Tribeca Festival 2021 reviews: ‘See For Me’ and ‘Shapeless’ feature women battling different inner demons.

SEE FOR ME

When blind former skier Sophie cat-sits in a secluded mansion, three thieves invade for the hidden safe. Sophie’s only defense is army veteran Kelly. Kelly helps Sophie defend herself against the invaders and survive.

See For Me takes the home invasion genre and adds a surprising element; the leading lady’s morality. Rightfully bitter, having lost her sight, Sophie pushes everyone away in hopes of remaining independent. Part of that behavior also includes sticky fingers during her cat-sitting gigs. When trouble arises, Sophie begrudgingly takes her mother’s advice. She downloads an app allowing another person to look through the user’s cell phone camera to assist them in tasks. This comes in handy when Sophie is confronted with home invaders. Although, her best chance of survival comes with a moral caveat.

Skyler Davenport as Sophie is outstanding. Her temperament and ability to put the audience in her shoes make this as successful as it is. Alongside Jessica Parker Kennedy‘s confident performance, the two have unshakeable chemistry, even if they never meet face to face. See For Me is a thoroughly engaging thriller. You’re immediately hooked by the premise. Director Randall Okita invites us into Sophie’s world. With wide-angle shots, we experience immediate terror. Slowly lumbering killers in the same frame, all unbeknownst to Sophie, gives the film energy akin to the Friday The 13th franchise. Plus, two women fighting in tandem in a completely fresh way enhanced the home invasion trope. See For Me has a solid feminist vibe.  A thriller with a side of morality? That’s good stuff.

(**World Premiere**) – Tribeca Online Premieres

Director: Randall Okita
Cast: Laura Vandervoort, Jessica Parker Kennedy, Skyler Davenport, Kim Coates, Pascal Langdale, Joe Pingue, George Tchortov

 


SHAPELESS

Ivy, a struggling singer in New Orleans trapped in the hidden underworld of her eating disorder, must face her addiction – or risk becoming a monster.

A huge aspect of eating disorders is the idea of control. What happens when that obsession changes who you are? Perfectly titled, Shapeless creates a slow-burn dread that consumes the viewer. If you can stomach the content, good for you. I mean this quite literally. Director Samantha Aldana adds a precise feminine touch. Ivy’s physical and emotional self-destruction is incredibly familiar. Seemingly small moments, like secretly borrowing clothes or the careless nature of her personal relationships, reveal a fuller picture.

Kelly Murtagh is outstanding in the role she wrote alongside Bryce Parsons-Twesten. Her exhaustion and frustration are palpable. This certainly comes from Murtagh’s own experiences with an eating disorder.  Admittedly, as a genre fan, the most intriguing aspect of Shapeless is the progressive body horror. I yearned for more. The prosthetic makeup lands somewhere between grotesque and whimsical. It captures the essence of Shapeless at every turn. The final scene is nothing short of heartbreaking, honest, and terrifying. Bravo.

(**World Premiere**) – Midnight

Director: Samantha Aldana
Writers: Kelly Murtagh, Bryce Parsons-Twesten
Cast: Jamie Neumann, Marco Dapper, Kelly Murtagh, Bobby Gilchrist, Erika Ashley, Gralen Bryant Banks, Zardis Nichols

Tribeca Film Festival 2021 is back with a vengeance. Here’s what we’re stoked to see.

Tribeca Film Festival is back and it’s the 20th anniversary, baby. This year’s lineup not only features a slew of incredible new films but will also include titles that didn’t get the chance to screen at the 2020 festival due to Covid. Audiences can experience Tribeca in a multitude of ways. You can enjoy outdoor screenings or watch from the comfort of your couch with Tribeca At Home. There are podcasts, live talks, immersive programs, and so much more. This festival is reliable for churning out crowdpleasers and this year is no exception. Here is a mere handful of films we are excited to share with our readers.

