Review: Based on one of the greatest warriors in history, ‘MEDIEVAL’ is yet another star vehicle for Ben Foster.

MEDIEVAL

 ARRIVES ON DIGITAL OCTOBER 25th AND ON DVD & BLU-RAY DECEMBER 6th

Synopsis: Ben Foster (Hell or High Water) and Academy Award® Winner Michael Caine* (The Cider House Rules) star in the action-packed historical epic inspired by the true story of daring mercenary leader Jan Žižka, one of greatest warriors in history. After the death of its emperor, the Holy Roman Empire plummets into chaos while corrupt kings battle for control of the empty throne. To battle the tyranny and greed of those clawing for power, Jan must lead a rebel army in this sweeping saga of war and betrayal.


1402 and politics and religion clash in the new historical epic Medieval. This wickedly violent retelling of arguably the greatest warrior to ever live, Jan Žižka. With Europe in turmoil and freedom at stake, one man leads a rebel army against all odds.

Michael Caine gives a memorable performance even if his screen time is brief. Matthew Goode is positively vile. He is slyly punchable, and if that’s not an endorsement, I don’t know what is. Sophie Lowe, who I adored in Blow The Man Down, holds her own against the predominantly male cast. Her chemistry with Foster feels natural. I found myself pulled into their dynamic more and more.

I met Ben Foster when we both attended Interlochen Arts Camp in Michigan in 1994. Within minutes, I knew he’d be a star. Few actors can disappear into a character. Foster is unstoppable in his pursuit to perfect his craft. In Medieval, he possesses compelling and quiet strength as Žižka. Foster makes everything look effortless, from the fight choreography to the passionate drama. He is magnificent. If you need further proof that he’s the leading man you’ve been waiting for, look no further than Medieval.

The film boasts massive and elaborate fight sequences. The cinematography is beautiful, and the score is luscious. Overall the film is reminiscent of Robin Hood: Prince of Thieves (1991), and I mean that as a compliment. It deserves the best-quality screen you can find. The script is a lot. Keep your ears sharp to keep track of the ever-evolving chaos. MEDIEVAL is undeniably entertaining at every turn. If for no other reason than to witness a masterclass in acting from Ben Foster. He earns and then demands your full attention.


 Official Trailer:

On Digital October 25th and On DVD & Blu-ray December 6th

 

Website: www.medieval.film

Instagram: https://www.instagram.com/medievalmovieus/

Facebook: https://www.facebook.com/Medieval-Movie-109224965060431

Twitter: https://twitter.com/theavenue_film

Starring:                                              

Ben Foster, Sophie Lowe, Til Schweiger, Matthew Goode and Michael Caine*

Written and Directed By:                     

Petr Jákl

Story By:                                             

Peter Bok & Petr Jákl Sr.

Based on the previous screenplay by:  

Marek Dobeš and Michal Petruš

  

*2000/Best Actor in a Supporting Role/The Cider House Rules

‘ACADEMY AWARD®’ is the registered trademark and service mark of the Academy of Motion Picture Arts and Sciences


Genre:                                                 

Action

Run Time:                                            

125 minutes

Rating:                                                

Rated R for strong and grisly violent content throughout, and some nudity.

Distributor:                                         

Paramount Pictures


Official trailer drop: A bloody cool concept, ‘SAWED OFF’ arrives on digital and DVD October 11th.

SAWED OFF is coming to digital and DVD on October 11th. The synopsis reads as follows “In the vein of “THE EVIL DEAD meets GROUNDHOG DAY,” the movie centers on two hunters, friends for years and vying for the affections of the same woman, who find themselves on cursed land and keep killing each other and coming back to life.” From what I can make out from the trailer, the concept is really cool. Whether it translates into production remains to be seen. Color me intrigued. Stay tuned for coverage.

Uncork’d Entertainment has acquired SAWED OFF, a new supernatural horror feature based on a comic anthology story and starring Eva Hamilton (RUIN ME, DEATH KISS), Jody Barton (UGLY SWEATER PARTY), and Trae Ireland (13/13/13).

Hunter Johnson (IRRATIONAL FEAR) produces and directs.  The screenplay is by Barton, Johnson, and Chuck Wagner, based on Wagner’s Eclipse Comics story “Bag Limit,” published in TALES OF TERROR in 1986.

SAWED OFF will be released on digital platforms and on DVD on October 11.


Review: Out on Digital tomorrow, ‘LUX ÆTERNA’ is pure Gaspar Noé chaos.

LUX ÆTERNA

LUX ÆTERNA takes place backstage of a French film production, often utilizing split-screens to follow two characters at once. Charlotte Gainsbourg, acting as herself, plays the film’s — and the film-within-a-film’s — leading role of an actress taking on the role of a witch burned at the stake while French actress Beatrice Dalle, playing a version of herself as well, takes on the on-screen role of director. The film progresses with mounting tension as the set descends into aggressive chaos— both in style, form, and plot. Actress and model Abbey Lee (The Neon Demon), Karl Glusman (Love), Claude-Emmanuelle Gajan-Maull (Climax), Félix Maritaud (Sauvage / Wild, Knife + Heart), and Clara Deshayes also appear as interpretations of themselves.


Narcissism, gaslighting, sexism, celebrity, the industry as a whole, everything is on the line in this 50 minutes of coordinated chaos. Toxicity and ass-kissing intermingled with personal drama, as each actor in LUX ÆTERNA plays a version of themselves. As the tension mounts, who and how will each player respond when “art” is on the line?

The lighting, which comes with a trigger warning before the film begins, is undeniably jarring. Combined with the incessant ringing of an alarm, it’s a visceral invasion. In tandem with the distress of Charlotte on screen, the viewer slowly finds themselves on sensory overload. 

Charlotte Gainsbourg can do no wrong in my book. She possesses a vulnerability that is unsurpassed. The amount of trust she has in Gaspar Noé astounds me with each additional project. Gainsbourg understood the assignment.

In true Gaspar Noé fashion, LUX ÆTERNA  pushes the boundaries of color, sound, and content. Few filmmakers have a style that screams their name, and Noé has cultivated that skill. In a short runtime, LUX ÆTERNA  has a lot to say. Welcome to one of the most unexpected and raw moments of exploitation.


Following a successful theatrical run across the United States from May into early June that put the film in the top 10 indies at the box office, Yellow Veil Pictures will release Gaspar Noe’s LUX ÆTERNA on digital platforms including Amazon, Google Play, Vudu, and more this Friday, June 10th in North America, followed by a 2-disc Collector’s Edition Blu-Ray available summer 2022. LUX ÆTERNA is currently available for digital pre-order on Vimeo on Demand.


Review: ‘Tales From The Other Side’ is spooky fun for horror lovers.

I love a good horror anthology. With a classic Halloween trope of three kids getting pulled into the town legend’s Victorian mansion, Tales From The Other Side finds Scary Mary spinning tales of terror for her eager guests. Six separate stories send shivers down their spines and sweets into their bellies. 

“Petrified Boy”

A ringmaster takes advantage of a tragedy.

