‘TEACUP’ (Fantastic Fest 2024) Peacock’s Original Horror-Thriller Series is finally here!

peacock-logoTEACUP

Peacock Original Teacup Vertical Key Art


The First Two Episodes, “Think About the Bubbles” & “My Little Lighthouse,” Premiere Thursday, October 10, Only on Peacock

Teacup Ep 01 - NBCUniversal MediaVillage - www.nbcumv.comEp 1: Think About the Bubbles

Based on Robert R. McCammon‘s novel Stinger, Peacock’s original series TEACUP finds a tiny rural community in distress as something unknown affects the animals and the electricity. We meet veterinarian Maggie Chenoweth, her two children, and the husband whose suggested infidelity drives a wedge between them. Their young son, Arlo, wanders into the woods only to come face to face with a bloodied and disturbed woman rambling incoherently. His return finds a child changed. Some mysterious force pushes these neighbors together while simultaneously pulling them apart. The first episode is a soldier teaser for what to expect. It is evident the story comes from a book. The tone of the script plays out like novella chapters. Each character intrigues with only a bit of background. The episode ends on a truly frightening note. You are hooked.


Teacup 02 Still 1 - NBCUniversal MediaVillage - www.nbcumv.com
Ep 2: My Little Lighthouse

Our small group of stranded folks begins to connect under their strange circumstances. Yvonne Strahovski captivates as Maggie. She is a force of nature without a hint of overbearing. Her chemistry with Caleb Dolden as Arlo gives us an emotional attachment point that holds strong.

The mystery holds in this second episode. What crumbs we do get leads to more questions and fear. A genuine “Oh, F*CK” moment throws our cast into greater chaos. Your heart will be in your throat witnessing the horrendous special FX makeup. Each hour ends with a song that is also the episode’s title. It is a clever and disturbing device. James Wan is genre gold. The fact that he co-produces alongside creator Ian McCulloch should get horror fans to tune in automatically.


TEACUP Trailer:


The First Two Episodes, “Think About the Bubbles” & “My Little Lighthouse,” Premiere Thursday, October 10, Only on Peacock


Teacup Ep 01 still 2 - NBCUniversal MediaVillage - www.nbcumv.com
Ep 101: Think About The Bubbles (Streaming Oct. 10)

Written By: Ian McCulloch

Directed By: E.L. Katz

Logline: There’s something in the air at the Chenoweths’ isolated farm/clinic; the animals are acting strangely, and the humans are uneasy. Maggie is doing her best to avoid a tense conversation with her husband, James, when their son, Arlo, goes missing. The rest of the family, including grandmother Ellen and daughter Meryl, join the search, along with several neighbors…




Teacup 02- NBCUniversal MediaVillage - www.nbcumv.com
Ep 102: My Little Lighthouse (Streaming Oct. 10)


“All killer, no filler”

Stephen King, Horror Legend & Author


ABOUT Teacup: 

Premiere Date: The first two episodes premiere on Thursday, October 10, 2024 followed by two episodes weekly through Halloween.

Synopsis: TEACUP follows a disparate group of people in rural Georgia who must come together in the face of a mysterious threat in order to survive. Inspired by the New York Times bestselling novel Stinger by Robert McCammon.
Writer / Executive Producer: Ian McCulloch (Yellowstone, Deputy, Chicago Fire)
Director (101, 102) / Executive Producer: E.L. Katz (The Haunting of Bly Manor, Channel Zero)
Executive Producers: James Wan (The Conjuring Universe, Archive 81, M3GAN), Michael Clear (Archive 81, Swamp Thing) and Rob Hackett (Archive 81, I Know What You Did Last Summer) for Atomic Monster, Francisca X. Hu, Kevin Tancharoen
Executive Producer / Author (Stinger): Robert McCammon
Cast: Yvonne Strahovski, Scott Speedman, Chaske Spencer, Kathy Baker, Boris McGiver, Caleb Dolden, Emilie Bierre, Luciano Leroux
Studio: UCP, a division of Universal Studio Group
Genre/Format: Horror Thriller, 8 x 30 Min Episodes 


NOTE FROM IAN MCCULLOCH (SHOWRUNNER/EXECUTIVE PRODUCER)

When Atomic Monster first approached me about creating a series adaptation of Robert McCammon’s Stinger—a no-holds-barred, gargantuan spectacle of a novel along the lines of The Stand, Independence Day and Mars Attacks—to be honest, I didn’t want to throw my hat in the ring. I’m not a spectacle writer. I’m a less-is-more writer. I gravitate more toward what are known as keyhole epics. Large stories told through small lenses. Think Signs, The Thing, A Quiet Place.

