‘THE COFFEE TABLE’ (2024) is the year’s most disturbing horror film.

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THE COFFEE TABLE

The Coffee Table 2024 posterThe Coffee Table 2024 poster

THE COFFEE TABLE follows Jesus and Maria, a couple going through a difficult time in their relationship. Nevertheless, they have just become parents. To shape their new life, they decide to buy a new coffee table. A decision that will change their existence.


A film about a coffee table and not at all about a coffee table, this meditation on communication through the lens of horror is epic. THE COFFEE TABLE is the year’s most traumatizing film.

The Coffee Table still 2The notion of invisible labor rears its ugly head around 15 minutes in, but it’s what happens 4 minutes later that is so horrific you won’t believe what you’re eyes are telling your brain. THE COFFEE TABLE pulls no punches. Its first brutal images are so disturbing you won’t know what to do next. With Maria dutifully shopping for her idiot husband, the audience can only wait with bated breath for her reaction and what Jesús plans to do next. Admittedly, his behavior will break you.

Estafanía de los Santos delivers a tour de force performance as Maria. Her unconditional love for their son, incredibly intense opinions, and full-bellied laugh create a mesmerizing turn.

The Coffee Table still 1David Pareja gives Jesús a shockingly calm demeanor when forced to speak with the other cast members. It will, no doubt, upset the viewer tenfold. The lies flow out, and poor Maria continues to berate him without knowing a damn thing. His subsequent management of trauma drives the entire film.

The score by Bambikina is a demented manipulation of lullaby tones and funeral dirge. The practical FX and makeup are so effective. You wish they weren’t. THE COFFEE TABLE quite literally drips with irony and dread. Every minute that passes, the dialogue digs into your psyche in the most intrusive way. It’s brilliant and unspeakably fraught writing. You are not ready.


THE COFFEE TABLE will begin a limited theatrical run beginning in Los Angeles at Laemmle Glendale on April 19, with additional markets to follow including New York, Austin, and Chicago. The film will arrive on DVD and VOD on May 14.

 

THE COFFEE TABLE
Original title: La mesita del comedor

Directed by Caye Casas
Written by: Cristina Borobia, Caye Casas

Starring: David Pareja, Estefanía de los Santos, Josep Riera, Claudia Riera, Eduardo Antuña

Produced by: Norbert Llaràs
Production Company: Alhena Production
Co-Production Company: Apocalipsis Producciones, La Charito Films
Cinematography by: Alberto Morago
Edited by: Caye Casas
Music by: Bambikina

Spain I 2022 I Horror, Comedy I 90 minutes

The film held a robust festival life, including a World Premiere at Tallinn Black Nights Film Festival where it won Best Film in the ‘Rebels with a Cause’ section, a North American premiere at Fantastic Fest, and additional screenings at Fantaspoa – International Fantastic Film Festival, Macabro – Festival Internacional de Cine de la Ciudad de México, and Brussels International Fantastic Film Festival, where it received the White Raven award.

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‘STING’ (2024) Killer campy creature-feature

well go usa logoSTING

Sting poster

12-year-old Charlotte captures a pet spider in her rundown apartment building. When her pet’s appetite increases, she is not so cute anymore. STING is creature-feature heaven.

STING-Still5-1340x754Jermaine Fowler gives an unforgettable performance as Frank, the exterminator. All eyes are on him in every scene he shows up in. Noni Hazlehurst is loveable as Charlotte’s dementia-ridden grandmother.

Penelope Mitchell (What You Wish For) is solid playing the newly postpartum mother of Charlotte and baby Liam, Heather. PS- Keep your ears sharp for Kate Walsh‘s voice.

STING-Still4-1340x754Ryan Corr gives Ethan a palpable charm in his mounting frustration. Charlotte’s stepfather, the building handyman by day and graphic artist by night, the epic snowstorm outside, the needy residents inside, and a giant ass, alien spider severely harsh his mellow.

Alyla Browne is magnetic as Charlotte, an adolescent badass, budding graphic novelist, and into the macabre. A mix of fearless with a side of abandonment issues, she owns every second of screen time.

I adore the nod to Charlotte’s Web in our little ingenue’s moniker. Please give me a scenario where she teams up with Lulu Wilson (BECKY franchise), and that is an entirely new genre franchise laid out in front of you.

STING-Still1-1340x754The film boasts a sometimes curious childlike score, an absurdly upbeat soundtrack, smart-looking opening credits, and an unmissable homage to Alien and Terminator. Our titular character is a creative wonder. Sting is something you have to see to appreciate. It is magnificent. Thank you, WĒTĀ Workshops.

Writer-director Kiah Roache-Turner (The Wyrmwood films) delivers tons of gorey fun with gross transitions and gagworthy practical FX. STING is a cleverly updated stab at a classic horror trope. You will devour it.

Opens Wide in North American Theaters on April 12th

After raising an unnervingly talented spider in secret, 12-year-old Charlotte must face the facts about her pet—and fight for her family’s survival—when the once-charming creature rapidly transforms into a giant, flesh-eating monster.

Directed by: Kiah Roache-Turner

Cast: 
Ryan Corr
Alyla Browne
Penelope Mitchell
Robyn Nevin
Noni Hazelhurst
Silvia Colloca
Danny Kim
Jermaine Fowler

#StingMovie

STING has been rated R (for violent content, bloody images and language).

 

‘ALL YOU NEED IS DEATH’ (2024) delves into love, lust, and dark Irish lore

XYZ logoALL YOU NEED IS DEATH

All You need Is Death poster

In ALL YOU NEED IS DEATH, an ambitious couple discovers the all-consuming origin of an ancient folk song. Anna and Aleks search for a particular melody that might end in a big payday for particular collectors. They will learn that power is intoxicating, but curses come with rules.

All You Need Is Death still 2The script builds a vibrating anticipation. The audience has little information. Filmmaker Paul Duane slowly reveals our protagonists’ what, but the why remains a mystery. Based on dark Irish lore passed down through the maternal lineage and some ancient cursed story, the song drips with agony, even if the audience cannot initially understand a single word. All parties are consumed by its power the moment it is heard.

All You Need Is Death 2024Only one character appears to coherently recall the film’s secretive canon, but only to a point. Rita’s son reveals the unspoken, generational seriousness of their circumstances. The drastic measures he takes to protect the legend are shocking. He must find Anna and her cohorts.

These ancient songs act like spells or incantations. Themes of love, obsession, yearning, and control blur with each passing scene. Eoin McDonagh‘s intriguing editing includes flashes from the song’s origin, spliced with moments of Anna showing the interconnectedness of the women charged with the secret’s protection.

All You Need Is Death still- Olwen Fouere photo by Ishmael ClaxtonQuick visual and dialogue genre homages pop up from time to time. Horror fans will find a sly smirk spread across their lips while intently trying to figure out what the hell is going on. Cast members Simone Collins, Charlie Maher, Catherine Wiggins, and Nigel O’Neill are captivating. One performance in particular, while short-lived, is mesmerizing. Olwen Fouéré plays songstress Rita Concannon. Her presence is unmatched by anyone else in the film. It’s a chilling turn.

The makeup FX are wonderful. Both opening and closing credits lend to a disquieting feeling. The script has massive expansion potential. You cannot begin to predict what comes next. ALL YOU NEED IS DEATH boasts a disturbing finale. Paul Duane delivers an unsettling story that burrows into your brain and will leave your mouth agape in horror. 

The nightmarish Irish folktale arrives on VOD and in select U.S. cinemas on April 11th

 

ALL YOU NEED IS DEATH stars Olwen Fouéré (Mandy, Sally Hardesty from 2022’s Texas Chainsaw Massacre), Charlie Maher (Blue Lights), Simone Collins (The Last Duel), and Gary Whelan (The Contract). The film had its World Premiere at Beyond Fest in Los Angeles, followed by an Irish Premiere at Cork International Film Festival.

Not Rated
Color
91 Minutes
English Language



 About XYZ Films 
XYZ Films is an independent studio whose mission is to empower visionary storytellers from every corner of the planet. XYZ was founded in 2008 by Nate Bolotin, Nick Spicer, and Aram Tertzakian and has expanded in recent years into documentary, talent management, and distribution. Some of the company’s classic titles include THE RAID franchise, 2017 Sundance winner I DON’T FEEL AT HOME IN THIS WORLD ANYMORE, and Panos Cosmatos’ psychedelic revenge thriller MANDY.

 

For more XYZ films, click here!

Shudder’s ‘BAGHEAD’ (2024) Chilling legacy and lore.

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BAGHEAD

Baghead poster

Based on a short film written by Lorcan Reilly, director Alberto Corredor expands the world of a creature called BAGHEAD. The Shudder exclusive follows Iris, a young woman who discovers she now owns a rundown pub previously run by her estranged father. Putting her name on the deed comes with a caveat: the care of a woman in the basement.

The plot of BAGHEAD is undeniably intriguing. As an ancient tortured entity, part trapped phantom, and part macabre vessel for lost souls, Baghead deals with deep unresolved trauma. Fueled by vengeance, she feeds on grief.

Baghead -  Photo Credit: Reiner Bajo/ShudderThe first official appearance of our titular character is startling. Anne Müller‘s is dazzling. Her jarring physical performance makes BAGHEAD relentlessly unsettling.

Peter Mullan is Iris’s estranged father, Owen. He mesmerizes, guiding Iris from beyond the grave via an instructional videotape. Jeremy Irvine is Nate, a wealthy man desperately seeking to speak with his recently deceased wife. He is perfectly dastardly.

