Review: From scholarships to scandal, Dan Chen’s ‘ACCEPTED’ is explosive.

ACCEPTED

Accepted offers a unique and intriguing look at the world of Ivy League college admissions and the true cost of getting that first foothold into elite American society. In his first documentary feature, director Dan Chen grounds a broader look at the inequities in the American education system with unbelievable access to T.M. Landry and the deeply personal stories of four dynamic students looking to overcome countless obstacles to achieve their dreams.


TM Landry was a beacon of hope for the underserved community of Breaux Bridge, Louisiana. In Dan Chen‘s ACCEPTED, the incoming senior class of 2019 gears up for the admissions process, chasing that elusive stat; 30% of Landry students who receive acceptance to an Ivy League school. But, that’s not all this documentary catches during the school year. An explosive New York Times expose sends shockwaves through the student body. ACCEPTED delves deep into the subsequent chaos. 

 There is a Montessori feeling to the day. Children of all ages break out in small groups in a nondescript warehouse/office building, tackling complex arithmetic and socially relevant discussion. Founder Mike Landry‘s enthusiasm and passion are infectious. He’s the ultimate hype man for his students. He takes calls from them after hours, assisting them with homework. As a former teacher, I am captivated by his fiery pep talks. 

When emotions run high and the stress piles on, our kids start to push back against Mike’s methods. They realize something is incredibly wrong. When media becomes more important than being in the classroom, everything backfires. Going into Accepted knowing nothing, you’d think he was the high school Messiah. Mike Landry is no Wizard. He is the man behind the curtain. 

Adia is an avid animal lover whose spirit almost collapses under Mike Landry. But, her spirit outshines the negativity, and she’s a soul that will undoubtedly achieve greatness. Isaac’s dream school is Stanford. His levelheaded approach to life and learning is something we should all aspire to be. Alicia is the new girl, admittedly baffled by the school’s structure when she arrived halfway through Junior year. When you hear her college essay, you’ll gasp in awe of her eloquence. Cathy would be the first member of her family to attend college. With two disabled older sisters and a widowed mother, a car accident payout allowed her to prepay for two years at Landry. Cathy is a powerful young woman, flipping the script on her narrative. For her, truth and integrity reign supreme. 

The deteriorating mental health of these kids is palpable. Their bravery cost them their potential future. Fear and shame should not be the motivating factor to succeed. You cannot help but walk from the film filled with anger and questions about the socioeconomics of higher education. ACCEPTED is an unexpected emotional rollercoaster. 

 

GREENWICH ENTERTAINMENT is releasing the timely documentary Accepted, from director Dan Chen in theaters and VOD on July 1st!


DIRECTOR:
Dan Chen
PRODUCERS:
Jason Y. Lee
Dan Chen
Jesse Einstein
Mark Monroe
GENRE:
Documentary
RUNTIME:

91m


FESTIVALS & AWARDS:
Tribeca Film Festival 2021
Official Selection
Sidewalk Film Festival 2021
Winner Audience Choice Award Best Black Lens Film
Los Angeles Asian Pacific Film Festival 2021
Official Selection
Hot Springs Documentary Film Festival
Official Selection
Double Exposure Investigative Film Festival 2021
Official Selection
Cleveland International Film Festival 2022

Nominee Greg Gund Memorial Standing Up Award


  Original New York Times article as referenced in the film linked HERE.


Tribeca Film Festival 2022 review: ‘Of Medicine and Miracles’ provides a balanced look at the potential and problems of modern medicine.

OF MEDICINE AND MIRACLES

You cannot help but be moved by Of Medicine and Miracles. This is an in-depth documentary of a thrilling achievement: an attempt to cure cancer by using cutting-edge medical science.  This story is told through the prism of one patient, young Emily Whitehead, who was diagnosed with leukemia when she was only 6 years old. When the standard course of treatment fails Emily, her health quickly worsens. Out of options, she is given the chance to enroll in a promising, but risky clinical trial.

The documentary benefits from direct interviews with Emily’s parents. Their emotional re-telling of events is incredibly moving. Their urgency and desperation are palpable. The audience also peers behind the curtain at the vast medical infrastructure supporting Emily’s treatment – the researchers, physicians, nurses, regulators, and the extended care team. The expression “it takes a village” will truly resonate differently for you after viewing this documentary.

You will be inspired, yes, but also frustrated. Of Medicine and Miracles also provides a clear-eyed perspective on the dysfunction plaguing the medical system. While the documentary takes great pains to showcase the innovation at the core of Emily’s treatment, it is equally clear that her life was often in the balance due to incredibly frustrating circumstances. Emily’s local care center does not recommend she seek out a clinical trial – it is only because her family shows the courage to solicit a second opinion from a leading pediatric facility (Children’s Hospital of Philadelphia) that Emily is even offered a chance at a new treatment. Not everyone has the luxury of such a facility within driving distance. A critical last-minute care decision is shown to be possible only because members of Emily’s care team have read the right medical journal articles. This documentary shows us a miracle, yes, but also demonstrates that this miracle finds the light thanks to a foundation of privilege and luck.

Ross Kauffman’s documentary is an impressively balanced effort. It provides an incredibly intimate look at a family undergoing an incredible challenge, and the way this family is at times equally supported and challenged by our country’s medical structure.  I left it both inspired and enraged.


Available Starting

Tue June 14 – 6:00 PM

At Home

DIRECTOR
Ross Kauffman
PRODUCER
Robin Honan, Nicole Galovski
CINEMATOGRAPHERS
Ross Kauffman, Henry Roosevelt, Naiti Gamez
COMPOSER
Amie Doherty
EDITOR
Hypatia Porter
EXECUTIVE PRODUCERS
Sean Parker, Lessing Stern, Babbie Lester, Pam Williams, Geralyn White Dreyfous, Randall Gebhardt, Christopher Gebhardt, Eric Esrailian, Regina Scully, Jamie Wolf, Rusty Robertson
ASSOCIATE PRODUCERS
Gabriela Figueredo, Minoo Allen, Zada Clarke

Topic series review: ‘Catching A Killer- Episode 2: The Wind in the Willows Murder’

Catching A Killer- Episode 2:

The Wind in the Willows Murder

Adrian Greenwood

Adrian Greenwood, a famous historian and antiquarian book dealer, is found inside his home brutally stabbed over 30 times. The scene is chaotic. Police make a seemingly surprising arrest. The suspect is a man plunged into depression and financial ruin after his divorce.

