Amazon Prime series: Twisted and dark ‘Tell Me Your Secrets’ Season 1 is available today!

TELL ME YOUR SECRETS

An intense, morally complex thriller revolving around a trio of characters, each with a mysterious and troubling past: Emma (Rabe) is a young woman who once looked into the eyes of a dangerous killer, John (Linklater) is a former serial predator desperate to find redemption, and Mary (Brenneman) is a grieving mother obsessed with finding her missing daughter, Theresa (Baker). As each of them is pushed to the edge, the truth about their pasts and motives grows ever murkier, blurring the lines between victim and perpetrator.

Emma Hall is a new woman, or at least she hopes to be. Recently released from prison, she is the former girlfriend of a notorious serial rapist and murderer. With a new identity and the help of a mysterious man, she attempts to start over in a small Louisiana town where no one knows who she is or what she’s done, including Emma. All we know is that she claims to have memory gaps when it comes to her boyfriend’s crimes. Mary lost her daughter 7 years ago and is convinced Emma holds the key to her disappearance. When reformed rapist John is denied a volunteer position at her foundation, Mary emotionally blackmails into tracking Emma down. The audience is in for one hell of a mystery.

With multiple timelines, you aren’t sure what to believe. Tell Me Your Secrets is loaded and dizzying. The end of episode one had me catching my breath. I need to know what happened to Theresa and how Emma is connected. I can tell as a Mother, this story intrigues me. As a true crime fan, I’m invested. As a critic, I am impressed at the storytelling style. If this is just the introduction to this series, I’m hooked.

The cast is top-notch. Amy Breneman‘s woman in the edge performance is terrifying. Hamish Linklater‘s anxiety-driven reformed act gives me pause. I’m dying to see more from him already. Lily Rabe‘s perfect balancing act of darkness and trauma makes Tell Me Your Secrets as captivating as it is. If you’re a fan of The Killing or True Detective, this could be your new binge.

All 10 episodes of Season 1 of TELL ME YOUR SECRETS are now available on Prime Video

Interview with Aaron Moorhead & Justin Benson for ‘SYNCHRONIC’

Synchronic

Synopsis:
When New Orleans paramedics and longtime best friends Steve (Anthony Mackie) and Dennis (Jamie Dornan) are called to a series of bizarre, gruesome accidents, they chalk it up to the mysterious new party drug found at the scene. But after Dennis’s oldest daughter suddenly disappears, Steve stumbles upon a terrifying truth about the supposed psychedelic that will challenge everything he knows about reality—and the flow of time itself.

Here is our great friend and colleague Matthew Schuchman interviewing Aaron Moorhead and Justin Benson about their newest film Synchronic. Wait until you hear about how they split the creative duties, how their epic films come to fruition, and that they’re making a new movie right now! Enjoy!

You can read more about the film in Liz’s review of Synchronic. Stay tuned to Reel News Daily for the latest info.

In Theaters & Drive-Ins October 23rd

Directed by: Justin Benson and Aaron Moorhead (The Endless)

Starring: Anthony Mackie, Jamie Dornan, Katie Aselton, and Ally Ioannides

Review: ‘Alone’ plays on inherent fears.

Jules Willcox (Netflix’s Bloodline) stars in ALONE as Jessica, a grief-stricken widow who flees the city in an attempt to cope with the loss of her husband.  When Jessica is kidnapped by a mysterious man and locked in a cabin in the Pacific Northwest, she escapes into the wilderness and is pursued by her captor. The key cast includes Marc Menchaca (Ozark, The Outsider) and Anthony Heald (The Silence Of The Lambs).

In college, I used to drive 8 hrs, regularly, in my car to visit a boyfriend. I was alone. I drove straight through pausing only briefly if I saw families at a busy rest stop. But, I was alone.  John Hyam’s new film is everything I was afraid of happening to me on those long rides.  ALONE is a bonafide nightmare. The genius of this script is its simplicity. The relatively mundane encounters build in the most honest and horrifying way. Jessica does everything right. But, once a serial killer has you in his sites, there is no escape, or so you might think. The pacing is absolutely perfect. The sound editing highlights the isolation that is evident in the natural setting. The soundtrack beating it all into you. All combined you feel like you’re in Jessica’s shoes. ALONE is a stripped-down genre winner.

