SHUDDER CELEBRATES HALFWAY TO HALLOWEEN WITH A KILLER LINEUP OF NEW FILM PREMIERES INCLUDING RECORD-BREAKING HIT LATE NIGHT WITH THE DEVIL, CREATURE FEATURE INFESTED AND SUPERNATURAL HORROR BAGHEAD
Programming Event Timed to Shudder TV Launch on AMC+ with LIVE
Viewing Parties for New Films, Marathons and All-New Episodes of Popular Series The Last Drive-In with Joe Bob Briggs
NEW YORK, NY – April 1, 2024 – April showers scare up new horror films and series on Shudder, AMC Networks’ premium streaming service for horror, thriller and the supernatural, for its annual Halfway to Halloween horror-thon. Too much fun to celebrate just once a year, the streamer celebrates the halfway point to Halloween every April with a killer lineup of Shudder Original Film premieres, LIVE viewing parties for Shudder’s Original series The Last Drive-In with Joe Bob Briggs, and more. The horror celebration is timed to Shudder TV’s launch on AMC+ with new events including marathons of signature series and LIVE watch parties for new film premieres.
Fans are invited to follow along on @shudder social for #HalfwaytoHalloween recommended films to watch all month long.
Shudder’s Halfway to Halloween highlights include:
Baghead (Shudder Exclusive Film)
New Film Premieres Friday, April 5
Following the death of her estranged father (Peter Mullan), Iris (Freya Allan) learns she has inherited a run-down, centuries-old pub. She travels to Berlin to identify her father’s body and meet with The Solicitor (Ned Dennehy) to discuss the estate. Little does she know, when the deed is signed, she will become inextricably tied to an unspeakable entity that resides in the pub’s basement–Baghead–a shape-shifting creature that can transform into the dead. Two thousand in cash for two minutes with the creature is all it takes for desperate loved ones to ease their grief. Neil (Jeremy Irvine), who has lost his wife, is Iris’ first customer. Like her father, Iris is tempted to exploit the creature’s powers and help desperate people for a price. But she soon discovers breaking the two-minute rule can have terrifying consequences. Together with her best friend Katie (Ruby Barker), Iris must battle to keep control of Baghead and figure out how to destroy her, before she destroys them.
The Last Drive-In with Joe Bob Briggs Season 6 (Shudder Original Series)
LIVE Watch Parties Continue Every Other Friday, April 12 and April 26, on Shudder TV and AMC+ TV
The supersized sixth season continues with all-new episodes rolling out biweekly on Shudder and AMC+.
Late Night with the Devil (Shudder Original Film)
New Film Premieres Friday, April 19; LIVE Watch Party at 9pm ET
October 31, 1977. Jack Delroy’s syndicated talk show ‘Night Owls’ has long been a trusted companion to insomniacs around the country, but a year on from the tragic death of Jack’s wife, ratings have plummeted. Desperate to turn his fortunes around, Jack plans a Halloween special like no other, unaware he is about to unleash evil into the living rooms of America. Starring David Dastmalchian (Oppenheimer) and Laura Gordon (Reckoning).
Infested (Shudder Original Film)
New Film Premieres Friday, April 26; LIVE Watch Party April 27 at 9pm ET
Director Sébastien Vanicek makes his feature film debut with a story that follows Kaleb, who is about to turn 30 and has never been lonelier. He’s fighting with his sister over a matter of inheritance and has cut ties with his best friend. Fascinated by exotic animals, he finds a venomous spider in a bazaar and brings it back to his flat. It only takes a moment for it to escape and reproduce, turning the whole place into a dreadful web trap. Starring Théo Christine (Suprêmes), Finnegan Oldfield (Final Cut), Jérôme Niel (Smoking Causes Coughing), Sofia Lesaffre (Les Misérables) and Lisa Nyarko.
Other Shudder TV Programming Stunts (all times are ET):
The Boulet Brothers’ Dragula – All five seasons airing back-to-back beginning 6:00am on April 6 through April 9.
