Review: From scholarships to scandal, Dan Chen’s ‘ACCEPTED’ is explosive.

ACCEPTED

Accepted offers a unique and intriguing look at the world of Ivy League college admissions and the true cost of getting that first foothold into elite American society. In his first documentary feature, director Dan Chen grounds a broader look at the inequities in the American education system with unbelievable access to T.M. Landry and the deeply personal stories of four dynamic students looking to overcome countless obstacles to achieve their dreams.


TM Landry was a beacon of hope for the underserved community of Breaux Bridge, Louisiana. In Dan Chen‘s ACCEPTED, the incoming senior class of 2019 gears up for the admissions process, chasing that elusive stat; 30% of Landry students who receive acceptance to an Ivy League school. But, that’s not all this documentary catches during the school year. An explosive New York Times expose sends shockwaves through the student body. ACCEPTED delves deep into the subsequent chaos. 

 There is a Montessori feeling to the day. Children of all ages break out in small groups in a nondescript warehouse/office building, tackling complex arithmetic and socially relevant discussion. Founder Mike Landry‘s enthusiasm and passion are infectious. He’s the ultimate hype man for his students. He takes calls from them after hours, assisting them with homework. As a former teacher, I am captivated by his fiery pep talks. 

When emotions run high and the stress piles on, our kids start to push back against Mike’s methods. They realize something is incredibly wrong. When media becomes more important than being in the classroom, everything backfires. Going into Accepted knowing nothing, you’d think he was the high school Messiah. Mike Landry is no Wizard. He is the man behind the curtain. 

Adia is an avid animal lover whose spirit almost collapses under Mike Landry. But, her spirit outshines the negativity, and she’s a soul that will undoubtedly achieve greatness. Isaac’s dream school is Stanford. His levelheaded approach to life and learning is something we should all aspire to be. Alicia is the new girl, admittedly baffled by the school’s structure when she arrived halfway through Junior year. When you hear her college essay, you’ll gasp in awe of her eloquence. Cathy would be the first member of her family to attend college. With two disabled older sisters and a widowed mother, a car accident payout allowed her to prepay for two years at Landry. Cathy is a powerful young woman, flipping the script on her narrative. For her, truth and integrity reign supreme. 

The deteriorating mental health of these kids is palpable. Their bravery cost them their potential future. Fear and shame should not be the motivating factor to succeed. You cannot help but walk from the film filled with anger and questions about the socioeconomics of higher education. ACCEPTED is an unexpected emotional rollercoaster. 

 

GREENWICH ENTERTAINMENT is releasing the timely documentary Accepted, from director Dan Chen in theaters and VOD on July 1st!


DIRECTOR:
Dan Chen
PRODUCERS:
Jason Y. Lee
Dan Chen
Jesse Einstein
Mark Monroe
GENRE:
Documentary
RUNTIME:

91m


FESTIVALS & AWARDS:
Tribeca Film Festival 2021
Official Selection
Sidewalk Film Festival 2021
Winner Audience Choice Award Best Black Lens Film
Los Angeles Asian Pacific Film Festival 2021
Official Selection
Hot Springs Documentary Film Festival
Official Selection
Double Exposure Investigative Film Festival 2021
Official Selection
Cleveland International Film Festival 2022

Nominee Greg Gund Memorial Standing Up Award


  Original New York Times article as referenced in the film linked HERE.


Topic series review: ‘Catching A Killer- Episode 2: The Wind in the Willows Murder’

Catching A Killer- Episode 2:

The Wind in the Willows Murder

Adrian Greenwood

Adrian Greenwood, a famous historian and antiquarian book dealer, is found inside his home brutally stabbed over 30 times. The scene is chaotic. Police make a seemingly surprising arrest. The suspect is a man plunged into depression and financial ruin after his divorce.

One intriguing aspect is the discussion officers have prior to and post questioning suspect Michael Danaher‘s family. The choice to send female officers into the home does not go unnoticed. The care with which the accused and family are treated feels in contrast to here in the United States. 

Michael Danaher selfie

As in episode 1, the access to family members is shocking. Michael’s fourteen-year-old son Ryan is their best witness. His levelheaded account to officers blew me away. He recounts a story his father told him of a random knife attack. We watch this tape of Ryan’s second interview, juxtaposed with Michael’s interrogation. The accounts are very different. Simultaneously, the forensics team searches the scene. The most expensive item that is missing from the murder scene is the first edition of The Wind in the Willows book. 

This episode also includes hours of footage of Adrian discussing his rare finds on various television programs. It’s both fascinating and unsettling. The amount of evidence amassed will astonish you. You will shake your head at the stupidity. Catching A Killer Episode 2 is just as fascinating as Episode 1. 

You can watch Catching A Killer exclusively on TOPIC.


Episode 1: “The Search for Natalie Hemming” – Directed by Anna Hall
Episode 2: “The Wind in the Willows Murder” – Directed by Jezza Neumann
Episode 3: “Bullet Through the Window” – Directed by Erica Gornall
Episode 4: “A Knock at the Door” – Directed by Jennifer Shaw
Episode 5: “A Diary From the Grave” – Directed by Jezza Neumann & Jess Stevenson

 

About TOPIC
Topic is the criminally good streaming service from First Look Entertainment for thrillers, mysteries, dramas and documentaries from around the world, serving viewers who crave entertainment beyond the mainstream. Whether it’s a Nordic-noir crime thriller (The Killing), an Italian supernatural political drama (The Miracle), or a haunting true crime docu-series from the UK (The Missing Children), Topic expands your view of the world.Featuring North American premieres, exclusive TV series and film, and programming from more than 40 countries, Topic showcases an unparalleled collection of creators, perspectives and experiences. Complemented by our Topic Originals, we prioritize bold storytelling and champion underrepresented voices. Topic Originals and exclusives include Oscar® nominee The Letter Room (starring Oscar Isaac), Lambs of God (starring Ann Dowd), BAFTA® nominee The Virtues (starring Stephen Graham), Emmy® nominee The Accidental Wolf (starring Kelli O’Hara), Dark Woods, Gotham Award winning Philly D.A., and Soul City (directed by Coodie & Chike).Topic is available to US and Canadian audiences on topic.com, AppleTV & iOS, Roku, Amazon Fire TV, Android & Android TV, Samsung, Apple TV Channels, Roku Premium Channels, Bell Fibe, Amazon Prime Video Channels, Comcast and Comcast’s entertainment platforms, including Xfinity X1, Xfinity Flex and XClass TV. Topic is part of First Look Entertainment which also includes Topic Studios, the award winning entertainment studio which develops, finances, and produces content for all platforms.

 

Hit British Investigative Crime Docuseries review: ‘CATCHING A KILLER Episode 1: The Search for Natalie Hemming’ exclusively on Topic now!

CATCHING A KILLER

The Search for Natalie Hemming

Mother of three Natalie Hemming goes missing. Local police take the case with swift action and an in-depth, real-time investigation into her disappearance.

Catching A Killer: The Search for Natalie Hemming will airs exclusively on Topic.


The series’ score mimics a heartbeat and enhances the menacing atmosphere. The editing is a triumph, utilizing police video, interrogation tape, and the documentary teams footage of investigators chatting with Natalie’s family and friends. Listening to Natalie’s children recall the evening she went missing will chill you to your core. Her partner of ten years, and main suspect, Paul Hemming sits in jail as the investigation moves forward.

The police give the audience a play-by-play of tactics alongside the unprecedented access to the interviews with coworkers, family, and Paul, as well as the forensics team’s meticulous evidence collection. Episode 1 has a two-hour runtime and follows the case from beginning to end. With a plethora of true-crime series to choose from, the hour-by-hour tracking of the investigation makes Catching A Killer enthralling.

You can watch Catching A Killer Season 1 streaming exclusively on Topic now.

The season finale will air Thursday, June 30th.

http://topic.com

Tribeca Film Festival 2022 review: ‘VENGEANCE’ is an impressive directorial debut.

VENGEANCE

If you haven’t checked in on B.J. Novak since The Office, you’ll be surprised by the pitch-black tone of his directorial film debut, Vengeance. There are great laughs aplenty here, but the film presents an overall bleak view of humanity as it relates to our ability to connect and communicate. This is a stellar premier film.

Novak pulls triple duty as the film’s writer, director, and star. He brings the perfect mix of smug arrogance and bewildered empathy to Ben Manalowitz, a New York writer (and aspiring podcaster) who is coasting through every moment. Ben’s catchphrase is “100 percent”, but the audience quickly comes to see that Ben isn’t really giving 100 percent to anything. His life is all surface, no depth. He believes he’s having deep conversations about his work and the meaning of society, but he’s looking at his phone the whole time. His relationships are nothing but informal hookups.