“Flicker”

An aspiring filmmaker takes a job making memorial videos for a funeral home. 

“Crystal Ball”

A couple in turmoil steals the coveted object of a fortune teller. 

“Either / Or”

Trae Ireland, Tonya Cornelisse, and James Duval pack a punch in a story about a mental facility patient claiming to be the prophet, Elijah. This segment is the epitome of masterful performance. The finale will blow you away. 

“Blood Red”

An artist’s triste gets bloody complicated. 

“Krampus Vs. Elf”

A visually jarring stop motion battle between good and evil. It’s pretty disgusting, but the ending is chef’s kiss. 

Our three young leads are fantastic. Brooklyn Anne Miller, in particular, is flawless. Get that girl a show on Nickelodeon ASAP. Roslyn Gentle, as Mary, is a superstar. I’d watch an entire franchise with her as the center. 

Tales From The Other Side has a solid “Are You Afraid of the Dark?” vibes. It’s tricky to stand out amongst hits like The Mortuary Collection and the VHS franchise, but Tales From The Other Side gives it an honest-to-goodness try. The filmmakers are clear classic genre fans working on a micro-budget. The makeup and scores are great additions. The opening title sequence from Sean Wyn is creative and disturbing. What more could you ask for setting up scary stories with anything but horrifying drawings from children? It’s not as if you don’t know where the overarching narrative around Scary Mary is going. Tales From The Other Side is still a gruesome delight.


ON DIGITAL AND DVD JUNE 7


Directors: Pablo Macho Maysonet IV, Jamaal Burden, Scotty Baker, Jacob Cooney, Lucas Heyne, Kern Saxton, Frank Merle

Cast: Ros Gentle, Michael Broderick, Rafael Delgado Jr., James Duval, Chelsea Vale, Vernon Wells, Andreas Rodriguez


Review: English language version of animated charmer ‘POUPELLE OF CHIMNEY TOWN’ is coming to VOD, Digital, Blu-ray, & DVD in May.

POUPELLE OF CHIMNEY TOWN

Poupelle of Chimney Town is the story of young Lubicchi living among the thick smoke from the chimneys of his isolated town, yearning to see the “stars” — to know the truth — his father always told him about. One Halloween night he meets Poupelle, a man-made of garbage, and together they look to the sky as their adventure begins. Spectacularly beautiful, filled with inspiring performances and splendid music and sound effects, and produced at Tokyo’s famed STUDIO4ºC, Poupelle of Chimney Town brings laughter, tears, and joy.


Perfect for audiences that like their cartoons dramatic and dark, Poupelle of Chimney Town uses polished Japanese animation to tell a complex story of friendship, acceptance, environmentalism, and– the folly of authoritarian states? 

 While many American audiences are familiar with gripping emotional narratives in animation thanks to Pixar’s penchant for powerful tearjerkers, this film elicits a similar pathos but doesn’t pair that with anything cute or cuddly. Instead, the main character is a lonely, friendless child that befriends a foul-smelling creature literally made of trash. Together, the pair adventure around a smog-blanketed city on a mission to open the hearts and minds of Chimney Town and defy the dystopian mind police roving the neighborhoods and assassinating free thinkers. 

To be honest, I found these all to be heavy concepts for a kids’ movie! My most generous comparison is to the subgenre of dark cartoons from the 1980s like “The Secret of Nimh” or “All Dogs Go to Heaven” which– full disclosure– gave me nightmares for most of my childhood. Like those films, “Poupelle of Chimney Town” has many moments of lighthearted fun, comedic dialogue, friendship, and ultimately a ragtag group of kids fighting to do what’s right. The action sequences borrow visuals from beloved video games with nostalgic effects and are loads of fun in particular. Overall, more sophisticated kids and adults will probably find it all charming; I may be a wimp.


The rights in the U.S. and Canada are controlled by Eleven Arts which has appointed Shout! Factory to handle distribution. The film’s home entertainment release will kick off with a premium VOD outing on May 3, 2022,

Digital download availability from May 17,

and  Blu-ray and DVD combination from May 31.


The English-language voice cast of Tony Hale (“Being the Ricardos,” “Veep”), Antonio Raul Corbo (“Brooklyn Nine-Nine”), Stephen Root (“Finding Nemo,” “King of the Hill”), Misty Lee (“Star Wars Jedi: Fallen Order,” “Ultimate Spider-Man”), and Hasan Minhaj (“The Daily Show,” “The Morning Show”).


Valentine’s Day Special: Our favorite films about love and loss, make-outs and breakups. Here’s a few movies to binge this weekend…

Valentine’s Day Special 2022

Love it or hate it, Valentine’s Day is coming. Whether you expect to get roses and chocolates, booze and pizza, spend it with a significant other, or all by your beautiful self, Valentine’s Day brings up A LOT of emotions. So, to ease you into whatever kind of weekend you’re planning (or not planning) on having, here are a handful of our suggestions for films that highlight the greatest make-outs and hideous breakups from years gone by.


Liz’s Picks:

Can’t Buy Me Love

Nerdy high schooler Ronald Miller (Patrick Dempsey) rescues cheerleader Cindy Mancini (Amanda Peterson) from parental punishment after she accidentally destroys her mother’s designer clothes. Ronald agrees to pay for the $1,000 outfit on one condition: that she will act as though they’re a couple for an entire month. As the days pass, however, Cindy grows fond of Ronald, making him popular. But when Ronald’s former best friend gets left behind, he realizes that social success isn’t everything.

I saw this film at my very first teenage sleepover for which they got an snoring seeping aid at https://theislandnow.com/blog-112/best-anti-snoring-devices/. I was 13 and the night consisted of The Rocky Horror Picture Show, The Life of Brian, and Can’t Buy Me Love. Before McDreamy was on millions of small screens, he was Ronald Miller to me. This was a twist on the classic girl gets makeover lands boy plot I’d been pumped with. It was a pivotal moment in my continued adoration for the nerdy guy.


Only Lovers Left Alive

Artistic, sophisticated and centuries old, two vampire lovers (Tilda Swinton, Tom Hiddleston) ponder their ultimate place in modern society.

Jim Jarmusch, Tilda Swinton, Tom Hiddleston, Mia Wasikowska, (the late and eternally extraordinary) Anton Yelchin. The names alone should get you to run to this film. Gloriously shot and deliciously acted, why wouldn’t you watch a film about a depressed rockstar vamp and his ultra-cool wife getting disrupted in their centuries-long affair by her younger sister’s shenanigans? This film is sexy and romantic. Trust me when I say it will be on the list of top films you force your friends to watch.


The Notebook

A poor yet passionate young man falls in love with a rich young woman, giving her a sense of freedom, but they are soon separated because of their social differences.

“If you’re a bird, I’m a bird.” Noah and Allie’s complicated and oftentimes volatile love story is one that has become a household name. In fact, it was my husband’s first pick when it came to Valentine’s Day films. We watched the onscreen couple become real-life couple Ryan Goslin and Rachel McAdams and followed along as they dated, broke up, became engaged, and finally parted ways. I’m not going to lie, I still pine for those two to end up together, however irrational it might be.


