‘LIZZIE LAZARUS’ (Popcorn Frights 2024) A twisty horror mystery destined for cult status.

popcorn frights 2024 logo

LIZZIE LAZARUS

LizzieLazarus

Filmmaker Aviv Rubinstien gives Popcorn Frights 2024 audiences a reason to stand up and cheer with LIZZIE LAZARUS. Set in 1990, Bethany’s sister dies in a car crash on the way to her house. Lizzie’s mental state causes Bethany to question if her death was intentional. Enlisting the assistance of Lizzie’s ex, Eli, truth is stranger than fiction.

Tommy Oceanak‘s cinematography got a vehement “Hell Yeah” from me during the first frame. Opening with a song by Megan Oesterreich, in the titular role, I thought the film was a horror musical. I was mistaken, making the moment all the more delightful. Oesterreich is so likeable as Lizzie. I would watch a franchise surrounding Lizzie and Bethany.

Omar Maskati balances genuine feelings and suspect behavior. Rubinstien does an expert job at keeping you guessing, and Maskati leans into the crumbs, dropped one at a time. Lianne O’Shea gives Bethany a smart-aleck edge that lures you in. She is quippy and self-assured. O’Shea owns the frame, daring Maskati to keep up.

The screenplay utilizes conspiracy theories, scientific studies, and their naturally sparked debate from one intellectual to another. It’s easy to see that Bethany believes Eli has something to do with Lizzie’s demise, asking pointed questions along their clandestine midnight trek. She is suspicious and relentless in her pursuit to do right by her sister. Eli does not do himself any favors with a combative attitude. Secrets and confessions spill as they try to reach their destination and begin a reanimation ritual.

LIZZIE LAZARUS is a feminist-driven narrative that reels you in at every turn. Reveal after reveal keeps you on the hook. The finale is beyond satisfying for genre fans, anyone with sisters, and spooky girls alike.

YEAR: 2024

COUNTRY: USA

RUNTIME: 91 min

DIRECTOR: Aviv Rubinstien

WRITER: Aviv Rubinstien

STARRING: Omar Maskati, Lianne O’Shea, Megan Oesterreich

For more Popcorn Frights reviews, click here!

‘BIRTHRITE’ (Popcorn Frights 2024) A seriously twisted, small-town tale that terrifies.

popcorn frights 2024 logoBIRTHRITE

Birthrite

Director Ross Partridge brings a dark and nuanced story to Popcorn Frights 2024 audiences. When a pregnant woman inherits a country home, she and her girlfriend move in with happy expectations. But something from the town’s past looms over everyone.

Medical gaslighting, similar to Kindred, details authentic feelings of pregnant individuals, loss or not. But, BIRTHRITE‘s sinister underpinnings weave small-town history and their occult connections. The script from Patch Darragh and Erin Gann is seriously twisted. Reveal after reveal keeps you in a constant state of confusion and intrigue.

The cast is spectacular. Michael Chernus (Werewolves Within) and Owen Campbell (My Heart Can’t Beat Unless You Tell It To)provide outstanding performances. Jennifer Lafleur gives Rosalie this eerie balance of loving care and dark self-interest. She steals every scene.

Juani Feliz plays Maya with a grounded love for Alice. She 100% holds her own in the everchanging emotional atmosphere. Alice Kremelberg gives Wren desperation and fear only a mother knows. It is an intense turn brimming with surprise after surprise.

Fall On Your Sword delivers a classic haunted house of dread style score. It reminded me of the opening theme song for the Nickelodeon show Are You Afraid of the Dark? BIRTHRITE mixes the chaos of pregnancy and delves into witchcraft with such complexity it makes your head spin. The film is so layered you cannot help but be captivated. This one will stick with you long after the screen goes black.

YEAR: 2024

COUNTRY: USA

RUNTIME: 100 min

DIRECTOR: Ross Partridge

WRITER: Patch Darragh, Erin Gann

STARRING: Alice Kremelberg, Juani Feliz, Michael Chernus, Jennifer Lafleur

 
For more Popcorn Frights reviews, click here!

‘THE NIGHT IS YOUNG’ (Popcorn Frights 2024) Love bites, but only if you’re lucky in Patrick Rea’s newest film.

popcorn frights 2024 logoTHE NIGHT IS YOUNG

TheNightIsYoung
Director Patrick Rea’s THE NIGHT IS YOUNG comes to Popcorn Frights 2024. Jumping on the content creator subgenre, or perhaps a page out of the REC playbook, this vampire romance uses all the best tropes for a breezy homegrown horror. 

