Michael’s Review: ‘Mad Max: Fury Road’

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Visionary director George Miller returns to the franchise that launched his career 36 years ago, with a fourth installment, Mad Max: Fury Road, a film seen as a renaissance of the franchise and quite possibly one of the best action films of the century. The first film in the franchise not to star Mel Gibson as the titular character, actor Tom Hardy takes over as Max Rockatansky, a survivor in the apocalyptic wasteland searching for his place in the abyss. This action packed adventure is a throat punch to your senses and one hell of a wild ride.

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His name is Max (Tom Hardy) and his world fire and blood. Life in this world is reduced to a single instinct: survive, but survival is not an easy task.  Max is a loner running from the ghosts of his past, memories that haunt his every move. Being a loner makes you more susceptible in this world, predators across every dune, looking for any opportunity to kill you and take what’s yours. The perfect introduction, or re-introduction for some, into the world of the mad.

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We begin with Max being captured by the War Boys, the army of tyrannical cult leader King Immortan Joe (Hugh Keays-Byrne). Taken to a mountainside fortress called the Citadel, Max is imprisoned and used as a blood donor for a sick War Boy named Nux (Nicholas Hoult). We see into the chaotic nature of the Citadel, where War boys control and harvest the resources for Joe while hordes of desperate survivors beg for even a single drop of water. In need of replenishment of their gasoline supply, Imperator Furiosa (Charlize Theron) drives her heavily-armored War Rig to collect more from Gastown, but instead veers off course and makes a run for it. Joe quickly realizes that his five wives are gone and scrambles his entire War Boy army in pursuit of Furiosa, as well as calling on the aid of nearby Gas Town and the Bullet Farm to assist in the pursuit.

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Nux joins the army and straps Max to the hood of his car, to continue supplying blood. A battle ensues between the Rig and Joe’s forces which leads to a chance for Max to make his escape. Max encounters Furiosa and the wives and reluctantly agrees to let them accompany him. Furiosa informs Max of her plan to make a run for the “Green Place”, a location she remembers from her youth, as a safe place for the wives. As the group begins their journey into the unknown, Nux continues his pursuit of the traitor Furiosa to bring Joe’s prized wives back to him and receive the rewards. With Joe’s army quickly closing in, Max and Furiosa must face the battle of their lives which will test not only their physical state, but their mental one as well.

CHARLIZE THERON as Furiosa in Warner Bros. Pictures’ and Village Roadshow Pictures’ action adventure “MAD MAX: FURY ROAD,” a Warner Bros. Pictures release. Photo by Jasin Boland

CHARLIZE THERON as Furiosa in Warner Bros. Pictures’ and Village Roadshow Pictures’ action adventure “MAD MAX: FURY ROAD,” a Warner Bros. Pictures release.
Photo by Jasin Boland

From start to finish, Mad Max: Fury Road is non stop action. George Miller attention to detail in his vision of this apocalyptic world is captivating. Miller’s film, essentially, plays as one big chase scene, with a few detours here and there, but the real genius in this film is the use of real-time stunt work in place of CGI. The action choreography in Mad Max: Fury Road coupled with the astounding camerawork is mind-blowing. The sheer spectacle that is the stunt work and destruction of these vehicles is worth the price of the ticket alone.

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The world is riddled with interesting characters using futuristic dialogue which add to the insanity of the landscape. Tom Hardy is compelling as Max. His take on the character plays nicely in concert with Gibson’s version with a few added quirks that remind us that Max is still a man underneath despite his damaged psyche. Charlize Theron is astounding as Furiosa and one of the strongest female characters we’ve seen in a long time. Whether driving with a furious determination or contemplating her life thru all her struggles, Theron commands the attention of the audience in every scene and excels in her ability to make us feel for her character at every turn. The remaining cast, including the wonderful Nicholas Hoult, add to the character rich landscape of this film beautifully, each adding their signature to an already exquisitely acted film.

Overall, Mad Max: Fury Road is a amazing feat of action film making. George Miller has created yet another masterpiece in his apocalyptic franchise, one that I can safely say, honors the previous films with intense care. Do not miss this film.

Stars:

4 1/2 out of 5

After Credit Scene?

None

Trailer:

Michael’s Review: ‘Avengers: Age of Ultron’

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Hard to believe but it’s only been seven years since Marvel set in motion this grandiose plan to create a cinematic universe that would bring many of it’s popular comic book character to life. A slew of solo films introducing Iron Man, Captain America, Thor and The Hulk all lead to one moment in 2012, when director Joss Whedon unleashed Earth’s Mightiest Heroes into cinemas to complete Phase 1 of the company’s plan, a feat that would result in the third biggest box office worldwide. Three years later Whedon returns to take this franchise to another level and looks to top the achievement many believed to be too large to tackle. Seven years and so many memorable films has lead to this moment, Marvel’s crowning jewel, Avengers: Age of Ultron.

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In Ultron, we find the Avengers back together and on a mission in the Eastern European city of Sokovia looking for Hydra operative Baron Wolfgang von Strucker (Thomas Kretschmann), who has been experimenting on humans using Loki’s scepter. The team encounter two of Strucker’s experiments, Pietro Maximoff (Aaron Taylor-Johnson), who has superhuman speed, and Wanda Maximoff (Elizabeth Olsen), who can manipulate minds and throw energy blasts. Tony (Robert Downey Jr) encounters Wanda’s power during the apprehension of the scepter and has a vision of a cataclysmic event that would see the end of everything and everyone he loves.

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Haunted by this vision, Stark and Banner (Mark Ruffalo) discover an artificial intelligence within the scepter’s gem, and secretly use it to complete Stark’s “Ultron” global defense program, but things don’t go as planned.  Ultron (voiced by James Spader) misinterprets the directive and believes the only way to save the Earth is to eradicate humanity. Believing his biggest threat to be the Avengers, the program sets his sights on Earth’s Mightiest Heroes as the first hurdle in his grand plan. Captain America (Chris Evans) and Thor (Chris Hemsworth), feeling betrayed by the duos secret plan, confront Stark and Banner for answers. Believing it will take all of them to take down the creation, the Avengers set out to find Ultron before he can enact his evil plan and destroy the Earth, but it will take not only the Avengers, but new alliances with the Maxinoff’s and a newly created AI named The Vision (Paul Bettany) to see this mission to completion. Can the team save the Earth one more time?

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Like Captain America: The Winter Solider, Marvel has begun to evolve it’s films with more mature storytelling. Avengers: Age of Ultron has a darker tone than the previous Avengers film, but it helps escalates the tension and performances of these actors to new levels not yet seen in the MCU. The addition of new characters, including the performances of Aaron Taylor-Johnson and Elizabeth Olsen as the Maximoff twins and Paul Bettany as The Vision are crucial to keeping the Avengers franchise from growing stale and all three actors bring a wonderful presence that fits perfectly in with the core team. Jeremy Renner‘s Hawkeye takes center stage for many crucial scenes in the film and shines with the increased screen time. The growing chemistry between Scarlett Johansson’s Black Widow and Mark Ruffalo’s Bruce Banner works wonderfully within the structure of the film and never feels out of place.