Then Ben gets a fateful call from West Texas – his former girlfriend (well, they had hooked up a few times), Abilene Shaw, has died of a drug overdose. Abilene’s family are under the impression that she and Ben were a real couple, and invite him to the funeral. Ben shows up in West Texas out of pity, but quickly decides to stay for more selfish reasons: Abilene’s family suspects foul play, and Ben can’t turn down a chance to tackle the “holy grail” of podcasting: a dead white girl. Ben’s editor mails him some fancy podcasting equipment faster than you can say “true crime”, and he’s off to discover the truth about Abilene (and hopefully make himself famous in the process.)

I’m still in awe of this supporting cast. Boyd Holbrook somehow manages to balance sincerity and absurdity as Ty, Abilene’s revenge-crazed brother. Could this be Ashton Kutcher’s best work since Dude, Where’s My Car? (don’t get it twisted, I mean that as a sincere compliment!) Kutcher’s Quintin Sellers is complex and layered. As a small-town record producer, Quintin is equally opportunistic and charismatic. Quintin provides a twisted country-fried contrast to Novak’s Ben, and their few scenes together are some of the strongest of the film. The female characters are unfortunately more thinly written, and mostly function to help us better understand the men.

A film like this doesn’t work without a rock-solid script, and this one delivers. Good comedy writing ensures that the pace of the film is maintained; great comedy writing is concerned with showing us deeper truths about character that may produce a smile, but also a sting. The soundtrack is also self-aware – I’ve never laughed so hard at a Lana Del Rey song.

Vengeance is a dual threat – a legitimately funny comedy that also lands sincere dramatic moments. It left me excited for whatever Novak has coming next (hopefully a podcast.)


DIRECTOR
B.J. Novak
PRODUCER
Jason Blum, Adam Hendricks, Greg Gilreath
SCREENWRITER
B.J. Novak
CINEMATOGRAPHER
Lyn Moncrief
EDITOR
Andy Canny, Hilda Rasula, Plummy Tucker
CAST
B.J. Novak, Issa Rae, Ashton Kutcher, Boyd Holbrook, J. Smith-Cameron, Dove Cameron, Isabella Amara


Tribeca Film Festival 2022 reviews: ‘The Drop’ & ‘Don’t Make Me Go’ are two different films about parenting and identity.

THE DROP

I’m a huge fan of Sarah Adina Smith‘s work. Midnight Swim, Buster’s Mal Heart, and most recently Birds of Paradise are an eclectic group of films that show her imagination and vision are one of a kind. Her latest Tribeca 2022 film is no exception. In The Drop, Lex and Mani are a vivacious married couple trying to get pregnant. Lex does the unthinkable after they arrive at a friend’s destination wedding. She allows the bride’s infant daughter to slip from her grip. The fallout from this moment sends this group of close friends into a tailspin of pretentiousness, ego, judgment, confessions, and chaos. The Drop is a proper hard R-rated adult comedy. The laughs are endless. Huge quirky personalities clash in a way that doesn’t let anyone off the hook. The film centers on parenting styles, communication, and the facade we all put up to survive. Smith and co-writer Josh Leonard skewer Millenial culture in the most brilliant ways possible. Anna Konkle and Jermaine Fowle lead this ensemble cast of your dreams. There is not a weak link in the bunch. The Drop is a crowd pleaser you’ll want to see with your closest friends. Then you can all sit around and decide which asshole character most represents you. You’re welcome.


DIRECTOR
Sarah Adina Smith
PRODUCER
Jonako Donley, Mel Eslyn, Sarah Adina Smith, Joshua Leonard, Shuli Harel, Tim Headington, Lia Buman
SCREENWRITER
Sarah Adina Smith, Joshua Leonard
CINEMATOGRAPHER
Shaheen Seth
EDITOR
Daniel Garber, Sarah Adina Smith
COMPOSER
Ellen Reid
EXECUTIVE PRODUCER
Mark Duplass, Jay Duplass
CAST

Anna Konkle, Jermaine Fowle, Jillian Bell, Utkarsh Ambudkar, Elisha Henig, Jennifer Lafleur, Joshua Leonard, Aparna Nancherla, Robin Thede


DON’T MAKE ME GO

Hannah Marks is a damn gem. Her films have insight and heart for days. Her latest Tribeca 2022 film, Don’t Make Me Go, takes on a father-daughter relationship that will shake even the hardest of hearts. John Cho and Mia Isaac play Max and Wally. When Max discovers that his headaches are a brain tumor, he takes a reluctant Wally on a road trip to his college reunion. The journey serves a dual purpose; spending time with Wally and reconnecting with his ex-wife and Wally’s estranged mother. The screenplay by Vera Herbert is overflowing with coming-of-age moments, humor, and grounded conversations about mortality. It manages to be a story of redemption through creative means. We watch Wally make one bratty and irresponsible decision after another, yet her actions are ceaselessly relatable on the journey of finding your identity. Max is chasing the clock and lies to Wally for most of the film. With the purest intentions and all the love and emotional sacrifice a parent can muster, Don’t Make Me Go is a beautiful story about vulnerability and living life to the fullest every day.


DIRECTOR
Hannah Marks
PRODUCER
Donald De Line, Leah Holzer, Peter Saraf
SCREENWRITER
Vera Herbert
CINEMATOGRAPHER
Jaron Presant
EDITOR
Paul Frank
CAST

John Cho, Mia Isaac, Mitchell Hope, Jemaine Clement, Stefania LaVie Owen, Kaya Scodelario


US Release Date: July 15, 2022


Now in Theaters! ‘OFFICIAL COMPETITION’ is sheer perfection.

PRESENTS

OFFICIAL COMPETITION

Turning a Nobel Prize-winning novel into a movie on the whim of a millionaire, “it” director Lola Cuevas pairs two different kinds of actors to breathe life into her version of the story. What could go wrong casting a serious leading actor with a box office action star? Only everything, of course. If you’ve ever been through the rehearsal process with a director that is secure in their vision, Official Competition is for you. The film is a masterclass in writing and acting. It encompasses all the temperamental moments in the history of cinematic genius.

Oscar Martinez plays Ivan will a cultured legitimacy that feels elevated. He has a pedigree and air that is unmatched. His humble passion is so overblown you’ll give him a standing ovation while rolling your eyes. Antonio Banderas plays Felix with a Blockbuster pretty boy carelessness that is so familiar it’s brilliant. He is every cliché wrapped in a bow. Banderas brings a hot-tempered and diva nature to Felix. Almost play acting against Martinez, the evolution of their chemistry is like a tennis match. Each man absorbs traits from the other.

Penélope Cruz is eccentric director Lola. Her commitment to this character is extraordinary. The interactions between Lola and her leading men will have you smirking. The script allows her to push boundaries that challenge her fellow actors and the audience’s comfort. It’s another role that tops the last. She’s cheeky, powerful, unapologetic, and completely unconventional. Cruz gives her best performance to date.

These three astonishingly talented actors epitomize the industry. Mariano Cohn and Gastón Duprat explore the sheer absurdity of Hollywood. The cinematography is unforgettable. In many instances, our leads speak directly into the camera. Breaking the fourth wall is equal parts intrusive and entrancing. Official Competition might be the most extraordinary industry farce I’ve ever experienced. Making an award-worthy film while simultaneously acknowledging that awards are meaningless is a stroke of genius. It’s a wild meta joyride.

ONLY IN THEATERS JUNE 17, 2022  

DIRECTED BY Mariano Cohn and Gastón Duprat

WRITTEN BY Mariano Cohn, Andrés Duprat and Gastón Duprat

STARRING Penélope Cruz, Antonio Banderas, and Oscar Martínez

ABOUT THE DIRECTORS

Gastón Duprat (December 8, 1969, Bahía Blanca – Argentina) and Mariano Cohn (December 1, 1975, Villa Ballester – Buenos Aires, Argentina) have directed ten films including the successful “The Man Next Door,” “The Distinguished Citizen,” “Todo sobre el asado,” “My Masterpiece,” and “4×4” which competed in the most important international film festivals garnered with more than thirty international awards, including a Goya, the Platinum and the Ariel for Best Ibero-American Film. “Official Competition” is his latest, and highly anticipated feature film.

