Tag Archives: Dustin Hoffman

‘The Revisionist’ (Tribeca 2026) A storyteller’s dream and one hell of debut.

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Tribeca 2026 posterThe Revisionist

TheRevisionist_KeyImage

Filmmaker Alex Vlack‘s debut is staggering. The Revisionist follows a twisted tale of artistic integrity and the unpredictability of the creative process. At an impasse for her latest work, novelist Elise plays dirty emotional warfare with those closest to her.

Dustin Hoffman plays David, Jacob’s aging, eccentric, but successful novelist father, with effortless cool and a curmudgeonly overtone. The distinct difference in tone from one scene to the next is a goddamm masterclass.

Tom Sturridge gives Jacob a trauma-filled sadness. He wallows in the lack of paternal connection, a level of wounded bird that counters both John and Elise. Sturridge is a dream partner. The total opposite of toxic masculinity. Read More →

Review: Charming debut for writer- director Darren Le Gallo, ‘Sam & Kate’ opens in theaters today!

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SAM & KATE

SYNOPSIS:

A life-affirming family dramedy starring Oscar®-winners Dustin Hoffman and Sissy Spacek, Sam & Kate takes place in a small town in the heart of the country. Hoffman plays Bill, the larger-than-life father to Sam (Jake Hoffman), who has returned home to take care of his ailing dad. While home, Sam falls for a local woman, Kate (Schuyler Fisk). And at the same time, Bill starts to fall for her mom, Tina (Spacek). But finding love is complicated and for these four, it is no different. They all must confront their past in order to make their new love work for the future. Truly a family affair, art imitates life with the father/son casting of Dustin & Jake and the mother/daughter casting of Sissy & Schuyler.

Charming and breezy, Sam & Kate is a lovely exploration of generational communication and the joy and complexities of newfound intimacy.

Dustin Hoffman plays two sides of a complex man. He’s a curmudgeon and old-school charmer. His vulnerability slowly reveals itself, and it’s a gloriously nuanced turn. Sissy Spacek plays Tina with the perfect balance of warmth and hesitancy. Her character’s fear stems from unresolved emotional trauma, and Spacek settles into that messiness like a master. Their chemistry makes me wonder if any of their dialogue is improvised. They are two legends making it look easy.

Jake Hoffman and Schuyler Fisk learned a lot from their parents because they are spectacular. Hoffman’s boy next door goodness is pitch-perfect. Fisk is effortlessly elegant. Together, they transfix the audience with their wounded imperfection.

The script from writer-director Darren Le Gallo feels like a comforting hug, yet fresh. I love that Sam and Kate aren’t 20-somethings. I respect the grown-up, lived-in realities of caring for aging parents while exploring their place in the world. Tina and Kate’s histories affect every beat. In the end, Sam & Kate boasts incredibly grounded dialogue and flawless pacing. It’s a gem and a notable debut for Darren Le Gallo.

In Theaters November 11, 2022

WRITTEN & DIRECTED BY:

Darren Le Gallo

STARRING:

Jake Hoffman, Schuyler Fisk, Dustin Hoffman, Sissy Spacek, Henry Thomas

RUN TIME:

RATING:

110 minutes

R

 

 

Review: Mayim Bialik’s directorial debut ‘As They Made Us’ is relatable in its drama.

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AS THEY MADE US

As They Made Us follows Abigail (Agron), a divorced mother of two, who is struggling to find sanity in her dysfunctional family as she attempts to cultivate new love. Her father, Eugene (Hoffman), has a degenerative condition that he and his wife, Barbara (Bergen), refuse to accept. Her brother Nathan (Helberg) has been estranged from the family for decades. A self-appointed fixer, Abigail attempts to mend her complicated family before it’s too late.

Mayim Bialik‘s feature debut packs an emotional punch. As They Made Us feels like a fresh wound for anyone with childhood trauma. Brilliantly structured with flashbacks and present-day chaos, Bialik weaves a portrait of a family existing in turmoil. 