Werewolves Within

SYNOPSIS:
After a proposed gas pipeline creates divisions within the small town of Beaverfield, and a snowstorm traps its residents together inside the local inn, newly arrived forest ranger FINN (Sam Richardson) and postal worker CECILY (Milana Vayntrub) must try to keep the peace and uncover the truth behind a mysterious creature that has begun terrorizing the community.
When everyone is talking about a film before it even premieres you know you have to check it out. The pairing of Milana Vayntrub and Sam Richardson is pure comic genius. The screenplay from Mishna Wolff gives this duo a chance to shine and the audience nonstop belly laughs. In fact, this ensemble cast will blow you away. The hidden social commentary inside a werewolf mystery heightens everything. You do not want to miss this one.
Virtual Screening
Available Starting

Thu June 17 – 6:00 PM

At Home

$15

Streaming Tribeca at Home is not available outside the USA. Purchased films remain available to stream on demand from the above date through June 23


Poser

Lennon exists timidly on the sidelines of the thriving Columbus, Ohio indie music scene, yearning for a personal connection that might shepherd her into the inner sanctum of warehouse concerts, exclusive backstage, house parties and the cutting-edge art scene. As she fuels her desire for entrée into a podcast featuring live music and conversations with the artists she so fervently admires, Lennon finds inspiration for her own musical ambitions…and a growing sense of misdirected identity. Enter Bobbi Kitten, an enigmatic, striking and talented half of a popular, indie pop duo, who takes Lennon under her confident wing—unwittingly entangling herself in a dark obsession.
This is a film that will connect with multiple generations. It’s a story about finding your niche but that’s a really glossy explanation. The script is nuanced in a way that you will not see coming.
Available Starting

Fri June 11 – 6:00 PM

At Home

$15

Streaming Tribeca at Home is not available outside the USA. Purchased films remain available to stream on demand from the above date through June 23.


Settlers

Remmy and her parents, refugees from Earth, have found peace on the Martian outskirts—until strangers appear in the hills beyond their farm. Told as a triptych, the film follows Remmy as she struggles to survive in an uneasy landscape.

An unexpected feminist tale, Settlers script makes the heart beat faster, ceaselessly begging the question, “What would you do to survive?”

Available Starting

Fri June 18 – 8:00 PM

At Home

$15

Streaming Tribeca at Home is not available outside the USA. Purchased films remain available to stream on demand from the above date through June 23


How It Ends

In this feel-good apocalyptic comedy, Liza (Zoe Lister-Jones) embarks on a hilarious journey through LA in hopes of making it to her last party before it all ends, running into an eclectic cast of characters along the way.

Having a massively successful run on the festival circuit, Zoe Lister-Jones stars in a cameo-filled, riotous, and thoughtful film about coming to terms with the traumas of our childhood. You will laugh (a lot) and cry. This one will undoubtedly hit all the right notes.

Available Starting

Mon June 21 – 6:00 PM

At Home

$15

Streaming Tribeca at Home is not available outside the USA. Purchased films remain available to stream on demand from the above date through June 23


We Need To Do Something

After Melissa and her family seek shelter from a storm, they become trapped. With no sign of rescue, hours turn to days and Melissa comes to realize that she and her girlfriend Amy might have something to do with the horrors that threaten to tear her family – and the entire world, apart.

This is one of the first titles to get picked up before its premiere. That always makes a film extra buzzy. The idea of being trapped in a bathroom with my family already gives me anxiety. Add on the horror element and you’d push anyone’s nerves beyond their breaking point.

Available Starting

Wed June 16 – 6:00 PM

At Home

$15

Streaming Tribeca at Home is not available outside the USA. Purchased films remain available to stream on demand from the above date through June 23


Ultrasound

**World Premiere** – Midnight

Driving home late at night during a heavy rainstorm, Glen experiences car trouble. Near where his car gets stuck, he spots a house, knocks on the door and is greeted by an oddly friendly middle-aged man, Arthur, and his younger wife, Cyndi. The strange couple pours him a drink, and then more drinks, followed by an unexpected offer that Glen can’t refuse. Elsewhere, a young woman, Katie, is feeling emotionally weighed down by a secret romantic arrangement that feels like a textbook case of gaslighting. And at the same time, in a nondescript research facility, medical professional Shannon begins questioning her role in a bizarre experiment, fearing that she’s doing more harm than good.

When I tell you that you aren’t ready for Ultrasound, I mean that as the highest compliment. This is a film best viewed totally unaware of the plot. Frankly, that’s not too difficult as the script provides dizzying twists over and over again. This is a film that people will be talking about. It’s one you’ll want to watch again and again.

Available Starting

Wed June 16 – 6:00 PM

At Home

$15

Streaming Tribeca at Home is not available outside the USA. Purchased films remain available to stream on demand from the above date through June 23


Claydream

A modern day Walt Disney, Will Vinton picked up a ball of clay and saw a world of potential.  Known as the “Father of Claymation,” Vinton revolutionized the animation business during the 1970s, ’80s, and ’90s.  But after 30 years of being the unheralded king of clay, Will Vinton’s carefully sculpted American dream came crumbling down at the hands of an outside investor, Nike’s Phil Knight.

