Review: ‘ SOMETHING YOU SAID LAST NIGHT’ is a completely fresh take on trans storytelling.

A Film by Luis De Filippis


Ren, an aspiring writer and mid-twenty-something, accompanies her parents, Mona and Guido, and her younger sister, Siena, on a beach resort holiday in cottage country. As Ren navigates the resort, she struggles to cope with her parents’ loving yet overbearing nature, and tries to balance the yearning for independence with the comfort of being taken care of. The realities of being a stunted millennial and a trans woman coalesce in Ren not wanting to be perceived as a burden. Looming in the back of Ren’s mind is the secret of her recent dismissal from work, and that once the holiday is over, she will need to rely even more on her family’s support.


SOMETHING YOU SAID LAST NIGHT centers on sisters Ren and Siena and their parents on vacation. Emotional turmoil, family drama, and love make this an exceptional indie.

The cast is phenomenal. Focusing on our leading lady, Carmen Madonia, gives Renata an often aloof attitude, hiding a lost mindset. She’s soft-spoken, outwardly feeling othered by her sister’s personality. But little is said. Madonia’s face replaces any unneeded dialogue.

The family chemistry is deliciously authentic. Each fully fleshed-out member has their quirks and distinct personality traits. What makes this script particularly special is the approach to transgender storytelling. They let Ren exist, merely hinting at her identity for the first time 30 minutes in. It’s never directly addressed. The juxtaposition of a pair of aggressive little boys is genius. The sound editing is a character unto itself. What we hear in the background speaks volumes. At times, Ren is almost an ancillary character. It’s undeniably intriguing filmmaking. 

SOMETHING YOU SAID LAST NIGHT takes trans storytelling in a fresh direction. Representation matters. Moreover, seeing a loving dynamic in the life of a trans woman is essential.


Opening in NY / The Quad on September 22
and LA / The Culver Theater on September 29

SOMETHING YOU SAID LAST NIGHT is based on director Luis De Filippis’s short film, “For Nonna Anna”, which premiered at the 2017 Toronto International Film Festival and received the Special Jury Prize at the 2018 Sundance Film Festival. The film was awarded Outfest’s Grand Jury Award, TIFF’s Changemaker Award, and Rotterdam International Film Festival’s Youth Jury Award.

WRITTEN AND DIRECTED BY Luis De Filippis
PRODUCED BY Jessica Adams, Michael Graf, Harry Cherniak, Rhea Plangg, Michela Pini, Luis De Filippis
EXECUTIVE PRODUCED BY Julia Fox, Francesca Silvestri, Kevin Chinoy, Andrew Adams, Jennifer Konawal, Jeremy Smith, Omar Chalabi, Charlie Hidalgo
STARRING Carmen Madonia, Ramona Milano, Paige Evans, Joey Parro, Augustus Oicle, Mi’de Woon-A-Tai, Carmelo Nelson
CINEMATOGRAPHY BY Norm Li, csc
EDITED BY Noemi Preiswerk
MUSIC BY Ella Van Der Woude


 

TIFF 2023 review: Jen Markowitz’s doc ‘SUMMER QAMP’ is beautifully eye-opening and life-affirming.

SUMMER QAMP

Jen Markowitz‘s TIFF 2023 documentary SUMMER QAMP follows a group of kids attending a queer sleepaway camp in Canada. This celebration of individualism is essential viewing.

We witness walls breaking down through small pods of campers and mentors, campfire storytelling, and creative and traditional class selections. Former campers and artists in residence encourage each kid to take chances, but only as long as they are comfortable. There is no hidden agenda here. Camp Firefly exists to help these kids make it to adulthood. A brilliant and creative outlet for fear, anxiety, identity, and community connection, Camp Firefly is a safe space for queer youth to flourish. Camp is a place to heal, be accepted, and feel free. The world needs more of this. Just think of how many suicides we could prevent if we allowed everyone to be themselves, fully and unapologetically.

