
DICKWEED
SXSW 2024 audiences are in for a real WTF documentary in Jonathan Ignatius Green‘s DICKWEED. In 2012, a wild kidnapping in the middle of the night led to torture, mystery, and one man’s loss of his, let’s say, manhood. The ensuing wild goose chase and brazen criminal actions challenge all involved. Police had no idea what kind of mastermind they were dealing with.
The film pulls no punches, with Michael launching headfirst into his story. An average day after working at his cannabis shop turns deadly when masked men grab him and a new roommate, drive them out into the desert, and demand to know where he buried a million dollars.
DICKWEED utilizes crime scene photos, dashcam footage, and sit-down interviews with the victims, detectives, and lawyers involved in the case. It sounds like a mockumentary. I had to look up the synopsis twice to confirm I wouldn’t make a fool of myself.
From Newport Beach, the search for suspects becomes a global affair. Revealing more details takes the fun out of this off-the-wall viewing experience. DICKWEED is an episode of 20/20 on steroids. True crime fans will devour this film. Get ready, SXSW 2024, for a shocking global manhunt, seemingly triggered by an innocuous passing comment. Your jaw will drop.
Film Screenings
Credits
Director: |
Jonathan Ignatius Green |
|---|---|
Executive Producer: |
Amy Bandlien Storkel, Bryan Storkel |
Producer: |
David Ricksecker, Jefferis Gray |
Cinematographer: |
Skyler Bocciolatt, Ben Joyner |
Editor: |
Peter Garriott, Connor Davis |
Music: |
John Jennings Boyd |
Principal Cast: |
Emily Pokora, Ronald Douglass, Greg Kriek, Rizzy Fuentes, Jerry Gregorio, Mikey Shayan, Kristen Vaganos, Brand Birtwistle, Jamison Sandbloom, John Fantasia |
Two people got kidnapped. One man lost his dick. No-one got any money. This heist-gone-horribly-wrong led one Newport Beach detective on an international manhunt for the most twisted criminal he’d ever hunted. In 2012, Michael, a local weed dispensary owner, got home from work and plopped down on the sofa like any other weeknight. Three hours later he was zip-tied and eating dirt as three men tried to beat him into admitting where he’d buried the million dollars. And he would have gladly told them rather than endure what happened next. The only problem was, he hadn’t buried a million dollars, and after they tortured him and left him to die, he still had no idea who these men were.
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Emile Hirsh is a manic misogynist and one catalyst in the chaos. Matilda Lutz plays the titular Helen. She is a star. Her presence is magnetic, and you cannot take your eyes off of her. Dylan Gelula, whom I adored in Cooper Raiff‘s 
Beginning in Shakespearean fashion, the chaos and bait-and-switch screenplay of Claude Schmitz‘s THE OTHER LAURENS earns your attention. Private investigator, Gabriel gets contacted by his niece to look into the recent death of her father and Gabriel’s estranged twin brother, François.
Loise Leroy wows in her feature debut as Jade. The emotional turmoil she endures puts Leroy through the wringer, and she handles it like a pro. She is a star. Olivier Rabourdin plays dual roles as Gabriel and François. His ability to shape-shift will captivate you. THE OTHER LAURENS is an epic film, brimming with twists and turns, and is a real stand-out from Fantastic Fest 2023.

The film directly follows 2022’s Death on the Nile and finds Detective Poirot enjoying retirement within the canals of Venice. His services are still in great demand (as evidenced by the constant line of hopeful clients) but he has lost his faith. When he is approached by his old friend and novelist Ariadne Oliver (Tina Fey, in a thinly veiled nod to author Agatha Christie), we know it can’t be long before the body count begins to climb.
While the characters are thin, the atmosphere and cinematography of the film are incredibly lush – they are the real stars of the show. I would have bet you good money this film had a different cinematographer from the last two – the difference in style is night and day. But it is still Haris Zambarloukos at the helm, so all I can say is keep it up! Venice does a lot of the heavy lifting, of course, but there’s more to it than that. The first two films leveraged green-screen extensively, whereas Haunting is grounded and has a sense of place. The tone of the film is much more focused, and almost every scene contains rich imagery. I loved the way the suspense of the potential supernatural was implied in every scene – walls and windows of the palazzo creak and seem alive in a manner reminiscent of old Hollywood. No need for CGI thrills here. How great was the imagery? I could watch this movie with absolutely no dialogue and still enjoy myself immensely.


