From filmmakers to scene-stealers, here are some of the notable Women To Watch from Tribeca 2023.

The 2023 edition of The Tribeca Film Festival upped the anty for female filmmakers this year. Femmecentric storytelling gave us innumerable outstanding performances from women of all ages. As usual, I begin my annual roundup with the caveat that this list pertains solely to the films I saw. Here is my 2023 list of Women to Watch from Tribeca.

*an earlier version of this article first appeared on AWFJ.org*


THE LISTENER
Tessa Thompson plays Beth, a crisis line operator who works the overnight shift. Watching Thompson process callers in real-time is akin to live theatre. Scenarios range from a call from a formerly incarcerated man, a husband who just told his wife he no longer loves her, an overburdened mother, a runaway in danger, and more. Her final call, which is also the lengthiest, challenges her sense of emotional security but ultimately invites us into Beth’s life in earnest. Thanks to screenwriter Alessandro Camon, THE LISTENER is fully ripe for the stage. Tessa Thompson is in every single frame. The gentleness in her voice is soothing. Her patience is breathtaking. Underneath her job slips a weary face. The emotional investment is palpable. This performance is a master class in measured behavior. Thompson had me in the palm of her hand. Full Review here.


YOU’LL NEVER FIND ME
Jordan Cowan haunts us with a performance that keeps you guessing. Theories swirl when she knocks on the door in a trailer park during a freak storm. Her fear is palpable. By the end of the film, Cowan has you by the throat. It is a role that has you consistently on edge and inevitably wildly cheering.


THE MIRACLE CLUB
Laura Linney plays Chrissy, a woman who returns to Ireland for the first time in forty years following the death of her estranged mother. Carrying quiet despair, Linney puts bitterness aside to heal her past. Her poise elevates the film. Kathy Bates plays cousin Eileen with a weary spirit, spunk, and unforgiving spite. Her journey is slowgoing but worth the wait. The legendary Dame Maggie Smith plays a formerly close family friend, Lily. The connection between the two women is filled with guilt and anger but quickly softens in search of forgiveness. As expected, Smith treats each beat with care and discovery. She is always a joy to watch. Agnes O’Casey plays Dolly, the faithful mother of a mute son. Her heartfelt desperation pours off the screen. She could easily lead a feature on her own. The film comes to theaters July 14th from Sony Pictures Classics.


SUITABLE FLESH
Barbara Crampton, whom I retain the right to declare a Time Lord, plays Dr. Danielle Upton. Had this film been made 20 years ago, she would be Beth. Crampton is as good as it gets. She is sharp, 100% committed, and slyly comic. Her casting is no accident, and writer Dennis Paoli (Re-Animator) again does her justice. Heather Graham goes all out, essentially playing three roles in one. She is feisty and unbridled. Easily keeping up with Crampton’s iconic status, Graham nails the style. Full Review here.


SOMEWHERE QUIET
Cousin Madeline comes to overbearing life through the performance of Marin Ireland. Her aggressive affection and territorial nature toward Scott are off-putting and flawless. You cannot look away from her. Jennifer Kim plays Meg with frayed nerves and pent-up trauma on every inch of her skin. She lives inside the mind of someone who survived unspeakable horror. But, her feisty spirit and take-no-shit attitude barrel this unrelentingly intense story onward. Kim owns every second of screen time. Every bit of this script feels like a slowly tightening vice on the nerves as the lines of reality blur easily. In her feature directorial debut, filmmaker Olivia West Lloyd has a stranglehold on viewers. SOMEWHERE QUIET is a skillfully crafted and heinous tale of terror that will have you on the edge of your seat. Full review here.


JE’VIDA
The titular role comes to life through the eyes of Agafia Niemenmaa. This personification of innocence is captivating against the stark quiet of Finnish snow and ice. She is a star. Sanna-Kaisa Palo gives present-day Lida a palpable lived-in trauma and definitive rage. Dismissive at the beginning, her healing journey comes with the shedding of shame and reclamation of identity through the next generation. Full review here.