The overwhelming joy of hearing these kids laugh is infectious. SUMMER QAMP is an education, through and through. As a former theatre kid and current creative adult with two kids, I strive to understand how identity plays a part in overall confidence. I grew up with often crippling anxiety, a stranglehold of perfectionism, and feeling othered. It doesn’t feel good. My job is to protect my kids from the same overwhelming feelings of chaos any way I can.

SUMMER QAMP‘S brave kids allow the audience into their personal lives. They may not fully appreciate how fearless they are. Campers share their gender identity journey, the good, the bad, and the emotionally ugly. This film provides a conversation starter for understanding gender dysphoria from those experiencing it firsthand. It’s an aha of a film.

Leave your judgment at the door. Better yet, rid yourself of it altogether. The biggest takeaway from SUMMER QAMP? Just let kids be kids. They will figure it out in the end. And love should be unconditional.


WORLD PREMIERE – 2023 Toronto International Film Festival

About Director Jen Markowitz

Writer, director, and producer Jen Markowitz has worked in nearly every facet of Canadian television. Starting in scripted, moving to casting, and eventually landing in unscripted/non-fiction, they recently earned three Canadian Screen Awards for writing and producing Canada’s Drag Race, as well as a People’s Choice Award nomination and an Imagen award for producing Shine True, Vice/Fuse TV’s limited series about non-binary youth. Throughout their career, Jen has built a reputation on prioritizing authenticity in their storytelling and pursuing narratives with a balance of tenacity and tenderness. Identifying as queer non-binary, Jen brings their passion for celebrating, protecting, and properly portraying queer and trans communities into their work with deep respect and relentless devotion.

Mins 80 | Language English | Year 2023 | Country Canada

TIFF Website

Instagram: @summerqamp


 

SXSW 2023 short film reviews: ‘ENDLESS SEA’ & ‘FUNNY FACE’ are two stories of humanity and compassion.

ENDLESS SEA




 Follows Carol, an elderly woman on Medicare in New York City, as she struggles through the US healthcare system, a reality faced by millions of Americans who find themselves stuck between a rock and a hard place.


Carol navigates the healthcare system after finding that her heart medication has quadrupled in price. Doing all she can to pay for her pills, she hustles through Valentine’s Day, calling in favors, delivering flowers for tips, and waiting on hold with Medicare customer service. ENDLESS SEA culminates in a choice between life and death. Brenda Cullerton plays Carol brilliantly. She breaks your heart with unfiltered vulnerability and desperation.

Did you know we are the only country that advertises drugs? Profit over people, I guess. I lived in India in 2008 and had a health scare. I walked into a top hospital, saw the head of the ER, a specialist, got a biopsy, a mammogram, and results on a scanned card and printed in a folder I got to take from appointment to appointment, all for $73. The American healthcare system is broken. ENDLESS SEA illustrates the chaos of remaining healthy or merely staying alive in this country. In a short amount of time, this film packs a punch. It’s a must-see.


Film Screenings

 
Mar 15, 2023
6:30pm8:12pm
 

Credits

Director:

Sam Shainberg

Executive Producer:

Henry S., Alex O Eaton, Sam Shainberg, Catherine Shainberg

Producer:

Rachel Walden

Screenwriter:

Sam Shainberg

Cinematographer:

J. Daniel Zuniga

Editor:

Luca Balser

Production Designer:

Charlie Robinson

Sound Designer:

Eric Brown

Principal Cast:

Brenda Cullerton, Jacque Sebag , Iskandar Dridi, Johnny Zito, Vilma Ortiz Donovann, Nora Delighter, Alexandra Templar , Basil Constable, Anne Zuk , Muhammad Gueye

Additional Credits:

Casting Director: Eleonore Hendricks, 1st AC: Carlos Amador Wong, Gaffers: Adam Kim, Vuk Lungulovk, Wardrobe: Emily Costantino, Sound Mixer: Boris Krichevsky, Art Directors: Holly Mcclintock, Key Grips: Jordan Tetewsy, Eli Freireich


Live-action FUNNY FACE




An autobiographical dramedy that retells Harris’ experience directly following her facial feminization surgery with the support of her brother and girlfriend, played by their real-life counterparts.