Utterly fascinating, this documentary horror hybrid effectively puts the fear of God into the audience. The film begins by sharing the history of each incarnation of what we now refer to as the “Ring” security camera, each inspired by a recurring nightmare. Historical recounting gets the creepy treatment with a random subject’s security footage playing in its fisheye lens version behind the storytelling text. There is no formal dialogue. This voyeuristic nightmare is unlike anything we’ve seen before, featuring videos of everything from natural disasters to doorstep theft and animal encounters to delivery people behaving badly and creatively.
The score is bone-chilling, with its piano cords striking. It’s something straight out of hell. But, the film is even scarier than it initially appears when we learn the global and societal impact of advancing technology. Cinematic tropes alone reflect the world’s potential terror. Fantasia 2023 audiences get a taste of a film that would be a perfect Fall statement at MoMA. HOME INVASION is exceedingly disturbing. If anything, it reminds you how quickly the scales of good and evil tip. It will haunt you.
RESTORE POINT
It’s the year 2041, and humanity has reached the point where it can cheat death. Anyone who dies an unnatural death has the right to be brought back to life. All you have to do is to create a backup of your personality – a restore point – at least every forty-eight hours. But there exists a movement of people who try to sabotage this concept. “Agent Em” finds herself drawn into a case that is not as simple as it first seemed and the consequences of which reach to the highest levels of politics.
Matej Hádek plays David with an intentional glitchiness. The physical and emotional choices draw you into the mystery. Andrea Mohylová brings humanity that grounds her performance. You can see the gears turning, the struggle between the personal and principles of the case. Mohylová is badass, effortlessly carrying the action. She is extraordinarily watchable. As a duo, they are inarguably compelling.

Peppergrass
Chantelle Han
TRIBECA FESTIVAL 2023 brings thrills, mystery, comedy, fantasy, you name it, there is something for everyone. This year’s lineup features Joe Lynch‘s latest, Suitable Flesh, Gabriela Cowperthwaite‘s I.S.S., and David Duchovny‘s Bucky F*cking Dent. Let’s get into a few of the films we are dying to get our eyeballs on this year.
Directed by: Steve Buscemi











THE CURIOUS CASE OF NATALIA GRACE

NIGHT TWO:
Episode 4 highlights Michael Barnett‘s evolution on camera spans years. His earliest interviews from 2019 display a well-spoken man recalling a shocking family nightmare. In the latest interviews from 2022, we see a completely different man whose story changes. He is a man slowly unraveling. It is challenging to decipher if the tears are crocodile or not. Jacob hints at a broader understanding of fault. It puts some of Kristine’s footage of Natalia into question and puts Jacob in a precarious situation, emotionally and legally.
Episode 1 sets up Natalia as a mastermind and sociopath. To say it is unnerving is an understatement. Episode 2 features intriguing audio from phone calls with several Indiana State Mental Hospital staff. Enter legal expert Beth Karas and new details from witnesses that dispute many of Michael Barnett’s storytelling. Now, the audience finds themselves in a tailspin.
Based on Michael Hall‘s articles from 2004, Mineola, Texas, HOW TO CREATE A SEX SCANDAL is a shocking tale of deceit and power. It’s time for some good old fashion pearl-clutching before tearing them off in a rage.
Episode 2:
Michael Neelsen‘s newest documentary, BEYOND HUMAN NATURE, tells the story of the heinous death of Tom Monfils and how it leads to chaos in a small town paper mill. This homicide investigation will upend people’s lives for decades. It is one hell of a mystery.
What sets it apart is the case itself. The deliberate and malicious acts by the Green Bay Police Department set off a whirlwind of betrayal and death. Serious questions remain all these years later. If you think you know how this story ends, think again. The twists and turns are endless. 

Giedrius Kiela and Gabija Bargailaite play Paulius and Indre, respectively. Each brings qualities of pain. Kiela’s aggression has the audience in a death grip. His volatility is frightening. Bargailaite is more subtle. Her unraveling happens in a finale that breaks you. They are hypnotizing.
Slick editing and long takes on a stationary camera make the audience an unwilling witness to Paulius and Indre’s plans. The script’s structure leaves much to the imagination as clues come slowly. My mind swirled as I watched Paulius walk Indre through the crime’s timeline. You feel compelled to keep watching. As someone whose close friend died under mysterious circumstances years ago, the unresolved pain and trauma are palpable. The need to understand and reason with the devil never fades, no matter how many years go by. PILGRIMS captures the very messy essence of grief.



ENDLESS SEA

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