NEW YORK THEATERS

ALAMO DRAFTHOUSE MANHATTAN 14

 28 Liberty Street, Suite SC301 | New York, NY 10005

AMC LINCOLN SQUARE

 1998 Broadway | New York, NY 10023

AMC EMPIRE 25 THEATERS

 234 W 42nd St | New York, NY 10036

BAM ROSE CINEMAS

30 Lafayette Ave | Brooklyn, NY 11217

IFC CENTER

323 6th Ave | New York, NY 10014

STORY SCREEN / BEACON THEATER

445 Main St |Beacon, NY 12508

BELLMORE PLAYHOUSE

525 Bedford Ave | Bellmore, NY 11710

NEW CITY CINEMAS

202 S Main St | New City, NY 10956

STARR THEATRE – RHINEBECK

6415 Montgomery St | Rhinebeck, NY 12572

SAG HARBOUR CINEMAS

90 Main St | Sag Harbor, NY 11963

CINEMAPOLIS

120 E Green St | Ithaca, NY 14850

TIME & SPACE LIMITED HUDSON

434 Columbia St | Hudson, NY 12534

MOUNTAIN CINEMA

7971 Main St, Hunter, NY 12442

SPECTRUM 8 THEATERS

290 Delaware Ave, Albany, NY 12209

PICTUREHOUSE

175 Wolfs Ln | Village of Pelham, NY 10803

WESTHAMPTON BEACH PERFORMING ARTS CENTER

76 Main St | Westhampton Beach, NY 11978

CONNECTICUT THEATERS

AVON THEATRE FILM CENTER

272 Bedford St | Stamford, CT 06901

CRITERION CINEMAS NEW HAVEN 9

 86 Temple St | New Haven, CT 06510

NEW JERSEY THEATER

CLAIRIDGE CINEMAS

 486 Bloomfield Ave | Montclair, NJ 07042

114 MIN / SPANISH / COLOR

#IFCFilms

#OfficialCompetitionMovie


The original version of this review appeared on AWFJ.org. To see more reactions to the Official Competition from the amazing members Click Here!


Tribeca Film Festival 2022 review from Unseen Films: ‘Jerry and Marge Go Large’

Jerry & Marge Go Large

After retiring Jerry feels lost. A mathematical genius he just wants to feel like he has a place. His wife doesn’t know what to do with him. While sitting having coffee he discovers that one of the lottery games has a legal loophole that assures a win under certain circumstances. After winning 15 grand his secret is discovered by his wife, who decides that they should be stupid together. Realizing that they can help their friends and family they form a corporation and start to make trips to Massachusetts to legally scam the system. All is good until a Harvard student realizes the trick too.

Sweet little film is almost certain to bring a smile to your face. It’s a lovely film about a man finally connecting with his friends and family. It’s a film full of great characters who you really like and want to hang out with. Yes, the plot is contrived, with the whole Harvard student rivalry feeling grafted on for suspense, but you won’t care.

The reason this film works as well as it does is the cast. Bryan Cranston is great going against type as a bookish guy with odd social skills. He is matched by Annette Bening who is radiant and makes it clear that she is madly in love and horny for her husband. ..AND YOU BELIEVE IT. We believe they are long-time lovers who have the love that you want. They are matched by Michael McKean, Ann Harada, Rainn Wilson, Anna Camp, and Larry Wilmore, all of whom you want to hug.

It may not be the greatest film ever but it’s a good time with great people.

See it.


Jerry & Marge Go Large is now available on Paramount+

DIRECTOR
David Frankel
CAST
Bryan Cranston, Annette Bening, Rainn Wilson, Larry Wilmore

Review: It’s man vs technology in the emotionally taut sci-fi ‘Guidance’

GUIDANCE

Clever and thought-provoking, Guidance puts two lovers in a precarious position. In a near-future story, ten years after The Great War, new nanotech is on the precipice of introduction. In the form of a pill, the tech acts as a learning device and a lie detector. Han Miao and Mai Zi Xuan have secrets, making for an uphill battle to stay together after a weekend getaway. When you pit technology against human nature, which one claims victory? 

Sharp editing keeps the audience on their toes. Flashbacks slowly reveal information, but we’re never fully aware of the entire truth. The minimalist location pulls your focus to the camera work and the writing. It cannot be a coincidence that the house contains unobstructed, floor-to-ceiling windows and large-scale, threadbare concrete walls when the plot focuses on transparency. The script has Han Miao and Mai Zi Xuan attempting to subvert the tech to keep their secrets. The emotional manipulation is wild. The weight of trauma bonding is also front and center. Boasting fantastic performances, Guidance is a rollercoaster. The screenplay will keep you guessing until the very end. Do not get comfortable. Add all these excellent elements together you’ll discover a carefully crafted film. A complex morality tale that begs your attention, Guidance is endlessly compelling. 


GUIDANCE will be released in the US, Canada, UK, Australia, and major territories Worldwide on VOD on June 17

Director: Neysan Sobhani

Cast: Sun Jia (Han Miao), Harry Song (Mai Zi Xuan) and Francesco Chen (Su Jie)


Tribeca Film Festival 2022 review: ‘The Integrity of Joseph Chambers’ sparks conversation about machismo and firearms.

The Integrity of Joseph Chambers

I’ve only shot a gun once in my life. I’ll remember it forever. It was 2008, a hot summer day in Idaho. We were on one of those aimless teenage road trips, far from San Francisco and still without any real responsibilities, so when one of our group had a local friend who was willing to take us shooting – well, then hey, why not?! I remember the giddy feeling as we drove out to a dusty side road, and that the pistol I picked up had the Punisher logo carved onto the grip. I couldn’t quite make out the targets we were to aim for, so I gestured with the pistol, seeking confirmation. Suddenly, the fingers of this local friend were clamped vice-like on my wrist, his voice like fire in my ear. “Don’t point. Not a toy.” That giddy feeling? Gone.

This teenage memory caused me to sympathize deeply with The Integrity of Joseph Chambers, which also centers on a goofy man who is both overwhelmed and armed with a deadly weapon. Joe (Clayne Crawford) is an insurance salesman who envisions himself as a survivalist. He leaves his wife and children at dawn to hunt deer. Time to bring home the bacon (or, well, venison.)

The problem is, the emperor has no clothes. Joe is a total fraud. He is basically performing the character of a hunter – shaving his beard into a macho mustache, dressing up in an outfit straight out of a hunting catalog, and trading his shiny BMW in for a mud-flecked truck. The fact that Joe is also hunting on a friend’s private land only adds to the charade. He uses his rifle as a makeshift machete to clear a path through the underbrush. We are not surprised when things go wrong.

Despite what might seem like low stakes, I’m happy to report that The Integrity of Joseph Chambers is one creepy movie! Cinematographer Oscar Ignacio Jiménez and sound designer Peter Albrechtsen deserve tremendous credit for creating this uncomfortable atmosphere, and for sustaining it during the long middle stretch of the film where Crawford is the only human onscreen.

This is the second collaboration between Clayne Crawford and director Robert Machoian (following 2020’s The Killing of Two Lovers.) That collaborative familiarity provides the foundation for a wonderful Clayne Crawford performance. Joe is alone most of the film; the supporting characters are mostly thin after-thoughts. Crawford shines conveying his inner desires and struggles. I loved how deliberate he was with his movements, and the way he ensures Joe often serves as a visual gag against the background of the woods. We manage to learn a lot about Joe despite not knowing him very well by the end of the film.

It is impossible to consider The Integrity of Joseph Chambers without acknowledging the national tragedies and anxieties surrounding the topic of gun control. Here we are presented with a family man whose life is twisted in knots over the course of a single day. Surely, it is not the fault of his rifle? This is not an anti-gun film, but it speaks loudly regarding the power these weapons hold over the male psyche.


DIRECTOR
Robert Machoian
PRODUCER
Clayne Crawford, Kiki Crawford, Robert Machoian
SCREENWRITER
Robert Machoian
CINEMATOGRAPHER
Oscar Ignacio Jiménez
EDITOR
Yvette M. Amirian, ACE
COMPOSER
William Ryan Fritch
EXECUTIVE PRODUCER
Bo Clancey, Zareh Amirian, John Foss, Kris Towns, Sara Towns, Nancie Plaia, Sammy Plaia
CO-PRODUCER
Laura Heberton
CAST
Clayne Crawford, Jordana Brewster, Jeffrey Dean Morgan


Available Starting

Sat June 11 – 6:00 PM

At Home

Tribeca Film Festival 2022 review: ‘My Love Affair With Marriage’ is an animated handbook to the complexities of female existence.

My Love Affair With Marriage

From an early age, songs and fairytales convinced Zelma that Love would solve all her problems as long as she abided by societal expectations of how a girl should act. But as she grew older something didn’t seem right with the concept of love: the more she tried to conform, the more her body resisted. A story about the acceptance of the inner female rebellion.


A musical evolution of one girl’s journey into womanhood, navigating every cliché influence thrown at her from birth. 2D and stop motion animation illustrate Zelma’s life and thoughts. The film charms you with a mix of science and storytelling. Zelma narrates her journey like diary entries performed at a read-aloud. They are honest, funny, and universally relatable. Viewers will grin from ear to ear and nod knowingly. “Biology” explains how Zelma’s chemistry simultaneously affects her actions and reactions. 

The musical numbers are snappy and frequent. The lyrics allow those clichés to become confessions of the ridiculous patriarchal structures. They are predominantly performed by three women, akin to muses, following Zelma through life. The nonsensical expectations of society, combined with the hardwiring of a woman’s brain, create an incredible insight into our behavior. 

