‘MOM’ (2025) Emily Hampshire wows in this visceral watch. It will haunt your soul.

Uncork'dEntertainment_Logo_CurrentMOM

Mom poster

Being a mom to a newborn is overwhelming. The isolation, judgemental eyes, unsolicited advice, sleep deprivation, and the death of your former self can eat you alive. There is no way to adequately explain the transformation of our mental, emotional, and physical being unless you have experienced it personally. Adam O’Brien brings audiences a film that tackles all these elements with a horror twist. MOM stars Emily Hampshire as a new mother struggling to connect with her newborn son. Her unforgiving husband only exacerbates each new challenge, leading to the darkest outcomes for this little family.

Mom Jared and Meredith - Rotten Tomatoes - [www.rottentomatoes.com]As a mother of two, I will never forget those days of newborn life. Lack of sleep almost drove me to the edge. In MOM, Hampshire skillfully captures the nuance of first-time parenting like I have never seen portrayed onscreen before. Screenwriter Philip Kalin-Hajdu combines each new hardship with unresolved trauma, and the marriage of those two stories makes for the perfect storytelling storm.

François Arnaud is loathsome, which means he is doing a fantastic job. His careless reactionary blaming makes him punchable. Arnaud’s version of Jared will make you want to scream. Mothers will immediately recognize the pattern of behavior.

Mom Pictures - Rotten Tomatoes - [www.rottentomatoes.com]Emily Hampshire nails this role. Her chameleon abilities shine once again in Meredith. Hampshire is so compelling you cannot take your eyes off her. She delivers an emotional torrent that burrows into your psyche. It is truly startling.

The editing, sound, and cinematography are fantastic. Often jarring in nature, they match the tone from the first frame. MOM delves into the stress of default parenting, the impossible expectations we put on women, the pressure to bond, and the insurmountable grief that digs into your soul. The film is a physical manifestation of PPD and unresolved trauma. MOM is a hauntingly visceral watch. You will feel it in your bones.

MOM Trailer:


Uncork’d Entertainment will release the postpartum horror MOM in select theaters beginning February 7 before arriving on digital/VOD platforms on February 11.

Starring Emily Hampshire, known for her acclaimed role in “Schitt’s Creek,” the film made its world premiere at Glasgow FrightFest in 2024, receiving praise for its haunting exploration of motherhood and psychological trauma.

MOM follows a struggling mother (Hampshire) who is abandoned by her family and partner after a horrific incident. As she falls further into isolation, she begins to be haunted by a sinister entity that is determined to make her relive her darkest moments. Delving into the darker side of motherhood, Mom is an intelligent and original take on the family-based horror story.

Directed by Adam O’Brien and written by Philip Kalin-Hajdu, the film also stars François Arnaud (Marlowe) and Christian Convery (Cocaine Bear). Producing are Delirium Pictures and Kinetic Film Group.

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‘EVERY LITTLE THING’ (2025) A captivating documentary where sweetness soars between grief and healing.

kino lorber logoEVERY LITTLE THING

every little thing poster

Author and wildlife rehabilitator Terry Masear is a magical woman. She is a defender of the smallest. As a hummingbird protector, her connection to these animals is a gateway to healing, both bird and woman.

EveryLittleThing_photo01Worthy of a National Geographic seal of approval, Sally Aitken‘s EVERY LITTLE THING boasts stunning cinematography by Ann Johnson Prum. Alongside Caitlin Yeo’s lovely score, it is a captivating viewing experience.

EveryLittleThing_photo05We meet several birds by name. One particularly injured little one named Cactus captures our hearts. Juxtaposed with the deep trauma from her childhood, Terry explains how selfishness affects the rehabilitation process.

Every Little Thing birdsThe film makes it effortless to root for these tiny birds. Terry’s relentless determination and patience, her ability to be so in tune with these creatures, is mesmerizing. It’s incredibly powerful.

EveryLittleThing_photo10There is an overall sweetness to the film that can only be felt upon viewing. It is simultaneously heartbreaking and joyful. A meditation on grief and healing, EVERY LITTLE THING  is a light in the darkness and the example of compassion we all need at this moment in time.

Every Little Thing Trailer:

Kino Lorber is pleased to present EVERY LITTLE THING, an intimate and moving documentary about injured hummingbirds and the singular woman working to save them.

EVERY LITTLE THING opens January 10 at the IFC Center in NYC and January 17 at the Laemmle Monica in LA, with national expansion to follow.

SYNOPSIS — Author and rehabber Terry Masear wants to save every injured hummingbird in Los Angeles. Terry takes in the most fragile of patients through her volunteer hummingbird rescue, but the path to survival is fraught with uncertainty and drama. Over the course of Sally Aitken’s intimate and moving documentary, we become invested in Terry’s hummingbird patients – including Cactus, Jimmy, Wasabi, Raisin, and Mikhail – celebrating their small victories and lamenting their tiny tragedies. Through the eyes of America’s busiest bird rehabilitator, each bird becomes memorable, mighty and heroic. As she nurtures the wounded hummingbirds back to health, Terry finds herself on her own transformative journey, unraveling a visually captivating and magical tale of love, healing, and the delicate beauty in tiny acts of greatness.

ABOUT THE FILMMAKER

Sally Aitken (Writer/Director)

SallyAitken_EveryLittleThing_director_photoJacquieManning_2

Sally Aitken is an Emmy® nominated director and writer, and a showrunner of multiple international series. Known for visually arresting work characterized by sensitivity and humor she relishes unknown stories and the world’s complexities. Her most recent feature, Every Little Thing, is her second feature film to debut in competition at the Sundance Film Festival following her 2021 Sundance hit, Playing with Sharks (Disney+). Following the remarkable life of maverick conservationist Valerie Taylor and her love affair with the ocean’s most terrifying predator, Playing with Sharks was named by The Hollywood Reporter as one of the 15 best films of the year. Sally’s debut feature, A Cinematic Life, about esteemed film critic David Stratton and his love affair with the movies, appeared in an official competition at the Cannes Film Festival in 2017. Sally was also nominated for the Camera d’Or. Other major works include directing The Pacific with Sam Neill, a 6-part television series with the actor and raconteur retracing Captain Cook’s voyages and the indigenous perspective on Cook’s impact. Her architectural films include Getting Frank Gehry (2015, BBC/ABC) with the iconoclast starchitect as well as Streets of Your Town (2016, ABC) for which Sally collected both the Australian Director’s Guild Award as well as the Australian Writer’s Award for Best Documentary series.

ABOUT TERRY MASEAR

(Participant)

EveryLittleThing_TerryMasear_headshot

Terry Masear has been running Los Angeles Hummingbird Rescue since 2004 and is the longest-practicing hummingbird rehabilitation expert in the country. Los Angeles Hummingbird Rescue receives five thousand calls each year and has been involved in the rehabilitation and release of 10,000 rescued hummingbirds in Southern California. The film Every Little Thing, based on Terry’s best-selling book, Fastest Things on Wings (2015), documents the trials and triumphs of a summer spent rehabilitating orphaned and injured hummingbirds in Los Angeles. The book has been featured by National GeographicHere & NowMSNBCLos Angeles Times and Washington Post.   Terry’s extensive rescue work has led to several remarkable discoveries about hummingbird breeding and nesting practices unknown to science. Terry received her PhD from UCLA and taught English as a Second Language and postgraduate research and writing at UCLA for twenty years. 

For more documentary coverage, click here!

‘GRAND THEFT HAMLET’ (2025) Shakespeare takes center stage in GTA, and earns a standing ovation.

MUBI logo

fest bannerGRAND THEFT HAMLET

Grand Theft Hamlet poster(2024) - www.imdb.com

 

In Pinny Grylls and Sam Crane‘s extraordinary documentary GRAND THEFT HAMLET, Mark and Sam, friends and out-of-work actors during London’s third Covid-19 lockdown, hatch a plan to put on the notorious play inside the action-adventure gaming world.

The entire concept of the film began as a creative outlet. The result is undeniably hilarious. The voyeuristic journey moves from amusing to genuinely intriguing and heartfelt. It’s strangely relatable, particularly for fellow performers grappling with the reality of their livelihoods being ripped away from them in an instant.

grand-theft-hamlet-286259-copySam and Mark try to entice an audience while simultaneously playing the game. GRAND THEFT HAMLET is hands down one of the most entertaining documentaries ever. Guns blazing, blood spraying, and lines of Shakespeare flying willy-nilly, it’s brilliant madness.

Sam and Mark deliver tangible performances for Shakespeare novices while attempting to make their idea a reality. Those who finally join in on the fun present the audiences, the one in the game and the one at home, with catharsis and joy. Auditions are captivating. This beautifully eclectic group of players *double entendre* mesmerizes with personal backstories and, ultimately, their storytelling skills.

