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Tag Archives: WWII

‘MURDER COMPANY ‘ (2024) Based on an untold true story

Posted on July 5, 2024 by Liz Whittemore — Leave a reply

MURDER COMPANY

Murder Company Poster -

During the D-Day invasion, a group of U.S. soldiers must smuggle a member of the French resistance behind enemy lines to assassinate a high-value Nazi target.


Murder Company 2 (2024) - www.imdb.comShane Dax Taylor‘s WWII drama imagines the never-before-told story of a secret mission. While all the elements of greatness are there, MURDER COMPANY delivers a rather average film. I never found myself emotionally invested in the characters, which is unfortunate because performances from the entire ensemble deliver solid work. I found myself drifting. The battle scenes felt noticeably repetitive as if a few days had been spent in the same wooded location and shot from only a few different angles. The dialogue suffered the same fate. I couldn’t repeat a single line after watching. The FX were similarly subpar. Bullet holes were glaringly CG, and it was frankly distracting. War films are immense undertakings. Tackling an untold story adds extra scrutiny. Filmmakers should have taken more advantage of Kelsey Grammer‘s abilities. Ultimately, Murder Company waves the white flag.

Murder Company (2024) - www.imdb.com

Here’s the trailer: 

MURDER COMPANY comes to theaters, on Demand and Digital, today.

Buy Tickets here: https://www.fandango.com/murder-company-2024-236335/movie-overview?cmp=Indie_YouTube_Desc


Murder Company 3 (2024) - www.imdb.comIt stars William Moseley (The Chronicles of Narnia trilogy, “The Royals”), Pooch Hall (“Ray Donovan,” “The Game”), Gilles Marini (Sex and the City, “Switched at Birth”), Joe Anderson (Across the Universe, The Crazies), and Kelsey Grammer (“Cheers,” “Frasier”).

For more Drama films, click here!

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Posted in Action, Based on a True Story, Based on True Events, Digital, Drama, Features, Genre, Go To The Movies, in theaters, Liz, News, On Demand, Period Drama, Poster, Release, Reviews, Trailer, War, What To Watch This Week | Tagged Gilles Marini, Joe Anderson, Kelsey Grammer, murder company, Nazi, Pooch Hall, war film, William Moseley, WWII | Leave a reply

TIFF 2023 review: ‘IRENA’S VOW’ is harrowing, engrossing, and timely film.

Posted on September 11, 2023 by Liz Whittemore — Leave a reply

IRENA’S VOW

Based on the true story of Polish nurse Irena Gut Opdyke, director Louise Archambault brings TIFF 2023 audiences IRENA’S VOW, a harrowing tale of a young woman’s relentless bravery during WW2.

Feeling an overwhelming need to protect a group of Jewish workers during the Nazi regime, Irena hatches a plan to hide them in plain sight. Under the watchful eye of a vile general and the comings and goings of those who would have them all killed on a whim, one woman saves the lives of strangers, making way for change. Opdyke’s meticulously choreographed schedule of maneuvering workers and her wards is breathtaking. Her sacrifices will bowl you over. Sophie Nélisse breathes life into Irena. She is equal parts heroic and vulnerable. I didn’t even recognize her from her brilliant work on Yellowjackets. She transforms into Irena with an elegance that is perfection.

The costumes and sets place you back in time, making you feel claustrophobic within the walls of a mansion. Bravo to the production design team. The storytelling is authentic, brutal, heartrending, and inspiring. IRENA’S VOW displays how quickly evil permeates a culture, how goodness can overcome those forces, and the importance of standing up for what’s right in the world. Timely and crucial in the face of ignorance and hate, IRENA’S VOW is a triumph in this year’s lineup.


Monday, September 11
Scotiabank Theatre Torontolocation_on

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Posted in Based on True Events, Canada, Drama, Events, Features, Female Filmmaker, Film Festival, Foreign Films, Genre, Liz, Poland, Retelling, Reviews, series, Television, Toronto International Film Festival, What To Watch This Week, Woman Lead, Women in Film | Tagged adapted from the play, based on a true story, Dan Gordon, irena's vow, Louise Archambault, Nazi, Poland, Sophie Nélisse, tiff 2023, WWII, Yellowjackets | Leave a reply

We’re kicking off the fall festival season with our TIFF 2023 curtain raiser!

