Review: Jill Sixx Gevargizian’s ‘THE STYLIST’ has a look to die for.

THE STYLIST

Everyone dreams of being someone else, but for Claire, that dream goes from an obsession to a living nightmare. Her job as a hairstylist allows her to move in and out of other people’s worlds and is about to seamlessly pursue her disturbing predilection. Her lonely life, gruesome hobby, and shocking secrets are suddenly thrown into turmoil when her regular client, Olivia, asks her to style her hair for her wedding. Could she have made a true friend?

Back in 2016, I saw a disturbing and memorable short called The Stylist. Some of those images are still burnt into my brain. It’s not often I say that about a short. Now, writer/director/ producer Jill Sixx Gevargizian has developed that very short into a feature. That’s the funny thing about hairstylists. We totally end up telling them all about ourselves. It’s this unspoken, universal rule. We trust them with our hair and our secrets. Returning in the titular role is Najarra Townsend. She has this timeless look, with her gorgeous red hair and her vintage wardrobe. Signature colors people. Bravo to the costume department here. She has incredibly low self-esteem and social anxiety. Also, she’s a serial killer. This woman hates herself and craves connection. Gevargizian’s expertise as a real-life hairstylist shines through the opening scenes. She clearly guided Townsend’s hands to perfect the realism.

Brea Grant, who can do no wrong in my book, shines as Olivia, magazine exec, bride-to-be, and the unique object of Claire’s affection. She’s a firecracker. Her energy is the perfect foil for Najarra’s (mostly) quiet demeanor. Townsend has an amazing presence. Even when the focus is supposed to be on Olivia, her silhouette looms like a ghost in the background. She lives in the complexity of Gevargizian ‘s screenplay. She is both unsettling and mesmerizing.

We have to talk about the audio. The sound editing will make you cringe. The original score will throw your brain off-kilter and feels like an ode to 70’s horror classics. The editing is smart with side by side frames showing us Claire and Olivia as they navigate what seems mundane. The more we see them together, the more we realize how different these two women are. This script is built on the need for acceptance. There was a bit of a Single White Female (1992) meets May (2002) thing happening and I was all in. The Stylist is visually striking. You are enveloped in the lighting and overall color choices. The cinematic elements combined with stellar performances and an intense script creates a wildly successful atmospheric film dripping in nuance. Your heart is in your throat, constantly waiting for the other shoe to drop. It’s a very uncomfortable and bone-chilling watch. That. Final. Shot. And Cut.

See THE STYLIST first, on March 1st 2021, exclusively on ARROW.

Distributor: Arrow Video
Release date: 1st March, 2020
Running time: 1 hour 45 minutes

Review: Shut up, sit down, and watch ‘The Antenna’

In a dystopian Turkey, the Government installs new networks throughout the country to monitor information. The installation goes wrong in a crumbling apartment complex and Mehmet (Ihsan Önal), the building intendant, will have to confront the evil entity behind the inexplicable transmissions that threaten the residents.

Unsettling, oftentimes ear-piercing sound editing mixed with a 1984-esque storyline makes The Antenna an eerie watch. Set in an unnamed city in Turkey, this film is clearly an allegory for the current (yet timeless) right-wing propaganda spreading like a disease throughout today’s politics. Oppression is the name of the game. The government is installing new tv antennas so that hourly bulletins can more easily be broadcast to citizens. Accompanied by an evil black sludge coming from the new installation that seeps into the pores of high-rise tenants. Once they come in contact with it, their indoctrination is viscerally permanent. The Antenna represents the death of free speech.

The attention to detail in editing (both audio and visual), close-up shots, are all carefully crafted to induce madness in the residents and the viewer. The inspiration writer/director Orçun Behram has taken from Cronenberg and Ben Wheatley is unmistakable. I don’t know how this film was made on a $200, 000 budget. I am genuinely impressed. The Antenna is a highly stylized dystopian horror that will excite genre fans. Its smart script and dark as hell visuals are a real meal unto themselves. I will be waiting with bated breath for whatever comes next from Orçun Behram. You can watch the film in Virtual Cinemas this Friday, October 2nd, and On-Demand/VOD October 20th. Check out the trailer for some more insight.

THE ANTENNA

OPENING IN VIRTUAL THEATERS FRIDAY, OCTOBER 2  WITH A NORTH AMERICAN VOD RELEASE TO FOLLOW ON OCTOBER 20  ON ALL MAJOR PLATFORMS.

 VIRTUAL THEATERS (October 2)-Including: Los Angeles (Laemmle), New York and major cities (Alamo On Demand) and Philadelphia (Film Society).

VOD (US & Canada) (October 20): Including: iTunes, Amazon, Google Play, Xbox, Vudu, Dish Network and all major cable providers.

DIRECTED & WRITTEN BY: Orçun Behram

CAST:  Ihsan Önal, Gül Arici, Levent Ünsal, Isil Zeynep, Murat Saglam, Elif Çakman, Mert Toprak Yadigar and Eda Öze .

RT: 115 minutes; Color; Language: Turkish with English subtitles; Rating: Not Rated (Horror)

 Distributed in North America by: Dark Star Pictures