I am a big fan of Signe Baumane‘s film Rocks In My Pockets. I was delighted to see My Love Affair With Marriage on Tribeca 2022 slate. This film is something special. It’s unafraid to reveal our innermost thoughts, fears, hopes, regrets, mistakes, and dreams. It celebrates unfiltered authenticity with clever writing and delightful visuals. It’s an outstanding feminist film that will undoubtedly win over audiences everywhere. 



https://www.tribecafilm.com/films/my-love-affair-with-marriage-2022

RT: 107 minutes

Sunday, 06/19/2022, 4:00 PM at VEC-05 – 3rd Screening


Director & Screenwriter: Signe Baumane

Cast: Dagmara Domicnik (“Succession,” “We Are The City”), Matthew Modine (“Stranger Things”), Emma Kenney (“Shameless,” “The Conners”), Cameron Monagha (“Shameless”) and Stephen Lang (Avatar 1-4)

Producers: Roberts Vinovskis, Sturgis Warner, Signe Baumane, Raoul Nadalet

Executive Producers: Matthew Modine, Adam Rackoff, John Jencks


Tribeca 2022 review: Sex sells in new documentary ‘All Man: The International Male Story,’ how one “It” catalog introduced lifestyle branding for men.

ALL MAN: THE INTERNATIONAL MALE STORY

More than outrageous fashions, hunky models, and scandalous undies, ALL MAN: THE INTERNATIONAL MALE STORY is a journey across three decades of the International Male catalog’s lasting impact on fashion, masculinity, and gay rights. With revenues at its peak of $120 million and circulation of over 3 million, the catalog successfully appealed to both gay and straight audiences, and helped transform conservative notions of American masculinity towards a more carefree, cosmopolitan, and confident expression. Written and produced by Emmy and Peabody Award-winning filmmaker Peter Jones and narrated by Matt Bomer (MAGIC MIKE, THE BOYS IN THE BAND, etc…), ALL MAN is a character-driven portrait of a band of outsiders who changed the way men looked and how the world looked at them. This is their story – a modern-day fairy tale that really did come true.


The impact of men’s fashion takes center stage in Tribeca 2022 doc ALL MAN: THE INTERNATIONAL MALE STORY. One innovative catalog gave men the freedom to be themselves. Its global and cultural influence spans generations like no other men’s fashion publication. In building International Male, Gene Burkard’s emphasis wasn’t on sex, even if the catalog featured chiseled men in high fashion. He and his creative team broke the mold of selling menswear while pushing a lifestyle brand. In the same way men ogle Victoria’s Secret, International Male became a household object to covet for innumerable reasons. 

Matt Bomer‘s narration adds a brilliant touch of nostalgia in a way that is hard to describe until you experience it for yourself. The film uses archival footage and photography, sit-down interviews, and creative transitional animation. The catalog was bright, smart, sexy, and gave men something to aspire to be. It challenged the idea of masculinity with its European-inspired fashion and copy, written by Gene. He was meticulous in his work ethic, taking customer feedback and recognizing that 75% of their shoppers were women. Watching the images from the catalogs made me want to order (almost) every single article of clothing for my husband. Gene clearly understood the broad appeal. If International Male existed today, I’d be begging them to take my money. 

Everything shifted for International Male once the AIDS epidemic touched the employees and the world. Gene sold the catalog, and the new creative directors were more hesitant to hire queer staff, in fact, firing a huge percentage of them. In the 90s, the positive changes came in the form of more models of color. But with the loss of gay buyers and department stores filled with men’s retail, International Male was no longer a cash cow. But it’s easy to see how the catalog catapulted our current influencers in pop culture with the freedom to express themselves on a gender spectrum now celebrated across the globe. So, thank you, International Male. You made a difference while allowing us to drool.


Written and Produced by
Peter Jones
Directed and Produced by
Bryan Darling
Jesse Finley Reed
Executive Producer
Peter Jones


World Premiere: June 12 2022, 8:30pm (ET) at
Village East Cinema
Run Time: 83 minutes
Rating: Not Rated
Language: English


Review: Out on Digital tomorrow, ‘LUX ÆTERNA’ is pure Gaspar Noé chaos.

LUX ÆTERNA

LUX ÆTERNA takes place backstage of a French film production, often utilizing split-screens to follow two characters at once. Charlotte Gainsbourg, acting as herself, plays the film’s — and the film-within-a-film’s — leading role of an actress taking on the role of a witch burned at the stake while French actress Beatrice Dalle, playing a version of herself as well, takes on the on-screen role of director. The film progresses with mounting tension as the set descends into aggressive chaos— both in style, form, and plot. Actress and model Abbey Lee (The Neon Demon), Karl Glusman (Love), Claude-Emmanuelle Gajan-Maull (Climax), Félix Maritaud (Sauvage / Wild, Knife + Heart), and Clara Deshayes also appear as interpretations of themselves.


Narcissism, gaslighting, sexism, celebrity, the industry as a whole, everything is on the line in this 50 minutes of coordinated chaos. Toxicity and ass-kissing intermingled with personal drama, as each actor in LUX ÆTERNA plays a version of themselves. As the tension mounts, who and how will each player respond when “art” is on the line?

The lighting, which comes with a trigger warning before the film begins, is undeniably jarring. Combined with the incessant ringing of an alarm, it’s a visceral invasion. In tandem with the distress of Charlotte on screen, the viewer slowly finds themselves on sensory overload. 

Charlotte Gainsbourg can do no wrong in my book. She possesses a vulnerability that is unsurpassed. The amount of trust she has in Gaspar Noé astounds me with each additional project. Gainsbourg understood the assignment.

In true Gaspar Noé fashion, LUX ÆTERNA  pushes the boundaries of color, sound, and content. Few filmmakers have a style that screams their name, and Noé has cultivated that skill. In a short runtime, LUX ÆTERNA  has a lot to say. Welcome to one of the most unexpected and raw moments of exploitation.


Following a successful theatrical run across the United States from May into early June that put the film in the top 10 indies at the box office, Yellow Veil Pictures will release Gaspar Noe’s LUX ÆTERNA on digital platforms including Amazon, Google Play, Vudu, and more this Friday, June 10th in North America, followed by a 2-disc Collector’s Edition Blu-Ray available summer 2022. LUX ÆTERNA is currently available for digital pre-order on Vimeo on Demand.


Review: ‘DR. DELIRIUM & THE EDGEWOOD EXPERIMENTS’ Premieres Exclusively on discovery+ June 9th

SYNOPSIS: From 1955 to 1975, the United States Army Chemical Corps conducted classified human subject research on thousands of soldiers at the Edgewood Arsenal facility in Maryland. The purpose was to evaluate the impact of potent, mind-altering chemical warfare agents on military personnel as an alternative to traditional mortal combat. Today, many of those soldiers believe that the military broke the law and engaged in a decades-long cover-up to hide the truth about what really happened to them at Edgewood Arsenal. Through shocking, never-before-seen footage of the drug experiments, along with exclusive, first-hand accounts from both the mastermind behind the research and the soldiers who participated in it, DR. DELIRIUM & THE EDGEWOOD EXPERIMENTS will uncover the true story of one of the most bizarre and controversial chapters in recent American history.


What if scientists could discover a non-lethal method to neutralize or prevent an enemy attack? And what if the answer to these questions was just one more highly experimental test away? Over several decades during the Cold War, military scientists explored these questions while frequently pushing the boundaries of medical ethics and military codes of conduct.  

 In “Dr. Delirium & the Edgewood Experiments,” investigative journalist Tara Palemeri and her team of expert researchers explore how far the military went to bring a compelling idea to fruition– and the complicated ethics they used to get there. With stirring, heart-felt testimonies from the veteran survivors of these experiments and exclusive never-before-seen interviews with the lead research director of the psychochemical program, the documentary pull back the curtain on a secret government program that until very recently was entirely classified. 

 History buffs, Cold War enthusiasts, and truthers of all kinds will enjoy this nuanced exploration of a chilling government operation complex enough for a spy novel and still shrouded in mystery.


DR. DELIRIUM & THE EDGEWOOD EXPERIMENTS | Premieres Exclusively on discovery+ June 9th


Review: ‘THE POLICEMAN’S LINEAGE’ sends ‘Parasite’ stars deep-undercover.

THE POLICEMAN’S LINEAGE

SYNOPSIS: Parasite’s Woo-sik Choi stars as Choi Min-Jae, a rookie police officer and a man of principle, who teams up with Park Gang-Yoon, the chief of an investigation team that has an unrivaled arrest record but includes corrupt methods. Together, the two very different policemen dive deep into a massive case that shakes the police force upside down.


The Policeman’s Lineage is a straightforward cop thriller that manages to keep its head above water despite a reliance on some overused genre themes. To be fair, there have been so many variations of the undercover cop film that innovation is practically impossible.  Director Kyu-mann Lee wisely leans into two key strengths: fresh-faced lead Choi Woo-shik (flush from the success and recognition of the brilliant Parasite), and the theme of paternal mentorship that drives the film’s best moments.