Grand Theft Hamlet blimp(2024) - www.imdb.comHaving only witnessed clips of Grand Theft Auto through the years, I was blown away by the ability to customize the experience. It was both exhilarating and terrifying. It is something akin to a virtual vision board. (Yes, my theatre nerd girl roots are showing.) Could this be a new way to rehearse actors? The director in me has all the thoughts currently rushing into my brain.

GRAND THEFT HAMLET also grounds us in the truth of the pandemic’s isolation and sadness. Mark, Sam, and the cast delve into the play’s text as it pertains to current circumstances and life in general. It’s essentially a masterclass in performance and communication in more ways than you can fathom.

Grand Theft Hamlet cave(2024) - www.imdb.comOn the technical side of things, the editing and soundtrack are award-worthy. The film exemplifies the power of human connection when it was not possible in the physical world. It is a light in the ongoing darkness that often feels all-consuming. Sam’s plea from the film’s audition recruitment segment says it all. “You can’t stop art, motherfuckers!” GRAND THEFT HAMLET is the epitome of the creative community’s ability to bring hope.

GRAND THEFT HAMLET Trailer:


The SXSW Prize-Winning Documentary Opening in Theaters January 17, 2025 via MUBI

 

Directed by: Pinny Grylls and Sam Crane
Written by: Pinny Grylls and Sam Crane
Staring: Sam Crane, Mark Oosterveen, Jen Cohn
Producers: Rebecca Wolf and Julia Ton

89min | UK | Documentary
 
Synopsis: In the midst of the COVID-19 pandemic, two out-of-work actors, Sam and Mark, face a bleak future. Desperate for purpose, they stumble upon an idea: stage Shakespeare’s Hamlet within the ultra-violent world of Grand Theft Auto Online. Shot entirely in-game, GRAND THEFT HAMLET explores their attempt to merge classical theatre with a chaotic digital landscape. With stunning visuals and unexpected moments of reflection, this engaging documentary examines how ancient cultural narratives can still resonate in new, virtual spaces, raising questions about art, isolation, and the digital world’s potential for storytelling.

Winner:
SXSW  – Documentary Feature Competition
BIFA –  Best Debut Director (Feature Documentary) & Raindance Maverick Award
Sitges – Best Documentary 
Vancouver International Film Festival –  Audience Award
DMZ International Film Fest – Frontier Competition – Grand Prize

For more documentary coverage, click here!



 

‘THE DAMNED’ (2025) A haunting psychological horror that chills you to the bone.

vertical films logoTHE DAMNED

TheDamned_Theatrical-PosterYoung widow Eva endures a particularly harsh winter on an Icelandic fishing island. After the small population witnesses a shipwreck off their coast, Eva discovers a barrel of rations that have washed up on the beach. In desperation, our hungry villagers row their dingy through the icy waters in search of any further rations. Instead, they come upon a shocking number of survivors that swarm the boat. The fallout proves terrifying. Welcome to THE DAMNED.

 

The Damned ensembleThe chill of the environment flows through the screen. You cannot help but shiver and feel the inherent dread. THE DAMNED initially drips with melancholy but quickly navigates into total fear. Screenwriter Jamie Hannigan gives us a surprising feminist dynamic with Eva having the final say in the men’s actions. The narrative beautifully balances lore and madness. 

Odessa Young is captivating. As the horror progresses, so does her appearance. The sleepless nights and ceaseless tragedy take their toll physically. Young effortlessly commands your attention at every turn. What a star.

The Damned shadowThe cinematography swings from bleak, overcast skies to the darkest of nights, lit only by lanterns. The stark visual contrast provides a subconscious isolation. Practical FX are meticulous and brutal. THE DAMNED is a highly effective psychological horror, delving into fisherman’s superstitions, survival instincts, and guilt—a must-watch in the new year.

The Damned Trailer:

The Damned will be available in UK and Irish cinemas from 10th January 2025

 

Vertical has announced that Thordur Palsson’s ominous and chilling thriller The Damned will be released in UK and Irish cinemas from 10th January 2025. 
 
Starring Odessa Young (The Staircase, Mothering Sunday) and Joe Cole (Peaky Blinders, Gangs of London), The Damned is a tense psychological horror film that follows 19th-century widow, Eva. Tasked with making an impossible choice when a ship sinks off the coast of her isolated fishing outpost during the middle of an especially cruel winter.
 
With provisions running low, Eva and her close-knit community must choose between rescuing the shipwrecked crew and prioritizing their own survival. Facing the consequences of their decision and tormented by guilt, the inhabitants wrestle with a mounting sense of dread and begin to believe they are all being punished for their choices.
 
Following its premiere in November, the Cork International Film Festival 2024 awarded an Honourable Mention to The Damned commenting ‘The Damned is a juggernaut of a film, breathing fresh life into a well-trodden genre. Its powerful use of the landscape and compelling performances make it truly deserving of this Special Mention
 
The Damned OdessaDistributed By: Vertical
Theatrical Release Date: 10th January 2025
Short Synopsis: The Damned, an ominous and chilling thriller, follows Eve and her crew as they come across a shipwreck and are faced with the moral dilemma to either help, or prioritize their own survival.
Directed By: Thordur Palsson
Cast: Odessa Young, Joe Cole, Lewis Gribben, Siobhan Finneran, Francis Magee, Rory McCann, Turlough Convery and Mícheál Óg Lane
Run Time: 89 mins
Cert: TBC
 
For more thrillers, click here!
 

‘BIRDEATER’ (2025) Unhinged, toxic, and jarring brilliance.

Dark Sky Films LogoBIRDEATER

A Visually Striking Psychological Thriller From Australian Directing Duo Jack Clark and Jim Weir

birdeater poster

The debut feature of writer-directors Jack Clark and Jim Weir is unhinged. There is something off about Irene and Louie’s relationship. It is filled with emotional and psychological abuse, gaslighting, and lies. Louie is a control freak. He and Irene are a match made in trauma heaven. In BIRDEATER, the truth is a timebomb.  

Birdeater_DinnerEnsembleSecrets, awkward first meetings, hyper-toxic masculinity, and ketamine collide in one of the most one of the most tension-filled narratives I’ve seen. A stag week, including Irene, goes off the rails when the past and present come to light.

Birdeater_SamIreneThe script is a complex push and pull of who knows what and when. Forty minutes in a massive cloud of mystery looms over this bachelor weekend. Clark and Weir deliver characters that crawl under your skin and burrow into your brain whether you like it or not. This is what happens when a control freak loses control. 

Birdeater_LouieStagAggressive straight-to-camera looks feel like an invasion of the audience. Each one is more jarring than the next. The camera work is dizzying and immersive. The upbeat, celebratory soundtrack comes off as sinister amongst the feral behavior. The editing deserves an award. 

Birdeater_UteBush 2Performances are extraordinary. The ensemble cast nails every beat. Each character is loathsome in their own way, either because they are self-righteous, weak, or revenge-driven. The final 30 minutes are explosive. BIRDEATER will f*ck you up. 

Birdeater Trailer:

Opening In Theaters and on Digital Platforms January 10th



Official Film Synopsis:

A bride-to-be is invited to join her own fiancé’s bachelor party on a remote property in the Australian outback. But as the festivities spiral into beer-soaked chaos, uncomfortable details about their relationship are exposed, and the celebration soon becomes a feral nightmare.



IN THEATERS – JANUARY 10th

(additional theaters to be added)

Albuquerque: Guild Cinema

Austin: Alamo Drafthouse Mueller Austin Mueller

Boston: Alamo Drafthouse Boston Seaport

Chicago: Alamo Drafthouse Wrigleyville

Columbus: Gateway Film Center

Dallas: Alamo Drafthouse Denton

Denver: Alamo Westminster

Los Angeles: Alamo Drafthouse Downtown Los Angeles

Los Angeles: Laemmle Glendale

New York: Alamo Drafthouse Lower Manhattan

New York: IFC Center

Phoenix: Harkins Gateway Pavilions



ON DIGITAL – JANUARY 10th

Apple TV

Fandango at Home (US)

Google Play (US & CA)

Microsoft Movies & TV (US & CA)

Prime Video (US)



BIRDEATER

Directed by: Jack Clark, Jim Weir

Written by: Jack Clark

Produced by: Stephanie Troost, Ulysses Oliver

Language: English

Genre: Thriller

Distributor: Dark Sky Films

Run Time: 115 minutes

Cast: Birdeater_DinnerEnsemble

For more Thrillers, click here!

‘FROM GROUND ZERO’ (2025) A multi-hyphenate anthology inside war torn Gaza

FROM GROUND ZERO 

PALESTINE’S OFFICIAL SELECTION FOR THE 97TH ACADEMY AWARDS

From Ground Zero poster

Movie poster design by Chargefield Inc.

Our brains cannot fully process some things unless circumstances force them upon us. Even then, reality can be a cruel, unrelenting mistress. In producer RASHID MASHARAWI‘s heartwrenching film FROM GROUND ZERO, 22 short films from displaced citizens of Gaza expose the devastation, chaos, and seeds of hope. Raw storytelling from varying genres delivers all the emotion. The films range from three to six minutes, each having an extraordinary impact.