One intriguing aspect is the discussion officers have prior to and post questioning suspect Michael Danaher‘s family. The choice to send female officers into the home does not go unnoticed. The care with which the accused and family are treated feels in contrast to here in the United States. 

Michael Danaher selfie

As in episode 1, the access to family members is shocking. Michael’s fourteen-year-old son Ryan is their best witness. His levelheaded account to officers blew me away. He recounts a story his father told him of a random knife attack. We watch this tape of Ryan’s second interview, juxtaposed with Michael’s interrogation. The accounts are very different. Simultaneously, the forensics team searches the scene. The most expensive item that is missing from the murder scene is the first edition of The Wind in the Willows book. 

This episode also includes hours of footage of Adrian discussing his rare finds on various television programs. It’s both fascinating and unsettling. The amount of evidence amassed will astonish you. You will shake your head at the stupidity. Catching A Killer Episode 2 is just as fascinating as Episode 1. 

You can watch Catching A Killer exclusively on TOPIC.


Episode 1: “The Search for Natalie Hemming” – Directed by Anna Hall
Episode 2: “The Wind in the Willows Murder” – Directed by Jezza Neumann
Episode 3: “Bullet Through the Window” – Directed by Erica Gornall
Episode 4: “A Knock at the Door” – Directed by Jennifer Shaw
Episode 5: “A Diary From the Grave” – Directed by Jezza Neumann & Jess Stevenson

 

About TOPIC
Topic is the criminally good streaming service from First Look Entertainment for thrillers, mysteries, dramas and documentaries from around the world, serving viewers who crave entertainment beyond the mainstream. Whether it’s a Nordic-noir crime thriller (The Killing), an Italian supernatural political drama (The Miracle), or a haunting true crime docu-series from the UK (The Missing Children), Topic expands your view of the world.Featuring North American premieres, exclusive TV series and film, and programming from more than 40 countries, Topic showcases an unparalleled collection of creators, perspectives and experiences. Complemented by our Topic Originals, we prioritize bold storytelling and champion underrepresented voices. Topic Originals and exclusives include Oscar® nominee The Letter Room (starring Oscar Isaac), Lambs of God (starring Ann Dowd), BAFTA® nominee The Virtues (starring Stephen Graham), Emmy® nominee The Accidental Wolf (starring Kelli O’Hara), Dark Woods, Gotham Award winning Philly D.A., and Soul City (directed by Coodie & Chike).Topic is available to US and Canadian audiences on topic.com, AppleTV & iOS, Roku, Amazon Fire TV, Android & Android TV, Samsung, Apple TV Channels, Roku Premium Channels, Bell Fibe, Amazon Prime Video Channels, Comcast and Comcast’s entertainment platforms, including Xfinity X1, Xfinity Flex and XClass TV. Topic is part of First Look Entertainment which also includes Topic Studios, the award winning entertainment studio which develops, finances, and produces content for all platforms.

 

Bentonville Film Festival 2022 short review: ‘Honey and Clover: A Recipe For Disaster’

HONEY AND CLOVER


SYNOPSIS
Honey and Clover are former child stars from the hit show Rink Inc. where they played crime-fighting sisters whose parents owned a roller-skating rink. Past and future collide threatening to reveal their darkest secrets when the two are thrust back into the spotlight together after years of estrangement. They are forced to accept that the only way they can survive is together. Their timely reconnection teaches them to cope with their new lives while coming to terms with the shocking past that tore them apart in this deeply empathetic and magical portrayal of friendship.


A solid proof of concept short, I found myself wanting more information on both the leads and their manager Max, played spectacularly by actor Ray Abruzzo. I want to know who else this guy represents. Give me an entire BoJack Horseman style section in a series of all his clients. Our leading ladies, Theresa Burkhart Gallagher and Jackie Monahan engaging and complex. The short ramps up about 10 minutes in with a fun action scene mirroring their heyday skills. This was badass. The information we’re missing from their youth and everything in between feels pretty pertinent to the present-day chaos. I was genuinely interested. I’d love to see how Rink Inc. came to fruition, from the girls meeting as teens, cut back and forth their success, and their ultimate fallout. I’m assuming that’s the goal with this short. In its current form, Honey and Clover expertly bate the hook. Get me a pair of skates, I’m ready to roll.

Director:                                 Andrea Maxwell
Writers:                                   Matthew Gallagher, Theresa Burkhart Gallagher, Jackie Monahan
Producers:                             Matthew Gallagher, Theresa Burkhart Gallagher, Andrea Maxwell,
Jackie Monahan, Diana Zollicoffer
Executive Producers:            Emily De Margheriti, Benjamin Sharpe, Greg Tally
Editor:                                     Andrea Maxwell
Cinematographer:                 Sherri Kauk                          
Music:                                     Allyson Newman
Cast:                                       Theresa Burkhart Gallagher, Jackie Monahan, Ray Abruzzo, Dan Lauria,
David Barrera
TRT:                                        14:36 min
Country:                                 USA


Screening information:
Thursday, June 23 at 3:00PM
Awkward At Any Age (Competition Shorts)
Walmart World Room (105 North Main Street)

Ticketing information:
https://www.goelevent.com/BFF/e/AwkwardAtAnyAgeCompetitionShorts

Short films in our competition lineup telling stories at key moments of personal growth from childhood to adulthood and beyond. This program includes THE WEIGHT OF IT (Directed by Olivia Marie Valdez, Einar Soler Fernandez, Sandra Afonso Rodriguez), LOVE’S BABY SOFT (Directed by Lanie Zipoy), AMERIGIRL (Directed by Samina Saifee), ANNIVERSARY (Directed by Lain Kienzle), SEASICK (Directed by Lindsey Ryan), WEI-LAI (Directed by Robin Wang), HOPEFUL ROMANTIC (Directed by Kate Vinen) and HONEY AND CLOVER: A RECIPE FOR DISASTER (Directed by Andrea Maxwell).


Hit British Investigative Crime Docuseries review: ‘CATCHING A KILLER Episode 1: The Search for Natalie Hemming’ exclusively on Topic now!

CATCHING A KILLER

The Search for Natalie Hemming

Mother of three Natalie Hemming goes missing. Local police take the case with swift action and an in-depth, real-time investigation into her disappearance.

Catching A Killer: The Search for Natalie Hemming will airs exclusively on Topic.