101 Scariest Movie Moments of All Time – Back-to-back episodes airing 6:00am-9pm on April 13
Creepshow – Seasons 1-4 airing back-to back beginning 6:30am on April 15 through April 16.
Hell House LLC and V/H/S Franchises – All films from two iconic film franchises air back-to-back from 1:30pm-1:30am on April 17 and 1:45pm-1:30am on April 18.
Nature Nightmares – Dig into the scary side of Mother Nature with nature-themed horror in honor of Earth Day beginning April 20 at 6:40am through April 22.
The Last Drive-In Halloween Special Marathon – Check out all the tricks and treats with Joe Bob Halloween specials all day long beginning 5:30am on April 26, leading up to an all-new episode at 9pm ET.
Halfway to “Halloween”– Celebrate the six-month countdown to our favorite holiday with two full days of Halloween-themed films beginning April 29 at 6:45am through April 30.
OTHER NEW ADDITIONS TO SHUDDER THIS MONTH
April 1
The Terror Season 2 – Full Series Binge
Set during World War II, the second season of The Terror centers on a series of bizarre deaths that haunt a Japanese American community, and a young man’s journey to understand and combat the malevolent entity responsible. Starring George Takei (Star Trek).
Mute Witness – Streaming Film Premiere
From director Anthony Waller (An American Werewolf in Paris), a mute makeup artist working on a slasher movie being shot in Moscow, is locked in the studio after house. While there, she witnesses a brutal murder and must escape capture.
The Gates – Streaming Film Premiere
A serial killer has been sentenced to death by electric chair in London in the 1890s, but in his final hours, he puts a curse on the prison he’s in, and all of those in it.
Drag Me to Hell
A loan officer who evicts an old woman from her home finds herself the recipient of a supernatural curse. Desperate, she turns to a seer to try and save her soul, while evil forces work to push her to a breaking point.
Ghost Stories (2017)
After receiving a file with details of three unexplained cases of apparitions, skeptical professor Phillip Goodman embarks on a terrifying trip.
The Rental
Two couples rent a vacation home for what should be a celebratory weekend getaway.
At the Devil’s Door
A real estate agent finds herself caught up in something sinister when she has to sell a house with a dark past and meets the troubled teen who used to live there.
The Wind
A plainswoman faces the harshness and isolation of the untamed lad in the Western frontier of the late 1800s.
Summoning Sylvia
A gay bachelor party turns spooky when sinister spirits are suddenly summoned.
Madman
A legendary psychopathic murderer stalks a summer camp.
*The Last Drive-In: Madman episode also available
Spookies
A wicked sorcerer tries to sacrifice a group of people inside his house with the intention of using their vitality to keep his wife alive.
*The Last Drive-In: Spookies episode also available
Creepshow (1982)
Five grisly tales from a kid’s comic book about a murdered father rising from his grave, a bizarre meteor, a vengeful husband, a mysterious crate’s occupant, and a plague of cockroaches.
April 4
Wake Wood
The parents of a girl who was killed by a savage dog are granted the opportunity to spend three days with their deceased daughter.
Emelie
A couple’s replacement babysitter turns out to be more than they bargained for when she subjects their kids to a series of twisted activities.
April 8
Children Shouldn’t Play with Dead Things
Six friends in a theatrical troupe dig up a corpse on an abandoned island to use in a mock Satanic rite. It backfires with deadly consequences.
The Third Saturday in October
When a psycho goes on a murderous rampage after surviving a botched execution, only two survivors of his initial attack can stop him.
The Third Saturday in October Part V
Follow an implacable killer as he stalks and butchers the occupants of houses across the stretch of one lone country road while the residents prepare to watch a yearly college-football bout.
April 15
The Tunnel
An investigation into a government cover-up leads to a network of abandoned train tunnels deep beneath the heart of Sydney. As a journalist and her crew hunt for the story, it quickly becomes clear the story is hunting them.
The Tunnel: The Other Side of Darkness
On the 10th anniversary of the Australian found footage film The Tunnel, this documentary delves into the filmmakers endeavors to challenge how films are financed and distributed, and the lasting impact The Tunnel had internationally.
