Matt Vesely’s intense ‘MONOLITH’ (2024) takes podcast storytelling to another realm.

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Monolith 2024 poster

One suspect article takes down a once respected journalist. Holed up in her wealthy parent’s estate while they are on holiday, our leading lady tries to revamp her image by creating a conspiracy theory podcast. While wading through emails, she spots one that is particularly eye-catching. Following up on the information, she continues down a path of potential otherworldly objects influencing people around the globe. But truth and lies are closer aligned than you might want to believe. Matt Vesely‘s SXSW 2023 sci-fi feature MONOLITH pulls you into oblivion.

Lily Sullivan in Monolith The film takes place in a single location where The Interviewer records her podcast. The secluded and expansive modern mid-century estate allows her to wander, but most of the action happens at a desk or in front of the wall of windows that contain her discoveries. Our journalist creates an episode of her first phone calls. Editing the calls at her will, the audience questions her culpability. This small moment puts your morality compasses in a tailspin. It is a slick move from writer Lucy Campbell. Podcasts are my nightly ritual, cleaning motivation, and my travel companion. Since SERIAL, the industry has exploded. In MONOLITH, the story goes viral. People begin contacting her directly with their stories, always warning her to stop.

Lily Sullivan in MonolithAt some point, the danger reaches the front door of our journalist’s secluded location when she receives a package related to the mysterious story. The darkness attached to the object feels slightly Faustian and not of this planet. No one remembers how they received their object, but each reaches a point in questioning where they feel compelled to hang up out of fear.

Lily Sullivan plays The Interviewer. Her emotional arc is mesmerizing, acting as a therapist to her callers, a manipulator for personal gain, and a target of the unknown. As the only onscreen actor in the film, her ability to carry such an intense and mysterious film is quite a feat. Sullivan owns the audience.

Matt Vesely's MonolithIs this a case of mass hysteria? In many ways, the plot mirrors today’s conspiracy groups like QAnon. Our leading lady goes down the rabbit hole, and the audience follows. MONOLITH boasts a jaw-dropping final ten minutes. This is one hell of a sci-fi thriller. It is a must-see.

IN THEATERS AND ON DIGITAL: February 16, 2024 

 

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Review: ‘REVERSION’ will not soon be forgotten.

Reversion posterThere are often times when someone asks the question: “If you could go back in time and relive any moment, what would it be?” I don’t think there is a single one of us that can truthfully say, “I wouldn’t. Everything is perfect.” Would it be a good memory? Would be it something tragic or regrettable? And even if you could, what would you do with that moment? In Jose Nestor Marquez’s new film, such questions come to the forefront.
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REVERSION centers on Sophie Clé (Aja Naomi King), a delighted user of the Oubli, a wisp of high-tech jewelry that wraps behind the ear and uses neuroscience to help its users experience their most joyful memories as if they were happening for the first time.  In addition to being the head of marketing for the company that makes this revolutionary memory-enhancing wearable device, she is also the daughter of its inventor, Jack Clé (Colm Feore).
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Sophie’s most joyful memory is the last day she saw her mother alive, fifteen years earlier. But on the eve of the Oubli’s worldwide launch, a stranger named Isa (Jeanette Samano) kidnaps Sophie, setting off a chain of events that remind us all, you can’t escape what you can’t forget.
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Sophie’s life is really a well oiled facade. She utilizes the Oubli as a drug. Once Isa exposes the cracks in her carefully crafted present, Sophie begins to realize that manipulation, lies, and secrets have taken over this once spectacular idea of bringing peace and happiness to the general populace.
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Aja Naomi King has a great energy on screen and easily commands the lead. From her work on How To Get Away With Murder, I have already been impressed with her abilities and this is no exception. Colm Feore is always phenomenal with what seems like effortless ease. Gary Dourdan plays Ayden, Sophie’s driver, security, and closest ally. His strong, quiet presence is a perfect backup to Sophie manic potential. Isa is played flawlessly by Jeanette Samano. Simply based upon this role, I want to see her in everything. Someone is missing out by not casting her. Along with strong performances from Amanda Plummer and Lela Rochon, REVERSION has one outrageously talented cast.
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The look of the film is sleek and has some suggestive early Minority Report-esque allusions with technology intertwining with emotions and memories. The music is a wonderful bonus being both ethereal and haunting in all the right places. The plot gets more complicated as the film rolls along with twists you may not ever see coming. This film is much deserving of an audience and if you’re a sci-fi thriller fan, REVERSION is one to watch.
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Opening theatrically on October 9th, 2015 in New York (Empire 25), Los Angeles (Universal Citywalk) with a wider national release to follow.