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Chris Hemsworth and Chris Evans are exactly what they need to be for this film. The action sequences involving these two are spectacular as usual and each actor adds a nice dose of humor to the film. Robert Downey Jr is perfect as always. The human side of Tony was flushed out in Iron Man 3, but the effects of the events he’s faced have begun to multiply and lead to many hard decisions for the character. Downey Jr carefully dissects these effects and portrays them to perfection. James Spader is a tremendous presence as the voice and mo cap of Ultron. The seasoned actor is menacing and devilishly charming and his mannerisms and facial expressions are portrayed perfectly within the Ultron character.

Overall, Avengers: Age of Ultron should thrill audiences and set new records worldwide. The film is a true test of the power of story telling and takes the Marvel brand to a new height. Stay in your seats for a mid-credit scene which will no doubt set up the next adventure of our favorite heroes in 2018! But don’t fret, there will be plenty of Marvel films before that, including next year’s Captain America: Civil War! Buckle up, they’re just getting started.

Stars:

4 out of 5

After credit scene?

Yes. Mid credit scene, nothing after the credits

Trailer:

Best of the Fest: Liz & Melissa’s 22 Favorite Narratives & Documentaries from the Tribeca Film Festival!

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It was a fabulous eleven days filled with movies and interviews, and now it’s time for us to reflect on our favorites. Enjoy!

Favorite Comedies

Grandma_Press_1 TribecaGrandma – releasing August 21st

Reeling from a recent breakup and still mourning the loss of her longtime partner, once-famous poet Elle Reid (Lily Tomlin) is surprised to find her teenage granddaughter on her doorstep in need of $600 and a ride. The two embark on an all-day road trip that ends up rattling skeletons and digging up secrets all over town. Co-starring Julia Garner, Marcia Gay Harden, Judy Greer, Laverne Cox, and Sam Elliott.

We’ve only gotten a tease of Tomlin over the past few years, but she’s back with a comedic performance that rivals any dramatic one. So wrong, yet so perfect, her delivery gives the dialogue an extra edge that almost makes you feel guilty as you laugh out loud. I can’t wait to see her and Jane Fonda in Grace and Frankie on Netflix. – Melissa

 

Tomlin is an indisputable legend. Her comic timing is like watching Mozart create a symphony. This film is an absolute gem that tackles so many relevant issues without one ounce of preachiness. I have always been a huge fan and I am crossing my fingers this garners her an Oscar nod. -Liz

Jack (Simon Pegg) and Nancy (Lake Bell) in Ben Palmer’s Man UpMan Up – releasing May 29th in the UK, no US release set

When perpetually single Nancy (Lake Bell) is mistaken for a charming stranger’s (Simon Pegg) blind-date, she just goes with it, leading to a series of escalating adventures for the two mismatched lovebirds in Ben Palmer’s hilarious romantic comedy.

This could have been another boring rom-com, but the trifecta of story, dialogue and performances make it my new favorite “meet cute.” – Melissa

 

Pegg and Bell are an unlikely duo but let me say this is perfect casting. Their chemistry is super believable and laugh out loud funny from start to finish. Do not pigeon hole this flick, it is a riot for everyone. -Liz

OVERNIGHT_Press_2 TribecaThe Overnight – releasing June 19th

Alex and Emily have just moved to LA with their young son. Eager to make new friends, they accept an invitation to a party from the father of their son’s playground mate. After the kids fall asleep, the “playdate” takes a bizarre turn in this racy and hilarious romp. Featuring Judith Godrèche, Taylor Schilling, Jason Schwartzman, and Adam Scott.

Filled with many twists and turns, you won’t know where the next laugh will take you as these two couples get to know each other. Sharing their hopes, fears and extracurricular hobbies, it all happens so naturally and with the utmost hilarity. – Melissa

 

This crazy funny adult comedy puts to rest the notion that hyper-sexual has to be boring or slapstick. This is actually a really thoughtful script and with a cast like this, you cannot go wrong. -Liz

Sleeping With Other People_Press_1 TribecaSleeping With Other People – releasing August 21st

Jason Sudeikis and Alison Brie star as two romantic failures whose years of serial infidelity and self-sabotage have led them to swear that their relationship will remain strictly platonic. But can love still bloom while you’re sleeping with other people? Writer/director Leslye Headland’s (Bachelorette) sexy romantic comedy co-stars Amanda Peet, Adam Scott, and Natasha Lyonne.

The “platonic friends” comedy is so overdone, but it’s been reborn with Jason Sudekis and Alison Brie. With over-the-top intimate dialogue, honesty is the best policy when it comes to modern relationships. One of the funniest movies of the year. – Melissa

 

This film may appear to be formulaic at first glance, but I assure you, you have no idea what you’re in for. One of the best and most honest pieces of dialogue since This is 40, Sudeikis and Brie kill it with the funny as two people with some serious intimacy issues. -Liz


Favorite Dramas

ANESTHESIA_Press_2 TribecaAnesthesia

On a snowy night in New York City, a Columbia professor is brutally mugged on the doorsteps of an apartment building. Director Tim Blake Nelson’s haunting meditation of city life traces the chain of events that precipitate the attack, examining the inextricable and unforeseen forces that bring a group of disparate individuals together. Featuring a star-studded ensemble including Sam Waterston, Kristen Stewart, Glenn Close, and Cory Stoll.

Make sure you pay attention and get ready for dialogue that is a hyper-intellectual mental workout. It’s heavy but hopeful and filled with brilliant performances.- Melissa

 

This film’s multiple narrative style is something reminiscent of Traffic or Third Person. Beautifully based on philosophical notions, the audience is treated to a peak inside the lives of a handful of New Yorkers. With a jam packed cast of superb talent, Tim Blake Nelson brings everything to the table and succeeds, wildly. – Liz

Bare_Press_1 TribecaBare

Sarah’s (Dianna Agron) mundane life in a Nevada desert town is turned upside down with the arrival of Pepper (Paz de la Huerta), a mysterious female drifter, who leads her into a life of seedy strip clubs and illicit drugs. Their passion inspires Sarah to break free of her past and seek out a new life of her own.