But here’s the thing. I read Stinger and it stayed with me. Wouldn’t leave me alone. I just couldn’t stop thinking about its razor-sharp premise, how it unfolds over the course of a single harrowing day, and about the relatable and real family McCammon puts center stage. That’s when the flash bang-light bulb idea hit…

What if I adapted Stinger in a way that honors the book and stays true to the kinds of stories I like to tell? Keep the conceit. Keep Stinger’s most effective elements. Take away the large ensemble. Take away the giant set pieces. Even take away the book’s crowded town setting. The adaptation would be like an acoustic guitar version of, say, a Radiohead song. It won’t have the production value, electronic instruments, loops, or synthesized bells and whistles but it will still have the melody, the structure, the lyrics, the real magic at the core, all the stuff that makes a great song a great song.

All of which is to say I could suddenly see exactly what to do and how to do it. Two weeks later, Atomic Monster had the script for the first episode. Soon after that, Peacock bought it. Not so long after that, both my creative and career dreams actually started coming true as more scripts were written, hires made, actors cast, sets built, and production began…

Of course, during production the series changed and evolved. Just as it should. Even the title’s different. Stinger is now Teacup. The reasons for this are too spoilery to share but watch the first few episodes and all will be revealed. Point being, the series is now very much its own thing: a puzzle-box mystery, an edge-of-your-seat thriller, a can’t-but-must look horror story, a family drama, a science fiction epic—of the keyhole variety, of course. But as singular, strange, and surprising as I hope Teacup is, all you need to do is peel away the layers, characters, situations, and mythology and look behind the thrills, chills, hairpin turns and make-you gasp reveals. Do all that and you’ll see, at its heart, Teacup is still very much standing on the shoulders of Stinger. Just as it should.

NOTE FROM JAMES WAN (EXECUTIVE PRODUCER)

After reading Robert McCammon’s book Stinger, the entire team at Atomic Monster felt a spark. The story had all the ingredients for a captivating series and Ian McCulloch had a vision to bring it to life in a fresh way that was both startling and darkly atmospheric, but filled with a rich sense of humanity — often lacking in edgy narratives. Add in our incredibly talented cast led by Yvonne Strahovski, Scott Speedman and Chaske Spencer and fans are in for a true edge-of-your-seat experience.

Teacup defies easy labels. It’s a genre-bending blend of horror, mystery, and drama, with layers that unfold like a captivating puzzle. It goes beyond chills and thrills and holds up a mirror to humanity, exploring the darkness that resides within us all. We hope you enjoy this wild ride as much as we’ve loved creating it!


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MacGyver Reboot Heading to CBS?

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The Hollywood Reporter has learned that CBS is planning to reboot ‘MacGyver.” The show will center around a 20-something MacGyver as he gets recruited into a clandestine organization where he uses his knack for solving problems in unconventional ways to help prevent disasters from happening.

R. Scott Gemmill (“NCIS: Los Angeles”) will write the script and serve as executive producer alongside original series E.P Henry Winkler, who returns in the same capacity. James Wan’s Atomic Monster head of production Michael Clear wouold also be involved as a producer with Wan potentially directing the pilot. No word on casting at this time.

More as it becomes available

It’s Official: James Wan to Direct the ‘Aquaman’ Movie!

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Warner Bros. Pictures has just announced that director James Wan (Furious 7) has agreed to helm the  upcoming Aquaman feature film! The announcement was made by Greg Silverman, President, Creative Development and Worldwide Production, Warner Bros. Pictures.

“We’ve been so lucky to have worked with James, first on New Line’s ‘The Conjuring’ and now on their upcoming ‘The Conjuring 2,’” says Silverman, “and are thrilled to have him on board as we continue to expand our DC slate. The ‘Aquaman’ film will be a major tentpole picture for us and James’s span of work has proven him able to take on any manner of project, bringing his incredible creative talent and unique voice to the material.”

Not only will Wan be directing, but he will also serve as supervisor to the script, which is currently being penned by Kurt Johnstad (300, 300: Rise of an Empire).  Charles Roven, Deborah Snyder and Zack Snyder will serve as producers. Already announced Jason Momoa will star in the film as the titular character.