Choi Woo-shik stars as Choi Min Jae, a young, 3rd generation cop with strong morals. He is shown early on to prioritize what he believes to be right above all else, which does not endear him to his fellow officers. Facing bleak career prospects, he is given the opportunity to go (you guessed it) undercover to investigate a special unit touting a top arrest record. Sounds like a great promotion, right? Well, the Internal Affairs chief planning the operation (a steely, understated Park Hee-soon) believes the unit has crossed over the line in its pursuit of justice. It isn’t hard to be suspicious of the unit’s chief, Detective Park (Cho Jin-woong.) Park drives around in a shiny Mercedes, wears designer clothes, and flashes the cash at high-stakes poker tables. Must have a great financial planner!

Choi agrees to go undercover partly out of principle, and partly in exchange for information about his deceased father, who died years ago under mysterious circumstances while working with Detective Park. Detective Park’s team is surprisingly keen to welcome Choi into the fold despite his reputation as a straight-laced, scrupulous officer.

What follows is a mash-up of Point Break meets Platoon, as Choi’s resolve wobbles under the dueling influences of his two opposing supervisors.  Will he stick to his morals and Internal Affairs, or will he grow to sympathize and understand Detective Park’s take-no-prisoners approach to justice? All 3 leads bring compelling performances to the table. Choi Woo-shik is the film’s center of gravity, and he does admirable work digesting all of the necessary plot exposition on behalf of the audience. He continues to be a talent to watch.  Cho Jin-woong has the toughest job of the 3, shouldered with making Detective Park believably warm while simultaneously steely and terrifying. He mostly manages, but countless scenes of him gifting Choi clothes or taking the rookie for a ride on his big boat make it harder to buy in when he has to switch gears over to “bad cop”. I wish there had been more scenes between Detective Park and Internal Affairs.

The film drags a bit at nearly 2 hours in length – especially in the final 20 minutes, where too many twists are introduced too late. Ultimately, The Policeman’s Lineage represents an appropriate addition to the cop thriller genre, even if it doesn’t reinvent the wheel.


The Policeman’s Lineage will be on digital, VOD and cable* June 7, 2022 from Echelon Studios.


CAST: Woo-sik Choi (Parasite), Cho Jin-woong (The Handmaiden), Park Myeong-hoon (Parasite), and Hee-soon Park (Apple TV+’s Dr. Brain)

CREDIT: The Policeman’s Lineage is directed by Kyu-mann Lee (Wide Awake), produced by Han-seung Lee (The Tower), and executed produced by Hyun-joo Jung (The Gangster, The Cop, The Devil). The production team includes production designer Chae Kyoung-sun (Squid Game), editor Nam Na-young (Squid Game) costume designer Kyeong-mi Kim (Okja), composer Young-gyu Jang (Train to Busan), and makeup artists Hyo-kyun Hwang & Tae-Yong Kwak (Parasite)


The Policeman’s Lineage will be available on:

*Cable and Digital Transactional Video On Demand including:

Comcast

Charter-Spectrum

Directv

iTunes

Cox Cable

Dish Network

Sling TV

Google Play

Verizon Fios

Fandango / VUDU

InDemand

Vubiquity

Rogers

Vimeo on Demand


 

Review: ‘1982’ is a cinematic wonder.

Visually stunning cinematography heightens the emotional stronghold of 1982. The film is unusually relevant as the war in Ukraine threatens the everyday lives of children and adults in the region. As news of the Lebanon war is a constant din in the film, elementary school children navigate love, exam anxiety, friendship, and all that encompasses those complex feelings. 

Mohamad Dalli plays Wissam with genuine star quality. His performance feels effortless as he attempts to confess his love for classmate Joanna. Miscommunications lead to natural hurt feelings and aggression toward his best friend and scene partner Ghassan Maalouf. The two boys have brilliant chemistry. Add on the object of Wissam’s affection in actress Gia Madi. Their energy is movie magic. 

1982 keeps you on the edge of your seat, heart in your throat from beginning to end. The harrowing juxtaposition of war deliberately creeps up on you. All eyes are on the skies as teachers and students notice the increased activity of planes and then smoke. The intense sense of dread is consuming. All while these kids are just trying to be kids. The film speaks to the resiliency of children. There are many parallels for American audiences, as school shootings fill parents and students with dread. The script has a universality that will touch every single viewer. It might seem like an unusual suggestion, but I believe this is a film that can be and should be, watched with the entire family. With a final touch of much-needed, childlike whimsey, 1982 is a glorious cinematic triumph. 


The award-winning Lebanese film “1982” which is opening exclusively in select theaters beginning June 10th in New York (at the Quad Cinema), followed by Los Angeles (at Laemmle Royal & other locations) on June 24th. The film will then expand into additional theaters nationwide throughout the summer.

About the filmmakerOualid Mouaness is an award winning Lebanese-American writer, director and producer. Liberian born to Lebanese parents, Mouaness grew up between Beirut and Monrovia. His work traverses narrative and documentary feature films, music films, music videos and commercials. Mouaness has produced nine feature length films (docs & narratives): notably, the indie film “Kitchen Privileges” (SXSW 2000) that he co-produced and edited, the acclaimed documentary ‘RIZE’ (Sundance 2005) which was shortlisted for the Oscars in 2006, as well as the South African LAIFF Audience-award-winning documentary “I Am Thalente” (2015), and most recently the experiential documentary “Max Richter’s Sleep” (2020) that had its world premiere at IDFA 2019 and its North American premiere at Sundance 2020. His short film “The Rifle, The Jackal, The Wolf and the Boy” was shortlisted for the Oscars in 2017. His straddling of life in diaspora with a window into life in Lebanon brings a heightened understanding and nuance to his work. He’s a Sundance Institute Fellow and has called Los Angeles home for over two decades. He completed his undergraduate studies in Journalism and Theatre in Beirut and holds an MFA in Film from the Florida State University College of Motion Picture Arts. “1982” is Oualid’s directorial feature film debut.

Review: ‘Tales From The Other Side’ is spooky fun for horror lovers.

I love a good horror anthology. With a classic Halloween trope of three kids getting pulled into the town legend’s Victorian mansion, Tales From The Other Side finds Scary Mary spinning tales of terror for her eager guests. Six separate stories send shivers down their spines and sweets into their bellies. 

“Petrified Boy”

A ringmaster takes advantage of a tragedy.

“Flicker”

An aspiring filmmaker takes a job making memorial videos for a funeral home. 

“Crystal Ball”

A couple in turmoil steals the coveted object of a fortune teller. 

“Either / Or”

Trae Ireland, Tonya Cornelisse, and James Duval pack a punch in a story about a mental facility patient claiming to be the prophet, Elijah. This segment is the epitome of masterful performance. The finale will blow you away. 

“Blood Red”

An artist’s triste gets bloody complicated. 

“Krampus Vs. Elf”

A visually jarring stop motion battle between good and evil. It’s pretty disgusting, but the ending is chef’s kiss. 

Our three young leads are fantastic. Brooklyn Anne Miller, in particular, is flawless. Get that girl a show on Nickelodeon ASAP. Roslyn Gentle, as Mary, is a superstar. I’d watch an entire franchise with her as the center. 

Tales From The Other Side has a solid “Are You Afraid of the Dark?” vibes. It’s tricky to stand out amongst hits like The Mortuary Collection and the VHS franchise, but Tales From The Other Side gives it an honest-to-goodness try. The filmmakers are clear classic genre fans working on a micro-budget. The makeup and scores are great additions. The opening title sequence from Sean Wyn is creative and disturbing. What more could you ask for setting up scary stories with anything but horrifying drawings from children? It’s not as if you don’t know where the overarching narrative around Scary Mary is going. Tales From The Other Side is still a gruesome delight.


ON DIGITAL AND DVD JUNE 7


Directors: Pablo Macho Maysonet IV, Jamaal Burden, Scotty Baker, Jacob Cooney, Lucas Heyne, Kern Saxton, Frank Merle

Cast: Ros Gentle, Michael Broderick, Rafael Delgado Jr., James Duval, Chelsea Vale, Vernon Wells, Andreas Rodriguez


Review: ‘A SEXPLANATION’ is the single most sex positive lesson of my entire life.

Just your typical queer, Asian American, comedic sex education documentary about the universal search for love, connection, and family acceptance.


Gloriously raw and unapologetic, A Sexplanation was the most informative lesson on sex I’ve ever seen. Like director Alex Liu, my parents never had “The Talk” with me. My Catholic school elementary sex-ed class was in 5th grade. Separating the boys and girls, we got the basics on menstrual health and body parts. That was it. I think I got that same lesson in my high school health class. Why are those classes always taught by gym teachers, anyway? Seriously, why don’t schools bring in experts? In A Sexplanation, Alex Liu does all the groundwork for those left to their own devices at slumber parties, sleep-away camps, and dial-up internet. 