April 22
The House of the Devil (2009)
In 1983, financially struggling college student Samantha Hughes takes a strange babysitting job that coincides with a full lunar eclipse. She slowly realizes her clients harbor a terrifying secret, putting her life in mortal danger.
*The Last Drive-In: Joe Bob’s Dinners of Death: The House of the Devil episode also available
The Innkeepers
During the final days at the Yankee Pedlar Inn, two employees determined to reveal the hotel’s haunted past begin to experience disturbing events as old guests check in for a stay.
The Changeling (1980)
After the death of his wife and daughter in a car crash, a music professor staying in a long-vacant Seattle mansion is dragged into a decades-old mystery by an inexplicable presence in the mansion’s attic.
*The Last Drive-In: Joe Bob’s Dinners of Death: The Changeling episode also available
Final Cut (aka Death Games)
A reporter and his girlfriend follow around a famous actor/entrepreneur and discover some dirt on him to be made public.
13th Floor
As a child, a girl witnessed her father electrocute a young boy. When she grows into an adult, the ghost of the murdered boy appears to her, and together they set out to expose the crimes of her father.
About Shudder
AMC Networks’ Shudder is a premium streaming video service, super-serving members with the best selection in genre entertainment, covering horror, thrillers and the supernatural. Shudder’s expanding library of film, TV series, and Original Content is available on most streaming devices in the US, Canada, the UK, Ireland, Australia and New Zealand. Over the last few years, Shudder has introduced audiences to groundbreaking and critically acclaimed films including Rob Savage’s HOST, Jayro Bustamante’s LA LLORONA, Phil Tippett’s MAD GOD, Coralie Fargeat’s REVENGE, Joko Anwar’s SATAN’S SLAVES, Josh Ruben’s SCARE ME, Kyle Edward Ball’s SKINAMARINK, Christian Tafdrup’s SPEAK NO EVIL, Chloe Okuno’s WATCHER, Demián Rugna‘s WHEN EVIL LURKS, and the latest in the V/H/S film anthology franchise, as well as the fan favorite TV series THE BOULET BROTHERS’ DRAGULA, Greg Nicotero’s CREEPSHOW, and THE LAST DRIVE-IN WITH JOE BOB BRIGGS.
EXHUMA
An ancient evil affects the firstborn children of a wealthy family with uncontrollable wailing in their dreams. Eager to cash in, a team of macabre experts takes on this new client. As they dig deeper into this unique case, the usually confident group discovers they are in over their heads. In EXHUMA, that’s only the beginning of this horrifying tale.
Performances are magnificent across the board. This spectacular multi-generational ensemble cast delivers engrossing mystery and terror. The script unfolds in chapters, like a how-to guide dealing with the underworld. Descriptions of rituals and occupational titles come in narration from the team. This creative storytelling immerses the audience in what feels like an inevitable tragedy. Complicating things further are the secrets our wealthy family hides. Genre fans will have a field day with horror canon balanced with the slightest touch of humor and serious gore. It is beyond compelling.
Mixing tradition and superstition combined with an ominous score makes the hairs on your arms stick straight up. It’s a multi-sensory watch. EXHUMA deserves your full attention from the very first frame. There is so much meat on the bone. Expanding this world almost certainly feels possible and welcome. At its current runtime of two-plus hours, viewers would eat up more stories from this team. Their chemistry is magic, and a franchise would delight fans. The twists and turns keep coming. EXHUMA is undeniably one of the most intriguing cinematic experiences of the year.
Visit the official film page: 
DIG! XX
To find out more information on all things Sundance 2024, head to 
Mark-Paul Gosselar plays Brookes, the groundskeeper. His dominant physical presence and the fact that he bears a resemblance to Alex make him an intriguing addition to the narrative. Virginia Madsen plays cousin Mags, a woman who knows more about the family history than Sofia wants to hear. She delivers a precise amount of eerie mystery. Ryan Kwanten is Alex, Sofia’s husband. Kwanten gives the role a frightening aura while simultaneously settling into the physical trauma left behind by the accident. These dual traits allow his acting chops to shine bright, especially considering the little dialogue Alex has. Natalia Cordova-Buckley gives Sofia a perfect balance of determination, frustration, and emotional trauma to keep you perched on the edge of your seat. Her raw vulnerability takes you on a journey that most women will find surprisingly relatable.