The poster alone screams nostalgia for a generation brought up on Saturday morning cartoons. With sitdown interviews and behind-the-scenes clips, fall in love with Will Vinton and his creations all over again.

Available Starting

Sun June 13 – 7:00 PM

At Home

$15

Streaming Tribeca at Home is not available outside the USA. Purchased films remain available to stream on demand from the above date through June 23


No Man Of God

In 1980, Ted Bundy was sentenced to death by electrocution. In the years that followed, he agreed to disclose the details of his crimes, but only to one man.  NO MAN OF GOD is based on the true story of the strange and complicated relationship that developed between FBI agent Bill Hagmaier and an incarcerated Ted Bundy in the years leading to Bundy’s execution.

We often hear about how charming Ted Bundy was. Director Amber Sealey‘s No Man Of God puts the audience in the room with him as writer Kit Lesser used actual transcripts from Bundy and Hagmaier’s conversations. Brimming with complexity and boasting amazing performances from Luke Kirby and Elijah Wood, leave your expectations at the door. 
Available Starting

Sat June 12 – 6:00 PM

At Home

$15

Streaming Tribeca at Home is not available outside the USA. This purchased film will remain available to stream on demand from the above date through 6/14 at 6 PM EST


Creation Stories

 Creation Stories charts the true story of the rise and fall of Creation Records and its infamous founder, Alan McGee; the man responsible for supplying the “Brit Pop” soundtrack to the 90s, a decade of cultural renaissance known as Cool Britannia.  From humble beginnings to Downing Street soirées, from dodging bailiffs to releasing multi-platinum albums, Creation had it all. Breakdowns, bankruptcy, fights and friendships… and not forgetting the music. Featuring some of the greatest records you have ever heard, we follow Alan through a drug-fueled haze of music and mayhem, as his rock’n’roll dream brings the world Oasis, Primal Scream, and other generation-defining bands.

Drugs, music, risk, and passion drove Allen McGee to change the face of music in the 90s. Creation Stories comes at you like a freight train with a visceral energy that makes you wanna get up and dance. If you are a fan of Trainspotting, also penned by Irvine Welsh, this is right up your alley. Be on the lookout for our upcoming interview with director Nick Moran!

Available Starting

Wed June 16 – 8:00 PM

At Home

$15

Streaming Tribeca at Home is not available outside the USA. Purchased films remain available to stream on demand from the above date through June 23


My Heart Can’t Beat Unless You Tell It To

Two mysterious siblings find themselves at odds over care for their frail and sickly younger brother.

This is another film that is best experienced without prior knowledge of the plot. My Heart Can’t Beat Unless You Tell It To comes out of left field in a genre-bending tale of morality. The emotional gut-punch that the film becomes will consume you.


TRIBECA FILM FESTIVAL 21 runs from June 9th to the 20th. For more information visit https://tribecafilm.com/festival and stayed tuned to Reel News Daily for reviews and updates.

Tribeca Film Festival 2019 Review: ‘Something Else’ is aptly named.

SOMETHING ELSE

The Midnight section at this year’s Tribeca Film Festival gives us Something Else. A story about Hank, whose longtime girlfriend Abby abruptly leaves him, but with a lot of extra flair in the plot. The editing is spectacular. Crisp still camera images set against a bleakly lit Hank, make for a perfect early jump scare. Then you catch on that’s it’s a repeated theme. Abby equals brightness. No Abby equals darkness… and a monster at the front door. The music has a heavily Gen X quality. The daytime dialogue (once Abby is absent) feels reminiscent of early Kevin Smith, particularly from everyone around Hank. This gives teeth to the naturalistic performances from a small cast. Classic tropes weave into the darker scenes and then the film becomes something altogether different. Something Else is exactly that. It’s like two films in one. It’s a monster movie and a serious relationship drama which incidentally includes a 15-minute single camera take of dialogue. Something Else is aptly named and unexpected on all fronts.

