THINGS WILL BE DIFFERENT

Writer-director Michael Felker teams up with indie gods and SXSW sweethearts Justin Benson and Aaron Moorhead to bring 2024 audiences the new film THINGS WILL BE DIFFERENT.

Suspension of disbelief plays a vital role. The concept of the siblings hiding from police in a time-shifting hideout is a brilliant and bonkers idea, and Joe and Sid accept it without a moment’s hesitation. Surrounded by a Groundhog Day effect, but one that proves deadlier, brother and sister mentally deteriorate, and one small change triggers chaos.

Sid and Joseph throw theories against the wall in a way I can only imagine Felker did when concocting the screenplay. Nothing and everything is a clue, as the fear of a butterfly effect keeps them trapped.

Riley Dandy (CHRISTMAS BLOODY CHRISTMAS) gives Sidney an anxious eagerness driven by the fact that her daughter is in the present. The longer she remains trapped in the house, the more she fears her daughter’s inevitable trauma.

Adam David Thompson (Here Alone, Creep Box) plays Joseph. Thompson does his best to remain even-keeled, but circumstances and ever-evolving complications make that challenging. Dandy and Thompson’s chemistry is a perfect balance of at arm’s length and trust. It is like watching a tennis match between two pros. They eat Felker’s script up.

THINGS WILL BE DIFFERENT is a slick sci-fi about regret, redemption, and inevitably. With nods to Big Brother, it earns repeated viewings.

Credits

Director:	Michael Felker
Executive Producer:	David Lawson Jr., Justin Benson, Aaron Moorhead
Producer:	Shane Spiegel, Jacob Rosenthal, Michael Felker
Screenwriter:	Michael Felker
Cinematographer:	Carissa Dorson
Editor:	Michael Felker, Rebeca Marques
Production Designer:	Zachary Thomas
Sound Designer:	Michael Huang
Music:	Jimmy LaValle, Michael A. Muller
Principal Cast:	Adam David Thompson, Riley Dandy, Chloe Skoczen, Justin Benson, Sarah Bolger, Jori Lynn Felker
Additional Credits:	Casting Director: Chrissy Fiorilli-Ellington, Associate Producer: Jourdan Thomson, Associate Producer: James Thomson, Costume Designer: Alissa Wehrli, Key Makeup Artist: Jessica Lynn, Re-Recording Mixer: Michael Huang

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CREEP BOX

If you’re a paranormal enthusiast, you’ve heard of the average ghost tour. If you’re a little more intense, you download the Ghost Radar app and casually track color-coded spirits wandering in your vicinity. But, if you’re serious about the other side, book a psychic guided tour on the Queen Mary for your first wedding anniversary, paying extra for the EVP Spirit Box seance, like I did. 5 stars. Highly recommend. Patrick Biesemans’ CREEP BOX pits science and grief against each other in a disturbing and psychologically unsettling manner.

Dr. Franklin Caul has created a simulated consciousness with the dead. The DOJ wants it, but Caul has ulterior motives. The tech uses data from the deceased to have conversations or seek answers. In the mix is a swirl of overlapping thoughts and confusion that get under your skin. You cannot help but listen to them, and they are chilling. Caul observes that when suicide is the cause of death, the deterioration of self slows.

Adam David Thompson (Here Alone) plays the voice of Adam. His interpretation of an unseen character gets under your skin. He is nothing short of magnificent. Geoffrey Cantor carries CREEP BOX will ease. As Caul delves into the mind of a particular simulation, closing in on a personal agenda, Cantor’s humanity seeps through the academic shell. Geoffrey Cantor’s stoic nature perfectly matches Caul’s turmoil. He settles into unresolved trauma. It’s a fantastic performance.

What might sound crazy is that this tech already exists. Customers can pay several different companies worldwide to build an AI version of their past loved ones. A recent Sundance documentary, ETERNAL YOU, is entirely about these services and their potential effects, good and bad. CREEP BOX takes these concepts down the rabbit hole, gladly stepping into the darkness and staying there.

In CREEP BOX and ETERNAL YOU, things change once the entity you communicate with appears sentient. Questions of ethics and the potential emotional damage of these interactions hang like a black cloud above the viewer. It’s a film that will undoubtedly mesmerize anyone who has suffered from grief. It instills wonder, curiosity, and pure terror. CREEP BOX will haunt you whether you like it or not.

Creep Box next screens at April’s Philip K. Dick Film Festival, which takes place at The Museum of the Moving Image in New York City.

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