From Ground Zero No SignalFootage from those rescued from collapsed buildings, unimaginable loss, children caught in a tornado of violence, every film is immersive and visceral. The bravery and passion of the filmmakers are on full display. The viewing experience is heavy, inspiring, and vital, particularly for those who believe we should stop funding humanitarian efforts abroad. Amongst turmoil on American soil, we should thank our lucky stars for the privilege of honoring the ongoing courage, compassion, and unity of the Gazan people. FROM GROUND ZERO is a must-watch.

Below, you can find the breakdown of each film.

From Ground Zero Soft Skin


FROM GROUND ZERO Trailer:

PRODUCED BY RASHID MASHARAWI
A COLLECTION OF 22 UNTOLD SHORT STORIES FROM FILMMAKERS LIVING THROUGH WAR IN PRESENT-DAY GAZA
In Theaters January 3, 2025 

 

2024 Official Selection – Toronto International Film Festival

2024 Official Selection – Boston Palestine Film Festival 

2024 Official Selection – Middle East Now Firenze

2024 Official Selection – DC Palestinian Film & Arts Festival

2024 Official Selection – Urban World

From Ground Zero Taxi Wanissa

Official Synopsis:

22 Palestinian filmmakers living through war capture their lives in Gaza over the past year, revealing stories beyond the headlines. Their work offers a striking view of life’s fragility and the resilience of love in the face of devastation. 

Each film, ranging in length from three to six minutes, presents a unique perspective on the current reality in Gaza. The project captures the diverse experiences of life in the Palestinian enclave, including the challenges, tragedies, and moments of resilience faced by its people. Using a mix of genres including fiction, documentary, docu-fiction, animation, and experimental cinema, From Ground Zero presents a rich diversity of stories that reflect the sorrow, joy, and hope inherent in Gazan life.

Despite harsh filming conditions, Gaza’s vibrant artistic scene shines through this stunning anthology film, which offers an intimate and powerful portrait of daily life in modern-day Palestine – and the enduring spirit of its people.

 

OPENING JANUARY 3RD

The full list of openings can be found here: https://fromgroundzero.url.film/

FROM GROUND ZERO
Producer and Project Supervisor: Rashid Masharawi
Executive Producer: Laura Nikolov
Editors: Denis Le Paven, Pauline Eon
Editor and Post-Production Supervisor: Denis Le Maven
Sound Designer and Mixer: Sarah Fasseur-Leroux
Production Coordinator (Gaza): Yafa Masharawi
Production Coordinator (France): Alexis Auffret
Graphic Designer: Ala’ Abu Ghoush
Music By: Naseer Shamma
Produced by: Masharawi Fund for Films and Filmmakers in Gaza and Coorigines Production
Language: Arabic with English Subtitles
Genre: Documentary
Country: Palestine, France, Qatar, Jordan
Distributor: Watermelon Pictures
Run Time: 112 minutes

The Filmmakers
PART ONE
Reema Mahmoud – “Selfie” 
Reema Mahmoud, a Palestinian film director specializing in women’s and youth issues, has directed over twenty films. With a BA in Media and Communication and diplomas in Palestinian Studies and film production, she has won several awards, including the 2020 Creative Woman Award and the 2021 Best Short Film Award.
 
Muhammad Al Sharif – “No Signal” 
Muhammad Al Sharif, based in Gaza, holds a Business Administration degree and a Cinema Diploma. He is an actor and director, known for the short film Min Wen Lawen, hosting Shobak Al-Balad, and acting in Chi Ann Blaze of Fury. He has extensive training in acting, cinematography, and film production.
 
Ahmed Hassouna – “Sorry Cinema” 
Ahmed Hassouna, a film director under siege and bombardment in northern Gaza, was a cinema buff before the war, passionately working in the industry, following it, and studying it closely. He made many feature and short films, earning the nickname “Cinema Marathon” due to his restless pursuit of cinematic art.
 
Islam Al Zeriei – “Flashback” 
Islam Al Zeriei, born in Gaza, is a skilled TV and documentary filmmaker with a diploma in TV Arts from Palestine College. She has extensive experience in video and photo editing, and has worked with various organizations including Ashtar for Theatre Productions and the Women’s Affairs Center. Al Zeriei is proficient in Adobe software and active in media advocacy.
 
Mustafa Kolab – “Echo”
He was born in September 1972. He is a professional with fifteen years of experience in the production of animated films. He uses animation methods for psychosocial interventions with children. He ran the Fekra Arts Institute in Gaza for ten years and worked in theatre productions.
 
Nidal Damo – “All is Fine”
Nidal Damo, born in 1971 in Nuseirat, Gaza, is a theatre director and actor. He directed several children’s plays and acted in notable works like All is Well and Sarah. He holds a BA in Social Work from Al-Quds Open University and trains in drama and psychological
support.
 
Khamis Masharawi – “Soft Skin” 
Khamis has worked on numerous films in the field of decoration. He is a set designer and children’s animation trainer. He is one of the founders of the Fekra Foundation in Gaza, which trains children to engage with the film industry as a form of art therapy.
 
Bashar Al Balbisi – “Charm” 
Bashar Al Balbisi, a Palestinian from Gaza, is an accomplished dance trainer. He coordinates cultural initiatives and choreographs performances, specializing in traditional and contemporary dance. With experience in educational and cultural institutions, he actively promotes Palestinian heritage through dance and community engagement.
 
Tamer Nijim – “The Teacher” 
Born in Gaza in 1991, Tamer is a theatre and television artist at Ashtar for Theatre Productions and Training. He holds a BA in Media from Al-Azhar University and a diploma in Acting and Theatre Training. He has participated in numerous local and international theatre productions and festivals.
 
Ahmed Al Danaf – “A School Day” 
Ahmed Al Danaf, born in Gaza in 1999, is a Palestinian videographer and photographer. He holds a degree in Multimedia from Al-Azhar University and has worked with numerous media organizations including the BBC, ABC News, and Oxfam. Ahmed specializes in documentary filmmaking and media production.

 

Alaa Islam Ayoub – “Overload” 
Alaa Islam Ayoub, a Gaza-based content writer and filmmaker, holds a bachelor’s degree in physiotherapy from IUG. Experienced in SEO, literary content, and documentary scripts, Alaa also works as a podcast host and voiceover artist, contributing to various media and academic projects.
 
PART TWO
Karim Satoum – “Hell’s Haven” 
Karim Satoum was born and lives in Gaza. He has taken many courses in theatre and has been working as an actor for five years. He has taken part in many plays. Heaven’s Hell
is his first short film.
 
Alaa Damo – “24 Hours” 
Alaa Damo, a Palestinian from Gaza, has a BA in Public Relations. With seven years’ experience in the arts, he specializes in therapeutic art for children and has worked extensively with local institutions to promote creative expression and peace building through the arts.
 
Aws Al Banna – “Jad and Natalię”
Aws Al Banna, 26, from Gaza, is a television and theatre actor, drama teacher, playwright, and director. He studied theatre and his notable works include the series Milad Al-Fajr, Shuhud, and Darb Al-Fida and plays such as Al-Ramadiyun and Rashomon Gate. He has received awards for his children’s theatre projects.
 
Rabab Khamis – “Recycling”
Rabab Khamis, born in Gaza in 1997, is a multimedia specialist with a diploma in digital media. She has directed children’s plays and worked as a drama and psychological support trainer. Khamis has acted in various productions and has skills in Adobe, Microsoft Office, CorelDRAW, and others.
 
Etimad Washah – “Taxi Wanissa”
Based in Gaza, Palestine, Etimad Washah was the Video Program Coordinator at the Women’s Affairs Centre (2001-2018). She is a director of documentary and fiction films on women’s issues, a trainer in cinematography and editing, and has directed women’s film festivals and student film projects.
 
Mustafa Al Nabih – “Offerings” 
Mustafa, a Palestinian writer and director, has published novels and plays, directed 25 plays for children and adults, and created numerous documentaries. He has collaborated with various international channels, won 25 awards, and served as a jury member in many film festivals.
 
Hana Eleiwa – “No”
Hana, a passionate journalist from Gaza City, is the founder and director of Hana Agency, specializing in visual, audio, digital and multimedia services. She manages the digital channel Hona Al Dafa, advises The Al-Fakhoura\Project, and lectures at the University College of Applied Sciences.
 
Wissam Moussa – “Farah and Myriam”
Wissam, born in 1981 in Deir Al Balah, Gaza, is a Palestinian filmmaker and public relations manager at Fursan Al Erada Radio. He has directed several acclaimed films, including 15 in Gazafor Al-Jazeera English, and has participated in numerous international film festivals and conferences.
 