Ruby Barker plays Katie, Iris’s moral support and former group home best mate. Her protective aura serves as a solid foil for Iris’s impulsive nature.

Jeremy Irvine as Neil, Ruby Barker as Katie, Freya Allan as Iris Lark - Baghead -  Photo Credit: Reiner Bajo/ShudderFreya Allan plays Iris with equal parts frailty and fearlessness. You cannot take your eyes off her. Someone, please write a film featuring her as a young version of Juliette Lewis because the resemblance is uncanny. Take my money now.

There is so much lore in Christina Pamies and Bruce McGuire‘s screenplay. All I can think of is miniseries and franchise potential. Echoes of The Shining are undeniable. Marc Bitz creates stunning production design, Cale Finot delivers breathtaking cinematography, and Suvi-Erva Äikäs‘ score burrows beneath your skin. BAGHEAD is right up Shudder subscriber’s alley. I’m already demanding a sequel.

SUPERNATURAL HORROR BAGHEAD, STARRING FREYA ALLAN (THE WITCHER) MAKES EXCLUSIVE DEBUT ON SHUDDER APRIL 5



The Film, Produced By STUDIOCANAL and The Picture Company, is Directed By Alberto Corredor and Also Stars Ruby Barker, Peter Mullan, Jeremy Irvine and Ned Dennehy



The supernatural horror BAGHEAD, from director Alberto Corredor, will make its exclusive debut Friday, April 5 on Shudder, AMC Networks’ premium streaming service for horror, thrillers and the supernatural. Produced by STUDIOCANAL and The Picture Company, BAGHEAD is a full-length feature adaptation of Corredor’s indie short of the same name and will debut as part of the streamer’s “Halfway to Halloween” annual, monthlong horror-thon lineup. The film will also be available to stream on AMC+.


Following the death of her estranged father (Peter Mullan), Iris (Freya Allan) learns she has inherited a run-down, centuries-old pub. She travels to Berlin to identify her father’s body and meet with The Solicitor (Ned Dennehy) to discuss the estate. Little does she know, when the deed is signed, she will become inextricably tied to an unspeakable entity that resides in the pub’s basement–Baghead–a shape-shifting creature that can transform into the dead. Two thousand in cash for two minutes with the creature is all it takes for desperate loved ones to ease their grief. Neil (Jeremy Irvine), who has lost his wife, is Iris’ first customer. Like her father, Iris is tempted to exploit the creature’s powers and help desperate people for a price. But she soon discovers breaking the two-minute rule can have terrifying consequences. Together with her best friend Katie (Ruby Barker), Iris must battle to keep control of Baghead and figure out how to destroy her, before she destroys them.


BAGHEAD was produced by STUDIOCANAL and The Picture Company’s Alex Heineman and Andrew Rona through their long-term deal with the European giant. Roy Lee and Jake Wagner are Executive Producers along with Alberto and Lorcan Reilly.



About Shudder

AMC Networks’ Shudder is a premium streaming video service, super-serving members with the best selection in genre entertainment, covering horror, thrillers and the supernatural. Shudder’s expanding library of film, TV series, and Original Content is available on most streaming devices in the US, Canada, the UK, Ireland, Australia and New Zealand. Over the last few years, Shudder has introduced audiences to groundbreaking and critically acclaimed films including Rob Savage’s HOST, Jayro Bustamante’s LA LLORONA, Phil Tippett’s MAD GOD, Coralie Fargeat’s REVENGE, Joko Anwar’s SATAN’S SLAVES, Josh Ruben’s SCARE ME, Kyle Edward Ball’s SKINAMARINK, Christian Tafdrup’s SPEAK NO EVIL, Chloe Okuno’s WATCHER, Demián Rugna‘s WHEN EVIL LURKS, and the latest in the V/H/S film anthology franchise, as well as the fan favorite TV series THE BOULET BROTHERS’ DRAGULA, Greg Nicotero’s CREEPSHOW, and THE LAST DRIVE-IN WITH JOE BOB BRIGGS.



About AMC+

AMC+ is the company’s premium streaming bundle featuring an extensive lineup of popular and critically acclaimed original programming from AMC, BBC America, IFC, and SundanceTV and full access to targeted streaming services Shudder, Sundance Now and IFC Films Unlimited, which feature content such as A Discovery of Witches, Creepshow, and Boyhood. The service features a continually refreshed library of commercial-free content, with iconic series from the AMC Networks portfolio including Mad Men, Halt & Catch Fire, Hell on Wheels, Turn: Washington’s Spies, Rectify, Portlandia, Orphan Black and series from The Walking Dead Universe, among many others. The service also offers a growing slate of original and exclusive series including Gangs of London, Dark Winds, and the first two series in a new Anne Rice universe, Anne Rice’s Interview with the Vampire and Anne Rice’s Mayfair Witches. With new movies released every Friday, AMC+ is the newest destination for exclusive film premieres direct from theaters all year long. AMC+ is available in Canada, Australia, New Zealand, and Spain and is available in the U.S. through AMCPlus.com, the AMC+ app, and a number of digital and cable partners.



About STUDIOCANAL (a CANAL+ Company)

STUDIOCANAL, a 100% affiliate of CANAL+ Group held by Vivendi, is Europe’s leader in production, distribution and international sales of feature films and series, operating in all nine major European markets – France, United Kingdom, Germany, Poland, Spain, Denmark and Benelux – as well as in Australia and New Zealand. It finances and produces around 30 films per year, distributes around 80 films per year. It owns the largest library in Europe and one of the most prestigious libraries in the world, boasting more than 8 000 titles from 60 countries, spanning 100 years of film history. 20 million euros has been invested into the restoration of 750 classic films over the past 5 years. In addition, STUDIOCANAL also produces almost 20 series each year and operates at an international level by globally distributing its scripted productions and CANAL+ Originals (2,000 hours of current and library content in distribution). All productions take place directly through STUDIOCANAL entities or with its award-winning network of 14 production companies in Europe and in the United States (STUDIOCANAL Series, LAILAPS FILMS, RED PRODUCTION COMPANY, URBAN MYTH FILMS, BAMBÚ PRODUCCIONES, STUDIOCANAL ORIGINAL, 2e BUREAU, SUNNYMARCH TV, SAM Productions, DINGIE, KINO SWIAT, BIRDIE PICTURES, STRONG FILM & TELEVISION, THE PICTURE COMPANY).


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SHUDDER CELEBRATES HALFWAY TO HALLOWEEN 2024 WITH A KILLER LINEUP

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SHUDDER CELEBRATES HALFWAY TO HALLOWEEN WITH A KILLER LINEUP OF NEW FILM PREMIERES INCLUDING RECORD-BREAKING HIT LATE NIGHT WITH THE DEVIL, CREATURE FEATURE INFESTED AND SUPERNATURAL HORROR BAGHEAD

Programming Event Timed to Shudder TV Launch on AMC+ with LIVE

Viewing Parties for New Films, Marathons and All-New Episodes of Popular Series The Last Drive-In with Joe Bob Briggs
Shudder Halfway to Halloween 2024

NEW YORK, NY – April 1, 2024 – April showers scare up new horror films and series on Shudder, AMC Networks’ premium streaming service for horror, thriller and the supernatural, for its annual Halfway to Halloween horror-thon. Too much fun to celebrate just once a year, the streamer celebrates the halfway point to Halloween every April with a killer lineup of Shudder Original Film premieres, LIVE viewing parties for Shudder’s Original series The Last Drive-In with Joe Bob Briggs, and more. The horror celebration is timed to Shudder TV’s launch on AMC+ with new events including marathons of signature series and LIVE watch parties for new film premieres.



Fans are invited to follow along on @shudder social for #HalfwaytoHalloween recommended films to watch all month long.



Shudder’s Halfway to Halloween highlights include:



Baghead (Shudder Exclusive Film)
New Film Premieres Friday, April 5

Following the death of her estranged father (Peter Mullan), Iris (Freya Allan) learns she has inherited a run-down, centuries-old pub. She travels to Berlin to identify her father’s body and meet with The Solicitor (Ned Dennehy) to discuss the estate. Little does she know, when the deed is signed, she will become inextricably tied to an unspeakable entity that resides in the pub’s basement–Baghead–a shape-shifting creature that can transform into the dead. Two thousand in cash for two minutes with the creature is all it takes for desperate loved ones to ease their grief. Neil (Jeremy Irvine), who has lost his wife, is Iris’ first customer. Like her father, Iris is tempted to exploit the creature’s powers and help desperate people for a price. But she soon discovers breaking the two-minute rule can have terrifying consequences. Together with her best friend Katie (Ruby Barker), Iris must battle to keep control of Baghead and figure out how to destroy her, before she destroys them.



The Last Drive-In with Joe Bob Briggs Season 6 (Shudder Original Series)
LIVE Watch Parties Continue Every Other Friday, April 12 and April 26, on Shudder TV and AMC+ TV

The supersized sixth season continues with all-new episodes rolling out biweekly on Shudder and AMC+.



Late Night with the Devil (Shudder Original Film)
New Film Premieres Friday, April 19; LIVE Watch Party at 9pm ET

October 31, 1977. Jack Delroy’s syndicated talk show ‘Night Owls’ has long been a trusted companion to insomniacs around the country, but a year on from the tragic death of Jack’s wife, ratings have plummeted. Desperate to turn his fortunes around, Jack plans a Halloween special like no other, unaware he is about to unleash evil into the living rooms of America. Starring David Dastmalchian (Oppenheimer) and Laura Gordon (Reckoning).



