Berlinale Film Festival 73 review: ‘The Properties of Metals’ stuns with story and sentiment.

THE PROPERTIES OF METALS

Writer-director Antonio Bigini brings Berlinale 73 audiences a story loosely based on a phenomenon magician Uri Geller made famous, the act of bending a spoon with his mind. In THE PROPERTIES OF METALS, we find young Pietro living with an abrasive father in a seemingly idyllic landscape of Italy. When the rumors of Pietro’s abilities bring inquiries from scientists, everyone sees it as an opportunity to escape the darker side of small-town living.

David Pasquesi plays Professor Moretti with a gentle air. His invested fascination with Pietro has genuine fatherly quality. His chemistry with Zaccara comes across as loving and curious. He had me hypnotized by his upbeat yet soft tone of voice. He was a joy to watch. Young Martino Zaccara is so engaging. His genuine innocence and firey spirit play well against Pasquesi.

Pietro’s father only begins to invest his interest in his son’s life when his abilities might benefit him financially. The juxtaposition of his father and Professor Moretti is ceaselessly absorbing. Pietro’s friends slyly represent the adults in the film, each playing a separate role in their treatment of his potential gift. The issues of class, old world vs. new, and family dynamics loom large in the narrative. The film mixes elements of skepticism, belief, science, and faith. It is undeniably intriguing, richly shot, and brilliantly performed.

Director Antonio Bigini
Screenplay Antonio Bigini
Cinematography Andrea Vaccari
Editing Ilaria Fraioli
Music Simonluca Laitempergher

Screening and Ticket information: THE PROPERTIES OF METALS

Mon Feb 2017:00

Urania

German voice-over | Headphones for OV

 Tickets


 

Tue Feb 2112:15

Cubix 8

German voice-over | Headphones for OV

Wed Feb 2210:00

Zoo Palast 2

German voice-over | Headphones for OV

Fri Feb 2418:30

Filmtheater am Friedrichshain

German voice-over


 

Berlinale 2023 Film Festival review: ‘UNDER THE SKY OF DAMASCUS’ gives a voice to the silenced.

UNDER THE SKY OF DAMASCUS
*WORLD PREMIERE*

Five Women Unpack the Deeply Entrenched Misogyny in Syria in this Intimate and Affecting Documentary


Heba Khaled, alongside co-directors Talal Derki and Ali Wajeeh, gives Berlinale 73 audiences a vastly impactful and furiously personal look inside the abusive patriarchal structure of Syrian society. Systemic oppression needs a voice of truth. Khaled finds a group of women who take matters into their hands by collecting the stories of women in their community in hopes of creating an original stage production exposing generational hurt. UNDER THE SKY OF DAMASCUS is pivotal storytelling. 

Inside a women’s mental hospital, residents recall their circumstances for being there. Family members dropped off most for pushing back on tradition, some for merely existing at all. Women in a cloth factory and a recycling center recall the physical abuse at the hands of their husbands, passed down to their daughters. Woman after woman, story after story, the abuse is systematic and heartbreaking. 

Ari Jan‘s score heightens the feeling that this situation is a ticking time bomb. As their work progresses, the group’s members begin to dwindle. Either out of fear or blackmail, women quit the project. The film reveals that one of the crew members violated the women while filming. Heba tells the remaining members on camera after flying to Beruit. What happened next broke my heart. We watch these brave women unravel, resulting in a shocking pause in filming. Three months later, a new development knocked the wind out of me. The Play’s self-appointed director makes a decision that could undermine the project’s entire mission statement. 

UNDER THE SKY OF DAMASCUS is often an emotionally crippling viewing experience. It overflows with equal parts despair and inspiration. Quite frankly, it enraged me. The film’s journey is a perfect example of the silencing of women’s experiences and how patriarchal abuse of power can consume even the best intentions. It is a dream and a prayer from one generation to the next. 


Directors: Heba Khaled, Talal Derki, Ali Wajeeh
Cinematography: Raed Sandeed
Editing: Marion Tuor
Music: Ari Jan
Sound Design: Mia Joanna Koskela
Producers: Sigrid Dyekjær, Talal Derki, Heba Khaled, Beth Earl
Executive Producers: Philippe Levasseur, Romain Bessi, Jenny Raskin, Kelsey Koenig, Maiken Baird, Ruba El-Khash

Nominated for the Berlinale Documentary Film Award



BERLINALE SCREENINGS

*PREMIERE: Monday February 20, 18:30 – Cubix 9*


Tuesday February 21, 19:00 – Cubix 5

Wednesday February 22, 21:45 – Cubix 8

Friday February 24, 19:00 – Zoo Palast 2

Sunday February 26 13:00 – International