A CREATURE WAS STIRRING
Scout Taylor-Compton is Liz, a religious fanatic drifter. Alongside Connor Paolo playing her brother Kory, they seek shelter by breaking into Faith and Charm’s house. These two deliver solid chemistry and provide a weighty anchor that completely counters the energy of Metz and Basso. You will love to hate them for vastly different reasons, but it’s much deeper than you can imagine.
Annalise Basso is Charm. An isolated and soulful take on the role, Basso takes late teen angst and manifests it into a physical performance that wows. Chrissy Metz confidently tackles the role of Faith, a nurse, and mother of a daughter who has a deadly condition. A former addict, her nuanced navigation of an impossible scenario is astonishing. Riddled with guilt and endless determination, Metz brings a fearlessly badass Mama to life. 
The lighting and camera work are fantastic. The film’s opening shot pacts an emotional punch. The dialogue is slick and dripping with innuendo. The volley between religion and science intertwined with comic book and horror canon. Don’t even attempt to guess where Shannon Wells‘ script is going because it is increasingly batshit by the minute. The practical FX made me audibly yelp over and over. When you see it, you won’t be able to remain silent. With quick homages to IT and POLTERGEIST, this creature feature meets addiction metaphor boasts a twisted ending darker than you are ready for.
As of today’s Halloween launch day, the platform will feature over thirty titles, including those from indie distributors Oscilloscope, Dark Star, Dark Sky, Dekanalog, Utopia, Yellow Veil Pictures, and others. Titles include Jane Schoenbrun’s 
In EMPIRE V, the two primary notions of Vampirism are Glamour and Discourse. They essentially break down to look and influence. Blood holds all the memories of the human it comes from and arrives differently than we’ve become accustomed to. 
The CGI transition pieces serve as history lessons and sexy vampire propaganda. I’ve never seen anything like it outside of high-tech, immersive video games. Even the closing credits have an elegance and visual splendor akin only to Netflix’s The Crown. 
The fight choreography is Matrixlike. The entire film echoes Neo’s training. It holds equal complexities, no doubt captivating a similar audience. If I didn’t know any better, EMPIRE V would fit perfectly into the list of films featured in the new doc 
Family tension grows after the unexpected suicide of the family matriarch. Manuel begrudgingly moves in with his son, granddaughter, and bitter daughter-in-law. As the temperatures outside rise, so does the mind-boggling behavior of Manuel and the rest of the octogenarian population.
A shockingly violent moment halfway through jolts an audience now accustomed to the eerie din of quietly disturbing imagery. The Elderly shines in the power of visual suggestion, shadow play, reflections, and long lingering takes.
Folk horror goes hard in this tale of possession and superstition. Writer-director Demian Rugna‘s WHEN EVIL LURKS pits fear and skepticism against an unrelenting demonic force. That’s only the beginning. 
The script reveals itself in bits and pieces, with the plot having ties to some apocalyptic lore affecting entire towns. We learn of a set of rules that are cannon to this happening from generations preceding our main characters. Take David Robert Mitchell’s IT FOLLOWS, add a page out of Stephen King‘s IT, and you’ll begin to understand what you’re dealing with. Somehow, WHEN EVIL LURKS is nastier and even more shocking. The script also suggests that cities were targets first, but there is also an implication that class is somehow involved. There are also what amounts to slayers, a select group of people who confront the evil known as “Cleaners.” There is so much meat on the bone in this script that despite the urge to hide your eyes, it compels you to watch it unfold.