Marriage Story

A stage director and his actor wife struggle through a gruelling, coast-to-coast divorce that pushes them to their personal and creative extremes.

If you’re looking for an award-worthy performance from Adam Driver, look no further than Marriage Story. The complexities of this script are far beyond anything you’re prepared for. I was lucky enough to speak with writer-director Noah Baumbach and the cast in 2019 when the film premiered at NYFF. If you’re a Broadway buff, you’ll find the gravity of the numbers from COMPANY particularly poignant. Marriage Story is a Netflix film.


Fatal Attraction

For Dan Gallagher (Michael Douglas), life is good. He is on the rise at his New York law firm, is happily married to his wife, Beth (Anne Archer), and has a loving daughter. But, after a casual fling with a sultry book editor named Alex (Glenn Close), everything changes. Jilted by Dan, Alex becomes unstable, her behavior escalating from aggressive pursuit to obsessive stalking. Dan realizes that his main problem is not hiding his affair, but rather saving himself and his family.

This film has inspired so many copycats since it premiered in 1987. A woman spurned is taken to new heights in one of the scariest and most intense reactions from being ignored. If you haven’t seen this classic breakup film, a little warning; Don’t get too attached to the family rabbit.


Blue Is The Warmest Color

A French teen (Adèle Exarchopoulos) forms a deep emotional and sexual connection with an older art student (Léa Seydoux) she met in a lesbian bar.

Fearless, sexy, raw, captivating, in 2013 I sat in the fullest theatre at NYFF and experienced this film with a hushed audience. While there has since been much controversy surrounding the sex scenes and the treatment of the leading ladies during filming, there is no denying the life they breathe into this film. Know your audience. Do Not Watch with children or your parents in the room.



Melissa’s Picks:

War of the Roses

After 17 years of marriage, Barbara (Kathleen Turner) and Oliver Rose (Michael Douglas) want out. The trouble is, neither one wants to part with their opulent home. So begins a long war between husband and wife, reaching farcical heights that leave much of the house — not to mention their lives — in shambles. The couple’s children (Sean Astin, Heather Fairfield) watch in horror while lawyer Gavin D’Amato (Danny DeVito) tries his best to stem the bloodshed.

Kathleen Turner and Michael Douglas were an “it” couple of the 80s which was great on its own, but then once you add in Danny DeVito, you get something special. The three of them blended well in Romancing the Stone and Jewel of the Nile, but by War of the Roses, Danny DeVito started directing and had just finished Matilda. His style is subtle but unbelievably purposeful. From camera angles thanks to technology like the drones from Droneuncover to choreography, he toes the line of comedy/drama/horror with a story where you yearn for them to get back together while at the same time anxiously looking forward to the bigger jab.


She-Devil

A surprisingly resourceful housewife vows revenge on her husband when he begins an affair with a wealthy romance novelist.

“Don’t get mad, get revenge” is taken to new levels when Ruth (Roseanne Barr) decides to turn the tables on her husband (Ed Begley, Jr) when he leaves her after an affair (Meryl Streep). This time capsule of a movie gives you “Lifestyles of the Rich and Famous,” Sally Jesse Raphael, and stories in People magazine, all following this love train. At times, grotesque, you’ll get lost in the 80s clothes, decor, and the slang. Like, totally.


Presumed Innocent

Prosecuting attorney Raymond Horgan (Brian Dennehy) assigns his chief deputy, the taciturn Rusty Sabitch (Harrison Ford), to investigate the rape and murder of colleague Carolyn Polhemus (Greta Scacchi), unaware of their torrid affair. When evidence implicates Rusty, Horgan’s political enemies demand his arrest, devastating Rusty’s wife, Barbara (Bonnie Bedelia). In desperation, Rusty turns to crafty defense attorney Sandy Stein (Raul Julia), only to be stunned by his trial’s revelations.

This made an impression on me as the first movie I saw with Harrison Ford in a dramatic role. I was so thrown and hanging on every moment. It’s classic crime and trial drama ala Law & Order. It’s so full of twists and turns, it was easy to get lost and get that pow of the final twist. Love. It’s quite something.


Britni’s Picks:

The Best Man

After writing a soon-to-be bestselling novel, writer and committed bachelor Harper Stewart (Taye Diggs) attempts to hide the fact that his saucy new book is loosely based on the lives and loves of his tight-knit group of friends. Harper is set to be best man at his friend Lance’s (Morris Chestnut) wedding, and all his friends will be in attendance. When an advance copy of the book makes its way into the hands of his ex-flame, Jordan Armstrong (Nia Long), Harper attempts to keep it under wraps.

  • The Best Man + Best Man Holiday – 5 stars for both


You’ve Got Mail

Struggling boutique bookseller Kathleen Kelly (Meg Ryan) hates Joe Fox (Tom Hanks), the owner of a corporate Foxbooks chain store that just moved in across the street. When they meet online, however, they begin an intense and anonymous Internet romance, oblivious of each other’s true identity. Eventually Joe learns that the enchanting woman he’s involved with is actually his business rival. He must now struggle to reconcile his real-life dislike for her with the cyber love he’s come to feel.

Perfect rom-com! Meg Ryan is honestly living my best life with her cute independent book store and also gigantic Manhattan apartment.


What Lies Beneath

It had been a year since Dr. Norman Spencer (Harrison Ford) betrayed his beautiful wife Claire (Michelle Pfeiffer). But with Claire oblivious to the truth, Norman’s life and marriage seem so perfect that when Claire tells him of hearing mysterious voices and seeing a young woman’s image in their home, he dismisses her terror as delusion. Claire moves closer to the truth and it becomes clear that this apparition will not be dismissed, and has come back for Dr. Spencer and his beautiful wife.

A bit of a wild card, but I think we can categorize it as a breakup!


The First Wives Club

Despondent over the marriage of her ex-husband to a younger woman, a middle-aged divorcée plunges to her death from her penthouse. At the woman’s funeral, her former college friends (Bette Midler, Goldie Hawn, Diane Keaton) reunite for the first time in nearly 30 years. When the three discover the reason for their friend’s suicide, they realize that all of their ex-husbands have taken them for granted — and deciding it’s time for revenge, they make a pact to get back at their exes.

Ultimate breakup film.


Forgetting Sarah Marshall

Struggling musician Peter Bretter (Jason Segel) is better-known as the boyfriend of TV star Sarah Marshall (Kristen Bell). After she unceremoniously dumps him, he feels lost and alone but makes a last-ditch bid to get over it by going to Hawaii. However, she and her new boyfriend (Russell Brand) are there in the same hotel.

I feel like this should be a classic but no one talks about it!


 

 

Double Bill Review: Gonzalo Calzada’s ‘Nocturna: Side A – The Great Old Man’s Night’ & ‘Nocturna: Side B – Where the Elephants Go to Die’ are where the theatrical and experimental meet.