Basel El Maqousi – “Fragments” 
Born in Gaza in 1971, Basel is a visual artist and freelance photographer. He studied art at the YMCA Gaza and attended the Daratal Fununsummer academy. Winner of the Charles Asprey Award and a UNESCO scholarship, he has exhibited internationally and teaches at the Jabalia Rehabilitation Society.
 
Neda’a Abu Hasna – “Out of Frame” 
Neda’a, an experienced Palestinian news editor and presenter, holds a Masters Degree in Audiovisual and Cinema from Carthage University and a Bachelors Degree in Mass Communication from Al-Aqsa University. She has extensive experience in radio, film, and news editing.
 
Mahdi Kreirah – “Awakening” 
Mahdi is a puppet maker and puppeteer who runs a puppet theatre in Gaza. He has produced many plays for children and his productions have been featured on many television programs. He conducts workshops for children to train them in puppet-making and puppeteering.
 
 
MORE ABOUT FROM GROUND ZERO
 
THE INITIAL CONCEPT
From Ground Zero was created by filmmaker Rashid Masharawi and designed to give a voice to the people of Gaza and to document their day-to-day experiences, many of which often go unheard by the outside world



In a war-torn society, where artistic creation is extremely complex, the project sought to capture the diversity of perspectives of Gazans through slice-of-life short films, ranging anywhere from three to six minutes in length. Filmmakers were allowed to tell their story through any genre and cinematic storytelling platform, from fiction to documentary to animation.


SELECTION AND CREATION OF THE FILMS
In order to ensure quality and coherence, a dedicated selection committee was set up to ensure the viability of the short films pitched to be included in the From Ground Zero Project. The committee evaluated every project submitted, giving priority to personal, original stories that focused on the project’s overall message.

Once the 22 projects had been selected, the committee worked closely with the filmmakers to ensure their proper development, from concept to production – tackling real-world obstacles that filmmakers outside of Palestine would never have to consider.

The creation of From Ground Zero required meticulous organization. Tutors based in the Middle East and Europe supervised the projects, while experienced coordinators on the ground in Gaza ensured the technical and human resources needed for filming.

For more film festival favorite features, click here!

‘YOUNG WERTHER’ (2024) A modern take on Goethe’s tragic love triangle, with an audacious turn from Douglas Booth.

YOUNG WERTHER

YOUNG-WERTHER_POSTER_Date

Based on Johann Wolfgang von Goethe‘s smash hit 1774 novel, YOUNG WERTHER follows an ambitious man’s journey to win the heart of an engaged woman he only just met. Nothing will stand in his way of winning her heart, even if it destroys his. Filmmaker José Avelino Gilles Corbett Lourenço delivers a delightfully funny adaptation of an 18th-century tragic romance. 

Young WertherAn unspoken competition begins between the two gentlemen, with Charlotte being the prize. Werther ingratiates himself into their lives based on his instant infatuation. That is what makes YOUNG WERTHER so intriguing. You cannot help but settle into the sheer audacity of a character, living vicariously through his fearless nature. 

Paul is Werther’s hypochondriac best friend along for the ride. Jaouhar Ben Ayed tethers this role with sweet honesty and quirky physicality. He is a vital foil for our leading man. Iris Apatow is Charlotte’s sister Sissy. Her crush on Werther gives him the in with everyone. Apatow’s innocent energy beautifully balances Pill’s forced adulthood. 

Young WertherPatrick J. Adams is endlessly charming as Charlotte’s fiance, Albert. Adams’ genuine demeanor and the fact that he plays a lawyer again (Thank You Suits) makes him perfectly cast. His mature approach makes Albert all the more inviting.

Alison Pill gives Charlotte a lovely, grounded aura. The eldest of six younger siblings, to whom she is guardian, has had her self-care on the back burner for years. Werther brings her joy, filling a hole she didn’t know existed. Alison Pill is deliciously vulnerable. 

Young WertherWerther is a wealthy eccentric walking a fine between swoon-worthy and obnoxious narcissist. Douglas Booth grabs your attention from the first frame. His authentic hyper-fixation of experiencing things here and now is infectious. Booth has the energy of a Golden Retriever who is happy to see you at the end of the day. He is captivating. 

Rushmore, Cruel Intentions and Igby Goes Down would be brilliant companion watches. The soundtrack is Chef’s Kiss. The dialogue is giggle-inducing. YOUNG WERTHER tackles emotional affairs, self-sabotage, the recklessness of youth, and unresolved childhood trauma with humor and complexity. It’s a gem. Stick around for the credits. 

Young Werther Trailer:


YOUNG WERTHER will be in Theaters, On Digital and On Demand December 13, 2024.

 

YOUNG WERTHER is directed and written by José Avelino Gilles Corbett Lourenço (Hollow Bones, “The Hour”). The film stars Douglas Booth (Pride and Prejudice and Zombies, LOL), Alison Pill (Scott Pilgrim vs. the World, Goon), Iris Apatow (Funny People, Knocked Up) and Patrick J. Adams (“Suits,” Clara).

SYNOPSIS: Patrick J. Adams, Douglas Booth and Alison Pill star in this romantic comedy based on the classic smash hit novel of tragic romance. While on a simple errand to Toronto, a carefree and charming young writer named Werther stumbles across the love of his life only to discover that the young woman is engaged. Despite the urgings of his hypochondriac best friend, Werther turns his world upside down in a desperate, misguided and hilarious quest to win her heart.

 

Run Time: 101 minutes    Rating: R

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‘THE MAN IN THE WHITE VAN’ (2024) A frightening tale based on true events and a stark warning for all

relativity media logoTHE MAN IN THE WHITE VAN

The Man In The White Van poster

Filmmaker Warren Skeels brings a terrifying film based on events in 1970s Florida with THE MAN IN THE WHITE VAN. Annie is the middle child in a family very much concerned with her becoming a proper young lady. She is more concerned with being validated in her indivisibility and perhaps the new boy in town. When she notices a white van following her around town, her family accuses her of making up stories.

The Man In The White Van 1The script has an underlying “Boy Who Cried Wolf” (but with a young girl at the center) while simultaneously reminding audiences to believe women. It is a clever mix. The film cuts back and forth in time, showing us glimpses of abductions of women and girls by the mostly faceless serial perpetrator. Years crank by forwards and backward in a creative transition of rusted numbers.

The score is jarring in the best way possible. Ominous closeups from inside the van make your skin crawl. Classic tropes work like gangbusters. Skeels slowly reveals more details of each abduction, building the intensity for an inevitable run-in with Annie.

The Man In The White Van 2Sean Astin and Ali Larter, playing Annie’s traditional parents, deliver pitch-perfect portrayals of the times. Brec Bassinger is fantastic as the eldest daughter, Margaret. Deemed the pretty people pleaser, her chemistry with Madison Wolfe solidifies the emotional stronghold of the family dynamic. Wolfe gives Annie all the vulnerability, pure innocence, and bravery we want from this character. She is endlessly fierce and a joy to watch. Wolfe owns the film.

The Man In The White Van 3There is no escaping the terror. It is a meticulously crafted script of anxiety-drenched moments. THE MAN IN THE WHITE VAN is a film every parent needs to see, every husband who thinks his wife is being paranoid. It is a warning and a perfect example of gaslighting women experience daily. Stick around for the credits.


THE MAN IN THE WHITE VAN Trailer:

IN U.S. THEATERS FRIDAY DECEMBER 13th

Directed and Co-written by: Warren Skeels

Starring: Madison Wolfe, Brec Bassinger, Skai Jackson, Ali Larter, and Sean Astin

BASED ON A TRUE STORY.

In 1975 Florida, a series of violent disappearances go unnoticed, and young Annie (Madison Wolfe) is targeted by an ominous white van that stalks her every move. As the menace escalates, her parents dismiss her fears, and Annie is soon plunged into a terrifying nightmare that shatters her world.

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‘YEAR 10’ (2024) A frightening glimpse into humanity’s darkness. What can we learn from this dialogue-less apocalyptic thriller?

Blue fox LogoYEAR 10

Year 10 poster

In a post-apocalyptic world of cannibals, a man (Toby Goodger) fights wild dogs, nature, and a violent tribe to save his love (Hannah Khalique-Brown) and avenge his father (Duncan Lacroix).


Filmmaker Benjamin Goodger brings audiences a pulse-pounding apocalyptic thriller in YEAR 10. After the world has turned to cannibalism, one man embarks on a dangerous journey of vengeance and medicine to save the woman he loves. 

Year10_Grab000002Somber natural lighting sets the tone for Year 10 from the get-go. The sweeping and ominous score plunges us deep into this near-future reality of sadness and violence. The team raises the bar even further by including heartbeat sounds, heavy drums, and dazzling strings. 

year 10 still 2The film is a genuine family affair. Scan the credits for the many Goodgers involved in this magnificent production. Charlie Googger‘s handheld camera work is immersive and beautifully choreographed.  Year 10 is quite a feat. This feature-length film with zero dialogue captivates with stunning performances wrought with panic and desperation. Toby Goodger is outstanding. His furious passion and fearless energy carry the entire movie. 

year 10 Toby goodgerThe script juxtaposes two survival styles, one of heart and kindness, and the other savagely selfish and brutal. The lack of dialogue never lessens the intensity. If anything, it allows raw emotion to convey each beat. YEAR 10 taps into the best and worst of humanity’s most feral instincts.