Liu sits down with folks across the sexuality information spectrum; doctors, scientists, therapists, activists, a politician, and a priest! Some of the most intriguing moments happen when Alex speaks with his parents. They are honest, unfiltered, and make the viewer feel the need to talk to their parental figures to clear some shit up. The film also introduces us to programs like INclued, an LGBTQ-centered evidence-based sexual health education program for youth ages 14-19. I wish that existed when I was a teen!

Along with the interviews, visual gags featuring phallic objects and vibrant cartoon animation from Woodenmarker serves as quirky transitions. The biggest challenge in watching the film will be the same for everyone, and Liu understands this. Getting past our ingrained biases, owning each cringe at an image or word, and diving deep into the reasons those reactions occur in the first place. Tackling family dynamics, “The Talk” is so important and how we learn to talk about sex. Statistics do not lie. States teaching abstinence-only have higher teen pregnancy and STI rates. Families need to normalize open lines of communication. We need to step out of our comfort zones and embrace our own sex positivity to better the world. 

 Liu makes himself the guinea pig in a project that could actually save lives. The amount of information in the doc is mind-blowing. The lack of shame makes A Sexplanation a glorious watch and an honest-to-goodness celebration of sexual literacy.


Available on Digital Download from 6th June

Director’s Statement

Alex Liu, writer and director: “A Sexplanation follows my quest to confront my sex education — by finally getting a real one.

Growing up, sex felt shameful. My parents never brought it up. School focused on disease, pregnancy, and abstinence. By my 30s, I was surprised by how much shame I still carried. After talking with friends, I realized I wasn’t alone.

  The film documents my attempt to strip away this shame, no matter how awkward it might get — even masturbating in an MRI machine (for science!).

Through honest conversations with scientists, educators, and even my parents, I try to uncover some naked truths and hard facts that will get us to a healthier, sexier future.”

asexplanation.com

A Sexplanation will be available on Digital Download from 6th June on iTunes on GooglePlay.


Review: Drag superstar Bebe Zahara Benet gets real in Emily Branham’s documentary ‘Being Bebe’

BEING BEBE

BEING BEBE intimately charts 15 years of drag performer Marshall Ngwa (aka BeBe Zahara Benet): An immigrant to America from homophobic Cameroon, first champion on now-iconic LGBTQ+ reality show phenomenon RuPaul’s Drag Race. Grounded by Marshall’s present-day narration, the film features vérité, interviews and performances illustrating his journey to Queer Black Excellence.


A cultural icon in the world of female illusion, BeBe Zahara Benet rose to international fame as the first winner of RuPaul’s Drag Race. But Marshal Kudi Ngwa‘s career was years in the making before the reality series. Director Emily Branham uses archival footage mixed with sit-down interviews during COVID. How does a star slowed down by a global pandemic remain relevant without a live audience’s love and energy? Being BeBe is a heartfelt and honest look at the artist pushing boundaries without pause.

The film addresses the criminality of queerness in Cameroon. Branham respectfully blurs the faces of the participants not only for their physical safety but to give them the freedom to express themselves fully on camera. These young men explain the constant fear of being discovered by family or friends. The isolation takes a toll. The slip of a gesture could mean putting their existence at risk. BeBe has become a role model for those in Cameroon. She uses her platform to support the queer community and give a face to black excellence.

Marshall has a personable and glorious nature. You long to be in his presence as he radiates kindness, humor, grace, and an intensely inspiring work ethic. The film is an unfiltered look at the industry’s ups and downs. That unpredictability causes Marshall to push his ego aside, emotional breakthroughs, and unapologetic admissions. Being BeBe is infectious. If you weren’t a fan before, get ready for newfound respect and adoration for BeBe Zahara Benet because, honey, she continues giving us Face, Face, Face, no matter what.


BEING BEBE // Festival Teaser from Emily Branham on Vimeo.

BEING BEBE, roars into Pride Month on June 7th on major Transactional Video on Demand (TVOD) platforms via digital distributor Giant Pictures
(Apple TV, Prime Video, Google Play, Vudu – Pre-Order at https://geni.us/BeingBeBe).
The film will also make its Broadcast Premiere on Fuse on June 21st.


The countdown is officially on for Tribeca Film Festival 2022. Here are 20 films we’re keeping our eyes on this year.

Tribeca is back in action. The 2022 interaction of the festival will have events including films, talks, masterclasses, immersive selections, and a watch at-home option if you’re not in the city. There is so much to experience this year, but here is a list of films we’re keeping our eyes on. More to come as the festival rolls on over 12 days.


HALFTIME

– Opening Night –

Launches on Netflix on June 14th

HALFTIME offers an intimate peek behind the curtain revealing the grit and determination that makes Jennifer Lopez the icon she is, from her performances onscreen and on stages around the world, to her Super Bowl Halftime show, to the recent Presidential inauguration. The documentary focuses on an international superstar who has inspired people for decades with her perseverance, creative brilliance, and cultural contributions. And it’s only the beginning. HALFTIME serves as the kickoff to the second half of Lopez’s life, as she lays bare her evolution as a Latina, a mother, and an artist, taking agency in her career and using her voice for a greater purpose.

Directed by: Amanda Micheli

Produced by: Benny Medina, Elaine Goldsmith-Thomas, Dave Broome, Angus Wall, Terry Leonard, Jennifer Sofio Hall, Kent Kubena, and Serin Marshall

Screenings: 

6/8 at 7:00pm – United Palace

6/9 at 9:00pm – Village East by Angelika: Theater 1

6/11 at 11:30am – Cinépolis: Theater 4


CAROL AND JOHNNY

The unbelievable, decade-spanning, and surprisingly heart-warming true story of two of America’s most successful bank robbers, Carol & Johnny provides the opportunity for the real-life Bonnie and Clyde to reflect upon and record their unique love story in their own words. Comparing and contrasting the oral histories of both now-elderly ex-cons, Colin Barnicle’s riveting biographical documentary traces the history of the duo with equal intensity and intimacy, transforming true crime into a rich, literary epic. 

If you’re not obsessed with true crime at this point, I don’t know what rock you’ve been living under. This one has an intimate and personal touch to it.

Directed by: Colin Barnicle 

Produced by: Barnicle Brother with Words and Pictures

Section: Viewpoints, Feature Documentary

Screenings:

6/12 a 5:00pm – Village East by Angelika: Theater 2

6/14 at 6:00pm – At-home Virtual Screening  

6/15 at 2:45pm – Village East by Angelika: Theater 6

6/16 at 8:00pm – Village East by Angelika: Theater 2


RUDY! A DOCUMUSICAL

Whether you love, hate, or loved then hated Rudy Giuliani, everyone knows his name. He was “America’s mayor,” Time Magazine’s Person of the Year, US Attorney for the Southern District of New York, and a personal lawyer to the former President of the United States. Dissecting the rise and fall of its titular subject with thorough research and an inquisitive eye, Rudy! A Documusical is a political documentary that goes beyond well-known headlines to explore the psyche and circumstances of a man in free-fall.

The downfall of “America’s Mayor” (and yes, we did call him that as someone who experienced 9/11 here in the city as a college student) is one of the most shocking things to witness. Share in the media-frenzied weirdness why don’t you?

World Premiere

Directed by: Jed Rothstein

Produced by: Ross M. Dinerstein and Sarit G. Work

Section: Spotlight Documentary

Screenings: 

6/9 at 8:30pm – SVA Theater 1 Silas 

6/10 at 2:45pm – Cinépolis: Theater 5

6/17 at 8:15pm –  Tribeca Center


FAMILY DINNER

It’s no surprise that the Midnight films happen to be the ones I covet most during Tribeca. This year, Peter Hengl’s film Family Dinner features a young woman named Simi visiting her family for Easter. Seeking the guidance of her famous nutritionist aunt, Claudia, she is introduced to a diet that will take every ounce of willpower. The film simmers in uncomfortable tension. Don’t think that for a moment, I missed  Ant Timpson as one of the executive producers. Family Dinner has all the ingredients for a feast, that might just come back up later.

Fri June 10 – 9:00 PM
Village East by Angelika: Theater 6
 
Sat June 11 – 9:45 PM
Village East by Angelika: Theater 4
 
Wed June 15 – 8:15 PM
Tribeca Film Center

BODY PARTS

This stellar documentary dives headfirst into the “reality” of sex scenes in Hollywood. In conversation with actresses, directors, and intimacy coordinators, Body Parts mixed social relevance and amazing editing to bring you into the bedrooms of some of the most iconic sex scenes in cinematic history. And that’s only the beginning of what this film tackles. Get ready for a lesson in industry intimacy.

DIRECTOR

Kristy Guevara-Flanagan

 
EXECUTIVE PRODUCERS
Ruth Ann Harnisch, Abigail Disney, Daniel Chalfen, Adrienne Becker, Roger Clark
 
CAST
Jane Fonda, Joey Soloway, Angela Robinson, Karyn Kusama, Rose McGowan, David Simon.
 