Jake Jackson wears all the hats as cinematographer, special effects makeup artist, and Nora’s brother Jake. We only see him briefly at the end of the film because he’s but a voice behind the lens for the entirety of the film. He’s fantastic. 

Rea co-writes with star Sarah McGuire. I could have watched her dating shenanigans for another hour. McGuire gives Nora a relatable vibe, owning each moment with ease. Her chemistry with Valerie Bates (Emelia) feels incredibly natural. I’m excited to see what she does next.

Utilizing security footage and Jake’s real-time video maintains a sense of urgency during the countdown to sunrise. The reveal is unsurprising, but the why is much more fun for vampire canon nerds like me. THE NIGHT IS YOUNG is the definition of indie filmmaking. Taking a look at the credits, everyone had multiple roles. It’s a perfect runtime for the story. There is a solid set-up for a franchise, so color me intrigued.

DATE: Saturday, August 10
TIME: Video On Demand
VENUE: Digital Screening Room

YEAR: 2024

COUNTRY: USA

RUNTIME: 76 min

DIRECTOR: Patrick Rea

WRITER: Sarah McGuire, Patrick Rea

STARRING: Valeri Bates, Sarah McGuire, Jake Jackson

For more Popcorn Frights reviews, click here!
 

 

‘CHATEAU’ (Popcorn Frights 2024) A solid sub genre entry with clever twists

popcorn frights 2024 logo

CHÂTEAU

ChateauFilmmaker Luke Genton tells the story of a wannabe influencer living in Paris looking for a hook. Short on cash, she accepts a cleaning job, not knowing the location is an infamous murder castle. Thinking this might be her internet 15 minutes, she brings her nonexistent audience on the job. CHÂTEAU gives Popcorn Frights 2024 the YouTube ghost-hunting treatment. 

Taking a page out of The Blair Witch Project and campy reality show Ghost Adventures, the format goes a step further, combining a lot of screen editing – past YouTube investigators, video calls, research blogs, and James’ real-time recordings. It is a clever move showing the audience her elaborate steady can rig. 

The location boasts stunning architectural features, a winding staircase, sprawling grounds, chandeliers, and a full-sized barn with creaky rafters. Genton does a fantastic job utilizing James’ particular room to shoot a lot of set-ups. As well as classic haunted house tropes, like lingering on over-the-shoulder door frames and panicked running in circles. 

The plot twist 30 minutes into the film caught me off guard. It was refreshing and kept me engaged. Another unexpected shift, delving into James’ unresolved trauma, sets the tone for the film’s remainder. The forced POV continues to be entirely unsettling. The jump scares are earned. The makeup team does a fine job with the progressive looks. 

The camera loves Colton Tran. He steals every scene he’s in. Tran is effortlessly charming, and I wanted to see more of him. That does not take anything away from Cathy Marks essentially performing a one-woman show. She’s likable and down-to-earth. Marks easily carries the film, ultimately grabbing viewers with her backstory.

Slow clap. One last twist takes the cake, and the final performance is smashing. Bravo. CHÂTEAU is a fun entry into the found footage subgenre. 

 

YEAR: 2024

COUNTRY: USA

RUNTIME: 83 min

DIRECTOR: Luke Genton

WRITER: Luke Genton

STARRING: Colton Tran, Cathy Marks

 
For more Popcorn Frights reviews, click here!
 

 

 

 

‘DIRTY BAD WRONG’ (Fantasia 2024 short) Erica Orofino’s short finds a mother between a promise and a boundary.

Fantasia 2024 logo

DIRTY BAD WRONG

Dirty Bad Wrong PosterDesperate to keep her promise to host the best superhero party for her 6-year-old, young mother Sid, a sex worker, takes extreme measures and books a last-minute client with a dark fetish. Dirty Bad Wrong is a drama/body horror that explores the darkest sides of capitalism, and just how far we’ll go for the ones we love.

STILL1 - Dirty, Bad, Wrong - Image by SAMANTHA FALCOSTILL1 - Dirty, Bad, Wrong - Image by SAMANTHA FALCOLife changes when you become a mother. It is impossible to describe to someone who has never protected another human with every ounce of their soul. In Erica Orofino‘s Fantasia 2024 short film DIRTY BAD WRONG, audiences are plunged into the world of a mother who would do anything for her child. 

Dirty Bad Wrong 3 - Photo by Samantha Falco50Jack Greig has a presence that is hard to teach. He gives Jesse a palpable innocence and curiosity. Michaela Kurimsky plays Sid with earnest desperation and unconditional love for her son. The chemistry between her and Grieg is enchanting. Kurimsky is nothing short of captivating in fourteen minutes. I would watch her in anything.