I.S.S.
Writer-director Gabriela Cowperthwaite gives Tribeca audiences one of the best of the fest. This compelling thriller plays out in claustrophobic chambers, pitting three American against three Russians while war breaks out on Earth’s surface. It is a skillfully crafted visual feast never disappoints. A look at humanity, ethics, and fear, I.S.S. is out of this world. Ariana DeBose stars as the newest crew member onboard. Her composed nature and willingness to take a beat lure you into the narrative from the beginning. She is well on her way to EGOT status with roles like this.


WAITRESS, THE MUSICAL- LIVE ON BROADWAY!
Sara Bareilles stars as Jenna in the stage-adapted version of the late Adrienne Shelly‘s indie of the same name. Bareilles embodies a woman in an abusive relationship, confused and wary of her newly pregnant body. One moving song after another, the audience gets caught up in the emotional complexities of change and choosing oneself.


THE FUTURE
Dar Zuzovsky plays potential surrogate Maor with a sunshiny disposition that is completely jarring. Something is off, but you cannot quite put your finger on it. Samar Qupty is Yafa. She is whipsmart with an acerbic wit and defensive edge. Her softening mirrors Nurit in real-time. It is a memorable turn. Reymonde Amsellem plays Nurit with a measured tone. She is undeniably brilliant. The dynamic between Nurit and Yafa is fascinating. They are combative, challenging, and yet connect in ways you do not expect. Their relationship is essential to understanding Nurit’s journey. Full Review here.


ONE NIGHT WITH ADELA
Laura Galán wowed audiences last year in PIGGY. One Night with Adela is a performance from the other end of the acting spectrum. With a shocking and revenge-fueled turn, Galán captivates in a one-take format. Drugs, alcohol, music, and sex radiate off the screen in a role cementing her as one of Spain’s rising stars.


ERIC LARUE
Judy Greer gives us a complex woman coping with the horrendous aftermath caused by her son. Michael Shannon adapts the stage play written before the Columbine tragedy. Made a pariah, Greer experiences emotional torture, regret, and confusion, in her attempts to make amends with the community that blames her. Greer is a shapeshifter, inhabiting the skin of any role like a pro. She often goes under the radar because of the projects she chooses. Her performance deserves the widest audience.


COLD COPY
Filmmaker Roxine Helberg gives us a story of ambitious women in journalism that may be predictable, but only because we have seen this plot tirelessly played out with an all-male cast. Here we find Bel Powley as a journalism grad student looking for her nig break under the guidance of powerhouse Diane Heger, played by Tracee Ellis Ross. Powley’s scrappy nature turns mirky when sabotage becomes the means to an end. Her eagerness eventually exploited by the sadistic and undeniably genius efforts of Ross. Cold Copy is a film railing against the patriarchy while saluting the idea of creating your own monster.


For all things Tribeca 2023, check out our reviews, alongside our colleagues at Unseen Films and AWFJ.org!

 

Tribeca 2023 Midnight review: Joe Lynch’s ‘SUITABLE FLESH’ is camp and gore and so much more.

SUITABLE FLESH

H.P. Lovecraft‘s story “The Thing on the Doorstep” serves as inspiration for Joe Lynch‘s Tribeca 2023 Midnight film SUITABLE FLESH. Heather Graham is Dr. Elizabeth Derby. Beth is a straight-laced psychiatrist whose obsession with a young patient becomes an uncontrollable sexual attraction. Part of the Cthulhu Mythos universe, horror-lit fans finally get the blood-soaked deliciousness they’ve been craving.

The structure feels faithful to Lovecraft’s format, with Beth retelling her current circumstances with narration and subsequent flashbacks to colleague Dr. Upton. Mind control, sexual enticement, transference, body swapping, SUITABLE FLESH has it all.

Barbara Crampton, whom I retain the right to declare a Time Lord, plays Dr. Danielle Upton. Had this film been made 20 years ago, she would be Beth. Crampton is as good as it gets. She’s sharp, 100% committed, and slyly comic. Her casting is no accident, and writer Dennis Paoli (Re-Animator) again does her justice. Judah Lewis plays Asa like a pro. His ability to switch characters and match Graham’s energy is astounding. I think it is legitimate to call him a Scream King by now. Graham goes all out, essentially playing three roles in one. She’s feisty and unbridled. Easily keeping up with Crampton’s iconic status, Graham nails the style.

