Shudder Original review: ‘BLOOD RELATIVES’ is a quirky vampire family comedy you can sink your teeth into. I already want a sequel.

BLOOD RELATIVES

After her mother’s death, Jane tracks down her elusive dad to avoid foster care. When Jane unearths the truth about her father’s past, she demands a relationship, leading the estranged father-daughter team to take a road trip like no other. Oh, also, he’s a vampire. A unique take on the monster genre combined with a family road trip drama makes BLOOD RELATIVES one of a kind.

Victoria Moroles is Jane. Her precociousness is spot a delight. Segan gives her dialogue deliciously reminiscent of Dawson’s Creek, i.e., she is far too eloquent for fifteen. Her chemistry with Segan is comfortable and endlessly amusing. Her takedown of the film’s misogynist energy is chef’s kiss.

Josh Ruben (who also produces) plays Roger Fieldner. A patient who distinctly resembles Bram Stoker‘s Renfield. Kudos to Segan for the character name scramble. It is a role only Ruben could own. After witnessing his sycophantic behavior, I cannot imagine anyone else doing Roger justice. There is a reason he has become a scream king in the past few years. He is the best.

Writer-director-star Noah Segan plays Francis as a Yiddish-spewing loaner. His penchant for a happy-go-lucky attitude is more function over form. We learn about his deep-seated loneliness and unresolved trauma, which creates an equally funny and tragic persona. Segan gives a star-making performance.

The film occurs predominantly at night for obvious reasons. The use of moonlight, dusk, dawn, dashboard, and neon light gives the film a slick overall tone. The comedy shenanigans are balanced beautifully with dramatic growing pains.

BLOOD RELATIVES is an undeniably fun vampire coming-of-age family film. Heartwarming, silly, and intimate, it is easy to see why it garnered so much attention in the festival circuit. Shudder is the perfect platform for Segan’s madcap creation. I formally request a sequel when Jane gets to college. I have to know where this family unit ends up. Don’t forget to bring Fieldner along.


CHECK OUT THE TRAILER:  

Shudder will exclusively stream BLOOD RELATIVES on Shudder on November 22, 2022.

 

BLOOD RELATIVES stars Noah Segan (Knives Out) and Victoria Moroles (“Teen Wolf,” “Never Have I Ever”). It was written and directed by Segan. 

SYNOPSIS: In BLOOD RELATIVES, Francis, a 115-year-old Yiddish vampire, still looks 35. He’s been roaming American backroads in his beat-up muscle car for decades, keeping to himself, and liking it that way. One day, a teenage kid, Jane, shows up. She says she’s his daughter, and she’s got the fangs to prove it. They go on the road, deciding whether to sink their teeth into family life.


 

Found-footage horror-comedy ‘DEADSTREAM’ is coming to Shudder October 6th! Check out the newest trailer.

One of my favorite SXSW 22 films, DEADSTREAM is making its way to Shudder audiences on October 6th. Zero surprise the horror platform picked up the film. I know their audience will eat it up. Filmmaker couple Vanessa Winter & Joseph Winter gives up laughs and jump scares galore, taking advantage of internet narcissism. The duo’s work can next be seen in a segment from Shudder’s hotly-anticipated V/H/S/99, the latest installment in the celebrated found-footage horror series, which premieres out of TIFF’s Midnight Madness later this month. Deadstream is produced by Joseph and Vanessa Winters, alongside cinematographer Jared Cook and actress Melanie Stone, who also star in the film. The Winters co-edited the film, with Joseph contributing to music for the project as well.

Check out the newest trailer for the film and our original SXSW22 coverage below. Put this one on your calendar for sure. 

DEADSTREAM

Directed byJoseph and Vanessa Winter (V/H/S/99)  DEADSTREAM Streams Exclusively on Shudder Thursday, October 6, 2022

Available on Shudder U.S., Shudder CA, Shudder UKI, and Shudder ANZ


Popcorn Frights 2022 review: Calls for help fall by the wayside in Christine Nyland and Terence Krey’s ‘Distress Signals’

DISTRESS SIGNALS

**World Premiere**

Synopsis: When a fall down a steep rock face separates her from her friends, Caroline finds herself stranded. Now, alone and with a dislocated shoulder, she must make her way out of the woods — and contend with how she got there. Distress Signals is the second feature film from Terence Krey and Christine Nyland, the team behind 2021 Shudder Original An Unquiet Grave

What would you do to survive all alone in the woods? Do you have enough common knowledge to rescue yourself? A visceral watch, Distress Signals takes Popcorn Frights 2022 audiences on an undoubtedly intriguing journey. The title alone plays double duty in this surprisingly nuanced film focused on survival. Distress Signals is a complete genre shift from Terence Krey and Christine Nyland‘s previous film festival hit, now streaming in Shudder, An Unquiet Grave. Equally complex, Distress Signals relies on Nyland’s ability to reel the audience into a plausible scenario. Essentially carrying this film alone is astounding. Even the most minute idiosyncrasies scream off the screen. The lack of dialogue forces you to focus on Nyland, which isn’t a challenge considering her attention to detail.

Daniel Fox‘s cinematography (particularly the nighttime scenes) combined with a triumphant score by Shaun Hettinger is something to behold. Filmmakers used the elements to their storytelling advantage. The light, the terrain, the flora, and the weather become characters in the plot. Don’t get too comfortable. The final act will flip the script into one intensely harrowing narrative.


Popcorn Frights 2022 Online Screening Info
– Available online from Thursday, August 18th – Sunday, August 21st

 

Writer/Directors: Terence Krey, Christine Nyland
Starring: Christine Nyland, Jonathon Strauss, Stephanie Hains
Runtime: 80 min


 

Review: Rebecca Hall stars in ‘Resurrection,’ a terrifying portrait of trauma and control.

RESURRECTION

Written and directed by Andrew Semans, Resurrection is the story of one woman’s decades-long torment. When a man from Maggie’s past appears, her perfectly buttoned-up life turns upside down. Maggie’s hyper-structured existence hides severe unresolved trauma. Resurrection is a sick and twisted story of psychological damage and revenge.

