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First full-length narrative film shot in 4k, Ang Lee’s ‘Billy Lynn’s Long Halftime Walk’ will premiere at the New York Film Festival

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NYFF54 Billy Lynn's Long Halftime Walk courtesy Mary Cybulski _ TriStar Pictures

The Film Society of Lincoln Center announces Ang Lee’s highly anticipated Billy Lynn’s Long Halftime Walk as a Special World Premiere Presentation of the 54th New York Film Festival (September 30 – October 16) on Friday, October 14, at AMC Lincoln Square.

New York Film Festival Director and Selection Committee Chair Kent Jones said, “Billy Lynn’s Long Halftime Walkastonished me, and it moved me deeply—in the grandest way, as a story of America in the years after the invasion of Iraq, and on the most intimate person-to-person wavelength. Ang Lee has always gone deep into the nuances of the emotions between his characters, and that’s exactly what drove him to push cinema technology to new levels. It’s all about the faces, the smallest emotional shifts. In every way, Billy Lynn is the work of a master.”

Billy Lynn is also a giant step forward in the art of cinema, made with a cinematographic process years ahead of its time. The film, from TriStar Pictures and Studio 8 in association with LStar Capital, Film4, Bona Film Group, and Fosun Media, is the first full-length narrative film shot in 4K, native 3D at the ultra high rate of 120 frames-per-second. The NYFF event will be the first time ever the format will be screened publicly. Creating the film in this immersive format required technical invention at each stage of the process—prep, shooting, and postproduction. The commercial run of the film will play in a variety of 2D and 3D formats, all of which display the new techniques with which the film was made.

Lee’s stunning adaptation of Ben Fountain’s novel is the story of an Iraq war hero (newcomer Joe Alwyn) who comes home with his fellow members of Bravo Company for a victory tour. This culminates in a halftime show at a Thanksgiving Day football game—a high-intensity media extravaganza summoning memories of the trauma of losing his beloved sergeant in a firefight. Lee’s brave, heartbreaking film goes right to the heart of a great division that haunts this country: between the ideal image of things as they should be and the ongoing reality of things as they are. With a brilliant supporting cast, including Kristen Stewart, Chris Tucker, Garrett Hedlund with Vin Diesel and Steve Martin.

“I’m very grateful to the New York Film Festival for selecting our film and giving it such a unique platform,” said Lee. “The New York Film Festival has been such an important event for me both as a New Yorker and a filmmaker, and I am honored to be represented this year with Billy Lynn. With each film, I try to learn fresh ways to connect with the audience and with myself. Since Life of Pi, I have been working with my team towards a new cinematic approach that I hope will revitalize that connection. But technology is merely a tool; it should always be in service of artistic expression, to make it strong and fresh, because story and drama matter most. I thought Billy’s journey, which is both intimate and epic, and told almost entirely from his point of view, lent itself particularly well to the emotion and intensity that this new approach fosters. At least I hope so, as many people have worked long and hard to help me try to make the future a reality today. I am thankful to them all.”

Lee has a long history with the festival. Most recently, his Oscar-winning Life of Pi was Opening Night of NYFF50 in 2012. His 1997 film The Ice Storm opened NYFF35, and Crouching Tiger, Hidden Dragon was Closing Night of the 38th festival in 2000.

Directed by Ang Lee and produced by Marc Platt, Ang Lee, Rhodri Thomas, and Stephen Cornwell, Billy Lynn’s Long Halftime Walk is based on the widely acclaimed, best-selling novel by Ben Fountain, with a screenplay by Jean-Christophe Castelli.

The 17-day New York Film Festival highlights the best in world cinema, featuring works from celebrated filmmakers as well as fresh new talent. The selection committee, chaired by Jones, also includes Dennis Lim, FSLC Director of Programming; Florence Almozini, FSLC Associate Director of Programming; Amy Taubin, Contributing Editor,Artforum and Film Comment; and Gavin Smith, who serves as a consultant.

The complete lineup of Special Events at the 54th New York Film Festival will be announced in the coming days. NYFF previously announced the world premieres of Ava DuVernay’s documentary The 13th as the Opening Night selection, Mike Mills’s 20th Century Women as Centerpiece, and James Gray’s The Lost City of Z as Closing Night. The complete Main Slate lineup can be found here, along with the complete programs for Convergence, Projections,Revivals, and Retrospective.

Tickets for the 54th New York Film Festival will go on sale September 11. Becoming a Film Society Member at the Film Buff Level or above provides early ticket access to festival screenings and events ahead of the general public, along with the exclusive member ticket discount. Learn more at filmlinc.org/membership.

For even more access, VIP passes and subscription packages offer one of the earliest opportunities to purchase tickets and secure seats at some of the festival’s biggest events including Opening, Centerpiece, and Closing Nights. VIP passes also provide access to many exciting events, including the invitation-only Opening Night party, “An Evening With…” dinner, Filmmaker Brunch, and VIP Lounge. Benefits vary based on the pass or package type purchased. VIP passes and subscription packages are on sale now. Learn more at filmlinc.org/NYFF.

6 Films to catch at this year’s New Directors New Films Festival

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New Directors New Films logo 2015Last year’s fest was a total success in my opinion. I saw some of my favorite films of the entire year there; Buzzard, The Babadook, Fish and Cat, Dear White People, and the #1 film on my Top 10 for 2014, A Girl Walks Home Alone At Night. This year’s selections were just as eclectic in subject and style. Here is my personal list of things to consider at this year’s New Directors New Film Festival.