Simon Helberg plays the son who escaped the weight of negativity. Estranged from the family, he leaves Abigail (Agron) behind to take the brunt of the aggression. Helberg plays a vastly different role from Bialik’s costar on The Big Bang Theory, and her script allows Helberg to show his range. Dustin Hoffman is patriarch Eugene. Navigating his cognitive decline, Hoffman plays dual roles in a way. At times, happy go lucky and defiant, others violent and loud. His journey is the most outwardly complex. Candace Bergen is the epitome of Jewish mother cliches, with a real mean streak. She lands somewhere in between abrasive and meddling. Still managing to be charming, Bergen brings heightened energy to the film. 

Dianna Agron is the default child, the emotional packhorse. Taking on caregiver roles that ought to belong to Bergen’s Barbara, Agron must shift between daughter, nurse, and wife roles to ease Eugene’s suffering. These are all at her own cost as she carries these scars. Agron is the star of this film. Even with Hoffman and Bergen, she steals the show. Her exhaustion is palpable. 

The family’s Jewish faith is a significant plot point. It becomes a large part of Abigail’s coping mechanisms, parenting, and healing. The character reminds me a lot of my Mother. Replace Judaism with Catholicism, and I’ve witnessed this same story play out a generation before. As They Made Us speaks volumes in roughly 90 minutes. Tackling forgiveness, acceptance, and mortality, Bialik’s voice as a filmmaker is pretty striking for her first time out. I am eager to see what comes next.


OPENS APRIL 8, 2022
IN THEATERS AND DIGITAL / VOD

Writer & Director: Mayim Bialik

Cast: Dianna Agron and Simon Helberg, with Candice Bergen, Dustin Hoffman, Justin Chu Cary, Charlie Weber, and Julian Gant

Producers:  Jordan Beckerman, Ash Christian, Anne Clements, Michael Day, Jordan Yale Levine, Mark Maxey

Runtime Time: 96 minutes

Rated: R for language

 

Netflix News: Netflix Original Films selected for competition in Cannes Film Festival

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Cannes Film Festival announced today its Official Selection which will include two Netflix original films. The titles that will be featured at the festival will launch everywhere Netflix is available in 2017.

Two of Netflix’s upcoming narrative, feature films – The Meyerowitz Stories (New and Selected) and Okja – have been programmed in Official Selection, and will mark both their world premieres In Competition at the 70th Edition of the Film Festival. Okja marks the fifth time director Bong Joon Ho has been a guest of the Cannes Film Festival.

“The Cannes Film Festival’s commitment to giving an exceptional platform to distinct stories from the world’s most acclaimed auteurs is second to none. We are thrilled at the opportunity to premiere two of our highly-anticipated films from directors Noah Baumbach and Bong Joon Ho in this prestigious forum,” said Ted Sarandos, Netflix Chief Content Officer.

“I’m honored to be returning to Cannes, most especially this year with Okja and my partners at Netflix – it is wonderful to bring their first produced original film to premiere In Competition,” said Bong Joon Ho.

Written and directed by Noah Baumbach, The Meyerowitz Stories (New and Selected) stars Adam Sandler, Ben Stiller, Dustin Hoffman, Elizabeth Marvel, Grace Van Patten and Emma Thompson, and is the intergenerational tale of adult siblings contending with the influence of their aging father. From IAC Films, The Meyerowitz Stories (New and Selected) is produced by Scott Rudin, Baumbach, Lila Yacoub and Eli Bush.

Director Bong Joon Ho’s Okja stars Tilda Swinton, Jake Gyllenhaal, Paul Dano, Giancarlo Esposito, Steven Yeun, Lily Collins, Devon Bostick, Daniel Henshall, Shirley Henderson, Hee Bong Byun, Je Moon Yoon, Woo Sik Choi and newcomer An Seo Hyun. Written by Bong and Jon Ronson, Okja is the story of a young girl (An Seo Hyun) who must risk everything to prevent a powerful, multi-national company from kidnapping her best friend – a massive animal named ‘Okja’. The film was produced by Plan B Entertainment, Lewis Pictures and Kate Street Picture Company in association with Netflix.