Grace Kaufman is Abbie. As a college student, she possesses a casual abandon to her behavior. Her age-appropriate nonchalance is perfectly balanced with Hall’s ever-evolving intensity. Tim Roth is a master manipulator as David. He’s downright frightening. His backstory as a groomer is beyond upsetting. Roth gives off a slimy aura that makes the viewer’s full body cringe. Rebecca Hall‘s performance is immaculate. Hall’s idiosyncrasies are impeccable. Anyone familiar with PTSD will recognize the guarded physicality, the body at attention in a millisecond, and the sudden, sharp tone change in the voice. Panic attacks are all-consuming, and Hall lives inside them throughout the film. But it is her confessional monologue that will split your soul in two. It’s simultaneously heart-wrenching and matter-of-fact.

The heightened sound editing chills the senses. It’s a palpable stress-inducing choice that accosts the audience. You’ll have to remember to breathe while watching Resurrection. Andrew Semans‘ writing astounds me. He understands the fear and gaslighting so many women live with daily, then takes it to the nth degree. It’s also about telling your story. Resurrection is relentlessly terrifying and grossly relevant. Believe women.


RESURRECTION will be released by IFC Films in theaters on July 29th and on Demand on August 5th.  Shudder will be the exclusive streaming home in November 2022.

Screenwriter and director Andrew Semans’ jaw-dropping sophomore feature, RESURRECTION had its world premiere at the 2022 Sundance Film Festival. Margaret (Rebecca Hall) leads a successful and orderly life, perfectly balancing the demands of her busy career and single parenthood to her fiercely independent daughter Abbie. Everything is under control. But that careful balance is upended when an unwelcome shadow from her past, David (Tim Roth) returns, carrying with him the horrors of Margaret’s past. Battling her rising fear, Margaret must confront the monster she’s evaded for two decades who has come to conclude their unfinished business.


 

Fantasia 2022 review: ‘Moloch’ brings unique folklore horror to viewers.

MOLOCH

A sinister score from Ella Van Der Woude and sweeping cinematography by Emo Weemhoff immediately let us know we’re in for something truly frightening. Perhaps cyclical in nature, unresolved trauma rears its ugly head in the form of a supernatural creature and a celebrated legend. Moloch is a keenly written and beautifully performed horror.

Sallie Harmsen plays Betriek with an unbridled nuance. Existing in a caretaker role for her mother and young daughter, we are privy to childhood trauma that everyone in town seems to know more about than Betriek. Harmsen is raw and determined. She encapsulates a woman mired in distress.

It’s not an exaggeration to say my mouth was agape at the final reveal. So many seemingly minute details in the script came rushing into my brain. Writer-director Nico Van Den Brink and writer Daan Bakker have given Fantasia 2022 audiences a moody, atmospheric folklore horror. Lucky for Shudder fans, Moloch is now available to stream.


38-year-old Betriek lives at the edge of a peat bog in the North of the Netherlands. When she and her family are attacked by a random stranger one night, Betriek sets out to find an explanation. The more she digs, the more she becomes convinced that she is being hunted by something ancient.

Premieres July 21 on Shudder


Click here for more info on Fantasia 2022!


Review: ‘She Will’ spells witchy revenge for Alice Krige.

SHE WILL

Dario Argento executive produces Charlotte Colbert‘s IFC Midnight title SHE WILL, starring Alice Krige is a role to die for. With the aid of her nurse, Krige plays an aging movie star seeking solitude post-surgery in the Scottish countryside. Following her arrival, spirits from the past take hold, intent on revenge.

Kota Eberhardt, as Desi, holds her own against Krige. Her presence is equally as fierce as her costar. Something about her performance demands your attention. Eberhardt could easily carry a film on her own. Alice Krige is the epitome of genius as Veronica Ghent. The nuance she radiates is breathtaking.

The film possesses a mesmerizing score from Clint Mansell. Something Argento would approve. Jaime Ramsay‘s camera work is dizzying and invasive. The juxtaposition of striking visuals and memory fragments represents unresolved trauma, new and ancient. She Will feels like a victory cry for the #MeToo movement. Slick editing heightens the film’s themes of nature, instinct, suppression of power, and interconnected female experience. Charlotte Colbert‘s debut with co-writer Kitty Percy is a rage-shedding catharsis. She Will is the witchy stuff of dreams.


*IN SELECT THEATERS AND ON DEMAND FRIDAY, JULY 15*
From Executive Producer Dario Argento
Directed by Charlotte Colbert
Written by Kitty Percy & Charlotte Colbert
Starring Alice Krige, Kota Eberhardt, Malcolm McDowell, Rupert Everett


Tribeca Film Festival 2022 review: Travis Stevens’ latest genre fare ‘A Wounded Fawn’ is… different.

A WOUNDED FAWN

I must admit that I might be one of the biggest Travis Stevens fans. His aesthetic gets me every time. The boundary-pushing in sound editing, practical FX, and color saturation are things of beauty. The man knows how to write iconic feminist leads. Understanding how much I love Girl On The Third Floor and Jakob’s Wife is paramount. His latest film premiering at Tribeca 2022 is called A Wounded Fawn, and it pains me to say it confounds me. Let me explain.

The first half, or Act One, as indicated by a dramatic and beautiful bright red title card, is classic throwback magic, dirt filter included. Going into the film, we understand the setup. Bruce is a suave art dealer who invites gallery curator Meredith away for the weekend at his secluded cabin. From the second scene, we know that Bruce is also a serial killer, and poor Meredith is about to be added to his “special” collection. The opening of the film features a specific sculpture of Greek mythology. That piece will come to haunt our characters in a very literal way. 

First, let’s talk about the best parts of the film; the performances. Sarah Lind (Jakob’s Wife) and Josh Ruben knock it out of the park. Lind navigates the cringe and slyly aggressive overtures of Ruben’s Bruce. She walks an incredible line between submissive and badass. Her fight or flight instincts will have you yelling at the screen. Ruben, whose film Werewolves Within is one of my favorites from last year’s Tribeca Film Festival, owns this role. He’s creepy as fuck. There’s no other way to describe his nature. Bruce is peak Stevens’ calling card. Ruben doesn’t play the over-the-top premise for laughs but lives in the madness. I sat through the credits and relished in his endurance of that take. When you see it, you’ll understand what I mean. 

Now, let’s discuss Act Two. I found myself confused during this act. I thought maybe I was missing something, or it was over my head somehow. But, no, it’s meant to be a Greek tragedy akin to Agamemnon or Hippolytus. The film is such a departure from Stevens’ first two films that it’s hard to believe they’re by the same person. Can I respect that he’s trying something new? Yes. Did I love the dozen or so specific visuals in red? Absolutely. Was the hyper-augmented sound editing fucking stellar. You’re goddamn right. The payoff of the final laugh-out-loud line of dialogue wasn’t enough to make up for the second half of the film. A Wounded Fawn most definitely lives up to its Midnight section category. It’s the type of film you’d find in the late 70s at a theatre that exclusively shows cult films in the wee hours of the morning. Yet, here I am, needing to talk about the film ad nauseum. For that reason, Travis Stevens has, sort of, done it again. 


