THE THREE OF US
In a society governed by tradition, a young Orthodox couple defies norms to integrate their autistic son. As they risk everything, their journey explores the delicate balance between love, faith, and self-discovery. Through their struggle, they challenge preconceived notions, embracing parenthood and searching for their place in the world.
Filmmaker Henya Brodbeker turns the camera on her, her husband, and their young autistic son, Ari. Through years of filming, we witness the evolution of relationships in her Orthodox community, her marriage, and with herself. This is one family’s story about belonging.
THE THREE OF US is one of the most authentic depictions of what it feels like to parent an autistic child. Your unconditional love exists simultaneously with anger, despair, hope, and fear. Henya pulls no punches. Her unfiltered conversations with her husband hit hard. Their raw emotions and vulnerability allow us to sit in their shoes from the beginning. The insulting treatment Henya and Arale receive from their ultra-Orthodox community is infuriating. Arale and Henya invite us to their exhaustive fight for Ari’s integration into a neurotypical classroom setting. The often dismissive responses from community school administrations are outrageous. 
Anyone who follows my career as a film journalist knows I’m a Mom of a young autistic son. I talk about his diagnosis and navigating the complexities of existing in a primarily neurotypical environment. We are lucky in the grand scheme of ASD possibilities. Our son’s cognitive abilities are off the charts. He is loving, funny, friendly, and would not hurt a fly. Dealing with public meltdowns, particularly if those around you do not know or understand, can be a crushing, demoralizing, tear-filled experience. Nothing is easy. It’s undeniably isolating. It’s the outside world we fear most. THE THREE OF US is irrefutable proof of how equal opportunity changes the lives of families.
The reality exposed in the film may take some viewers off guard. Arale and Henya’s bravery deserves applause and respect. To turn a camera on your lived-in chaos? Wow. I only write about it. THE THREE OF US triumphs in its unfettered honesty and in challenging any preconceived notions of raising a child on the spectrum. Disability representation in film is vital. As an advocate for my child, I thank Henya for making this film. I hope it changes some hearts and minds.
International Premiere of
‘The Three of Us’ at DOC NYC
Thursday, November 9 at 6:45 pm
Village East by Angelika
Director Henya Brodbeker in-person for premiere!
Plus online dates: November 10-26
https://www.docnyc.net/film/
About the Filmmakers
Henya Brodbeker, Director & Cinematographer
Israeli writer-director and pioneering filmmaker from the ultra-Orthodox community. Her first short film OUR SON (2022) screened at the Cinequest film festival, won the best film award at the Jerusalem Jewish Film Festival, and participate in other festivals around the world. Her documentary THE THREE OF US (2023) won the Diamond Award for Best Documentary, Best Director & Best Editing at the Jerusalem Film Festival. The film will be broadcasted by IPBC in 2023. She is currently working on BODILY ENCOUNTERS, a feature film in development with the support of the Israel Film Fund.
Avigail Sperber Producer
Avigail Sperber is a documentary director, producer, and cinematographer originally from Jerusalem. After graduating from Ma’aleh Film School, Avigail has gone on to create award-winning films that have screened at prestigious festivals around the world. Her 2010 film THE HANGMAN received Special Mention at IDFA and went on to screen at Full Frame, Visions du Reel, and more. PROBATION TIME (2014) won the Best Israeli Film Award at Docaviv and screened afterwards at True/False and Krakow Film Festival, among others. In recent years, through her production company Pardes Productions, she has produced and shot several documentary films and series, including THE THREE OF US (Jerusalem FF 2023), Wedding Night (Docaviv 2023), IT’S A WRAP (Haifa FF 2022), COVERED UP (Docaviv 2018), and more.
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The ensemble cast is delightful. Kayden Bryce, Marsha Warfield, Colette Hahn, Mandy Logsdon, Cameron Judd, and Dale Dobbs make you laugh and smile the entire film.
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2nd Annual Dances With Films – NYC 
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The first feature film to be shot entirely from one fixed camera angle, 
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Don’t Tell Larry
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Emilia Jones (
The script also comedically highlights how far women go to remain appealing, how we placate for acceptance, the self-deprecating behavior, and the blatant shunning of red flags. There is a sex scene that is truly something to behold. It is the most cringeworthy, amusing, icky, relatable thing any woman can watch. It accurately captures the constant fear of existing as a woman. The relentless anxiety, the people pleasing, and the patriarchal pressure from every direction, CAT PERSON nails each aspect with humor and truth in fiction.
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Cole is a new online content monitor for the FBI. Upon discovering the final message of his predecessor, he finds a new meaning of “images seared into your brain.” Michael Rich‘s THE QUEUE is the physical manifestation of PTSD from vile online videos.
In EMPIRE V, the two primary notions of Vampirism are Glamour and Discourse. They essentially break down to look and influence. Blood holds all the memories of the human it comes from and arrives differently than we’ve become accustomed to. 
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