Review: ‘MERRY GOOD ENOUGH’ marries mental health and holiday hijinks in the most grounded fashion

MERRY GOOD ENOUGH

Ah, the holidays. Lucy Raulie (Raye Levine Spielberg) has always had a complicated relationship with her dysfunctional family, but when her mother disappears on Christmas Eve (and it’s maybe Lucy’s fault…) it’s going to be up to Lucy to bring her family back together again, whether she knows it or not.


Joined in forces (sort of…) by her older brother Tim (Daniel Desmarais) and younger sister Cynthia (Comfort Clinton) the Raulie kids may get more than they all bargained for when their eccentric father George (Joel Murray) shows up to “help” in the search. Featuring vintage songs and a stand-out ensemble cast that also includes Sawyer Spielberg, Marcia DeBonis, Neil Casey and Sophie von Haselberg, Merry Good Enough is at once warm-hearted and sharp, a new holiday classic in the making.


Coming home for the holidays is always wrought with complex emotions. Directors Caroline Keene and Dan Kennedy give audiences much to ponder in MERRY GOOD ENOUGH. A film about familial chaos across generations, this enjoyable small-town film is sure to strike a chord this holiday season.

Joel Murray is George, the absent but immensely excitable father figure. Writer-director Caroline Keene drops early hints of his toxic masculinity, and Murray eases into the skin of a pretty loathsome man. Daniel Desmarais plays Tim. His sardonic wit meshes perfectly with this cast of fantastic misfits. Comfort Clinton is Cynthia. She is uptight and controlling. Clinton owns the role with her evident daddy issues and needs for approval.

Sawyer Spielberg is charming as neighbor Sam. His chemistry with Levine is magic, which makes sense since they’ve been married since 2018. Susan Gallagher‘s performance is spectacular. Keene’s script nails the mother of adult children vibe with running errands, asking if we’ve eaten, awkwardly using technology, grabbing coffee, and the overly stocked fridge. Gallagher captivates with her vulnerability. Raye Levine gives Lucy a tangible relatability. She’s funny, a little lost, and yet entirely grounded.

At the heart of MERRY GOOD ENOUGH, this script delves into unresolved childhood trauma, emotional isolation, mental health, and forgiveness. It’s a breezy watch about finding bliss and connection in the imperfect.


Available on Amazon, iTunes, Google Play, YouTube Movies, Cable and Satellite On Demand on December 19th! 

 

CO-DIRECTORS:

Caroline Keene

Dan Kennedy

 

 WRITER: 

Caroline Keene

 

PRODUCERS:

Shawn Gauvain 

Dan Kennedy

Krista Minto

 Jamieson Shea

Genevieve Skehan

 

CAST:

Raye Levine Spielberg

Joel Murray

Comfort Clinton

Sawyer Spielberg

Susan Gallagher

Daniel Desmarais

Neil Casey

 

 

RUNNING TIME:

97 Minutes


 

Review: ‘BLOODSUCKING BASTARDS’ we all know a few.

BloodSuckingBastards.Poster We’ve all been there at one time or another. Sitting in a cubicle, or the like, wanting  desperately to staple a co-worker’s mouth shut or just whiteout our own eyes. But we think, hey, if I work hard enough, I’ll get that  promotion and maybe, just maybe, this won’t suck as much as I think it does. Welcome to BLOODSUCKING BASTARDS, where all  your daydreams and nightmares come true.

Meet Evan Sanders (Fran Kranz), a low-level, dutiful employee stuck in a boring job at a soul-killing every corporation. Evan’s the kind of guy who does all the work and gets none of the credit, but at least he gets to spend his days with his beautiful co-worker/girlfriend Amanda (Emma Fitzpatrick) and his slacker best friend Tim (Joey Kern), so he soldiers on in the hope of one day getting his coveted sales director position. Unfortunately, it all falls apart in one fell swoop when Amanda breaks up with him and Evan’s boss Ted (Joel Murray) hands his promotion to his college nemesis Max (Pedro Pascal). And it isn’t just their sordid past Evan has to deal with. After his fellow officemates start going through disturbing changes (which, paradoxically, make them better employees) and bodies begin to pile up, Evan learns the horrible truth: Max is a vampire. And even worse… a vamp with a plan. Evan must find a way to stop the evil brewing amidst the cubicles, expose Max as the bloodsucking bastard that he is, and save his pals before his life and career go from dead-end…to just dead.BSBEmmaFitzpatrickFranKranzJoeyKernIMG_2684

This film can best be described as Office Space meets Buffy the Vampire Slayer, the film version. But it isn’t a far stretch to say Joss Whedon‘s television series wouldn’t fall into this fandom, as well. Once again, Whedonverse darling, Fran Kranz steals the show. His innocent air is perfect for this role. Wide-eyed naivete leads a pack of misfits on a battle to keep their heads (or necks) intact. Marshall Givens as the badass, Redbull fueled, security guard is an absolute riot. Where has he been? Joey Kern plays Evan’s #2, Tim. He is a king underachiever. Pornstache and all, his nonchalant attitude is the perfect foil to Kranz’s hyperactivity. Emma Fitzpatrick as Evan’s recent ex and head of HR, is quick witted and sassy, She kills it.The opening titles kick some major ass and the film’s pace pulls no punches. If you’re a fan of Shaun of the Dead, BLOODSUCKING BASTARDS is right up your alley. You can catch this film today, September 4th, in select theaters and on VOD.

https://www.youtube.com/watch?v=RSzV9oG07lo

Directed by Brian James O’Connell and penned by the popular comedy troupe Dr. God and Ryan Mitts, Bloodsucking Bastards recently made its world premiere as the opening night film at the Slamdance Film Festival 2015.

Starring:

Fran Kranz (Cabin in the Woods)

Pedro Pascal (Game of Thrones)

Emma Fitzpatrick (Significant Mother, The Collection)

Yvette Yates (Inherent Vice)

Joel Murray (Mad Men)

Joey Kern (Cabin Fever)