SUITABLE FLESH is the perfect amount of camp and homage with its soapy noir score and old-school transitional cuts. The cinematography is chef’s kiss. The use of a car’s backup dashboard camera is particularly brilliant. The Special FX makeup by Greg MacDougall is perfectly disgusting. Let Joe Lynch make all of Lovecraft’s stories.


In Person

Sun June 11 – 10:00 PM

 

Tue June 13 – 9:30 PM

 

Fri June 16 – 9:30 PM
BUY
DIRECTOR
Joe Lynch
PRODUCER
Barbara Crampton, Bob Portal, Inderpal Singh, Joe Wicker
SCREENWRITER
Dennis Paoli
CINEMATOGRAPHER
David Matthews
EDITOR
Jack N. Gracie
EXECUTIVE PRODUCER
Brian Yuzna, Rick Moore, James Norrie, Nina Kolokouri
CAST
Heather Graham, Judah Lewis, Bruce Davison, Barbara Crampton, Johnathon Schaech

Tribeca Festival 2023 Curtain raiser: Films we are putting on our must-see lists before the festival begins

TRIBECA FESTIVAL 2023 brings thrills, mystery, comedy, fantasy, you name it, there is something for everyone. This year’s lineup features Joe Lynch‘s latest, Suitable Flesh, Gabriela Cowperthwaite‘s I.S.S., and David Duchovny‘s Bucky F*cking Dent. Let’s get into a few of the films we are dying to get our eyeballs on this year.

 

THE LISTENER – North American Premiere – Spotlight Narrative 
Directed by: Steve Buscemi
Written by: Alessandro Camon
Produced by: Wren Arthur, Steve Buscemi, Oren Moverman, Lauren Hantz, and Tessa Thompson
Executive Producers: John Hantz, Eddie Vaisman, Julia Lebedev, and Suzanne Warren
Co-Producers: Billy Mulligan, Kat Barnette, and Joyce Pierpoline
Associate Producer: Brian Miele
Starring: Tessa Thompson


An understated drama about a night in the life of a mental health helpline volunteer, The Listener is a stirring testament to the power of empathy.

Tessa Thompson continues her Tribeca greatness in a role that could easily translate from film to stage. This is a character study.


MAGGIE MOORE(S) – World Premiere – Spotlight Narrative 

In Theaters & On Demand June 16th

Directed by John Slattery
Written by Paul Bernbaum
Produced by John Slattery, Vincent Garcia Newman, Dan Reardon, Santosh Govindaraju, Nancy Leopardi, and Ross Kohn
Starring Jon Hamm, Tina Fey, Micah Stock, Nick Mohammed, Happy Anderson, and Mary Holland

When two women with the same name are murdered days apart, small-town police chief Jordan Sanders (Hamm) finds himself wading through an unlikely collection of cheating husbands, lonely hearts, nosy neighbors and contract killers in an effort to put the pieces of the case, and his life, together. The film is inspired by actual events.

The cast alone should get you through the door. This bizarre tale, based on real-life events, is a wacky we-know whodunit, but it doesn’t lessen the impact.



THE MIRACLE CLUB – World Premiere – Spotlight Narrative Category (Sony Pictures Classics)



Directed by Thaddeus O’Sullivan (Vera, Call the Midwife)

Written by Jimmy Smallhorne, Timothy Prager, and Joshua D. Maurer

Produced by Joshua D. Mauer, Alixandre Witlin, Chris Curling, Larry Bass, Aaron Farrell, John Gleeson and Oisín O’Neill


Three close friends who have never left the outskirts of Dublin (much less Ireland) get the journey of a lifetime — a visit to Lourdes, the picturesque French town and place of miracles.

An absolute charmer about healing old wounds and forgiveness set in the gorgeous French countryside. Laura Linney and Dame Maggie Smith? That’s an instant yes.

