FREUD’S LAST SESSION
In his final days, Sigmund Freud, a recent escapee with his daughter from Nazi regime receives a visit from the formidable Oxford Don C S Lewis (Chronicles of Narnia). On this day, two of the greatest minds of the twentieth century intimately engage in a monumental session over the belief in the future of mankind and the existence of God.
Liv Lisa Fries delivers a stunning performance as Anna Freud, Sigmund’s intellectually accomplished daughter. The complexities of the role will undoubtedly touch a nerve with many viewers. Fries navigates the character splendidly. Matthew Goode plays C.S. Lewis. Coming to Freud for an impromptu therapy session, the audience learns about his childhood and the inspiration for his creative spark of genius. Goode effortlessly matches Hopkins’s energy. He once again establishes himself as a go-to casting choice. His raw vulnerability is captivating. Sir Anthony Hopkins remains at the top of his game. As Freud, he brings curiosity, wit, and curmudgeonly stubbornness all at once. It is yet another notch in Hopkins’s impressive career belt. This ongoing tennis match of masterful acting is perfection for historical drama lovers.
The cinematography and production design are luscious. The editing is lovely. Freud moves about his home, passing through doorways only to be transported through time and memories. Meaningful flashbacks fill the screen as each man shares their intimate history beginning in childhood and explores how it informed their development. The script, alongside the editing, has a dazzling theatricality. This makes more sense once you learn the screenplay was based on Mark St. Germain‘s play, adapted for the screen by Germain and director Matthew Brown. A West End production of FREUD’S LAST SESSION would be delicious. The references to literary figures and quotations are smirk-inducing for the well-read audience, while the overarching existential volley proves delightful.
FREUD’S LAST SESSION delves into moral and philosophical questions while simultaneously captivating with a whimsical and eclectic structure. The lines between doctor and patient constantly blur and shift. Wading through universal queries about religion, sexuality, war, co-dependency, trauma, and death, it is a fascinating must-see.
IN THEATERS DECEMBER 22, 2023
IN NEW YORK & LOS ANGELES
(National Roll Out to Follow)
Starring
Anthony Hopkins
Matthew Goode
Liv Lisa Fries
Jodi Balfour
Directed by Matthew Brown
Written by Mark St. Germain and Matthew Brown
Based on Mark St. Germain’s play Freud’s Last Session
Cinematography by Ben Smithard, BSC
Costume Design by Eimer Ni Mhaoldomhnaigh
Editing by Paul Tothill
Music by Coby Brown
Production Design by Luciana Arrighi
London, September 3rd, 1939. The world is on the brink of war.
In his final days, Sigmund Freud, a recent escapee with his daughter from Nazi regime receives a visit from the formidable Oxford Don C S Lewis (Chronicles of Narnia). On this day, two of the greatest minds of the twentieth century intimately engage in a monumental session over the belief in the future of mankind and the existence of God.
Runtime: 109 minutes
Silent Nigh
Even as these chic adults reminisce about what could have been, their children attempt to come to terms with impending doom. Every scene featuring a child is perfection. That is what kids are like, and thank you, 
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