The find out more about Tribeca Film Festival 2022 click here!


DIRECTOR
Travis Stevens
PRODUCER
Joe Barbagallo, Laurence Gendron, Travis Stevens
SCREENWRITER
Travis Stevens, Nathan Faudree
CINEMATOGRAPHER
Ksusha Genenfeld
EDITOR
Zach Clark, Travis Stevens
COMPOSER
Vaaal
EXECUTIVE PRODUCER
Melissa Rossaki, Emily Gotto
CO-PRODUCER
Jonathan Hsu
US DISTRIBUTOR
Shudder
CAST
Josh Ruben, Sarah Lind, Malin Barr, Katie Kuang, Laksmi Hedemark, Tanya Everett, Marshall Taylor Thurman, Leandro Taub, and Neal Mayer

Shudder Original review: ‘Night’s End’ is a creepy and campy crowd-pleaser.

NIGHT’S END

An anxious shut-in moves into a haunted apartment, hiring a stranger to perform an exorcism which quickly takes a horrific turn.


Director Jennifer Reeder and screenwriter Brett Neveu bring us the Shudder Original Night’s End. Anxiety-ridden Ken is apartment-bound and attempting to get his life back on track. In doing so, he accidentally records a strange occurrence while filming his amateur YouTube videos. Things get weirder when he’s encouraged to pursue the building’s history and provoke whatever entity might be lurking in his domain. Night’s End is the perfect marriage of creepy and campy. Shudder audiences will love it. 

Every single performance adds to the overall arc of Night’s End. Dark Corners host Daniel Kyrie, and Lyden Knight, played by Theo Germaine, give that YouTube clout appearance. Their distinct personalities up the anty for the finale. The camp enters the arena officially with the introduction of author Colin Albertson, played by Lawrence Grimm, a famous paranormal expert guiding Ken on his journey. Grimm, whose name evokes perfect casting, represents every talking head in any SyFy channel show. He will make you smirk with familiarity. 

Comic relief comes in the form of Michael Shannon. Yes, Michael Shannon! He plays Isaac, Ken’s marital replacement. Donning Hawaiian shirts and giving us an honest-to-goodness stepdad goofiness, Shannon is effortlessly hilarious.

Felonious Munk is Ken’s best friend, Terry. He’s encouraging and genuinely interested in getting Ken well. Walker and Munk’s banter is essential to Jen’s backstory. Kate Arrington, as ex-wife Kelsey, is down-to-earth and loveable. The chemistry with Walker has a closeness that feels grounded. Keep in mind, every single interaction Ken experiences is through Zoom. Bravo to the editor Mike OlenikGeno Walker plays Ken with a super natural (two words) energy. His paranoia is palpable as frustration and confusion pour off the screen. Walker is a commanding lead. 

Night’s End uses horror tropes to tackle mental health uniquely. Fran Bittakis‘ set dressing, cleverly disguised in draped plastic, serves a dual purpose. The apartment appears amid repair, but it also allows for some ghostly apparition moments. Zoom works perfectly, considering Ken suffers from crippling anxiety and agoraphobia throughout the film. The significance hits home in the finale. The creepy factor will turn your knuckles white, even if the film’s climax begets an eye roll. Know what you’re going into with Night’s End, and you’ll undoubtedly have a good time. I still think there is sequel potential. That’s a character journey I want to explore. 


Premieres March 31 on Shudder


SXSW 2022 review: ‘THE CELLAR’ begins with great source material.

THE CELLAR

Filmed on location in Roscommon, Ireland, The Cellar tells the story of Keira Woods (Elisha Cuthbert), whose daughter mysteriously vanishes in the cellar of their new house in the country. Keira soon discovers there is an ancient and powerful entity controlling their home that she will have to face or risk losing her family’s souls forever.


Shudder original The Cellar made its debut at SXSW 2022 in the Midnighter’s section. Elisha Cuthbert helms this haunted house film alongside Eion Macken. As a husband and wife team working on a new Gen X influencer platform, their strangely inexpensive Irish mansion comes with more than some old furniture. With Mom and Dad busy pitching their ideas, kids Ellie and Steven are home alone when the power goes out. As Ellie descends the creepy stairs of the pitch-black basement in search of the fuse, she mysteriously disappears while on the phone with Kiera. 

Writer-director Brendan Muldowney made a short film in 2004 titled The Ten Steps (which you can find online.) The short film is horror perfection. The Cellar is a feature expanded from that story. The Ten Steps captured all the fear in 10 minutes. The Cellar takes a lot of cliches that genre fans will love, and frankly work well, and becomes an overlong and dimly lit film. As a mom, I felt Cuthbert’s sense of urgency was missing. These parents are the least panicked Mother and Father I’ve ever seen. Where are the missing posters? No tears of distress? 

As Kiera investigates the house’s history, we are introduced to everything from Jewish mysticism to quantum physics. I wasn’t expecting math to be a thing, yet here we are. I thought the record player that coaxed the family members into all sorts of trouble was clever. But, not so much the characters googling Latin quotations. It’s a lot. There are fleeting moments of greatness, such as an ancient abacus moving on its own, air blowing from underneath the cellar door as if a creature were heavily breathing. The classic scares worked best for me. The final 20 minutes is where the real action occurs, a clear nod to The Beyond. This is what I was waiting for, and it is genuinely satisfying. The visual change-up was an honest “Hell, Yes” moment, no pun intended. The Cellar is ultimately a film Shudder audiences will dig. So, simply sit back, don’t overthink it, and enjoy the devilish chaos.

 

*Perhaps ignore the fact that it will remind a few of you of Krampus.


Official Selection, SXSW 2022. If you miss its Shudder release, you can catch The Cellar in theaters on April 15 from RLJ Films.


To learn more about SXSW 22 click here!


Review: Mickey Keating’s ‘OFFSEASON’ is selling scary from start to finish.

OFFSEASON

Upon receiving a mysterious letter that her mother’s gravesite has been vandalized, Marie quickly returns to the isolated offshore island where her late mother is buried. When she arrives, she discovers that the island is closing for the offseason with the bridges raised until Spring, leaving her stranded. One strange interaction with the local townspeople after another, Marie soon realizes that something is not quite right in this small town. She must unveil the mystery behind her mother’s troubled past in order to make it out alive.