SOMETHING ELSE

For small-town bar owner Hank (Jeremy Gardner), his 10-year relationship with Abby (Brea Grant) has been storybook-quality. Abby, however, wants more: marriage, to be exact, which Hank doesn’t seem ready to initiate anytime soon. As a result, she leaves him without so much as a note or any subsequent communication. Hank is crushed. Even worse, Abby’s departure seemingly triggers the arrival of an unseen monster that claws at Hank’s front door at night. As the nocturnal threat intensifies, Hank must figure out how to not only save his relationship but also himself.

Tribeca Film Festival 2019 Review: ‘Come To Daddy’ is everything you’d want an Ant Timpson film to be.

COME TO DADDY

Elijah Wood plays an emotionally overwhelmed uber hipster attempting to reconnect with his estranged father. Summoned to a secluded home via a mysterious letter from his dad, he finds himself in an unexpected situation. Wood, as always, is vulnerable and funny. I’ll buy anything he’s selling. His body of work is so eclectic and wonderfully bizarre, what’s not to love? Now let’s talk about Ant Timpson‘s amazing directing. As a producer, The ABC’s Of Death is off the wall fun and don’t even get me started on the insanity that is The Greasy Strangler. Come To Daddy, Timpson’s directorial debut is a genre-bending funhouse. Tribeca’s Midnight section is the perfect slot for Timpson’s work and I do mean that as a compliment. This film takes a sharp turn at 30 minutes in, then hurtles from mysterious to funny, unsettling to WTF, and it is a delight. The camera work is top-notch. There is mayhem for days. Wonderfully timed plot treats fall into our laps like a busted piñata. I simply cannot express how damn fun this film is. You will not have any clue where this is going.

Norval’s (Elijah Wood) life has been, to put it lightly, difficult. Currently living home with his mother, the troubled young man is coming off alcohol-related struggles. So when he receives an unexpected letter from his estranged father requesting a visit, Norval catches a bus up to his dad’s secluded and scenic waterfront home. Maybe reconnecting with his father will give Norval the emotional fulfillment he’s been lacking. Before long, though, he notices something off about his dad, an uneasy feeling triggered by inappropriate comments and a possible over-dependence on booze. Norval quickly realizes that his hope of father/son bonding is doomed. Instead of a family reunion, he finds himself in waking nightmare.
FILM INFO

Tribeca Film Festival Review: ‘TIGER RAID’ is a spectacular test of loyalty.

Tribeca Film Festival logo 2016

World Premiere in the Midnight Category
Section at the 2016 Tribeca Film Festival

tider raid brain and glesson and moloney

Starring:
 Brian Gleeson (Snow White and the Huntsman, The Eagle),
Damien Molony (Suspects),
Sofia Boutella (Kingsman: The Secret Service, upcoming Star Trek Beyond)  and
Rory Fleck-Byrne (The Quiet Ones)

Directed by: Simon Dixon

Written by: Simon Dixon, Mick Donnellan

While on a covert mission, two cold blooded mercenaries form an unlikely bond as they race across the desert in the dead of night. When their violent and desperate world implodes, past atrocities come to the surface threatening to tear each of them apart.

Tiger_Raid_brian gleeson

With Tarantino-esque dialogue driven scenes, TIGER RAID opens in the arid Iraq dessert, as Joe and Paddy approach their mission location. They are assigned with the kidnapping of an unknown individual, receiving orders from earpieces whose instructions are just muffled enough to be a mystery to the audience. Along the way, we learn piecemeal that each man has a haunted past. About 10 minutes in, we get our first plot twist. These flips in writer/director Simon Dixon’s script keep coming as the film’s 92 minutes roll along. I think I lost count at 4. Brian Gleeson as Joe is fierce and domineering, yet somehow totally lovable as he revels in his joy for the kill. Damien Molony shines as Paddy, a man whose emotional obsession comes between his sense of right and wrong. The story is about the extremes of loyalty and the justification of past indiscretions. For me, there is not one moment that is out of place in this film. The score has both a menacing and ethereal feel. The close-ups are delicious and meaningful. The sound design is impeccable and poignant. TIGER RAID takes you on a journey into the minds of men who kill for money and for sport. This vibrant and unapologetically violent ride is beyond engrossing from every angle. It will not disappoint.

  • Section: Midnight
  • Year: 2016
  • Length: 92 minutes
  • Language: English
  • Country: U.K.
  • Premiere: World
You can still get rush tickets for tonight’s screening. I highly recommend that you do.
9:45 PM – FRI 4/22 BOW TIE CINEMAS CHELSEA 5Icon-fg-map RUSH