Sun June 12 – 2:45 PM
Village East by Angelika: Theater 1
 
Mon June 13 – 8:15 PM
Tribeca Film Center
 
Tue June 14 – 6:00 PM
At Home

Only available in New York state

Thu June 16 – 9:00 PM
Cinépolis: Theater 6
 

THE YEAR BETWEEN

(US Narrative Competition) – Clemence Miller, played by comedian writer/director Alex Heller, is coming home to live in her family’s basement after dropping out of college with a newly diagnosed mental illness. Having to face her battered relationships and responsibilities of adulthood, she is driving everyone around her… crazy.

Alex Heller is a tour de force in this unapologetic and in-your-face indie. Wearing all the hats in this film as star, writer, director, and producer. 
 
DIRECTOR
Alex Heller
 
PRODUCER
Eugene Sun Park, Amanda Phillips, Sonya Lunsford, Rachel Gould, Caterin Camargo-Alvarez, Alex Heller
 
SCREENWRITER
Alex Heller
 
CINEMATOGRAPHER
Jason Chiu
 
EXECUTIVE PRODUCER
Adrienne Becker, Susanna Fogel, J. Smith-Cameron, HaJ
 
CAST
Alex Heller, J. Smith-Cameron, Steve Buscemi, Wyatt Oleff, Emily Robinson, Kyanna Simone, Rajeev Jacob, Waltrudis Buck
 
Sun June 12 – 5:30 PM
Village East by Angelika: Theater 1
 
Available Starting
Tue June 14 – 6:00 PM
At Home
 
Tue June 14 – 8:45 PM
Village East by Angelika: Theater 3
 
Fri June 17 – 9:00 PM
Cinépolis: Theater 6

NAKED GARDENS

(Documentary Competition) – An immersive film from filmmakers Ivete Lucas and Patrick Bresnan (Pahokee), about the unseen world of nudism. Set in the Florida Everglades, NAKED GARDENS follows the stories of individuals drawn to this lifestyle and the dilemmas they face, as they prepare for the Midwinter Naturist Festival.

Charming and insightful, push your judgment aside and meet a community attempting to live and accept one another. They just happen to be nude.

DIRECTOR
Ivete Lucas, Patrick Bresnan
PRODUCER
Patrick Bresnan, Ivete Lucas, Tabs Breese, Julia Nottingham, Roberto Minervini, and Denise Ping Lee
SCREENWRITER
Ivete Lucas
CINEMATOGRAPHER
Patrick Bresnan
EDITOR
Ivete Lucas
 
Fri June 10 – 5:45 PM
Village East by Angelika: Theater 3
 
Sat June 11 – 5:15 PM
Tribeca Film Center
 
Thu June 16 – 5:45 PM
Village East by Angelika: Theater 3


AMERICAN DREAMER

Based on a true story. American Dreamer is the story of Dr. Phil Loder (Peter Dinklage), a low- level, adjunct professor of economics, whose grand dream of owning a home is tragically out of reach…until an incredible, once-in-a-lifetime opportunity comes his way when a lonely, near-death widow (Shirley MacLaine) offers Phil her sprawling estate for pennies. But Phil quickly learns the deal is too good to be true and the American dream is not quite what it used to be.

You had me and most viewers at Peter Dinklage. The man can do no wrong in my book and we’re beyond excited to see him tackle this role based on a true story.


Directed by: Paul Dektor
Written by: Theodore Melfi
Produced by: Toyo Shimano, Emily Shimano, Theodore Melfi, Kimberly Quinn, Peter Dinklage, David Ginsberg, Paul Dektor
Starring: Peter Dinklage, Shirley MacLaine, Matt Dillon, Danny Glover, Kimberly Quinn, Danny Pudi

RT: 106 Minutes

Public Screenings
Saturday, June 11, 2022, 8:00 PM at BMCC Tribeca Performing Arts Center
Tuesday, June 14, 2022, 5:30 PM at Village East Cinema: Theater 3
Friday, June 17, 2022, 3:00 PM at Village East Cinema: Theater 3



THERE THERE

World Premiere – Spotlight Category

Directed by: Andrew Bujalski
Starring: Jason Schwartzman, Lili Taylor, Molly Gordon, Lennie James, Avi Nash, Annie LaGanga 
Music by: Jon Natchez, Roy Nathanson

RT: 93 minutes

Ever wonder if falling in love again is worth the effort? If someone you cared about were crazy, or if you were crazy for caring? Could someone you trust destroy you while trying to support you, or vice versa? What if the boundaries were getting awfully blurred? Are we being judged for these choices, and who’s judging? Should we have another drink? Are we even communicating now, are we on the same planet, in the same time and place here?

A lover’s doubt in the cold light of morning leads to a chain of uneasy intimacies–counselors, disrupters, peacemakers, and firestarters–everyone looking to have a little faith rewarded.


Public Screening
Friday, June 10, 2022, 5:30PM at SVA Theater 2 Beatrice
Saturday, June 11, 2022, 6:00PM at Cinépolis: Theater 6
Friday, June 17, 2022, 3:45PM at Village East by Angelika: Theater 4



CORNER OFFICE

World Premiere – Spotlight Narrative Category 
 

Directed by: Joachim Back
Starring: Jon Hamm

RT: 101 minutes

CORNER OFFICE an absurdist tale of a man lost in his own space. Orson (Jon Hamm) is a corporate drone trying to move up in his newly acquired entry-level job who discovers a secret room in his drab, soul-crushing office building; a discovery that causes problems with his new colleagues (Danny Pudi and Sarah Gadon). Director Joachim Back’s Kafka-esque debut feature, adapted by Ted Kupper from Jonas Karlsson’s international best-selling novel The Room, explores how to be sane in a world gone mad.

Public Screenings

Thursday, June 9, 2022, 8:00 PM at BMCC Tribeca PAC
Friday, June 10, 2022, 3:00 PM at Cinépolis: Theater 6
Wednesday, June 15, 2022, 8:30 PM at Village East Cinema: Theater 1



THE COURTROOM

World Premiere – Online Premieres 

Directed by: Lee Sunday Evans
Executive Produced by: Lee Sunday EvansArian MoayedRyan ChanatryGena KonstantinakosAnne Carey
Starring: Marsha Stephanie BlakeMichael BraunKathleen ChalfantHanna CheekMichael ChernusMichael Bryan FrenchMick HilgersLinda PowellKristin VillanuevaBD Wong

 
RT: 87 Minutes
 
In this powerful drama from director Lee Sunday Evans and writer (and Succession breakout star) Arian Moayed, the legal thriller is given a bold and innovative new twist. Adapted verbatim from court transcripts, The Courtroom follows the harrowing journey of Elizabeth Keathley (Kristin Villanueva) a Filipina immigrant who mistakenly registers to vote while on a K3 visa, a crime punishable by deportation. Married with a newborn baby, Elizabeth, with the support of her husband and the tireless efforts of their lawyer, struggles to navigate an increasingly convoluted and nightmarish legal system.
 
Originally presented as a critically-acclaimed off-Broadway play, The Courtroom successfully captures the intensity and intimacy of live theater while also feeling undeniably cinematic. Audiences are thrown directly into Elizabeth’s story and through fluid, immersive direction and striking set design, experience her terror and desperation right alongside her. Evans and Moayed’s fascinating experiment with dramatic reenactment and hybrid storytelling is anchored by standout performances from an accomplished cast of actors – including BD Wong in a moving third act appearance – who bring genuine nuance and emotional heft to an already gripping true story.

Online Screening
Sunday, June 12, 2022, 8:00 PM


THE DROP 

World Premiere – US Narrative Competition

Written & Directed by: Sarah Adina Smith 
Produced by: Mel Eslyn, Jonako Donley, Mark Duplass, Jay Duplass
Starring: Jermaine Fowler, Anna Konkle, Utkarsh Ambudkar, Jillian Bell, Robin Thede, Elisha Henig, Jennifer Lafleur, Joshua Leonard, Aparna Nancherla

RT: 92 Minutes

Lex and Mani’s happy marriage is thrown into a tailspin when Lex accidentally drops their friend’s baby during an otherwise picturesque destination wedding weekend. While the baby is fine, the adults are not.  Lex’s mistake causes a crisis of confidence in those around her, challenging our most primal gender expectations.   

Can a relationship withstand the stress of when things get real? When things get “baby-on-the-pavement” real? 



Public Screenings
Saturday, June 11, 2022, 8:30 PM at SVA1 – Silas
Sunday, June 12, 2022, 9:00 PM at Cinepolis Chelsea -06
Friday, June 17, 2022,  9:30 PM at Village East Cinema -07


 NEXT EXIT 

DIRECTORMali Elfman
WRITERMali Elfman
CAST: Katie Parker, Rahul Kohli, Rose Mciver, Tongayi Chirisa, Tim Griffin, Diva Zappa, Nico Evers-Swindell, and Karen Gillan
 
SYNOPSIS: When a research scientist makes national news proving she can track people into the afterlife, Rose sees a way out and Teddy sees his chance to finally make it. These two strangers, both harboring dark secrets, race to join the doctor’s contentious study and leave this life behind. While Rose is haunted by a ghostly presence that she can’t outrun, Teddy is forced to confront his past. As these two misfits humorously quarrel their way across the country, they meet people along the way who force them to reckon with what is really driving them.
 