What makes this film so unsettling is a brilliant mix of Shawn Duffy‘s heightened sound editing, Shayfer James‘ music selection, and isolated locations. If you’re a genre fan, particularly gaming-wise, OffSeason is like watching Marie walk through a new live-action version of Silent Hill, down to the radio, the flashlight, and the fog. As short bursts of information are leaked to us through flashbacks, Marie is trapped in a nightmare.

Melora Walters as Ava is powerful in her manic behavior. She’s such a presence in any role. This casting was perfect. Richard Brake is brilliant. He’s so nonchalantly terrifying you’re just mesmerized by his performance. Jeremy Gardner is one of the best parts of this film. He’s a savior figure cloaked in mystery. His delivery of dialogue drives the greater mystery forward. He is an integral piece to this gothic puzzle. Jocelin Donahue has anxiety written all over her face. She has this throwback horror look from the hair, to the wardrobe, giving the entire film a timeless feel.

Mac Fisken‘s cinematography is amazing. The long lingering shots, the close-ups, and the static camera work are stunning. Watching the actors run into view and away again is such an effective stylistic choice. Writer-director Mickey Keating‘s creation lives and breathes in the audience’s ability to take the ride. I actually went back and watched the beginning again and there is one very Ari Aster moment. Keating smartly gives you a visual reference but it’s tricky to decipher right off the bat. OffSeason is worth multiple viewings. Make sure to have your volume turned up when you do.


In Select Theaters, On Demand and Digital:
 March 11, 2022


Starring: 
Jocelin Donahue, Joe Swanberg, Richard Brake, Melora Walters, Jeremy Gardner
Directed and Written By:
Mickey Keating
Run Time: 83 minutes | Rating: Not Rated


SXSW 2022 is coming. Here are some films to add to your watch list in this year’s hybrid festival.

It’s here and boy is it happening. This year’s hybrid edition of SXSW 2022 has it all. Here are a handful of films we’re excited about this year.


Linoleum

When a satellite falls from orbit and crashes into the home of a dysfunctional family in suburban Ohio, the father seizes the opportunity to fulfill his childhood dream of becoming an astronaut by re-creating the machine as his own rocket ship. While his wife and daughter believe he is experiencing a midlife crisis, surreal events begin to unfold around him, forcing him to reconsider how interconnected their lives truly are…

We’ve been living through hell these past few years and could all use a bit of whimsy. Linoleum provides us the opportunity to reconnect with our inner child while simultaneously dissecting the family dynamics. Plus, I think a lot of people forget how incredibly talented Jim Gaffigan is as an actor. Look out for this one.


The Cellar

A woman must confront an ancient and powerful entity after her daughter mysteriously vanishes in the cellar of their new home.

Shudder has already picked this title up before its SXSW22 premiere. Becoming the best streaming platform for all things genre-related, when they see potential in a film they snap it up ASAP. An old mansion, a new family, a disappearance, The Cellar has my attention.


DIAMOND HANDS: THE LEGEND OF WALLSTREETBETS

It was the perfect storm. A global pandemic. An app aspiring to democratize trading. A group of Reddit users stuck at home with stimulus dollars to burn. And a video game company on its last legs. DIAMOND HANDS is the incredible true story of how an army of retail traders rallied around GameStop to rock our financial system. This is the legend of r/WallStreetBets.

Everyone watched in awe and confusion as GameStop stock began to skyrocket. The fallout was disastrous, but the idea that a bunch of dudes on Reddit were able to completely disrupt the market is pretty much my favorite (anti)capitalist giggle from 2020.

MSNBC Films and NBC News Studios will premiere “Diamond Hands: The Legend of WallStreetBets,” on MSNBC Sunday, April 10 at 10:00 p.m. ET, following the global premiere at SXSW on March 13. “Diamond Hands” is produced by NBC News Studios and ZCDC Films. The film is set to stream later this Spring on Peacock. 


Hypochondriac

A young potter’s life devolves into chaos as he loses function of his body while being haunted by the physical manifestation of his childhood trauma.

If you’re looking for some kick-ass casting, look no further than Zach Villa in Hypochondriac. Unrecognizable from his American Horror Story seasons, Villa plays the writer-director Addison Heimann‘s words with care. The film is based on Heiman’s own experience with mental health.


The Cow

Synopsis: Upon arriving at a remote cabin in the redwoods, Kath and her boyfriend find a mysterious younger couple already there — the rental has apparently been double-booked. With nowhere else to go, they decide to share the cabin with these strangers until the next morning. When her boyfriend disappears with the young woman, Kath becomes obsessed with finding an explanation for their sudden breakup— but the truth is far stranger than she could have imagined.

If you go to IMDB the plot for the film is still under wraps, so SXSW22 fans are in for a treat. I’ve always been a Winona Ryder fan and with Stranger Things revamping her genre status, I cannot wait to see what is in store in this mysterious-sounding plot.


Mickey: The Story of a Mouse

Mickey Mouse is one of the most enduring symbols in our history. Those three simple circles take on meaning for virtually everyone on the planet. So ubiquitous in our lives that he can seem invisible, Mickey is something we all share, with unique memories and feelings. Over the course of his nearly century-long history, Mickey functions like a mirror, reflecting our personal and cultural values back at us. “Mickey: The Story of a Mouse” explores Mickey’s significance, getting to the core of what Mickey’s cultural impact says about each of us and about our world.

When I was 19 years old, I moved to California on a whim in hopes of working at Disneyland. During my amazing time performing there (those details are top secret via the stack of NDA’s you sign as a cast member), I had the extraordinary pleasure of meeting a special individual. When Walt Disney opened Disneyland he presented the world with Mickey Mouse, live and in person. I met that man backstage and had my photo taken with him. The impact Mickey Mouse has had on generations of children and adults is unfathomable. Mickey: The Story of a Mouse will undoubtedly touch a massive audience. As I share Mickey with my own small children now, I can still picture my first meeting with a character so magical I was overwhelmed with joy and excitement. He never gets old, pun most definitely intended.


