NEW JACK FURY
Multi-hyphenate filmmaker Lanfia Wal brings a hilarious visual feast in his SXSW 2025 Midnighter feature, NEW JACK FURY. Straightlaced cop Dylan Gamble wants to take down a crime organization called the Styles Syndicate but gets fired before he can do so. A year later, Dylan’s obsession remains. After the Syndicate kidnaps his new girlfriend, he must team up with a small-time crook named Hendrix Moon and Moon’s arch-rival, a mild-mannered moonwalker named Leslie Kindall. Shenanigans ensue, and the audience is all the cooler for it.
Stylistically, I immediately think of Vera Drew’s The People’s Joker, from the visual aesthetic to the laugh-out-loud, unfiltered, tongue-in-cheek dialogue. It is a vibe. Think Grindhouse VHS meets movie of the week, and it is perfection.
Every single cast member nails it. I do not know if any dialogue is improvised, but every beat feels like a Groundlings sketch. It is akin to watching living muppets. Slow clap for this fully committed, genuinely awe-inspiring ensemble cast.
The graphic novel-style opening credits are spectacular. Completely absurd built-in commercials are chef’s kiss. A Street Fighter-esque scene is magic. The single-camera-style shooting further supports the theatrical feeling. NEW JACK FURY is precisely what SXSW audiences come for. It has cult-classic written all over it.
Ps- stick around during the credits for some behind-the-scenes fun. It is impossible not to love this film.
NEW JACK FURY Trailer:
Lanfia Wal
Lanfia Wal is a director, writer, producer, and VFX artist. Lanfia’s writing credits include being the lead writer on the Showmax/Canal+ crime drama ‘Crime & Justice’. He has also directed social media campaigns and music videos for record labels such as Def Jam and Shady Records. He was also a finalist for the 2024 PAGE Screenwriting awards.
Credits:
Director:
Lanfia Wal
Executive Producer:
Chris R. Jones
Producer:
Van White, Mariah Morgenstern, Denaun Porter, Lanfia Wal, Akino Childrey
Screenwriter:
Lanfia Wal
Cinematographer:
Jonathan Rigattieri
Editor:
Lanfia Wal
Production Designer:
Lanfia Wal
Sound Designer:
Nate Attias
Music:
Mr. Porter, Bobby “White Gold” Yewah, Amar “Vettrax” Dean, Choice Noble
Principal Cast:
Andre Hall, Page Kennedy, Dean “Michael Trapson” Morrow, Paul Wheeler, Ally Renee, Shawn Nathan, Wrekless Watson, Ace Vane, James Markham Hall, Jr., Vincent M. Ward
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Graphic novel animation serves as visually delightful childhood memories surrounding Lola’s backstory with the villain. The poster is undoubtedly an homage to Black Christmas, and the classic trope of a killer in a Santa suit plays, ala Silent Night Deadly Night, still rules.
Jeremy Moineau gives Lola an effortlessly badass persona but beautifully balances toughness with authentic vulnerability. Her monologue about the town’s history is perfection. 
For all things Fantasia 2024, 
An aspiring clown grappling with her gender identity combats a fascistic caped crusader, in writer-director Vera Drew’s uproariously subversive queer coming-of-age origin story.
Vera Drew‘s TIFF22 Midnight Madness feature, THE PEOPLE’S JOKER, is a visual explosion of mixed media deliciousness. Creatively autobiographical, watching the film is like taking ecstasy while simultaneously receiving an important message. Drew’s script overflows with biting satire about gender politics, comedy, and emotional healing. While we’re busy laughing and wondering how she got away with parodying DC, Disney, and other trademarks, she slyly exposes cyclical and deep-seated trauma.
I have to mention Nathan Faustyn by name. He plays Penguin with an unfiltered edge. Faustyn has incredible comic timing, and his chemistry with Vera is perfect. I want to see more of him in anything. Vera Drew speaks truth to power in a raw and undeniably hilarious manner. The writing is fearless, the performance is vulnerable, and her vision as a filmmaker is endlessly engrossing and quirky.
I adored the “bleeping” to avoid deadnaming. It was a quietly powerful device allowing Drew to address it head-on later in the film. Keep your ears sharp for voice cameos from Tim Heidecker and Bob Odenkirk. The original music is super catchy. Stick around through the credits for some extra treats. You’ll finally realize how expansive THE PEOPLE’S JOKER is. Each visual aspect comes from a different creative’s brilliant mind. This wild fandom mash-up is part confessional therapy session and another part cult coming-of-age indie.
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