It’s a story that could be told of any small town. It never attempts to explain anything, which actually gives it much more credibility.  – Melissa

 

In Agron’s first truly adult role, she shines as a small town girl trying to find her escape. Big dreams and little self esteem lead to a complex script and a stellar performance.   -Liz

The Driftless AreaThe Driftless Area

Pierre Hunter (Anton Yelchin), a bartender with unyielding optimism, returns to his tiny hometown after his parents’ death. When he falls for the enigmatic Stella (Zooey Deschanel), Pierre is unknowingly pulled into a cat-and-mouse game that involves a duffel bag full of cash, a haphazard yet determined criminal (John Hawkes), and a mystery that will determine all of their fates. With Alia Shawkat, Frank Langella, Aubrey Plaza, and Ciarán Hinds.

To say that The Driftless Area is cryptic is an understatement. I’m still not quite sure what happened, but the characters are so complex and interwoven that even though you’re confused, you can’t wait to see what happens next. – Melissa (read full review here)

Meadowland_Press_1 TribecaMeadowland

Sarah and Phil’s son goes missing, shattering their life together and forcing each to find their own way to cope. Cinematographer-turned-director Reed Morano presents a masterfully crafted contemplation on a relationship strained to the breaking point. Olivia Wilde and Luke Wilson capture the unraveling emotions with remarkable power, alongside Kevin Corrigan, John Leguizamo, Elisabeth Moss, Giovanni Ribisi, Juno Temple, and Merritt Wever.

This emotionally heavy story will kick you in the gut. How does one cope after the loss of a child? Do marriages survive? Can we be saved? These are all questions in an intense script lead by a masterful performance from Wilde. Following up her insane roller coaster role in Third Person, Wilde proves once again that she’s way more than a pretty face. Cast her in all the things, immediately! – Liz

Tumbledown_Press_1 TribecaTumbledown

Years after the accidental death of her folk-singer husband, Hannah (Rebecca Hall) has yet to fully accept her small-town life without him. Then she is approached by a charming New York writer (Jason Sudeikis) intent on penning a biography of her late husband’s life, and Hannah finds herself opening up again. Also featuring performances by Dianna Agron, Blythe Danner, Griffin Dunne, Joe Manganiello, and Richard Masur.

This was a film near and dear to my heart, based on plot and circumstance. The filmmakers and cast hit the nail on the head when it came to recreating a small New England town in Maine and the effect a death has upon it’s entire population. Loss and grief are combined with super smart writing. Sudeikis and Hall own these roles. – Liz

(read full review & podcast of interviews here)

Virgin Mountain TribecaVirgin Mountain

Fúsi is a mammoth of a man who at 43-years-old is still living at home with his mother. Shy and awkward, he hasn’t quite learned how to socialize with others, leaving him as an untouchable inexperienced virgin. That is until his family pushes him to join a dance class, where he meets the equally innocent but playful Sjöfn.

Heartbreaking, yet hopeful, this Jury award winner for narrative and lead performance will grab ahold of you and squeeze. – Melissa

 

This was one of the most endearing films I’ve seen lately. The “I think I can” attitude and transformation of the lead is so compelling from the very beginning. You cannot help but root for this character. -Liz

When I Live My Life Over Again-00002 TribecaWhen I Live My Life Over Again

Jude (Amber Heard) is a would-be singer-songwriter still struggling to make her mark. Cash-strapped and homeless, she begrudgingly returns to the Hamptons home of her father (Christopher Walken), an over-the-hill crooner desperately charting his musical comeback, in this spunky, soulful dramedy about the personal costs of artistic ambition and the bonds that carry us through.

Christopher Walken is charming and tragic. The dialogue is so subtle and natural, you’d think you were watching a documentary. The dining table scene alone is worth the price of admission. – Melissa

 

The tremendously organic dialogue in this film is top notch. It’s an honest portrait of family dynamics we can all relate to on some inherent level. Walken is a gem, as always, and I was blown away by Heard’s level of comfort behind a guitar and piano. Color me impressed.- Liz


Favorite Scary

Backtrack_Press_2 TribecaBacktrack – acquired by Saban Films

In this spine-tingling supernatural thriller, troubled psychotherapist Peter Bowers (Adrien Brody) is suffering from nightmares and eerie visions. When he uncovers a horrifying secret that all of his patients share, he is put on a course that takes him back to the small hometown he fled years ago. There he confronts his demons and unravels a mystery 20 years in the making.

I liked this film as the credits rolled. Speaking of credits, the opening sequence is one of the most beautiful and creative I’ve seen in some time. As I hashed out all the little moments in the script, the makeup, the music, I adored this film. Very smart writing and some really nicely timed jump scares. File this film under paranormal- thriller. -Liz

Hungry Hearts_0341Hungry Hearts – releasing June 5th

After a chance meeting and a whirlwind romance in New York City, Jude (Adam Driver) and Mina (Alba Rohrwacher) become pregnant. Convinced their child will be harmed by the pollutions in the outside world, Mina becomes consumed by protecting her baby, forcing Jude to recognize a terrible truth about why his son’s life could be in danger.

Told like a 70s horror flick, this is a Rosemary’s Baby kind of scary. Crazy camera angles and eerie music make this a very unsettling story that will leave you shivering. – Melissa


Favorite Documentaries

Birth of Sake_Press_2The Birth of Sake

Traditional and labor-intensive, the production of Saké has changed very little over the centuries. Erik Shirai’s love song to the artisans who have dedicated their lives to carrying on this increasingly rare artform follows the round-the-clock process for six straight months, offering a rare glimpse into a family-run brewery that’s been operating for over 100 years.

The gorgeous imagery is enhanced by slowmotion and a calming score. Whether you’re a lover of saké or not, you’ll appreciate the amount of work that goes into its creation. – Melissa (3 docs you must see)

 

Visually breathtaking  with a whole lot of heart, this doc was so enjoyable  for me to watch. It is  akin to a work of art and could easily (and should be) shown on a constant loop in museums. -Liz

Code_web_02CODE: Debugging the Gender Gap

At a time, according to this Utah County recruitment agency experts, in the United States when the tech sector outpaces the overall growth of the employment market, CODE asks the important question: Where are all the women?

Instead of focusing on one aspect of the gender gap in coding, this film really shows that everyone has something to give. The field of information technology is only getting bigger and we need all hands on deck. The more diverse the people building the future technologies are, the better the world is for it. – Melissa (3 docs you must see)

Crocodile Gennadiy imageCrocodile Gennadiy

Crocodile Gennadiy, real-life, self-appointed savior, who works tirelessly to rescue homeless, drug-addicted youth from the streets of Mariupol, Ukraine. At the same time, he challenges dealers and abusers. Despite criticism, Gennadiy is determined to continue his work. Sundance Award-winning director Steve Hoover’s second feature is a bold portrait of a man on a mission.