The Prank

Synopsis: Ben is your typical high-school overachiever. He’s organized, careful, goal-oriented and extremely dedicated to school. His best friend, Tanner, couldn’t be more opposite. She is a lackadaisical, messy, slacker, who lives in the moment. They aren’t popular, but they don’t seem to care that much because they have each other. Ben has a stern, mean and cruel physics teacher, Mrs. Wheeler. She has been teaching at the school for decades and has a reputation for being the hardest, coldest, strictest faculty member. She fails Ben’s entire class unless a student who cheated comes forward. When no one does, Tanner and Ben hatch a plan to ruin he life and frame her for murder on social media.

Social media is such a catalyst for action, terror, and weirdness these days that anything is possible when it is involved. But, it’s this cast that caught my eye. Rita Moreno, Connor Kalopsis, Ramona Young, Keith David, Kate Flannery, and Meredith Salenger will get my butt in a seat. Also, who didn’t have a teacher in high school everyone loathed?


The Unknown Country

An unexpected invitation launches a grieving young woman on a solitary road trip through the American Midwest as she struggles to reconcile the losses of her past with the dreams of her future.

I was first introduced to Lily Gladstone in Certain Women. Her ability to captivate with but a glance is something that is rare. The Unknown Country tackles a beautiful mix of anxiety, grief, and identity, all in a unique road trip movie. It’s a film we’ll be talking about all year.


Sissy

**WORLD PREMIERE**

WRITERS/DIRECTORS: Hannah Barlow, Kane Senes
STARRING: Aisha Dee, Hannah Barlow, Emily De Margheriti, Daniel Monks, Yerin Ha, Lucy Barrett, Shaun Martindale, Amelia Lule, April Blasdall, Camille Cumpston

Synopsis: Cecilia and Emma were tween-age BFFs who were going to grow old together and never let anything come between them, until Alex arrived on the scene. Twelve years later, Cecilia is a successful social media influencer living the dream of an independent, modern millennial woman… until she runs into Emma for the first time in over a decade. Emma invites Cecilia away on her bachelorette weekend at a remote cabin in the mountains, where Alex proceeds to make Cecilia’s weekend a living hell. #triggered

Listen, girls are mean. We hold grudges and we play dirty, those are just the facts. When friendships are disrupted, those scars last a lifetime. With social media affecting the way we lead our daily lives, SISSY sounds like a perfect storm for great horror.


SOFT & QUIET

Playing out in real time, Soft and Quiet is a runaway train that follows a single afternoon in the life of a female white supremacist as she indoctrinates a group of alt-right women, and together they set out to harass two mixed-raced sisters.

Any film that has the audacity to play out in real time has my attention. I am hardwired to loathe these main characters so I am hoping that some horrible fate befalls them. The plot is socially relevant even if I wish it weren’t. I’ll be paying close attention to how writer-director Beth de Araújo brings her first feature-length film to life.


Radical Honesty

At the tail end of a great date, Jack and Rachel bond over a shared interest in deconstructing traditional relationship structures. When Jack reveals the reality of his “radical” open relationship, things take a turn for the absurd in this short film about the co-option of the language of liberation for means of manipulation and control.

At 41, I cannot imagine navigating a new relationship at this precise moment in time. I remember when Match.com first became a thing and how weird I thought it sounded. Then I recall attending four weddings in the years that followed, each couple had met through Match. RADICAL HONESTY, a 7-minute short film, tackles the complexities that Gen Z and Millenials face day-to-day. I’ll be watching with popcorn in hand knowing that it’s one hell I don’t have to keep in check these days. (*knock on wood) Check out the teaser trailer for the film’s aesthetic.

Radical Honesty Teaser from Bianca Poletti on Vimeo.


Slash/Back

Synopsis: Pangnirtung, Nunavut: A sleepy hamlet nestled in the majestic mountains of Baffin Island in the Arctic Ocean, wakes up to a typical summer day. No School, no cool boys (well… except one), and 24-hour sunlight. But for Maika and her ragtag friends, the usual summer is suddenly not in the cards when they discover an alien invasion threatening Pang. But these teenagers have been underestimated their whole lives, and using makeshift weapons and their horror movie knowledge, they show the aliens you don’t fuck with the girls from Pang.

Slash/Back is an unexpected coming-of-age film. With some Stranger Things vibes, it tackles tradition, boredom, boys, and aliens. Wait until you see this young cast kicking ass and taking names.


Pirates

New Year’s Eve 1999. Three life long friends drive through London in their tiny Peugeot 205, pumping a UK Garage set from the stereo and arguing about their Avirex jackets and Naf Naf imports. As the eighteen-year olds step into adulthood, they know their lives and friendships are on the brink of change. Determined to end the century on a bang, they drive from place to place in a desperate search for tickets for the best millennium party EVER. In their efforts to end up somewhere, they end up closer together.

I know I’m aging myself but I was 19 on New Year’s Eve 1999. I lived this chaos and hopefulness. Anything was possible during the course of one evening. I’m here for the nostalgia and some solid shenanigans.


Jethica

Hiding out in New Mexico after a freak accident, Elena runs into Jessica, an old friend from high school. When Jessica’s stalker suddenly shows up at their door, they must seek help from beyond the grave to get rid of him, for good.

Wild and collaborative filmmaker, Pete Ohs brings an exciting edge to the indie scene with Jethica. Shot during the pandemic in 2021 and edited live on Twitch, SXSW22 audiences are surely in for some unexpected twists and turns.


The Voice Actress

Kingyo, a veteran voice actress working in Tokyo, possesses a unique ability to see the soul in all things, living and inanimate. The voice acting world is changing and she must find a way to reconcile her way of living with the modern industry. As Kingyo prepares for an upcoming audition, she seeks inspiration from the world around her and from her pet goldfish, Asatte. In the face of professional and personal adversity, Kingyo looks decidedly inward for strength through empathy and kindness.

A peek inside the recording booth and inside the mind of a working voice actress. Urara Takano puts a face to the performers we don’t talk enough about. Written, directed, and edited by Anna J. Takayama, we are invited into the world of a veteran voice actress and how she copes with forces beyond her control.


For more information on this year’s SXSW Film Festival click here!

Stayed tuned for Reel News Daily coverage as well as guest posts from Steve Kopian at Unseen Films. We’re making our schedules and doing all we can to bring you everything we’ve got. Stayed tuned!


‘HELLBENDER’ begins streaming today on SHUDDER! It’s gonna rock you to your core.