One standout performance comes from Emilio Vodanovich as Jari, Pedro’s autistic son. As a mother of a child on the spectrum, I genuinely believed they had cast an actor with autism. It is a startling performance. Demian Soloman gives Jimi an authentic heart. A lot is going on behind those eyes. Ezequiel Rodríguez has your heart in your throat from beginning to end. His portrayal of Pedro runs the emotional gambit. He nails it. Rugna gives Jimi and Pedro enough depth and trauma that Soloman and Rodríguez could pull off a sequel in a heartbeat. 
Pablo Fuu‘s music is brilliantly disturbing, particularly in the repeated hard rock guitar riff. Holy Special FX, Batman! WHEN EVIL LURKS pulls no punches with the visual ick. Marcos Berta‘s work is gag-inducing and diabolical. It makes you angry and nauseous. The dialogue is often vile and biting but entirely hypnotizing as you discover more. The brutality grows from one scene to the next. WHEN EVIL LURKS is easily one of the most deranged films of the year. Rugna has broken all the rules. There is no coming back from this one.
The film directly follows 2022’s Death on the Nile and finds Detective Poirot enjoying retirement within the canals of Venice. His services are still in great demand (as evidenced by the constant line of hopeful clients) but he has lost his faith. When he is approached by his old friend and novelist Ariadne Oliver (Tina Fey, in a thinly veiled nod to author Agatha Christie), we know it can’t be long before the body count begins to climb.
While the characters are thin, the atmosphere and cinematography of the film are incredibly lush – they are the real stars of the show. I would have bet you good money this film had a different cinematographer from the last two – the difference in style is night and day. But it is still Haris Zambarloukos at the helm, so all I can say is keep it up! Venice does a lot of the heavy lifting, of course, but there’s more to it than that. The first two films leveraged green-screen extensively, whereas Haunting is grounded and has a sense of place. The tone of the film is much more focused, and almost every scene contains rich imagery. I loved the way the suspense of the potential supernatural was implied in every scene – walls and windows of the palazzo creak and seem alive in a manner reminiscent of old Hollywood. No need for CGI thrills here. How great was the imagery? I could watch this movie with absolutely no dialogue and still enjoy myself immensely.
Cinematographer Hazem Berrabah offers striking juxtaposing visuals of sheep grazing on open fields next to grey concrete structures. Half-built complexes with their innumerable exposed rebar present like monsters bearing sharp teeth and long claws. 
The defiance by detectives keeps your attention steady. No one wants to be told they cannot do their job. Performances from stars Fatma Oussaifi and Mohamed Houcine Grayaa are spellbinding. Their moody and grounded work feels personal and devastating. Oussaifi’s reaction to the overwhelming amount of misogyny hits hard. The writing is hard to shake, a compliment for writer-director Youssef Chebbi and co-writer François-Michel Allegrini.
WHERE THE DEVIL ROAMS
Paiffe
TRIBECA FESTIVAL 2023 brings thrills, mystery, comedy, fantasy, you name it, there is something for everyone. This year’s lineup features Joe Lynch‘s latest, Suitable Flesh, Gabriela Cowperthwaite‘s I.S.S., and David Duchovny‘s Bucky F*cking Dent. Let’s get into a few of the films we are dying to get our eyeballs on this year.
Directed by: Steve Buscemi
FIRST WAVE OF TITLES FOR ITS 27th EDITION
FROM BLACK
Anna Camp plays Cora. She is unrecognizable in this role. Audiences usually recognize her perky personality and blonde hair. Raven-haired and emotionally battered, Cora brims with complexity. Camp allows herself to dive deep into grief and regret. It is an out-of-the-box performance for her, and she is magnificent. I’d love to see her in more dark roles. She can handle them.
Ezra Buzzington is the hard-line skeptic as Paul. Clad in his Magor’s uniform bespangled with medals, his bristly approach to patriotism is all too familiar even now. His audibly growing disdain makes the audience squirm. Jeremy Holm is Archie. He has the perfect touch of panache from his slicked-back hair, mustache, and crimson jacket. His looming figure, combined with his humor, creates a dazzling performance.
Pure O
Raging Grace (United Kingdom)
Another Body
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