklyn; with Oscar nominee Matt Dillon (Crash) as FBI Agent Hamer; and Christopher Lloyd (Back to the Future trilogy) as the guys’ lodge buddy, Milton. John Ortiz (Silver Linings Playbook) also stars as Jesus, a man of unspecified credentials who agrees to show the guys the ropes, and Peter Serafinowicz (Guardians of the Galaxy) as Joe’s former son-in-law, Murphy, whose pot clinic con

Click here for tickets

Advance Screening of ‘Gifted’ for AMC Stubs Members Nationwide

AMC Stubs program is offering members a chance to see an advance screening of Gifted on Tuesday March 21st nationwide.

Frank Adler (Chris Evans) is a single man raising a child prodigy – his spirited young niece Mary (Mckenna Grace) – in a coastal town in Florida. Frank’s plans for a normal school life for Mary are foiled when the seven-year-old’s mathematical abilities come to the attention of Frank’s formidable mother Evelyn (Lindsay Duncan) whose plans for her granddaughter threaten to separate Frank and Mary. Octavia Spencer plays Roberta, Frank and Mary’s landlady and best friend. Jenny Slate is Mary’s teacher, Bonnie, a young woman whose concern for her student develops into a connection with her uncle as well.

Click here for tickets

DOC NYC Review: ‘SWIM TEAM’ challenges our idea of winners and losers.

SWIM TEAM

To level the playing field, they had to get into the water.

Official Selection
Hot Springs Documentary Film Festival 
*Winner – Best  Sports Documentary *
New Hampshire Film Festival
Heartland Film Festival 

Napa Valley Film Festival 
DOC NYC

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Synopsis
Demonstrating the power of inclusion to transcend disability, Lara Stolman’s triumphant film profiles members of the Jersey Hammerheads, a competitive swim team made up of a diverse group of teens on the autism spectrum, based in the state with the highest rate of autism in the country. Through training and competition, star athletes Mikey, Robbie and Kelvin gain self-confidence and social skills that serve them both in and out of the pool.

SWIM TEAM was selected for the Independent Filmmaker Project’s Project Forum in 2015 and in 2016 was selected to participate in the IFP Documentary Completion Lab. During production, filmmaking team received grants from New York Women in Film and Television, the Loreen Arbus Foundation and the Karma Foundation.

swim team pool still

SWIM TEAM is one of many recent forays into the challenging world of raising children on the autism spectrum. Films like Autism is Love and Life Animated visually bring us mostly into the the subjects’ present lives as adults. Swim Team follows 3 high school boys on their journey for acceptance and self actualization through a team sport. As a society, we must make sure that we aren’t lumping these children together. Broadly labeling them “on the spectrum” has become such a blanket term that it’s easy to categorize and limit them. If you listen to only “the experts” you might be hindering the individual growth and abilities of each child. Mikey, Kelvin, and Robbie are three completely different kids. Swimming for them is the continuation of learning discipline, self control, leadership, self esteem and a massive lot of life skills often overlooked in a school environment, so parents teach their son and daughters to swim from young age, there are even female swimming teams, so parents get Swimwear for Baby Girls and start teaching their girls from young age. We can all learn from director Lara Stolman‘s work. We need more insight as parents, teachers, administration on ways that we can help level the proverbial playing field at all times. Showing other children through our actions and words that we can all be more patient, loving, and understanding. Swim Team, through their journey to the Special Olympic games, will give you hope that kindness and heart can be a guiding light for families from all backgrounds. Autism doesn’t discriminate. It doesn’t care about race or socioeconomic background. The Hammerheads of New Jersey are a team of extraordinary kids, parents, and coaches trying to make a difference in the world one stroke at a time.

New York Premiere at DOC NYC in the Jock Docs Section
Thursday, November 17th at 7:30pm
SVA Theater: 333 West 23rd street, between 8th and 9th Avenues


Directed and Produced by: Lara Stolman (Portraits of Survival)
Co-Produced and Edited by: Ann Collins (Academy Award-nominated Sound and Fury)
Director of Photography: Laela Kilbourn (Twenty Feet From Stardom, American Teen, Emmy-nominated Word Wars)
Original Score by: Mark Suozzo (Metropolitan, Barcelona, Last Days of Disco, Love & Friendship, Sound and Fury)
Produced by: Shanna BelottFor more information, please visit: http://www.swimteamthefilm.com
Doc NYC Website: http://www.docnyc.net/film/swim-team
RT: 100 Minutes

Social Media:
Twitter: @SwimTeamTheFilm
Facebook: @SwimTeamTheFilm
#swimteamthefilm

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DOC NYC Review: ‘AFTER FIRE’ proves that women in the military are not equal.