Jules Willcox is a powerhouse as Jessica. Her vulnerability is so relatable making it easy to root for her survival. This is a power dynamic that shouldn’t exist but women, in particular, are used to dealing with it constantly. With an evergrowing population of “incel’ culture, walking with your keys between your fingers, pretending to be on the phone, parking under a streetlight, are all small steps we take to protect ourselves. Women are often deemed too emotional until we are tested by the unimaginable. ALONE exploits all that ingrained fear and mixes it with grief. Willcox nails this role from every angle. Marc Menchaca does a brilliant job with physicality. He comes off as visually harmless but he is downright scary. Perfectly balancing emotional manipulation with the brute strength of a psychopath, you’ll believe he’s done this before.

This film put me in such an agitated state, I had fingernail marks in my palms. My heart was pounding and I would forget to breathe. The final scene is phenomenally satisfying for innumerable reasons. The final shot is stunning. ALONE is a visceral watch. It is the only accurate way to describe this chilling film.

Magnet Releasing will release ALONE in theaters and on-demand September 18th, 2020.

Directed by John Hyams

Written by Mattias Olsson

Starring Jules Willcox, Marc Menchaca, and Anthony Heald

Review: Take the ride of your life with ‘SPREE’

SYNOPSIS: Meet Kurt (Joe Keery), a 23-year-old rideshare driver for Spree, who is so desperate for social media attention that he’ll stop at nothing to go viral. He comes up with a plan to livestream a rampage as a shortcut to infamy – coining his evil scheme “#thelesson”, he installs a set of cameras in his car and begins streaming his rides. Wildly miscalculating the popularity that would come from his lethal scheme, Kurt’s desperation grows as he tries to find a way to overcome the plan’s flaws. In the middle of all this madness, a stand-up comedian (Sasheer Zamata) with her own viral agenda crosses Kurt’s path and becomes the only hope to put a stop to his misguided carnage.

Our favorite Stranger Things ex-boyfriend, Joe Kerry, is taking social media to the extreme. Eugene Kotlyarenko’s new film is what would happen if CAM had a baby with American Psycho. Spree is a found footage post Livestream extravaganza of crazy. It hilariously holds an unfiltered phone screen up to our faces and chokes us with our own carefully curated reality. Approximately 26 minutes in my mouth literally dropped open. It would not be the last time. Spree has incredibly fun kills. The editing is head-spinning. Extra points for the double entendre title.

Joe Keery is amazing. He is in almost every shot of this film. This would not be as successful without him. Cast him in everything from here on out. The nonchalance he has with this level of violence ups the anty. Stockholm syndrome because Keery’s portrayal of Kurt is something I fully endorse. Sasheer Zamata is the audience, the antagonist, and the protagonist. This is only something that will make sense when the credits roll. She is fierce from every angle. The script is so well developed it will blow you away with its sardonic wit. The setup is pure genius. The cast is superb. It’s a nonstop adrenaline ride of gore and laughs. Spree will kick you in the teeth with its irony. And now, the only way to end this… #thelesson #KurtsWorld96 #Spree #FiveStarRating

RED BAND YOUTUBE TRAILER:

SPREE is available in select theaters, drive-ins, on-demand and digital August 14th.

IN THEATERS: August 14, 2020

AVAILABLE ON DEMAND AND DIGITAL: August 14, 2020

DIRECTOR: Eugene Kotlyarenko

WRITER: Gene McHugh, Eugene Kotlyarenko

CAST: Joe Keery, Sasheer Zamata, Mischa Barton, John DeLuca, Josh Ovalle, Lala Kent, Frankie Grande with Kyle Mooney and David Arquette

RUN TIME: 92 min

RATING: NR

GENRE: Thriller

DISTRIBUTOR: RLJE Films

Review: Dave Franco’ directorial debut ‘The Rental’ may make you choose a staycation.

Two couples on an oceanside getaway grow suspicious that the host of their seemingly perfect rental house may be spying on them. Before long, what should have been a celebratory weekend trip turns into something far more sinister, as well-kept secrets are exposed and the four old friends come to see each other in a whole new light. Alison Brie, Dan Stevens, Jeremy Allen White, and Sheila Vand star in this unnerving and sophisticated debut thriller from Dave Franco (NEIGHBORS, IF BEALE STREET COULD TALK, THE DISASTER ARTIST).

My husband happens to have an Airbnb listing. Dave Franco just made our lives a whole lot more difficult and I’m not even mad about it. With one hell of a cast at his behest, he dives headfirst into the feature-length game with The Rental. The script is juicy and unafraid. Dan Stevens, Alison Brie, Sheila Band, and Jeremy Allen White leave you enmeshed in their emotional baggage. From the very first scene, you feel a subconscious bait and switch in the blocking. As someone who has always had close colleagues of the opposite sex, boundaries are constantly an issue regardless of relationship status. Two couples silently pitted against one another but the dynamics are not what you’d expect. It’s the secrets and lies that drive this plot forward. Add in a more sinister element and you’ve got a storyline that you will not see coming. Alongside Franco in the screenwriting seat in Joe Swanberg, who you can always count on for some true to life complexities. This was a great pairing.