Infested (Shudder Original Film)
New Film Premieres Friday, April 26; LIVE Watch Party April 27 at 9pm ET

Director Sébastien Vanicek makes his feature film debut with a story that follows Kaleb, who is about to turn 30 and has never been lonelier. He’s fighting with his sister over a matter of inheritance and has cut ties with his best friend. Fascinated by exotic animals, he finds a venomous spider in a bazaar and brings it back to his flat. It only takes a moment for it to escape and reproduce, turning the whole place into a dreadful web trap. Starring Théo Christine (Suprêmes), Finnegan Oldfield (Final Cut), Jérôme Niel (Smoking Causes Coughing), Sofia Lesaffre (Les Misérables) and Lisa Nyarko.



Other Shudder TV Programming Stunts (all times are ET):
 The Boulet Brothers’ Dragula – All five seasons airing back-to-back beginning 6:00am on April 6 through April 9.

 101 Scariest Movie Moments of All Time – Back-to-back episodes airing 6:00am-9pm on April 13

 Creepshow – Seasons 1-4 airing back-to back beginning 6:30am on April 15 through April 16.

 Hell House LLC and V/H/S Franchises – All films from two iconic film franchises air back-to-back from 1:30pm-1:30am on April 17 and 1:45pm-1:30am on April 18.

 Nature Nightmares – Dig into the scary side of Mother Nature with nature-themed horror in honor of Earth Day beginning April 20 at 6:40am through April 22.

 The Last Drive-In Halloween Special Marathon – Check out all the tricks and treats with Joe Bob Halloween specials all day long beginning 5:30am on April 26, leading up to an all-new episode at 9pm ET.

 Halfway to “Halloween”– Celebrate the six-month countdown to our favorite holiday with two full days of Halloween-themed films beginning April 29 at 6:45am through April 30.



OTHER NEW ADDITIONS TO SHUDDER THIS MONTH



April 1



The Terror Season 2 – Full Series Binge

Set during World War II, the second season of The Terror centers on a series of bizarre deaths that haunt a Japanese American community, and a young man’s journey to understand and combat the malevolent entity responsible. Starring George Takei (Star Trek).



Mute Witness – Streaming Film Premiere

From director Anthony Waller (An American Werewolf in Paris), a mute makeup artist working on a slasher movie being shot in Moscow, is locked in the studio after house. While there, she witnesses a brutal murder and must escape capture.



The Gates – Streaming Film Premiere

A serial killer has been sentenced to death by electric chair in London in the 1890s, but in his final hours, he puts a curse on the prison he’s in, and all of those in it.



Drag Me to Hell

A loan officer who evicts an old woman from her home finds herself the recipient of a supernatural curse. Desperate, she turns to a seer to try and save her soul, while evil forces work to push her to a breaking point.



Ghost Stories (2017)

After receiving a file with details of three unexplained cases of apparitions, skeptical professor Phillip Goodman embarks on a terrifying trip.



THE RENTALThe Rental

Two couples rent a vacation home for what should be a celebratory weekend getaway.



At the Devil’s Door

A real estate agent finds herself caught up in something sinister when she has to sell a house with a dark past and meets the troubled teen who used to live there.



The Wind

A plainswoman faces the harshness and isolation of the untamed lad in the Western frontier of the late 1800s.



Summoning Sylvia.jpgSummoning Sylvia

A gay bachelor party turns spooky when sinister spirits are suddenly summoned.



Madman

A legendary psychopathic murderer stalks a summer camp.

*The Last Drive-In: Madman episode also available



Spookies

A wicked sorcerer tries to sacrifice a group of people inside his house with the intention of using their vitality to keep his wife alive.

*The Last Drive-In: Spookies episode also available



Creepshow (1982)

Five grisly tales from a kid’s comic book about a murdered father rising from his grave, a bizarre meteor, a vengeful husband, a mysterious crate’s occupant, and a plague of cockroaches.





April 4



Wake Wood

The parents of a girl who was killed by a savage dog are granted the opportunity to spend three days with their deceased daughter.



Emelie

A couple’s replacement babysitter turns out to be more than they bargained for when she subjects their kids to a series of twisted activities.

 



April 8



Children Shouldn’t Play with Dead Things

Six friends in a theatrical troupe dig up a corpse on an abandoned island to use in a mock Satanic rite. It backfires with deadly consequences.



The Third Saturday in October

When a psycho goes on a murderous rampage after surviving a botched execution, only two survivors of his initial attack can stop him.



The Third Saturday in October Part V

Follow an implacable killer as he stalks and butchers the occupants of houses across the stretch of one lone country road while the residents prepare to watch a yearly college-football bout.





April 15



The Tunnel

An investigation into a government cover-up leads to a network of abandoned train tunnels deep beneath the heart of Sydney. As a journalist and her crew hunt for the story, it quickly becomes clear the story is hunting them.



The Tunnel: The Other Side of Darkness

On the 10th anniversary of the Australian found footage film The Tunnel, this documentary delves into the filmmakers endeavors to challenge how films are financed and distributed, and the lasting impact The Tunnel had internationally.





April 22



The House of the Devil (2009)

In 1983, financially struggling college student Samantha Hughes takes a strange babysitting job that coincides with a full lunar eclipse. She slowly realizes her clients harbor a terrifying secret, putting her life in mortal danger.

*The Last Drive-In: Joe Bob’s Dinners of Death: The House of the Devil episode also available



The Innkeepers

During the final days at the Yankee Pedlar Inn, two employees determined to reveal the hotel’s haunted past begin to experience disturbing events as old guests check in for a stay.



The Changeling (1980)

After the death of his wife and daughter in a car crash, a music professor staying in a long-vacant Seattle mansion is dragged into a decades-old mystery by an inexplicable presence in the mansion’s attic.

*The Last Drive-In: Joe Bob’s Dinners of Death: The Changeling episode also available



Final Cut (aka Death Games)

A reporter and his girlfriend follow around a famous actor/entrepreneur and discover some dirt on him to be made public.



13th Floor

As a child, a girl witnessed her father electrocute a young boy. When she grows into an adult, the ghost of the murdered boy appears to her, and together they set out to expose the crimes of her father.




About Shudder

AMC Networks’ Shudder is a premium streaming video service, super-serving members with the best selection in genre entertainment, covering horror, thrillers and the supernatural. Shudder’s expanding library of film, TV series, and Original Content is available on most streaming devices in the US, Canada, the UK, Ireland, Australia and New Zealand. Over the last few years, Shudder has introduced audiences to groundbreaking and critically acclaimed films including Rob Savage’s HOST, Jayro Bustamante’s LA LLORONA, Phil Tippett’s MAD GOD, Coralie Fargeat’s REVENGE, Joko Anwar’s SATAN’S SLAVES, Josh Ruben’s SCARE ME, Kyle Edward Ball’s SKINAMARINK, Christian Tafdrup’s SPEAK NO EVIL, Chloe Okuno’s WATCHER, Demián Rugna‘s WHEN EVIL LURKS, and the latest in the V/H/S film anthology franchise, as well as the fan favorite TV series THE BOULET BROTHERS’ DRAGULA, Greg Nicotero’s CREEPSHOW, and THE LAST DRIVE-IN WITH JOE BOB BRIGGS.


For Shudder reviews, click here!

‘LATE NIGHT WITH THE DEVIL’ (2024) Ratings from hell.

IFC Films logo

Late Night With The Devil

Late Night With The Devil IFC Films Shudder

After the passing of his wife and in danger of losing his live late-night hosting gig, Jack Delroy’s plan for ratings goes horribly wrong. LATE NIGHT WITH THE DEVIL unfolds like an “E True Hollywood” exposé, playing the infamous 1977 studio tape of his talk show Night Owls’ Halloween episode. Jack is about to be famous, whether he likes it or not.

The tension increases with each volatile guest, culminating with the young subject of a controversial book. Jack requests a conversation with the entity possessing her, live on air, and “Mr. Wriggles” is more than happy to comply.

Late Night With The Devil IFC Films Shudder still 1Everything from the lighting, the lens, costumes, set design, the score, hair and makeup, and the jokes nail the era. Along with the live tape, black and white behind-the-scenes footage shows us what the at-home audience missed.

Laura Gordon plays Dr. June Ross-Mitchell, parapsychologist, author, and Lilly’s guardian. Her motherly energy and protective nature pour off the screen. She has magnetic chemistry with the rest of the cast.

Ingrid Torelli gives Lilly a shocking presence. Her overconfident air suggests an otherworldly maturity. It is startling, reminiscent of a young Drew Barrymore after E.T. fame. Torelli breaks the fourth wall by constantly gazing into the camera. It is one hell of a turn.

Late Night with the Devil (2023)David Dastmalchian owns every frame as Jack Delroy. A delicious mix of genuine and fame-hungry, his effortless performance is mesmerizing. He has the audience in the palm of his hand. You cannot take your eyes off of him.

Once Mr. Wriggles made their appearance, my heart was in my throat. I left fingernail impressions in my palm. From that moment on, the film leads up to a climax so unreal, I’ve never yelled “Oh F*CK!” so many times in one sitting. With a captivating balance of dazzling production design, jarring visuals FX, and a phenomenally demented screenplay from directors Colin Cairnes and Cameron Cairnes, LATE NIGHT WITH THE DEVIL is damn near perfect.