“James is not only a great storyteller but can make action truly explode on the big screen,” says Roven, “and Jason has a dynamic presence that commands your attention. Together, they will bring an undeniable vitality and energy to this character as he headlines his first feature film.”

Before appearing in his solo film, Momoa’s Aquaman will make his big screen debut in Zack Snyder’s Batman v Superman: Dawn of Justice, set to hit theaters on March 25, 2016.  Aquaman hits theaters on June 14, 2019.

 

 

James Wan in Negotiations to Direct ‘Robotech’ for Sony

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The Hollywood Reporter is reporting that current hot commodity, director James Wan, is looking to fill up his already busy schedule with another high profile film. The trade reports that Wan is in negotations to direct a live action version of the hit animated series  Robotech for Sony.

Gianni Nunnari and Mark Canton are producing the project, which is based on 1980s cartoon series from Harmony Gold USA and Japan’s Tatsunoko Productions. The series was re-edited and re-dialogued to combine three Japanese anime series (“The Super Dimension Fortress Macross,” “Super Dimension Cavalry Southern Cross” and “Genesis Climber MOSPEADA”) to give the producers enough episodes to air as a daily syndicated series.

Robotech is a sprawling sci-fi epic that takes place at a time when Earth has developed giant robots from the technology on an alien spacecraft that crashed on a South Pacific island. Mankind is forced to use the technology to fend off three successive waves of alien invasions. The first invasion concerns a battle with a race of giant warriors who seek to retrieve their flagship’s energy source, known as “protoculture,” and the planet’s survival ends up in the hands of two young pilots.

More as it becomes available

Michael’s Review: ‘Furious 7’

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Nevermind the overall story, Furious 7 is a wonderful tribute to the late Paul Walker. The actor, who died in a single car accident during a break in filming, left a huge void for the cast and crew, who scrambled to piece together their lives and reinvent the film so it would not only continue the franchise, but also honor Walker’s legacy following the tragedy.After thisa lot of the member started  to be more careful at driven and even a few talked about the Blackbox my car products, cameras for the dash of your car for more safety and to avoid any misunderstanding in the future to have it all in a recording.

Director James Wan (Insidious) takes the helm for this ride as the the crew take on their toughest opponent yet. Buckle up, this fast paced, action packed franchise shows no signs of slowing down.

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The events of Fast & Furious 6 have begun to haunt the crew as the older brother of Owen Shaw has come to claim vengeance. Deckard Shaw (Jason Statham), a former British secret service assassin who is more dangerous than anyone the crew has faced in their lives, is on a mission to take down those who almost killed his brother. After Shaw puts Hobbs (Dwayne Johnson) in the hospital, Dom (Vin Diesel) realizes that his family is in danger. A simultaneous attack on his home and the death of long time friend Han, heightens the situation and Dom decides to take matters into his own hands before anyone else dies.

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Frank Petty (Kurt Russell), a covert ops director, enlists Dom to complete a mission to find a hacker named Ramsey (Nathalie Emmanuel) and bring back a high tech surveillance program called the God’s Eye, but getting Ramsey back isn’t an easy task. Kidnapped by a known terrorist named Jakande (Djimon Hounsou), things gets complicated and Dom must rely on his crew to help complete the mission as only they can.  With Shaw in toe and the prize in sight, the mission will take the crew across the globe in the race of their lives. Brian (Paul Walker), Letty (Michelle Rodriguez), Roman (Tyrese Gibson), and Tej (Ludacris) set off for one last ride, to take down the bad guys and protect the lives of those they love.

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Director James Wan should be commended for finding a way to complete this film in the face of such adversity. Paul Walker was the number two most important character in this franchise and his loss will be a huge one moving forward, but the way that Diesel, Wan and the studio found a way to complete his scenes and send the actor out on a high note is tremendous. Cast and crew pulled this film together after the tragedy and you can tell the passion they felt to honor the fallen actor with the best film they could.  Like the other films in the Fast and the Furious franchise, you need to turn your brain off before entering the theater, but this film is an action packed thrill ride from beginning to end that won’t disappoint. Furious 7 may not win an Oscar, as Diesel suggests it should, but it sure is a blast to watch.

Stars:

3 1/2 out of 5

After Credit Scene?

No

Trailer:

New ‘Furious 7’ Trailer and Poster Released

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On the heals of Sunday’s Furious 7 Super Bowl spot, Universal has released a brand new trailer for the highly-anticipated movie! You can check it out below. Read More →