
LIFT

Over a decade in the making, this inspiring and unforgettable documentary follows children impacted by homelessness as they discover the magic of self-expression through dance. Guided by mentor Steven, whose journey leads back to his childhood shelter, their path within a remarkable ballet program becomes a celebration of joy and triumph in the face of adversity.
Director David Petersen takes audiences on a journey that spans ten years. In his documentary LIFT, he tells the world about the brilliant and titular program in New York City that revolves around the art of dance. “New York Theatre Ballet’s LIFT Community Service Program provides scholarships for talented at-risk and underserved children at the School of NYTB, as well as programs that champion dance for the greater good.” Housing-insecure youth have the opportunity to break free from the circumstances they cannot control. Steven Melendez once lived in a shelter. As a professional dancer and former student of the program, he returns to introduce ballet to other housing-insecure children. The discipline and structure that comes along with ballet transcend the stage. It is vital for kids in school or home environments that would otherwise make them victims of socioeconomic circumstances. The purpose of LIFT is to provide a safe place for them to learn and grow. It is a beautiful safety net, but they have to be willing to commit. These kids have so many obstacles in their paths, and Steven does everything he can to push past his own trauma to better the lives of kids just like him.
The documentary follows a small group of kids that Steven nurtured over ten years of ballet. Tough love is necessary as these kids get into trouble. Steven does not have time to mince words. It is the honesty they need to survive and a place to put all their unbridled emotions. The culmination of the film arrives with one special performance. Steven creates a new piece of choreography based on his experiences and those of his handpicked students, and my god, it is a revelatory dance. This choreography is therapy. This choreography is healing. This choreography is lifesaving. Steven knows it, and as the credits roll on LIFT, audiences will know it, too.
In Select Theatres on September 15, 2023
And Available to Buy or Rent on Digital September 22nd
*Best Documentary Audience Award 2nd Place – 2022 Tribeca Festival*
* Best Documentary Winner – 2022 San Francisco Dance Film Festival*
*Top Prize Children’s Resilience in Film Award – Shine Global Awards*
*Best Documentary Audience Award 2nd Place – 2023 Seattle International Film Festival*
*Best of Fest Winner – 2023 Palm Springs International Film Festival*
*2022 Hamptons International Film Festival*
Release Date: In Select Theatres on September 15, 2023, and On Digital & On Demand on September 22, 2023
Directed By: David Petersen
Featuring: Steven Melendez (Principal Artist and Artistic Director of NYTB), Diana Byer (Founder and former Artistic Director of NYTB), Victor Abreu (LIFT Dance Student, Member of New York City Ballet’s corps de ballet), Yolannsie Cardona (LIFT Dance Student), Sharia Blockwood (LIFT Dance Student)Produced By: Mary Recine, David Petersen
Executive Produced By: Jody Allen, Ruth Johnston, Rocky Collins, Jannat Gargi, Sam Pollard, Alex Kurtzman, Jenny Lumet, Bruce Evans, Lisa Kleiner-Chanoff, Bonni Cohen, Megan Gelstein
Executive Produced By and Principal Advisor: Misty Copeland
Distributed By: Paramount Global Content Distribution
Genre: Documentary
Rating: PG-13 for brief strong language
Social Media: @ParamountMovies #LIFTDoc
LIFT Community Service Program provides scholarships for talented at-risk and underserved children at the School of NYTB, as well as programs that champion dance for the greater good. LIFT includes a year-round Study Program for children at risk and homeless.


KATIE’S MOM









WISTERIA


Directed by: Steve Buscemi














FIRST WAVE OF TITLES FOR ITS 27th EDITION



Once she finds Jackson, Marge discovers he has been spending his days surfing, coaching, and drinking himself into oblivion. He is in no shape to bring Marge into his life. Undeterred, Marge makes him pinky promise to do better. As they fumble toward reconciliation, Marge learns to be bolder, braver, and more self-accepting.
The women’s fútbol team overflows with cheeky personalities. These girls are great foils for Marge’s insecure nature. Jess Gabor is fantastic as Marge. She is natural, sarcastic, and vulnerable. Steve Zahn never disappoints. His comedic self-defense mechanisms pair well with the well-intended fatherly guidance. At the heart of it, Jackson is a damaged but kind soul. Zahn embraces his flaws, making him human and accessible. Together, they are easy to watch.
Waving the logistical fact that a minor would never be allowed to cross the border without a passport or note from their parents, GRINGA tells the story of two lost souls growing together. The script tackles body dysmorphia, eating disorders, culture, alcoholism, grief, and unresolved emotional trauma. In the end, GRINGA is a charming coming-of-age story for both father and daughter.
Azia Dinea Hale plays Nina, a young phone tech who gives private lessons to Mordecai. Dealing with an unexpected family secret, Nina pushes onward to assure Mordecai that he can take his future into his hands and heal through experience and art. Hale is as sweet and patient as we need her to be.
Sean Astin is Marvin, Mordecai’s son. Marvin’s confident facade begins to crack under the pressure of his cigar business, Fela’s diagnosis, and unresolved feelings with his father. Astin leaves his heart on the screen. Marvin is a complex person doing his best to keep his head above water. Astin takes each beat with thoughtfulness. It is a carefully crafted character study.

