Review: Now available on HBO and MAX, ‘TIME BOMB Y2K’ recalls hysteria and provides a warning.

TIME BOMB Y2K

Time Bomb Y2K poster features a desktop being crushed by the times square new years eve ball drop

Synopsis: As the clock counts down to the dawn of the 21st century, the world faces the largest potential technological disaster to ever threaten humanity. The problem is comically simple yet incredibly complex – a bug that could cause computers to misinterpret the year 2000 as 1900, sowing chaos throughout the world as electronic systems failed. Crafted entirely through archival footage, TIME BOMB Y2K is a prescient and often humorous tale about the power and vulnerabilities of technology. By re-appraising both the cooperative efforts and mass hysteria surrounding this millennial milestone, TIME BOMB Y2K explores how modern life has been dramatically transformed by the digital revolution.


HBO’s TIME BOMB Y2K

The most hyped fearmongering moment of the end of the 20th century began in the few years before the ball dropped on Dec 31st, 1999. I was a freshman in college when Y2K was all the craze. The media had us believing we were on the brink of global collapse and that anything housing a computer chip would cease to work. In reality, nothing happened. But the concept of Y2K feels much more apocalyptic today.

TIME BOMB Y2K consists entirely of archival footage. Interviews with experts and talking heads at the time give the audience a perfect insight into how fringe groups thrive today. The pure wonder of new technology on the faces of those featured is fantastic nostalgia for those of us who lived through those few years. Anyone born after Y2K might find the doc either shocking or terrifying. Putting things into perspective as we enter into 2024, if the global internet went down, there would be genuine chaos. What would keyboard warriors do without the ability to share their BS and vitriol? In all seriousness, we exist in a capitalist economy that leans heavily on wifi and online presence. What would younger generations do without practical skills? How would it affect our ability to access money? Would modern vehicles start? Entertainment outside of live theatre would disappear.

TIME BOMB Y2K makes terrific points about the effects of technology on human interaction. The film delves into how certain groups of people reacted during the unknown. Some folks became preppers, while others cried “Hoax” from the beginning. It’s a perfect metaphor for the power of disinformation, closely mirroring how a particular subsection of alt-right people think a homegrown militia uprising is coming. I had no idea this existed in preparation for Y2K. We have to take into consideration how the world reacted during COVID. The potential for violence equals the potential for peace. It is a fine line.

If anything, TIME BOMB Y2K reminds us of the delicate balance of power. It introduces very fundamental questions about humanity’s ability to survive without technology. It’s a dizzying dichotomy of ideas, perhaps proving nothing has changed, and it’s only gotten worse. It’s a sobering conversation starter.


The HBO Original documentary TIME BOMB Y2K, directed by Brian Becker and Marley McDonald, and executive produced by award-winning filmmaker Penny Lane (HBO’s “Listening to Kenny G”), debuts SATURDAY, DECEMBER 30 at 10:00 p.m. ET/PT on HBO and will be available to stream on Max.
 

Fantasia 2023 review: ‘HOME INVASION’ is one of the year’s most upsetting films.

HOME INVASION

Home Invasion stillUtterly fascinating, this documentary horror hybrid effectively puts the fear of God into the audience. The film begins by sharing the history of each incarnation of what we now refer to as the “Ring” security camera, each inspired by a recurring nightmare. Historical recounting gets the creepy treatment with a random subject’s security footage playing in its fisheye lens version behind the storytelling text. There is no formal dialogue. This voyeuristic nightmare is unlike anything we’ve seen before, featuring videos of everything from natural disasters to doorstep theft and animal encounters to delivery people behaving badly and creatively.

The score is bone-chilling, with its piano cords striking. It’s something straight out of hell. But, the film is even scarier than it initially appears when we learn the global and societal impact of advancing technology. Cinematic tropes alone reflect the world’s potential terror. Fantasia 2023 audiences get a taste of a film that would be a perfect Fall statement at MoMA. HOME INVASION is exceedingly disturbing. If anything, it reminds you how quickly the scales of good and evil tip. It will haunt you.


Official selection – Berwick Film & Media Arts Festival 2023
Berlin International Film Festival 2023
Las Palmas de Gran Canaria 2023

DIRECTOR

Graeme Arnfield

PRODUCER

Graeme Arnfield

WRITER

Graeme Arnfield

SOUND DESIGNER

Sarah Naylor, Baudoin Oosterlynck

EDITOR

Graeme Arnfield

SXSW 2023 documentary review: ‘ANOTHER BODY’ is a new nightmare for women everywhere.

ANOTHER BODY

*This review also appears on AWFJ.org

Women have always felt unsafe. It is ingrained in our nature to fear, to look over our shoulders, and to carry our keys between our fingers late at night. As if we didn’t have enough to worry about, enter the newest AI nightmare into the conversation. Anyone can go online and copy and paste your photo to create a duplicate or entirely new profile on social media. As if things weren’t bad enough, catfishing gets a superpower with the introduction of deep faking. SXSW 2023 documentary ANOTHER BODY from directors Sophie Compton and Reuben Hamlyn follows the story of a young woman named whose life is upended by one spiteful person with an agenda.