Nocturna: Side A – The Great Old Man’s Night

&

Nocturna: Side B – Where the Elephants Go to Die

“Nocturna: Side A – The Great Old Man’s Night” follows a nearly 100-year-old man who, on his final night on earth, fights for redemption from his life’s misdeeds. In “Nocturna: Side B – Where Elephants Go to Die,” Calzada embarks on an aesthetically opposite experimental twist of the same story.


Nocturna: Side A – The Great Old Man’s Night

 

Visual representations of grief, love, and regret make for a unique movie experience in the first of these two films. An extraordinarily haunting score adds to the emotional pull of the film. It’s a genre-defying film. There are brilliant clues along the way, but you have to stay sharp-eyed to notice them from the beginning. The added device of Alzheimer’s creates a perfect dance of deception and mystery. The cast is outstanding. Not a performance is out of place. Nocturna: Side A will break your heart as it inspires you to make peace with your shortcomings. Somewhere between memory and longing lies an enchanting storyline.


Nocturna: Side B – Where the Elephants Go to Die

 

This film has an entirely different approach and aesthetic. Audio and narration give it an almost accosting opening that prepares you for a drastically stylistic approach to more in-depth stories of the souls in the building. Nocturna: Side B is perhaps questionable as a stand-alone film. But it is undoubtedly a rich, nightmarish addition to the Nocturna: Side A.


Nocturna: Side A – The Great Old Man’s Night and Nocturna: Side B – Where the Elephants Go to Die will be released January 18 on iTunes/Apple TV, Amazon Prime Video, Google Play, Xbox, Vudu, Vimeo, DirecTv, local cable & satellite providers, and on DVD.


 

Review: ‘SHATTERED’ mixes ‘Fatal Attraction’ and ‘Misery’ into a thriller for the tech era.

SHATTERED

In the tradition of Fatal Attraction and Basic Instinct comes this dazzling action-thriller starring Academy Award® nominee John Malkovich (RED) and Frank Grillo (Avengers: Endgame). After lonely tech millionaire Chris (Cameron Monaghan, “Shameless”) encounters charming, sexy Sky (Lilly Krug), passion grows between them – and when he’s injured, she quickly steps in as his nurse. But Sky’s odd behavior makes Chris suspect that she has more sinister intentions, especially when Sky’s roommate is found dead from mysterious causes.


Tale as old as time: Boy is lonely, boy meets girl, girl is bad for him. At first, that’s hot. Later, it’s not. Michael Douglass and Glenn Close taught us these dance moves in 1987’s Fatal Attraction. Prieto’s Shattered takes this formula, adds a helping of 1990’s Misery (James Cann plays an injured writer, and Kathy Bates is the nurse who happens to be an obsessed fan. Great movie – don’t watch if you’re squeamish about ankle torture) and gives it all a glossy high-tech setting.

Chris Decker (Shameless’ Cameron Monaghan) is our lonely boy this time around. Chris created and sold a high-tech security app while he was at MIT. Now’s he’s flush with cash, but he’s also peaked too early. That’s how he finds himself divorced, bored, and lonely in his massive Montana home. His only solace seems to be an impressive wine collection. During a late-night bottle run, he meets the mysterious and sexy Sky (Lilly Krug). She looks like trouble, but she needs a ride home, and she likes his taste in wine. What’s a guy to do?

Things get hot and heavy fast and then go wrong even faster. As in, deliriously bonkers fast. This movie is not interested in slow-burning anything – it turns the gas all the way up. Sky, of course, is not who she claims to be, and Chris finds himself in grave danger. Some films would tease this uncertainty out over many scenes, but Shattered stamps down on the gas pedal. This film burns through the plot faster than it can produce it. There’s probably another version of this film where Chris uses his own security app to slowly turn the tables on Sky – a nuanced vision of cat and mouse for the App generation. I would have also loved exploring more of the film’s snowy Montana setting.

But that film probably would have been a whole lot less visceral fun! Lilly Krug struggles a bit with the good-girl half of the film, but gamely brings Sky’s more psychopathic tendencies to life. Decker is dealt a tough hand here, his character reserved and introverted when he’s not being actively tortured. There are hints of past trauma and obsessive paranoia that I wish the film had spent more time drawing out. John Malkovich, playing a greedy landlord dressed exclusively in pastel ski jackets, chews scenery like he just finished a hunger strike.

Coming in at a tight 92 minutes, the pacing and pleasures of Shattered are more than enough to make up for any glitches in its application. You’ll double-check your password security after watching this one.


CHECK OUT THE RED BAND TRAILER: 

Lionsgate will release the thriller film SHATTERED in Select Theaters and On Demand on January 14th! Available on Blu-ray and DVD on February 22nd!

SHATTERED stars an ensemble cast of Academy Award® nominee John Malkovich (RED), Cameron Monaghan (Shameless), Frank Grillo (Avengers: Endgame)Sasha Luss (Anna), and Lilly Krug (Every Breath You Take). The film is directed by Luis Prieto (Kidnap) and was written by David Loughery (Fatale).


 

Review: ‘THE JINKX AND DELA HOLIDAY SPECIAL’ is my newest holiday tradition.

THE JINKX AND DELA HOLIDAY SPECIAL

Created by and starring drag superstars BenDeLaCreme & Jinkx Monsoon, “The Jinkx & DeLa Holiday Special” is the story of two queens who set out to create a classic Christmas TV variety show, but just can’t agree on how.


If you like involuntary fits of maniacal laughter, look no further than The Jinkx and DeLa’s Holiday Special this December. Listen, Christmas and camp go together like eggnog and arguing with your crazy uncle over dinner. Ah, the holidays.

These two magnificent drag stars are the perfect pairing in personality and visual aesthetic. BenDelaCreme and Jinkx Monsoon are two of my favorite performers. If you know the drag world, they are household names. DeLa is perky sunshine personified while Jinkx is more dark, tawdry, and sardonic. Their comic timing is a thing of the gods. The overall mid-century vibe that these two carry with their brand works in tandem with the classic holiday specials from Bing Crosby and friends. As someone who grew up in Connecticut, the regional-specific jokes are spot on. Everything just works in spectacular fashion.

The Jinkx and DeLa’s Holiday Special is a celebration of inclusivity, told through the destruction of the ridiculousness that is Christianity, and damnit, it is chef’s kiss. The musical numbers are friggin bops. These ladies have the pipes to back them up. The lyrics are snarky, innuendo-filled treats. And, my god, the decadent costumes are delicious. Does The Jinkx and DeLa’s Holiday Special make me want to host a booze-soaked watch party shindig? You bet your sweet ass it does. I found my new holiday tradition.


JINX AND DELA HOLIDAY SPECIAL is available :

In theaters from December 13 (North America): Showing in Alamo Drafthouse theaters across the country. Click here for participating cities.

On Digital Globally: Amazon Prime, iTunes, Apple TV, Google Play, Vudu

On DVD and Blu-ray: Available from the official site


 

Review: Terrifying tots take aim at Mommy’s new boyfriend in ‘Ankle Biters’.