Outside of the authentic choices for survival, the horror aspect is subtle in the most powerful way. The messaging behind the images screams off the screen. The necessary evils one will endure for a loved one knows no bounds. DIRTY BAD WRONG begs for a feature. There is enough meat on the bone, no unintended, for delicious worldbuilding. 

Dirty Bad Wrong stars Michaela Kurimsky (Alouette, Firecrackers, The Boathouse), Jack Greig (Dark Side of the Ring), and Cody Thompson (The Shape of Water, May the Best Wedding Win, Mrs. America) and is produced by Fonna Seidu (virgins!, Fresh Meat, Being Black in Toronto). It was shot in Toronto, Canada.

Fantasia 2024 posterFor all things Fantasia 2024, click here!

‘BURN OUT’ (DWF:LA 2024 short) Overworked and ambitious are a dangerous combination

DWF-LA logoBURN OUT

https://danceswithfilms.com/burn-out/

Burn out POSTER

A clearly overworked and unwaveringly determined Virgil will do anything to show his boss the very personal presentation he has toiled over. Nothing can stop him from completing this passion project, not even a fire. Filmmaker Russell Goldman‘s DWF: LA 2024 short BURN OUT dives headfirst into the competitive nature of hardcore office culture under the guise of “teamwork.”

Burn Out STILL Virgil_LookingInFire_EverettOsborneThe hilarious and terrifying overall premise might seem unrealistic to some, but I can tell you it is entirely plausible. When my husband was a first-year associate coming out of grad school at Yale, he passed out on the way to work three days in a row from lack of sleep. After being revived by police officers and refusing medical attention, he arrived five minutes late only to be told, “That’s a YP, a You Problem.” Empathy be damned when there is a dollar or deal to be made.

Burn Out STILL Virgil_SprayExtinguisher_EverettOsborneThe film looks spectacular. Sharp cinematography from Ali Armino ups the production ante. Lead performances are fantastic. Everett Osborne and Tommie Earl Jenkins command your attention with dazzling charm and ferocity, making us beg for an expanded world. Without needing to, BURN OUT takes a hard left turn into total WTF near the end of its 12-minute runtime, but the metaphor completely stands. It was unhinged before that choice. Executive Producer Jamie Lee Curtis knows talent when she sees it. Goldman’s voice is fresh, intense, and welcomed.

Written & Directed by: Russell Goldman

Starring: Everett Osborne and Tommie Earl Jenkins

Genre: Horror, Comedy, Short

RT: 12 min | Not Yet Rated

Language: English | U.S.

An assistant will do anything to get his presentation in front of his boss… even set himself on fire. Starring Everett Osborne (SWEETWATER) and Tommie Earl Jenkins (DEATH STRANDING). BURN OUT

ADDITIONAL SCREENINGS
 
2024 Chattanooga Film Festival – June 28th
 
2024 Wyoming International Film Festival – July 11th

 

For more Dances With Films coverage, click here!

‘MISSING FROM FIRE TRAIL ROAD’ (Tribeca 2024) Shouting from the rooftops for their loved ones

tribeca 2024 logoMISSING FROM FIRE TRAIL ROAD 

World Premiere: Spotlight Documentary Section

Sabrina Van Tassel‘s TRIBECA 2024 documentary MISSING FROM FIRE TRAIL ROAD speaks for those without a voice. Indigenous women are in crisis. Why aren’t we talking about the statistics of missing native women? The number is vastly higher than any other group in the United States.

The film focuses on the story of Mary Ellen Johnson Davis, missing since 2020, as her family tries to piece together all the information they can, while also showing up for those in their community with similar circumstances. There are far too many unexplained disappearances and deaths for one community not to call it an epidemic.

MISSING_FROM_FIRE_TRAIL_ROAD 2The reservation has its own justice system, under which not a single white man has been prosecuted in connection to a disappearance. Families must rely on the Feds to intervene. They never do. It is endless, lawless mayhem.

Story after story, family after family, one thread connects them all. That is abuse from white outsiders. You can’t tell this story without delving into the trauma of native children stolen from their families and physically and emotionally tormented in boarding schools. MISSING FROM FIRE TRAIL ROAD delivers the horrific truth through the words of survivors.

MISSING_FROM_FIRE_TRAIL_ROAD 1A quote from a manual given to households when children the government was ripping from their homes reads, “The goal is not to make scientists, or doctors or lawyers out of these citizens. The goal is to make domestic housewives and farmers and laborers.” Keeping the population suppressed remains the goal. It’s cyclical genocide. It is the continuation of colonization, plain and simple.

The question remains. How many of these documentaries need to be made to get the message across? Tribeca 2024 audiences can share the native plight and, perhaps, move the dial toward justice. Do something.