HELLBENDER

In Hellbender, 16-year-old Izzy (Zelda Adams) suffers from a rare illness that has kept her isolated on a mountaintop with her mother (Toby Poser) her whole life. As Izzy begins to question her sickness, she pushes back against her confinement and secretly befriends Amber (Lulu Adams), another girl living on the mountain, but her newfound happiness is derailed after she eats a live worm as part of a juvenile game and finds an insatiable and violent hunger awakened within her. To understand the hunger, Izzy must learn the dark secrets of her family’s past and the ancient power in her bloodline.


*Originally posted during Fantasia 2021*

Honestly, if I could choose to grow up in another family, it would be the Adams family. I’m not talking about Morticia and Gomez. While I adore that lot, I’m talking about the indie horror filmmaking family. These industrious and smart people consist of Mom, Toby Poser, dad, John Adams, and daughters, Zelda and Lulu. Fantasia 2019 audiences got their first taste of spooky genius with The Deeper You Dig. It was scary, intense, unique, and then some. This year, Fantasia 2021 audiences got to experience a new tale of terror with Hellbender.

Their cinematography is stunning. They really understand how to fill a frame. Their writing feels collaborative. John Adams’ score is deliberate and insanely effective. The songs are so fantastic I would buy their album! Within the first three minutes of Hellbender, I gasped and rocked out. If that’s not a winning film, I don’t know what is.

Zelda Adams as Izzy is so intriguing in her innocence and curiosity. Her journey from child to adult occurs before our eyes, whether we like it or not. Toby Poser, as Mom, is a force of nature. Often telling an entirely emotional story without words. Their chemistry is never forced. This is not always the case when a family works together. In the case of the Adams family, it’s their biggest strength. Their work is dark and that takes trust and guts. And allow me to assure you both are teeming in Hellbender, quite literally. There is one special effect in particular that blew me away. When you see it, you’ll know what I’m talking about.

It’s a mother-daughter relationship film that just so happens to center around a witchy heritage. Predictably, deceit under the guise of protection is bound to backfire. Hellbender is about a secret and sacred family history. But, it’s also about the power of the feminine and a slick takedown of any sort of patriarchal structure. The social commentary between the treatment of witches and any female, ever, is glaringly obvious, but no less genius. Hellbender is undoubtedly one of the most kick-ass films from this year’s festival. It’s no wonder it won Best Score and Best Actress (Zelda) in the CHEVAL NOIR AWARD FOR FEATURE FILMS. I cannot wait for Shudder audiences to join in their fandom.

*PS- The Adams’ have agreed to let me be part of their family via Instagram. I couldn’t possibly be more excited. I’ll run the camera and hold the boom next time. Also, not afraid to get covered in blood.*


Premieres February 24 on Shudder

Try Shudder Free for 7 Days: http://www.shudder.com

A Shudder Original review: ‘THEY LIVE IN THE GREY’ feels like a scary and emotional stranglehold.

THEY LIVE IN THE GREY

While investigating a child abuse case, a young social worker discovers that a supernatural entity is tormenting the family. To save the parents from losing custody of their child, she must confront her fears and use her clairvoyance to stop the malevolent force. Written and directed by brothers Burlee and Abel Vang (The Tiger’s Child.) They Live in the Grey stars Michelle Krusiec (Hollywood), Ken Kirby (Good Trouble, Dynasty), Ellen Wroe (For All Mankind, Shameless), Madelyn Grace (Don’t Breathe 2).


In my humble opinion, horror must be enthralling to justify 2-hour runtime. Shudder’s latest original film, They Live In the Grey, earned every minute of screen time with its terrifying plot. Malevolent energies torment Claire, already mired in personal grief. Your heart sits in your throat as you watch her battle demons, both internal and otherwordly. They Live In The Grey is a story of unresolved trauma and redemption that makes your skin crawl.

Michelle Krusiec as Claire is phenomenal. The guilt and terror she carries will break your heart. Seeing a kickass, vulnerable, genuine, and captivating Asian lead is the best. More, please! Watching this film as a parent brought an unrelenting fear and visceral reaction. Krusiec owns every frame. She plays every single beat just right.

A little Sixth Sense and a bit of The Conjuring, the script, penned by our directors The Vang Brothers, has a progression that never ceases to intrigue. (Thank you for a fully-fleshed-out female lead! Huzzah!) Disturbing imagery, gruesome sound editing, and solid special effects makeup will excite the typical genre fan. The overarching melancholy hangs heavy, consuming Claire and the audience. The scares are incredible. A keen eye may spot cleverly placed ghosts in the vain of Mike Flannigan‘s The Haunting of Hill House. They Live In The Grey has honest-to-goodness franchise potential. Shudder, I’m looking at you for an original series greenlight.

Premieres February 17 on Shudder.


Try Shudder Free for 7 Days: http://www.shudder.com


SHUDDER news: ‘THE SPINE OF NIGHT’ to premiere exclusively on SHUDDER on MARCH 24

Shudder, AMC Networks’ premium streaming service for horror, thriller, and the supernatural, announced that The Spine of Night will be available exclusively to stream on the platform starting on Thursday, March 24, 2022. As a Shudder exclusive, the platform will be the only subscription service that will carry the film in the U.S., Canada, the United Kingdom, Ireland, Australia, and New Zealand.

 The Spine of Night stars an all-star cast of Richard E. Grant (Can You Ever Forgive Me?), Lucy Lawless (“Xena: Warrior Princess”), Patton Oswalt (Young Adult), Betty Gabriel (Get Out), and Joe Manganiello (“True Blood”). The film was co-written and co-directed by Philip Gelatt and Morgan Galen King.


 In The Spine of Night, an ultra-violent fantasy epic, ancient dark magic falls into sinister hands and unleashes ages of suffering onto mankind. A group of heroes from different eras and cultures must band together in order to defeat it at all costs.

THE SPINE OF NIGHT TO PREMIERE EXCLUSIVELY ON SHUDDER ON MARCH 24


 ABOUT SHUDDER

AMC Networks’ Shudder is a premium streaming video service, super-serving members with the best selection in genre entertainment, covering horror, thrillers and the supernatural. Shudder’s expanding library of film, TV series, and originals is available on most streaming devices in the US, Canada, the UK, Ireland, Germany, Australia and New Zealand. To experience Shudder commitment-free for 7 days, visit www.shudder.com.


 

Shudder review: Jeremiah Kipp’s ‘SLAPFACE’ is a genre film with unfathomable complexity.

SLAPFACE

“A boy deals with the loss of his mother by creating a dangerous relationship with a monster rumored to live in the woods.”