ANKLE BITERS

Sean, a pro hockey enforcer, has fallen in love with Laura, a widowed mother of four young daughters. When Laura’s children mistake an act of lovemaking as an attack, they plot to protect their mother at all costs and with horrific results.


Are you fighting DUI charges in Wyoming and want a bit of crime and comedy on screen? Well, here is one. Poor Sean and Laura just wanted a little bit of rough sex, but his soon-to-be stepkids are seriously killing the vibe. Thinking the bruises on their mother’s body are from abuse, four menacing little monsters take matters into their own hands.  Ankle Biters, a new Canadian horror-comedy, lands somewhere between The Bad Seed (1956) and The Crush (1993). “What are little girls made of? Sugar and spice, and everything nice; That’s what little girls are made of.” Maybe, not so much. 

Sean was an extremely violent hockey player, so perhaps this is merely a case of karma by kids? Zion Forrest Lee plays Sean with an overly friendly stepdad vibe. It falls somewhere between sweet and super creepy. The appearance from Colin Mochrie, as Detective Morton, made me laugh out loud. It makes the last third of the film brilliant.

Genre fans, let me introduce Rosalee, Violet, Lily Gail, and Dahlia Reid. These sinister sisters are bonafide stars. Their genetically boosted chemistry is the stuff of movie magic. They are downright frightening, giving us four fearless performances. They scared me, and I’m a mom and former teacher! Sheer perfection. 

The camera work often hovers on the girls’ level. Panning closeups in slow motion add to the eerie feeling you get from this gruesome foursome. It’s a carefully thought-out choice. While the pacing drags a touch, overall, it’s a dark and wild ride. The climax boasts some of the most gagworthy FX. I even screamed out loud at the same time as Sean. The final scenes completely caught me off guard. Well played, Ankle Biters. Well played. 


ON DEMAND/DVD NOVEMBER 16


Director: Bennet De Brabandere

Cast: Zion Forrest Lee, Marianthi Evans, Lily Gail Reid, Violet Reid, Rosalee Reid, Dahlia Reid


 

Review: Justin Long and Christian Long’s directorial debut, ‘LADY OF THE MANOR’ is a spirited good time.

Past and present collide in this supernaturally funny buddy comedy when stoner-slacker Hannah (Melanie Lynskey) is hired to portray Lady Wadsworth (Judy Greer), a Southern belle who died in 1875, in a tour at Wadsworth Manor. Hannah, a hot mess, figures she can fake it —until the ghost of Lady Wadsworth appears! Lady Wadsworth tells Hannah it’s time to change her wild ways — and she’ll haunt her until she does — in this hilarious movie co-starring Justin Long and Ryan Phillippe.


Lady Of The Manor is devilishly fun. It’s an easy watch that never takes itself too seriously. The film is the directorial debut for brothers Justin Long and Christain Long, who also co-wrote the screenplay. You have to imagine that with a cast of this comedic caliber, there must have been a fair amount of improvisation on set. Ryan Phillippe is such a douche as Tanner Wadsworth. Also, how is it fair that he looks like he’s in his late 20s, after all this time? Although, I cannot be angry at strong genetics. He’s truly loathsome in this role. He’s the kind of rich kid that probably marched in Charlottesville. He’s got that kind of underlying energy, and it is perfect. Justin Long wears yet another hat playing Dr. Max Plum; Hannah’s accidental ghost expelling, history correcting, potential love connection. Long is always charming and effortlessly funny. I know he and Lynsky are friends, as with most of the cast. I’m a fan of his and Christian’s podcast Life Is Short, and I’m pretty sure they’ve all been guests. This mix of actors creates stellar chemistry.

Judy Greer, as Lady Elizabeth, is hilarious. The huffy delivery of her over-the-top dialogue is laugh-out-loud funny. The chemistry between her and Lynsky is magic. Her arch is increasingly delicious. Greer gives into the joy of the role. Melanie Lynskey, ladies, and gentlemen. This is a wildly fun performance. She will induce fits of giggles. She’s crass and sloppy and I loved every second. Justin and Christian’s script lets these two actresses be playful and ridiculous. I cannot imagine a better duo.

One of the funniest running gags has to be Hannah’s awkward run-ins with Marcus, another employee, and resident of Wadsworth Manor. This gives actor Wallace Jean solid moments to shine. You’ll remember those scenes. You get a little bit of everything in this script. It’s a stoner comedy, it’s a mystery, and it’s a unique relationship film. When I say relationship, I mean between our two female protagonists. They learn to cooperate and break down barriers in communication in silly and honest ways. Lady Of The Manor is goofy fun, and you can’t go wrong with it this weekend.


Lionsgate will release the comedy LADY OF THE MANOR in Select Theaters, on Apple TV and Everywhere You Rent Movies on September 17th!

Available on Blu-ray and DVD on September 21st!


 

LADY OF THE MANOR stars an ensemble cast of Melanie Lynskey (Heavenly Creatures), Judy Greer (Halloween Kills), Justin Long (Dodgeball: A True Underdog Story), Luis Guzmán (“Shameless”), and Ryan Phillippe (Cruel Intentions). The film is the feature directorial debut by Justin Long and Christian Long (A Case of You) which they also co-wrote.


Review: ‘A WAKE’ is a powerful conversation starter for many families.

A WAKE

The children in a religious family clash with their parents as they prepare for the wake of their brother, Mitchel.


Growing up Catholic didn’t honestly impact me until 8th-grade. I should say that attending Catholic School didn’t make me feel any different until one specific religion class. It was a moment that changed my entire life. It was explained to me, that telling my mother I was gay would be the equivalent of telling her I had committed murder. That was a defining moment. Today, my mother lovingly refers to one of my younger sisters and me as her “heathen children.” I begrudgingly attended Christmas and Easter Mass with my family throughout my college years. Then I put my foot down. I would no longer perpetuate the charade. To put this all in extra context, I am a straight woman. I grew up in the arts, surrounded by some of the most extraordinary humans on this planet. I continue to defend equal rights and acceptance, despite pushback from too many. Films like Scott Boswell’s A WAKE are important for families who may not even know they are in crisis. This story offers acceptance and unconditional love as lifesaving tools.

Noah Urrea plays twin brothers Mason and the recently deceased Mitchel. The youngest sibling Molly is planning a memorial wake for Mitchel. Invitations are sent to older sister Megan, their grandmother, their Baptist pastor, and Mitchel’s boyfriend, Jameson. The boys’ father and stepmother are typical religious conservatives, touting blasphemy, a stiff upper lip, and an extremely toxic, “man up” tone. The majority of the family is in the dark about Mitchel’s life, and Mason is left to deal with the guilt and trauma of losing his brother. Secrets and sadness have a poisoning effect on a family. A Wake addresses them in an accessible way.

The cast is amazing. Each actor brings the energy necessary to tell this story with truth and realism. Some moments are awkward, while others are rage-inducing. Megan Trout, as older sister Megan, is great. She’s the voice of reason in all of the chaos, whether the other family members are ready or not. Kolton Stewart, as Jameson, is lovely. His quiet strength brings a calm to the sadness. Bettina Devin as Grandmother is a gem. She’s elegant and understanding. Sofia Rosinsky‘s neurotic mentality is a story unto itself. Through flashbacks, we can see a clear progression of her personality, her growing manic tendencies, and genuine curiosity. She’s a spitfire.

