SEVEN VEILS
In SEVEN VEILS, filmmaker Atom Egoyan examines the exploitation of female trauma. The line of art and life blur completely as a protege director remounts her mentor’s production of Salome with an unusually intimate touch.
Egoyan’s editing is complex. It forces you to keep up. It is both the film’s best and worst aspect. If you drop focus, the film will run away from you in its artistic endeavor. The juxtaposition of Jeanine’s childhood, her marriage, and the play is a whirlwind of obsession. The play is a visceral therapy session and a reclamation of her past.
Amanda Seyfried has a knowing in her eyes. Her commitment to Salome’s text feels organic and seeped in trauma. Seyfried owns this character. It’s a brilliant and immensely heartbreaking turn.
It is far too simplistic to describe the film’s plot as a story of a suffering artist. SEVEN VEILS digs into gross power dynamics and the financial advantage of oppressing female truth. SEVEN VEILS emits a dangerous and formidable energy.
SEVEN VEILS Trailer:
Directed by Atom Egoyan, Starring Amanda Seyfried
Filmed On Location During Egoyan’s Staging of the
Opera Salome
In Select Theaters Nationwide Next Week
March 7, 2025
**Official Selection: Toronto International Film Festival**
**Official Selection: Special Gala: Berlin International Film Festival**
Written & Directed by: Atom Egoyan
Starring: Amanda Seyfried, Rebecca Liddiard, Douglas Smith, Mark O’Brien, Vinessa Antoine, Ambur Braid, Michael Kupfer-Radecky
Produced by: Atom Egoyan, Niv Fichman, Simone Urdl, Kevin Krikst, Fraser Ash
Executive Produced by: Nate Bolotin, Maxime Cottray, Adrian Love, Noah Segal, John Sloss, Nick Spicer, Aram Tertzakian
After years away, theater director Jeanine (Academy Award® nominee Amanda Seyfried) re-enters the opera world to stage her former mentor’s most famous work. Haunted by dark and disturbing memories from her past, Jeanine allows her repressed trauma to color the present as her personal and professional lives begin to unravel. Renowned director Atom Egoyan (Exotica, The Sweet Hereafter) reunites with Seyfried in this visually stunning, propulsive work, filmed on location during the staging of Egoyan’s acclaimed production of Salome.
RT: 107 Minutes
Backstory
Atom Egoyan directed the opera, Salome, in 1996, the first opera in what would be many to come over his career. Best known as a prominent film director since the 1980s, Egoyan has proven he is a master of both mediums. “I’ve been involved with opera for a number of years, doing it parallel to my film work. I always wondered if there was a way to bring the two worlds together,” says Egoyan.
More recently, the director was interested in exploring what the production of Salome would mean in our current culture. This interest led Egoyan to write the script for Seven Veils, about a remount of Salome that he filmed at the same time the opera was on stage, using the opera singers from Salome in the film.
“Salome is a production I’ve done a number of times so when I knew that the Canadian Opera Company was remounting it, I thought this would be an ideal time to fuse the opera singers I knew they had booked with the script I had written,” says Egoyan. “I wanted to explore how the themes of Salome could weave with the story of remounting this particular production. It’s not really an opera movie, it’s just using the world of the opera as a workplace like any workplace. We see the characters as they float in and out of scenes dealing with the preparation of the opera.”
“Atom’s production of Salome electrified the stage when it debuted in 1996 and has evolved with each remounting. The opera explores themes that resonate through Atom’s body of work, and SEVEN VEILS is an exciting and provocative next step in this ongoing evolution,” says producer Niv Fichman.
“The story of Salome has such a rich inheritance. It comes to us from the bible and then became the basis of this extraordinary play that Oscar Wilde wrote that explodes with language of people describing things they can’t have. The composer Richard Strauss saw a production of this unique play and was seized by the idea of making it the basis of the libretto. He found a way of harnessing what Oscar Wilde did with his words with truly revolutionary music. It was exciting to bring that energy into this moment and all the issues that are floating around our space, and seeing how these characters are navigating the dynamics of creativity, desire and power,” says Egoyan.
SEVEN VEILS is produced by Rhombus Media and Ego Film Arts, with the participation of Telefilm Canada and Ontario Creates, in association with XYZ Films, IPR.VC, Cinetic Media, Crave, and the Canadian Opera Company.
Elevation Pictures will be distributing the film theatrically in Canada.
Ethics and emotion and two versions of one memory; a complex father/daughter relationship is told through time jumps. The new film by Academy Award-Nominated director & writer Atom Egoyan, The Guest of Honour is about questionable decisions and power dynamics. It is complicated in the most engrossing way. David Thewlis and Laysla De Oliveira make a compelling pair. Their chemistry has the perfect balance of volatility and authenticity. Each is afforded the opportunity to play contrasting traits of their characters. Luke Wilson plays a priest, but also a mediator and confession soundboard. He is a key player in the larger scope of the narrative.
Memories can be as delicate as the feelings that come with them. This script is driven by guilt and supposition. While, oftentimes, time jumps can muddle a story, but here the editing becomes another character driving the beats and mystery forward. The Guest of Honour is a nuanced and intriguing film about the intricacies of family, reclaiming power, and learning to let go.
Having gone to my fair share of film festivals, it is rare that I agree with the juries who award the prizes for “best of the fest.” They often see far more in films that I dismiss and frequently don’t give enough credence to those that I love, because as anyone knows my opinion is always correct (wink, wink). The one time I attended a fest that got it 100% was the 2004 Chicago International Film Festival when Nimrod Antal‘s mesmerizing Kontroll took home the Gold Hugo. Now, while I didn’t see every film at this year’s 
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