Posted on September 5, 2023 by Liz Whittemore — Leave a reply

Thu, Sep 7, 2023, 3:30 PM – Sun, Sep 17, 2023

TIFF 2023 is coming for you and the films are eclectic as usual. Promising big stars, buzzy indies, cool series, new filmmakers to discover,  and my personal favorite, in the form of the sinister Midnight Madness section, TIFF has all the films you’ll be hearing about come awards season. Here are a handful of things on our radar this year. Look for coverage from us and our main man Steve Kopian at Unseen Films.


 RIDDLE OF FIRE- (Midnight Madness Closing Night feature)Riddle of Fire still

Directed by Weston Razooli
NORTH AMERICAN PREMIERE
United States of America | 2023 | 113m | English
 
The movie follows three mischievous children as they embark on an odyssey when their mother asks them to run an errand.
 
Screenings:
Saturday, September 16 Royal Alexandra Theatre 11:59pm
Sunday, September 17 TIFF Bell Lightbox 11:30 am


EPISODIC CONTENT

 BAD BOY -World Premiere – Primetime Programme 

 From Ron Leshem (Executive producer of HBO’s Euphoria, Creator of the original Israeli Euphoria series off which the US series is based) and Hagar Ben-Asher (Bosch, City on a Hill)  

Created alongside Daniel Chen, Roee Florentin, Moshe Malka, Amit Cohen (No Man’s Land, False Flag), Daniel Amsel (Euphoria, Valley of Tears).

Starring Bat Hen Sabag, Amjad Shawa, Guy Menaster, Havtamo Parada, Neta Plotnik, Liraz Chamami, Ishay Lalush, Daniel Hen, Ben Sultan

 BAD BOY is a gripping true story about a young boy imprisoned in a chaotic and colorful juvenile detention facility. While in jail, DEAN bonds with ZORO, a mysterious fellow inmate who grows to be his closest friend and lifeline despite the fact that Zoro is serving time for cold-blooded murder. In order to survive the harsh reality behind bars, Dean learns to harness his unique creativity and humor – all while battling his own inner demons. Twenty years later, these traits still define Dean as a star comedian, while his time in jail is a secret that constantly threatens to resurface and tear his life apart.

 Episode Count: 8×40


LIMBO (North American Premiere*)

Section: Centrepiece

North American Premiere

Australia/104 min/English

Directed by: Ivan Sen

Starring: Simon Baker, Rob Collins, Natasha Wanganeen, Nicholas Hope

*LIMBO World Premired at Berlinale Film Festival 2023

Synopsis:

Travis, a jaded detective, arrives in the remote outback town of Limbo to investigate the cold case murder of local Indigenous girl Charlotte Hayes 20 years ago. As truths about the murder begin to unfold, the detective gains a new insight into the unsolved case from the victim’s fractured family, the surviving witnesses, and the reclusive brother of the chief suspect. A poignant, intimate journey into the complexities of loss and the impact of the justice system on Aboriginal families in Australia.

Screening times:

September 12 5:45 pm Public screening Scotiabank 3

September 13 3:45 pm Public screening Scotiabank 9


BACKSPOT – World Premiere – Discovery 

 Directed by: D.W. Waterson

Written by: Joanne Sarazen, Story by: D.W. Waterson

Produced by: Alona Metzer, D.W. Waterson, Kawennáhere Devery Jacobs, Martin Katz

Executive Produced by: Elliot Page, Matt Jordan Smith, J.C. Davidson, Katisha Shaw

Starring: Devery Jacobs (“Reservation Dogs”), Evan Rachel Wood (“Westworld”), Shannyn Sossamon (A Knight’s Tale), Kudakwashe Rutendo, Thomas Antony Olajide, Wendy Crewson

 Synopsis:

A driven cheerleader (Devery Jacobs) struggles to handle the pressure when she and her girlfriend are both selected for an elite cheer squad, in D.W. Waterson’s feature directorial debut.

 RT: 93 Minutes

 Public Screenings

Friday, September 8 at 8:30PM at the TIFF Bell Lightbox

Monday, September 11 at 3:00PM at the TIFF Bell Lightbox

Friday, September 15 at 9:45PM at Scotiabank Theatre


THE CRITIC – World Premiere – Special Presentations 

Directed By: Anand Tucker (Hilary and Jackie)

Written by: Patrick Marber (Notes on a Scandal)

Starring: Ian McKellen (The Good Liar), Gemma Arterton (Summerland), Mark Strong (1917), Romola Garai (Suffragette), Ben Barnes (Westworld) and Alfred Enoch (Foundation) 

 Gemma Arterton and Sir Ian McKellen star as adversaries forced to take desperate measures to save their careers, in this scintillating tale of ambition and deceit in the theatre world.