Meet Taylor, an engineering grad student living her quiet life attending classes and living a quiet goal-oriented life with her boyfriend. After receiving what she thought to be spam messages from her classmates, Taylor finds her image stolen, her name tarnished, and harassed by strange men who now know where she goes to school and where she lives. She discovers her face has on someone else’s body in videos on an adult website. Her image and name have an entire account, and new videos keep appearing. ANOTHER BODY is a film about consent on numerous levels and the battle against gender-based violence.

The film mixes sit-down interviews with Taylor, cell phone footage from her investigative journey, and animated recreations of her emotional processing. That is not the most impressive visual aspect of the film. “Taylor” is not what she appears to be. Let me explain this statement. The face projected to the audience is an actress whose face has been deepfaked onto our storyteller. The reveal comes as a complete surprise but perfectly encapsulates the danger of this technology. You will find yourself overanalyzing her movements on screen and realizing how vulnerable our identities are. It is nothing short of fascinating work.

When Taylor reaches out to the police, it is clear that they are out of their element. There are no clear laws about a technology that is rapidly changing. Then the inevitable victim-blaming begins both from law enforcement and friends and family. Taylor takes it upon herself to discover the identity of the culprit. Becoming a DIY detective, she narrows it down to three likely suspects. The mystery deepens as her online sleuthing and fight for justice play out in real time. Taylor finds that other women in her circle are also victims. As they compare notes, one name stands out from the rest. It is undeniably compelling to witness her take action. ANOTHER BODY is an infuriating and invigorating watch. It will resonate with true crime audiences and victims of gender-based violence. When body autonomy becomes threatened, you must become your own warrior.


SCREENINGS:
 
Mar 11, 2023
12:15pm1:35pm
 
Mar 14, 2023
5:00pm6:20pm
 
Mar 16, 2023
9:15pm10:35pm
Directors:

Sophie Compton, Reuben Hamlyn

Executive Producer:

Jenny Raskin, Lauren Haber, Geralyn Dreyfous, Maiken Baird, Gloria Zhu & Stanley Tang – Bearcat Content, Ruth Ann & Bill Harnisch – The Harnisch Foundation, Inmaat Productions, Mason Orfalea & The Natalie Orfalea Foundation, Ann Lewnes, Meadow Fund, Lisa & Matthew Sonsini, Chris & Heidi Stolte

Producer:

Elizabeth Woodward, Sophie Compton, Reuben Hamlyn

Screenwriter:

Sophie Compton, Reuben Hamlyn, Isabel Freeman

Cinematographer:

Nausheen Dadabhoy

Editor:

Isabel Freeman, Rabab Haj Yahya

Sound Designer:

Gisela Fullà-Silvestre

Music:

Holland Andrews

Additional Credits:

Co-Executive Producers: Nina & David Fialkow, Meryl Metni – Ubiquitous EG, Kelsey Koenig, Co-Producer: Avery McCann, Post Production Supervisor & Associate Editor: Claudia Tanney, Animation Studio: Cream Projects, Motion Graphics: Spencer Haley, Studio Macuna, Deepfake Artist: Fernando Sánchez Liste, Consulting Producer: Scott Macauley, Consulting Editor: Karen K.H. Sim

Review: ‘3RD STREET BLACKOUT’ shines through the dark.

Paladin

presents

3rd street blackout poster

3RD STREET BLACKOUT

Opening TODAY April 29th

Co-created by and co-starring
Negin Farsad 
(“The Muslims Are Coming!,” “Nerdcore Rising,” TED Fellow)
and
Jeremy Redleaf
(Streamy Award Winner “Odd Jobs,” “Sesame Street”)

Also starring
Ed Weeks (“The Mindy Project”),
Phyllis Somerville (“Little Children”),
Janeane Garofalo (“Wet Hot American Summer”)
John Hodgman (“Pitch Perfect 2,” “The Daily Show”)
Jordan Carlos (“The Nightly Show”)
Sasheer Zamata (“Saturday Night Live”)