In Theaters on March 22, 2024

Written & Directed by 

Colin Cairnes and Cameron Cairnes

Starring 

David Dastmalchian, Laura Gordon, Ian Bliss, Ingrid Torelli, Fayssal Bazzi, Rhys Auteri 

ABOUT IFC FILMS

IFC Films is a leading U.S. distributor of independent film, owned and operated by AMC Networks Inc. Its most recent releases include BLACKBERRY directed by Matt Johnson, BIOSPHERE with Mark Duplass and Sterling K. Brown, and the documentary LAKOTA NATION VS THE UNITED STATES directed by Jesse Short Bull and Laura Tomaselli and executive produced by Sarah Eagle Heart and Mark Ruffalo. Forthcoming titles include Amy Redford’s WHAT COMES AROUND and the recently announced documentary THE DISAPPEARANCE OF SHERE HITE from Nicole Newnham and Cannes Award-winner POT AU FEU from Trần Anh Hùng. Some of the company’s successes over the years include BOYHOOD, THE DEATH OF STALIN, FRANCES HA, MY BIG FAT GREEK WEDDING, Y TU MAMA TAMBIEN, THE BABADOOK, TOUCHING THE VOID, 4 MONTHS, 3 WEEKS AND 2 DAYS, CHE, SUMMER HOURS, ANTICHRIST, IN THE LOOP, JOAN RIVERS: A PIECE OF WORK, TINY FURNITURE, CARLOS, BAD AXE and CORSAGE, among others.

 

ABOUT SHUDDER

AMC Networks’ Shudder is a premium streaming video service, super-serving members with the best selection in genre entertainment, covering horror, thrillers and the supernatural. Shudder’s expanding library of film, TV series, and originals is available on most streaming devices in the US, Canada, the UK, Ireland, Germany, Australia and New Zealand. For a 7-day, risk-free trial, visit www.shudder.com.


For more IFC and Shudder reviews, click here!

‘EXHUMA’ (2024) Let the dead stay buried.

well go usa logoEXHUMA

Exhuma-Poster-WellGoUSA-1382x2048 An ancient evil affects the firstborn children of a wealthy family with uncontrollable wailing in their dreams. Eager to cash in, a team of macabre experts takes on this new client. As they dig deeper into this unique case, the usually confident group discovers they are in over their heads. In EXHUMA, that’s only the beginning of this horrifying tale.

Exhuma-KHorror-WellGoUSA-1340x754-5Performances are magnificent across the board. This spectacular multi-generational ensemble cast delivers engrossing mystery and terror. The script unfolds in chapters, like a how-to guide dealing with the underworld. Descriptions of rituals and occupational titles come in narration from the team. This creative storytelling immerses the audience in what feels like an inevitable tragedy. Complicating things further are the secrets our wealthy family hides. Genre fans will have a field day with horror canon balanced with the slightest touch of humor and serious gore. It is beyond compelling.

Exhuma Well Go UsaMixing tradition and superstition combined with an ominous score makes the hairs on your arms stick straight up. It’s a multi-sensory watch. EXHUMA deserves your full attention from the very first frame. There is so much meat on the bone. Expanding this world almost certainly feels possible and welcome. At its current runtime of two-plus hours, viewers would eat up more stories from this team. Their chemistry is magic, and a franchise would delight fans. The twists and turns keep coming. EXHUMA is undeniably one of the most intriguing cinematic experiences of the year.


EXHUMA 

Opening in Los Angeles March 15 | In Theaters Across North America March 22

For more reviews of Well Go USA films, click here!

 

All things Horror, we’ve got you covered!


Exhuma-KHorror-WellGoUSA-1340x754-2 Visit the official film page: https://wellgousa.com/films/exhuma

When a renowned shaman (KIM Go-Eun) and her protégé (Lee Do-hyun) are hired by a wealthy, enigmatic family, they begin investigating the cause of a disturbing supernatural illness that affects only the first-born children of each generation. With the help of a knowledgeable mortician (YOO Hai-jin) and the country’s most revered geomancer (CHOI Min-sik), they soon trace the affliction’s origin to a long-hidden family grave located on sacred ground. Sensing an ominous aura surrounding the burial site, the team opts to exhume and relocate the ancestral remains immediately. But as something much darker emerges, they soon discover what befalls those who dare to mess with the wrong grave.

Directed by: Jang Jae-Hyun

Cast: Choi Min-Sik, Kim Go-Eun, Yoo Hai-Jin, and Lee Do-Hyun


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‘THINGS WILL BE DIFFERENT’ (SXSW 2024) is sci-fi insanity.

SXSW 2024 color logoTHINGS WILL BE DIFFERENT

Things Will Be Different SXSW 2024

Writer-director Michael Felker teams up with indie gods and SXSW sweethearts Justin Benson and Aaron Moorhead to bring 2024 audiences the new film THINGS WILL BE DIFFERENT.

Suspension of disbelief plays a vital role. The concept of the siblings hiding from police in a time-shifting hideout is a brilliant and bonkers idea, and Joe and Sid accept it without a moment’s hesitation. Surrounded by a Groundhog Day effect, but one that proves deadlier, brother and sister mentally deteriorate, and one small change triggers chaos.

Sid and Joseph throw theories against the wall in a way I can only imagine Felker did when concocting the screenplay. Nothing and everything is a clue, as the fear of a butterfly effect keeps them trapped.

Things Will Be Different SXSW 2024Riley Dandy (CHRISTMAS BLOODY CHRISTMAS) gives Sidney an anxious eagerness driven by the fact that her daughter is in the present. The longer she remains trapped in the house, the more she fears her daughter’s inevitable trauma.

Adam David Thompson (Here Alone, Creep Box) plays Joseph. Thompson does his best to remain even-keeled, but circumstances and ever-evolving complications make that challenging. Dandy and Thompson’s chemistry is a perfect balance of at arm’s length and trust. It is like watching a tennis match between two pros. They eat Felker’s script up.

THINGS WILL BE DIFFERENT is a slick sci-fi about regret, redemption, and inevitably. With nods to Big Brother, it earns repeated viewings.


Credits

Director:

Michael Felker

Executive Producer:

David Lawson Jr., Justin Benson, Aaron Moorhead

Producer:

Shane Spiegel, Jacob Rosenthal, Michael Felker

Screenwriter:

Michael Felker

Cinematographer:

Carissa Dorson

Editor:

Michael Felker, Rebeca Marques

Production Designer:

Zachary Thomas

Sound Designer:

Michael Huang

Music:

Jimmy LaValle, Michael A. Muller

Principal Cast:

Adam David Thompson, Riley Dandy, Chloe Skoczen, Justin Benson, Sarah Bolger, Jori Lynn Felker

Additional Credits:

Casting Director: Chrissy Fiorilli-Ellington, Associate Producer: Jourdan Thomson, Associate Producer: James Thomson, Costume Designer: Alissa Wehrli, Key Makeup Artist: Jessica Lynn, Re-Recording Mixer: Michael Huang

SXSW logo

For all things SXSW 2024, click here!

‘HUNTING DAZE’ (SXSW 2024) and its slow simmering rage

SXSW 2024 color logo

HUNTING DAZE

Hunting Daze SXSW 2024Annick Blanc gives SXSW 2024 audiences something to chew on with HUNTING DAZE, a genre-defying tale of isolation, pack mentality, and self-preservation. Exotic dancer Nina finds herself stuck and calls upon a former client for roadside assistance. Without transport, he brings her back to an isolated cabin in the wilderness. Upon discovering it is a bachelor party, the eclectic group of men agrees to let her stay the weekend if, and only if, she can abide by an “all for one’ mentality.

Beautiful drone shots and an enveloping score draw you in immediately. Slow-motion dynamics and natural lighting have an immersive effect on the audience. The dialogue brilliantly hovers between misogynist and welcoming. Scenarios range from the absurd to fraught with danger. Blanc understands the constant din of fear a woman feels surrounded by exclusively male energy. It’s a volatility forced upon us and a visceral buzzing from head to toe.

Nina experiences ominous visions during the film, allowing Blanc to introduce magical realism into the script. These moments are some of the most extraordinary cinematically, taking us inside Nina’s subconscious.

Nahéma Ricci is a badass as Nina. She is magnetic, holding the audience in the palm of her hand. Blanc gives her one hell of an arc, and Ricci delivers. She is a star.

Each character is fully fleshed out, with their distinct quirks and personalities making for an unpredictable momentum. Blanc leans into the pack mentality quite literally with appearances by wolves. HUNTING DAZE is a spectacular metaphor for patriarchal power. My way or the highway structure assumes a male authority, especially if a woman attempts to rock the boat. This overarching sense of superiority we face from microaggressions to murder, HUNTING DAZE is a film of simmering feminist rage.


Film Screenings

Mar 9, 2024
10:00pm11:19pm
 
Mar 11, 2024
7:00pm8:19pm
 
Mar 14, 2024
9:00pm10:19pm
 
Mar 14, 2024
9:30pm10:49pm

 

Credits

Director:

Annick Blanc

Producer:

Maria Gracia Turgeon, Annick Blanc

Screenwriter:

Annick Blanc

Cinematographer:

Vincent Gonneville

Editor:

Amélie Labrèche

Music:

Peter Venne

Principal Cast:

Nahéma Ricci, Bruno Marcil, Frédéric Millaire-Zouvi, Marc Beaupré, Alexandre Landry, Maxime Genois, Noubi Ndiaye

SXSW logo

For all things SXSW 2024, click here!