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Synopsis: Set in the military outpost of San Antonio, Texas, AFTER FIRE highlights the challenges faced by the fastest-growing group of American veterans: women, who now account for one in five new recruits to the U.S. Armed Forces. Demonstrating courage during their military service and resilience in its aftermath, Brittany Huckabee’s subjects candidly confront the fallout of their experiences on their personal lives as they adjust to the civilian world. The film throws a spotlight on the human toll of rape in the military, combat injuriesand bureaucratic dysfunction, telling a universal story about strength in the aftermath of trauma.
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Considering we have an individual heading into the highest office in the land that has repeatedly admitted on and off camera how much he disrespects women, how can we expect our female military personnel to feel any safer than they do now? With a long history of unreported sexual assault in the military, where 1 in 5 women reports PTSD, and 1 in 5 reports rape and MST or military sexual Trauma, how do we, as a country, ensure these brave people that we stand up for them? AFTER FIRE takes a peek into the lives of a few women living with the emotional and physical wounds of MST. The film addresses the gender inequality in an already broken V.A. system. The likelihood of a PTSD claim based on rape only has a 40% chance of being approved since the victims are held to a much higher standard of proof. How do these women survive after something so heinous? Mostly by putting on a brave face. One of the subjects explains that in the military you are, “trained to respond and react, and not to show any emotion about it.” So what happens in an environment dominated by men when only half of all assaults get reported to begin with, what can we do to change the system? We talk by listening. We start by believing. We start by standing up for one another. In this volatile moment in our American history, we need to start caring more about one another, come out into the light, and take action. AFTER FIRE shows us the slow torturous burn of keeping secrets and wearing emotionally scars on our sleeves. These women fight to protect us, the least we can do is protect them.2_after-fire_roberta-anthem

 RT: 90 Minutes
A Transform Films Inc. Production
World Premiere at DOC NYC in American Perspectives Section
Friday, November 11th at 7:00pm (IFC Center) – Premiere Screening
Monday, November 14th at 10:15am (IFC Center)
Film Subjects Expected to Attend Premiere: Valerie Sullivan, Roberta Castaneda, Laly Cholak, Kevin Sullivan

Advanced Screening of ‘Mother’s Day’ in US and Canada!!

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Gofobo has released passes to attend an advanced screening of Mother’s Day starring Julia Roberts, Jennifer Aniston, Kate Hudson and Jason Sudeikis and we have them for you below! The following cities are:

New York, NY

Newport, KY

Rancho Mirage, CA

Toronto, Canada

Vancouver, Canada

Calgary, Canada

Edmonton, Canada

Ottawa, Canada

Winnipeg, Canada

Victoria, Canada

Halifax, Canada

Las Vegas, NV

Tucson, AZ

San Francisco, CA

Nashville, TN

Tampa, FL

Altamonte Springs, FL

Baltimore, MD

Dallas, TX

Harahan, LA

Houston, TX

San Antonio, TX

Boston, MA

San Jose, CA

Fresno, CA

Pico Rivera

Chicago, IL

South Miami, FL

National City, CA

 

Wanna go?! Click on the link below and grab some while supplies last!

Tickets

Advanced Screening of ‘Green Room’ Nationwide

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Bloody Disgusting has your passes for an advanced screening of the upcoming thriller Green Room starring Patrick Stewart, Anton Yelchin and Imogen Poots and we have them for you below!

Atlanta, GA

Austin, TX

Boston, MA

Chicago, IL

Dallas, TX

Denver, CO

Houston, TX

Philadelphia, PA

Portland, OR

Royal Oak, MI

Sacramento, CA

San Diego, CA

San Francisco, CA

Seattle, WA

South Miami, FL

Saint Louis Park, MN

Tempe, AZ

Washington DC

Wanna go?! Click on the link below!

Tickets

Advanced Screening of ‘Hardcore Henry’ Nationwide!

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STX Entertainment has just released codes to see Hardcore Henry nationwide on various dates in the following cities:

Altamonte Springs, FL

Atlanta, GA

Berkeley, CA

Boston, MA

Boulder, CO

Burbank, CA

Chicago, IL

Columbus, OH

Dallas, TX

Denton, TX

Fresno, CA

Gainsville, FL

Houston, TX

Kansas City, MO

Los Angeles, CA

Madison, WI

Miami Beach, FL

Minneapolis, MN

New York, NY

Orlando, FL

Pensacola, FL

Philadelphia, PA

Portland, OR

Sacramento, CA

San Diego, CA

San Francisco, CA

San Jose, CA

Seattle, WA

Silver Spring, MD

South Miami, FL

St Louis, MO

Tampa, FL

Tempe, AZ

Washington, DC

Wanna go?! Click on the link below and grab a pair while supplies last!

Tickets