Check out the trailer below:


SOMEWHERE QUIET– US Narrative Competition

Director/Writer: Olivia West Lloyd

Producers: Emma Hannaway, Taylor Ava Shung, and Eamon Downey

Cast: Jennifer Kim, Kentucker Audley, Marin Ireland, Michéal Neeson

Running Time: 98 minutes

In the ominous and tense Somewhere Quiet, a woman readjusts to normalcy after surviving a traumatic kidnapping — but her grounded sense of reality soon starts to deteriorate when she travels with her husband to his wealthy family’s isolated compound.

This solid thriller will catch you off guard, making you second-guess your sanity along the way.


OUR SON– Spotlight Narrative

Director/Co-Writer: Bill Oliver

Co-Writer: Peter Nickowitz 

Producers: Fernando Loureiro and Eric Binns

Key Cast: Luke Evans, Billy Porter

Running Time: 104 Minutes

Nicky (Luke Evans), a book publisher devoted to his work, lives with his husband Gabriel (Billy Porter), a former actor and stay-at-home dad, and their eight year-old son, Owen. Gabriel loves Owen more than anything; Nicky loves Gabriel more than anything. Despite appearances, Gabriel has been dissatisfied with their marriage for some time and files for divorce, leading to a custody battle that forces both of them to confront the changing reality of their love for each other and for their son.

This beautifully complex story of the growing pains of changing love.


I.S.S. – Spotlight Narrative

Director: Gabriela Cowperthwaite

Writer: Nick Shafir

Producers: Pete Shilaimon and Mickey Liddell

Cast: Ariana DeBose, Chris Messina, Pilou Asbæk, John Gallagher Jr., Maria Mashkova, Costa Ronin

Running Time: 95 Minutes

Tensions flare in the near future aboard the International Space Station as a worldwide conflict occurs on Earth. Reeling from this, the astronauts receive orders from the ground: take control of the station by any means necessary.

A stunning look at loyalty. This intense sci-fi thriller captivates you with Ariana DeBose holding you in the palm of her hand.


SUITABLE FLESH –  Midnight (World Premiere)

Director: Joe Lynch
 
Screenwriter: Dennis Paoli
 
Producers: Barbara Crampton, Bob Portal, Inderpal Singh, Joe Wicker
 
Cast: Heather Graham, Judah Lewis, Bruce Davison, Barbara Crampton, Johnathon Schaech
 
Running Time: 100 Minutes
 

After murdering her young patient, a once-esteemed psychiatrist helplessly watches her life spiral into a nightmarish maelstrom of supernatural hysteria and gruesome deaths, all linked to a seemingly unstoppable ancient curse.

Let Joe Lynch direct all the Lovecraftian weirdness. Honestly, as a genre fan, you had me at Barbara Crampton.


BAD THINGS – US Narrative Competition 

DIRECTOR: Stewart Thorndike
 
PRODUCER: Lizzie Shapiro, Lexi Tannenholtz
 
SCREENWRITER: Stewart Thorndike
 
 
CAST: Gayle Rankin, Hari Nef, Annabelle Dexter-Jones, Rad Pereira, Jared Abrahamson, Molly Ringwald
 
A weekend getaway for a few friends at a snowy resort becomes a psychological tailspin and bloody nightmare. Long-deceased guests and the space itself come to life in this haunting thriller.
 

There is always something to be said for a film that gets snapped up by Shudder before its premiere. The platform’s ability to spot great genre storytelling goes head-to-head with the major studios. Gayle Rankin‘s ability to live in whatever role she takes on is astounding. I have no doubt that she’ll kill it. *wink, wink*

**COMING TO SHUDDER (US, UK, IRELAND, AUSTRALIA, NEW ZEALAND) 
AND AMC+ (US, CA, ANZ) ON AUGUST 18TH, 2023**


BUCKY F*CKING DENT – Spotlight Narrative

DIRECTOR: David Duchovny
 
PRODUCER: Jordan Yale Levine, Jordan Beckerman, Tiffany Kuzon, David Duchovny
 
SCREENWRITER: David Duchovny
 
CAST: David Duchovny, Logan Marshall-Green, Stephanie Beatriz, Jason Beghe, Evan Handler, Pamela Adlon, Daphne Rubin-Vega
 
Follows Ted who moves in with his father Marty when he develops a fatal illness. To keep him happy and alive, Ted enlists Marty’s grief counselor Mariana and friends to fake a Red Sox winning streak.
 