Doing what’s right is the main point of this extraordinary documentary. Saving the lives of innocent children that are being taken advantage of by a broken system mired in poverty, Gennodiy is the perfect example of what religion should look like. – Liz  (read interview here)

Democrats stillDemocrats

In the wake of Robert Mugabe’s highly criticized 2008 presidential win, a constitutional committee was created in an effort to transition Zimbabwe away from authoritarian leadership. With unprecedented access to the two political rivals overseeing the committee, this riveting, firsthand account of a country’s fraught first steps towards democracy plays at once like an intimate political thriller and unlikely buddy film.

The bravery of these people to be on film, speaking in the manners they do is enough to cheer for. Getting an honest look inside a corrupted political system outside our own is astonishing. Take note America.- Liz  (read review here)

DREAM KILLER_Press_1 TribecaDream/Killer

In the fall of 2005, 21-year-old Ryan Ferguson received a 40-year prison sentence for a murder that he did not commit. Over the next ten years, his father Bill engages in a tireless crusade to prove Ryan’s innocence. Interspersed with footage from the Ferguson family archive, Andrew Jenks’ film looks at the personal consequences of a wrongful conviction.

One of the most frustrating docs to watch, you learn just how lost our justice system can be. Unexpected and shocking, the combination of footage, audio, and interviews makes for one hell of a story. -Liz  (read review & interview here)

Exclusive Closing Night "Monty Python Live (Mostly)"Monty Python: The Meaning of Live

While perhaps best known for its eminently quotable films, Monty Python has performed its signature, surreal humor in live shows since the group’s earliest days. Dive into the history of Python’s stage work and the genesis of some of its most well-known pieces as they prepare for their last-ever live show. Monty Python: the Meaning of Life is a hilarious and illuminating survey of the process behind the Python.

I saw my first Monty Python films at the age of 13. Why it took me that long, I’ll never know. I have my theater friends to thank for introducing me into a world of absolute insanity and brilliance. This is an awesome look inside  the relationships between some of your most memorable laughs and the men behind them. -Liz

Orion is his iconic eagle suit. Photo credit Sun Records

Orion is his iconic eagle suit. Photo credit Sun Records

Orion: The Man Who Would Be King

Millions of Americans clung to the hope that Elvis Presley faked his death. For the executives at Sun Records that fantasy became an opportunity in the form of Orion, a mysterious masked performer with the voice of The King. But who was the man behind the mask? In this stranger-than-fiction true story, Jeanie Finlay explores a life led in service to those who couldn’t let Elvis go.

Everyone has heard of Elvis, but only a fraction have heard of Orion aka Jimmy Ellis. When Jimmy Ellis sang, he sounded like the legendary Elvis. His talent was brought to new heights when Elvis died and people didn’t want to let go. Never an impersonator, Jimmy did capitalize on this coincidence and attempt stardom on his own. – Melissa (read review here)

Artwork from "That Dragon, Cancer".Credit: That Dragon, Cancer

Artwork from “That Dragon, Cancer”.Credit: That Dragon, Cancer

Thank You For Playing

For the past two years, Ryan and Amy Green have been working on That Dragon, Cancer, a videogame about their son Joel’s fight against that disease. Following the family through the creation of the game and the day-to-day realities of Joel’s treatment, David Osit and Malika Zouhali-Worrall create a moving testament to the joy and heartbreak of raising a terminally ill child.

Fair warning: bring an entire box of tissues with you to this truly important and thoughtfully crafted film. If most of us are being honest, usually when we see commercials for St. Jude’s Children’s Hospital we change the channel, but in this instance we come to know and love the members of the Green family. Understanding “That Dragon Cancer ” is the only way to help save lives and support those  on their journey. Using art as an outlet for grief is a transformative way to share an experience, good or bad. – Liz

Wolfpack_Press_1 TribecaThe Wolfpack – releasing June 19th

Everything the Angulo brothers know about the outside world they learned from obsessively watching movies. Shut away from bustling New York City by their overprotective father, they cope with their isolation by diligently re-enacting their favorite films. When one of the brothers escapes, the world as they know it will be transformed.

Something about this film grabbed my heart and held it for it’s entirety. These kids are among us here in NYC, but you’d never know since they’ve been essentially held captive their entire lives. The intense detail  in which these brothers re-create their favorite films is unreal. Their passion and intelligence should be on view for all the world to see and enjoy.- Liz

Michael’s Review: ‘Furious 7’

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Nevermind the overall story, Furious 7 is a wonderful tribute to the late Paul Walker. The actor, who died in a single car accident during a break in filming, left a huge void for the cast and crew, who scrambled to piece together their lives and reinvent the film so it would not only continue the franchise, but also honor Walker’s legacy following the tragedy.After thisa lot of the member started  to be more careful at driven and even a few talked about the Blackbox my car products, cameras for the dash of your car for more safety and to avoid any misunderstanding in the future to have it all in a recording.

Director James Wan (Insidious) takes the helm for this ride as the the crew take on their toughest opponent yet. Buckle up, this fast paced, action packed franchise shows no signs of slowing down.

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The events of Fast & Furious 6 have begun to haunt the crew as the older brother of Owen Shaw has come to claim vengeance. Deckard Shaw (Jason Statham), a former British secret service assassin who is more dangerous than anyone the crew has faced in their lives, is on a mission to take down those who almost killed his brother. After Shaw puts Hobbs (Dwayne Johnson) in the hospital, Dom (Vin Diesel) realizes that his family is in danger. A simultaneous attack on his home and the death of long time friend Han, heightens the situation and Dom decides to take matters into his own hands before anyone else dies.

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Frank Petty (Kurt Russell), a covert ops director, enlists Dom to complete a mission to find a hacker named Ramsey (Nathalie Emmanuel) and bring back a high tech surveillance program called the God’s Eye, but getting Ramsey back isn’t an easy task. Kidnapped by a known terrorist named Jakande (Djimon Hounsou), things gets complicated and Dom must rely on his crew to help complete the mission as only they can.  With Shaw in toe and the prize in sight, the mission will take the crew across the globe in the race of their lives. Brian (Paul Walker), Letty (Michelle Rodriguez), Roman (Tyrese Gibson), and Tej (Ludacris) set off for one last ride, to take down the bad guys and protect the lives of those they love.

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Director James Wan should be commended for finding a way to complete this film in the face of such adversity. Paul Walker was the number two most important character in this franchise and his loss will be a huge one moving forward, but the way that Diesel, Wan and the studio found a way to complete his scenes and send the actor out on a high note is tremendous. Cast and crew pulled this film together after the tragedy and you can tell the passion they felt to honor the fallen actor with the best film they could.  Like the other films in the Fast and the Furious franchise, you need to turn your brain off before entering the theater, but this film is an action packed thrill ride from beginning to end that won’t disappoint. Furious 7 may not win an Oscar, as Diesel suggests it should, but it sure is a blast to watch.

