‘Cotton Fever’ (Tribeca 2026) Best Narrative Feature & Cinematography winner proves heartbreakingly real

Tribeca 2026 posterCotton Fever

large_Cotton_Fever-Clean-16x9-01-v2Daniel Blake Schwartz‘s very personal Tribeca 2026 drama Cotton Fever explores the trappings of addiction. The film follows the lives of interconnected drug users in Massachusetts.

Dealer James and his pregnant girlfriend Dina hope to move into a proper apartment. Homeless and addicted couple Sam and Manny chase the next high with petty crime. Akil’s motivation is his brother’s near misses with overdosing. Each one has the hope of a better tomorrow, despite the odds stacked against them.

Ari Mora and Chabely Ponce are spectacular together, playing Manny and Sam. Their mix of survival and enamored love is a fascinating study.

Colton Osorio gives teen dealer Harley the precise innocence and streetwise fearlessness that proves captivating. Ronald Emile‘s Akil bleeds love-soaked desperation in his brotherly efforts. Don’t sleep on him.

Sosie Bacon‘s Dina is genuine and aspirational. Her kindness and self-actualization are incredibly refreshing.

Kyle Gallner, one of my favorite actors on the planet, knocks it out of the park again. It feels like there is no role he cannot own. As James, Gallner commands each frame, bouncing between fear, rage, the hustle, and the deceiving calm of a high. But it is the sacrificial lamb under the surface that gets you. Once again, it is award-worthy stuff.

There is an immersive feel to the opening scene, almost a sensory overload. Gallner’s performance, Tom Acton Fitzgerald‘s camerawork, and the augmented sound editing from Dylan Castora put the audience on edge. Each time James attempts to get clean, this overwhelming cycle begins again, chasing him from help.

Each one of our ensemble comes from poverty, abuse, violence, and generational trauma. Our players cross paths on the streets and in detox centers during their lowest lows. Cotton Fever is a frighteningly authentic peek inside the realities of too many people. It is raw humanity. These are the stories Tribeca audiences live for.


Remaining Screenings of Cotton Fever:

Sun June 14 – 5:15 PM
 AMC 19th St. East 6

Written & Directed by 

Daniel Blake Schwartz

Cast

Kyle Gallner
Sosie Bacon
Chabely Ponce
Ronald Emile
Ari Mora
Colton Osorio
Sam Quartin
Melvin Douglas
tribeca 2026 banner
For more Tribeca 2026, click here!

Tribeca Film Festival 2019 Review: ‘Charlie Says’ flips the script on the Manson girls.

 

Charlie Says

Charlie Says, directed by masterful filmmaker Mary Harron and written by Guinevere Turner, tells the familiar story through fresh eyes—those of Manson’s most devoted girls, van Houten (Game of Thrones’ Hannah Murray), Patricia Krenwinkel (Sosie Bacon), and Susan Atkins (Marianne Rendón). Thanks to a devoted prison educator who slowly draws the women out from years of a madman’s mesmerizing and abusive spell (Matt Smith), the women’s story is told in eerily detailed flashbacks, forcing them to reflect on the path that leads them to such unforgivable crimes.

This is not a story about Charles Manson. This is a story about three women who were manipulated by a mentally ill man who convinced them they were loved. Patricia Krenwinkel, Susan Atkins, and Leslie Van Houten, all came to be followers of Charles Manson because they were lost and looking for someone to make them feel important. It’s the performance from Hannah Murray, Sosie Bacon, and Merritt Wever that catapult this story forward. Wever, in particular, is the heartbeat that guides these broken girls into reality. Bacon represents every girl that needed Manson (played by Matt Smith with a quiet but fiercely alarming power) to be their father figure. Murray, as Leslie, is the audience. You feel for these ladies through intercut flashbacks and prison scenes. Each like a peek behind the curtain and into the insanity of a man who thought the Beatles were speaking to him through the ‘White Album”. These women were brainwashed sex slaves. It wasn’t until a feminist teacher Karlene Faith, with enough empathy to teach these women, did anyone begin to realize that they too were victims alongside those murdered. The film is chilling. The structure is disturbingly effective. You end up caring about these women who history has taught us to loathe. Charlie Says is not about Charles Manson. I’ll say it again. Charlie Says is not about Charles Manson. It is about the victims he kept closest to him.

ABOUT THE DIRECTOR

Mary Harron is the writer and director of films including American PsychoThe Moth DiariesI Shot Andy Warhol, and The Notorious Bettie Page. Her television credits include episodes of The L WordSix Feet UnderBig Love, and Oz, and, most recently, The Following (FOX), Constantine (NBC), and Graceland (USA).