THE DIARY OF A TEENAGE GIRLDiary of a Teenage Girl 1 Original

Minnie is a 15 year old with a coked out mom and little self esteem. When she takes her childish fantasies to an adult level by sleeping with her mother’s boyfriend, emotional hell breaks loose in form of a tape recorded diary and sketches turned animated thoughts. This film jumps off the screen with a breakout performance from Bel Powley as Minnie. She is funny, insightful, and an apparent old soul, all while still just a kid trying not to lose her shit. The added element of the animation only adds to the wonder of this film. Kristen Wiig plays Minnie’s absent mother. She is a revelation in this role. You know, those rare cinematic moments when you forget who the actor is because you’re so immersed in the performance, that it’s a winner. Alexander Skarsgård is the creepy object of Minnie’s affection. This is not a coming if age tale for our lead, but truly for the adults in the film. The Diary Of A Teenage Girl will remind you of your own sexual awakening. All the awkwardness, the curiosity, and frankly, the lies you were told by everyone around you. Rediscover your own past. Go ahead.

VIOLETVioletJesse has been through a terrible trauma. He is despondent after the murder of his good friend, just feet from him at a local mall. Violet is a look into the world of survivor’s guilt. The camera work alone should get you through the door. Breathtaking closeups coupled with soft focus and exquisite sound editing creates a barrage of sense memory moments for both for Jesse and the audience alike. The uncomfortable silence (dialogue wise) is the key to this film. At a tight 82 minutes run, Violet is about what’s not being said.

WESTERNwesternWestern is a documentary that takes us into the world of small town politics up against very large drug cartel violence in the two bordering towns of Eagle Pass, Texas and Piedras Negras, Mexico. Mayor Chad Foster puts on a brave face as violence escalates and threatens the harmony he’s worked so hard to procure in Eagle Pass. Mayor Jose Manuel Maldonado, tries his best to ease the minds of local constituents and the mass media alike. Local cattle rancher, Martin Wall’s, smile turns hard in the wake of a temporary USDA ban on livestock trade over the border. Each of these men is doing their darnedest to maintain peace, safety and the livelihoods of so many others. Pulling the curtain back on what feels like scenarios that only happen in the movies, is eye opening. You have to remind yourself that these folks are living, breathing people with families and loved ones. This documentary is unusually educational and will certainly restore your faith in humanity.

LISTEN TO ME MARLONLISTEN TO ME MARLON (300dpi)This doc opens up in a jarring fashion. Reminiscent of the floating head at Disneyland’s The Haunted Mansion, there we see and hear the disembodied “Head” and voice of Marlon Brando. Director, Stevan Riley has granted the world the access he gained to mountains of audio tapes made by Brando himself. Some are self hypnosis tapes in which he recalls childhood moments once kept very close to his chest. Through archival footage and Brando’s own voice, we delve into the personal life of the reclusive star. These confessional tapes reveal a side of this legend not many people were privy to. Acting was somewhat of a spiritual outlet. His charisma was endless, as was his passion for sex and affection. Receiving little from his alcoholic parents, Brando‘s ego was lifted by his enormous talent, perhaps too far for the likes of some. Although, as you listen to him speak, you gather that he was a rather astute, observant, reflective man who struggled with real abandonment issues that never truly get resolved for him. Tragedy followed him in his personal life and the genius and attention swallowed him hole at times. Listen To Me Marlon is a gorgeous portrait. When you stop taking notes during a film and just listen, as a critic, that is the moment of pure magic.

GOODNIGHT MOMMYGOODNIGHT MOMMY_Still 2Give a kid an inch, so they say, and they’ll take a mile. Twins Lukas and Elias have been awaiting the return of their mother. She has just completed facial reconstructive surgery. Longing for her love and affection, the boys are thrown into detective mode when Mom returns a different person. Face completely bandaged and rage on the surface, she forces the boys to maintain quiet and changes all the rules. Something clearly amiss, Lukas and Elias must find a way to make her admit who she really is, while facing the changes themselves. Much like last year’s The Babadook, psychological torture is in the cards. Can you stomach the tactics used by children when they don’t fully understand the consequences themselves? Goodnight Mommy will scare the hell out of you and make you squirm like never before.

DOG LADYdog ladyFollowing a woman surrounded by a pack of discarded dogs, this film highlights the off-grid lifestyle to the nth degree. The film’s subject, played flawlessly by co-director Verónica Llinás, chooses to live on the outskirts of Buenos Aires in a what begins as a primitive lean-to, and progresses in sound structure along with the movie itself. We follow our lady through four full seasons as she forages for food and supplies. Her ingenuity is astounding, taking what is essentially trash and making a home for herself. She has absolutely zero dialogue. The sparse dialogue that does exist comes from what little human interaction she allows; taunting children, a clinic doctor, and a brief sexual encounter with a rather verbose rancher. This film is highly engrossing, perhaps causing the viewer to reassess the amount of material objects we carelessly cast aside. Her sense of survival and her clear warm spirit guide this film along it’s year long timeline. There is definitely something to be said about the it’s wide final shot. It will force you to  come to terms with your true feelings of our Dog Lady.

You can find out more about these incredible films, and so many more, at NDNF. The Diary of a Teenage Girl opens tonight! Screenings during the fest take place at MoMa and FSLC.