Stars:

3 1/2 out of 5

After Credit Scene?

No

Trailer:

6 Films to catch at this year’s New Directors New Films Festival

New Directors New Films logo 2015Last year’s fest was a total success in my opinion. I saw some of my favorite films of the entire year there; Buzzard, The Babadook, Fish and Cat, Dear White People, and the #1 film on my Top 10 for 2014, A Girl Walks Home Alone At Night. This year’s selections were just as eclectic in subject and style. Here is my personal list of things to consider at this year’s New Directors New Film Festival.

THE DIARY OF A TEENAGE GIRLDiary of a Teenage Girl 1 Original

Minnie is a 15 year old with a coked out mom and little self esteem. When she takes her childish fantasies to an adult level by sleeping with her mother’s boyfriend, emotional hell breaks loose in form of a tape recorded diary and sketches turned animated thoughts. This film jumps off the screen with a breakout performance from Bel Powley as Minnie. She is funny, insightful, and an apparent old soul, all while still just a kid trying not to lose her shit. The added element of the animation only adds to the wonder of this film. Kristen Wiig plays Minnie’s absent mother. She is a revelation in this role. You know, those rare cinematic moments when you forget who the actor is because you’re so immersed in the performance, that it’s a winner. Alexander Skarsgård is the creepy object of Minnie’s affection. This is not a coming if age tale for our lead, but truly for the adults in the film. The Diary Of A Teenage Girl will remind you of your own sexual awakening. All the awkwardness, the curiosity, and frankly, the lies you were told by everyone around you. Rediscover your own past. Go ahead.

VIOLETVioletJesse has been through a terrible trauma. He is despondent after the murder of his good friend, just feet from him at a local mall. Violet is a look into the world of survivor’s guilt. The camera work alone should get you through the door. Breathtaking closeups coupled with soft focus and exquisite sound editing creates a barrage of sense memory moments for both for Jesse and the audience alike. The uncomfortable silence (dialogue wise) is the key to this film. At a tight 82 minutes run, Violet is about what’s not being said.

WESTERNwesternWestern is a documentary that takes us into the world of small town politics up against very large drug cartel violence in the two bordering towns of Eagle Pass, Texas and Piedras Negras, Mexico. Mayor Chad Foster puts on a brave face as violence escalates and threatens the harmony he’s worked so hard to procure in Eagle Pass. Mayor Jose Manuel Maldonado, tries his best to ease the minds of local constituents and the mass media alike. Local cattle rancher, Martin Wall’s, smile turns hard in the wake of a temporary USDA ban on livestock trade over the border. Each of these men is doing their darnedest to maintain peace, safety and the livelihoods of so many others. Pulling the curtain back on what feels like scenarios that only happen in the movies, is eye opening. You have to remind yourself that these folks are living, breathing people with families and loved ones. This documentary is unusually educational and will certainly restore your faith in humanity.

LISTEN TO ME MARLONLISTEN TO ME MARLON (300dpi)This doc opens up in a jarring fashion. Reminiscent of the floating head at Disneyland’s The Haunted Mansion, there we see and hear the disembodied “Head” and voice of Marlon Brando. Director, Stevan Riley has granted the world the access he gained to mountains of audio tapes made by Brando himself. Some are self hypnosis tapes in which he recalls childhood moments once kept very close to his chest. Through archival footage and Brando’s own voice, we delve into the personal life of the reclusive star. These confessional tapes reveal a side of this legend not many people were privy to. Acting was somewhat of a spiritual outlet. His charisma was endless, as was his passion for sex and affection. Receiving little from his alcoholic parents, Brando‘s ego was lifted by his enormous talent, perhaps too far for the likes of some. Although, as you listen to him speak, you gather that he was a rather astute, observant, reflective man who struggled with real abandonment issues that never truly get resolved for him. Tragedy followed him in his personal life and the genius and attention swallowed him hole at times. Listen To Me Marlon is a gorgeous portrait. When you stop taking notes during a film and just listen, as a critic, that is the moment of pure magic.

GOODNIGHT MOMMYGOODNIGHT MOMMY_Still 2Give a kid an inch, so they say, and they’ll take a mile. Twins Lukas and Elias have been awaiting the return of their mother. She has just completed facial reconstructive surgery. Longing for her love and affection, the boys are thrown into detective mode when Mom returns a different person. Face completely bandaged and rage on the surface, she forces the boys to maintain quiet and changes all the rules. Something clearly amiss, Lukas and Elias must find a way to make her admit who she really is, while facing the changes themselves. Much like last year’s The Babadook, psychological torture is in the cards. Can you stomach the tactics used by children when they don’t fully understand the consequences themselves? Goodnight Mommy will scare the hell out of you and make you squirm like never before.

DOG LADYdog ladyFollowing a woman surrounded by a pack of discarded dogs, this film highlights the off-grid lifestyle to the nth degree. The film’s subject, played flawlessly by co-director Verónica Llinás, chooses to live on the outskirts of Buenos Aires in a what begins as a primitive lean-to, and progresses in sound structure along with the movie itself. We follow our lady through four full seasons as she forages for food and supplies. Her ingenuity is astounding, taking what is essentially trash and making a home for herself. She has absolutely zero dialogue. The sparse dialogue that does exist comes from what little human interaction she allows; taunting children, a clinic doctor, and a brief sexual encounter with a rather verbose rancher. This film is highly engrossing, perhaps causing the viewer to reassess the amount of material objects we carelessly cast aside. Her sense of survival and her clear warm spirit guide this film along it’s year long timeline. There is definitely something to be said about the it’s wide final shot. It will force you to  come to terms with your true feelings of our Dog Lady.

You can find out more about these incredible films, and so many more, at NDNF. The Diary of a Teenage Girl opens tonight! Screenings during the fest take place at MoMa and FSLC.

 

What the hell is ‘BUZZARD’?! It’s only the best thing ever – Liz chats with Writer/Director Joel Potrykus

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I promised Joel I wouldn’t title this “The Buzz on Buzzard”, and I didn’t. I kept that promise (though, I guess I just wrote it… but I digress) Anyone that would degrade this film in using that title, just plain sucks at life. I know, my eloquence astounds you, but in all seriousness, BUZZARD is one of the weirdest, coolest, totally magical, and yet indescribable movies of the year. Yup. I said it, and I’m not even sorry. We’ve all had endless conversations, at this point, about our Top 10 Movies of 2014. And if you haven’t seen our posts yet, shame on your face. But, what most of you didn’t know is that I had a secret addendum to mine. BUZZARD was my special “I have to tell people about this movie” selection.