 RT: 95 minutes

 Public Screenings

Monday, September 11 at 12:00PM at the Princess of Wales

Wednesday, September 13 at 4:00PM at Scotiabank 2

Saturday, September 16 at 3:00PM at Scotiabank 2


IRENA’S VOW (Quiver Distribution) – World Premiere – Centerpiece Program 

 Directed by: Louise Archambault (Atomic Saké, Familia)

Written by: Dan Gordon (Passenger 57, Wyatt Earp)

Starring: Sophie Nélisse (“Yellowjackets,” 47 Meters Down: Uncaged), Dougray Scott (Mission: Impossible 2, “Batwoman”), Andrzej Seweryn, and Maciek Nawrocki

Produced by: Nicholas Tabarrok, p.g.a, Beata Pisula, Tim Ringuette, Berry Meyerowitz and Jeff Sackman

Through the eyes of a strong-willed woman comes the remarkable true story of Irena Gut Opdyke and the triumphs of the human spirit over devastating tragedy. 19-year-old Irena Gut is promoted to housekeeper in the home of a highly respected Nazi officer when she finds out that the Jewish ghetto is about to be liquidated. Determined to help twelve Jewish workers, she decides to shelter them in the safest place she can think of: the basement of the German commandant’s house. Over the next two years, Irena uses her wit, humor, and courage to hide her friends until the end of the German occupation, concealing them in the midst of countless Nazi parties, a blackmail scheme, and even the birth of a child. Her story is one of the most inspiring of our time.

 RT: 121 Minutes

 Public Screenings

Sunday, September 10 at 3:15PM at TIFF Bell Lightbox Cinema 1

Monday, September 11 at 3:35PM at Scotiabank 11


KNOX GOES AWAY – World Premiere – Special Presentations 

 

Directed by: Michael Keaton

Written By: Gregory Poirier (Rosewood)

Starring: Michael Keaton (Birdman), James Marsden (“Jury Duty”), Al Pacino (The Godfather), and Marcia Gay Harden (Mystic RIver)

 Michael Keaton directs and plays Knox, a hitman losing his memory, putting him in a race against time to help his estranged son (James Marsden) cover up a messy crime.

 RT: 114 minutes

 Public Screenings

Sunday, September 10 at 9:45 PM at The Princess of Wales Theatre

Monday, September 11 at 5:30 PM at Roy Thomson Hall


SUMMER QAMP– WORLD PREMIERE – 2023 Toronto International Film Festival

Directed by Jen Markowitz

Mins 80 | Language English | Year 2023 | Country Canada

SUMMER QAMP is a moving, compelling and joyful documentary following a group of LGBTQ+ youth at an idyllic lakeside camp in Alberta, Canada – CAMP fYrefly. The campers enjoy the traditional summer camp experience in a safe, affirming environment where they deepen their connections with their own community and themselves.

Screenings:

World Premiere – Saturday, September 9 at 12:15 PM at Scotiabank 13 

Sunday, September 10 at 4:30 PM at Scotiabank 12


For more information on TIFF 2023 click here!

The 48th edition of the Toronto International Film Festival takes place Thursday, September 7—17, 2023.


 

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Posted in Action, Animation, Clip, Curtain-Raiser, Events, Features, Female Filmmaker, Festival award winner, Film Festival, First Look, Foreign Films, Genre, Go To The Movies, Horror, in theaters, LGBTQ, Lists, Liz, News, Poster, Reviews, Satire, Sci-Fi, Screenings, Series, short, Short Film, Steve Kopian, Thriller, Toronto International Film Festival, Trailer, Trailer drop, Woman Lead, Women in Film | Tagged backspot, curtain raiser, Dan Gordon, ian mckellan, irena's vow, James Marsden, knox goes away, Louise Archambault, Michael Keaton, midnight nadness, RIDDLE OF FIRE, Sophie Nélisse, summer qamp, the critic, tiff 2023, Weston Razooli, WWII, Yellow Veil Pictures | Leave a reply

Review: ‘WEREWOLF’ is terrifying and profound.

Posted on December 1, 2020 by Liz Whittemore — Leave a reply

In Werewolf, children liberated from a Nazi concentration camp have to overcome hunger, thirst, and vicious attack dogs in an abandoned mansion surround by the forest.