Remaining Screenings of MISSING FROM FIRE TRAIL ROAD:

Saturday, June 15 – 11:00 AM:  AMC 19th St. East 6


Mary Ellen Johnson Davis has been missing since the eve of Thanksgiving 2020 from the Tulalip Reservation. She is only one of hundreds of Native American women who continue to go missing in the U.S. As director Sabrina Van Tassel (“The State of Texas vs Melissa”) investigates Mary Ellen’s case, dozens of Native women speak up about the violence suffered and observed by them. 

 

Executive Produced and featuring Deborah Parker, activist and indigenous leader, Deb Haaland, US Secretary of the Interior, to many of Mary Ellen’s friends and family, the film threads a haunting but important report about these underlooked cases and the urgency for attention and action in these investigations. 

MISSING FROM FIRE TRAIL ROAD 

For more Tribeca 2024 coverage, click here!

‘VULCANIZADORA’ (Tribeca 2024) Another magnificent WTF from an iconic indie duo.

tribeca 2024 logo

VULCANIZADORA

DWECK PRODUCTIONS & FACTORY 25 PRESENT A SOB NOISSE FILM

VULCANIZADORAUS Narrative Competition

Two friends spend time contemplating life on a camping trip in the woods. Their plans severely backfire. 

There are iconic filmmaker/actor duos out there. Scorsese and DiCaprio. Tim Burton and Johnny Depp. Emma Stone and Yorgos Lanthimos. If you don’t know about the absolute IDGAF weirdness of Joel Potrykus and Joshua Burge, welcome to genre heaven. Tribeca 2024 audiences have the privilege of absorbing their latest collaboration in VULCANIZADORA

Potrykus is Derrick, the overly enthusiast best friend of Burge’s hyper-aggressive Marty. Watching them play is like witnessing a couple of middle schoolers fuck around without supervision. The trust between these two that the shenanigans that Joel creates will translate is mindboggling. Their chemistry makes you ponder the fine line between written dialogue and close friends screwing with each other. (Read our reviews of BUZZARD and RELAXER.)

Derrick never shuts up, while Marty seemingly begrudges the spirit of the trip altogether. The script morphs from buddy comedy to thriller. Not until 48 minutes into the film do the true intentions of the plot reveal themselves. Their secret pact is desperately dark, taking Marty on a downward spiral. 

Potrykus’ screenplays are unpredictable, and Vulcanizadora is no exception. He utilizes eclectic music and long takes to reel you into his world. He and Burge deliver magnificent performances. The moral grey area in the film is spectacular, leading to equal parts smirk and cringe. The sneaky impact of a discussion about heaven and hell comes full circle with a stunning visual akin to purgatory. It is undeniably brilliant. Tribeca audiences are damn lucky to experience it first.

Cast: Joel Potrykus, Joshua Burge, Bill Vincent, Solo Potrykus
Writer/Director: Joel Potrykus
Associate Producer: Daniel Berger
Producer: Ashley Potrykus, Hannah Dweck, Theodore Schaefer, Matt Grady
Co-Producer: Kevin Clancy
Director of Photography: Adam J. Minnick
Production Design: Michael Saunders
Sound: Sasa Slogar

Remaining Screenings of VULCANIZADORA:

 
For more Tribeca 2024 coverage, click here!

‘The Shallow Tale of a Writer Who Decided to Write about a Serial Killer’ (Tribeca 2024) Killer comedy in every sense

tribeca 2024 logo

The Shallow Tale of a Writer Who Decided to Write about a Serial Killer

The SHALLOW TALE

World Premiere – Spotlight Narrative Section

A hapless writer gets pulled into a scheme involving his wife, his impending divorce, and a serial killer yearning to be the subject of his next book. Tolga Karaçelik‘s first English-language film, The Shallow Tale of a Writer Who Decided to Write about a Serial Killer, makes its debut for Tribeca 2024 audiences.

After Suzie asks Keane for a divorce, Kollmick poses as a marriage counselor to throw her off the scent of their agreement. Suzie becomes suspicious with the discovery of each book Kollmick suggests Keane study. Convinced she is the target of Keane’s strange new behavior, the three become entangled in a complicated plot for individual satisfaction.

Britt Lower plays Suzie, Keane’s fed-up wife. Suzie has a type A personality and a pristine appearance. Her fashionably buttoned-up look, whether donning silk pajamas or a salmon-colored suit, is perfection. Her morose delivery is flawless.