Year 10 Trailer:

YEAR 10 – Intense Apocalyptic Thriller In theaters and on VOD December 6th


Genre: Horror/Sci-fi / Apocalyptic Thriller
Distributor: Blue Fox Entertainment
Production company: Family Pictures
Directed by: Ben Goodger
Written by: Ben Goodger
Produced by: Bill Kenwright
Executive Producers: David Gilbery, Naomi George
Cast:Toby Goodger, Duncan Lacroix, Hannah Khalique-Brown, Luke Massy, Emma Cole, Alexander Anderson, King Gayle, Jessica Zerlina-Leafe, Tom Gaskin
Logline: In a post-apocalyptic world, a man battles cannibals and wild dogs to save his love and avenge his father.
Synopsis: 10 Years after the fall of civilization, cannibalism has become the only option for humanity’s dwindling survivors. When a violent tribe murders his father and steals the medicine keeping his love interest alive, our protagonist must embark on a treacherous journey battling the elements, packs of vicious wild dogs, and the cannibal group, or else lose the only thing he has left.

IMDB: https://www.imdb.com/title/tt21154574
Runtime: 97 minutes
Country: UK
Language: English

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‘DREAM TEAM’ (2024) An homage that rides the bit to the bitter, coral-covered end.

Yellow Veil Updated logoDREAM TEAM

Dream Team poster

Filmmakers Lev Kalman and Whitney Horn bring us an absurdist homage to 90s basic cable TV thrillers. DREAM TEAM follows the episodic escapades of two hot West Coast INTERPOL agents who uncover an international, interspecies mystery involving psychic coral, a sexually suggestive scientist, and an invisible coworker with a very vindictive streak. Do you remember when you used to fall asleep in front of the television in middle school and wake up at 2 am only to find some weird low-budget movie playing? DREAM TEAM takes you back in a time machine of half-awake ideas and visual nostalgia.

Dream team NoAgents No and Chase (Esther Garrel and Alex Zhang Hungtai) leisurely follow the trail of deaths but mostly sport tight clothes and make innuendos. The script occurs in episodes featuring a repeated title sequence and undeniably clever cheeky titles.

The 16mm cinematography is Chef’s Kiss, from the extreme handheld close-ups to the shaky handheld everything else. The editing by Whitney is a masterful fever dream of overlapping superimposed fades and soft-core imagery (many aquarium shots. A lot.) The amount of B-roll outnumbers the actual plot. Each element nails the 90s aesthetic, with appropriately absurd costumes and a wealth of black light.

Dream team 1The script is intentionally utter nonsense. If you want to learn about coral, DREAM TEAM is your jam. Performances across the board are spot-on for mediocre porn overdramatics. I feel like watching on mushrooms would be an experience. There are so many moments of WTF I lost count 30 minutes in. At that point, it is best to throw your hands up and tell yourself, “Sure, why not?” My favorite scene involves an invisible coworker. I was also thankful for the break in what I assume are meant to be channel surfing breaks in the narrative pattern.

Dream team 2It is easy to see why Jane Schoenbrun acts as executive producer. The neon color pops are right up her alley. Listen, coming from someone who starred in two of these things many years ago – do not even try to look that shit up on the internet, I will hunt you down- DREAM TEAM owns the bit. The question remains whether audiences will tolerate it for 90-plus minutes.

 

The trippy, surreal, sci-fi/comedy
DREAM TEAM
opens at Metrograph NYC on Nov. 15th
 
The acclaimed 16mm satire of 90s softcore action is produced by I SAW THE TV GLOW writer/director Jane Schoenbrun
 
 

The third audacious feature from Lev Kalman and Whitney Horn (L FOR LEISURE, TWO PLAINS & A FANCY), DREAM TEAM once again blends the filmmakers’ wild genre pastiches into sociopolitical parables, creating a truly unforgettable – and beautifully weird – cinema experience. The critically-acclaimed sci-fi/comedy debuted at 2024’s International Film Festival Rotterdam and stars Esther Garrel and Alex Zhang Hungtai.

An absurdist homage to ’90s basic cable TV thrillers, DREAM TEAM follows the episodic escapades of two hot West Coast INTERPOL agents who uncover an international, interspecies mystery involving psychic coral, a sexually suggestive scientist, and an invisible coworker with a very vindictive streak.

DREAM TEAM kicks off a retrospective of Kalman and Horn’s filmography at the Metrograph in New York City. Their previous two features will play In Theater as part of the “Retro-Futurism: The Films of Lev Kalman & Whitney Horn” series, and screen via Metrograph At Home.

Distributed by Yellow Veil Pictures, the satirical sci-fi/comedy is produced by Lev Kalman, Whitney Horn, Sarah Winshall, Pierce Varous, and I SAW THE TV GLOW director Jane Schoenbrun.

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‘HIPPO’ (2024) Weirdness overdrive with a side of satire.

Kinematics logoHIPPO

Hippo - MAIN POSTER

Mark H. Rapaport‘s curious tale of two step-siblings struggling to come of age amongst sexual urges for each other. HIPPO is a deadpan satire is like nothing else.

Rapaport and star Kimball Farley serve as co-writers. They give Hippo a precocious vernacular similar to the dialogue in Dawson’s Creek but with a darker edge. The absurdity of the narrative works because the siblings are homeschooled. It’s genuinely perfect in this era of online indoctrination of our male youth. It is incel heaven.

(L
-
R) Kimball Farley as “Hippo” and Lilla Kizlinger as “Buttercup” in the
dark
comedy,
HIPPO
, a
Kinematics
release. Photo courtesy of Kinematics.

(L-R) Kimball Farley as “Hippo” and Lilla Kizlinger as “Buttercup” in the dark comedy, HIPPO, a Kinematics release. Photo courtesy of Kinematics.

Eliza Roberts, wife of our narrator Eric Roberts, is hilarious as mother Ethel. Her eternally optimistic attitude is incredible. Jesse Pimentel is ceaselessly smarmy as Craigslist predator Darwin.

Lilla Kizlinger as “Buttercup” in the
dark
comedy,
HIPPO
, a
Kinematics
release. Photo
courtesy of Kinematics.

Lilla Kizlinger as “Buttercup”  Photo courtesy of Kinematics.

Lilla Kizlinger delivers a delightfully morose performance as 17-year-old, Buttercup. Desperate for physical connection, her urges bend in a dangerous direction. Kizlinger is flawless.

Kimball Farley gives the titular role a quirky and dramatic overtone that captures the unfiltered chaos of a teenage boy’s mind. He bleeds toxic masculinity that is so over the top it is humorous. It reads incel. He is fantastically punchable.

Kimball Farley as “Hippo” in the
dark
comedy,
HIPPO
, a
Kinematics
release. Photo
courtesy of Kinematics.

Kimball Farley as “Hippo” Photo courtesy of Kinematics.


The film occurs in 1994, and the production team nails the aesthetic with wardrobe and props. The delicious black-and-white cinematography and the cartoon-like score are perfection. Overall, HIPPO is an irreverent look at adolescence and a hyper-antiquated personification of gender roles. Also, it’s weird as hell.

Trailer:

HIPPO will be available in select Theaters on Nov. 8.

 

The film was written by Mark H. Rapaport (The Scary of Sixty-First) and Kimball Farley (Andronicus) and was directed by Mark H. Rapaport. It stars Kimball Farley, Lilla Kizlinger (Semmelweis), Eliza Roberts (National Lampoon’s Animal House), and Eric Roberts (Runaway Train).

It examines the coming-of-age of two step-siblings: Hippo, a video-game-addicted teenager, and Buttercup, a Hungarian Catholic immigrant with a love of classical music and Jesus. Like the Ancient Greek Aphrodite, Buttercup’s love is unrequited by a brother who prefers to indulge in the art of war and chaos. The result is a hormone-fueled, tragicomic waking nightmare that must be seen to be believed. 

Run Time: 100minutes | Rating: Not Rated

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‘DARUMA’ (2024) The healing power of kindness and the importance of representation shine bright.

DARUMA

Daruma_KeyArt_10_Simplified

Director Alexander Yellen and writer Kelli McNeil expand their 2018 short film of the same name to glorious big screen life. DARUMA tells the story of, Patrick, a bitter wheelchair user, discovering he has a four-year-old daughter from a forgotten fling. He quickly learns that he cannot parent her as she needs and enlists the help of his cantankerous neighbor Robert (double amputee) to transport her to live with her maternal grandparents on the other side of the country.

daruma PatrickDaruma deals with addiction, PTSD, and redemption in an honest way. There is zero sugarcoating. Immersive camera work helps place the viewer in Patrick’s emotionally injured mindset by placing the camera in his lap whenever he gets intoxicated in a club. Yellen’s overall cinematography is spectacular. His choice to mix follow shots, close-ups, and stunning drone footage while our players embark on their road trip captures Daruma’s vulnerability and heart.

