‘Invaders From Proxima B’ (2024) This sweet, family- friendly film is out of this world fun.

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Invaders From Proxima B

Invaders from Proxima B posterA celebration of family-friendly indie filmmaking, Invaders From Proxima B has arrived to delight the budding cinephile. Ward Roberts brings audiences a whimsical story of intergalactic mayhem.

This cast is outstanding. Playing a quippy father-son duo, Richard Riehle and Mike C. Nelson deliver laughs and add weight to the ensemble.

Sarah Lassez is quirky, alien-obsessed blogger Esther Terrestrial. Her excitable energy is infectious. Jeremiah Birkett is a director’s dream as animal control guy Nathan Droogal with an oddly religious inclination.

Invaders from Proxima B still 1Bo Roberts is a natural as daughter Ruby. Her comic timing is a hoot. Samantha Sloyan is effortlessly charming as Mom, Jane. We get both sitcom motherly goodness and slackstick joy from Sloyan. She is a dynamo.

Ward Roberts wears all the hats on this project. Besides writing and directing, he plays Howie Jenkins with a sweet, accessible enthusiasm as the bumbling Dad doing his best. His physicality wins the film.

Roberts also voices Chuck. It’s a hilarious turn that is entirely different from Howie. His sarcastic, gruff tone comes with genuine (otherworldly) guidance. Chuck looks like a softer version of Oscar The Grouch with large, purplish eyes. Chuck’s puppetry is comedy gold.

Invaders from Proxima B still 2The inspiration from Disney’s Lilo and Stitch is unmistakable, but Invaders From Proxima B has an edgier narrative. I’m not exaggerating when I tell you Chuck’s first line of dialogue elicited a genuine guffaw from my mouth. Incredible Seusian animation acts as transition storytelling. The editing and use of GoPro add to the kid-centric perspective. This alien invader, body-swapping comedy is a laugh-out-loud, enchanting watch for the weekend. Check it out!

Invaders from Proxima B Beams onto VOD May 31st Sci-Fi Comedy Starring Midnight Mass’ Samantha Sloyan Invading Screens Across the United States and Canada

Exclusively on Fandango at Home

Los Angeles, CA–Buffalo 8 is excited to slide into summer with the North American VOD release of Invaders from Proxima B, a family friendly science fiction comedy from writer/director/star Ward Roberts (Westworld, Agents of SHIELD) and Samantha Sloyan (The Haunting of Hill House, Midnight Mass). Invaders from Proxima B debuts exclusively on Fandango at Home May 31, 2024.

Invaders from Proxima B was directed by Roberts from his own script. Roberts produced under his DrexelBox Films outfit alongside Mike C. Nelson. The film had its world premiere at the Austin Film Festival. The cast is rounded out by Sloyan, Mike C. Nelson (Shrinking, Black-ish), Richard Riehle (Office Space, Casino), Jeremiah Birkett (Black Cake, Euphoria), and Sarah Lassez (Nowhere, Lo).

BUFFALO 8

Founded in 2010 by partners Matthew Helderman and Luke Taylor, Buffalo 8 is a full-service film and media company focused on production, post-production, distribution, design, and finance based in Santa Monica, California.

Buffalo 8 projects have been premiered and been awarded at Sundance, Berlin, Toronto and SXSW. At Buffalo 8, we are the fusion of an entrepreneurial culture fused with a love of storytelling and the creative arts and a passion for delivering original stories.

Buffalo 8 is partnered with industry leading BondIt Media Capital enabling streamlined packaging, production, financing, and sales opportunities.

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Review: ‘The Hive’ comes to Cable and Digital VOD tomorrow.

THE HIVE

Albie and Penny, a young couple with a failing marriage, try to rekindle the fire by having a night out by themselves. To make matters worse, the couple returns home to armed strangers. With no help from their neighbors or law enforcement, they attempt to get evidence of the intrusion. They’re captured by the intruders and tortured for information. There’s no hope until Albie escapes and saves Penny. So hellbent on revenge, he puts their marriage on the line. Unfortunately, all help has been compromised and there’s nowhere to run.


With a flailing marriage and erratic home invaders, THE HIVE has all the elements of a solid Twilight Zone-inspired feature. But this indie is more of a buzzkill.