As a born and bred Red Sox fan, Bucky Dent felt like the modern-day equivalent of “He Who Shall Not Be Named,” long before that reference was a pop-culture reference. I grew up sitting against The Green Monster. You can clock my age in successive photographs. Based on his novel, David Duchovny brings this father-son story to the big screens at Tribeca. I couldn’t be more excited. I’m pretty sure that for true fans, this one is destined to be a home run. 
   OF NIGHT AND LIGHT: THE STORY OF IBOGA AND IBOGAINE – Spotlight Documentary

DIRECTOR:Lucy Walker
PRODUCER:Julian Cautherley, Lyn Davis Lear, Laurie Benenson, Lucy Walker
CINEMATOGRAPHER:Sebastian Denis, Lorenzo Hagerman, Aaron Phillips
EDITOR:Parker Laramie

Of Night and Light: The Story of Iboga and Ibogaine tells the astounding unknown story of what might be the scientific discovery of our generation. Back in 1962, a teenage psychonaut in New York City named Howard Lotsof experimented with an obscure psychedelic from the root bark of a West African shrub and recognized its unique therapeutic potential. Together with his African-American wife Norma, a pair of outsider NYU film students, they dedicated their lives to convincing the scientific community and government agencies to research it, certain that it would be of great medicinal benefit, despite it sounding too good to be true – like the textbook definition of snake oil – and being written off as con artists.

Sixty years later, their dream is now materializing as clinics spawned from their original test sites have treated more than 100,000 people with opiate use disorder and now over 1,000 US Special Forces veterans, who have experienced dramatic relief from a spectrum of problems including traumatic brain injury, depression, anxiety, ptsd, addictions, and physical disabilities through the use of ibogaine. Now jaw-dropping new research, about to be published, is revealing that ibogaine is the most powerful therapeutic ever observed for the human central nervous system.

Psychedelics have a complicated past, but their present-day use is more prevalent than most people know. I can’t wait to dig into the history of this life-changing medicine because that’s what it is. I have family members in the medical industry who use them, and audiences will have family members with PTSD, so this one has the potential to be more personal than anyone expected.


THE FUTURE– International Narrative Competition (World Premiere)

WRITTEN AND DIRECTED BY Noam Kaplan
STARRING Dar Zuzovsky, Samar Qupty, Reymonde Amsellem
PRODUCED BY Yoav Roeh, Arit Zamir
CINEMATOGRAPHY BY Shark de Mayo
EDITED BY Effi Cohen Vertes
MUSIC BY David Klemes

At 42, Dr. Bloch (Reymonde Amsellem), a profiler, wants a child. A future. Her only way is to find a surrogate mother. At the same time, her groundbreaking algorithm designed to identify individuals planning to carry out terror attacks fails and a young Palestinian woman (Samar Qupty) assassinates the Israeli minister of Space and Tourism. In order to ‘fix the bugs’ in her algorithm, Nurit faces the assassin in person. The sessions between these two brilliant women raise questions about their past, while the sessions between Bloch and the potential surrogate (Dar Zuzovsky) challenge Bloch’s decision about her future.

This near-future femme-centric drama from Noam Kaplan gives brilliant women the chance to challenge one another at every turn.  A futuristic collision within the ongoing Israeli-Palestinian conflict, THE FUTURE has more nuance than you are prepared for.


TO MY FATHER – Shorts (World Premiere)

DIRECTOR: Sean Schiavolin
PRODUCER: John Papola, Troy Kotsur, Justin Bergeron
SCREENWRITER: Sean Schiavolin
CINEMATOGRAPHER: Brody Carmichael 
EDITOR: Josh Meyers, Sean Schiavolin
COMPOSER: Hanan Townshend
ASSOCIATE PRODUCER: Jessi Bennett
CAST: Troy Kotsur

 

To My Father depicts Deaf actor Troy Kotsur’s journey to winning an Oscar and his father’s inspiring influence on him, despite a tragic accident.