Werewolf is incredible from the very first frame. The fear is visceral in the visual presentation but especially in the performances from a cast of children. This is a new version of Lord Of The Flies as a group of Holocaust survivors lies in wait as they are stalked by attack dogs, and even one of their own. Hormones, trauma, hunger, and anger, all drive this riveting plot forward. It is easy to root for these kids. As a Mom, it made my heart race at every turn. I was sweating watching their ingenuity. Survival is not guaranteed especially when the threat comes from within. It was profound watching these young actors, at times, become as wild as the dogs they feared. Other scenes momentarily allowed them to be children again. This ensemble casts’ chemistry will blow you away. Adrian Panek has given us a thrilling gem. The writing is intelligent and enthralling. Your heart will be in your throat from beginning to end.

Adrian Panek’s intense WWII survival horror/thriller Werewolf is due to release on Blu-Ray, DVD, and VOD across North America on December 1st via Indiecan Entertainment.

ON BLU-RAY, DIGITAL AND DVD DECEMBER 1, 2020

The intense Polish film was an official selection of Fantastic Fest (where it was nominated for Best Picture) among many other fests, has won 11 festival awards worldwide, and been nominated for 14 more.

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Posted in DVD, Fantastic Fest, Film Festival, Foreign Films, Liz, On Demand, Poland, Poster, Release, Reviews, Trailer, VOD, What To Watch This Week, Woman Lead, Women in Film | Tagged Adrian Panek, Indiecan Entertainment, Poland, survival horror, werewolf, WWII | Leave a reply

Shudder exclusive: ‘Blood Vessel’ is a genre mashup with bite.

Posted on November 6, 2020 by Liz Whittemore — Leave a reply

Blood Vessel

A life-raft lost at sea encounters an abandoned Nazi vessel. Boarding the ship, they find a far more daunting enemy.

Totally insane and gleefully brutal, Blood Vessel, a new Shudder exclusive, is the genre mashup that we’ve been waiting for. Nazis and vampires? Yes, please. What is it with Nazi’s and their penchant for screwing with the occult? It will never end well. This ragtag crew of survivors is rife with big personalities, different accents, and abilities. While a few have a shorter shelf life (pun intended) it gives us a ton to focus on as the plot reveals itself. The camera work is awesome, from drone shots of the ocean to maneuvering inside the tight confines of a ship. The costumes are cool and period-accurate. The set design, too, puts you back in time and makes you feel the claustrophobia of the space. Kudos to the makeup team for innumerable reasons.

Performances are badass. Nathan Phillips gives a really grounded portrayal of Sinclair. As much as one can be discovering that a family of vamps are trying to kill you. Alyssa Sutherland, as a nurse who lost her daughter and husband in the war, is the sensible, even-keeled figure and voice of reason. She is fearless and kind and a nice foil for the boat’s majority of overly masculine residents. Ruby Isobel Hall is phenomenal in her timing and perceived innocence. It’s some truly nuanced work. For me, the star of this film is Alex Cooke. Frankly, I could have watched an entirely separate film of the history of his character (nudge, nudge, wink, wink, writer-director Justin Dix and writer Jordan Prosser!) His totally nonchalant epicness deserves more screen time. Cooke kills it in this role.

The most unusual aspect of Dix‘s and Prosser‘s screenplay is that I found myself questioning who the real villains are? A family is kidnapped for profit. Then said family is punished for defending itself. Our crew is merely intervening after a tragedy and gets caught in the middle. I found myself relating to the vampires as a mother, which is both weird and wonderful. While there are definitely a few telegraphed plot points, the majority of the script is super original and wild as hell. Blood Vessel could easily become a franchise based on a very satisfying ending. You’ll undoubtedly hunger for more.

 Starring Nathan Phillips (Wolf Creek), Alyssa Sutherland (Vikings), Robert Taylor (Longmire), directed by Justin Dix (Crawlspace). A SHUDDER EXCLUSIVE. (Also available on Shudder Canada and Shudder UK)

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Posted in Liz, News, Poster, Release, Reviews, Shudder, Trailer, What To Watch This Week, Woman Lead, Women in Film | Tagged Alyssa Sutherland. Alex Cooke, Blood Vessel, horror, Jordan Prosser, Justin Dix, Nathan Phillips, Nazi, Shudder exclusive, The Horror Collective, vampire, WWII | Leave a reply

Review: ‘The Catcher Was A Spy’ is crackerjack film.

Posted on June 22, 2018 by Liz Whittemore — Leave a reply

https://gallery.mailchimp.com/4c67cfe4821e202e2c118979b/images/ac0f2924-cbd6-47f6-a3eb-a5f768479998.png
Presents
THE CATCHER WAS A SPY
*Official Selection of the 2018 Sundance Film Festival*

In Theaters and On Demand June 22, 2018

The Catcher Was a Spy tells the true story of Morris “Moe” Berg (Paul Rudd), the Major League Baseball player, Ivy League graduate, attorney and top-secret spy who helped the U.S. defeat Nazi Germany in the race to build the atomic bomb.