 

‘CREEP BOX’ (2024) is massively disturbing

CREEP BOX

CREEP BOX Poster

If you’re a paranormal enthusiast, you’ve heard of the average ghost tour. If you’re a little more intense, you download the Ghost Radar app and casually track color-coded spirits wandering in your vicinity. But, if you’re serious about the other side, book a psychic guided tour on the Queen Mary for your first wedding anniversary, paying extra for the EVP Spirit Box seance, like I did. 5 stars. Highly recommend. Patrick Biesemans’ CREEP BOX pits science and grief against each other in a disturbing and psychologically unsettling manner.

CREEP BOXDr. Franklin Caul has created a simulated consciousness with the dead. The DOJ wants it, but Caul has ulterior motives. The tech uses data from the deceased to have conversations or seek answers. In the mix is a swirl of overlapping thoughts and confusion that get under your skin. You cannot help but listen to them, and they are chilling. Caul observes that when suicide is the cause of death, the deterioration of self slows.

Adam David Thompson (Here Alone) plays the voice of Adam. His interpretation of an unseen character gets under your skin. He is nothing short of magnificent. Geoffrey Cantor carries CREEP BOX will ease. As Caul delves into the mind of a particular simulation, closing in on a personal agenda, Cantor’s humanity seeps through the academic shell. Geoffrey Cantor’s stoic nature perfectly matches Caul’s turmoil. He settles into unresolved trauma. It’s a fantastic performance.

CREEP BOX stillWhat might sound crazy is that this tech already exists. Customers can pay several different companies worldwide to build an AI version of their past loved ones. A recent Sundance documentary, ETERNAL YOU, is entirely about these services and their potential effects, good and bad. CREEP BOX takes these concepts down the rabbit hole, gladly stepping into the darkness and staying there.

In CREEP BOX and ETERNAL YOU, things change once the entity you communicate with appears sentient. Questions of ethics and the potential emotional damage of these interactions hang like a black cloud above the viewer. It’s a film that will undoubtedly mesmerize anyone who has suffered from grief. It instills wonder, curiosity, and pure terror. CREEP BOX will haunt you whether you like it or not.


Creep Box next screens at April’s Philip K. Dick Film Festival, which takes place at The Museum of the Moving Image in New York City.

SXSW 2024 packs a punch. Here are 18 films we’re excited to see!

SXSW 2024 color logo

SXSW 2024 promises to kick up the coolness factor with more content than ever. This year films from every genre and corner of the world assemble to provide festival audiences thrills and chills, laughter and loss, mysteries and mayhem. Cinephiles look to SXSW for cool, creative, and wow films they can discuss all year. The 2024 edition will not disappoint. Here is a list of films we’re keeping our eyes on.

DICKWEED

Dickweed SXSW 2024

Two people got kidnapped. One man lost his dick. No-one got any money. This heist-gone-horribly-wrong led one Newport Beach detective on an international manhunt for the most twisted criminal he’d ever hunted. In 2012, Michael, a local weed dispensary owner, got home from work and plopped down on the sofa like any other weeknight. Three hours later he was zip-tied and eating dirt as three men tried to beat him into admitting where he’d buried the million dollars. And he would have gladly told them rather than endure what happened next. The only problem was, he hadn’t buried a million dollars, and after they tortured him and left him to die, he still had no idea who these men were.

I know. This sounds more like a mockumentary than a real-life occurrence. I had to go back and check twice to make sure I was reading the category correctly. SXSW 2024 documentary Dickweed delivers one of the most insane true-crime stories you will ever witness. Twists and turns and utterly unbelievable, this mysterious case will bewilder and entertain. Jonathan Ignatius Green does not disappoint. Get ready to tell everyone about this film, and be prepared for them to think you’re making it all up.

Director/Writer: Jonathan Ignatius Green (The Pez Outlaw, Social Animals

Producers: David Ricksecker, Jefferis Gray

Executive Producers: Amy Bandlien Storkel, Bryan Storkel

Running Time: 90 minutes

Film Screenings

Mar 9, 2024
2:30pm4:00pm
 
Mar 12, 2024
6:45pm8:15pm
 
Mar 12, 2024
7:15pm8:45pm
 
Mar 14, 2024
5:45pm7:15pm
 
Mar 14, 2024
 
6:15pm7:45pm

ADRIANNE AND THE CASTLE

Adrianne and the castle SXSW 2024

Inventive and whimsical, Adrianne & The Castle is a true story of great love and loss. Alan St-George is a mascot-maker and artist in rural Illinois who hand-made an ornate and elaborate castle with his late wife Adrianne. Since her death in 2006 he continues to put the finishing touches on Havencrest Castle, which stands as a “temple” dedicated to their transcendent love.

In one of the most stunning love stories ever told, director Shannon Walsh introduces us to a couple like no other, whose fairytale relationship lives on in an extraordinary mansion. 

Director: Shannon Walsh (The Gig Is UpIllusions Of Control) 

Producer: Ina Fichman (Fire of Love, The Oslo Diaries)

Running Time: 86 mins

Film Screenings

Mar 9, 2024
9:15pm10:41pm
 
Mar 11, 2024
5:45pm7:11pm
 
Mar 11, 2024
6:15pm7:41pm
 
Mar 13, 2024
11:15am12:41pm
 
Mar 13, 2024
11:45am1:11pm

TIMESTALKER

Timestalker SXSW 2024

“Timestalker” follows hapless heroine Agnes through time as she repeatedly falls for the wrong guy, dies a grim death, gets reincarnated a century later, before meeting him again and starting the cycle anew. It is one story told over many periods, all with the messy thrills and spills that come with daring to follow your heart. Or maybe your loins…
Agnes’ only hope in avoiding this violent fate is by finally reaching spiritual enlightenment; but how can she ever wise up when she’s destined to be a fool for love? Some lessons are just too hard to learn in one lifetime.

As a self-proclaimed Whovian, you had me at time-hopping. But a unique twist on angsty love is one of the many reasons why audiences come to SXSW 2024. This genre obliterating narratives promises to be one of the year’s best. And if you aren’t already familiar with Alice Lowe, boy are you in for a treat.

Directed by: Alice Lowe
Written by: Alice Lowe
Staring: Alice Lowe, Jacob Anderson, Aneurin Barnard, Tanya Reynolds, Nick Frost

Film Screenings

SXSW 2024
 
Mar 11, 2024

9:45pm11:21pm


AUDREY

Audrey SXSW 2024

Ronnie Lipsick (Jackie Van Beek), a former soap star and self-proclaimed Mother of the Year, gave up her acting career 18 years ago due to an unplanned pregnancy. Now she runs a suburban performing arts school, with a husband who has lost his zest for life, a youngest daughter(Hannah Diviney) who appears indifferent, and an ungrateful eldest daughter whom Ronnie (Josephine Blazier) tried to mold into the success she always wanted. When Audrey falls into a coma after an accident, Ronnie takes on her daughter’s identity, getting a second chance at the life she always desired.

Darkly funny and in three distinct acts of wackiness, AUDREY is everything you want it to be and way more.

Director:

Natalie Bailey

Screenwriter:

Lou Sanz

Principal Cast:

Jackie Van Beek, Josephine Blazier, Hannah Diviney, Jeremy Lindsay Taylor

Film Screenings

Mar 10, 2024
2:30pm4:07pm
 
Mar 11, 2024
5:15pm6:52pm
 
Mar 11, 2024
5:45pm7:22pm
 
Mar 15, 2024
2:15pm3:52pm

RESYNATOR

resynator


In unearthing the Resynator, the revolutionary synthesizer her late father invented in the 1970s, filmmaker Alison Tavel not only revives his mission to share it with the world, she unexpectedly forges a deep bond with the father she never got the chance to know. What starts as a curious resurrection of her dad’s invention soon becomes an insatiable, globe-trotting quest to unearth an authentic portrait of a man she never met. Featuring Peter Gabriel, Fred Armisen, Gotye, Grace Potter and more.

Director:

Alison Tavel

Principal Cast:

Alison Tavel, Grace Potter, Peter Gabriel, Jon Anderson, Fred Armisen, Money Mark, Gotye, Mike Gordon, Brian Kehew, Christian Castagno

Film Screenings

Resynator at Alamo Lamar 4

Mar 10, 2024

6:00pm—7:36pm

Resynator at Rollins Theatre at The Long Center

Mar 13, 2024

6:00pm—7:36pm

Resynator at Satellite Venue: AFS Cinema

Mar 16, 2024

12:00pm—1:36pm


MALTA

Malta

Set in Bogotá, this captivating female character study narrates the story of a young Colombian woman who dreams of escaping her suffocating urban reality and traveling the world. However, an unexpected relationship with an unlikely man will make her question her true motives for leaving. 

A quiet purpose-seeking film with relatable themes is all you need to know about Malta. It will hit you no matter your personal background.

Director:

Natalia Santa

Principal Cast:

Estefanía Piñeres, Patricia Tamayo, Emmanuel Restrepo, Diego Cremonesi, Ángela Rodríguez, Edwin Riveros, Tonatiuh Ramírez , Raúl Cuellar

 

Film Screenings

Mar 9, 2024

2:15pm—3:52pm

Malta at Violet Crown Cinema 3

Mar 9, 2024

2:45pm—4:22pm

Malta at Violet Crown Cinema 2

Mar 11, 2024

3:15pm—4:52pm

Malta at Violet Crown Cinema 4

Mar 11, 2024

3:45pm—5:22pm

Malta at Alamo Lamar 8

Mar 14, 2024

9:45pm—11:22pm

Read More →

‘CAMP PLEASANT LAKE’ (2024) an ode to genre fans

Best Synthetic Urine Tests to Pass a Drug Test

In the contemporary landscape of drug testing, synthetic urine has become a popular solution for individuals facing scrutiny over their substance use. Whether it’s for employment, legal, or personal reasons, synthetic urine offers a way to pass a drug test with confidence. This article delves into the realm of synthetic urine tests, exploring their efficacy, usage, and the best products available on the market.