If you’re in your thirties, you can easily remember a time in your youth when IMing was mind-blowing, chat rooms were presented as a thing of fun and danger, and MySpace was the coolest new awesomeness to ever exist. Nowadays, we live and breathe by texting, messaging, tweeting, instagramming, you name it, but most of it is online and very little exists as person to person interaction. The convenience and commonality of our technological advances has, in a lot of cases, destroyed the way we communicate as human beings. Swiping right (or perhaps left? I’m not sure, I’m married) is the new way to “date”. Now don’t get me wrong, I have four very close friends who are now married because of Match.com, but have we become too reliant on technology to really connect anymore? 3RD STREET BLACKOUT tackles that very question in the funniest way possible.
3rd street still negin farsad and jeremy redleaf
Mina, a neuroscientist and TED-talker, and Rudy, an app developer, live life like any typical NYC couple today.  Texting, skyping, Netflixing and chillling their way through a seemingly healthy relationship. What happens when Hurricane Sandy rolls in and knocks out all of the power and signal, forces Mina and Rudy to confront a new conflict in old fashioned ways. Emoticons are no longer an option. Rudy escapes to Brooklyn to cool off while Mina flails in her own Manhattan environment. The two are lost without  the other and it’s not  until they break “social norms” and actually talk to one another does the problem get attention.
3rd street janeane garofalo and negin
The script is ultra intelligent and incredibly timely. I was genuinely laughing out loud the entire 87 minute run. It felt more like a sit down with my closest friends, drinking and thinking, and less like a formulaic Hollywood rom-com. The dialogue is a super natural and sailor-mouthed delight. The cast is outstanding. Co-writers/Directors/Stars, Negin Farsad and Jeremy Redleaf are fanatstic. With and “every-man” (and woman)  feel in their presence and NY attitude, I was with them from go. I would be remiss if I didn’t mention the comedy stylings of Katie Hartman. Hartman plays one of Rudy’s app developer cohorts and could not be funnier. I would watch an entire film about her character, any day. Overall, I was impressed by this charming indie, chock filled with great performances from hilarious cast. I look forward to seeing more from Farsad and Redleaf in the near future.

3RD STREET BLACKOUT opens today in  NYC!
About Negin Farsad
Though this is her first collaboration with Redleaf, Farsad previously produced, directed, and starred in the documentary hit, “The Muslims Are Coming!,”  which also featured Jon Stewart, Lewis Black, Janeane Garofalo and David Cross.  She also recently completed the feature, “Nerdcore Rising” starring “Weird” Al Yankovic and MC Frontalot.   In addition to being selected as a TED Fellow, she was named one of the “50 Funniest Women” by the Huffington Post, and her first book, a memoir/manifesto entitled “How to Make White People Laugh,” will be published this May, as 3RD STREET BLACKOUT expands nationally, by Grand Central Publishing, a division of Hachette. She has also written for and appeared on various shows on Comedy Central, BBC & IFC among others.
About Jeremy Redleaf
Redleaf is an Emmy Award winning actor/writer/director/producer who has created award-winning digital, transmedia, and experiential productions through his Brackets Creative shingle, including “Odd Jobs,” winner of “Best New Web Series” at the Streamy Awards, and “Best Writing” at the International Television Festival.  As a performer, he plays Gonnigan on “Sesame Street,” narrates numerous shows for MTV, and has appeared across television, films, and commercials.

Review: ‘REVERSION’ will not soon be forgotten.

Reversion posterThere are often times when someone asks the question: “If you could go back in time and relive any moment, what would it be?” I don’t think there is a single one of us that can truthfully say, “I wouldn’t. Everything is perfect.” Would it be a good memory? Would be it something tragic or regrettable? And even if you could, what would you do with that moment? In Jose Nestor Marquez’s new film, such questions come to the forefront.
Reversion-1
REVERSION centers on Sophie Clé (Aja Naomi King), a delighted user of the Oubli, a wisp of high-tech jewelry that wraps behind the ear and uses neuroscience to help its users experience their most joyful memories as if they were happening for the first time.  In addition to being the head of marketing for the company that makes this revolutionary memory-enhancing wearable device, she is also the daughter of its inventor, Jack Clé (Colm Feore).
Reversion-2
Sophie’s most joyful memory is the last day she saw her mother alive, fifteen years earlier. But on the eve of the Oubli’s worldwide launch, a stranger named Isa (Jeanette Samano) kidnaps Sophie, setting off a chain of events that remind us all, you can’t escape what you can’t forget.
Reversion-3
Sophie’s life is really a well oiled facade. She utilizes the Oubli as a drug. Once Isa exposes the cracks in her carefully crafted present, Sophie begins to realize that manipulation, lies, and secrets have taken over this once spectacular idea of bringing peace and happiness to the general populace.
Reversion-5
Aja Naomi King has a great energy on screen and easily commands the lead. From her work on How To Get Away With Murder, I have already been impressed with her abilities and this is no exception. Colm Feore is always phenomenal with what seems like effortless ease. Gary Dourdan plays Ayden, Sophie’s driver, security, and closest ally. His strong, quiet presence is a perfect backup to Sophie manic potential. Isa is played flawlessly by Jeanette Samano. Simply based upon this role, I want to see her in everything. Someone is missing out by not casting her. Along with strong performances from Amanda Plummer and Lela Rochon, REVERSION has one outrageously talented cast.
Reversion-10
The look of the film is sleek and has some suggestive early Minority Report-esque allusions with technology intertwining with emotions and memories. The music is a wonderful bonus being both ethereal and haunting in all the right places. The plot gets more complicated as the film rolls along with twists you may not ever see coming. This film is much deserving of an audience and if you’re a sci-fi thriller fan, REVERSION is one to watch.
Reversion-16
 
Opening theatrically on October 9th, 2015 in New York (Empire 25), Los Angeles (Universal Citywalk) with a wider national release to follow.