Little Victoria Scott gives Camilla authentic sweetness. She’s a lovely addition to this cast. Barry Bostwick lends his unassailable talent to Daruma. Whatever role he plays, you can bet on some seriously affecting moments.

daruma RobertJohn W. Lawson is undeniably charming as curmudgeonly neighbor Robert. His nuanced backstory is the perfect foil for Tobias Forrest. You’ll fall in love with him. Forrest gives his all, leaning into Patrick’s flaws and working to find his suppressed humanity. Forrest nails each beat. He and Lawson share relatable chemistry. It’s a dramedy duo you didn’t know you needed.

Yellen and McNeil deliver a genuine road movie with struggles and hopeful healing vibes. If you aren’t welling up by the film’s ending, check your pulse. Representation is vital to authentic storytelling. The world needs more films like DARUMA. The film will be honored at the Directors Guild of America on Dec. 9th at the first-ever Indie Awards. It is much-deserved recognition.

The film will be screening for a week in theaters in Los Angeles, New York, Chicago, DC, and Minneapolis Nov 15 – 21, 2024.  

 

 
ABOUT THE FILM: 
Executive produced by 2X Oscar winner Peter Farrelly, DARUMA tells the story of, PATRICK, a bitter wheelchair user, discovering he has a four-year-old daughter from a forgotten fling. He quickly learns that he cannot parent her as she needs and enlists the help of his cantankerous neighbor ROBERT (double amputee) to transport her to live with her maternal grandparents on the other side of the country.
 
CNN said the film is the first authentically cast film in US film history to star two leads with disabilities in a narrative not about overcoming disability and on September 9th, our filmmaking team was invited to an event at the White House to celebrate the 34th signing of the ADA. 
 
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‘LOST ON A MOUNTAIN IN MAINE’ (2024) A family-friendly true story of survival.

Blue fox Logo

LOST ON A MOUNTAIN IN MAINE

lost on a mountain in Maine posterBased on the harrowing true story and book of the same name, Andrew Boodhoo Kightlinger’s Lost on a Mountain in Maine follows 12-year-old Donn Fedler‘s nine-day journey lost in the wilderness. When a father-son hike goes awry, Donn must fight to survive.

Lost-on-a-Mountain-in-MaineThe film opens with archival footage of one of the 1939 searchers as he describes the danger of the terrain. More interviews interspersed throughout the narrative, with Donn’s childhood friend and brother Ryan, reinvigorate your emotional investment. Idan Menin‘s cinematography, Andrew Drazek‘s editing, and Garth Stevenson‘s truly affecting score come together beautifully.

lost on a mountain in maineCaitlin Fitzgerald delivers a lovely performance as Ruth Fedler. She captures that mother-child bond perfectly. Ruth’s relentless efforts to find help are inspiring, and Fitzgerald nails her calm ferocity. Paul Sparks, who I loved as gangster Mickey Doyle in Boardwalk Empire, plays Don Sr. with a much-needed complexity. Fitzgerald and Sparks have a genuinely sweet chemistry. 

lost on a mountain in MaineLuke David Blumm is outstanding as our lead, Donn. He is spirited and charming, effortlessly filling the frame with each fully fleshed-out beat. He’s a star.

Lost on a Mountain in Maine is a solid family film highlighting not only Donn’s extraordinary story but masculinity, fatherhood, childhood, and marriage in a timeless fashion. I can see this becoming a fantastic learning tool for The Scouts. Lost on a Mountain in Maine is a tale of perseverance and faith whose final moments are heartwarming and celebratory.

LOST ON A MOUNTAIN IN MAINE Trailer:


A Moving and Inspiring Family Adventure Film From Producer Sylvester Stallone

In Theaters Nationwide This Friday,
November 1st!
World Premiere – 2024 Maine International Film Festival

Directed by: Andrew Boodhoo Kightlinger
Written by: Luke Paradise
Produced by: Sylvester Stallone, Braden Aftergood, Dick Boyce, Ryan B. Cook
 
Starring: 
Luke David Blumm (“The Watcher”)
Paul Sparks (“House of Cards”)
Caitlin FitzGerald (The Trial of the Chicago 7, “Succession”)
Griffin Wallace Henkel (Armageddon Time)
Ethan Slater (Universal’s upcoming Wicked)
 
Based on the book by the same name, the film tells the inspiring story of a 12-year-old boy, who, separated from his family by a fast moving storm, must fight to stay alive during his nine-day adventure lost in the backwoods of Maine.
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‘CELLAR DOOR’ (2024) A solid thriller with a killer ending.

lionsgate logoCELLAR DOOR

cellar door poster

Director Vaughn Stein brings us CELLAR DOOR. Following a loss, couple John and Sera seek a new beginning. A mysterious man offers to gift them his elegant home. But, it comes with one unusual caveat. They must never open the cellar door.

Laurence Fishburne is Emmett Claymore. His iconic presence and voice offer equal parts comfort and sinister edge. Scott Speedman is John. This anxiety-soaked performance keeps you on the edge of your seat, reeling you into the slow-creeping plot. Jordana Brewster is Sera. She offers enthusiasm and hope through her grief, which feels wholeheartedly inspiring. Writers allow her to pull off an illusion that makes the film something special. Speedman and Brewtser’s chemistry is solid.

Cellar Door Pictures - Rotten Tomatoes - www.rottentomatoes.comThe set is marvelous. Wood-paneled rooms mixed with modern updates, a sprawling terrace, and an exterior straight out of Great Expectations, the audience falls in love with the house at first glance.

Screenwriters Sam Scott and Lori Evans Taylor toy with our emotions. The mystery simmers, and what we don’t see creates a boundless tension. The plot has sprinkles of What Lies Beneath and Gone Girl, focusing on themes of temptation, betrayals, secrets, and boundaries. CELLAR DOOR delivers a classic, tense build-up of scenarios, boasting a delicious final twist. It’s the best of the Faustian subgenre.

Cellar Door Trailer:

In Select Theaters and On Digital November 1st

Directed by: Vaughn Stein

Written by: Sam Scott & Lori Evans Taylor

Starring: Jordana Brewster, Scott Speedman, Laurence Fishburne

Produced by: Tom Butterfield, John Papsidera, Craig Perry, Sheila Hanahan

~

Rating: R
Genre: Horror, Thriller
Runtime: 97 Mins

Looking for a fresh start after a miscarriage, a couple (Brewster and Speedman) find themselves being gifted the house of their dreams from a wealthy homeowner (Fishburne) with one caveat – they can never open the cellar door. Whether they can live without knowing triggers shocking consequences.

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‘GHOST GAME’ (2024) Scary scenarios combine for one entertaining spooky season watch. On VOD today!

dread logoGHOST GAME

ghost game poster

Jill Gevargizian (Aka Jill Sixx) brings us her sophomore feature, GHOST GAME. A group of internet thrill seekers bounces from house to house, playing pranks on the owners, all while stealthily spending as many nights there as possible. Laura convinces her new boyfriend to join her at the notorious Halton House, a place with a horrific past.

The mixed visual approach engages us with reenactments, surveillance footage, Travel Channel-esque ghost story TV spots, and DP Justin Brooks’s immersive real-time cinematography. The FX team does an excellent job.

Ghost Game Pictures - Rotten Tomatoes - www.rottentomatoes.comI have mad love for The Stylist, so it’s no surprise that GHOST GAME entertained the hell out of me. I’ve been following the film since its inception since I’m “internet friends” with Jill and cast member Emily Bennett (Alone With You). As broad as the horror community is, it’s also incredibly small, in the best way. Ps-in case you already didn’t know, they both rule. Genre filmmaking from a femme-centric lens hits differently.

Speaking of Emily, her performance as a protective mother is drastically different from her previous roles. Meg is life-weary as they arrive at the new house. Watching Bennett navigate Meg’s arc is oh-so-satisfying. She is securing her spot as a Scream Queen.

ghost game atticAs an Autism Parent, Vienna Maas does a lovely job portraying Sam, a child on the spectrum. Writer Adam Cesare handles it with such care. I genuinely appreciated both the delicate touch and the representation, so cheers.

Sam Lukowski is Laura’s hyper-aggressive Ghost Game partner, Adrian. Lukowski’s toxic masculinity seeps from his pores. His demise is welcome. Zaen Haidar is her boyfriend, Vin. His performance improves as the plot thickens and the character grows a pair.

ghost game camera footageAidan Hughes is hands down one of the best players in this ensemble. His chameleon shifting is bone-chilling. Kia Dorsey gives Laura a fearless passion. She begs your attention in the morally grey area she exists in. She effortlessly leads this large cast, and I look forward to whatever comes next. Casting directors, get your eyes on her ASAP.