John Magaro nails the role of Keane. He swings from overly nonchalant to manic as the film progresses. A celebration of childish floundering, this performance is hysterical.
The SHALLOW TALE 2Steve Buscemi is a legend. In pretending to be Keane and Suzie’s marriage counselor, he brings his murder advice into the sessions, equally confusing and intriguing his faux clients. Buscemi’s calm and confident nature is captivating.

The cast’s chemistry is spectacular. Buscemi and Magaro have a fun banter, but the most surprising firecracker moments happen between him and Lower. The way they both lean into Suzie’s macabre aura is a hoot. Karaçelik’s dialogue is witty. The cinematography from Natalie Kingston is beautiful, utilizing noir lighting.

THE SHALLOW TALE is weird, but the good kind of weird. It’s simultaneously so strange and dark you find yourself smirking and scratching your head, needing to know where it goes next. The film boasts a knee-slapping climax akin to a high-stakes ping-pong match. THE SHALLOW TALE is a dark oddball comedy that celebrates leaning into our authentic selves and the essence of communication, no matter the fallout.

The Shallow Tale of a Writer Who Decided to Write About a Serial Killer


Written and Directed by: Tolga Karaçelik

Produced by: Scott Aharoni, Sinan Eczacibasi, Alihan Yalçındağ, Wren Arthur, Steve Buscemi, Alex Peace Power, Mustafa Kaymak, and Tolga Karaçelik

Executive Producer: John Magaro, Britt Lower, Aykut Sanver, Kanat Dogramaci, Eppie Ozen, Daniel John Goldberg, Julien Levesque, Ahmet Kenan Bilgic, Can Gursoy, Tara Khorti, Irmak Pakdemir, Peter Veverka, Ali Yurerer, Aret Tasciyan

Starring: Steve Buscemi, John Magaro, and Britt Lower

A struggling writer in the midst of a divorce befriends a retired serial killer who incidentally becomes his marriage counselor by day, and killing counselor for his next book by night.

RT: 102 Minutes

 

Public Screenings for The Shallow Tale:

Saturday, June 8th at 5:00 PM at SVA Theater – 1 Silas

Sunday, June 9th at 2:15 PM at Village East Cinema – 02

Wednesday, June 12th at 8:00 PM at Village East Cinema – 07

For more Tribeca 2024 coverage, click here!

‘BLACK TABLE’ (Tribeca 2024) A vital lesson in excellence

tribeca 2024 logo

BLACK TABLE

Spotlight Documentary

Feature | United States | 93 MINUTES | English

BLACK_TABLE-Tribeca 2024Yale’s Class of 97′ boasted the largest admission of black students in the university’s history. Filmmakers John Antonio James and Bill Mack bring Tribeca 2024 BLACK TABLE, a documentary that delves into the complexities of learning, thriving, and simply existing within a predominantly white Ivy environment and beyond.

The documentary interviews an array of graduates from the 90s. Each comes from a different background, but in almost every admission story, parental involvement plays a vital role in communicating with guidance counselors.

As the spouse of a Yale School of Management ’13 grad and president of The SOM Partners Club during our time in New Haven, hearing The Whiffenpoofs sing is a nostalgic sensory memory. To no one’s surprise, we are both white. The reality for the featured alum evokes vastly different experiences, particularly their introduction to the environment. One thing they all had in common is that each individual had their validity and accomplishments relentlessly challenged.

Commons is the university’s overwhelmingly beautiful dining hall. Everyone who sees it likens it to something straight out of Harry Potter. Our alums describe making room for other black students, thus creating a safe space for their community, sometimes pushing tables together to grow the joy and share their daily knowledge and experiences. It is described as black excellence training for their time on Yale’s campus.
BLACK_TABLE-Clean-02 Tribeca 2024There is no escaping the discussion of Affirmation Action, and filmmakers fully understand it. We delve into the racist talking points that thrive today in diminishing accomplishments and a sense of belonging. An explosive incident at Naples forced Yale and its student body to confront the reality of being black on campus. Rodney King changed the name of the game from a student action standpoint. Then O.J. Simpson’s trial reignited cultural tension.

A fascinating conversation surrounds reasons not to sit at the black table. Alums discuss that perhaps the table hindered their growth, their fear of branching out, and the ensuing judgment from their black peers. It is a complicated conversation that continues with their children.

The photos from the alums are storytelling gold. When friends get together in 2022, they break down their college experiences, childhoods, and ancestral wisdom. One statement from the film succinctly tackles the overall message: “Even if it were affirmative action that got you here, affirmative action is not keeping you here.” BLACK TABLE is a history lesson and a celebrated tour through years of black excellence.

Black Table


Remaining Screenings of Black Table:

For more Tribeca 2024 coverage, click here!