I feel like SCRAP would do well as a series. Kerr gives us just enough backstory to reel us in, and there is a complexity that drives Beth and Ben. I would love to see more of their childhood. SCRAP allows for a redemption story and one of healing. I feel compelled to ask Kerr for more of this family. The film speaks to a vast number of Americans struggling to stay afloat. It is unimaginably relatable.


GEOFF MCFETRIDGE: DRAWING A LIFE
The mind of an artist is a splendid thing. SXSW 2023 doc GEOFF MCFETRIDGE: DRAWING A LIFE delves into the wondrous mind of a nurtured creative. Director Dan Covert puts a face and a name to the work we’ve seen for years. Meet Geoff McFetridge, graphic designer, visual artist, and family man. 

Pietro’s father only begins to invest his interest in his son’s life when his abilities might benefit him financially. The juxtaposition of his father and Professor Moretti is ceaselessly absorbing. Pietro’s friends slyly represent the adults in the film, each playing a separate role in their treatment of his potential gift. The issues of class, old world vs. new, and family dynamics loom large in the narrative. The film mixes elements of skepticism, belief, science, and faith. It is undeniably intriguing, richly shot, and brilliantly performed.

DUNGEONS & DRAGONS: HONOR AMONG THIEVES TO OPEN FEST
Flamin’ Hot
Parachute
Angel Applicant
Down Low
A Disturbance in the Force
Brooklyn 45
Breaking Fast with a Coca Cola
I Probably Shouldn’t Be Telling You This
The Bus (Spain)
Beyond The Fringe (Spain)
Dead Enders
Breaking Silence
Aespa VR Concert at Kwangya (Republic of Korea, U.S.)
Eggscape (Argentina)
The 6-month journey from Earth to Mars captured the most intense solar flares ever experienced in all space exploration, forcing the team to reboot both rovers. Angela Bassett’s voice gently narrates Spirit and Opportunity’s actions. The CGI simulations of Spirit and Opportunity are breathtaking. I’ve never seen anything like them. The footage from inside the labs and control room, combined with the tense sci-fi-inspired score, keep you on the edge of your seat. You find yourself cheering, holding your breath, tearing up, and singing along to the mission-curated soundtrack.
If the mystery of space intrigues you, if you’ve ever looked up at the night sky and wondered if we were alone in the universe, GOOD NIGHT OPPY is a film tailor-made for your imagination. It’s a shame The Academy overlooked such a crowd-pleaser. If there ever was a more appropriate “To infinity and beyond” moment in documentary filmmaking, I sure as hell can’t think of one.


Victoria Moroles is Jane. Her precociousness is spot a delight. Segan gives her dialogue deliciously reminiscent of Dawson’s Creek, i.e., she is far too eloquent for fifteen. Her chemistry with Segan is comfortable and endlessly amusing. Her takedown of the film’s misogynist energy is chef’s kiss.
Writer-director-star Noah Segan plays Francis as a Yiddish-spewing loaner. His penchant for a happy-go-lucky attitude is more function over form. We learn about his deep-seated loneliness and unresolved trauma, which creates an equally funny and tragic persona. Segan gives a star-making performance.
BLOOD RELATIVES is an undeniably fun vampire coming-of-age family film. Heartwarming, silly, and intimate, it is easy to see why it garnered so much attention in the festival circuit. Shudder is the perfect platform for Segan’s madcap creation. I formally request a sequel when Jane gets to college. I have to know where this family unit ends up. Don’t forget to bring Fieldner along.

Annet Mahendru gives Alice palpable manic desperation. Her ability to jump from one emotion to another in the same breath is impressive. It is one hell of a turn. Milo Gibson is Dave Hayes. His character arc almost feels like the audience is witnessing a slow-motion car crash. Gibson brings not-so-subtle anger and protective alpha energy.
MANIFEST WEST addresses a myriad of current and alarming themes in America. The score is melancholy and ominous. Writer-directors Joe Dietsch and Louie Gibson use the girls’ history text as a smart foreshadowing device. Antigovernment sentiment compounds the simmering chaos. Add Alice’s deteriorating bipolar disorder, and you have a powder keg. Children learn from their parents, for better or for worse. MANIFEST WEST runs head-on with its relevance to a shocking conclusion.
You must be logged in to post a comment.