GHOST GAME combines three separate storylines to create an increasingly tense buildup. To be clear, this is not a found footage film, it’s a screen life clout film told from a way more intriguing angle. It’s a solid watch for Spooky Season.

GHOST GAME Trailer:

Epic Pictures’ specialty horror label DREAD presents GHOST GAME, following a couple’s internet challenge that turns fatal as they trespass into a haunted house, facing sinister evils lurking within its walls. GHOST GAME will have a limited theatrical run beginning October 18, and on October 22 the film will be available to rent or purchase on video-on-demand (VOD). The film will be available on Blu-ray beginning December 10.

GHOST GAME is the second directorial feature from Jill Gevargizian, best known for her feature debut THE STYLIST, which developed from an award-winning short film of the same title and debuted in 2020 from Arrow Video. GHOST GAME premiered at Panic Fest 2024 where Gevargizian won the audience award for Best Director.

Epic Pictures CEO Patrick Ewald says, “Jill’s debut film THE STYLIST was nothing short of transformative, a truly one-of-a-kind experience. So, I knew she’d infuse GHOST GAME with her signature spine-tingling brilliance. Her vision is as daring as it is haunting, and we can’t wait for audiences to be utterly captivated by this electrifying DREAD original.”

“It was a dream to tackle two iconic horror sub-genres at once: a home invasion thriller mixed with a classic haunted house film.” says director Jill Gevargizian. “GHOST GAME is the kind of film that keeps you on your toes, peeling back layer after layer until the very last frame.”

The official synopsis for the film reads: As part of an internet challenge to live undetected in a stranger’s home, a daring couple target an infamous haunted house and endure a series of chilling incidents as they witness a family descending into madness.

GHOST GAME is directed by Jill Gevargizian (The Stylist) and written by Adam Cesare (Last Night at Terrace Lanes). Starring Kia Dorsey (The Man in the Guesthouse, Secrets in the Building, A Date with Deception), Zaen Haidar, Michael C. Williams (The Blair Witch Project), Emily Bennett (Shelby Oaks, Alone With You), Sam Lukowski (Satanic Hispanics), and Vienna Maas (The Stylist). Produced by Eduardo Sanchez (The Jester, Blair Witch 2: Book of Shadows, Queen of the South), Carlo Glorioso (Satanic Hispanics, V/H/S/2, The Jester), Corey Okouchi (The Jester, Butterfly Kisses, Ninjas vs. Monsters) and Jamie Nash (V/H/S/2, Satanic Hispanics).

About Epic Pictures Group
Founded in 2007, Epic Pictures is an independent content studio with the mission of delivering the best-in-class genre entertainment “for fans, by fans.” Epic Pictures produces, finances, and distributes approximately twenty-thirty independent genre films a year. In 2013, the company established Epic Pictures Releasing which is its US focused distribution division. In 2017, Epic Pictures acquired the world’s most popular horror website, Dread Central, and launched its unique horror label, Dread, followed by its AVOD channel, DreadTV. In 2019, Epic Pictures started the horror gaming site, DreadXP, with a focus on editorial, reviews, podcasts, and original streaming content. In 2020, DreadXP began a video game production and publishing division in collaboration with some of the most innovative developers in the independent gaming space.

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‘LA COCINA’ (2024) As complex as Shakespeare and an ode to those behind the scenes.

Willa logoLa Cocina

La Cocina poster(2024) - www.imdb.comBased on the 1957 stage play The Kitchen by Arnold Wesker, filmmaker Alonso Ruizpalacios brings LA COCINA to the big screen. This exquisite drama follows the staff at a restaurant in Times Square and the coordinated (and uncoordinated) chaos behind the scenes. It is a beautiful character study that will punch you in the gut.

The black and white cinematography from Juan Pablo Ramirez screams stage play in all the best ways. Mixed with intimate closeups and follow shots, it is an intricately choreographed dance boasting framing that will linger long after the credits roll. 

The opening monologue sets the scene for the city’s chaotic reality. The dialogue is funny, authentic, and brutal. Performances are top-notch across the board. The delicious ensemble cast nails every beat. 

Motell Foster plays dessert chef, Nonzo. His philosophical kindness makes him something like the Gandolf of the kitchen. Foster is magnificent. Oded Fehr plays The Grill’s owner with an overbearing swagger that slowly spoils as the plot thickens. Fehr delivers the irony of the American Dream. 

La Cocina still

Laura Gómez lives in her role as a waitress on her first day. Gómez’s intensity is transformative. Anna Diaz gives Estela the wide-eyed, tentative nature that represents the inner voice of the entire staff. 

Rooney Mara plays Julia with a fiery sass and life-weathered exhaustion. Raúl Briones delivers humor and depth as Pedro. His cheeky personality is a facade for unresolved trauma. Mara and Briones have a fierce chemistry akin to Beatrice and Benedick in Shakespeare‘s Much Ado About Nothing. But it is Raúl Briones who owns the heart of this brilliant film. This performance is nothing short of award-worthy.

LA COCINA confronts racism and socioeconomic privilege head-on. The script challenges cultural boundaries. The characters are a melting pot that perfectly captures the true essence of the city and, quite frankly, America. Any real New Yorker will tell you that at any given moment, LA COCINA is happening in real time. It’s an unforgettable emotional rollercoaster

A Film by Alonso Ruizpalacios 

Starring Rooney Mara and Raúl Briones 

  October 25 / Angelika, NY
November 1 / Laemmle Monica, LA
followed by a national theatrical release

La Cocina Logo 7T095119.060SYNOPSIS: It’s the lunch rush at The Grill in Manhattan, and money has gone missing from the till. All the undocumented cooks are being investigated, and Pedro (Briones) is the prime suspect. He’s a dreamer and a troublemaker, and in love with Julia (Mara), an American waitress who cannot commit to a relationship. Rashid, The Grill´s owner, has promised to help Pedro with his papers so he can “become legal”. But a shocking revelation about Julia compels Pedro to spiral into an act that will stop the production line of one of the city’s busiest kitchens once and for all.

La Cocina is a tragic and comic tribute to the invisible people who keep our restaurants running and our stomachs full, whilst chasing a perhaps unreachable version of the American dream.

WRITER & DIRECTOR: Alonso Ruizpalacios, based on the play “The Kitchen”, by Arnold Wesker
PRODUCERS: Ramiro Ruiz, Gerardo Gatica, Alonso Ruizpalacios, Lauren Mann, Ivan Orlic
DIRECTOR OF PHOTOGRAPHY: Juan Pablo Ramírez
CAST: Raúl Briones, Rooney Mara, Anna Diaz, Motell Foster, Oded Fehr, Eduardo Olmos
U.S. Distributor: Willa
Mexico, U.S. / English and Spanish / 139min


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‘THE LINE’ (2024) Frat boy shenanigans, danger, and loyalty. Alex Wolff leads a slick drama that will infuriate you.

utopia logoTHE LINE

The Line poster

Director Ethan Berger’s Tribeca 2023 film THE LINE hits theaters this week. The film follows Tom, a scholarship student desperately seeking the approval of his fraternity brothers and the perks that encircle them. After starting a relationship with classmate Annabelle, a girl his peers find unsuitable, Tom finds himself trapped between tradition and danger.

the line 1The script never shies away from the cringiest of frat behavior. Don’t feel bad for your repeated eye rolls. The soundtrack is perfect for 2014.

the line 2Austin Abrams gives pledge O’Brien a much-needed vulnerability within the hyper-toxic masculinity but also counters with his own brand of hideous aggression. Much like Tom’s, his facade is more nuanced than at first glance. Abrams is great as he challenges the system. Bo Mitchell plays Tom’s roommate Mitch Miller with an infectious exuberance. He’s a hurt kid who overcompensates for not fitting in. Mitchell is spectacular.

The-LineAlex Wolff instantly became a legend in Hereditary. As Tom, he plays both sides of the card. Tom is a genuinely good person and a weak sheep, and Wolff pulls it off effortlessly by digging into Tom’s unresolved trauma. He delivers an emotional rollercoaster for the audience.

the line Alex wolffTHE LINE has an authenticity that is infuriating, which is a compliment. It touches on privilege in a marvelously slick manner. The film boasts a finale that is nothing short of perfect. THE LINE is a film that every parent should watch and something every frat brother should acknowledge.

The Line Trailer:

Opens in select theaters on October 18th,
expands on October 23rd

Synopsis

The Line is a campus thriller that plunges into the dangerous world of college fraternities and blind adherence to tradition.



Alex Wolff stars as Tom, a scholarship student desperate to break free from his working-class background who is charmed by the prestigious KNA fraternity’s promises of high social status and alumni connections that open doors. But upon beginning a romance with Annabelle (Halle Bailey), a classmate outside of his social circle, and the manipulative schemes of his fraternity president (Lewis Pullman) unfolding during the hazing of new members, Tom finds himself ensnared in a perilous game of ambition and loyalty.



