Review: ‘THE ELDERLY’ is clever social commentary wrapped in a terrifying horror film.

THE ELDERLY

Following the sudden suicide of his wife, Manuel begins acting violently strange. Soon a series of paranormal events has all of the local elderly behaving oddly. They all seem to know something the young do not – paired with a lust for blood.

From the directing duo of the gooeytastic Spanish horror film The Passenger, Raúl Cerezo and Fernando González Gómez serve audiences their latest original story, THE ELDERLY.

Family tension grows after the unexpected suicide of the family matriarch. Manuel begrudgingly moves in with his son, granddaughter, and bitter daughter-in-law. As the temperatures outside rise, so does the mind-boggling behavior of Manuel and the rest of the octogenarian population.

Ignacio Aguilar‘s cinematography is breathtaking. Closeups, panning, overhead shots, each take meticulously planned for maximum impact. The visual trickery is out of this world. The score is unsettling, with its string-heavy intensity mixed with hauntingly written love standards.

A shockingly violent moment halfway through jolts an audience now accustomed to the eerie din of quietly disturbing imagery. The Elderly shines in the power of visual suggestion, shadow play, reflections, and long lingering takes.

The slow-burn film boasts a brutal and traumatizing, no-holds-bar climax. Otherworldly communication connects to climbing temperatures. The hotter the temp, the more intense the violence. The Elderly taps into the idea of the older generation feeling unheard and dismissed. It also utilizes classic supernatural tropes, adding one shocking last frame.


Distribution Company: Dark Star Pictures 
Theatrical Release Date: October 13, 2023
VOD & Blu-Ray Release Date: October 31, 2023
Directors: Raúl Cerezo, Fernando González Gómez
Writers: Raúl Cerezo, Javier Trigales, Rubén Sánchez Trigos

Runtime: 95 Minutes
Starring: Zorion Eguileor, Gustavo Salmerón, Paula Gallego, Irene Anula, Juan Acedo, Ángela Gamonal

GRIMMFEST 2022 review: Ramiro Blas wins Best Actor for ‘THE PASSENGER’

THE PASSENGER

Notable framing and beautiful aerial shots get us settled into an eclectic mix of folks on a journey in Blasco’s vintage van he calls Nessa. Young Marta, her mother Lidia, and religious but progressive Mariela are not exactly enjoying the ride. Blasco is a brash misogynistic conspiracy theorist. After spotting something strange on the side of the road, an accident transforms the group quite literally. What stalks them is gruesome and otherworldly.

The camera work from Ignacio Aguilar gets exponentially cooler as the chaos ensues. Fantastic editing and sound design add to the gloriously gory SFX makeup. It must have been one of the most gag-worthy sets to work on. I almost lost my lunch during one closeup.

The Passenger’s cast blew me away. Each actor brings something unique to the film. Actress Cristina Akcázar launches an outrageous physical performance filled with violent movements and wild energy.

Paula Gallego plays Marta and brings everything we need from sass to “final girl” greatness. Her chemistry with Ramiro Blas takes you by surprise. It is one hell of a pairing. Speaking of Ramiro Blas, as Blasco, he manages to be slimy and loveable all at once. There’s a reason he won The Grimm Reaper award for Best Actor. You’ll love to hate him and hate and love him.

The Passenger brings the best tropes of creature feature films. The final shot is slow-clap-worthy goodness. GRIMMFEST 2022 audiences and beyond will lap this up while simultaneously gagging.