The series’ score mimics a heartbeat and enhances the menacing atmosphere. The editing is a triumph, utilizing police video, interrogation tape, and the documentary teams footage of investigators chatting with Natalie’s family and friends. Listening to Natalie’s children recall the evening she went missing will chill you to your core. Her partner of ten years, and main suspect, Paul Hemming sits in jail as the investigation moves forward.

The police give the audience a play-by-play of tactics alongside the unprecedented access to the interviews with coworkers, family, and Paul, as well as the forensics team’s meticulous evidence collection. Episode 1 has a two-hour runtime and follows the case from beginning to end. With a plethora of true-crime series to choose from, the hour-by-hour tracking of the investigation makes Catching A Killer enthralling.

You can watch Catching A Killer Season 1 streaming exclusively on Topic now.

The season finale will air Thursday, June 30th.

http://topic.com

Bentonville Film Festival 2022 world premiere: ‘The Seven Faces Of Jane’ is a visionary experiment from 8 filmmakers.

THE SEVEN FACES OF JANE

Eight filmmakers come together to create one genre-obliterating film that centers around a woman named Jane. 

Goodbye/Hello

Gillian Jacobs

Jane drops off her daughter at sleepaway camp.

JaneSquared

Gia Coppola

In search of coffee, Jane encounters her doppelganger. 

Tayo

Boma Iluma

Jane reconnects with a previous lover. With super 8 footage overtop flashbacks, this story is pure romantic nostalgia. 

Guardian

Ryan Heffington

Jane rides an emotional and musical rollercoaster from delight to broken-heartedness, celebrating the friendship between her and a friend named Sybil. 

The Lonesome Road

Xan Cassavetes 

Jane picks up a free-spirited hitchhiker. Their drive is a fantasy sequence in more than one way. 

Rose

Julian J. Acosta

Jane encounters a girl running away from her Quinceanera. Their conversation turns to identity and confessions. It’s a celebration of similarities amongst strangers. As Rose, actress Daniela Hernandez is a star. 

The One Who Got Away

Ken Jeong

Community costar Joel McHale reunites with Gilligan Jacobs when Jane flags down a jogger and old friend sharing an intimate past. Jacobs and McHale have explosive chemistry together. When it comes down to it, McHale completely steals this scene. It is a wow of a turn. 

The Audition

Alex Takacs

Jane attends a call for a mysterious audition that begs more questions than answers. Breeda Wool gives us a manic performance you’ll struggle to shake. 

The only visual throughline is Jacobs and Jane’s all-new Ford Mustang Mach E. The automaker worked with producer Roman Coppola to bring the film to life. The stylistic maneuvering never lets you tune out. As each story differs in length and cinematography, The Seven Faces of Jane is an extraordinary film. Bentonville 2022 audiences are in for one wild ride.


Directed by:

Gillian Jacobs, Gia Coppola, Boma Iluma, Ryan Heffington, Xan Cassavetes, Julian J. Acosta, Ken Jeong, Alex Takacs

Starring:

Gillian Jacobs, Anthony Skordi, Chido Nwokocha, Sybil Azur, Emanuela Postacchini, Joni Reiss, Soledad St. Hilaire, Joel McHale, Caroline Ducrocq, Breeda Wool

Produced by:

Roman Coppola p.g.a., Jason Baum p.g.a. Sarah Park. Allison Amon p.g.a. and Luke Ricci

Executive Producers:

Chris Chang, Duffy Culligan, Tara Schaeffer, Alessandro Uzielli and Jordan Weisman

Editors:

Peter Cabada Hagan, Scott Hanson, Armen Harootun, Niles Howard, Jacob Mendel, Michael Wolfe

Cinematographer:

Andy Catarisano

Runtime:

92 minutes


To find out more about Bentonville 2022 click here!

In-Person Festival – June 22 – 26; Virtual Festival – June 22 – July 3

Now in Theaters! ‘OFFICIAL COMPETITION’ is sheer perfection.

PRESENTS

OFFICIAL COMPETITION

Turning a Nobel Prize-winning novel into a movie on the whim of a millionaire, “it” director Lola Cuevas pairs two different kinds of actors to breathe life into her version of the story. What could go wrong casting a serious leading actor with a box office action star? Only everything, of course. If you’ve ever been through the rehearsal process with a director that is secure in their vision, Official Competition is for you. The film is a masterclass in writing and acting. It encompasses all the temperamental moments in the history of cinematic genius.

Oscar Martinez plays Ivan will a cultured legitimacy that feels elevated. He has a pedigree and air that is unmatched. His humble passion is so overblown you’ll give him a standing ovation while rolling your eyes. Antonio Banderas plays Felix with a Blockbuster pretty boy carelessness that is so familiar it’s brilliant. He is every cliché wrapped in a bow. Banderas brings a hot-tempered and diva nature to Felix. Almost play acting against Martinez, the evolution of their chemistry is like a tennis match. Each man absorbs traits from the other.

Penélope Cruz is eccentric director Lola. Her commitment to this character is extraordinary. The interactions between Lola and her leading men will have you smirking. The script allows her to push boundaries that challenge her fellow actors and the audience’s comfort. It’s another role that tops the last. She’s cheeky, powerful, unapologetic, and completely unconventional. Cruz gives her best performance to date.

These three astonishingly talented actors epitomize the industry. Mariano Cohn and Gastón Duprat explore the sheer absurdity of Hollywood. The cinematography is unforgettable. In many instances, our leads speak directly into the camera. Breaking the fourth wall is equal parts intrusive and entrancing. Official Competition might be the most extraordinary industry farce I’ve ever experienced. Making an award-worthy film while simultaneously acknowledging that awards are meaningless is a stroke of genius. It’s a wild meta joyride.

ONLY IN THEATERS JUNE 17, 2022  

DIRECTED BY Mariano Cohn and Gastón Duprat

WRITTEN BY Mariano Cohn, Andrés Duprat and Gastón Duprat

STARRING Penélope Cruz, Antonio Banderas, and Oscar Martínez

ABOUT THE DIRECTORS

Gastón Duprat (December 8, 1969, Bahía Blanca – Argentina) and Mariano Cohn (December 1, 1975, Villa Ballester – Buenos Aires, Argentina) have directed ten films including the successful “The Man Next Door,” “The Distinguished Citizen,” “Todo sobre el asado,” “My Masterpiece,” and “4×4” which competed in the most important international film festivals garnered with more than thirty international awards, including a Goya, the Platinum and the Ariel for Best Ibero-American Film. “Official Competition” is his latest, and highly anticipated feature film.