Understanding Synthetic Urine
Synthetic urine, also known as fake urine, is a laboratory-made liquid designed to mimic the chemical composition, color, odor, and even temperature of human urine. It’s typically composed of water, urea, creatinine, pH balancers, and other compounds found in natural urine.

Why People Use Synthetic Urine
Employment Drug Tests
One of the most common reasons individuals turn to synthetic urine is to pass pre-employment drug screenings. Many employers require prospective employees to undergo urine tests to ensure a drug-free workplace.

Probation or Legal Reasons
Individuals on probation or facing legal consequences due to drug-related offenses may resort to synthetic urine to comply with court-mandated drug tests and avoid further penalties.

Personal Preference
Some people simply prefer using synthetic urine as a precautionary measure or as a means of maintaining privacy regarding their substance use habits.

Factors to Consider When Choosing Synthetic Urine
When selecting a synthetic urine product, several factors come into play to ensure its effectiveness and reliability.

Reliability
The most crucial aspect of synthetic urine is its ability to produce accurate results consistently. Reliable brands offer formulations that closely resemble natural urine and are less likely to trigger suspicion during testing.

Ingredients
High-quality synthetic urine should contain a balanced blend of ingredients that mimic the chemical composition of real urine, including urea, creatinine, uric acid, and specific gravity.

Temperature Requirements
Maintaining the correct temperature is crucial for passing a urine drug test successfully. Synthetic urine should be heated to body temperature (around 98-100°F or 36-37°C) before submission to prevent detection.

Ease of Use
The synthetic urine kit should come with clear instructions and all the necessary components for easy preparation and submission.

Deskpop Entertainment logoCAMP PLEASANT LAKE

Camp Pleasant Lake poster

In CAMP PLEASANT LAKE, Rick and Darlene Rutherford breathe life into the eerie remnants of an old campsite, unaware of its dark past. Strange occurrences haunt the area, mirroring the tragedies of the old camp, where two decades earlier, a young girl was kidnapped and her parents brutally murdered. Amidst chilling atmospheres and long-forgotten secrets, the couple grapples with a horrifying revelation—they are entwined in the camp’s history. And as the shadows of the past collide with the present, the Rutherfords must confront the haunting histories of a sinister crime.


Camp Pleasant Lake group stillThomas Walton‘s CAMP PLEASANT LAKE centers around a horror camp created based on a 20-year-old legend of a missing child and the brutal murder of her family on their way to the very same camp.

Michael Paré is magnificent playing camp owner Mr Rutherford. Bonnie Aarons plays Esmeralda with a perfectly sinister air. The audience deserved so much more of her. Brainwashed son Lou gets the proper treatment from Mike Ferguson.

Camp Pleasant Lake_Still5Christopher Sky is the former vile camper turned Camp of Terror counselor, Mike. He is a sufficient asshole and you will revel in his inevitable demise. Jonathan Lipnicki is hands down the best part of CAMP PLEASANT LAKE. His unfettered commitment to the role is genuinely awesome.

Camp Pleasant Lake Jonathan LipnickiIt is evident the film is made by genre fans. Practical fx are bloody good, even if the pace and dialogue drag. The kills get better as the plot rolls along. I did wish the variety of attendees had been more eclectic. At $10k each, I was looking for fewer numbers and more development of these characters because the possibilities were endless.
The final scenes are seriously satisfying. Lipnicki earns the chance to reprise his role.

DeskPop Entertainment will release Thomas Walton’s refreshingly indie new horror film CAMP PLEASANT LAKE in select cinemas and on VOD February 27th!
The picture, which stars 90s screen icon Jonathan Lipnicki (Jerry MaguireStuart Little) alongside a bevvy of genre film icons, is a loving throwback to the thrilling, violent summer camp slasher films of the 1980s.

 

Written and directed by Thomas Walton, Camp Pleasant Lake stars Lipnicki alongside Bonnie Aarons (The Nun 1 and 2Jakob’s Wife), Andrew Divoff (Wishmaster 1 and 2), Michael Paré (Eddie and the CruisersStreets of Fire), Kelly Lynn Reiter, Robert LaSardo (Death Race), Maritza Brikisak, and Greg Tally.

Jared Safier produces the film alongside Walton, with Jeremy Hirsch, Matthew Macur, Damien Douglas, Lenny Vitulli, Jackson Everest, and Michael Mahal acting as its executive producers. Production companies on the picture are Safier Entertainment, PhilaDreams Films, Lux Angeles Studios, Stag Mountain Films, RMR Productions, and Movies By Misfits.


For more Horror film reviews, Click Here!

Matt Vesely’s intense ‘MONOLITH’ (2024) takes podcast storytelling to another realm.

well-go-usa-logo

Monolith 2024 poster

One suspect article takes down a once respected journalist. Holed up in her wealthy parent’s estate while they are on holiday, our leading lady tries to revamp her image by creating a conspiracy theory podcast. While wading through emails, she spots one that is particularly eye-catching. Following up on the information, she continues down a path of potential otherworldly objects influencing people around the globe. But truth and lies are closer aligned than you might want to believe. Matt Vesely‘s SXSW 2023 sci-fi feature MONOLITH pulls you into oblivion.

Lily Sullivan in Monolith The film takes place in a single location where The Interviewer records her podcast. The secluded and expansive modern mid-century estate allows her to wander, but most of the action happens at a desk or in front of the wall of windows that contain her discoveries. Our journalist creates an episode of her first phone calls. Editing the calls at her will, the audience questions her culpability. This small moment puts your morality compasses in a tailspin. It is a slick move from writer Lucy Campbell. Podcasts are my nightly ritual, cleaning motivation, and my travel companion. Since SERIAL, the industry has exploded. In MONOLITH, the story goes viral. People begin contacting her directly with their stories, always warning her to stop.

Lily Sullivan in MonolithAt some point, the danger reaches the front door of our journalist’s secluded location when she receives a package related to the mysterious story. The darkness attached to the object feels slightly Faustian and not of this planet. No one remembers how they received their object, but each reaches a point in questioning where they feel compelled to hang up out of fear.

Lily Sullivan plays The Interviewer. Her emotional arc is mesmerizing, acting as a therapist to her callers, a manipulator for personal gain, and a target of the unknown. As the only onscreen actor in the film, her ability to carry such an intense and mysterious film is quite a feat. Sullivan owns the audience.

Matt Vesely's MonolithIs this a case of mass hysteria? In many ways, the plot mirrors today’s conspiracy groups like QAnon. Our leading lady goes down the rabbit hole, and the audience follows. MONOLITH boasts a jaw-dropping final ten minutes. This is one hell of a sci-fi thriller. It is a must-see.

IN THEATERS AND ON DIGITAL: February 16, 2024 

 

For more Well Go USA film reviews, click here!

 

Review: ‘LAST PARTY’ (2024) shines in its camera work.

LAST PARTY

In Nicolas Dozol‘s LAST PARTY, one final hoorah to celebrate high school graduation takes a weird turn when four of its attendees experience subtle hallucinations.

Last Party (2024)Cleverly choreographed camera work by Aurel Ganz makes us think the film is one long take. Just as impressive is the actual shot list. 28, to be exact. It is one hell of a visual feat. The flip side of these takes is the narrative feels draggy even at 110 minutes. The sci-fi element does not seem necessary to the plot. Ultimately, it goes nowhere.

Last Party (2024) final scenePerformance is solid from our four main leads, each one bombarded by misogyny, judgment, and outright hateful behavior. LAST PARTY might be more successful as a series. There is much needed in character development, although the breadcrumbs are there. It feels more like a treatment for a larger project than a stand-alone piece.


“Last Party” the feature film debut of Swiss and French filmmaker Nicolas Dozol will make its US debut at Laemmle Monica Film Center from February 9 -16th in Santa Monica.  The film is being distributed by LA-based Synergetic and is the first feature film produced by the young Swiss company Lights Rush.

 

A mystery coming-of-age story, part horror, part fantasy, part thriller, the film takes place during a high school graduation party where four teenagers in the midst of an existential crisis are confronted with their angst. When they suddenly find themselves locked up, they wonder if it might be their last night ever. The film is choreographed by 28 long takes, giving the illusion of a single real shot and was shot in just five days.

“Last Party”, a New Breed Entertainment production, is directed by Nicolas Dozol, written by Leah Ladoux, Paul Tomasini, Chloe Vittenet and Dozol, and produced by Mathilde Errand and Dozol.  The film stars breakout newcomers Lucie Cecchi, Remi Gerard, Uma Condolo and Teddy Hardy.  Cinematography is by Aurel Ganz.


For more French film reviews on RND, click here!

Review: ‘THE SEEDING’ is disturbing.

