TEMPEST
The first fifteen minutes of Gregory J. Green‘s DWFLA 2026 film TEMPEST have no dialogue. The plot rolls out on a stormy night against Brendon Cassidy’s beautifully whimsical score. Five years after the death of her son, successful maritime artist Miranda exists mired in grief, in a waning marriage where communication is barely viable. After accidentally triggering a dimensional shift and experiencing a taste of another life, Miranda cannot stop herself from exploring what she believes might be the answer to all her wishes.
Visually captivating, DP Kody Newton immediately differentiates between dimensions by using different lens colors. Sad Miranda’s world is constantly overcast, while her other self exists in a warm light. Slowly, the audience discovers the physical and emotional differences. Scott Campbell‘s stellar production design plays an intrinsic role.
Performances are fabulous. Each actor plays a dual role, and they are distinct, vibrant, and nuanced. Our Miranda, Erica Piccininni, is a star. She brings such grace and vulnerability to both women. You can see the wheels turning, and you want to be a part of every beat.
The writing is clever. Writer Garry Williams juxtaposes scenes in both dimensions. Fans of the television series Sliders and the film Sliding Doors will adore this. If you are not either crying or contemplating life halfway through TEMPEST, check your pulse. Through themes of grief, marriage, and healing, TEMPEST is an extraordinary journey through the ever-present “what-ifs,” and a stunning reminder to be grateful and kind to ourselves.
TEMPEST Trailer:
WRITER: Garry Williams
DIR: Gregory J. Green
PROD: David Weisenberg
CAST: Erica Piccininni, Josh Bywater, Jacob Buster, Allison Pistorious
Miranda may be a successful artist, but her life and marriage are in ruins. One hopeless night, lightning flashes, dimensions shift, and Miranda is overjoyed to find herself in a parallel world where none of her heartbreaks exist. But this new life crumbles when the alternate Miranda, whose own world has been usurped, starts desperately trying to return.
WORLD Premiere | USA, 2026, 95 min.FRI JUN 19 @ 930PM
Rob Burnett brings a wicked take on mortality and legacy in Tribeca 2026’s dark comedy In Memoriam. When a known TV actor, Langston Stanfield, gets a terminal cancer diagnosis out of the blue, his entire goal for his remaining six months to live is to make it into the Oscars Death Montage.
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Director Allison Sloan Berg‘s Tribeca 2026 doc Time Warp, and I see you shiver with Antici… pation. September 2022 in Rock Springs, Wyoming, a small theatre dares to put on a Shadow Cast production of The Rocky Horror Picture Show. Theatre director, producer, choreographer, house manager, and star of the show, Kenny Starling, brings us into the industrious, loving, and hardworking theatre company that delivers excitement and love to an otherwise quiet, conservative, and seemingly forgotten town. 
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Huge ups to music supervisor Doug Bernheim for the soundtrack, which features the OG Frank-N-Furter, Tim Curry, Siouxsie, Betty Davis, and Jobriath. Frank Keraudren’s editing, particularly the five-day-out rehearsal montage, opening night, and the credits, is delicious. Loved seeing huge Broadway stars line up as Executive Producers! Berg boasts Josh Gad, Billy Porter, and John Cameron Mitchell.
Remaining Tribeca screenings of General Admissions:
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DeSouza creates an ominous atmosphere. Screenwriter Alexander Hernandez-Maxwell pulls on our darkest desires and intrusive thoughts. Fans of Severence, Westworld, and the 2024 doc, ![Shane West In HOLO_[JULIAN LOMAGA]_32](https://i0.wp.com/reelnewsdaily.com/wp-content/uploads/Shane-West-In-HOLO_JULIAN-LOMAGA_32-scaled.jpg?resize=678%2C367&ssl=1)
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SXSW 2026 true-crime doc I Got Bombed at Harvey’s tells the off-the-wall tale of a casino, a ransom note, a homemade bomb with 1000 pounds of dynamite, and 24 hrs. Your jaw will drop as one absolute narcissistic lunatic’s spiral brings his kids down with him.
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