NEW YORK THEATERS

ALAMO DRAFTHOUSE MANHATTAN 14

 28 Liberty Street, Suite SC301 | New York, NY 10005

AMC LINCOLN SQUARE

 1998 Broadway | New York, NY 10023

AMC EMPIRE 25 THEATERS

 234 W 42nd St | New York, NY 10036

BAM ROSE CINEMAS

30 Lafayette Ave | Brooklyn, NY 11217

IFC CENTER

323 6th Ave | New York, NY 10014

STORY SCREEN / BEACON THEATER

445 Main St |Beacon, NY 12508

BELLMORE PLAYHOUSE

525 Bedford Ave | Bellmore, NY 11710

NEW CITY CINEMAS

202 S Main St | New City, NY 10956

STARR THEATRE – RHINEBECK

6415 Montgomery St | Rhinebeck, NY 12572

SAG HARBOUR CINEMAS

90 Main St | Sag Harbor, NY 11963

CINEMAPOLIS

120 E Green St | Ithaca, NY 14850

TIME & SPACE LIMITED HUDSON

434 Columbia St | Hudson, NY 12534

MOUNTAIN CINEMA

7971 Main St, Hunter, NY 12442

SPECTRUM 8 THEATERS

290 Delaware Ave, Albany, NY 12209

PICTUREHOUSE

175 Wolfs Ln | Village of Pelham, NY 10803

WESTHAMPTON BEACH PERFORMING ARTS CENTER

76 Main St | Westhampton Beach, NY 11978

CONNECTICUT THEATERS

AVON THEATRE FILM CENTER

272 Bedford St | Stamford, CT 06901

CRITERION CINEMAS NEW HAVEN 9

 86 Temple St | New Haven, CT 06510

NEW JERSEY THEATER

CLAIRIDGE CINEMAS

 486 Bloomfield Ave | Montclair, NJ 07042

114 MIN / SPANISH / COLOR

#IFCFilms

#OfficialCompetitionMovie


The original version of this review appeared on AWFJ.org. To see more reactions to the Official Competition from the amazing members Click Here!


Tribeca Film Festival 2022 review from Unseen Films: ‘Jerry and Marge Go Large’

Jerry & Marge Go Large

After retiring Jerry feels lost. A mathematical genius he just wants to feel like he has a place. His wife doesn’t know what to do with him. While sitting having coffee he discovers that one of the lottery games has a legal loophole that assures a win under certain circumstances. After winning 15 grand his secret is discovered by his wife, who decides that they should be stupid together. Realizing that they can help their friends and family they form a corporation and start to make trips to Massachusetts to legally scam the system. All is good until a Harvard student realizes the trick too.

Sweet little film is almost certain to bring a smile to your face. It’s a lovely film about a man finally connecting with his friends and family. It’s a film full of great characters who you really like and want to hang out with. Yes, the plot is contrived, with the whole Harvard student rivalry feeling grafted on for suspense, but you won’t care.

The reason this film works as well as it does is the cast. Bryan Cranston is great going against type as a bookish guy with odd social skills. He is matched by Annette Bening who is radiant and makes it clear that she is madly in love and horny for her husband. ..AND YOU BELIEVE IT. We believe they are long-time lovers who have the love that you want. They are matched by Michael McKean, Ann Harada, Rainn Wilson, Anna Camp, and Larry Wilmore, all of whom you want to hug.

It may not be the greatest film ever but it’s a good time with great people.

See it.


Jerry & Marge Go Large is now available on Paramount+

DIRECTOR
David Frankel
CAST
Bryan Cranston, Annette Bening, Rainn Wilson, Larry Wilmore

Tribeca Film Festival 2022 capsule reviews: ‘January,’ ‘The Year Between,’ and short film ‘Girls Night In’

January

The visual aesthetic of Tribeca 2022 film JANUARY feels like it was actually filmed in 1991, using a mixture of super 8 footage, archival footage, and inspired cinematography. Performances are solid. The soundtrack is outstanding, highlighting gorgeous framing. The lack of urgency overall was challenging to overcome. I wasn’t sure if I felt connected enough to give a damn. This is from an arts academy grad. It was refreshing to see young female ambition in the character of Anna.

At the 52-minute mark, I was suddenly at attention. I wish this had come sooner in both the narrative and the score. Ultimately, January keeps your attention with its unique editing and intriguing, sometimes dizzying, cinematography. At times, I could not decern who was filming, whether it was archival or handheld footage from the cast. It’s a weirdly meta experience in that way. JANUARY is a coming-of-age story of a life torn between art and war.


The Year Between

Alex Heller wears all the hats in Tribeca 2022 film The Year Between. As a writer, director, producer, and star, she’s a spectacular nightmare. As Clemence, she is perfectly punchable. Even if it doesn’t sound like it, this is a compliment. As Clemence, she is a hellacious person. An entitled brat with zero social graces. Come to find out that she is undiagnosed bipolar. Through horrible life choices, Clemence slowly climbs her way out of her pity party to ingratiate herself into her family’s hearts. Navigating jobs, drugs, therapy, medication, relationships, and self-actualization, The Year Between goes hard in every aspect. Heller is unapologetic in style. The voice is loud and clear, and I look forward to what comes next.


Girls Night In

When a masked man threatens to ruin a girls’ night, Becca and Delaney attempt to best the intruder against all logic. This satirical short is an ode to the Bechdel Test and horror fans everywhere. Skylan Benton, as Delaney, is dressed similarly to Drew Barrymore in Scream and has an unmissable Alexis from Schitt’s Creek vibe going on in her tone. Becca (Jess Adams) is the more overtly cautious of the two girls, but everything changes, including her wardrobe, once challenged. Spot the cliché and hilarious quick-change by removing her glasses, a classic 90s reference. This is another example of how writer Landon LaRue and director Alison Roberto are true genre fans, beyond the lighting shifts and Davey Oberlin‘s throwback score. The addition of unapologetic Gen Z chatter infuses another layer of funny. Girls Night In will be a hit with not only horror fans but all Tribeca 2022 short film enthusiasts this year. 


 

Tribeca Film Festival 2022 review: ‘DREAMING WALLS: Inside The Chelsea Hotel’

DREAMING WALLS: Inside The Chelsea Hotel

The Chelsea Hotel was a bohemian enclave in New York City. Artists, movie stars, and musicians passed through the halls during the height of avant-garde Manhattan. Now, the remaining long-term residents of the hotel mingle within the current renovations, attempting to coexist amongst the chaos. 