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So let me just launch into the premise. Marty works a crap temp job. Scamming the system is his game, and he’s pretty good at it. Until one truly face palm moment throws his existence into a series of even more terrible life choices and a downward spiral of paranoia. How long can Marty survive? It’s anyone’s guess. This film is an inspiration for everyone who has worked a mundane job just to live paycheck to paycheck. Marty is every man’s hero. He takes the “Damn The Man” attitude to the nth degree. He does all the things we think about doing, but he actually does them. Unapologetically and with much pride, Marty’s fearless audacity lies somewhere between genius and insanity. He is most definitely someone I would dub the “King of Mediocrity” or “Captain Bullshit”, both I mean in all due respect. He is kind of like a giant 14 year old in 1994, trapped in a 20-something year old’s body. Let’s be real, if you or I could get away with the shit this guy pulls, we would do it in a heartbeat.

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Joshua Burge plays Marty in such a effortless manner it’s frightening. One might almost think that this film were a documentary. This says a lot about both Josh’s acting ability and how sensational Joel’s script is. Fun fact I learned in watching the credits, Joel plays Derek, Marty’s best friend in the film. He is also downright hilarious in his honesty. He likes what he likes even if a tad socially inept. Playing by the rules is his safety net. He is the perfect foil for Marty, whose disdain for authority is incontrovertible.  BUZZARD is undeniably accessible. Everyone I’ve spoken with since I first saw this film at the New Directors/New Film Fest in 2014 love it. All ages, all backgrounds, not a single person has anything negative to say about this film. Clearly, I am on that ship. I cannot express how much fun this film is, so you know what that means, right? You now have to go see it and/or rent it on demand, and then you can come back and tell me how right I was. Good Talk.

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Speaking of good talks… I got to have a sweet one with Joel Potrykus about this awesomeness. Take a listen because we both know you’ll be better for it. *PS- a small office dog makes an appearance, you’ll hear the jingle of this little dude at moments. Try not to get confused. OK, now go! *

BUZZARD – TRAILER from Oscilloscope Laboratories on Vimeo.

Marty is a caustic, small-time con artist drifting from one scam to the next.  When his latest ruse goes awry, mounting paranoia forces him from his lousy small town temp job to the desolate streets of Detroit with nothing more than a pocket full of bogus checks, a dangerously altered Nintendo® Power Glove, and a bad temper.  Albert Camus meets Freddy Krueger in BUZZARD, a hellish and hilarious riff on the struggles of the American working class.

Oscilloscope Laboratories will release Joel PotrykusBUZZARD in U.S. theaters and digitally on March 6, 2015. Written and directed by Potrykus, the film stars Joshua Burge and was produced by Michael Saunders and Ashley Young. Associate Producers are Kevin Clancy and Tim Saunders.

Michael’s Review: ‘Chappie’- This Robot Story Doesn’t Compute

Chappie

South African-born filmmaker Neill Blomkamp returns for his third science fiction film in the last 6 years, Chappie, a film about a a robot who becomes the first of his kind with the ability to think and feel for himself. Like all of Blomkamp’s films, class warfare takes center stage as an underdog must rise up to fight against the high tech authoritative establishment. While with good intentions and a strong cast to support the story, Chappie is a film that starts off with a huge amount of potential, but ultimately succumbs to it’s shortcomings. A film caught in an identity crisis somewhere between Short Circuit and Robocop.

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The year is 2016, and Johannesburg’s crime has reached an apocalyptic level. The police have enlisted the help of robotics company Tetravaal and their latest creation, a robotic police forces, to help decrease the need for police activity across the city. A young scientist, Deon (Dev Patel), the chief engineer behind the creation of these robots, has his sights set on the next level of his creation, a machine with the ability to think and feel on its own. Company CEO Michelle Bradley (Sigourney Weaver) doesn’t share Deon’s enthusiasm about the next evolution of their prized technology and denies Deon’s request for more research. Former soldier and current Tetravaal engineer, Vincent (Hugh Jackman), has also created his own police robot, the “Moose”, a robot which looks eerily similar to the ED-209 from the 1987 Robocop film. Seeing Deon’s creation as a threat, Vincent aims to make the young scientists A.I appear inferior to his creation at all costs. 

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Deon decides to continue his research, without consent, and steals a decommissioned robot for further evaluation. Local criminals Ninja and Yo-Landi (played by Ninja and Yo-Landi Visser of the South African rap group Die Antwoord), along with Yankie (Jose Pablo Cantillo), manage to kidnap Deon in order to steal his access to control the robots. After realizing that Deon is in possession of a robot, the trio demand that he program the machine to do their bidding. Seeing this as an opportunity to test out his new self learning program, Deon agrees and Chappie is born. Deon, excited about the possibilities, demands to continue his work on the newly born robot but Ninja has other ideas and schemes to use the robot to pull off a major heist.

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As Chappie begins to learn, he is presented with two very different teachers in Deon and Ninja. One is educated scientist with aspirations of turning Chappie into a shining representation of what A.I could evolve in to, and one is a street raised, gangster thug with goals of wealth and power. But it is the caring voice of Yo-Landi that mesmerizes Chappie. The young woman becomes a surrogate mother to the robot and tries to help him learn and understand what it’s like to be loved, but Ninja’s influence becomes dominant and Chappie must chose between what’s right and what’s wrong. Convinced that Deon is up to something, Vincent sets out to find the answers. When he finds out what Deon has created, he sets out on a path to destroy the legacy of the young scientist and expose Chappie as a threat to society.

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Blomkamp has created a thought-provoking, yet entertaining, action film with effective visuals that has all the makings of a blockbuster success if it weren’t for it’s shortcomings. The story starts strong, but loses it’s charm somewhere around the halfway mark of the film. The transformation of Chappie from newborn robot to confused Robothug is, at times, cringeworthy. The vocal work of Blomkamp veteran Sharlto Copley loses it’s appeal after a while and the portrayal of the titular character becomes little more than a Ali-G type portrayal of a young street kid. Hugh Jackman is equally as ineffective as the films antagonist. There are glimpses in the film that the character of Vincent might offer some juicy confrontations, but the chemistry between Jackman and costar Dev Patel is nonexistent. Patel plays a similar character to his “Neil” on HBO’s Newsroom and never seems to find a way to flush out his character. The interaction between Patel and Copley’s Chappie is close to what you expect from a creator to his creation, but the two are left with few opportunities in first half of the film to gain any momentum. 

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Ninja and Yo-Landi Visser are actually serviceable as street hardened versions of their real life selves. The caring nature from which Visser creates her character is a nice touch while Ninja depicts a loathsome, street thug with precision. Jose Pablo Cantillo has a few chances to achieve a noteworthy performance but ultimately the actor is merely there to support Ninja and Visser. The biggest let down for me is the under use of Sigourney Weaver, whose character was prime for a super villain type reveal, but Blomkamp opts for a more sterile type of performance.