Noah Urrea gives life to two equally intriguing characters, Mason and Mitchel. He has star quality. His narration, and the accompanying camerawork and score, push A Wake to the next level. If I had to nitpick, because that score is so good, you notice when it doesn’t appear. The film would have benefitted from more music. At times, that silence consumed whatever dialogue was occurring, landing it into a hokey category. When everything came together, the culmination of A Wake does exactly what it’s meant to do. It tells a story of a family coping with the loss of their brother, their son, and their grandson. There are honest moments where chills happen. It’s wonderful storytelling and impactful LGBTQ representation.


Available on DVD & VOD: August 31, 2021

Cast: Noah Urrea, Kolton Stewart, Sofia Rosinsky, Megan Trout, Bettina Devin

Directed by: Scott Boswell

Written by: Scott Boswell


Review: ‘The Last Matinee’ is a bloodsoaked love letter to genre fans

The Last Matinee

SYNOPSIS: The audience attending the last showing of a horror film in a small downtown cinema are terrorized by a murderer who begins to pick them off, one by one. The only person to notice that something strange is going on is the projectionist’s daughter.


I had to Google the film while watching to make sure it wasn’t a restoration. Every single aspect, from the costumes to the sets, to the audio editing screams a genuine 80s slasher. The Last Matinee is created as the perfect piece of genre nostalgia. Horror fans should keep their eyes peeled for Easter eggs and cinematic homages. The kills get progressively more gruesome. I’m particularly fond of #2. Undoubtedly Giallo inspired from the black gloves, the faceless killer, to the candy-red lighting and gore, The Last Matinee is a goddamn bloody treat. Don’t get too attached to anyone. No one is safe. The practical FX are so good, I almost lost my lunch. That rarely happens to me. I’ve watched so much horror that I’ve become a bit numb. This got me looking away wondering if I need to press pause just in case. The synopsis pretty much tells you everything you need to know, so do yourself a solid with this one. Turn off your brain and turn on your love of horror. Make some popcorn and settle in for the night. I hope you survive.


The Uruguay-Argentinian horror film THE LAST MATINEE is available TODAY on VOD, Digital, and DVD courtesy of Dark Star Pictures and Bloody Disgusting.


Directed by Maxi Contenti (Muñeco viviente VNeptunia) from a script by Manuel Facal (High Five, Fiesta Nibiru) and Contenti, the film stars Luciana Grasso (El Secreto de Julia), Ricardo Islas (El Que No Corre VuelaBailiwick), Julieta SpinelliFranco Duran and Pedro Duarte.


Review: ‘Eye Without A Face’ is a twisted psychological thriller.

Eye Without A Face

Henry, an agoraphobic and anxious young man living in Los Angeles, hacks into the webcams of various selected young women who inhabit the city. He watches over them in their daily lives, seeing himself as their guardian angel. When his new charming roommate Eric, a Youtuber and struggling actor pushes him to get out into the real world, he unknowingly puts Henry in danger. And as Henry starts to suspect one of the women he watches, Laura, of being a killer, everything starts to spiral out of control.

 


Luke Cook as Erik is the perfect foil for Shapiro’s Henry. He’s narcissistic and raunchy but also genuinely a good friend. I could not take my eyes off of him. I found myself cringing and doubled over at his antics. Cook provides the much-needed lightness to the dark of this film. Dakota Shapiro as Henry is simply astounding. He lives in the skin of a trauma victim. His idiosyncracies are spot on. Shapiro’s vulnerability is the backbone of Eye Without A Face. The cinematography from Tara Violet Niami is striking. Thoughtful use of color and lighting make for some extraordinary close-ups, especially of Adam’s eyes.


It’s clear to see the Rear Window inspiration in writer-director Ramin Niami‘s screenplay. The tiny flashes of Henry’s backstory heighten the tension. So does Charlie Clouser‘s score. If you think you know where this is going, think again. There is a reason we’re told to put tape over our laptop cameras. We love online these days, much to our own detriment. The key to Eye Without A Face is Henry’s largely unaddressed trauma. It is the complexity of his nature that makes this film so killer.


ON-DEMAND AND DVD AUGUST 10


Featuring stunning cinematography by Tara Violet Niami, and a mesmerizing score by Charlie Clouser, Eye Without A Face is written and directed by Ramin Niami, director of the acclaimed films Somewhere in the City, Babe’s & Rickey’s Inn and Shirin in Love.

Starring hot young actors Dakota Shapiro (“The Affair”), Luke Cook (“Chilling Adventures of Sabrina”, “Katy Keene”), and Vlada Verevko (“Beauty and the Beast”), Eye Without A Face will be available On Demand and Digital August 10 from Gravitas Ventures.


Review: ‘Midnight in the Switchgrass’ squandered series potential.

Two FBI agents cross paths with Crawford, a Florida cop who’s investigating a string of murders that appear to be related. When an undercover sting goes horribly wrong, Crawford soon finds himself in a twisted game of cat and mouse with the killer.

This story might have fared better as a miniseries. In fact, I know it would have. With all the makings of a True Detective style, cliffhanger-filled crime-thriller, nothing quite pans out in a completely satisfying manner. Even at just shy of an hour and 40-minute runtime, there is a ton of missed opportunity and information that would have pushed Midnight in the Switchgrass into greatness territory. As it stands, it’s a bit of a rushed and disconnected mess.

The soundtrack does not help. It feels forced and somehow creates a hokey feel. The editing, particularly surrounding Emile Hirsch‘s flashes, creates a perception that you’re missing some greater storyline. It’s simply unnecessary. There are moments when the acting is so over the top it’s nonsensical. Each character needed more time to develop. We hear about their pasts only briefly. This is yet another example of where further serial development would benefit the entire narrative.

Bruce Willis is underutilized. He could have been any actor playing that role. Megan Fox wavers between totally believable and taken for granted. It’s her stunts that read fake, which is a tad baffling because we know she’s capable of action stardom. I’m not sure who to blame here. In her most recent film, Till Death, 50% of the performance is based on physicality and she owned that role. Emile Hirsch is genuinely fantastic. This is the second time this month he’s played a cop, the first being Son. That role suits him well. Lukas Haas is as terrifying as we need him to be. He, too, deserved more backstory. This is a character that’s so disturbing, but we merely get glimpses of how his mind works. He’s so strong, I would watch an entirely separate prequel going through his origin story. Midnight in the Switchgrass succeeds in Hirsch and Haas.

Lionsgate will release the thriller MIDNIGHT IN THE SWITCHGRASS in Theaters, On Demand, and Digital on July 23, 2021, and on Blu-ray and DVD on July 27, 2021.

