Stand Clear ‘ the Closing Doors
Stacey Sargeant‘s Tribeca 2026 short film Stand Clear ‘ the Closing Doors is an absolutely genius illustration of intrusive thoughts. This is a quintessential New York story in every single way.
It takes guts to thrive, hell even exist, in the city. We’ve all pushed past people to get off a train, moved cars because of a smell, and cried on the train at any given hour of the day. While Stand Clear ‘ the Closing Doors is a universal snapshot of public transportation, it is also one of humanity and connection found every minute in the melting pot of culture and stories in the greatest city in the world.
Thoughtfully shot by Timothy Naylor, if you are a local, you feel like you’re placed right next to Sargeant. She has managed to produce a living, breathing sense memory on film. Simultaneously funny, infuriating, and deeply moving, I cannot wait to see more from her.
Starring STACEY SARGEANT, GRACE REX, and CLAUDIA LOGAN
Directed by STACEY SARGEANT
Produced by STACEY SARGEANT and BECKY MORRISON
Executive Producers JEREMY KATZ, STACEY SARGEANT, and VERONA SARGEANT
Creative Producers ESTHER DE ROTHSCHILD and ADEPERO ODUYE
Cinematography TIMOTHY NAYLOR
Edited by JONATHAN ROGERS
SYNOPSIS
When a woman makes a simple request of a fellow NYC subway passenger, an everyday moment turns into a bizarre battle for space, peace, and dignity.
Comedy, Drama, New York, Women | 7 minutes | Not Rated | 2026 | English | USA
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Two friends trudge through a Michigan forest 
KNOW ME
In 2012, Rudy Eugene became known as “The Miami Zombie” when he attacked a homeless man because of bath salts. Inspired by the real-life incident, filmmaker Edson Jean‘s film KNOW ME dramatizes the case, bringing much-needed humanity to a story most of us think we know.
Jean utilizes black-and-white flashbacks to give us insight into who Jimmy was. The specific choice not to replay the video from the incident leaves a powerfully subconscious impact. The commentary on the media is as relevant today as ever. How does one man preserve the legacy raging against an entire industry? Separately, we watch family matriarch Pauline’s nuance journey to closure. A poignant moment between her and the man Jimmy attacked delivers a quiet beauty.
Tackling religion, judgment, and racism, KNOW ME is a meditation on grief. The script calls out hypocrisy and digs into underlying hurt within a trauma response. It is an undeniably strong sophomore feature.
Synopsis
The film directly follows 2022’s Death on the Nile and finds Detective Poirot enjoying retirement within the canals of Venice. His services are still in great demand (as evidenced by the constant line of hopeful clients) but he has lost his faith. When he is approached by his old friend and novelist Ariadne Oliver (Tina Fey, in a thinly veiled nod to author Agatha Christie), we know it can’t be long before the body count begins to climb.
While the characters are thin, the atmosphere and cinematography of the film are incredibly lush – they are the real stars of the show. I would have bet you good money this film had a different cinematographer from the last two – the difference in style is night and day. But it is still Haris Zambarloukos at the helm, so all I can say is keep it up! Venice does a lot of the heavy lifting, of course, but there’s more to it than that. The first two films leveraged green-screen extensively, whereas Haunting is grounded and has a sense of place. The tone of the film is much more focused, and almost every scene contains rich imagery. I loved the way the suspense of the potential supernatural was implied in every scene – walls and windows of the palazzo creak and seem alive in a manner reminiscent of old Hollywood. No need for CGI thrills here. How great was the imagery? I could watch this movie with absolutely no dialogue and still enjoy myself immensely.
Could we put together a cuddly list of family-friendly Easter films? Probably. But where’s the fun in that? Here is a list of films where a rabbit is featured in one way or another. Most are straightforward. A few, well, I guess you’ll have to watch them and figure out why they’re there. Happy Easter, and happy hunting for those pesky wabbits.
Peter Rabbit and his three sisters — Flopsy, Mopsy and Cotton-Tail — enjoy spending their days in Mr. McGregor’s vegetable garden. When one of McGregor’s relatives suddenly moves in, he’s less than thrilled to discover a family of rabbits in his new home. A battle of wills soon breaks out as the n
In the early 18th century, England is at war with the French. Nevertheless, duck racing and pineapple eating are thriving. A frail Queen Anne occupies the throne, and her close friend, Lady Sarah, governs the country in her stead while tending to Anne’s ill health and mercurial temper. When a new s
Walt Disney Animation Studios’ upcoming feature film “Encanto” tells the tale of the Madrigals, an extraordinary family who live in a wondrous, charmed place called an Encanto. Each child has been blessed with a magic gift unique to them—each child except Mirabel. But when the family’s home is threatened, Mirabel may be their only hope.
The voice cast includes Stephanie Beatriz as Mirabel; María Cecilia Botero as Mirabel’s grandmother Alma aka Abuela; John Leguizamo as Bruno; Angie Cepeda and Wilmer Valderrama as Mirabel’s parents, Julieta and Agustín; and Diane Guererro and Jessica Darrow as Mirabel’s sisters, Isabela and Luisa. Also lending their voices are Carolina Gaitán and Mauro Castillo as Mirabel’s aunt and uncle, Pepa and Félix; and Adassa, Rhenzy Feliz and Ravi Cabot-Conyers as Mirabel’s cousins Dolores, Camilo and Antonio, respectively. 