Overall, Chappie will not win many audiences over this weekend and will surely disappoint fans of Blomkamp’s District 9. While not as disappointing as Elysium, this film will leave you wanting so much more from a director who has proven he has so much to give.

Stars:

2 1/2 out of 5

 

Trailer:

‘Bluebird’ Starring Mad Men’s John Slattery & Lance Edmands’ Grand Jury & American Spectrum Prize Winner

BLUEBIRD-iTunes-Full-Key-ArtHaving gone to my fair share of film festivals, it is rare that I agree with the juries who award the prizes for “best of the fest.” They often see far more in films that I dismiss and frequently don’t give enough credence to those that I love, because as anyone knows my opinion is always correct (wink, wink). The one time I attended a fest that got it 100% was the 2004 Chicago International Film Festival when Nimrod Antal‘s mesmerizing Kontroll took home the Gold Hugo. Now, while I didn’t see every film at this year’s Indy Film FestLance Edmands’ Bluebird was far and away my favorite of those that I saw and certainly worthy of the Grand Jury Prize, tops of the fest, as well as the American Spectrum Prize for the best film made by an American director (the Audience Award has yet to be awarded). So, bravo to the jury! Read More →

Michael’s Review: ‘Kingsman: The Secret Service’- A New Generation of Spy Film

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One of the things that makes a Matthew Vaughn movie an event is the stylistic nature of his interpretation of the source material and his knack for creating a unique movie experience that everyone can enjoy. Taking from the comic book The Secret Service, created by Dave Gibbons and Mark Millar (Vaughn previously adapted Millar’s Kick Ass for the screen), this up tempo, high powered action film is exactly the adrenaline jolt that the spy sction thriller genre needed. Enlisting an all star supporting cast and mixing them with a group of fresh faces creates an environment on film that enables the director to get the very best out of the story which will no doubt make Kingsman: The Secret Service the movie to see this weekend.

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Colin Firth stars as Harry, an impeccably suave spy, in KINGSMAN THE SECRET SERVICE.

Colin Firth plays Harry Hart, an old school super spy, reminiscent of the old Roger Moore James Bond days, where a suit was more powerful than the weapon in the eyes of the man. When the loss of a protege on a mission leaves Harry carrying a guilt that has haunted him for nearly two decades, his natural tendency is to reach out to the man’s family and make sure they are looked after. Leaving behind a wife and a young boy named Eggsy, Harry leaves a medal with the young family with a number to call if they ever need anything from the organization.

Harry (Colin Firth), an impeccably suave spy, helps Eggsy (Taron Egerton) turn his life around by trying out for a position with Kingsman, a top-secret independent intelligence organization.

Harry (Colin Firth), an impeccably suave spy, helps Eggsy (Taron Egerton) turn his life around by trying out for a position with Kingsman, a top-secret independent intelligence organization.

Now a young man, Eggsy (Taron Egerton) has lost his way and has turned to a life of crime and hooliganism. His mom has remarried to a town crime boss and life has never been worse for the young man. After an altercation in a local pub leaves Eggsy in jail, he decides to call the number his family was given all those years ago. Harry and Eggsy meet once again after all these years and Harry recruits the young man into the Kingsman, an mSpy secret agency free of government regulations. Eggsy is selected along with eight other young prospects, who must pass a vigorous training regiment which will test them both physically and mentally. One of the young recruits is a girl named Roxy (Sophie Cookson), whom Eggsy becomes fond of. The training is overseen by Merlin (Mark Strong) and Arthur (Michael Caine), each of whom have their own vested interest in the candidates.

Harry (Colin Firth), an impeccably suave spy, helps Eggsy (Taron Egerton) turn his life around by trying out for a position with Kingsman, a top-secret independent intelligence organization.

Harry (Colin Firth), an impeccably suave spy, helps Eggsy (Taron Egerton) turn his life around by trying out for a position with Kingsman, a top-secret independent intelligence organization.

When a technology tycoon named Richmond Valentine (Samuel L Jackson), becomes a threat, the Kingsman begin to investigate the aspiring philanthropists actions. Deeming him a threat to the world, Harry must go deep undercover to infiltrate Valentine’s organization and learn the true nature of his plan. As the training comes to a close, it’s up to Eggsy and Roxy to make hard decisions, in the final stages, to ensure their place in the Kingsman organization. As the plot of the tech villain unfolds, it will be up to the young group of recruits to spoil the plot, but will the unseasoned rookies be up to the task? The fate of the world is in the hands of the Kingsman.

Harry (Colin Firth) and Eggsy (Taron Egerton) meet Richard Valentine (Samuel L. Jackson), a tech billionaire with devastating plans for the world.

Harry (Colin Firth) and Eggsy (Taron Egerton) meet Richard Valentine (Samuel L. Jackson), a tech billionaire with devastating plans for the world.

The film is a non stop action thrill ride which never takes itself too seriously. The campy nature of the film allows the over the top story line to unfold with ease and never allows for the cliche’s to engulf the fun nature of the film. Director Matthew Vaughn loves to incorporate stylistic action sequences into his films which are both memorable and as important to the telling of the story as the script itself. This action driven film really relies on the actors to flush out the story and help the audience believe in their characters arcs. Colin Firth is wonderful as the old school super spy. Never have I seen the award winning actor in such an action packed role, but he pulled it off with ease and has shown he can be just as effective with his fists as he can with his mouth. The supporting cast that features Mark Strong, Mark Hamill, Michael Caine, and Sophie Cookson, is tremendous and each character adds his or her own unique style into the film, but its Taron Egerton that is the star of this film and rightfully so. Egerton is humorous and charming as the would be Kingsman, and the young actor shows veteran prowess in his first feature film and shows he is ready for the big time.

Harry (Colin Firth), an elite member of a top-secret independent intelligence organization known as the Kingsman, prepares to teach some ruffians a lesson.

Harry (Colin Firth), an elite member of a top-secret independent intelligence organization known as the Kingsman, prepares to teach some ruffians a lesson.

Overall, Kingsman: The Secret Service is wonderful and will no doubt entertain all those who give it a shot. Nevermind that other film opening this weekend, this Valentine’s Day, spend your evening with the Kingsman!

Stars:

4 out of 5

After Credit Scene?