Brimming with trauma, Slapface is a unique horror. Bullying, neglect, and violence swirl to create a horrifying tale of a child reaching out for love. Writer-Director Jeremiah Kipp forces us to ride a rollercoaster of emotions that just keeps going around and around. If you’ve been searching for something unlike anything you’ve seen before, Slapface should be top of your list.

Some especially intriguing aspects of Kipp’s script are the mixture of family dynamics and folklore. Cleverly written in a way that combines Lukcs’ past behavior with small details that would make the other characters or even the viewer question whether the witch exists at all. The terror occurs in unexpected moments, the handling of firearms, brotherly confrontation, cyclical trauma, and normalized violence.

Lucas is played by August Maturo with an emotional depth beyond his years. His sadness and innocence have a visceral impact on the audience. You cannot help but feel for this kid. Slapface would be a solid double feature watch with The Shed. Each was created by the same questionable moral fabric. The line between protection and mayhem is so thin, it ups the tension tenfold. Slapface is a manifestation of grief, abuse, and shame. This is a story you won’t ever be able to predict. That doesn’t happen too often these days. The looming question that remains as the film fades to black is who really created the monster? Slapface‘s complexity is unfathomable.


Sundance (2022) Midnight review: ‘SPEAK NO EVIL’ annihilates the notion of a gracious host.

SPEAK NO EVIL

A Danish family visits a Dutch family they met on a holiday. What was supposed to be an idyllic weekend slowly starts unraveling as the Danes try to stay polite in the face of unpleasantness.


After meeting on an Italian holiday, two young families spend a weekend together in the Dutch countryside. Cultural misunderstanding and language barriers aren’t the only things creating tension, as guests become increasingly uncomfortable with their host family. 

The ominous score puts your frame of mind into peril immediately. Performances across the board will have you hanging on every word. The sly dialogue combined with increasingly cringe-worthy behavior keeps your skin crawling and your pulse elevated every second of the film. You are humming with anticipation of something terrible. Speak No Evil is the epitome of psychological horror. 

These people are not unfamiliar; the manipulation, the overly opinionated, the inappropriate, and overtly abusive. Boundaries are crossed and outright obliterated. As if that weren’t enough, the ultimate reveal of this odd couple will absolutely terrify you. Speak No Evil’s final third had me digging my nails into my palms so hard they almost drew blood. If that is not an endorsement, I don’t know what is.



To find out more about the entire Sundance 2022 lineup, click here!


Shudder original review: ‘THE ADVENT CALENDAR’ is the holiday horror gift that keeps on giving.

THE ADVENT CALENDAR

Eva (Eugénie Derouand, Paris Police 1900), an ex-dancer, is now using a wheelchair, unable to walk. When her friend Sophie (Honorine Magnier, Tomorrow is Ours) gives her an old wooden antique advent calendar before Christmas, she realizes each window contains a surprise that triggers repercussions in real life. Some of them are good, but most of them are bad, really bad. Now Eva will have to choose between getting rid of the calendar or walking again – even if it causes death and destruction to everyone she holds dear around her.


Writer/Director Patrick Ridremont gives Shudder audiences enough horror to rude into the holidays with The Advent Calendar. Think of it as a Christmas-themed Pandora’s box. Eva’s life is pretty sad. Isolated by the insensitivity of people who only see her wheelchair, combined with the declining health of her beloved father, Eva trudges through day-to-day life. When given a unique birthday gift, each day brings the unexpected. For better, and most certainly, for worse.

There’s an immediate and visceral Wow factor that occurs when the box first appears. The design is intricate. It’s simultaneously inviting and terrifying. It also allows for a brilliant screenplay structure as we know there are more surprises to come counting down the days with Eva. The Advent Calendar could have been an entire series on Shudder. 

Eugénie Derouand, as Eva, is outstanding. You can see the gears turning as her moral compass disintegrates. It’s an emotional rollercoaster. Derouand makes it look easy, and you cannot help but root for her. 

The practical fx and makeup are unsettling and grotesque. I found myself unable to look away, quite frankly. The tropes are consuming, and they’ll send a shiver down your spine. They are relentless. Overall, The Advent Calendar is a gift that keeps on giving, whether you like it or not. Add this one to your annual holiday horror lists immediately. 


Shudder, AMC Networks’ streamer for horror, thrillers and the supernatural will premiere writer/director Patrick Ridremont’s ornate and elegant French horror fantasy The Advent Calendar exclusively on Tuesday, December 2nd. Combining Faustian themes and allusions with European folklore and tense, chilling terror, the Shudder Original film provides some highly original holiday season horror.

The Advent Calendar world premiered earlier this year at London’s Frightfest and was produced by Alain Benguigui, Virginie Ogouz, Jean-Yves Roubin, and Cassandre Warnauts.


Shudder original review: New anthology ‘Horror Noire’ features 6 thought-provoking black horror stories.

HORROR NOIRE

Six stories, one film. Experience the next chapter of Black horror. Starring Lesley-Ann Brandt (Lucifer, Spartacus), Luke James (The Chi, Thoughts of a Colored Man), Erica Ash (Survivor’s Remorse, A Black Lady Sketch Show), Brandon Mychal Smith (Four Weddings and a Funeral, You’re the Worst), Sean Patrick Thomas (Macbeth, The Curse of La Llorona), Peter Stormare (American Gods, Fargo,) Malcolm Barrett (Genius: Aretha Franklin, Timeless) and Rachel True (The Craft, Half & Half), among others. With new and adapted stories by Tananarive Due, Steven Barnes, Victor LaValle, Shernold Edwards, Al Letson and Ezra C. Daniels.


‘Brand Of Evil’

I love a good anthology, and Shudder has them in spades. From The Mortuary Collection to Creepshow, Horror Noire is another original notch in subscribers’ belts. Written and directed by black filmmakers featuring black horror stories, this is an expanded follow-up to the 2019 Shudder original documentary Horror Noire: A History of Black Horror. Horror Noire (2021) features 6 strikingly different shorts. Each reaches into a different facet of terror. 


The Lake

A woman’s fresh start turns sour when she moves into a lake house that has a checkered past. This script slowly evolves, no pun intended. I did not see this coming. The storytelling is whipsmart, with juxtapositions between past transgressions and present transformation. It’s brilliant. 

Brand of Evil

This selection is an exceptional commentary on black labor, art, and capitalism. Brand of Evil is cultural appropriation in the most literal sense. How much does your soul cost? 