Paul Rudd gives a stunning performance as the real-life and incredibly enigmatic “Moe” Berg. A former catcher for The Boston Red Sox, a Princeton grad, and all-around genius of a man, Berg speaks 7 languages and has the guts to take on a mission to save the world. Rudd, someone who has a natural talent for improvisation and making us laugh until we pee ourselves, carries this dramatic film like a true movie star. While his Ant-Man training certainly came in handy for this particular role, playing Berg is further proof that Rudd is underutilized outside his typical comedic fare. More dramatic roles could boost him into award season regular status. The complexities of this man are not lost in the complicated narrative of history. Three cheers to the writers on that front. The superb editing heightens the action and intrigue that leaves the viewer fully engrossed. The film easily captures what might seem like a crazy premise, use a former baseball player as a spy, until you are let into the eccentric and bold mind of Moe Berg. With striking sets and costumes and alongside a massively hard-hitting cast (the likes of Jeff Daniels, Mark Strong, Sienna Miller, Guy Pearce, Paul Giamatti, Hiroyuki Sanada), The Catcher Was A Spy is an exciting historical period drama that delves into one of the most unique stories of the WWII era.

Starring
Paul Rudd, Jeff Daniels, Mark Strong, Sienna Miller, 
Guy Pearce, Paul Giamatti, Hiroyuki Sanada

Directed by Ben Lewin (The Sessions)
Written by Robert Rodat (Academy Award Nominee, Saving Private Ryan)
Score by Howard Shore (Academy Award Winner, Lord of the Ring series, Hugo)

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Posted in Book to Film, Film Festival, Go To The Movies, in theaters, Page to Screen, Poster, Release, Reviews, Trailer, What To Watch This Week | Tagged "Moe" Berg, ant man, based on a true story, Ben Lewin, FilmFestival, Guy Pearce, Hiroyuki Sanada, historical period drama, IFCFilms, Jeff Daniels, Liz, Mark Strong, Paul Giamatti, paul rudd, Sienna Miller, Spy, The Boston Red Sox, The Cather Was A Spy, thriller, WWII | Leave a reply

NYFF54 Review: ‘I HAD NOWHERE TO GO’ is one of the most unique cinematic experiences I’ve ever had.

Posted on October 18, 2016 by Liz Whittemore — Leave a reply

nyff54-banner

I HAD NOWHERE TO GOi-had-nowhere-to-go

Douglas Gordon

  • 2016
  • Germany
  • 97 minutes

Autobiography and biography merge in this often shattering, sometimes absurdly funny collaboration between two polymath artists, Douglas Gordon and Jonas Mekas. Gordon’s unlikely desire to bring Mekas’s prose memoir of his first decade in exile from Lithuania and journey from post-WWII displaced persons camps to New York, where he finds his vocation as a filmmaker, yields an operatic experience of sound and image. The film—which features Mekas reading his own text in haunting, musical voice-over—attests to one extraordinary man’s experience of loss and desire to make a new life, yet also resonates as a tale of the diaspora in which tens of millions exist today.

ihadnowheretogo2-still

I HAD NOWHERE TO GO is a story of escape and survival from one of the countless displaced people after WWII. Narrator and subject Jonas Mekas‘ voice is heard over a predominantly black screen. Yes, that’s right. The majority of this 97 minute film is in the pitch black. Literally echoing with Mekas’ stories, mostly in diary entry, skipping around in time and location, we are treated to intimate stories from a man who experienced the tragedies first hand. It is a completely immersive experience. Your senses are thrown for a loop. A story will begin and then in the brief silence, the jarring sound of bombings and music clash as an entrance of a new tale. There are perhaps only 8-10 clipped video images in the entire movie; beets, potatoes, apes and nature. Otherwise, it’s akin to being in a planetarium show. The film might do best in a museum setting where patrons can wander in and out at their leisure. I, for one, was truly fascinated at the format and structure and thought nothing of exiting the theater. It’s a bold choice and one that will change your view of what constitutes a film.

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Posted in New York City, New York City, Reviews | Tagged displaced persons, Douglas Gordon, FilmFestival, Germany, I HAD NOWHERE TO GO, immersive cinema, Jonas Mekas, Liz, museum piece, New York Film Festival, soundscape, voice overs, WWII | Leave a reply

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