MIDNIGHT IN THE SWITCHGRASS stars Megan Fox (Transformers franchise), Bruce Willis (Glass), Emile Hirsch (Once Upon A Time… In Hollywood), Lukas Haas (Inception), Colson Baker (aka Machine Gun Kelly) (The Dirt), Caitlin Carmichael (Life Itself) and Sistine Stallone (47 Meters Down: Uncaged). The film is the directorial debut of Randall Emmett (Producer of The Irishman) and the screenwriting debut of writer Alan Horsnail.

Review: ‘HONEYDEW’ is unsettling to say the least.

HONEYDEW

HONEYDEW tells the story of a young couple (played by Spielberg and Barr) who are forced to seek shelter in the home of an aging farmer (Kingsley) and her peculiar son when they suddenly begin having strange cravings and hallucinations taking them down a rabbit hole of the bizarre.

I first heard about Honeydew after its virtual premiere at Nightstream Film Festival. It is a miracle that I was able to avoid spoilers. I am delighted to report the intense buzz was spot on. Honeydew is that good. The sound editing and score consumed me. Combined with some split-screen deliciousness, Honeydew was dizzying madness. Writer-director Devereaux Milburn has taken the most successful aspects of classic and modern horror to create something insanely scary. It gets under your skin in a truly chilling way. The film also boasted one of the weirdest cameos ever. I did a literal double-take.

Malin Barr as Riley is amazing. Sawyer Spielberg as Sam is fantastic. The chemistry between the two actors is electric. Milburn’s dialogue allows them to convey the small cracks that exist in every relationship. These are keenly exacerbated by their bizarre circumstances. Barr and Spielberg are a hell of a pair but are also allowed to shine on their own. You’re constantly worried about them all while fascinated by their individual needs. Jaime Bradley knocks it out of the park as Gunni. What amounts to almost an entirely physical performance, he will disturb you to no end. Bradley owns every frame. Barbara Kingsley is a genius.  As Karen, she walks an extremely fine line between sweet and horrifying, leaning heavily towards the latter. The way these characters are written and the care with which they are performed culminates in one of the most uneasy watches in 2021.

There is a bit of an Ari Aster feel to the film in more than one way. Both the sound and score are keys to ramping up the fear factor. A combination of music, sound effects, and made-made noises like breath and clapping grate your nerves from start to finish. The plot is cleverly laid out for the audience from the very beginning. That does not lessen its impact as the explosive finale arrives. Once that happens, forget everything you know. I was so unsettled I didn’t know which way was up. All I can do now is cringe. Those images are burned into my brain. I’ll be eternally scarred by Honeydew‘s sights and sounds. 

Dark Star Pictures and Bloody Disgusting will release the rural horror film HONEYDEW on VOD, Digital HD, and DVD on April 13, 2021.

HONEYDEW is written and directed by Devereux Milburn (shorts “Stayed For” and “Wade”) and stars Sawyer Spielberg in his feature acting debut, Malin Barr  (Skyscraper, First Love, CBS’s “Bull”), and Barbara Kingsley (The Straight Story, “Jessica Jones”).

Review: ‘WRONG TURN’ is an incredibly smart reboot you won’t see coming.

WRONG TURN

SYNOPSIS: Backwoods terror and never-jangling suspense meet when Jen (Charlotte Vega) and a group of friends set out to hike the Appalachian Trail. Despite warnings to stick to the trail, the hikers stray off course—and cross into land inhabited by The Foundation, a hidden community of mountain dwellers who use deadly means to protect their way of life. Suddenly under siege, Jen and her friends seem headed to the point of no return— unless Jen’s father (Golden Globe® nominee Matthew Modine) can reach them in time.

The reboot (and the seventh installment of the franchise) of Wrong Turn starts with another group of successful 20 somethings hiking the Appalachian Trail. When the local Virginians get aggravated by their presence, and they veer from the trail, things get deadly but not for the reasons you think. This script is completely different than the original, which is the greatest bait and switch from the clever set-up in the beginning. That’s the difference between a remake and a reboot. This cast is diverse and cool. They get to take their initial instigators to task, at least verbally. All the tropes are there but they’re used smartly. The first kill is so brutal you’ll both gasp and respect the decision to go all-in so early. From that moment on, the violence and gore are used for shock value that is carefully intentional in forwarding the plot.

Matthew Modine plays Jennifer’s father who comes searching for her 6 weeks after she goes missing. He is great. He walks this fantastic balance between modern man and totally self-sufficient badass that just feels incredibly believable. This is the updated father figure that will resonate with a large genre audience. It’s yet another successful aspect of screenwriter Alan B. McElroy’s reboot of the franchise. Bill Sage is a nice familiar face. He always lives in whatever role he tackles. This is no exception. Even with a runtime of one hour and fifty minutes, I would have been pleased to see more of him on screen. Charlotte Vega as Jen is outstanding. She has a genuine presence that grows stronger with each scene. There is an unexplainable accessibility to her character. Hollywood should continue to take note of this talent. Also, audiences should keep an ear open for Modine’s daughter Ruby as she sings the film’s final song. Stunning performance.

The score is classic staccato string work. Combined with the handheld camerawork and quick-cut editing, the terror is firmly in high gear. This is a totally fresh take of new world versus the old. The complexity of the script will throw you off-kilter. It challenges the viewers’ sense of morality. Who are the true villains? It’s about intrusion and disrespect of cultural differences on a multitude of levels. It’s quite brilliant in a time a faux “wokeness”. The nuance will knock you off your feet. You will not know where this plot is going. It’s twist after twist. That. Ending. Pure perfection.

Saban Films will release the horror film On-Demand, Digital, Blu-ray, and DVD on February 23, 2021. 

THEATRICAL RELEASE: January 26, 2021

ON DEMAND, DIGITAL, DVD, and BLU-RAY: February 23, 2021

DIRECTOR: Mike P. Nelson

WRITER: Alan B. McElroy

CAST: Charlotte Vega, Adain Bradley, Bill Sage, Emma Dumont, Dylan McTee, Daisy Head, Tim DeZarn, and Matthew Modine.

RUN TIME: 109 minutes

RATING: R for strong bloody violence, grisly images, and pervasive language.

GENRE: Horror

DISTRIBUTOR:  Saban Films

Review: ‘The Right One’ oozes with charm, laughs, and hidden complexity.

The Right One

 

SYNOPSIS: In this heartfelt and hilarious rom-com, Sara, a novelist struggling with writer’s block, needs inspiration — and finds it when she serendipitously meets Godfrey, a down-on-his-luck oddball who constantly changes personas and alter egos in order to cope with his past and avoid reality. Just as Godfrey begins to open up to Sara, he discovers that she’s been using him as inspiration for her next novel, and he vanishes from her life. Did Sara just lose the man of her dreams, or will she be able to find him and make things right?

Procrastinating romance novelist Sarah is attempting to finish her third book after breaking up with a longtime boyfriend. It’s not going well. Her agent Kelly forces her out into the dating scene causing her to repeatedly stumble upon a mystery man with many different personalities. Can she figure out who he is and in return also discover her true self? The Right One is laugh out loud funny from beginning to end. Though it’s not simply a rom-com, it’s much more complex. The script is rightfully presented in three clean acts. It allows the characters to develop naturally. 35 minutes in we get our first clue to Godfrey’s past and it is unexpectedly dark. While the funny doesn’t stop, it lets the cast explore the underlying messages in writer Ken Mok‘s directorial debut.