Bride Before You

A newly married woman seeks help conceiving by way of magic. The generational trauma of black women receives a retelling against a Reconstruction-era backdrop. Beautiful sets and costumes help create an eerie environment for a story that’s visually and metaphorically engrossing.

‘Sundown’

Fugue State

The fine line between religion and cult mixed with rogue attacks by individuals with their faces painted red. A prolific writer and his reporter wife bring the story a little too close to home. Is this a MAGA/anti-vaxxer allegory? I don’t think that’s overreaching. 

Daddy

Parenting is terrifying. Your child is your entire world, and at the same time, you can miss the old version of yourself. It will change you, no matter how hard you try. I must mention Miles Mcnicoll as James. He is a natural. So sweet, you’ll want to eat him up. He’s got a bright future in this industry. 

Sundown

This selection is laugh-out-loud and sharp as hell, taking its title, quite literally, into darkness. The “Whites Only” signs are the first (and most brilliant) clue in this short. This cast is perfect. Every single actor knocks it out of the park. The tongue-in-cheek way Sundown overkills tropes is *chef’s kiss. Genre fans are going to love this one. I would watch this one in expanded feature form in a hot minute. It’s delicious.


Premieres October 28 only on Shudder


Starring Lesley-Ann Brandt (Lucifer, Spartacus), Luke James (The Chi, Thoughts of a Colored Man), Erica Ash (Survivor’s Remorse, A Black Lady Sketch Show), Brandon Mychal Smith (Four Weddings and a Funeral, You’re the Worst), Sean Patrick Thomas (Macbeth, The Curse of La Llorona), Peter Stormare (American Gods, Fargo,) Malcolm Barrett (Genius: Aretha Franklin, Timeless) and Rachel True (The Craft, Half & Half), among others. With new and adapted stories by Tananarive Due, Steven Barnes, Victor LaValle, Shernold Edwards, Al Letson, and Ezra C. Daniels.


Shudder Original Review: ‘V/H/S/94’ is another fantastic gore-soaked addition to the franchise with a killer nostalgic twist.

V/H/S/94

Synopsis

A Shudder Original Film, V/H/S/94 is the fourth installment in the hit horror anthology franchise and marks the return of the infamous found footage anthology with segments from franchise alumni Simon Barrett (Séance) and Timo Tjahjanto (May the Devil Take You Too) in addition to acclaimed directors Jennifer Reeder (Knives & Skin), Ryan Prows (Lowlife) and Chloe Okuno (Slut). In V/H/S/94, after the discovery of a mysterious VHS tape, a brutish police swat team launch a high-intensity raid on a remote warehouse, only to discover a sinister cult compound whose collection of pre-recorded material uncovers a nightmarish conspiracy.


Boasting unbelievable practical FX, the scares in V/H/S/94 are brilliant. I’m talking legitimate, meticulously timed jump scares from every single director. The quality of the film forces you to sit up and pay closer attention, sometimes squinting over the tracking adjustments as they crowd the screen. The V/H/S franchise has been able to capture something glorious beyond the found footage genre. It’s the mystery behind the overall arch that keeps you creeped out and engaged on top of the fantastic individual stories. It’s a double whammy of horror goodness. You’ll shiver and gag and think, “Damn, this is good shit.”

The grand scheme of V/H/S 94, or “Holy Hell,” has the audience following a SWAT team into an industrial building filled with monitors and plenty of body parts. They don’t know who or what they’re searching for, exactly. As they sweep the rooms a new tape begins to play. Each one is completely different and spectacularly twisted. Tape 1, titled “Storm Drain” features a local legend of Ratman. An ambitious reporter and her cameraman get in over their heads. Tape 2, “The Empty Wake,” sees a young woman left to record the wake of a recently deceased man. Alone with a dead body during a storm? No thanks. This segment was my personal favorite. It’s old-school scary meets nuts visuals. I couldn’t help but yell NOPE at the screen, again and again.

Tape 3 “The Subject,” tells the tale of a mad doctor attempting to improve humans with technology. If you ever wanted a live first-person shooter game experience, now you’ve got one. Tape 4 “Terror” takes aim at domestic terrorism with a group of militiamen planning to cleanse America with s monstrous weapon. I also have to mention, director Steven Kostanski’s infomercial “The Veggie Masher.” It’s totally maniacal and random as hell. But at the same time, perfectly harkens back to those 3 am hour-long commercials for ridiculous kitchen gadgets. The finale actually gives you answers. As the 4th installment of the franchise, V/H/S94 makes it clear that these films are alive and well and ready to fuck you up.


V/H/S/94 WILL BE RELEASED

EXCLUSIVELY ON SHUDDER ON OCTOBER 6TH

Available on Shudder US, Shudder CA, Shudder UK, and Shudder ANZ


Directed by Chloe Okuno, Simon Barrett, Timo Tjahjanto,

Ryan Prows & Jennifer Reeder


Runtime: 100 minutes

Country: U.S. / Indonesia

Language: English / Indonesian

Fantasia International Film Festival 2021 review: ‘MARTYRS LANE’ is one of this year’s best.

MARTYRS LANE

Leah, 10, lives in a large vicarage, full of lost souls and the needy. In the day the house is bustling with people; at night it is dark, empty, a space for Leah’s nightmares to creep into. A small, nightly visitor brings Leah comfort, but soon she will realize that her little visitor offers knowledge that might be very, very dangerous.


I feared this Martyrs Lane would be overlooked among the plethora of gore-filled content. That would have been the biggest shame to befall this year’s Fantasia International Film Festival. Writer-director Ruth Platt‘s carefully crafted tension and mystery should be celebrated. It has a quieter Babadook energy to it that is unmistakable. The film manages to be both a slow burn and a vice grip of tension. The editing puts your head in a spin in that you’re never sure what is real until the very final scene. Performances are outstanding. The fact that the entire premise mostly hinges on the work of two small girls will blow you away. It is no wonder young lead Sienna Sayer won the Special Jury Rising Star award. Martyrs Lane will hit harder for parents. Any story centered around children begets that internal ache from the very getgo and Martyrs Lane is no exception. It’s beautifully shot and elegantly lit. The exquisite progression in makeup heightens the overall dread. It speaks to the consuming power of grief and secrets. I cannot wait for Shudder audiences to experience this film in a few weeks. This one is special. Undoubtedly, one of my favorites from this year’s lineup.


Martyrs Lane Streams Exclusively on Shudder on Thursday, September 9th

North America, UK, Ireland, Australia, and New Zealand