The residents are an eclectic group of creators. Each possesses a unique story and a timeless aura about them. It just so happens that I know one of the artists and have a few of his pieces. A few years ago, Skye Ferrante (AKA Man Of Wire) recreated selected quotes sculpted from wire for each member of my family. They are one-of-a-kind creations. To watch him is to witness magic. Ferrante provides original and poetic voice-over passages of his own writing as we watch the chemistry between him and his models and his daughter. He is a snapshot, and one of the youngest, of the creative beings left behind.

Filmmakers Maya Duverdier and Amélie van Elmbt watch them maneuver within the halls and their respective spaces, listening to them recall their glory days and how long they think they can survive until renovations are complete. Their emotional attachments vary from apartment to apartment. Haunting footage of dark, cavernous hallways creates an eerie effect, while archival footage and audio layer on top of one another. It’s entrancing and a little rock ‘n roll. Tribeca 2022 audiences are in for a love letter and a history lesson in the form of a breathing time capsule. 


CAST & CREDITS

Directed by Amélie van Elmbt and Maya Duverdier

Amélie van Elmbt studied at the IAD Film School. In 2011, she directed her first feature film, Headfirst. Her second feature The Elephant & The Butterfly premiered at Tribeca. Maya Duverdier holds a master’s degree in film from École cantonale d’art de Lausanne. Dreaming Walls: Inside the Chelsea Hotel is her first feature-length documentary.

DIRECTOR
Amélie van Elmbt, Maya Duverdier
EXECUTIVE PRODUCER (MAIN CREDIT)
Martin Scorsese
PRODUCER
Hanne Phlypo, Quentin Laurent
CINEMATOGRAPHER
Joachim Philippe, Virginie Surdej
COMPOSER
Michael Andrews
EDITOR
Alain Dessauvage, Julie Naas
EXECUTIVE PRODUCER
Lori Cheatle
CO-PRODUCER
Frédéric de Goldschmidt, Simone van den Broek, David Herdies
US DISTRIBUTOR

Magnolia Pictures


To learn more about Tribeca 2022 click here!

Review: It’s man vs technology in the emotionally taut sci-fi ‘Guidance’

GUIDANCE

Clever and thought-provoking, Guidance puts two lovers in a precarious position. In a near-future story, ten years after The Great War, new nanotech is on the precipice of introduction. In the form of a pill, the tech acts as a learning device and a lie detector. Han Miao and Mai Zi Xuan have secrets, making for an uphill battle to stay together after a weekend getaway. When you pit technology against human nature, which one claims victory? 

Sharp editing keeps the audience on their toes. Flashbacks slowly reveal information, but we’re never fully aware of the entire truth. The minimalist location pulls your focus to the camera work and the writing. It cannot be a coincidence that the house contains unobstructed, floor-to-ceiling windows and large-scale, threadbare concrete walls when the plot focuses on transparency. The script has Han Miao and Mai Zi Xuan attempting to subvert the tech to keep their secrets. The emotional manipulation is wild. The weight of trauma bonding is also front and center. Boasting fantastic performances, Guidance is a rollercoaster. The screenplay will keep you guessing until the very end. Do not get comfortable. Add all these excellent elements together you’ll discover a carefully crafted film. A complex morality tale that begs your attention, Guidance is endlessly compelling. 


GUIDANCE will be released in the US, Canada, UK, Australia, and major territories Worldwide on VOD on June 17

Director: Neysan Sobhani

Cast: Sun Jia (Han Miao), Harry Song (Mai Zi Xuan) and Francesco Chen (Su Jie)


Tribeca Film Festival 2022 review: Director Floor Van Der Meulen receives special mention with the Best New Narrative Director Award for ‘PINK MOON’

PINK MOON

Iris (Julia Akkermans) and her older brother Ivan (Eelco Smits) are faced with life-altering news when their father (Johan Leysen) decides to end his life. Iris is confused, devastated, she tries to be a little accepting.. It seems like her father is never been more sure with anything in his life, and that leaves Iris in an emotional shamble.


Tribeca 2022’s award-winning film Pink Moon will undoubtedly strike a chord with Gen X. We currently exist between aging parents and parenthood. Mortality has weighed heavy in recent years. No one gazes into the future to imagine the death of their Mom or Dad, so to be told that death is a choice is an entirely new level of madness. In Pink Moon, Iris and Ivan take two different approaches to their father’s declaration that he is “done living.” Ivan is practical, almost emotionless. Iris, understandably, pushes back with unsurmountable sadness. Doing everything in her power to change his mind, Iris takes leave from work, pretending to plan his final day, only to ditch the plan and kidnap him for one last hurrah. Pink Moon slowly delves into the complex relationship between children and parents. Actress Julia Akkermans tackles the script by Bastiaan Kroeger with humor and heart. Watching her emotional journey unfold feels palpable and grounded from start to finish. To think that this is the directorial debut for Floor van der Meulen blows my mind. I cannot wait to see what comes next. Audiences can watch the film on Tribeca 2022’s At Home option. The film dives into universal truths that will touch the coldest of hearts. I highly recommend you give Pink Moon your full attention. 


Available Starting

Wed June 15 – 6:00 PM

At Home

 

DIRECTOR
Floor van der Meulen
PRODUCER
Derk-Jan Warrink, Koji Nelissen
SCREENWRITER
Bastiaan Kroeger
CINEMATOGRAPHER
Emo Weemhoff NSC
EDITOR
Mieneke Kramer
CAST
Julia Akkermans, Johan Leysen, Eelco Smits, Anniek Pheifer, Sinem Kavus


 

Tribeca Film Festival 2022 review: ‘An Act Of Worship’ is required viewing.

An Act Of Worship

Reenactments, sit-down interviews, home videos, photos, and intimate storytelling, Tribeca 2022 feature documentary An Act Of Worship highlights the continued pain and persecution of Muslims in America. Thirty years of pivotal historical trauma shape the community, as told through three female activists and those around them. 

The doc addresses the highs and lows through the lens of personal identity from Oklahoma City to the election of President Obama. His presidency felt like a bait and switch. Then came Trump, and we’re all still reeling from that atrocity. 

The continued trauma permeates everyone who practices Islam. The film does not shy away from the implicit bias we’ve come to acknowledge only recently. It addresses racism head-on with honesty. Imagine if the NYPD monitored Christian charities, households, and churches the same way they harass Muslims. White people would lose their minds. 