About the Director



Ethan Berger was born and raised in Los Angeles. He has his B.A. in Film Studies from Wesleyan University. He started his career as an editor before transitioning to writing and directing commercials. He’s made nationally televised spots for brands like Jordan Brand and Stella Artois and web spots for Nike and Intel. He was a writer and a producer on the 8-part mini-series “More Than an Athlete” for ESPN, chronicling the rise of LeBron James, Mav Carter, Rich Paul, and Randy Mims. His debut narrative The Line, which he wrote and directed, premiered at Tribeca Festival in the summer of 2023.


Director: Ethan Berger

Screenwriters: Ethan Berger, Alex Russek

Producers: Alexandre Dauman, Jack Parker, Adam Paulsen, Lije Sarki

Executive Producers: Taylor Grant, Zack Purdo, Ramanan Sivalingam, Dustin Zhang, Magnus Rausing, Ryan Alexander, Stacey Grant, Jay Van Hoy, Marc Porterfield

Cast: Alex Wolff, Lewis Pullman, Halle Bailey, Austin Abrams, Angus Cloud, Bo Mitchell, Cheri Oteri, Scoot McNairy, Denise Richards, John Malkovich

Cinematographer: Stefan Weinberger

Production Designer: Francesca Palombo

Costume Designer: Akua Murray-Adoboe

Editor: Ted Feldman

Composer: Daniel Rossen

Casting Director: Chris Freihofer

Country: United States

Language: English

Runtime: 100 minutes

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‘STOLEN TIME’ (2024) A shocking and urgent call for justice.

STOLEN TIME
stolen time poster

Canadian lawyer Melissa Miller is a hero. She is fighting for those who cannot fight for themselves. Helene Klodawsky’s STOLEN TIME uncovers the gross negligence surrounding long-term care nursing homes and the people hellbent on making the corporations behind them pay.

Stolen Time, Melissa Miller, lawyer specializing in elder law. Photo credit_ Image from the film - Courtesy of National Film Board of Canada.Stories from staff, families, and residents tell tales of daily transgressions that build over time, ranging from laundry, food choice, incontinence care, medication changes, falls, and worker burnout due to understaffing. The film utilizes beautiful, childlike drawings as transitions and storytelling devices. Cell phone videos of neglect will break your heart. Photos of resulting abuse may take your breath away.

Stolen Times, Melissa reviews footage from a long-term care room camera. Photo credit_ Image from the film - Courtesy of National Film Board of CanadaThen COVID-19 and 2020 made things so much worse. Once their failures are exposed, the government protects nursing homes from lawsuits sighting the pandemic and loss of workers. In each case, once regulations appear, they apply only to staff and never to the corporations behind the individual homes. These workers are the essential piece of the puzzle between a new standard of care and honoring their relentless efforts to do the right thing. The film delves into racism, the reductive overview of the profession, the label “women’s work,” and how simple changes would make all the difference.

stolen time protestThe corporate lawyers use vile tactics to diminish their role, often attacking the family members with shaming language. Melissa explains this by giving her clients mock cross-examination examples to emotionally prepare them for what is coming in litigation. Another way they try to determine litigation is to delay and then drown Melissa and her team in documents. By giving her the runaround, they hope she will give up. They don’t know Melissa Miller.

StolenTime_10294900_72dpiThe personal connections between legislation and privatization will shock no one. STOLEN TIME lays it out for you. The systemic failure, profit over people, no regulatory oversight, long-term residents are unnecessarily suffering. STOLEN TIME is about accountability and justice. The goal is an overhaul of the system. When we say long-term care, the keyword should still be “Care.”


Watch the trailer HERE. 

STOLEN TIME opens in theaters today!

 

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‘BAD GENIUS’ (2024)A gripping thriller that will keep you on the edge of your seat.

vertical films logoBAD GENIUS

Bad-Genius_Theatrical_Onesheet_V2_FINAL

Several years after the college admissions scandal comes a film that will undoubtedly pique your interest. JC Lee‘s heart-pounding film BAD GENIUS follows overachiever scholarship student Lynn and her tight circle of elite private school classmates as they devise a way to cheat the biggest test in history.

BAD_GENIUS_Still 8What begins as a favor to one morphs into a financial opportunity for Lynn. Using her staggering math skills, Lynn initially creates a secret code to pass test answers to a small group of acquaintances. As the scheme grows, so does the danger. The stakes get even higher when the SATs come around. Lynn must recruit help from the only other student needing tuition funds. A borderline insane plan comes with a price tag bigger than any dollar amount.

The screenplay is fast-paced and undeniably thrilling. It constantly twists, leaving your heart in your throat. You will root for the morally ambiguous behavior, specifically in Bank and Lynn’s cases. I would love to see the storyboarding and progression of the story from its earliest conceptions. It is a skillfully crafted script by Lee and Julius Onah, working through tropes for an entirely engrossing narrative.

This cast is fantastic. Benedict Wong plays Lynn’s hardworking widower father. He is a lovely addition to the film. Performances from Jabari Banks and Callina Liang are the anchors. Banks delivers vulnerable energy that perfectly mirrors his character’s backstory. Liang effortlessly leads, giving Lynn a slick confidence from start to finish. Focusing on a whip-smart female lead is a winning strategy.

BAD_GENIUS_Still 2The script begs the broader question, “Why should three hours on a Saturday morning determine the rest of our lives?” In a system that is entirely rigged by and for the wealthy, why not beat them at their own game? Some systems deserve to break. BAD GENIUS will captivate audiences who have testing PTSD and parents who know it’s coming for their kids. It boasts a deliciously satisfying finale. Tens across the board. A must-see.

BAD GENIUS Trailer:

RELEASING THIS FRIDAY, OCTOBER 11TH

DIRECTOR:

J.C. Lee

 

WRITER: 

J.C. Lee & Julius Onah

 

FEATURING:

Callina Liang (Tell Me Everything)

Benedict Wong (Avengers:Infinity War

Jabari Banks (Bel-Air)

Taylor Hickson (Motherland: Fort Salem)

 

EXECUTIVE PRODUCERS

Julia Hammer
Sian McArthur
Pascal Breton
Lionel Uzan
Wesley R. Edens 
Benedict Wong 

 

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‘THE OUTRUN’ (2024) Stunning page to screen memoir of addiction and redemption.

THE OUTRUN

The Outrun poster

Based on journalist and author Amy Liptrot’s 2016 memoir, Nora Fingscheidt‘s THE OUTRUN stars Saoirse Ronan as a young woman who returns home to Orkney after completing an alcoholic rehabilitation program in London.

The editing by Stephan Bechinger is a triumph. The structure bounces from before, during, and after rehab, often noted by Rona’s dye-dipped locks and general demeanor. The film delves into the outside judgment of those who have never experienced addiction.

the outrunSaoirse Ronan narrates the constant temptation in scientific terms while scenes of alcoholic behavior play against her words. Rona’s work in rehab is beautifully juxtaposed with her nature work in Orkney. This narrative device becomes a repeated reprieve from her reality. It feels poetic.

The dizzying handheld camera work while Rona is intoxicated mirrors her physical state. Paired with sprawling cliffs and coastlines of Orkney, it is stunning cinematography by Yunus Roy Imer. John Gürtler and Jan Miserre‘s collaborative score is beautiful.

the outrun 2Saoirse Ronan is spectacular, delivering a raw portrait of a fractured and flawed woman. Rona is incredibly lonely, seeking genuine human connection. When drunk, she is emotionally abusive. Saoirse explores every facet of sickness and redemption. It is a nuanced turn. Give her an Oscar already.

Perhaps the most heart-wrenching part of THE OUTRUN is the study of cyclical addiction and the loss of youth. It is a magnificent portrait of interconnected self-reflection, healing, and forgiveness.

THE OUTRUN Trailer:

In Theaters October 4, 2024

Starring Saoirse Ronan, Paapa Essiedu, Stephen Dillane, Saskia Reeves
 Directed by Nora Fingscheidt
 Screenplay by Amy Liptrot & Nora Fingscheidt
Produced by Sarah Brocklehurst, Dominic Norris, Jack Lowden, Saoirse Ronan
Executive Produced by: Claudia Yusef, Kieran Hannigan, Maria Logan, Anne Sheehan, Luane Gauer, George Hamilton, James Pugh, Janina Vilsmaier


Based on the memoir by Amy Liptrot

After a decade away in London, 29-year-old Rona (Saoirse Ronan) returns home to the Orkney Islands. Sober but lonely, she tries to suppress her memory of the events which set her on this journey of recovery. Slowly the mystical land enters her inner world and – one day at a time – Rona finds hope and strength in herself among the heavy gales and the bracingly cold sea. Based on the bestselling memoir by Amy Liptrot, who co-wrote the screenplay with Fingscheidt, THE OUTRUN is an acutely honest drama about addiction and recovery.

RT: 118 Minutes

 

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