The Hive still 2The performances swing widely. The score, while fine on its own, doesn’t match the over-the-top portrayals of everyone beyond Penny and Albie. Even Timothy Haug and Christine Griffin give us lackluster chemistry.

The set is not a house in which two small children reside. While the script states they’ve only been in their new home for two weeks, there isn’t a single toy on the floor or family portrait on the mantle, just a couple of balls in the backyard. But, an array of greeting cards hang on shuddered closet doors. Nothing makes sense.

The plot is glaringly apparent to everyone but Albie and Penny. Once revealed an hour and ten minutes into the runtime, the fact that our invaders have to explain and then begin to bicker while the score ramps up its intensity, things get increasingly eye-roll-inducing. I think there is supposed to be some overarching social commentary, but the film lost me, somehow flipping from thriller to comedy, and I wasn’t sure if that was the film’s intent.

Despite the classic sci-fi concept, THE HIVE could have been a 15-minute short.

The Hive will hatch on Cable and Digital VOD on October 27th, including Prime Video, Vudu, Vubiquity, Cox, and Comcast.

Review: ‘American Cherry’ offers bold visual storytelling, but narration is less ripe.

AMERICAN CHERRY

American Cherry unfolds like a bold and hazy dream. There are moments of such quiet beauty in every corner of the film – patient shots of dust swirling in a sunbeam, a butterfly crawling across a screen door. The dusty, nondescript town at the center of the film manages to feel familiar and alien all at once.
The plot and narrative are an awkward fit for such an intriguing setting. Troubled young Finn (Hart Denton, toned down from his manic turn on Riverdale) drifts through the town. He’s obviously troubled. His relationship with his parents is strained, and we can tell there’s anger (or worse) bubbling under his quiet exterior. He connects with Eliza, a girl at his school. Eliza is troubled too, in her own quieter way: she lives with her alcoholic mother, the two of them living through a trial separation from her step-father and step-sister. As Finn and Eliza deepen their bond, it quickly becomes clear that he will bring great love or great danger into her life (perhaps both.)

I was impressed with both young leads. Denton appears in nearly every scene of the film and provides its narration. If the audience doesn’t connect with him, American Cherry has no chance. He is up to the task. Sarah May Sommers is particularly affecting as Eliza – I especially admired scenes where she has to navigate between her budding happiness with Finn and the thoughts and expectations of her high-school friends.

I found much to love about American Cherry, but left confused surrounding its tone and intention. From a genre perspective, it somehow sits right at the intersection of romance and psychological thriller, but that ambiguity was confusing in ways that felt unintentional. Is this trying to be Fear for the zoomer generation? Good Will Hunting with more bite? I felt it needed to commit a little bit more firmly. By seeking such balance, it risks underdelivering on both counts.

I found the script somewhat overwrought as well – the heavy-handedness of the dialogue is difficult to reconcile with the casual nuance of the cinematography. It is hard to watch young actors deliver lines like “there’s an umbilical cord connecting my belly with this town” with stone-faced seriousness.

All this being said, the visual power of the film is difficult to resist and does the heavy lifting of transporting the audience when the script can’t quite deliver. This is a confusing picture, but undeniably beautiful.


AVAILABLE MARCH 17
on Amazon, Vudu and Cable VOD (Comcast/Charter/Cox/Xfinity)


AMERICAN CHERRY is a psychological thriller-romance about a mysterious, troubled boy (Hart Denton, “Riverdale”) who meets an impressionable girl (Sarah May Sommers, Once Upon a Time in Hollywood) in their small town. Together they embark on a romance where his love turns into obsession as he tries to protect her from her dysfunctional family — he makes her a video diary that confesses an intricate story of love, mental illness and the tragic consequences if left untreated. 
 
Written and Directed by: Marcella Cytrynowicz
Producers: Geoffrey Goodman, Hanna Griffiths,
Dave Ross,Taryn Sims and Jeff Wald
Executive Producers: Jenny Alonzo, Louis Arriola,
Matthew Helderman, Michael L. Holland,
Grady Justice, Nikki Stier Justice and Luke Taylor
Cinematographer: Gus Bendinelli

 

CAST: Hart Denton (“Riverdale,” “13 Reasons Why”), Sarah May Sommers (Once Upon a Time in Hollywood), Audrey Holcomb, Larsen Thompson, Matty Cardarople (“Stranger Things), and Leonor Varela (Blade II)