Review: ‘THERAPY FOR A VAMPIRE’ is a glorious romp with bite.

 

Presents

THERAPY FOR A VAMPIREtherapy for a vampire poster

A Film by David Ruehm

Opening in New York and Los Angeles June 10th 

therapy fpo a vamp Freud and count

How long do you have to be a couple in order to know everything about the other person? A few months? A few years? Does your lover leave their socks on the bedroom floor instead of putting them in the hamper? Do they slurp their soup, even in public. Is their neediness just too much to bear sometimes? How long is too long to have to endure these annoying habits?  In the new festival favorite finally coming to theaters, THERAPY FOR A VAMPIRE, 500 years is enough.

Running Time: 87 minutes 

Vienna, 1932. Count von Közsnöm (Tobias Moretti) has lost his thirst for life, and his eternally long marriage to Countess Gräfin Elsa von Közsnöm (Jeanette Hain) cooled centuries ago. Fortunately, Sigmund Freud (Karl Fischer), with his innovative new approach to solving life’s existential problems, is accepting new patients. During their strictly nocturnal sessions, the good doctor suggests the Count appease his vain wife, desperate to see her own reflection, by commissioning a portrait of her by his assistant, Viktor (Dominic Oley), an aspiring painter. But it’s Viktor’s headstrong girlfriend Lucy (Cornelia Ivancan) who most intrigues the Count, convinced she’s the reincarnation of his one true love. Soon, the whole crowd is a hilarious mess of mistaken identities and misplaced affections in this send -up of the vampire genre, proving once and for all that 500 years of marriage is enough. 

Vampire_-_5

Writer/Director David Ruehm‘s script could not be funnier. The dialogue is filled to the brim with clever double entendre. Using Freud as a go-between was a massively ingenious choice, using his dream analysis and general beliefs as a backdrop for a film that is, in all accounts, about relationships and their deeper meaning. The story is a fantastical cat and mouse game, centered around longing, jealousy, boredom, and vanity. There is not a loose end when it comes to performances. For a brief moment, I tried to imagine an American version of this film and could not think of any other actors that would have done the roles justice. Tobias Moretti, as the Count, might very well be an actual vampire for all I know. His natural comic timing is a pure delight to watch. Jeanette Hain, as the Countess, is seductive and a sheer wonder to behold on-screen. Cornelia Ivancan, as Lucy, is effortless in her 1930’s ingenue look and quirkiness. Dominic Oley‘s portrayal of Viktor is dashing and adorable all in one, as a man who idolizes his restless lover. Karl Fischer, as Dr. Freud, is genuinely funny and endearing. The cast’s chemistry is immaculate from end to end. Vampire_-_2The cinematography from Austria’s preeminent DP Martin Gschlacht (Goodnight MommyOscar-nominated Revanche) is splendid. The sets are meticulous and the costuming is both period appropriate and completely innovative. I have nothing but absolute love for this film. If Wes Andserson ever made a vampire rom-com, THERAPY FOR A VAMPIRE might look something like the final product. The film has been making the rounds at film festivals for quite some time, and racking up awards as a result. No matter the state of your relationship, everyone, (living or undead) will relate to how the comedy plays out on-screen. The film is nothing short of brilliant.

Official Website: www.musicboxfilms.com/vampire 

Awards & Festivals

  • Winner, Audience Award – Fantasia International Film Festival
  • Official Selection – Zurich Film Festival
  • Official Selection – Sarasota Film Festival
  • Official Selection – Minneapolis / St. Paul Film Festival
  • Official Selection – Secret Film Festival, Santa Cruz

September Movie Preview – 61 movies opening including 12 documentaries & 13 also on demand

September-Movie-Preview-Reel-News-DailyThere are an insane amount of movies releasing this September. There are 12 that are on the top of my watchlist. Which are on yours?

  1. 99 Homes
  2. About Ray
  3. Ashby
  4. Cooties
  5. Dragon Blade
  6. Finders Keepers
  7. Mississippi Grind
  8. Prophet’s Prey
  9. Sicario
  10. Steve Jobs: The Man in the Machine
  11. Stonewall
  12. The Keeping Room

September 2nd

The Black Panthers: Vanguard of the Revolution

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Produced by PBS, this is likely to be in a classic documentary style.


A Walk in the Woods

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Robert Redford tried to make a comeback last year with his solo effort, All Is Lost, but this time he teams up with Nick Nolte. Potential to be great.


September 4th

Before We Go – available to rent

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Chris Evans directs with the unpredictable and amazing Alice Eve. She also stars with Matthew Broderick in Dirty Weekend, out this same day.


Bloodsucking Bastards
Also on VOD
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Liz is reviewing – stay tuned!


Break Point

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Dirty-Weekend_Press_1 TribecaDirty Weekend
Tribeca Film Festival 2015, also on VOD
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This didn’t impress Liz or myself, but Jeremy is going to give it a try. Stay tuned for his review!