Dan Stevens, whose star has been steadily rising since his departure from Downton Abbey, is strong as ever. We know by now he’s a full-blown Hollywood star. Sheila Vand, who just so happens to be the star of one of my very favorite films of all time, (A Girl Walks Home Alone At Night) is having an excellent year with Snowpiercer the TV series and The Wave. Here, once again, she is a tour de force. She’s an empowered role model while certainly owning her own failures. Alison Brie feels like a quieter presence but in reality, we are her character for more of the film than we realize. Jeremy Allen White might actually be the most sympathetic of the four. The challenge to his past transgressions is huge. These are really only things that struck me in ful as I have been sitting on them since viewing. 

These characters and performances are ridiculously nuanced. You may find yourself not wanting to root for them at one moment but then screaming at the screen the next. It’s confusing and manipulative and I am here for it all. The idyllic setting and isolation add to both the tension and the endgame. Without spoiling anything, it was an incredibly smart choice. Heads up, there is a very brief false ending. You better sit still if you want some real answers. I can safely say I want more from Franco is this is any indication of what he can do. The Rental genuinely through me for a loop in the best way possible. 

IFC Films will release THE RENTAL in select Drive-Ins, Theaters and On Demand on Friday, July 24, 2020.

THE RENTAL is the directorial debut of Dave Franco (Neighbors, If Beale Street Could Talk, The Disaster Artist) from a script co-written by Franco and  Joe Swanberg (“Easy”, Drinking Buddies). The thriller/horror film stars Alison Brie (“GLOW,” Sleeping With Other People), Dan Stevens (“Downton Abbey,” Beauty and the Beast), Jeremy Allen White (“Shameless”, Movie 43) and Sheila Vand (“Snowpiercer,” A Girl Walks Home Alone at Night).

Review: ‘Relic’ is a terrifying look at inevitability.

A daughter, mother, and grandmother are haunted by a manifestation of dementia that consumes their family’s home.

The terror begins from the very first scene. Blink and you’ll miss the clues laid out from the getgo. Relic crawls under your skin and chills you to the bone. The script is skillfully crafted. Not only are you inside a haunted house story but you’re also tangled up in family trauma and dementia. As someone whose grandmother passed this spring, as someone who watched her mental and physical deterioration for years from Alzheimer’s, this film felt personal and all the more upsetting. For those who have had a relative with the disease, you’re constantly asking yourself, “Do I see traces of it in my Mother? My Father? Will I feel just as helpless in the future?” Relic is an allegory that builds upon fear, much akin to Jennifer Kent’s The Babadook. If you understood the totality of that film, you’ll be spellbound once you experience this one. 

Emily Mortimer, Bella Heathcote, and Robyn Nevin are phenomenal. Three generations of women expose themselves to give us some of the most epic horror performances since Toni Collette in Hereditary, Lupita Nyong’o in Us, and Riley Keough in The Lodge. The specificity to age and stage development is obviously there but it the reaction to trauma both unlying and on the surface that is played with precision.  This story, outside of the horror aspect, will resonate with so many, regardless of generation. The cinematographer coupled with the story leaves so many things unanswered. I actually would love a sequel… or even a prequel. Director-writer Natalie Erika James and co-writer Christian White, they have given the viewing audience an exceptionally frightening masterpiece. Very few films still cause me to cover my eyes. Though I wished I had, I could not pull my attention from the screen. Brilliant performances, dark and lush cinematography, and alarmingly visceral storytelling make Relic completely hypnotic. It will, no doubt, paralyze you with fears beyond your understanding.

AVAILABLE EVERYWHERE JULY 10 

(SELECT THEATERS, DRIVE-INS & DIGITAL/VOD)

Director: Natalie Erika James

Writers: Natalie Erika James and Christian White

Starring: Emily Mortimer, Bella Heathcote, Robyn Nevin

Producers: Anna McLeish, Sarah Shaw, Jake Gyllenhaal, Riva Marker

Executive Producers: Joe Russo, Anthony Russo, Mike Larocca, Todd Makurath, Wang Zhongjun, Wang Zhonglei, Hu Junyi

Cinematographer: Charlie Sarroff

Distributor: IFC Midnight

Release Date: July 10, 2020 In Theaters and also available On Demand / Digital Rental

Review: With a script by Shia LaBeouf, ‘Honey Boy’ is a personal triumph.