Hearing the emotional impact on Muslims is undeniably powerful. Listening to these vibrant and hopeful young people alongside their parents is enlightening. These are the stories we must hear in order to connect new generations and old generations. 

I attended Catholic school from first to eighth grade. I am now an agnostic because of this. But, I distinctly remember my father encouraging me to explore other religions if I felt I needed to. I firmly believe that students in the United States should learn about every religion, its origins, and its belief structure to quell fear based on ignorance or propaganda. Multicultural panels and open discussions are imperative to understand that we’re more alike than different, as cliche as it sounds. An Act Of Worship is undeniably a beautiful and important conversation starter. We need more films like this.


Running Time: 83 Minutes

Language: English, Arabic Country: USA

DIRECTOR
Nausheen Dadabhoy
PRODUCER
Sofian Khan, Kristi Jacobson, Heba Elorbany
CINEMATOGRAPHER
Nausheen Dadabhoy
COMPOSER
Mary Kouyoumdjian
EDITOR
Ben Garchar


Tribeca Film Festival 2022 review: Peter Dinklage tackles real estate and relationships in ‘American Dreamer’

AMERICAN DREAMER

There’s something about Peter Dinklage that makes him a brilliant leading man. Tribeca 2022 film American Dreamer is another example of his ability to captivate on screen. In Paul Dektor‘s feature directorial debut, Dinklage plays adjunct social economics professor and lecturer Dr. Phil Loder. As he speaks eloquently to his students, we witness a sly Indian Jones hommage from the front row. Perusing real estate porn, as so many of us do regularly, Phil is serious about finding his slice of heaven and stability in his career. Chasing tenure and respect, he stumbles across a deal in the classifieds that seems too good to be true. With the assistance of his smarmy real estate agent, played to perfection by Matt Dillon, Phil purchases an enormous estate. But there is a catch. His contract contains a “live-in” clause for the previous owner. 

Phil has sold his soul to a woman named Astrid. Thought to be on her deathbed, unpredictable circumstances lead Phil to hire a private detective (Danny Glover) while navigating a complicated relationship with Astrid and her skeptical daughter Maggie. The script dives into the mythic “American Dream” and what the concept means to each of us. Screenwriter Theodore Melfi allows MacLaine and Dinklage to do their proverbial thing. I was hypnotized by the ease of their scenes together. 

Shirley MacLaine brings her truest form with sass and spitfire. Her ability to make you smirk and piss you off is a gift. She’s a legend, and Dinklage keeps pace at every turn. Peter Dinklage has mastered the art of charming his costars and the audience. After watching him in Cyrano, his sex symbol status became solidified. In American Dream, Melfi and Dektor allow him to woo in only the way Peter can woo. Picturing him as a man that constantly has women in the palm of his hand is sheer perfection. His comic timing is unmatched. The magic permeates throughout his fully fleshed-out portrayal of a flawed man.

American Dreamer wins with a great score and soundtrack, stunning locations, funny fantasy sequences, and some clever transitions in the form of novel chapters. I had no idea where this plot was going, and damnit, that’s rare. It is easy to say that it is one of my Top 3 films from the festival this year. I cannot wait for larger audiences to experience this beguiling comedy when it inevitably gets distribution. You’re gonna love it.


DIRECTOR
Paul Dektor
PRODUCERS
Toyo Shimano, Emily Shimano, Theodore Melfi, Kimberly Quinn, Peter Dinklage, David Ginsberg, Paul Dektor
SCREENWRITER
Theodore Melfi
CINEMATOGRAPHER
Nicolas Bolduc
EDITOR
Lisa Robison
COMPOSER
Jeff Russo
EXECUTIVE PRODUCER
Kevin Root
ASSOCIATE PRODUCERS
Trisha Wilson, Dylan Collingwood
CAST

Peter Dinklage, Shirley MacLaine, Matt Dillon, Danny Glover, Kimberly Quinn, Danny Pudi, Michelle Mylett


Tribeca Film Festival 2022 review: ‘The Integrity of Joseph Chambers’ sparks conversation about machismo and firearms.

The Integrity of Joseph Chambers

I’ve only shot a gun once in my life. I’ll remember it forever. It was 2008, a hot summer day in Idaho. We were on one of those aimless teenage road trips, far from San Francisco and still without any real responsibilities, so when one of our group had a local friend who was willing to take us shooting – well, then hey, why not?! I remember the giddy feeling as we drove out to a dusty side road, and that the pistol I picked up had the Punisher logo carved onto the grip. I couldn’t quite make out the targets we were to aim for, so I gestured with the pistol, seeking confirmation. Suddenly, the fingers of this local friend were clamped vice-like on my wrist, his voice like fire in my ear. “Don’t point. Not a toy.” That giddy feeling? Gone.

This teenage memory caused me to sympathize deeply with The Integrity of Joseph Chambers, which also centers on a goofy man who is both overwhelmed and armed with a deadly weapon. Joe (Clayne Crawford) is an insurance salesman who envisions himself as a survivalist. He leaves his wife and children at dawn to hunt deer. Time to bring home the bacon (or, well, venison.)

The problem is, the emperor has no clothes. Joe is a total fraud. He is basically performing the character of a hunter – shaving his beard into a macho mustache, dressing up in an outfit straight out of a hunting catalog, and trading his shiny BMW in for a mud-flecked truck. The fact that Joe is also hunting on a friend’s private land only adds to the charade. He uses his rifle as a makeshift machete to clear a path through the underbrush. We are not surprised when things go wrong.

Despite what might seem like low stakes, I’m happy to report that The Integrity of Joseph Chambers is one creepy movie! Cinematographer Oscar Ignacio Jiménez and sound designer Peter Albrechtsen deserve tremendous credit for creating this uncomfortable atmosphere, and for sustaining it during the long middle stretch of the film where Crawford is the only human onscreen.

This is the second collaboration between Clayne Crawford and director Robert Machoian (following 2020’s The Killing of Two Lovers.) That collaborative familiarity provides the foundation for a wonderful Clayne Crawford performance. Joe is alone most of the film; the supporting characters are mostly thin after-thoughts. Crawford shines conveying his inner desires and struggles. I loved how deliberate he was with his movements, and the way he ensures Joe often serves as a visual gag against the background of the woods. We manage to learn a lot about Joe despite not knowing him very well by the end of the film.