NO ESCAPE puts a modern, social media-driven twist on the ultimate adventure seeker. Think Hostel (2005) meets The Game (1997) as Youtube influencer Cole (Keegan Allen) and his friends fly to Moscow to experience what they think is a one-of-a-kind escape room. Once they arrive, they’re wined and dined by a local rich kid before being led to their final destination. But not all is what it seems. As an avid watcher of all things horror, the setup rightfully lulls you into a false sense of fun with its club scene music, lighting, and awesome camera work. Then the other shoe drops, calling out Cole’s obsession with his stats over his own reality. His cocky persona is knocked down several pegs when he realizes his friends’ lives are in actual danger.
The film is written and directed by Will Wernick (Escape Room, which was fantastic), will easily tap into the younger generation who has literally grown up with social media. At 40, I was around for the birth of chat rooms in 8th grade. As someone who is at the mercy of social media in my work now, I understand the importance and the danger of such platforms. The internet is a weird place. One of the most effective pieces of the script is the ever-rolling comment section of Cole’s videos. It’s a fantastic insight into an audience “in real-time.” While the entire cast does a great job and has believable chemistry, Keegan Allen’s performance leads this film to success. Having been a fan since Pretty Little Liars, then watching his award-worthy skills in 
Lust, betrayal, vanity, adultery; the reimagining of Hamlet through the eyes of Ophelia is an entirely different story. Based on the novel by Lisa Klein and in the vein of films like Ever After and perhaps even Disney’s live-action Cinderella, our leading lady is no shrinking violet. Daisy Ridley is a far cry from her role in the new Star Wars installments. As the titular character, she is inquisitive, bold, and yet her innocence plunges her headlong into the tragedy that Shakespeare writes for her. With a star-studded cast including Naomi Watts, Clive Owen, and Tom Felton, the story begins with how she became to be part of the court. Along the way, it addresses the fragility of the male egos as well as the female. It is still a story of love and honor but told from a young woman’s perspective and a few other key ladies surrounding her. The entire cast is brilliant. The costumes and sets are gorgeous. The new dialogue is ripe for this era. The added drama and intrigue is downright delicious. You cannot help but be drawn into the secrets. Ophelia’s fate makes more sense with a backstory we can experience in a visceral way. The film has everything a fairytale and period cinema lover needs to immerse themselves. But this film goes above and beyond. This new rendition is completely unexpected. It gives power back to the women in this story making Ophelia more magical than ever before. As someone great once said, “Well behaved women seldom make history.”
OPENS IN THEATERS TODAY!
Synopsis:
presents
Blood Fest takes a page out of the Scream franchise playbook by breaking down the scary movie rules and tropes. It’s a horror fan’s playground, literally. “Bloodfest” is horror’s Comic-Con or Disneyland. The film doesn’t take itself too seriously, the dialogue is snappy as hell, and the sets are incredible. I know people, myself included, that would pay good money to enter such a gore-infused playland. Blood Fest is unapologetically silly and wonderful. Once on location at Bloodfest, we get right into the slashing, enhanced by a nice practical FX and some CG shots. It’s like being trapped in a horror video game you’re watching someone else play for you. Every nightmare someone might have is explored even if only for a moment.Think Cabin In The Woods level humor and (frankly, plot, as well) but with some new twists. To top it off, the entire cast is phenomenally talented. Also, ladies and gentlemen, Zachery Levi cameo. Blood Fest is wildly entertaining and undeniably fun. If you love the horror genre you’ll be thoroughly amused by the tongue-in-cheek way the plot rolls out, despite a few corny moments. Simply sit back and enjoy the bloody ride. Oh, and back to the franchise mention, there is no reason why this couldn’t turn into one itself. A sequel, at the very least, is completely plausible and welcome.
presents
Sometimes I forget how talented Keanu Reeves truly is. He can take a pretty lifeless role and make it into something we weren’t expecting. That being said, these talents are really wasted in Siberia. It’s a poor man’s John Wick. The pace is often excruciating. When it is on, it’s vastly entertaining. The potential lies within the higher stakes, action-oriented scenes, but since they are few and what feels like far between it’s tough to stay on the train. 50 minutes into the 1:44 minute run it finally feels like,”Ok now we’re getting somewhere!” Alas, it will be 15 more minutes until something relatively interesting occurs. The script really takes it damn time getting to the point.
The performances are strong. Ana Ularu is vastly underutilized opposite Reeves. There is so much going on behind that tough girl veneer, a sadness that you want to fix. She has a brilliant presence but has been diminished to sex doll with a heart of gold. Someone write her a juicy role, please. Molly Ringwald appears for what is tantamount to a cameo, speaking of underutilized. Her performance in this year’s Tribeca selection, All These Small Moments is proof we need her back in our lives on a more permanent basis. Reeves, as Lucas Hill, diamond dealer trapped in a lackluster marriage and put in a shady work position, is the only saving grace. The problem being, you can feel the pained longing to kick some real ass. Ultimately, Siberia ends up being a midlife crisis cry for help, more than anything else. It left me cold and a bit empty.
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