Dragon Blade

Also on VOD
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Adrien Brody, Jackie Chan and John Cusack. Swords, armor and anticipated over-acting.


My Voice, My Life

Documentary

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Number One Fan

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The Transporter Refueled

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Coming Home

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Welcome to Leith

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Jeremy is reviewing – stay tuned!


chloe and theo stillChloe and Theo
Also on VOD
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Jordan is reviewing – stay tuned!


Steve Jobs-3Steve Jobs: The Man in the Machine
Also on VOD
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Liz and I will attended a special screening and Q&A with director Alex Gibney – stay tuned for their side-by-side reviews! Can you guess which is the iPhone user?


Wolf Totem


September 9th

The Visit

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Are you going to give M. Night another shot?


Maze Runner: The Scorch Trials

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September 11th

TIME OUT OF MIND NYFFTime Out of Mind

On demand September 18th
New York Film Festival 2014
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Sleeping with Other People
Tribeca Film Festival 2015
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Don’t even think about it – just see it. I raved about it here.


Breathe

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Mélanie Laurent directs. I’m there.


Goodnight Mommy

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Listening
also on VOD
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Meet the Patels

Documentary

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Paul Taylor Creative Domain

Documentary

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Triple 9

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TBD


90 Minutes in Heaven

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The Perfect Guy

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September 18th

Captive

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Cooties

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Pawn Sacrifice

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Kate Macer (Emily Blunt, right), Dave Jennings, (Victor Garber, center right), Phil Coopers (Hank Rogerson, center left) and Reggie Wayne (Daniel Kaluuya, left) in SICARIO. Photo Credit: Richard Foreman

Kate Macer (Emily Blunt, right), Dave Jennings, (Victor Garber, center right), Phil Coopers (Hank Rogerson, center left) and Reggie Wayne (Daniel Kaluuya, left) in SICARIO. Photo Credit: Richard Foreman

Sicario
Toronto International Film Festival 2015
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Emily Blunt once more kicking ass. Love it.


About Ray
Toronto International Film Festival 2015
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Black Mass-00001Black Mass

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You can catch the doc on Netflix right now here.


Everest

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This might be worth the extra moola for IMAX.


Katti Batti

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The New Girlfriend

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Prophet’s Prey

Documentary

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Amy Berg has wowed me with West of Memphis and Deliver Us From Evil, so I’m looking forward to this.


Uncle John
Also on VOD

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War Pigs

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Some Kind of Hate
Also on VOD
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Jeremy Scott: The People’s Designer

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September 23rd

Pay the Ghost
Also on VOD
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Trailer TBA


September 24th

The Reflektor Tapes

Documentary, Toronto International Film Festival 2015

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September 25th

Finders Keepers

Documentary[imdb id=”tt3462002″ plot=”short”]


Mississippi Grind

Ben Mendelsohn is one of those actors that greatly elevates the movie without overshadowing it. CAN’T WAIT. (Insert joke from @harmonov about Ryan Reynolds)

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Stonewall

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Before I Wake

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The Green Inferno

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Misunderstood

Also on VOD, New York Film Festival 2014

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Mission to Lars

Documentary

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The Intern

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10 Days in a Madhouse

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99 Homes

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A Brave Heart: The Lizzie Velasquez Story

Documentary

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Ashby

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Ashby TrailerLife is about knowing how to take a hit. Brace yourself, Ashby opens in Select Theaters, On Demand and DIGITAL HD September 25th!

Posted by Ashby on Saturday, August 22, 2015


Drunk Stoned Brilliant Dead: The Story of the National Lampoon

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Labyrinth of Lies

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The Keeping Room

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Before I Wake

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Hotel Transylvania 2

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Brand: A Second Coming

Documentary

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Could not find a trailer. This is not a good sign.


Wildlike

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September 30th

The Walk
New York Film Festival 2015
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6 Films to catch at this year’s New Directors New Films Festival

New Directors New Films logo 2015Last year’s fest was a total success in my opinion. I saw some of my favorite films of the entire year there; Buzzard, The Babadook, Fish and Cat, Dear White People, and the #1 film on my Top 10 for 2014, A Girl Walks Home Alone At Night. This year’s selections were just as eclectic in subject and style. Here is my personal list of things to consider at this year’s New Directors New Film Festival.