This genre-bending road trip film will get under your skin with its incredibly thoughtful performances. Parker and Kohli’s chemistry is cinematic magic. 
 
RUN TIME: 106 minutes
GENRE: Dramedy, Horror, Fantasy
 

TRIBECA PREMIERE DATE: June 10, 2022 / 6:15 p.m. ET / Village East by Angelika Theater 7 


TAURUS

DIRECTOR: Tim Sutton
WRITER:  Tim Sutton
CAST: Colson Baker, Maddie Hasson, Demetrius “Lil Meech” Flenory, Megan Fox, Ruby Rose, Scoot McNairy, Lil TJay, Naomi Wild
 
SYNOPSIS: A rising but troubled musician searches for the inspiration to record one last song, pushing himself deep into the void. A work of fiction that explores fame, addiction, the artistic process, and the music industry, Taurus is a soulful and universal cautionary tale. 
 
 Colson Baker ( AKA Machine Gun Kelly) gives an award-worthy performance. While described as a work of fiction, the story is a cautionary tale. 
 
RUN TIME: 95 Minutes
GENRE: Drama, Music
 

TRIBECA PREMIERE DATE: June 9, 2022 / 8 p.m. ET / Beacon Theatre


FOUR SAMOSAS

*WORLD PREMIERE**
 
WRITER/DIRECTOR: Ravi Kapoor
CAST: Venk Potula, Sonal Shah, Sharmita Bhattacharya, Nirvan Patnaik, Karan Soni, Summer Bishil, Meera Simhan


 
 Synopsis: Determined to disrupt the wedding of his ex-girlfriend by stealing her dowry, underachieving, wanna-be rapper Vinny and his neighborhood pals in LA’s “Little India” concoct a plan to take her family jewels from a supermarket safe.
 

Tribeca Film Festival 2022 In-Person Screening Info
– Friday, June 10th at 6:00pm ET at VEC-06 (181-189 2nd Ave, New York, NY 10003) *World Premiere*
– Saturday, June 11th at 8:45pm ET at CIN-04 (260 W 23rd St, New York, NY 10011)
– Saturday, June 18th at 2:45pm ET at CIN-04 (260 W 23rd St, New York, NY 10011)
 
Tribeca Film Festival 2022 Online Screening Info
– Available online starting on June 12th at 6:00p EST


CHERRY

**WORLD PREMIERE**
 
DIRECTOR: Sophie Galibert
CAST: Alex Trewhitt, Joe Sachem, Dan Schultz, Sandy Duarte, Alice Bang, Hannah Alline, Melinda DeKay, Angela Nicholas, Charlie S. Jensen, Darius Levanté
 
 

Synopsis: Cherry, a driftless 25-year-old young woman discovers she is 11 weeks pregnant and has only 24 hours to make a consequential decision.
 

Tribeca Film Festival 2022 Online Screening Info
– Available online starting on June 11th at 6:00p EST

 


GOD SAVE THE QUEENS

**WORLD PREMIERE**

WRITER/DIRECTOR: Jordan Danger
CAST: Justin Andrew Honard AKA Alaska Thunderfuck, Jay Jackson AKA Laganja Estranja, Kelly Mantle, Jordan Michael Green, Peter Facinelli, Michelle Visage, Joaquim De Almeida, Lunell, Zack Gottsagen

Synopsis: A dramedy about four Drag Queens who find themselves at the very same therapy retreat. In an effort to overcome issues holding them back, they dissect their dilemmas, seen through vignettes of their lives. They discover common ground; Perhaps, it wasn’t serendipity that brought them together. Maybe they’re not alone? 


Tribeca 2022 Online Screening Info
– Available online starting on June 8th at 8:00p EST


YOU CAN LIVE FOREVER

**WORLD PREMIERE**
 
WRITER/DIRECTORS: Sarah Watts, Mark Slutsky
CAST: Anwen O’Driscoll, June Laporte, Liane Balaban, Deragh Campbell, Tim Campbell, Antoine Yared, Hasani Freeman
 

Synopsis: When lesbian teen Jaime is sent to live in a Jehovah’s Witness community, she falls hard for a devout Witness girl and the two embark on an intense affair with consequences that will reshape the rest of their lives. 


Tribeca Film Festival 2022 In-Person Screening Info
– Saturday, June 11th at 5:30p ET at VEC-06 (181-189 2nd Ave, New York, NY 10003) *World Premiere*
– Sunday, June 12th at 2:30p ET at VEC-06 (181-189 2nd Ave, New York, NY 10003) 
– Tuesday, June 14th at 9:00p ET at VEC-06 (181-189 2nd Ave, New York, NY 10003)
 

The Integrity of Joseph Chambers

Desperate to acquire the skills necessary to provide for his family in case of an apocalypse, insurance salesman Joseph Chambers goes deer hunting for the first time ever, alone, when his experienced buddy is too sick to join him.
 
DIRECTOR
Robert Machoian
 
PRODUCER
Clayne Crawford, Kiki Crawford, Robert Machoian
 
SCREENWRITER
Robert Machoian
 
 
CAST
Clayne Crawford, Jordana Brewster, Jeffrey Dean Morgan
 
WORLD PREMIERE – Thursday, June 9th, 5:30 PM at SVA Theater 2 Beatrice

Subject

SUBJECT explores the life-altering experience of sharing one’s life on screen through key participants of acclaimed documentaries The Staircase, Hoop Dreams, The Wolfpack, Capturing the Friedmans, and The Square. These erstwhile documentary “stars” reveal the highs and lows of their experiences as well as the everyday realities of having their lives put under a microscope. Also featuring commentary from influential names in the doc world, the film unpacks vital issues around the ethics and responsibility inherent in documentary filmmaking. As tens of millions of people consume documentaries in an unprecedented “golden era,” SUBJECT urges audiences to consider the often profound impact on their participants.

DIRECTOR
Jennifer Tiexiera, Camilla Hall
 
PRODUCER
Camilla Hall, Jennifer Tiexiera, Joe Caterini
 
SCREENWRITER
Jennifer Tiexiera, Camilla Hall, and Lauren Saffa
 
 
CAST
Arthur Agee, Ahmed Hassan, Margie Ratliff, Michael Peterson, Mukunda Angulo, Jesse Friedman, Elaine Friedman, Lisa Walsh, Susanne Reisenbichler
 
Sat June 11 – 4:30 PM
SVA Theater 2 Beatrice

At this time, SVA Theatre requires proof of vaccination for entry. Masks must be worn at all times. More Info

Mon June 13 – 5:30 PM
Cinépolis: Theater 4
 
Sat June 18 – 3:00 PM
Cinépolis: Theater 6

Don’t forget to check in here at Reel News Daily throughout the fest for reviews, photos, insights, and shared content from our amazing friends at UnseenFilms!

The 2022 Tribeca Festival will take place across the city from June 8-19.


Review: ‘Paulie Go!’ is a genre-bending, fish-out-of-water story.

After being rejected letter from the AI robotics program he’s worked his entire life towards, Paulie won’t take no for an answer. He steals his uncle’s van and drives to Minnesota in an attempt to track down one Professor Chuck Shikenjansk and change his mind. 

As Cheryl, Tracie Thoms is a joy, possessing aspects of Paulie and Avery’s personalities. Her character brings Paulie Go! to another level of storytelling. Madison Wolfe plays Avery with an effortless cool. She’s slick and savvy. Without even knowing it, she’s a role model. Ethan Dizon as Paulie is so much fun to watch. He’s a master of awkward social-emotional interaction and a victim of extreme overconfidence. Dizon’s energy is infectious. He and Wolfe have perfect chemistry. 

Director Andrew Nackman brings audiences a fish out of water road (or boat) movie that is relatable and family-friendly. In truth, it’s a genre-defying delight. That small-town Minnesota energy lends itself to genuine and funny dialogue. Paulie Go! is a film about two teens who have more in common than they realize. Jake Greene‘s script ( story also by Nackman and David J. Lee) subverts all expectations as it overflows with nuance. Paulie Go! deals with adolescence, loss, and self-discovery. Watch it with the entire family. 


Available to Rent or Own on Digital Platforms May 24, 2022


Directed by ANDREW NACKMAN

Written by JAKE GREENE

Produced by LAUREN TAIT HOGARTH, LAURA IVEY & JAKE GREENE

Starring ETHAN DIZON, MADISON WOLFE, DAVID THEUNE, BERNARD WHITE & TRACIE THOMS