From the filmmakers of GAY HAIRCUT, SXSW 2023 short film FUNNY FACE brings audiences a conversation starter. The plot revolves around the hours following Sophie’s ten-hour face feminization surgery. It’s a family affair with her girlfriend and her brother from out of town, who are also meeting for the first time. Both take on the in-home care nurse who’s too wrapped up in her drama to do her job or be a human being. Funny Face is about respect and sacrifice, identity and love. The script is grounded in emotional honesty. It allows space for discussion while remaining lighthearted. Writer-director Jude Hope Harris retells her very personal story with her real-life family in the starring roles. Amusing, thought-provoking, and brave. FUNNY FACE is one to see.


Film Screenings

Credits

Director:

Jude Hope Harris

Producer:

Genevieve Jones, Nick Vitale

Screenwriter:

Krista Fatka, Jude Hope Harris

Cinematographer:

Ingrid Sanchez

Editor:

Aviva Siegel

Music:

Charlie Harrison

Principal Cast:

Charlie Harrison, Krista Fatka, Sharon Zhang, Marieve Herington, Jude Hope Harris

Additional Credits:

Special Effects Makeup Artist: Kyrsta Morehouse

Tribeca Festival 2021 review: ‘P.S. Burn This Letter Please’ is a joyous history lesson.

P.S. Burn This Letter Please

A box of letters, held in secret for nearly 60 years, ignites a 5-year exploration into a part of LGBT history that has never been told. The letters, written in the 1950s by a group of New York City drag queens, open a window into a forgotten world where being yourself meant breaking the law and where the penalties for “masquerading” as a woman were swift and severe. Using original interviews, never-before-seen archival footage and photographs and stylized recreations, P.S. BURN THIS LETTER PLEASE reconstructs this pre-Stonewall era as Lennie, Robbie, George, Michael, Jim, Henry, Claude, Tish, and Terry—former drag queens now in their 80s and 90s—reveal how they survived and somehow flourished at a time when drag queens were both revered and reviled, even within the gay community. The government sought to destroy them, then history tried to erase them, now they get to tell their story for the first time.

There’s something both nostalgic and tangible about handwritten letters. With technology at our fingertips, they are few and far between and nearly nonexistent to certain generations. In P. S. Burn This Letter Please, a box of letters from the 50s chronicles the lives of a small LGBTQ circle of friends. Through sit-down interviews with the authors, immaculate archival footage and photos, we delve into history. This documentary is phenomenally compelling. If it doesn’t make you grin from ear to ear, you’re out of your mind.

Happiness isn’t the only reaction this film elicits. It is a lesson in oppression, one that sounds all too familiar. We hear about biological family dynamics, the difference between those who accepted and those who broke these beautiful souls down. The majority of the doc is celebratory and juicy. Oh honey, the exquisite fashion. The delicious stories. Hearing the truth from those who lived it is priceless.

I learned an entirely new vocabulary. I learned about the “who’s who” of drag and female impersonators in those years. What was it like to be a performer? Who was actually running the gay clubs? That answer will shock you. To say I was fascinated would be an understatement. The dramatic readings of the letters are to die for. To think what wasn’t included in the film leaves me wanting more. Outside of its Tribeca Festival screening, you can watch P.S. Burn This Letter Please streaming on Discovery +. You will not regret jumping into its fabulousness.

 

DOC NYC review: ‘FAMILY IN TRANSITION’ is more complicated than it appears.

This doc explores the boundaries we push for love and acceptance. Amit is a husband, a father, and business owner. She is also transgender. This story is about her transition and how it affects the family and friends that surround her. It’s a timely film here in the US as the government is attempting to legally discredit transgender identity by legally defining gender as a biological, immutable condition determined by genitalia at birth. Amit has four children with her wife Galit. Daughter Agam is beyond wise for her years and the most vocal about their unique family dynamics. She understands that people’s ignorance is not her problem. She chooses to surround herself with open-minded peers. The emotional toll of transitioning seems endless. It has the highest highs and lowest lows. How does a marriage survive when circumstance completely changes? What happens after she goes to Thailand for gender reassignment surgery for a month? It’s not a glamorous film. It’s real, it’s honest. It’s exactly what people need to see. Family in Transition is a story of unconditional love and the ultimate sacrifices we make to become whole from the inside out.