Grab the tissues and be prepared for the beauty presented by Sean Schiavolin. If you haven’t been living under a rock then you are familiar with the extraordinary Troy Kotsur. This twenty-minute short pierces your heart, once again, as we learn more about the deaf actor’s inspiration. Do Not Miss It.


CHASING CHASING AMY – Viewpoints (World Premiere)

DIRECTOR: Sav Rodgers
PRODUCER: Alex Schmider, Carrie Radigan, Lela Meadow-Conner, Matthew C. Mills, Sav Rodgers
CINEMATOGRAPHER: Bill Winters, Bradley Garrison
CAST: Kevin Smith, Guinevere Turner, Joey Lauren Adams, Scott Mosier, Sav Rodgers, Andrew Ahn, Kevin Willmott, Trish Bendix, Princess Weekes, Regina “Riley” Rodgers

 

12-year-old Sav Rodgers watched the film Chasing Amy, and his life was forever changed. Developing a kinship — and maybe a slight obsession — with it as he grew into his queerness, he decides to fund and direct a documentary that examines its role in LGBTQ+ film culture. He makes significant progress, even garnering the support and collaboration of its director, Kevin Smith. However, as the production of the documentary continues, Rodgers realizes that the legacy of the film and his relationship with it might be changing. So where does that leave him?

Chasing Amy was a sexual awakening for more of us than we might like to admit. It felt like a narrative shock to the system in the most welcome way for audiences obsessed with Clerks and Mallrats. We were open-minded Kevin Smith nerds and we were ready to listen. This timely look at LGBTQAI+ issues is sure to spark conversation.


For all things Tribeca Festival, click here!

Keep your eyes peeled for shared coverage from us, Unseen Films, and AWFJ.org!


 

Review: ‘WETLANDS’ blows by with little gusto.

Synopsis: Babel “Babs” Johnson (Adewale Akinnuoye-Agbaje) is a police detective who finds himself assigned to a precinct in the Wetlands, the no-man’s land surrounding Atlantic City, within eyeshot of the once fancy and now dilapidated hotels and boardwalk, but a world away.  A year ago, he was a top cop in Philadelphia, but mysterious circumstances intervened and now he finds himself back home and back in the lives of his estranged daughter, Amy (Celeste O’Connor), and still-bitter ex-wife, Savannah (Heather Graham)

 

Surrounded by locals, Surfer Girl (Reyna de Courcy), a surfboard builder who has dreams of moving to Hawaii to ply her trade; and Kate (Jennifer Ehle), a local news anchor; and local thugs Jimmy (Louis Mustillo) his boss, Lollipop (Barry Markowitz); and with a new partner, a fun-loving gambling addict named Paddy Sheehan (Christopher McDonald), Babs slowly adjusts to life back on the beat.

 

Meanwhile, as the region prepares for a massive, late-season hurricane, the storm threatens to destroy the Wetlands… and the lives of some of its inhabitants.

Wetlands tries really hard to be a noir that never really pans out. It’s painfully slow and rather cliche in its character development. With such a heavy-hitting cast, it is difficult to walk them try so hard at something that doesn’t give them, or the audience, enough to care about. What information we do have about Babs, comes in what feels like misplaced and piecemeal black & white flashbacks. The nonchalance of the shadiness that’s occurring in this town makes it all the more underwhelming. 

While beautifully shot, with sweeping shots of the rundown boardwalk, that’s just about the only pretty thing about Wetlands. I was left with an overall feeling of, “Meh.” This cast deserved a whole hell of a lot more by way of character development. There is never any feeling of genuine urgency, and with one of the major plot points being an impending hurricane, it certainly seems like that should have been quite the priority.

WETLANDS – starring Adewale Akinnuoye-Agbaje (Suicide Squad, ABC’s “Ten Days in the Valley,” TV’s “Oz,” “Lost”),Heather Graham (The Hangover, TV’s “Californication”), Jennifer Ehle (Zero Dark Thirty, Fifty Shades of Grey, TV’s “A Gifted Man”) and Christopher McDonald(Requiem for a Dream, TV’s “The Good Wife,” “Boardwalk Empire”).

The film is written and directed by first-time filmmaker Emanuele Della Valle and will be released in theaters on September 15th.