I’ve been watching Shia LaBeouf since he made his Disney Channel debut on Even Stevens. A kid so talented he was scooped up by Hollywood and exploited like many a young child star. We’ve seen him shine and fall from grace and make some of the wildest career moves. But remove that veneer and you have a genuine artist.

Honey Boy is LaBeouf’s screenplay. It tackles his tumultuous upbringing without a real sugarcoating. The verbal and emotional abuse he had to endure must have been astronomical. It all makes sense when you see the scenes between him and Noah Jupe. Their on-screen dynamic is effortless. Lucas Hedges, who I have had my eye on since Zero Theorem, is phenomenal as the 2005 version of Otis. His combative attitude seems like second nature and I can easily see LaBeouf saying and doing the exact same things. Hedges makes you feel like he did one hell of a character study of his creator. Noah Jupe as young Otis is a breath of fresh air. He is something special. He exudes innocence. LaBeouf is playing his father. He is vulnerable, scary, aggressive, and heartbreaking. You can never say this man isn’t spectacularly talented.

Director Alma Har’el has created one of the most satisfying films of the year. The way she handles LaBeouf’s material is beautiful, quirky, fun, and heartfelt. This script is catharsis on film. The juxtaposition of scenes in 1995 and 2005, with stunning lighting and cinematography, is wonderful. LaBeouf has opened every wound and laid it all out. It’s gorgeous misery and you’ll want to remain present for it. Honey Boy is a triumph.

Honey Boy opens in theaters Nationwide today, Dec 6th.

Watch Now: Special conversation with Oscar-nominated director, Steve James about ‘Abacus: Small Enough to Jail’

VERA SUNG, JILL SUNG AND FATHER THOMAS SUNG IN THE SAFETY DEPOSIT BOX DEPARTMENT OF THEIR BANK IN A SCENE FROM OSCAR-NOMINATED “ABACUS: SMALL ENOUGH TO JAIL” DIRECTED BY STEVE JAMES. PHOTO COURTESY OF PBS DISTRIBUTION/KARTEMQUIN FILMS

Last year, Liz reviewed this last much-needed documentary last November for DOC NYC. Available now on Amazon Prime. In any case, you can view a conversation with the director at 12:30 pm at https://www.westdoconline.com/steve-james-episode-6-live.

  • NOMINEE – STEVE JAMES, OUTSTANDING DIRECTING DIRECTORS GUILD OF AMERICA AWARDS
  • WINNER – BEST POLITICAL DOCUMENTARY CRITICS’ CHOICE DOCUMENTARY AWARDS
  • THREE NOMINATIONS CRITICS’ CHOICE DOCUMENTARY AWARDS
  • NOMINEE – BEST DOCUMENTARY NATIONAL BOARD OF REVIEW
  • NOMINEE – BEST DOCUMENTARY CHICAGO FILM CRITICS ASSOCIATION

Abacus: Small Enough to Jail tells the incredible saga of the Chinese immigrant Sung family, owners of Abacus Federal Savings of Chinatown, New York.

Accused of mortgage fraud by Manhattan District Attorney Cyrus R. Vance, Jr., Abacus becomes the only U.S. bank to face criminal charges in the wake of the 2008 financial crisis. The indictment and subsequent trial forces the Sung family to defend themselves – and their bank’s legacy in the Chinatown community – over the course of a five-year legal battle.

New to Watch: Amazon Studios Original Documentary ‘Author: The JT Leroy Story’


**Amazon Studios** Original Documentary AUTHOR: THE JT LEROY STORY will premiere on Amazon **Prime Video** February 16th

**Written and Directed by** Jeff Feuerzeig **Featuring** Terry Gross, Laura Albert, Winona Ryder, Courtney Love and Madeleine Brand

**AUTHOR: THE JE LEROY STORY** **is Certified Fresh at 82% on** Rotten Tomatoes!

On January 9, 2006 The New York Times disrupted the literary world when it unmasked “it boy” wunderkind JT LeRoy, whose tough prose about a sordid childhood had captivated icons and luminaries internationally. It turned out LeRoy didn’t actually exist. He was the creative expression of 40-year-old San Francisco former phone-sex operator turned housewife, Laura Albert. Author: The JT LeRoy Story takes us down the rabbit hole of how Laura Albert breathed not only words, but life, into her avatar for a decade.

110 Minutes | Rated R

For more info:

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