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THE SEEDING

The Seeding Poster

 A man comes upon a lost boy in the desert. In his efforts to assist, he becomes trapped alongside a woman held captive by a group of feral boys. The film opens with a disturbing image thrusting you into a slow-burn den of madness. Barnaby Clay‘s Tribeca 2023 film THE SEEDING is finally in theaters and on VOD today.

the-seeding-kate-lyn-sheilKate Lyn Sheil (She Dies Tomorrow) is spectacular as our mystery woman. Questions swirl about her complicity throughout the film, but Sheil is perfection, playing coy, never giving us answers until the end. She has a magnetic presence on screen and somehow manages not to age.

the-seeding-scott-hazeMy love for Scott Haze knows no bounds. From his breakout performance in Child of God to his work in Old Henry and What Josiah Saw, he is one of those actors who live in the skin of his characters. As Stone, his swings into toxic masculinity mirror the feral behavior of the boys above. He is undeniably compelling.

the_seeding_the_boysThe ominous score by Tristan Bechet sometimes grates in a way that makes you subconsciously cringe. The continuous low din instills pure fear. Stay through the entire end credits for more eerie ear candy. THE SEEDING has echoes of The Hills Have Eyes horror and Midsommer folklore. All said it is an upsetting watch, and that’s what genre fans show up for.

In theaters and on VOD nationwide January 26th!

 

Written and Directed by Barnaby Clay
Produced by Brian Etting
Starring Scott Haze and Kate Lyn Sheil

In THE SEEDING, a hiker lost in the desert takes refuge with a woman living alone, and soon discovers that she might not be there willingly. Directed by music video legend Barnaby Clay (SHOT! THE PSYCHO-SPIRITUAL MANTRA OF ROCK), the picture stars Scott Haze (VENOM, JURASSIC WORLD: DOMINION) and Kate Lyn Sheil of the horror hits YOU’RE NEXT and V/H/S.

94 minutes
#TheSeeding 

Slamdance 2024 shorts: ‘LEGEND OF EL CUCUY’ & ‘DOSH’

slamdance 2024

Legend of El Cucuy legend of el cucuy short film

SYNOPSIS: Legend of El Cucuy is a cautionary tale. Laura and her
husband Carlos are permissive parents, and their choice to raise their
daughter Isabel without discipline has resulted in a very rude,
disobedient child. Carlos is having doubts about their behavioral
strategy, but Laura is determined to make different choices from their
parents. Against his better judgment, Carlos tells Laura about El
Cucuy’s origins, and that same night, El Cucuy pays the family a visit.

Filmmaker Cynthia Garcia Williams brings her short horror film Legend of El Cucuy to Slamdance 2024. This boogie-man-style folklore film boasts fantastic Special FX makeup. As a former teacher, Isabel’s mother and her permissive parenting style made me seethe, and our little leading lady is a terror. I recall El Cucuy referenced in films before, but I’ve never heard the history behind it. Essentially, it is an allegory for shitty parenting. While I wasn’t completely sold on the performances, I think the film is a solid pitch for a feature.

14 minutes) English/Spanish


DOSH

dosh - slamdance 2024

When her son’s life is put at risk at a family pre-wedding ritual, a hard-of-hearing mother must decide how to seek help for her husband in order to keep her family safe.

Filmmaker Radha Mehta, who shares screenplay credit with Noorah Al-Eidi, brings us the story of Karishma, a hard-of-hearing mother trapped in a traditional Indian marriage with a man who refuses to admit he has a mental illness. Cinematographer Isue Shin captures the balance between the lush colors of an Indian wedding ritual and the darkness of Karishma’s emotional state. Renu Razdan captivates as our leading lady. The camera loves her. Razdan owns every frame, moving from sadness, protection, grief, and joy like a star. This little drama about attaining peace is a cathartic sigh of relief.

Director: Radha Mehta
Story: Radha Mehta
Screenplay: Noorah Al-Eidi & Radha Mehta
Producer: Gabriel Gutierrez
Cinematographer: Isue Shin
Production Designer: Sandra Rodriguez
Editor: Joe Murphy



Slamdance 2024 will take place in person from January 19-25 and virtually from January 22-28.
 
For more Slamdance coverage, click here!

 

Review: The Bloomquist Brothers satirical, political slasher ‘FOUNDERS DAY’ earns your gory adoration.

Dark Sky Films Logo

FOUNDERS DAY

Founders Day - Theatrical Poster

Synopsis: In this bold political slasher from the Bloomquist Brothers, a small town is shaken by a series of ominous killings in the days leading up to a heated mayoral election. As accusations fly and the threat of a masked killer darkens every street corner, the residents must race to uncover the truth before fear consumes the town.

Founders Day Still 1 - Credit David Apuzzo Mainframe PicturesPolitical spin can make or break a campaign. Those few who possess the skill have the power to command entire nations. In the Bloomquist Brothers’ latest film, FOUNDERS DAY, a small-town mayoral race brings chaos in the form of a serial killer dressed as, you guessed it, a twisted Founding Father straight out of a cliche painting of the signing of the Declaration of Independence. As members of the town of Fairwood get knocked off, one by one, the race is one to find the killer and their ultimate motive. Tackling every political hot-button issue and tactic with a bucket of gore, FOUNDERS DAY is here to mix things up.

Naomi Grace

Naomi Grace in Founders Day

The cast is chockful of familiar and talented faces. Naomi Grace is Alison. Her character endures relentless trauma, and Grace handles it like a pro. Andrew Stewart-Jones plays Alison’s father, Thomas. He is someone that should be on Jordan Peele‘s radar. This guy is a star. Devin Druid is Adam, the son of Mayoral candidate Harold Faulkner. Druid eats this complicated character for breakfast. He is magnificent.

William Russ in Founders Day

William Russ in Founders Day

Jayce Bartok plays Faulkner with an over-the-top air straight out of Mad TV. Amy Hargreaves is the current mayor, Blair Gladwell. Her sass and seriousness are a perfect fit for the satire. Director Erik Bloomquist plays Oliver, Gladwell’s right-hand man. He is amazing. William Russ plays the beloved local teacher, Mr. Jackson. Like me, you might know him as Corey’s dad from Boy Meets World. In FOUNDERS DAY, Russ offers the audience the same emotional, moral anchor we loved so much. Catherine Curtin plays Police Commissioner Peterson. Her overly dramatic comedic timing is a thing of the gods. Give her an entire franchise solving small-town murders, I beg of you.

Founders Day

Founders Day

Bloomquist uses key political phrases that anyone living through the ridiculousness of the country since 2015 knows all too well. From the faux outrage, sugary glad-handing, and infighting, what’s a little murder between neighbors. The idea of political tribalism hits you square in the face. You’re simultaneously intrigued and giggling. The kills are brutal as hell. Bloomquist gives us the customary obnoxious ancillary characters but anchors the film with fleshed-out, small-town folks we all relate to. No one is safe, and you have to respect that. The screenplay delivers twist after twist. Don’t for one second think you know what’s going on. The inspirations from SCREAM are unmissable. AK Roy’s end credits kick ass. FOUNDERS DAY has all the makings of a cult classic, with an ending so nuanced it garnered my vote.

 

Releasing in theaters nationwide on January 19

 

The newest film from the Bloomquist Brothers (Ten Minutes to Midnight) marks the reunion of 13 Reasons Why duo Devin Druid and Amy Hargreaves, who join an ensemble cast including William Russ (Boy Meets World), Catherine Curtin (Stranger Things), Naomi Grace (NCIS), Emilia McCarthy (SkyMed), Jayce Bartok (SubUrbia), Olivia Nikkanen (The Society), and Andrew Stewart-Jones (Gotham). 


Founders-Day-Character-Lineup

Founders-Day-Character-Lineup

Distribution Company: Dark Sky Films
Production Company: Mainframe Pictures
Release Date: January 19, 2024
Director: Erik Bloomquist
Screenwriters: Erik Bloomquist, Carson Bloomquist
Producers: Erik Bloomquist, Carson Bloomquist, Adam Weppler
Cast: Devin Druid, Emilia McCarthy, Amy Hargreaves, Catherine Curtin, William Russ, Naomi Grace, Olivia Nikkanen, Jayce Bartok, Andrew Stewart Jones, Tyler James White, Erik Bloomquist, Adam Weppler, Kate Edmonds, Dylan Slade, Arun Cameron Storrs
Social Media (Instagram, TikTok & Facebook): @FoundersDayMovie


 

Sundance 2024 preview: A film for everyone at the festival’s 40th Edition.

Sundance Film Festival 2024 Color Logo
The Sundance Film Festival has launched the careers of indie film directors, writers, and actors now for 40 years. Back with in-person and online screening opportunities, this year’s iteration boasts new and bold storytelling from every genre. Here are a handful of films we’ll track in 2024.

 

For more information and tickets to Sundance 2024, click here! Be on the lookout for shared coverage with our good friend, Steve Kopian, at Unseen Films. To see all of his reviews and what he’s looking forward to this year, head over to his home base.

(World Cinema Dramatic Competition)
SUJO

S till from the Sundance film SUJO
When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

A movie about time and trauma, this beautifully acted and hauntingly written film from the directors of Identifying Features will be sure to captivate audiences. 

This film contains strobe effects.
Available in person. Also available online for the public (January 25–28)


40th Edition Celebration Screenings And Events

DIG! XX

DIG! XX tracks the tumultuous rise of two talented musicians, Anton Newcombe, leader of the Brian Jonestown Massacre, and Courtney Taylor, leader of the Dandy Warhols, and dissects their star-crossed friendship and bitter rivalry. Through their loves and obsessions, gigs and recordings, arrests and death threats, uppers and downers, and ultimately to their chance at a piece of the profit-driven music business, they stage a self-proclaimed revolution in the music industry.

DIG! premiered at the 2004 Sundance Film Festival in the U.S. Documentary Competition, where it ultimately won the Grand Jury Prize in the documentary category. DIG! XX, which will premiere at the upcoming Festival, is not only a digitally enhanced, remixed, and remastered version of DIG!, but also a special 20th anniversary new edit of the film culled from footage shot over seven years, and brought to you by the original sibling team, Ondi and David Timoner.