Iliza Shlesinger is basically playing her standup self and I mean that as a compliment. Her aggressive manner is pure magic for this role as Sarah’s literary agent. But don’t let her fool you, there’s a softer side hiding in there even if just a little bit. I can see her acting career turning out to be akin to Kathryn Hahn‘s. I would put money on it. Cleopatra Coleman as Sarah is exactly who we need. Solid romcom sweetness with an edge. I could watch an entire series of her being quirky. She’s a damn delight. Nick Thune has a total Bill Murray/ Steve Martin energy. It was like watching an incredibly curated improv show. He is charming as hell. His chemistry with Coleman is fun and natural. I was first introduced to his amazing abilities in the fantastically weird and wonderful indie, Dave Made A Maze. Can we please cast him in all the things?

The Right One taps into a lot of very real fears that dating and relationships bring. Opening up yourself to potential hurt but also actual love and acceptance. We see abandonment issues and self-doubt, jealousy, and trauma. . You’ll laugh and be forced to look at some of your own flaws along the way.

Lionsgate and Grindstone Entertainment Group, a Lionsgate Company, will release the romantic comedy film THE RIGHT ONE on Digital and On Demand on February 5, 2021 Worldwide and on Blu-Ray and DVD on February 9, 2021 in the U.S.

THE RIGHT ONE stars Nick Thune (Dave Made A Maze), Cleopatra Coleman (“The Last Man on Earth”), Iliza Shlesinger (Pieces of a Woman) and David Koechner (Anchorman series)The film is written and directed by Golden Globe and Emmy nominated Ken Mok making his feature film directorial debut. Mok is the Creator and Executive Producer of “America’s Next Top Model,” Producer of Joy starring Jennifer Lawrence and Invincible starring Mark Wahlberg.

Review: ‘Narratives Of Modern Genocide’ forces us to stop talking and start listening.

Narratives of Modern Genocide

After the holocaust, the world said, “never again,” yet genocide is happening in the world right now. The stories we forget to tell, of the survivors we never knew, will haunt us until we listen and act. Narratives of Modern Genocide challenges the audience to experience first-person accounts of survivors of genocide. Sichan Siv and Gilbert Tuhabonye share how they escaped the killing fields of Cambodia and the massacre of school children in Burundi. Mixing haunting animation, and expert context the film confronts our notion that the holocaust was the last genocide.

Sichan’s Siv narrative is all too familiar. He suffered unimaginable losses at the hands of the Khmer Rouge, enduring forced labor and the eventual execution of his family. But for Sichan, it becomes a tale of bravery and audacity.  After a failed attempt to escape, he tries a second time, fleeing on foot for three days with only the sun and moon to guide him to Thailand. He is the epitome of “The American Dream”. After emigrating to CT then New York City, he would eventually end up working for President George H. W. Bush as a translator. Think about the gravity of his journey. He went from being persecuted by his native government to becoming a prominent figure in the American government. That’s extraordinary.

Gilbert Tuhabonye was just a schoolboy when he witnessed atrocities that will haunt any viewer. He was the fastest runner in his Burundi community and it served him well when escaping torture and the mass murder of his classmates and teachers. Now living in Austen, he is a motivational speaker, author, retired professional long-distance runner, and a cross-country and track coach. Gilbert also the co-founder of the Gazelle Foundation which provides clean drinking water in his homeland.

We think genocide isn’t as prevalent, but we must learn from our history. The release of this doc is eerily timed with the events of insurrection at the US capitol last week. We have to pay closer attention to the calls of violence. Our democracy is on the brink and vigilance is key. Narratives of Modern Genocide will undoubtedly punch you in the gut. Sichan and Gilbert’s stories are difficult to hear but they cannot be ignored. While this may seem like the story of two men, it is the history of too many. Combined with beautifully drawn animation and starkly contrasted news clips, this doc strikes a cord. It’s important. It must be shown to as wide an audience as possible. It must serve as a warning to future generations.

ON DVD AND DIGITAL
January 12, 2021

Review: ‘Girl With No Mouth’ has so much to say.

GIRL WITH NO MOUTH

In Girl With No Mouth, a group of children who suffer from deformities due to a toxic explosion, embark on an adventure in a war-torn post-apocalyptic region. The Turkish production comes from Can Evrenol, director of the successful TIFF Midnight Madness selection Baskin, and the horror film Housewife (currently available on Shudder).

This beautifully shot film tells the tale of a ragtag group of deformed children running from the evil Corporation responsible for their plight. Each is missing a key feature on their face, making for creative ways to communicate with one another. Captain finds Peri (our titular character) after she has fled her corrupt uncle’s clutches. With her father murdered and her uncle tracking her down to kill her, she escapes alongside her newfound friends. Captain is without eyes, Yusuf is missing his nose, and little Badger has no ears. This band of “Pirates” protects each other in search of sanctuary. Peace is coming, which means The Corporation must find any remaining children and destroy “the evidence” of wrongdoing.

Each child brings a different strength to their journey. Captain is a master tracker and relies on his heightened hearing to map. Peri uses science. Yusuf cooks and Badger scavenges. They happen upon an adult who is not a complete psychopath. The widow of the man responsible for all the agony caused by The Corporation. With her help and Peri’s engineering, can our group reach safety in time? The script is carefully crafted by director Can Evrenol and Kutay Ucun. There is undoubtedly a Peter Pan and The Lost Boys vibe to it. Add the tragic post-apocalyptic aspect and it goes from enchanting to unbelievably thrilling. You would never think this is the kind of film that would come from the director of Baskin. I’m so happy this film is now on people’s radars. I think it truly extraordinary.

This cast is outstanding. Their chemistry is pure magic. The film’s cinematography is simply stunning combined with a fantastic script, Girl With No Mouth is a captivating take of resilience and guts. You will be rooting for these kids. Their ingenuity and spirit are what hold you tightly to your seat. The finale strikes a gorgeous balance between heartbreaking and triumphant. Girl With No Mouth speaks volumes in a year where death and capitalism reign supreme. This film will have you cheering out loud at your screen. Do not sleep on this one.

 Girl With No Mouth is due to release on Blu-Ray, DVD and VOD across North America on December 8th via Indiecan Entertainment

 

INDIECAN ENTERTAINMENT focuses on independent, low-budget films. As a distributor, Avi Federgreen follows the same principle that earned him his reputation as a filmmaker; bringing audiences films they want to watch. Aside from the traditional distribution route, INDIECAN leans heavily on digital delivery. INDIECAN helps films find more opportunities with audiences through TV, Netflix, iTunes, websites, Facebook, Twitter, Instagram, and other social media platforms. The jarvee provide the best tools to improve the growth of your social media platform.  INDIECAN’s vision is to not only support Canadian production but to encourage the viewing of quality independent films by North American audiences. Indiecanent.com