It is impossible to consider The Integrity of Joseph Chambers without acknowledging the national tragedies and anxieties surrounding the topic of gun control. Here we are presented with a family man whose life is twisted in knots over the course of a single day. Surely, it is not the fault of his rifle? This is not an anti-gun film, but it speaks loudly regarding the power these weapons hold over the male psyche.


DIRECTOR
Robert Machoian
PRODUCER
Clayne Crawford, Kiki Crawford, Robert Machoian
SCREENWRITER
Robert Machoian
CINEMATOGRAPHER
Oscar Ignacio Jiménez
EDITOR
Yvette M. Amirian, ACE
COMPOSER
William Ryan Fritch
EXECUTIVE PRODUCER
Bo Clancey, Zareh Amirian, John Foss, Kris Towns, Sara Towns, Nancie Plaia, Sammy Plaia
CO-PRODUCER
Laura Heberton
CAST
Clayne Crawford, Jordana Brewster, Jeffrey Dean Morgan


Available Starting

Sat June 11 – 6:00 PM

At Home

Tribeca Film Festival 2022 review: ‘LIFT’ is an education and a celebration.

LIFT

Director David Petersen takes audiences on a journey that spans ten years. In his documentary LIFT, he tells the world about the brilliant and titular program here in New York City that revolves around the art of dance. “New York Theatre Ballet’s LIFT Community Service Program provides scholarships for talented at-risk and underserved children at the School of NYTB, as well as programs that champion dance for the greater good.” Housing insecure youth have the opportunity to break free from the circumstances they cannot control. Steven Melendez once lived in a shelter. As a professional dancer and former student of the program, he returns to introduce ballet to other housing insecure children. The discipline and structure that comes along with ballet transcend the stage. It is vital for kids in school or home environments that would otherwise make them victims of socioeconomic circumstances. The purpose of LIFT is to provide a safe place for them to learn and grow. It is a beautiful safety net, but they have to be willing to commit. These kids have so many obstacles in their paths, and Steven does everything he can to push past his own trauma to better the lives of kids just like him.The documentary follows a small group of kids that Steven nurtured over ten years of ballet. Tough love is necessary as these kids get into trouble. Steven does not have time to mince words. It is the honesty they need to survive and a place to put all their unbridled emotions. The culmination of the film arrives with one special performance. Steven creates a new piece of choreography based on his experiences and those of his handpicked students, and my god, it is a revelatory dance. This choreography is therapy. This choreography is healing. This choreography is lifesaving. Steven knows it, and as the credits roll on LIFT, Tribeca 2022 audiences will know it, too.


Available Starting

Tue June 14 – 6:00 PM

At Home

Only available in New York state

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DIRECTOR
David Petersen
PRODUCER
Mary Recine, David Petersen
CINEMATOGRAPHER
Gary Griffin, Alan Jacobsen, David Petersen
COMPOSER
Kathryn Bostic
EDITOR
M. Watanabe Milmore, David Petersen
EXECUTIVE PRODUCER
Jody Allen, Sam Pollard, Jannat Gargi, Ruth Johnson, Rocky Collins
ASSOCIATE PRODUCER
Laura Pilloni
CO-PRODUCER
Martha Southgate, Laura Pilloni
PRINCIPAL ADVISOR
Misty Copeland
ADVISOR
Lourdes Lopez, Wendall Harrington, David Lansky, Nan Roman
CAST
Steven Melendez, Diana Byer, Victor Abreu, Yolanssie Cardona, Sharia Blockwood



Tribeca Film Festival 2022 review: ‘My Love Affair With Marriage’ is an animated handbook to the complexities of female existence.

My Love Affair With Marriage

From an early age, songs and fairytales convinced Zelma that Love would solve all her problems as long as she abided by societal expectations of how a girl should act. But as she grew older something didn’t seem right with the concept of love: the more she tried to conform, the more her body resisted. A story about the acceptance of the inner female rebellion.


A musical evolution of one girl’s journey into womanhood, navigating every cliché influence thrown at her from birth. 2D and stop motion animation illustrate Zelma’s life and thoughts. The film charms you with a mix of science and storytelling. Zelma narrates her journey like diary entries performed at a read-aloud. They are honest, funny, and universally relatable. Viewers will grin from ear to ear and nod knowingly. “Biology” explains how Zelma’s chemistry simultaneously affects her actions and reactions. 

The musical numbers are snappy and frequent. The lyrics allow those clichés to become confessions of the ridiculous patriarchal structures. They are predominantly performed by three women, akin to muses, following Zelma through life. The nonsensical expectations of society, combined with the hardwiring of a woman’s brain, create an incredible insight into our behavior. 

I am a big fan of Signe Baumane‘s film Rocks In My Pockets. I was delighted to see My Love Affair With Marriage on Tribeca 2022 slate. This film is something special. It’s unafraid to reveal our innermost thoughts, fears, hopes, regrets, mistakes, and dreams. It celebrates unfiltered authenticity with clever writing and delightful visuals. It’s an outstanding feminist film that will undoubtedly win over audiences everywhere. 



https://www.tribecafilm.com/films/my-love-affair-with-marriage-2022

RT: 107 minutes

Sunday, 06/19/2022, 4:00 PM at VEC-05 – 3rd Screening


Director & Screenwriter: Signe Baumane

Cast: Dagmara Domicnik (“Succession,” “We Are The City”), Matthew Modine (“Stranger Things”), Emma Kenney (“Shameless,” “The Conners”), Cameron Monagha (“Shameless”) and Stephen Lang (Avatar 1-4)

Producers: Roberts Vinovskis, Sturgis Warner, Signe Baumane, Raoul Nadalet

Executive Producers: Matthew Modine, Adam Rackoff, John Jencks


Tribeca 2022 review: Sex sells in new documentary ‘All Man: The International Male Story,’ how one “It” catalog introduced lifestyle branding for men.

ALL MAN: THE INTERNATIONAL MALE STORY

More than outrageous fashions, hunky models, and scandalous undies, ALL MAN: THE INTERNATIONAL MALE STORY is a journey across three decades of the International Male catalog’s lasting impact on fashion, masculinity, and gay rights. With revenues at its peak of $120 million and circulation of over 3 million, the catalog successfully appealed to both gay and straight audiences, and helped transform conservative notions of American masculinity towards a more carefree, cosmopolitan, and confident expression. Written and produced by Emmy and Peabody Award-winning filmmaker Peter Jones and narrated by Matt Bomer (MAGIC MIKE, THE BOYS IN THE BAND, etc…), ALL MAN is a character-driven portrait of a band of outsiders who changed the way men looked and how the world looked at them. This is their story – a modern-day fairy tale that really did come true.