*Digitally enhanced and featuring new footage


(Premieres)

And So It Begins

Amidst the traditional pomp and circumstance of Filipino elections, a quirky people’s movement rises to defend the nation against deepening threats to truth and democracy. In a collective act of joy as a form of resistance, hope flickers against the backdrop of increasing autocracy.

Available in person. Also available online for the public (January 25–28)


(World Cinema Documentary Competition)

Eternal You

Startups are using AI to create avatars that allow relatives to talk with their loved ones after they have died. An exploration of a profound human desire and the consequences of turning the dream of immortality into a product.

“I wanted to see if he was okay,” explains Christi, one of the users of Project December. With this innovative software, users can communicate with a virtual version of the deceased through a chatbot that simulates the dead person’s conversation patterns. Hers was an attempt to check on her first love. Others may simply miss someone, seek permission to move on, or want to rid themselves of guilt.

At this point, I think we’ve all seen the app that turns photos into moving images. The idea feels equally sentimental and disturbing. Eternal You takes this tech further, begging the question, “How far are we willing to go to feel connected to those we’ve lost, and how might that affect our brains?” 

Available in person. Also available online for the public (January 25–28)


World Cinema Documentary Competition

A New Kind of Wilderness

In a forest in Norway, a family lives an isolated lifestyle in an attempt to be wild and free, but a tragic event changes everything, and they are forced to adjust to modern society.

Silje Evensmo Jacobsen mixes home movies and a carefully intimate approach to the Payne family, whose isolated existence gets shaken up quite suddenly. This beautiful portrait of connection and resilience in the face of grief will touch your heart.

Available in person. Also available online for the public (January 25–28)


(NEXT)

REALM OF SATAN

An experiential portrait depicting Satanists in both the every day and in the extraordinary as they fight to preserve their lifestyle: magic, mystery, and misanthropy.

Filmmaker Scott Cummings is no stranger to Sundance, having edited many highly acclaimed festival premieres over the past decade, including Never Rarely Sometimes Always, Monsters and Men, and Wendy.

When I tell you that you aren’t ready for this doc, I mean it in the best way possible. Created to ruffle feathers and dispel right-wing hypocrisy, Scott Cummings titillates with gorgeous framing and a touch of tongue-in-cheek magical realism. 

This film contains graphic sexual content. Audiences must be 18 or older.

Available in person. Also available online for the public (January 25–28)


(Premieres)

My Old Ass

Maisy Stella and Aubrey Plaza in Sundance film MY OLD ASS

Maisy Stella and Aubrey Plaza in the Sundance film MY OLD ASS

The summer before college, bright-yet-irreverent Elliott comes face-to-face with her older self during a mushroom trip. The encounter spurs a funny and heartfelt journey of self-discovery and first love as Elliott prepares to leave her childhood home.

The concept alone should get your butt into a seat, but filmmaker Megan Park casting Aubrey Plaza is chef’s kiss in indie cinema.


(Midnight)

I Saw the TV Glow

Justice Smith and Brigette Lundy-Paine  in I SAW THE TV GLOW

Justice Smith and Brigette Lundy-Paine in I SAW THE TV GLOW

Teenager Owen is just trying to make it through life in the suburbs when his classmate introduces him to a mysterious late-night TV show — a vision of a supernatural world beneath their own. In the pale glow of the television, Owen’s view of reality begins to crack.

Writer-director Jane Schoenbrun’s We’re All Going to the World’s Fair (2021 Sundance Film Festival) gave us one of the coolest genre-bending films with a breakout performance from star Anna Cobb. I cannot wait to see how this one twists my sanity and senses. 

This film contains violence and gore.

This film contains strobe effects.


Sundace Film Festival 2024 Black and White logoTo find out more information on all things Sundance 2024, head to https://festival.sundance.org/

 

Now streaming and out on Blu-ray today, Shem Bitterman’s ‘DISTANT TALES’ tackles the good, the bad, and the ugly of humanity and isolation

DISTANT TALES

In a near-future dystopia, when a worldwide event means people can no longer meet face to face, four stories — PLACEBO, PLEASE LOG ON, TOUCH, and R NOUGHT — unfold with unexpected revelations as the screens through which they connect hide the twisted reality of their lives.


Writer-director Shem Bitterman

Writer-director Shem Bitterman taps into human nature with four stories that capture the echoes of the Covid lockdown. The dialogue is theatrical. DISTANT TALES could easily transition from screen to stage. The real-time, intensely intimate vulnerability would be electric. It already pours off the screen.


TOUCHCo-workers surreptitiously connect over late-night Zoom calls. Once discovered by their partners, Ben and Seraphina show their true colors. Samuel Martin Lewis gives Ben a relatable longing. The performance from Tiffany Wolff is chilling.


PLEASE LOG ON
A job interview goes off the rails when the effects of prolonged isolation rear their ugly head. Liz Fenning gives Beth an irritable edge and desperation we all recognized during lockdown. Rupak Ginn is Rohit, a character in the opposite headspace. This segment presents the viewer with an awkward moral dilemma.


PLACEBOThe head of a clinical trial and one of her subjects find common ground through culture and shameless flirting but clash over social distancing protocols and the trial’s progress. Amen Igbinosun plays Ese as a jovial spirit. His physical and emotional journey is heartbreaking. Carolyn Michelle Smith balances skepticism and kindness. It is a nuanced turn.


R NOUGHTThis intense piece explores online extremism and conspiracy theories with phenomenal performances from Ben Bowen and Christoper Curry. An online talking head pushes a grieving husband to take up arms against the government. Can he battle his emotions and resist the influences in his life?


As a whole, DISTANT TALES tackles all the chaos of lockdown in complex ways. Each story gets under the audience’s skin for vastly different reasons. If nothing else, Bitterman’s keen observation of human desperation will undoubtedly have people talking.


“Distant Tales” trailer:


 
IS NOW AVAILABLE ON iTunes, AMAZON.COM, and VUDU
COMING OUT ON BLU-RAY ON DECEMBER 12


The dark psychological thriller, DISTANT TALES, a 4-part anthology from writer/director, award-winning playwright, Shem Bitterman (who, as a young screenwriter, wrote HALLOWEEN 5) and executive produced by Oscar-winner, Tom Schulman (Academy Award – Best Writing, Screenplay Written Directly for the Screen “Dead Poet’s Society”), will be released on Blu-ray December 12.


What’s Your Story?



Los Angeles, CA (November 30, 2023) – After a two-month exclusive run on Cable TV OnDemand with Xfinity, Spectrum, and Contour, DISTANT TALES, from acclaimed playwright and screenwriter writer/director Shem Bitterman and executive producer and Oscar-winner Tom Schulman (“Dead Poet’s Society”), is now available on iTunes, Amazon.com, and Vudu. The film will be available on additional streaming platforms later in December. Pre-orders are now available for the December 12 Blu-Ray release on Amazon.com.


DISTANT TALES, a dark, four-part dramatic anthology where desire, madness and a struggle for love erupt in a dystopic future after a worldwide event prevents people from meeting face to face, was filmed in isolation during the COVID-19 pandemic.


In DISTANT TALES four individual stories set during a worldwide pandemic unfold with unexpected twists and revelations: an extramarital affair, cut short by a pandemic and continued online; a mysterious job interview, overseen by an unseen judge; a vaccine trial, where a burgeoning love leads to some bad decisions; a grieving dad who finds sympathy from an online advocate for violence.


 

Review: ‘THE PORTRAIT’ succeeds in its psychological trickery

THE PORTRAIT

After her husband is devastated by a tragic accident, a devoted wife obsesses over a mysterious portrait that resembles him as he was; but when it starts to terrorize her, she must decide if it’s possessed or if she’s losing her mind.

Immersive editing and camera work immediately draw you into Simon RossTHE PORTRAIT. Fipsi Seilern creates stunning paintings that captivate and disturb. David Griffiths‘s screenplay leads us down a path that appears to be bit Dorian Gray, but the joke’s on us in the end.

Mark-Paul Gosselar plays Brookes, the groundskeeper. His dominant physical presence and the fact that he bears a resemblance to Alex make him an intriguing addition to the narrative. Virginia Madsen plays cousin Mags, a woman who knows more about the family history than Sofia wants to hear. She delivers a precise amount of eerie mystery. Ryan Kwanten is Alex, Sofia’s husband. Kwanten gives the role a frightening aura while simultaneously settling into the physical trauma left behind by the accident. These dual traits allow his acting chops to shine bright, especially considering the little dialogue Alex has. Natalia Cordova-Buckley gives Sofia a perfect balance of determination, frustration, and emotional trauma to keep you perched on the edge of your seat. Her raw vulnerability takes you on a journey that most women will find surprisingly relatable.

THE PORTRAIT pits hope against grief and science against the supernatural in a psychologically menacing manner.


Check out a clip below:


 

The Official Trailer for

THE PORTRAIT

 

Distributed By:

Saban Films

On VOD & Digital:

December 8, 2023

Directed By:

Simon Ross

Written By:

David Griffiths

Produced By:

Christian de Gallegos , David Griffiths

Starring:

Natalia Cordova-Buckley, Ryan Kwanten, Isidora Goreshter with Mark-Paul Gosselaar and Virginia Madsen

Rating:

R for violence, some sexual content, language and brief drug use

Run Time:

86 Minutes