THE DIARY OF A TEENAGE GIRLDiary of a Teenage Girl 1 Original

Minnie is a 15 year old with a coked out mom and little self esteem. When she takes her childish fantasies to an adult level by sleeping with her mother’s boyfriend, emotional hell breaks loose in form of a tape recorded diary and sketches turned animated thoughts. This film jumps off the screen with a breakout performance from Bel Powley as Minnie. She is funny, insightful, and an apparent old soul, all while still just a kid trying not to lose her shit. The added element of the animation only adds to the wonder of this film. Kristen Wiig plays Minnie’s absent mother. She is a revelation in this role. You know, those rare cinematic moments when you forget who the actor is because you’re so immersed in the performance, that it’s a winner. Alexander Skarsgård is the creepy object of Minnie’s affection. This is not a coming if age tale for our lead, but truly for the adults in the film. The Diary Of A Teenage Girl will remind you of your own sexual awakening. All the awkwardness, the curiosity, and frankly, the lies you were told by everyone around you. Rediscover your own past. Go ahead.

VIOLETVioletJesse has been through a terrible trauma. He is despondent after the murder of his good friend, just feet from him at a local mall. Violet is a look into the world of survivor’s guilt. The camera work alone should get you through the door. Breathtaking closeups coupled with soft focus and exquisite sound editing creates a barrage of sense memory moments for both for Jesse and the audience alike. The uncomfortable silence (dialogue wise) is the key to this film. At a tight 82 minutes run, Violet is about what’s not being said.

WESTERNwesternWestern is a documentary that takes us into the world of small town politics up against very large drug cartel violence in the two bordering towns of Eagle Pass, Texas and Piedras Negras, Mexico. Mayor Chad Foster puts on a brave face as violence escalates and threatens the harmony he’s worked so hard to procure in Eagle Pass. Mayor Jose Manuel Maldonado, tries his best to ease the minds of local constituents and the mass media alike. Local cattle rancher, Martin Wall’s, smile turns hard in the wake of a temporary USDA ban on livestock trade over the border. Each of these men is doing their darnedest to maintain peace, safety and the livelihoods of so many others. Pulling the curtain back on what feels like scenarios that only happen in the movies, is eye opening. You have to remind yourself that these folks are living, breathing people with families and loved ones. This documentary is unusually educational and will certainly restore your faith in humanity.

LISTEN TO ME MARLONLISTEN TO ME MARLON (300dpi)This doc opens up in a jarring fashion. Reminiscent of the floating head at Disneyland’s The Haunted Mansion, there we see and hear the disembodied “Head” and voice of Marlon Brando. Director, Stevan Riley has granted the world the access he gained to mountains of audio tapes made by Brando himself. Some are self hypnosis tapes in which he recalls childhood moments once kept very close to his chest. Through archival footage and Brando’s own voice, we delve into the personal life of the reclusive star. These confessional tapes reveal a side of this legend not many people were privy to. Acting was somewhat of a spiritual outlet. His charisma was endless, as was his passion for sex and affection. Receiving little from his alcoholic parents, Brando‘s ego was lifted by his enormous talent, perhaps too far for the likes of some. Although, as you listen to him speak, you gather that he was a rather astute, observant, reflective man who struggled with real abandonment issues that never truly get resolved for him. Tragedy followed him in his personal life and the genius and attention swallowed him hole at times. Listen To Me Marlon is a gorgeous portrait. When you stop taking notes during a film and just listen, as a critic, that is the moment of pure magic.

GOODNIGHT MOMMYGOODNIGHT MOMMY_Still 2Give a kid an inch, so they say, and they’ll take a mile. Twins Lukas and Elias have been awaiting the return of their mother. She has just completed facial reconstructive surgery. Longing for her love and affection, the boys are thrown into detective mode when Mom returns a different person. Face completely bandaged and rage on the surface, she forces the boys to maintain quiet and changes all the rules. Something clearly amiss, Lukas and Elias must find a way to make her admit who she really is, while facing the changes themselves. Much like last year’s The Babadook, psychological torture is in the cards. Can you stomach the tactics used by children when they don’t fully understand the consequences themselves? Goodnight Mommy will scare the hell out of you and make you squirm like never before.

DOG LADYdog ladyFollowing a woman surrounded by a pack of discarded dogs, this film highlights the off-grid lifestyle to the nth degree. The film’s subject, played flawlessly by co-director Verónica Llinás, chooses to live on the outskirts of Buenos Aires in a what begins as a primitive lean-to, and progresses in sound structure along with the movie itself. We follow our lady through four full seasons as she forages for food and supplies. Her ingenuity is astounding, taking what is essentially trash and making a home for herself. She has absolutely zero dialogue. The sparse dialogue that does exist comes from what little human interaction she allows; taunting children, a clinic doctor, and a brief sexual encounter with a rather verbose rancher. This film is highly engrossing, perhaps causing the viewer to reassess the amount of material objects we carelessly cast aside. Her sense of survival and her clear warm spirit guide this film along it’s year long timeline. There is definitely something to be said about the it’s wide final shot. It will force you to  come to terms with your true feelings of our Dog Lady.

You can find out more about these incredible films, and so many more, at NDNF. The Diary of a Teenage Girl opens tonight! Screenings during the fest take place at MoMa and FSLC.