The impact of men’s fashion takes center stage in Tribeca 2022 doc ALL MAN: THE INTERNATIONAL MALE STORY. One innovative catalog gave men the freedom to be themselves. Its global and cultural influence spans generations like no other men’s fashion publication. In building International Male, Gene Burkard’s emphasis wasn’t on sex, even if the catalog featured chiseled men in high fashion. He and his creative team broke the mold of selling menswear while pushing a lifestyle brand. In the same way men ogle Victoria’s Secret, International Male became a household object to covet for innumerable reasons. 

Matt Bomer‘s narration adds a brilliant touch of nostalgia in a way that is hard to describe until you experience it for yourself. The film uses archival footage and photography, sit-down interviews, and creative transitional animation. The catalog was bright, smart, sexy, and gave men something to aspire to be. It challenged the idea of masculinity with its European-inspired fashion and copy, written by Gene. He was meticulous in his work ethic, taking customer feedback and recognizing that 75% of their shoppers were women. Watching the images from the catalogs made me want to order (almost) every single article of clothing for my husband. Gene clearly understood the broad appeal. If International Male existed today, I’d be begging them to take my money. 

Everything shifted for International Male once the AIDS epidemic touched the employees and the world. Gene sold the catalog, and the new creative directors were more hesitant to hire queer staff, in fact, firing a huge percentage of them. In the 90s, the positive changes came in the form of more models of color. But with the loss of gay buyers and department stores filled with men’s retail, International Male was no longer a cash cow. But it’s easy to see how the catalog catapulted our current influencers in pop culture with the freedom to express themselves on a gender spectrum now celebrated across the globe. So, thank you, International Male. You made a difference while allowing us to drool.


Written and Produced by
Peter Jones
Directed and Produced by
Bryan Darling
Jesse Finley Reed
Executive Producer
Peter Jones


World Premiere: June 12 2022, 8:30pm (ET) at
Village East Cinema
Run Time: 83 minutes
Rating: Not Rated
Language: English


Tribeca Film Festival 2022 review: ‘CHERRY’ slides by with authenticity.

CHERRY

Stunted adult Cherry discovers she’s pregnant and has 24 hours to decide whether or not to go through with an abortion. The film counts down the day one hour at a time while she encounters all the people in her life; bosses, coworkers, doctors, her boyfriend, and her family. Cherry is a master of bad decisions. Now, it’s time to grow up. 

Alex Trewhitt brings flighty and raw energy to the titular role. She’s comfortable in her skin, and the camera loves her. Her nonchalance compels you to invest in Cherry’s wellbeing, whether because you’re disappointed in her or because you relate. Trewhitt leans into Cherry’s flaws, embodying the coming-of-age spirit of the film.

The handheld camera work works perfectly for this anxiety-ridden, real-time storytelling. The momentum seems to lull about halfway in, particularly when Cherry arrives home. But, writer-director Sophie Galibert, who co-writes with Arthur Cohen, has a clear vision of the weight of such a decision. I would gladly see what she has up her sleeve next. If you put the film into personal context to realize where you were at 25, Cherry nails it with a messy authenticity. Did Cherry make me want to buy a new set of rollerskates at 42 years old? Absolutely. 


To find out more about Tribeca 2022 and how to watch CHERRY, click here!


DIRECTOR
Sophie Galibert
PRODUCER
Sophie Galibert, Shincy Lu, Philippe Gompel
SCREENWRITER
Sophie Galibert, Arthur Cohen
EXECUTIVE PRODUCERS
Sophie Galibert, Matthew Michel, Jacqueline Garcia Ortega
CINEMATOGRAPHER
Damien Steck
COMPOSER
Clémentine Charuel
EDITOR
Camille Delprat
ASSOCIATE PRODUCER
Alexander Akoka, Clara Sansarricq, Arthur Cohen
CO-PRODUCER
Cameron Holly Dexter
COLORIST
Lionel Kopp
CASTING DIRECTOR
Jasmine Gutierrez
PRODUCTION DESIGNER
Yuelin Zhao
COSTUME DESIGNER
Gigi Harding
MUSIC SUPERVISOR
Roxanne Oldham
CAST
Alex Trewhitt, Joe Sachem, Dan Schultz, Sandy Duarte, Alice Bang, Hannah Alline, Melinda DeKay, Angela Nicholas, Charlie S. Jensen, Darius Levanté



Tribeca Film Festival 2022 review: ‘Butterfly In The Sky’ is a warm hug of nostalgia.

BUTTERFLY IN THE SKY

Like toddlers and the Cocomelon theme song, the iconic and space-aged first notes of Reading Rainbow had me running around a corner with eyes wide in anticipation of LeVar Burton telling me about a new book my Mom needed to find me at the library. With a wink and a promise, a group of former educators, a young producing couple, and a newly minted TV star would change the relationship between children and reading. 

When LeVar Burton became a household name following the breakout success of ROOTS, no one would have guessed that his second job, a PBS television show, would have had such an enduring impact on education. Pairing television and reading into a series seemed a daunting, if not impossible, task. But there was something about Burton’s ability to connect with children through the screen. Having kids do book reviews alongside the onsite exploration of story-related subjects engaged viewers in a way that made them feel they were along for the journey. 

Representation was key. With the rotating cast of diverse child reviewers and seeing a loving and tender black man as the host, kids at home garnered self-esteem that they perhaps had not felt before. The film interviews Burton, the creators, and now adult viewers. We learn how the books were selected and how that iconic theme song came to fruition. Reading Rainbow will live in the memories of innumerable individuals. Butterfly In The Sky has the potential to light new sparks of fire for young and old readers alike. It’s a nostalgic warm hug and a brilliant highlight in Tribeca 2022.


To find out more about Tribeca and Butterfly In The Sky, click here!


DIRECTOR
Bradford Thomason, Brett Whitcomb
PRODUCER
Bryan Storkel, Bradford Thomason, Brett Whitcomb
CINEMATOGRAPHER
Tony Hardmon, Brett Whitcomb
EDITOR
Bradford Thomason
EXECUTIVE PRODUCER
Whoopi Goldberg, Tom Leonardis, Bryn Mooser, Justin Lacob, Kathryn Everett, Tony Hsieh, Andy Hsieh, John Brooks Pounders, Dava Whisenant