During credits there’s a new scene, end of credits there is nothing

Trailer:

Michael’s Review: ‘Jupiter Ascending’- Get Ready to Witness Science Fiction at It’s Worst

Jupiter Ascending poster

There are bad movies and then there are BAD movies, Jupiter Ascending, the newest film from directing duo Andy and Lana Wachowski might be the worst you see all year. Where do I begin? Let’s start at the beginning. Remember last summer when Warner Brothers abruptly delayed the release of the film weeks before it was scheduled to open wide? A film which was supposed be one of Warner Brothers tent pole films for the summer of 2014 suddenly cast off to the movie junkyard known as February! Unheard of! But after viewing this film, you can tell why the studios was reluctant to release it. The $175 million dollar sci-fi film by the directors of The Matrix was suppose to be a slam dunk, but this dog will go down as one of the biggest disappointments in cinematic history. Still not convinced? Well let’s dissect this film’s plot shall we? Read More →

Michael’s Review: ‘Americons’- The Price of Success is Sometimes Too High

Americons posterLike The Wolf of Wall Street and Boiler Room before it, Americons aims to take on the topic of greed in this country, but this time, the real estate fiasco which occurred during the Bush administration is the target. This “based on a true story” tale attempts to bring to light some of the shady goings on that transpired during the sub prime mortgage boom of 2008; an event that lead this country into an economic crisis that could have crippled this nation beyond repair. Americons is a social awareness piece that tries to cash in on its strengths but ultimately concedes to its weaknesses, which include its lackluster story and sub-par acting. Read More →

Michael’s Review: ‘Blackhat’- Cyber Thriller from Michael Mann

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Michael Mann (Miami Vice, Heat) returns to the directors chair after a six year absence from big budget feature films to bring us Blackhat, a cyber thriller starring Chris Hemsworth as the criminal hacker tapped to save the world. Mann has a knack for taking current events topic and turning them into an award worthy feature, but this far-fetched sloppy attempt at depicting cyber crime and hacking in the present day is not a film that will stand up with Mann’s best. A film that gets lost in its own convoluted story and never finds it’s way out. Read More →

Retro Review: ‘Boyhood’- Growing Up is Hard to Do

boyhood-teaser-posterAll too many times Hollywood uses the phrase “Once in a Lifetime” to describe a film that we’ve encountered way too many times before, but finally, a director and film studio have come thru and brought us a film like nothing we’ve ever seen before. Boyhood is that film and it just might be the best movie you will see all year.  Directed by industry legend Richard Linklater, the film is a true labor of love.  The film, shot intermittently over a twelve-year period, follows a young  boy named Mason through his childhood from first grade (age 6) thru his high school graduation (age 18). It’s a documented journey that will most likely never be duplicated in our lifetime and one that will resonate with each viewer for decades to come. Read More →

Michael’s Review: ‘Inherent Vice’- A Trip Into the Weird With Paul Thomas Anderson

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The brilliance of director Paul Thomas Anderson shines through in this adaptation of Thomas Pynchon’s quirky stoner mystery of the same name, Inherent Vice. A film that many view as a companion piece to Robert Altman’s The Long Goodbye, the story plays out like controlled chaos set in a psychedelic dream and will take your senses on one of the wildest rides you will view this year. Set in early 1970’s Los Angeles, we are introduced to a cast of characters ranging from a Jack Webb-esque LA detective to a hippie saxophonist snitch, all of which reside within this vast world of intrigue. The power is in the control of the narrative as you immerse yourself into the life of “Doc” (Joaquin Phoenix), a private detective and lead dog on this hippie-style hunt. Read More →

Michael’s Review: ‘Predestination’- The Future is What You Make It

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Time traveling is not a new concept for the world of cinema, but Predestination attempts to add a new ripple into the genre with a highly innovative story by directors Michael Spierig and Peter Spierig (Daybreakers). Reuniting with the directors for a second go around is actor Ethan Hawke (Boyhood), who leads this exceptionally talented international cast, which includes Noah Taylor (Edge of Tomorrow) and Sarah Snook (Jessabelle), into a complex world of intrigue which will have you guessing until the final act. Buckle up for a wild ride. Read More →

Michael’s Review: ‘Into the Woods’- Be Careful What You Wish For

ITW_1-Sht_v18_LgComing from the theater, director Rob Marshall has always had a passion for the musical. Starting as a choreographer and ascending to the directors chair, the adaptation of beloved Broadway shows has always attracted Marshall to film projects as he has previously brought Chicago and Nine to the big screen. Naturally there was little surprise when he was announced as the director of Disney’s Into The Woods film adaptation, based on James Lapine and Stephen Sondheim’s Tony Award–winning Broadway musical of the same name. Question is, can he bring the same magic that made the Broadway show so timeless? Read More →

Michael’s Review: ‘The Hobbit: The Battle of the Five Armies’- Back to Middle Earth One Last Time

the-hobbit-the-battle-of-the-five-armies-poster1Peter Jackson faced some staunch criticism from fans when he announced he was splitting his announced Hobbit adaptation into a trilogy. Many cited the sheer size of the book as a cause for concern but the underlying belief was that the move looked more like a cash grab for the studio who were facing their final trip to Middle Earth. The Battle Of The Five Armies posed the biggest challenge for Jackson simply because of the subject of the film was presented to readers as a footnote that takes places place after the story (The story was published in the back of The Return of the King), but Jackson has put all the speculation to rest and released his best film in the Hobbit trilogy. Read More →

Michael’s Review: ‘The Imitation Game’- This is One Game You Must See to Believe

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Alan Turing was a key figure in helping the allies win World War II. Known for his expertise as a mathematician, logician, cryptanalyst, and philosopher, he was a pioneering computer scientist who created the template for what would become the computers we use today. However, his accomplishments were never publicly known due to his criminal prosecution for being a homosexual. Read More →

Michael’s Review: ‘Exodus: Gods and Kings’- This One’s Not Heaven Sent

Exodus_Ver2_Wave PosterWhen I first heard of director Ridley Scott’s willingness to make a feature length interpretation of the story of Moses and his quest to lead the Israelites out of Egypt, I had my doubts of the outcome. Scott has not had a very good track record of making historically epic films with duds like 1492: Conquest of Paradise and Kingdom of Heaven in his resume. Armed with a  cast of white actors to play the lead roles of Hebrew and ancient Egyptian characters,  Ridley Scott sets out to retell the story of Moses no matter what the cost and what audience he alienates in the process. The portrayal of Moses which will no doubt leave religious audiences scratching their heads and others with little more than a visually stunning movie with little substance. Read More →

Michael’s Review: ‘The Hunger Games Mockinjay Part 1’- Prelude to the End

f13719f8-6b3d-4bd5-ab18-4afe1651d211The Hunger Games film franchise has been one of the most popular in recent memory. From the first film on, the film’s premise has centered around murder and class warfare, but at the center of that bleakness was a beacon of hope, Katniss Everdeen, however, in Mockingjay Part 1, that hope takes a turn for the worse. Centered around the aftermath of the events of Catching Fire, we find our heroine at her darkest point, surrounded by a colony of freedom fighters and lost without the man whom she has grown to care for, Peeta. There’s a shadow looming over Katniss and a growing weigh upon her shoulders. The penultimate film in this franchise has moved on from the games and into the war. Read More →