
THE FATED HOUR

Based on “The Relationship with the Spirit-World” by Friedrich Laun, filmmaker Peter Hengl‘s Fantasia 2026 atmospheric period short THE FATED HOUR begins in Austria, 1810. Florentine recounts her deceased sister’s supernatural predilections to her fiancé, ultimately warning him of her potential impending destiny.
Seraphine was gifted or afflicted with telepathy, astral projection, and an overwhelming melancholy air. Her inexplicable connection to the spirit world and her ability to receive messages from beyond create a rather chilling existence in 1810. But Florentine’s eternal love for her sister reigns supreme.

Costumes are beautiful. The camerawork, editing, and candlelit rooms lend to a haunting atmosphere. Every aspect of production is divine. Alina Schaller is incredibly compelling as Florentine. You truly hang on every word. Fanny Altenburger, who also provides stunning songwriting and vocals for the film, is mesmerizing as Seraphine, with an ethereal aura.
THE FATED HOUR delves into grief, the indescribable bond between sisters, and even believing women. It’s a genre delight, and extra delicious for us bookish, gothic-loving girlies to get lost in.

Director
Peter Hengl
Executive Producer
David Gregory
Producer
Lola Basara, Kier-La Janisse
Writer
Peter Hengl
Cast
Fanny Altenburger, Daniel Holzberg, Cornelius Obonya, Alina Schaller






It is easy to see why Kat Rohrer‘s Frameline 48 feature WHAT A FEELING played to a sold-out crowd last night. This authentic love story is everything you want it to be. Workplace shenanigans and complicated family dynamics genuinely ground the film. This naturally progressing script has it all.
Fa is a wildly unpredictable woman who enjoys creating things with her hands and bouncing from woman to woman. Marie is a doctor whose husband demands a divorce on their 20th wedding anniversary. When the two run into each other, almost quite literally, they discover an unexpected spark between them.
Caroline Peters delivers laughs and heart in the role of Marie Theres. Proschat Madani gives Fa a firecracker spirit. Both offer depth to roles that could easily remain surface-level clichés. Their chemistry is magic, and Rohrer thoughtfully crafts their characters’ journeys.
The film leans into conversations of identity, both sexual and national, with Fa being Iranian. It tackles inherent bias and standing up for what’s right, no matter the issue. WHAT A FEELING dives into the nuance of relationships and the mistakes we make that either force us to grow or flee. It’s a lovely film.
Goodnight Mommy filmmakers Severin Fiala and Veronika Franz‘s latest film, The Devil’s Bath, opens with a
SYNOPSIS – In 1750 Austria, a deeply religious woman named Agnes has just married her beloved, but her mind and heart soon grow heavy as her life becomes a long list of chores and expectations. Day after day, she is increasingly trapped in a murky and lonely path leading to evil thoughts, until the possibility of committing a shocking act of violence seems like the only way out of her inner prison. Giving a voice to the invisible and unheard women of the rural past; THE DEVIL’S BATH is based on historical court records about a shocking, hitherto unexplored chapter of European history.
VERONICA FRANZ (Writer & Director) studied German and philosophy and worked as a journalist. She has also worked as an artistic collab-orator with Ulrich Seidl since 1997 and co-wrote the screenplays for all of his films including DOG DAYS (2001), IMPORT EXPORT (2007), the PARADISE trilogy (2012/13) and WICKED GAMES – RIMINI SPARTA (2023). In 2003 she also founded the Ulrich Seidl Filmproduktion GmbH with him.


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