DOC NYC International Premiere on November 11 / Opening Nov 16 in LA and Nov 23 in NY

Amit, a husband, and father of four, living in Nahariya, Israel, reveals to his family that he’s a transgender woman. Amit’s wife, Galit, decides to stick with Amit through this journey. Despite personal difficulties and social stigmas, the family insists on staying together, believing that love will overcome all difficulties.

Review: ‘THE ASSIGNMENT’ flips the script on your average action flick.

THE ASSIGNMENTDirector Walter Hill gives the revenge film a modern neo-noir twist with this electrifying thriller. Hitman Frank Kitchen (Michelle Rodriguez) is given a lethal assignment, but after being double-crossed, discovers he’s no longer the man he was.  Having been surgically altered, Frank now has the body of a woman. Seeking vengeance, he heads for a showdown with his assailant (Sigourney Weaver), a brilliant surgeon with a chilling agenda of her own.

The film is structured in a Sin City meets iZombie format with graphic novel transitions and narration. The premise is interesting and certainly engages your attention without pause. The Assignment has caused some stir in the transgender community, as our hero/villain’s view of his/her transition is on the rather negative side. That being said, if you woke up the opposite gender, you might be a tad peeved as well. The action is tempered with monologues from Sigourney Weaver‘s character. My only complaint there? I wish there had been more visual to back those stories up as some run at quite a length.Michelle Rodriguez does a great job with both genders, keeping the masculine edge once she wakes up a woman. Without prior knowledge of the plot, you may think that a very thin Oscar Isaac had tackled the first half of the role. It’s pretty uncanny. Her past work in action films is on full view with her natural handling of weapons and aggressive presence. `It’s a pretty fearless performance. Weaver as Dr. Kay has an eccentric air to her speech patterns and carriage, even when she’s in a straight jacket. Tony Shaloub as Dr.Galen is a perfect foil for Weaver and the appearance by Anthony LaPaglia is casting heaven. On the whole. The Assignment is different in a good way. Engrossing and lively, you can’t go wrong. Check out the trailer below.

In Select Theaters and On Demand April 7th

 

Directed by: Walter Hill
Screenplay by: Walter Hill, Denis Hamill
Story by: Denis Hamill, Walter Hill
Producers: Said Ben Said, Michel Merkt
Cast: Michelle Rodriguez, Tony Shalhoub, Anthony LaPaglia, Caitlin Gerard, Sigourney Weaver
Distributor Saban Films, Lionsgate
Release Date: Ultra VOD on March 3rd, in select theaters April 7th
Running Time 95 minutes

Rating

Synopsis:

R

Director Walter Hill gives the revenge film a modern neo-noir twist with this electrifying thriller. Hitman Frank Kitchen (Michelle Rodriguez) is given a lethal assignment, but after being double-crossed, discovers he’s no longer the man he was.  Having been surgically altered, Frank now has the body of a woman. Seeking vengeance, he heads for a showdown with his assailant (Sigourney Weaver), a brilliant surgeon with a chilling agenda of her own.

Watch Eddie Redmayne Take on the Performance of His Life in the Offical Trailer for “The Danish Girl”

Based off of the novel written by David Ebershoff, director Tom Hooper (Les Miserables) and actors Eddie Redmayne (The Theory of Everything) and Alicia Vikander (Ex-Machina) beautifully illustrate the powerful true story of Lili Elbe in their new film The Danish Girl. This is the overwhelming journey of Einar Wegener’s transition into the woman he knew he was meant to be. And based off of the official trailer, it looks like Eddie Redmayne may be on his way to taking home another Academy Award.

The Danish Girl will be in theaters November 27th.

Check out the official trailer below!